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I throw it all in there, Kung Fu, blaxploitation, horror.

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Laking Marikina, Part 2

Isang paraiso no'n ang Ilog Marikina
Daming binubuhay, daming umaasa
Malinis na tubig, siya'ng pinagkukunan,
Inumin sa banga, panligo sa tapayan
Tumana sa baybay, daming binubuhay
Palakaya sa tubig, iba't-iba ang paraan
Sa inyo ko'y babanggitin, anu-ano ang pangalan

BINGWIT

Ang Bingwit ay isang panghuli ng isda
Na may tangkay, pisi, pabigat at taga
Sa Ingles siya ay rod, hook, line and sinker
Bingwit or Fishing Rod, parehong may pain
Pain namin no'n ay hipon at bulate
Sari-saring isda ang nangahuhuli
Biya, hito, kanduli, minsa'y bakule
Bingwit ay di pare-pareho ang gamit
Merong sa tubig lang ay inilalawit
Merong hinihila matapos ihagis
Para ng isda ang pain ay mapansin
Akala niya'y buhay, agad sasagpangin
Ang tawag namin sa ganitong paraan
Ay di namimingwit, kundi nanggagalay

PATUKBA

Patukba ay parang bingwit na maliit
Maikli ang pisi, ang tangkay ay siit
Tangkay ay matulis para maitusok
Pag iniuumang na sa tabi ng ilog
Sa dulo ng tangkay doon nakalawit
Ang pising sa dulo, taga'y nakakabit
Kung ito'y iumang ay sa dakong hapon
Pain ay palaka, kuliglig o suhong
IIwang magdamag hanggang sa umaga
ang oras na dapat sila'y pandawin na
Ang paing sa tubig ay kakawag-kawag
Ng bulig o dalag gustong sinisiyab
Ang aking patukba'y tatlumpu ang bilang
Di marami, di kaunti, lang ay katamtaman
Sa bilang na ito, bawat pag-uumang
Ang dalag kong huli'y naglalaro sa siyam
Ang paing kuliglig saan kinukuha?
Sa ilalim ng yagit sa bukid/tumana
Ang suhong naman ay sa mga putikan
Sa tabi ng ilog, kahit na nga saan
Ang palaka naman ay sa mga lawa, Sa bukid, sa ilog at lugar na basa

KITANG

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Kung Fu Fighting (dance Remix)

Oh Oh Oh Ooooh
Ya'll ready?
Oh Oh Oh Ooooh
Yeah.
Let's Go!
Oh Oh Oh Ooooh
Now here it is, want to make you move
something with a funky Kung Foo groove
something that will make you shout
make you play to the crowd
and make you want to turn it out
so homies gather 'round (right 'round)
i'll pick you up take you on go pound-for-pound
'cuz i'm the only man who'll please ya
i got a little something that'll tease ya
so throw those hands up high (come on)
shake your body move from side to side (thats right)
cuz we just begun party people in the place yeah we're having fun
oh yeah i'm gonna be a big star
i'm gonna lay it on and go woo-hah
cuz when the mood gets exciting (come on)
when everybody's Kung Foo fighting
(Chorus)
Everybody was Kung Fu Fighting - hunh (come on, hoo-hah)
Those kids were fast as lighhing - ha (woo-chop)
In fact it was a little bit frightening - hunh (huh-huh-huh)
But they fought with expert timing. - ha
Sing it girl
Sexy Kung Foo Fighter
Let me take you higher
i got the moves baby
sing kung foo fighter
take you higher
Aaaaw yeah!
There's bright lights on and no cold flow (so what?)
A kung foo fighter in a disco
he's out to take his chance
he goes for honeys in the house and he goes for romance (he's on the floor)
he's got a white suit on fight pants on and the night has just begun
cuz when he lays it on with style
a ladies man with a nice smile
and right befroe his eyes
sees a pretty young thing looking real fly (so fly)
he wants to make the score
so he takes her hand and leads her to the dance floor
he's giving her line after line
she tells him that he looks real fine
she sees the man's perfect timing
just like when he's kung foo fighting
(chorus)

[...] Read more

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Ezra Pound

Canto 13

Kung walked
by the dynastic temple
and into the cedar grove,
and then out by the lower river,
And with him Khieu Tchi
and Tian the low speaking
And "we are unknown," said Kung,
"You will take up charioteering?
"Then you will become known,
"Or perhaps I should take up charioterring, or archery?
"Or the practice of public speaking?"
And Tseu-lou said, "I would put the defences in order,"
And Khieu said, "If I were lord of a province
"I would put it in better order than this is."
And Tchi said, "I would prefer a small mountain temple,
"With order in the observances,
with a suitable performance of the ritual,"
And Tian said, with his hand on the strings of his lute
The low sounds continuing
after his hand left the strings,
And the sound went up like smoke, under the leaves,
And he looked after the sound:
"The old swimming hole,
"And the boys flopping off the planks,
"Or sitting in the underbrush playing mandolins."
And Kung smiled upon all of them equally.
And Thseng-sie desired to know:
"Which had answered correctly?"
And Kung said, "They have all answered correctly,
"That is to say, each in his nature."
And Kung raised his cane against Yuan Jang,
Yuan Jang being his elder,
For Yuan Jang sat by the roadside pretending to
be receiving wisdom.
And Kung said
"You old fool, come out of it,
"Get up and do something useful."
And Kung said
"Respect a child's faculties
"From the moment it inhales the clear air,
"But a man of fifty who knows nothng
Is worthy of no respect."
And "When the prince has gathered about him
"All the savants and artists, his riches will be fully employed."
And Kung said, and wrote on the bo leaves:
If a man have not order within him
He can not spread order about him;
And if a man have not order within him
His family will not act with due order;
And if the prince have not order within him

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Ezra Pound

Canto XIII: Kung Walked

Kung walked
by the dynastic temple
and into the cedar grove,
and then out by the lower river,
And with him Khieu Tchi
and Tian the low speaking
And ``we are unknown," said Kung,
``You will take up charioteering?
``Then you will become known,
``Or perhaps I should take up charioterring, or archery?
``Or the practice of public speaking?''
And Tseu-lou said, ``I would put the defences in order,''
And Khieu said, ``If I were lord of a province
``I would put it in better order than this is.''
And Tchi said, ``I would prefer a small mountain temple,
``With order in the observances,
with a suitable performance of the ritual,''
And Tian said, with his hand on the strings of his lute
The low sounds continuing
after his hand left the strings,
And the sound went up like smoke, under the leaves,
And he looked after the sound:
``The old swimming hole,
``And the boys flopping off the planks,
``Or sitting in the underbrush playing mandolins.''
And Kung smiled upon all of them equally.
And Thseng-sie desired to know:
``Which had answered correctly?''
And Kung said, ``They have all answered correctly,
``That is to say, each in his nature.''
And Kung raised his cane against Yuan Jang,
Yuan Jang being his elder,
For Yuan Jang sat by the roadside pretending to
be receiving wisdom.
And Kung said
``You old fool, come out of it,
``Get up and do something useful.''
And Kung said
``Respect a child's faculties
``From the moment it inhales the clear air,
``But a man of fifty who knows nothng
Is worthy of no respect.''
And "When the prince has gathered about him
``All the savants and artists, his riches will be fully employed.''
And Kung said, and wrote on the bo leaves:
If a man have not order within him
He can not spread order about him;
And if a man have not order within him
His family will not act with due order;
And if the prince have not order within him

[...] Read more

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Throw It All Away

How could you
Just hurt me
And leave me
(leave me all alone)
How could you destroy my life
How could you throw it all away
What made you
Desert me and deceive me
Why did you just let me down
How could you throw it all away
How could you throw...
How could you throw it all away
Throw it all away
When I gave my all, baby
How could you throw it all away
And I gave my all
How could you throw
How could you throw it all away
Throw it all away
You destroyed my life, baby
How could you throw it all way
How could you
Just lead me
Into thinking
(thinking you would be there)
How could you destroy my heart
How could you throw it all away
I love you
Believe you
And I trusted you
(put all my trust in you)
How could you just let me down
How could you throw it all way
How could you throw
How could you throw it all away
Girl how could you
Throw it all away
How could you just take it all
How could you throw it all away
Oh how could you throw
How could you throw it all away
Throw it all
Throw it all away
When I gave my love
How could you throw it all away
I love you girl
You love me so
Where did we go wrong
I know that i
Gave my all to you

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Temporary Poem Of My Time

Hebrew writing and Arabic writing go from east to west,
Latin writing, from west to east.
Languages are like cats:
You must not stroke their hair the wrong way.
The clouds come from the sea, the hot wind from the desert,
The trees bend in the wind,
And stones fly from all four winds,
Into all four winds. They throw stones,
Throw this land, one at the other,
But the land always falls back to the land.
They throw the land, want to get rid of it.
Its stones, its soil, but you can't get rid of it.
They throw stones, throw stones at me
In 1936, 1938, 1948, 1988,
Semites throw at Semites and anti-Semites at anti-Semites,
Evil men throw and just men throw,
Sinners throw and tempters throw,
Geologists throw and theologists throw,
Archaelogists throw and archhooligans throw,
Kidneys throw stones and gall bladders throw,
Head stones and forehead stones and the heart of a stone,
Stones shaped like a screaming mouth
And stones fitting your eyes
Like a pair of glasses,
The past throws stones at the future,
And all of them fall on the present.
Weeping stones and laughing gravel stones,
Even God in the Bible threw stones,
Even the Urim and Tumim were thrown
And got stuck in the beastplate of justice,
And Herod threw stones and what came out was a Temple.

Oh, the poem of stone sadness
Oh, the poem thrown on the stones
Oh, the poem of thrown stones.
Is there in this land
A stone that was never thrown
And never built and never overturned
And never uncovered and never discovered
And never screamed from a wall and never discarded by the builders
And never closed on top of a grave and never lay under lovers
And never turned into a cornerstone?

Please do not throw any more stones,
You are moving the land,
The holy, whole, open land,
You are moving it to the sea
And the sea doesn't want it
The sea says, not in me.

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Panaghoy

Aanhin ko
ang lahat ng yaman sa mundo
kung dito ay wala
ni isa mang kasalo.

Aanhin ko
ang pinakamataas na karangalan
kung dito ay walang
mapag-aalayan.

Aanhin ko
ang makapiling ka
kung ang isinisigaw ng iyong puso
ay hindi ako.

Aanhin ko
ang aking magandang tinig
kung wala ditong
makikinig.

Aanhin ko
ang aking mga tula
kung wala ditong
tutula.

Aanhin ko
ang mabuhay
kung aking saysay
ay maitutulad sa hanging
walang nakakakita.

Oh, poon ng mga poon
bakit pa ako'y nilalang
kung ika'y walang gagawin
kundi ako'y pagtaghuyin.

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Akala

(Chito)
Akala ko iced tea, yun pala beer,
Akala reverse yun pala second gear,
Akala ko kasya yun pala hindi,
Akala ko tama yun pala mali...

(Vinci)
Akala ko hiphop yun pala metal
Akala ko batis yun pala kanal
Akala ko toothpaste yun pala glue
Akala ko verde yun pala blue

(Gab)
Akala ko tsinelas yun pala sapatos,
Akala ko umabot yun pala kapos,
Akala ko bukas yun pala kahapon
Akala ko mamaya yun pala ngayon...

(Chito)
Akala ko alam ko na ang lahat
Ng dapat kong malaman ngunit
Mali na naman, pero ok lang yan...

Wag kang matakot na baka magkamali
Walang mapapala kung di ka magbakasakali
Dahil lumilipas ang oras, baka ka maiwanan
Kung hindi mo susubukan...


(Din2)
Akala ko chicken yun pala asado
Akala ko bukas pero yun pala sarado
Akala ko mansanas yun pala banana
Akala ko meron pa, yun pala wala na

(Darius)
Akala ko foreign yun pala pinoy
Akala ko blackjack yun pala pusoy
Akala ko talo yun pala panalo
Akala ko si chito, yun pala ako

(Chito)
Akala ko dati walang mangyayari
Akala din nila ngayon wala silang masabi
Akala ng lahat mapapagod din ako
Mabuti nalang matigas ang aking ulo

Akala ko walang mapupuntahan kahit na di mo paghirapan ngunit,
Mali nanaman, kung hindi mo sinubukan sana'y hindi ko na nalaman
Eh di nasayang lang

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Hi Tech

Salamat na lamang sa high technology
Na kahit huli na'y umabot pa kami
Kaming 'pinanganak noong ninteeen thirty's
At swerteng narating ang idad seventies

Ang tula na ito nang aking sulatin
Sign pen ang ginamit, substitute ay ballpen
Final draft, tinapos sa aking computer
Malinis na kopya'y ginawa sa printer

Extra copy nito'y puwedeng ipadala
Attachment sa email, by fax at meron pa
Surface mail at airmail, kundi kuntento ka
By Fedex, LBC, hari ng padala

Ang maraming kopya, paano gagawin
Noon ay photostat, masyadong maitim
O kaya'y mimeograph, a very messy thing
Tinta'y kumakalat sa pag-i-stencil
Ngayon nama'y xerox, pagkopya'y matulin

Kung ang tulang ito'y noon ko sinulat
Ako'y mayayamot, at iyon ay tiyak
Kung kailan ako ay nagmamadali
Ang lapis na gamit, saka mababali
Gamit na fountain pen, tinta'y umaagas
Kundi nagtatae, penpoint ay matalas
Sa aking 'cocomband', kakamot, kakaskas

Noong bata kami, ay wala pang cellphone
Telepono'y mayaman lang ang mayroon
Lihim na pag-ibig, hindi maite-text
Tulay o messenger, kelangang gumamit
Resultang madalas, sulat maintercept
Ng tatay o nanay na napakahigpit
O kaya'y si darleng, sa 'tulay' kumabet

Kapag ang wagas na pag-ibig na iyo
Ay sa kaprasong papel pa isusulat mo
Sa post o koreo padadaanin pa
Bago ka masagot, kayo'y matanda na

Walang mega taksing kung tawagi'y FX
Magtitiyaga ka lang sa PUJ na dyip
'God Knows Hudas Not Pay', paskel, nakadikit
'Upong Diyes lamang po', laging sinasambit
Ng tsuper na kundi mabait-masungit

Mga bata noon, hilig ay mangisda
'Fighting fish' naman ang sa mga matanda

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Bebot

Bebot bebot
Be bebot bebot
Be bebot bebot be
Ikaw ang aking
Bebot bebot
Be bebot bebot
Be bebot bebot be
Ikaw ang aking
Bebot bebot
Be bebot bebot
Be bebot bebot be
Ikaw ay
Filipino!!! Filipino!!! Filipino!!! Filipino!!!
Hoy pare pakinggan nyo ko
Eto nang tunay na filipino
Galing sa baryo sa pangbato
Pumunta ng LA nagtrabaho
Para makatulong sa nanay
Dahil sa hirap ng buhay
Pero masaya parin ang kulay
Pag kumain nagkakamay
Yung kanin, chicken adobo
Yung balot, binebenta sa kanto
Tagay mo na nga ang baso
Pare ko inuman na tayo
Filipino!!! Filipino!!! Filipino!!! Filipino!!!
Bebot bebot
Be bebot bebot
Be bebot bebot be
Ikaw ang aking
Bebot bebot
Be bebot bebot
Be bebot bebot be
Ikaw ang aking
Bebot bebot
Be bebot bebot
Be bebot bebot be
Ikaw ay
Filipino!!! Filipino!!! Filipino!!! Filipino!!!
Masdan mo ang magagandang dalaga
Nakakagigil ang beauty mo talaga
Lambingin di nakakasawa
Ikaw lang ang gustong kasama
Yung bahay o kubo
Pagibig mo ay totoo
Puso ko'y laging kumikibo
Wala kang katulad sa mundo ko
Pinoy ka sigaw na, sige
Kung maganda ka sigaw na, sige
Kung buhay mo'y mahalaga, sige

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Nandito Ako

(aaron paul del rosario)
Mayroon akong nais malaman
Maaari bang magtanong
Alam mo bang matagal na kitang iniibig
Matagal na kong naghihintay
Ngunit mayroon kang ibang minamahal
Kung kayat akoy di mo pinapansin
Ngunit ganun pa man nais kong malaman mo
Ang puso kong itoy para lang sa iyo
Refrain:
Nandito ako umiibig sa iyo
Kahit na nagdurugo ang puso
Kung sakaling iwanan ka niya
Huwag kang mag-alala
May nagmamahal sa iyo
Nandito ako
Kung ako ay iyong iibigin
Di kailangan ang mangamba
Pagkat ako ay para mong alipin
Sa iyo lang wala nang iba
Ngunit mayroon kang ibang minamahal
Kung kayat akoy di mo pinapansin
Ngunit ganun pa man nais kong malaman mo
Ang puso kong itoy para lang sa iyo
Nandito ako umiibig sa iyo
Kahit na nagdurugo ang puso
Kung sakaling iwanan ka niya
Huwag kang mag-alala
May nagmamahal sa iyo
Nandito ako
Nandito ako umiibig sa iyo
Kahit na nagdurugo ang puso
Kung sakaling iwanan ka niya
Huwag kang mag-alala
May nagmamahal sa iyo
Nandito ako
Nandito ako...

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Kung

What you are now experiencing is
the Vibration of Life ladies and gentlemen
Your head may be feeling heavy
Seven beats per second
Your nose light
This will re-energize you
Your eyes heavyYour nose light
Your eyes heavy
Kung...
Kung...
Kung...
Your eyes may be feeling heavy
Your nose lightYour eyes heavy
Kung...
Kung...
Kung...
Rich in minerals
Rich in firth Carry well ye martin lad
Fervent fourth
Now Fervent fifth
Forever arealm we cry
Be it ever so Voraciously alternate
We call upon your pulse
Can we stand?
Can we stare?
We can stage a runaway golfcart marathon!
Stand up
Stand up
Stand up on your heels and call
From the hills
From the hills
This may have made your eyes feel heavyY
our nose light
Your eyes heavy

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On Seeing A Pupil Of Kung-sun Dance The Chien-ch`i

On the nineteenth day of the tenth month of the second year of Ta-li (15 November 767), in the residence of Yuan Ch`ih, Lieutenant-Governor of K`uei-chou, I saw Li Shih-er-niang of Lin-ying dance the chien-ch`i.

Impressed by the brilliance and thrust of her style, I asked her whom she had studied under. ``I am a pupil of Kung-sun'', was the reply.

I remember in the fifth year of K`ai-yuan (717) when I was still a little lad seeing Kung-sun dance the chien-ch`i
and the hun-t`o at Yen-ch`eng. For purity of technique and self-confident attack she was unrivaled in her day.

From the ``royal command performers'' and the ``insiders'' of the Spring Garden and Pear Garden schools in the palace down to the ``official call'' dancers outside, there was no one during the early years of His Sagely Pacific and Divinely Martial Majesty who understood this dance as she did. Where now is that lovely figure in its gorgeous costume? Now even I am an old, white-haired man; and this pupil of hers is well past her prime.

Having found out about the pupil's antecedents, I now realized that what I had been watching was a faithful
reproduction of the great dancer's interpretation. The train of reflections set off by this discovery so moved me
that I felt inspired to compose a ballad on the chien-ch`i.

Some years ago, Chang Hsu, the great master of the ``grass writing'' style of calligraphy, having several times
seeen Kung-sun dance the West River chien-ch`i at Yeh-hsein, afterwards discovered, to his immense
gratification, that his calligraphy had greatly improved. This gives one some idea of the sort of person Kung-sun
was.

In time past there was a lovely woman called Kung-sun, whose chien-ch`i astonished the whole world. Audiences numerous as the hills watched awestruck as she danced, and, to their reeling senses, the world seemed to go on rising and falling, long after she had finished dancing. Her flashing swoop was like the nine suns falling, transfixed by the Mighty Archer's arrows; her
soaring flight like the lords of the sky driving their dragon teams aloft; her advance like the thunder gathering up its dreadful rage; her stoppings like seas and rivers locked in the cold glint of ice.

The crimson lips, the pearl-encrusted sleeves are now at rest. But in her latter years there had been a pupil to whom she transmitted the fragrance of her art. And now in the city of the White Emperor the handsome woman from Lin-ying performs this dance with superb spirit. Her answers to my questions have revealed that there was good reason to admire, my ensuing
reflections fill me with painful emotion.

Of the eight thousand women who served our late Emperor, Kung-sun was from the first the leading performer of the chien-ch`i. Fifty years have now gone by like a flick of the hand - fifty years in which rebellions and disorders darkened the royal house. The pupils of the Pear Garden have vanished like the mist. And now here is this dancer, with the cold winter sun
shining on her fading features.

South of the Hill of Golden Grain the boughs of the trees already interlace. On the rocky walls of Ch`u-t`ang the dead grasses blow forlornly. At the glittering feast the shrill flutes have once more concluded. When pleasure is at its height, sorrow follows.

The moon rises in the east; and I depart, an old man who does not know where he is going, but whose feet, calloused from much walking in the wild mountains, make him wearier and wearier of the pace.

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On Seeing a Pupil of Kung-sun Dance the Chien-ch`i

On the nineteenth day of the tenth month of the second year of Ta-li (15 November 767), in the residence of
Yuan Ch`ih, Lieutenant-Governor of K`uei-chou, I saw Li Shih-er-niang of Lin-ying dance the chien-ch`i.
Impressed by the brilliance and thrust of her style, I asked her whom she had studied under. ``I am a pupil of
Kung-sun'', was the reply.

I remember in the fifth year of K`ai-yuan (717) when I was still a little lad seeing Kung-sun dance the chien-ch`i
and the hun-t`o at Yen-ch`eng. For purity of technique and self-confident attack she was unrivalled in her day.
From the ``royal command performers'' and the ``insiders'' of the Spring Garden and Pear Garden schools in the
palace down to the ``official call'' dancers outside, there was no one during the early years of His Sagely Pacific
and Divinely Martial Majesty who understood this dance as she did. Where now is that lovely figure in its
gorgeous costume? Now even I am an old, white-haired man; and this pupil of hers is well past her prime.

Having found out about the pupil's antecedents, I now realized that what I had been watching was a faithful
reproduction of the great dancer's interpretation. The train of reflections set off by this discovery so moved me
that I felt inspired to compose a ballad on the chien-ch`i.

Some years ago, Chang Hsu, the great master of the ``grass writing'' style of calligraphy, having several times
seeen Kung-sun dance the West River chien-ch`i at Yeh-hsein, afterwards discovered, to his immense
gratification, that his calligraphy had greatly improved. This gives one some idea of the sort of person Kung-sun
was.

In time past there was a lovely woman called Kung-sun, whose chien-ch`i astonished the whole world. Audiences numerous as
the hills watched awestruck as she danced, and, to their reeling senses, the world seemed to go on rising and falling, long after
she had finished dancing. Her flashing swoop was like the nine suns falling, transfixed by the Mighty Archer's arrows; her
soaring flight like the lords of the sky driving their dragon teams aloft; her advance like the thunder gathering up its dreadful
rage; her stoppings like seas and rivers locked in the cold glint of ice.

The crimson lips, the pearl-encrusted sleeves are now at rest. But in her latter years there had been a pupil to whom she
transmitted the fragrance of her art. And now in the city of the White Emperor the handsome woman from Lin-ying performs
this dance with superb spirit. Her answers to my questions have revealed that there was good reason to admire, my ensuing
reflections fill me with painful emotion.

Of the eight thousand women who served our late Emperor, Kung-sun was from the first the leading performer of the
chien-ch`i. Fifty years have now gone by like a flick of the hand - fifty years in which rebellions and disorders darkened the
royal house. The pupils of the Pear Garden have vanished like the mist. And now here is this dancer, with the cold winter sun
shining on her fading features.

South of the Hill of Golden Grain the boughs of the trees already interlace. On the rocky walls of Ch`u-t`ang the dead grasses
blow forlornly. At the glittering feast the shrill flutes have once more concluded. When pleasure is at its height, sorrow follows.
The moon rises in the east; and I depart, an old man who does not know where he is going, but whose feet, calloused from
much walking in the wild mountains, make him wearier and wearier of the pace.

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Hammer Horror

You stood in the belltower,
But now youre gone.
So who knows all the sights
Of notre dame?
Theyve got the stars for the gallant hearts.
Im the replacement for your part.
But all I want to do is forget
You, friend.
Hammer horror, hammer horror,
Wont leave me alone.
The first time in my life,
I leave the lights on
To ease my soul.
Hammer horror, hammer horror,
Wont leave it alone.
I dont know,
Is this the right thing to do?
Rehearsing in your things,
I feel guilty.
And retracing all the scenes,
Of your big hit,
Oh, god, you needed the leading role.
It wasnt me who made you go, though.
Now all I want to do is forget
You, friend.
Hammer horror, hammer horror,
Wont leave me alone.
The first time in my life,
I leave the lights on
To ease my soul.
Hammer horror, hammer horror,
Wont leave it alone.
I dont know,
Is this the right thing to do?
Who calls me from the other side
Of the street?
And who taps me on the shoulder?
I turn around, but youre gone.
Ive got a hunch that youre following,
To get your own back on me.
So all I want to do is forget
You, friend.
Hammer horror, hammer horror,
Wont leave me alone.
The first time in my life,
I leave the lights on
To ease my soul.
Hammer horror, hammer horror,
Wont leave it alone.
I dont know,

[...] Read more

song performed by Kate BushReport problemRelated quotes
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Throw Your Hands Up

1,2,3,4,5,6,7,8,90 aaliyahs in the house so check,check it out
1,2,3,4,5,6,7,8,90 aaliyahs in the house so check,check it out
The time has finally come to save my beats with the funky hip hop swing
(the funky swing I might add) oh check it
No holding back now is the time, to get busy
So take me to the bridge
I work hard for mine, spending all my time
To give you what you need
So if you down with this funky flavor thorw your hands up
And if you got fever for aaliyah throw your hands up
And if you down with blackground thorw your hands up
And if it got soul let me see your hands up
If you got bass in your jeeps thorw your hands up
If your not down with the crack thorw your hands up
And if you think your hyper enough to swing it thorw your hands up
And if your down with the second chapter thorw your hands up
Straight from the streets is where Im coming from (sraight out the streets)
With the touch of jazz in me, check it
Take in no shorts when it comes down to shows
I got to reck it, so take me to the bridge
I work hard for mine spending all my time
To give what you need
Where you at, where you at
So if your down with the pa let me see your hands up
And if your head is bobin to the track throw your hands up
And if you got loot in your pocket throw your hands up
And if you not foul let me see your hands up
And if your protected and you know it throw your hands up
And if r kellys record is sharp let me see your hands up
And if your body swing to the track throw your hands up
And if you want some more of the flover throw your hands up
Uh,uh,uh yeah,yeah
Aaliyah bust a free style
This is for the jeeps
Strictly for the jeeps
This is for the jeeps
(repeat)
So if your down with the funky flover thorw your hands up
And if you got the fever for aaliyah throw your hands up
And if you down with blackground throw your hands up
And if you got bass in your jeeps throw your hands up
If your not down with the crack throw your hands up
And if you think your hyper enough to swing it throw your hands up
And if your down with the second chapter throw your hands up
So if your down with the pa let me see your hands up
And if your head is bobin to the track throw your hands up
And if you got loot in your pocket throw your hands up
And if you not foul let me see your hands up
And if your protected and you know it throw your hands up
And if r kellys record is sharp let me see your hands up

[...] Read more

song performed by AaliyahReport problemRelated quotes
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Shattered Image

I used to sit for hours as a kid
And dangle my feet from an old flat bridge
Seeing myself in the water below
Shatter my image with the rocks Id throw
Shatter my image with the rocks Id throw
Long time gone and a long time ago
When I shattered my image with the rocks Id throw
The world is cruel and people are cold
Now they shatter my image with the rocks they throw
Shatter my image with the rocks they throw
Im far from perfect but I aint all bad
And it hurts me more than it makes me mad
We all do things that we dont want told
And we all throw stones that we shouldnt throw
You shatter my image with the rocks you throw
Long time gone and a long time ago
When I shattered my image with the rocks Id throw
The world is cruel and people are cold
Now they shatter my image with the rocks they throw
Shatter my image with the rocks they throw
If you live in a glass house dont throw stones
Dont shatter my image til you look at your own
Look at your reflection in your house of glass
Dont open my closet if your owns full of trash
Stay out of my closet if your owns full of trash
Long time gone and a long time ago
When I shattered my image with the rocks Id throw
The world is cruel and people are cold
Now they shatter my image with the rocks they throw
Shatter my image with the rocks they throw
Shatter my image with the rocks you throw
Dont shatter my image with the rocks you throw

song performed by Dolly PartonReport problemRelated quotes
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Throw Them Back To The Wolves

Throw them back to the wolves.
The ones released from cellblock envy.
Throw them back to the wolves.
Those who love their crime defined.
Throw them back to the wolves.
Those who break laws all the time.
With nothing but 'bling' on their minds.
Throw them back to the wolves.
Trouble makers showing butt.
Groom to believe they should give it up.
Throw them back to the wolves.
Victims of their own disguises.
Throw them back to the wolves.
Raised on 'rap' and packing 'heat'.
Dimmed with wit is their destiny...
This was how they were raised to be.

Detoxed and recovered.
From baubles, beads and bangles hanging.
Some don't want to have another...
Victimizing chain of gold,
To prove to anyone they're bold.

Leaving streets to the others.
Those who choose to do their 'thing'
From swagger punted schoolyard swings...
And learning from demented idols.
Who could care less who is destressed.

Throw them back to the wolves.
The ones released from cellblock envy.
Throw them back to the wolves.
Those who love their crime defined.
Throw them back to the wolves.
Those who break laws all the time.
With nothing but 'bling' on their minds.
Throw them back to the wolves.
Trouble makers showing butt.
Groom to believe they should give it up.
Throw them back to the wolves.
Victims of their own disguises.
Throw them back to the wolves.
Raised on 'rap' and packing 'heat'.
Dimmed with wit is their destiny...
This was how they were raised to be.

Throw them back to the wolves.
Boo doo doo boo doo boo boo doo.
Throw them back to the wolves.
Boo doo boo doo boo do boo do!

[...] Read more

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Kaibigan

(jaypee garcia)
Hello kaibigan, kamusta ka na
Kay saya-saya muli kitang nakamusta
Mabuting kalagayan hangad ko sa yo
Kung akoy tanungin mabuti naman ako
Bridge 1:
Di pa rin nagbabago pagtingin sa yo
Di pagpapalit akoy hiyang dito
Hello kaibigan, kamusta ka na
Ibang-iba nga kung kilala mo na
Di ba mas natural, mas maganda
Kung hiyang talaga
(instrumental)
Bridge 2:
Ang nakasanayan mahirap ipagpalit
Magandang karanasan mahirap mawala
Hello kaibigan, kamusta ka na
Ibang-iba nga kung kilala mo na
Di ba mas natural, mas maganda
Kung hiyang talaga

song performed by Lea SalongaReport problemRelated quotes
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Bakit

CHORUS: Bakit hinahanap ka (bakit kaya)
Bakit tinatawag ang 'yong pangalan
[Repeat CHORUS]

Nang una kitang makita
Sa may Ermita
Hindi ko na namalayan kung bakit
Na para bang ako'y naakit

Nang ika'y lumapit
Tinanong ko ang 'yong pangalan at ang
'Yong telepono, pero sabi mo
'Di mo kinakausap ang mga katulad kong

Walang pera, walang kotse
'Di doble-doble ang cell
Pero teka muna, miss, 'wag kang mabilis
Lumakad, 'di naman ako manyakis

At walang labis
Walang kulang ang sinukli ko sa 'yo
Balot
Eto pa sige dalhin mo na lang sa inyo

Kahit na wala akong kitain
Walang makain
Basta't alam mo lang
Kung gano kahalaga sa akin

Nang ikaw ay mapaglingkuran (paglingkuran)
At mapagsilbihan (pagsilbihan)
'Pagpatawad mo sana
Ako man ay naguguluhan

[Repeat CHORUS twice]

Sa loob ng aking kuwarto
Sa loob ng banyo
Kung alam mo lamang ang dami ng mga litrato
Kinunan ko sa may kanto

At ipinakuwadro ko pa
Nang sa ganon ay lagi tayong magkasama
Araw man o gabi kahit sandali
Sa hirap man o ginhawa

Ikaw at ako magpakailanman
Na para bang mga palabas sa sine
Alam mo na para bang imposible
Pero pwede ka bang mailibre

[...] Read more

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