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Our relationship with Mexico in this regard is unique for us, and in many respects unique in the world.

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Stays In Mexico

His name was Steve,
Her name was Gina,
(spoken) You've never been here before have you?
They met at a bar called Cabo Wabo Cantina,
He was an insurance salesman from South Dakota,
She was a first grade school teacher Phoenix Arizona,
(Spoken) No, My first time here
They started dancing and it got real hot,
Then it spilled over to the parking lot,
One more tequila they were falling in love,
One more is never enough!
(Chorus)
Don't bite off more than you can chew,
There's things down here the devil himself wouldn't do,
Just remember when you let it all go,
What happens down in Mexico,
Stays in Mexico
He woke up in the morning and he made
a little telephone call,
To check on his wife and his kids back
at home in Souix Falls,
(spoken) hey baby everything ok?
She hopped right in the shower with a heavy heavy mind,
(spoken) What am I doing?
He knew it was the first time Gina
had ever crossed that line,
They walked down to the beach and started drinking again,
Jumped into the ocean for a dirty swim,
One more margarita they were falling in love,
One more is never enough!
Chorus
Don't bite off more than you can chew,
There's things down here the devil himself wouldn't do,
Just remember when you let it all go,
What happens down in Mexico,
Stays in Mexico
Oh Mexico
Waiting at the bar at the terminal gate,
She says 'Steve I gotta go, I'm going to miss my plane'
He said 'One more tequila before you climb on up,'
She said 'one more is never enough!'
Don't bite off more than you can chew,
There's things down here the devil himself wouldn't do,
Just remember when you let it all go,
What happens down in Mexico,
Stays in Mexico
Chorus
Stays in Mexico,
Stays in Mexico,
Stays in Mexico,

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Love Respects

Love respects everyone always,
Love respects everyone's way of life,
Everyone's way of living needs respect,
Love respects everyone always :)

Love respects everyone's opinions,
Love helps us understand everyone's choices,
Respecting everyone's choices encourages understanding,
Love respects everyone's opinions :)

Love respects our needs and desires,
Love knows our needs include respect,
Our desires need respect to be understood,
Love respects our needs and desires :)

Love respects family always,
Love understands a families' influence,
Our parents' decisions need respect,
Love respects family always :)

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Mexico

By: james taylor
1975
Way down here
Ou need a reason to move
Feel a fool
Running your stateside games
Lose your load
Leave your mind behind
Baby, james
Oooh, mexico
It sounds so simple
I just got to go
The suns so hot
I forgot to go home
I guess Ill have to go now
Americanos got the sleepy eyes
But his bodys still shakin like a live wire
Senorita with her eyes on fire
Dont you know
Oooh, mexico
It sounds so sweet
With the sun sinkin low
The moons so bright
Likes to light up the night
Make everything alright.
Babys hungry and the moneys all gone
The folks back home
Dont want to talk on the phone
She gets a long letter
And sends back a postcard
Times are hard.
Ooohh, down in mexico
Ive never really been
So I dont really know
Oooooh, mexico
I guess Ill have to go now.
Oooh, mexico
Ive never really been
But, Id sure like to go
Whoa, oooh mexico
I guess Ill have to go now.
Talkin bout mexico (mexico)
Little honkeytonk out in mexico (mexico)
South of margaritaville
Ive been told
Spoken:
(? )undele, undele, vaminos
Ahh, yeah, lets load this cast of characters
On that boat and head south
Ahh, yeah we got a wind at our back

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Desperation Samba

Desperation samba (halloween in tijuana)
By: jimmy buffett, will jennings, timothy b. schmit
1985
This song brings to mind two things. first, an image of robert mitchum
Standing in the doorway of a bar in tijuana, and second, a line by
Thomas mcguane, my brother-in-law, from his book, panama,
"the night wrote a check the morning couldn't cash."
- used by permission of author
Halloween in tijuana
Full moon in my eyes
I wonder how in the hell i got here
Without a disguise
Should i take this last step
Or turn myself around
Or follow my intuition into that border town
Yo quiero a bailar en mexico [i want to dance in mexico]
We do the desperation samba con nos amigos [...with our friends]
Yo quiero a bailar en mexico
We do the desperation samba con nos amigos
Pretty girls they beckon
From their rooms above
Skeletons are dancing
In the name of love
Don't know where i'm goin'
I don't like where i've been
There may be no exit
But hell i'm going in
Yo quiero a bailar en mexico
We do the desperation samba con nos amigos
Yo quiero a bailar en mexico
We do the desperation samba con nos amigos
I hear the people singing that same old haunting tune
I drink because i know it's me against the moon
Yo quiero a bailar en mexico
We do the desperation samba con nos amigos
Yo quiero a bailar en mexico
We do the desperation samba con nos amigos
-- spoken:
"tss, tss tss"
"hey, psst amigo!"
Ooh ooh ooh ooh
Ooh ooh ooh ooh
Yo quiero a bailar en mexico
We do the desperation samba con nos amigos
Yo quiero a bailar en mexico
We do the desperation samba con nos amigos
- notes:
Background vocals: timothy b. schmit, harry stinson
Featuring reggie young on gut string guitar and
Harrison ford on the bullwhip

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They All Went To Mexico

Wheres my pal, wheres my friend
All good things must have an end
Sad things and nothings
On and on they go
I guess he went to mexico
Chorus:
They all went to mexico
Buenas dias, got to go
Tengo que obedecer
Mi corazon
They all went to mexico
Wheres my mule, wheres my dray
Straw hats packed up and gone
Away
Mule dont go north and dray go slow
They both went to mexico
Wheres my sweetie, wheres the face
That lit dark corners every place
She put up with me long time you know
And then she had to go to mexico
Chorus
Wheres my brown dog, wheres my hound
He liked my truck he hung around
But hes a canine romeo
And I guess he went to mexico
Wheres that woman so sweet, so mean
Her heart was cautious her mind was keen
She was always looking for the peccadillo
I hope she went to mexico
Chorus
Wheres decembers happy crew
With german bikes and sidecars too
They take the truck south to st. louis, mo
Motorcycle all the way to mexico
Wheres my luck, wheres my grace
Has it all been just a foolish chase
Every time I hear that rainy chill wind blow
I think it might be time to head to mexico

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Refried Dreams

(jim foster/mark peterson)
(track 7 - time 2:46)
Last monday mornin you left with no warnin
I started goin insane
Well I headed south out of del rio, texas
With a hell of a load on my brain I kept on goin without even knowin
How much your love really means now Im messed up in mexico
Livin on refried dreams
Im down here in mexico sick as a dog
My head is poundin in this border town fog
Down to my last dime and comin apart at the seams
Im messed up in mexico
Livin on refried dreams
This picture aint pretty Im ragged and dirty
And wonderin what Im doin here
Shootin tequila wantin to kill ya
And wishin to God you were near
So full of your memory but feelin so empty
Ive run out of my self-esteem
Now Im messed up in mexico
Livin on refried dreams
Im down here in mexico sick as a dog
My head is poundin in this border town fog
Down to my last dime and comin apart at the seams
Im messed up in mexico
Livin on refried dreams
Im down here in mexico sick as a dog
My head is poundin in this border town fog
Down to my last dime and comin apart at the seams
Im messed up in mexico
Livin on refried dreams
Oh Im messed up in mexico
Livin on refried dreams

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Kahlo-Christ Conjunctions - Sacrificed Flesh, Broken Bread, Emmaus Vision

[The curious or, better, interested reader may view the images alluded to in this essay at this website: http: //falconwarren.blogspot.com/2011/01/kahlo-christ- conjunctions-sacrificed.html]


Kahlo Strophes


As with love, also the bellows.

Calavera*, the Future stands
hand to mouth, fingers to forehead
unfolding before still instatic shapes.
Hold desperately to frames before
these quaking perceptions.


She could not stop there,
had to flare out, dry paint,
and the dryer flesh peel down
to bone, a sexless esqueleto**,
skull no longer mustached,
a calavera, nothing more,
curved calcium reliant forever
upon canvas, what is congealed
there to fan and burn,
a 'cauda pavonis'***.

- the author, from the text below

*Skull
**Skeleton
***Peacock's Tail (an image in alchemy) .


'Poetry such as this attempts not just a new syntax of the word. Its revolution is aimed at the syntax of the mind itself. Its structuring of experience is purposive, not dreamlike. We are dealing with a self-induced, or naturally or mysteriously come by, creative state from which two of the most fundamental human activities diverge, the aesthetic and the mystic act. The creative matrix is the same in both, and it is that state of being that is most peculiarly and characteristically human, as the resulting aesthetic and mystic experience is the purist form of human act. There is a great deal of overlapping, today especially, when art is all the religion most people have and when they demand of it experiences that few people of the past demanded of religion....A visionary poem is not a vision. The religious experience is necessitated and ultimate.' - Kenneth Rexroth, World Outside the Window, the Selected Essays of Kenneth Rexroth, pg.255-256

Rexroth's words are pertinent to the images used in this essay, Kahlo's painting above is visionary, Grunewald's are religious, and several photos are both, and all are 'aimed at the syntax of the mind itself.. Its restructuring of experience is purposive, not dreamlike.' The images included in this essay, which is more a prose poem than regular prose, are meant to convey equally or more, at least as as much as, the words in their incantatory formations which may induce entrance into 'imaginal' spaces where word and image meet in a practical magic, inspire a felt understanding and perhaps gain a view or actual entrance into what ecstatic poet, Rainer Maria Rilke, calls 'the Greater Relation.'

I've decided to publish this piece-in-progress as it unwinds in spirals 'aimed at the syntax of the mind itself...its restructuring of experience' with the understanding that it may later appear in greatly altered form. In a real sense this writing writes itself; I try to heed, copy, then hone to the bone what might be wanting to be sung, for what is below, and often what I write, is more akin to music, a vocal/verbal lilt beyond a particular solid tilt of view of a world absolute, static logos.

Heraclitus noted thousands of years ago, 'All is flux.'

To this I would only add, and perhaps this is what all of my writing amounts to,

'All is reflux.'

Selah. WF

NYC,1/31/11

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Soboba

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University Of Central Florida Volleyball

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Mexico

(words & music by tepper,bennett)
Mexico, mexico
Theyve got muchas, mucha-chas, amigos
...latin features,never saw such adorable creatures
...love to dig, ooh...the nights here
We live it up and love it up amigo
Life begins when youre in mexico
You never order, water
When you order south of the border
...in to kiss a lovely senorita
Ooh.. the samba, la bamba
...Ill go where you go
Life begins when youre in mexico
Mexico, mexico
Theyve got muchas mucha-chas, amigos
...never saw such adorable creatures
Well live it up and love it up amigo
Life begins...when youre in...mexico...

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Thats Why God Made Mexico

Margie said, roy you aint listening to me
And Ive got a whole lot more to say
Roy just crossed the floor and picked up his car keys
And she aint seen or heard from him to this day
And thats why God made mexico
A place where we can lay low
And the cuervo goes down nice and slow
And the warm wind blows
Thats why God made mexico
And betty fixed joe dinner every night
At half past six
Cause thats when he rolled through that door
For sixteen years and not a thank you from his lips
She dont fix him dinner no more
And thats why God made mexico
A place where we can lay low
Where the cuervo goes down nice and slow
And the warm winds blow
Thats why God made mexico
Cause life is sweet in a border town
You learn to let your hair down
And you dont make trouble
You learn to dance the fandango
You change your name, maybe change your face
Get used to beans chili paste
And you learn to live and love
Life in the slow lane
And thats why God made mexico
A place where we can lay low
Maybe monterey or acapulco
Anywhere the warm winds blow
Dont you know
Thats why God made mexico
Thats why God made
Made mexico

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Confessio Amantis. Prologus

Torpor, ebes sensus, scola parua labor minimusque
Causant quo minimus ipse minora canam:
Qua tamen Engisti lingua canit Insula Bruti
Anglica Carmente metra iuuante loquar.
Ossibus ergo carens que conterit ossa loquelis
Absit, et interpres stet procul oro malus.


Of hem that writen ous tofore
The bokes duelle, and we therfore
Ben tawht of that was write tho:
Forthi good is that we also
In oure tyme among ous hiere
Do wryte of newe som matiere,
Essampled of these olde wyse
So that it myhte in such a wyse,
Whan we ben dede and elleswhere,
Beleve to the worldes eere
In tyme comende after this.
Bot for men sein, and soth it is,
That who that al of wisdom writ
It dulleth ofte a mannes wit
To him that schal it aldai rede,
For thilke cause, if that ye rede,
I wolde go the middel weie
And wryte a bok betwen the tweie,
Somwhat of lust, somewhat of lore,
That of the lasse or of the more
Som man mai lyke of that I wryte:
And for that fewe men endite
In oure englissh, I thenke make
A bok for Engelondes sake,
The yer sextenthe of kyng Richard.
What schal befalle hierafterward
God wot, for now upon this tyde
Men se the world on every syde
In sondry wyse so diversed,
That it welnyh stant al reversed,
As forto speke of tyme ago.
The cause whi it changeth so
It needeth nought to specifie,
The thing so open is at ije
That every man it mai beholde:
And natheles be daies olde,
Whan that the bokes weren levere,
Wrytinge was beloved evere
Of hem that weren vertuous;
For hier in erthe amonges ous,
If noman write hou that it stode,
The pris of hem that weren goode

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On the Way.

(- what follows is a true story. more a story than a poem. yet, one I have so wanted for so long to tell... -)

On the way
Southbound far into Texas.
It's a long stretch of asphalt,
When the night is late, and so dark
Out on highway 277, moving
From Sonora to Del Rio... and points further south.
Not another soul about,
Just me, my old truck, and the stars.
It's quiet
- and lonely -
Headed down old Mexico way...
Pass a car sitting on the side
- broke down I'm sure -
A coyote with fear and hunger in its eyes
Runs across the road, right in front of me.
Then, a mile or so up, I see him, walking,
Gas can in hand.
I stop, open the door and holler:
' need a lift? '
He simply says: ' gracias ' and climbs aboard.
I pull back out onto the empty road,
Start a conversation,
He smiles, and with very broken English
Does his best to respond.
It takes a spell but I soon understand
He is on his way to Mexico too,
- it is the old homeland for him -
His car ran out of gas,
And most important of all
His wife who is pregnant awaits his return...
in the car!
I offer to go back to get her.
He softly says no... he must get the gas.
The way he speaks, the way he moves,
Lends me to know, this is a gentle, hard-working man
- with a heart as big, and old, as all of Mexico -
More difficult conversation follows,
But, it is so well worth the effort;
I can't say quite why
But I have quickly grown to like and respect this good, simple man
- as if an amigo I've known from old -
He came north to find work,
Provide for his family.
I went south for rest,
And to find meaning.
But, things never work out exactly as planned.
They decided it important to have their nino
- so soon due -

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Bringing It Back

Thirty days have September
In a jailhouse I remember
Well, I got caught with too much soul
Bringing it back from Mexico
Bringing it back from Mexico
Spanish lights and pretty faces
Trip you out to where the place is
Load you up and let you go
Bringing it back from Mexico
Bringing it back from Mexico
Across the border is where you'll get her
And when it's good there ain't no better
I think I'll get me some to go
A-brining it back from Mexico
Bringing it back from Mexico

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The Seashores Of Old Mexico

I left, out of Tucson, with no destination in mind.
I was runnin' from trouble and the jail-term the Judge had in mind.
And the border meant freedom, a new life, romance,
And that's why I thought I should go,
And start my life over on the seashores of old Mexico.
My first night in Juarez, lost all the money I had.
One bad senorita made use of one innocent lad.
But I must keep on runnin'; it's too late to turn back:
I'm wanted in Tucson, I'm told.
Yeah, an' things'll blow over on the seashores of old Mexico.
Two Mexican farmers en route to a town I can't say,
Let me ride on the back of a flatbed half-loaded with hay.
Down through Durango, Colima, Almiera,
Then in the Manzanillos,
Where I slept on the seashores of old Mexico.
After one long siesta, I came wide awake in the night.
I was startled by someone who shadowed the pale moonlight.
My new-found companion, one young senorita,
Who offered a broken hello,
To the gringo she found on the seashores of old Mexico.
She spoke of Sonora and swore that she'd never return,
For her Mexican husband, she really had no great concern.
'Cause she loved the gringo, my red hair and lingo:
That's all I needed to know.
Yeah, I found what I needed on the seashores of old Mexico.
Yeah, she loved the gringo, my red hair and lingo:
That's all I needed to know, ha, ha.
Yeah, I found what I needed on the seashores of old Mexico.
Instrumental fade.

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Mexico

Way down here you need a reason to move
Feel a fool running your stateside games
Lose your load, leave your mind behind, baby james
Oh, mexico
It sounds so simple I just got to go
The suns so hot I forgot to go home
Guess Ill have to go now
Americano got the sleepy eye
But his bodys still shaking like a live wire
Sleepy seorita with the eyes on fire
Oh, mexico
It sounds so sweet with the sun sinking low
Moons so bright like to light up the night
Make everything all right
Babys hungry and the moneys all gone
The folks back home dont want to talk on the phone
She gets a long letter, sends back a postcard; times are hard
Oh, down in mexico
I never really been so I dont really know
Oh, mexico
I guess Ill have to go
Oh, mexico
I never really been but Id sure like to go
Oh, mexico
I guess Ill have to go now

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The Eternal Twins: Love And Hate

It consumes without regard
It shape without regard
It bends you to its will
We are helpless in its power

We look for it but it finds us
It devours without regard
It destroys without regard
It brought nations to its knees
And lifted its people

It gives power without regard
It enslaves without regard
We are but pebbles in its wake
When it overflows in us

And yet.... Its ugly twin holds
Power over it

It consumes without regard
It shapes without regard
It bends you to its will
We are helpless in its power....

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John Milton

Paradise Lost: Book X

Thus they in lowliest plight repentant stood
Praying, for from the Mercie-seat above
Prevenient Grace descending had remov'd
The stonie from thir hearts, and made new flesh
Regenerat grow instead, that sighs now breath'd
Unutterable, which the Spirit of prayer
Inspir'd, and wing'd for Heav'n with speedier flight
Then loudest Oratorie: yet thir port
Not of mean suiters, nor important less
Seem'd thir Petition, then when th' ancient Pair
In Fables old, less ancient yet then these,
Deucalion and chaste Pyrrha to restore
The Race of Mankind drownd, before the Shrine
Of Themis stood devout. To Heav'n thir prayers
Flew up, nor missed the way, by envious windes
Blow'n vagabond or frustrate: in they passd
Dimentionless through Heav'nly dores; then clad
With incense, where the Golden Altar fum'd,
By thir great Intercessor, came in sight
Before the Fathers Throne: Them the glad Son
Presenting, thus to intercede began.
See Father, what first fruits on Earth are sprung
From thy implanted Grace in Man, these Sighs
And Prayers, which in this Golden Censer, mixt
With Incense, I thy Priest before thee bring,
Fruits of more pleasing savour from thy seed
Sow'n with contrition in his heart, then those
Which his own hand manuring all the Trees
Of Paradise could have produc't, ere fall'n
From innocence. Now therefore bend thine eare
To supplication, heare his sighs though mute;
Unskilful with what words to pray, let mee
Interpret for him, mee his Advocate
And propitiation, all his works on mee
Good or not good ingraft, my Merit those
Shall perfet, and for these my Death shall pay.
Accept me, and in mee from these receave
The smell of peace toward Mankinde, let him live
Before thee reconcil'd, at least his days
Numberd, though sad, till Death, his doom (which I
To mitigate thus plead, not to reverse)
To better life shall yeeld him, where with mee
All my redeemd may dwell in joy and bliss,
Made one with me as I with thee am one.
To whom the Father, without Cloud, serene.
All thy request for Man, accepted Son,
Obtain, all thy request was my Decree:
But longer in that Paradise to dwell,
The Law I gave to Nature him forbids:
Those pure immortal Elements that know

[...] Read more

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