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That audience is there for me.

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I Am The Audience

I am the audience
Theres no doubt, no consequence
I could make the morning papers
If I use my capers
Lets be the audience
I might lose my patience
Polite applause excepted
To the ones selected, as the audience...
Oh I ... am the audience
No doubt, no consequence
Cause Im the audience
Lets be the audience
I might lose my patience
Polite applause excepted
To the ones selected
I am the audience
Breakdown the pretence
No longer be silent
Lets turn to violence
I am the audience

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I Am The Audience

I am the audience
Theres no doubt, no consequence
I could make the morning papers
If I use my capers
Lets be the audience
I might lose my patience
Polite applause excepted
To the ones selected, as the audience...
Oh I ... am the audience
No doubt, no consequence
Cause Im the audience
Lets be the audience
I might lose my patience
Polite applause excepted
To the ones selected
I am the audience
Breakdown the pretence
No longer be silent
Lets turn to violence
I am the audience

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The ten commandments of communication

The ten commandments of communication

Verify your ideas before clarification, as to whether the contents of your
communication will really serve the purpose of your communication. Consult others, where appropriate, the communication plan. This will help you decide the audience-based right content, flow, duration and location.

Make clear to the audience the true purpose of communication. Make it known to the audience as to what you want them to do after receiving the inputs from you. It can be just an act, can be an attitudinal change, can be drawing a strategy or plan of action.

Ensure you are in the right set of environment for the communication.
Communication is not effected just by words and gestures, but also by the quality of place where you communicate.

Take into confidence your audience. Encourage them to come out with their experience in the subject of communication. Accordingly polish your ways.

Be sure where to emphasize and where to dilute. Check yourself the
overtones and emphasis on messages conveyed, as audience may not notice.

Avoid being theoretical all through. Give practical examples. Enthuse
audience to come out with problems, connected with the subject and offer, if possible, practical solutions.

Follow up with what you communicate. Ensure audience is with you through the entire communication. Give no impression that you are evaluating their ability to absorb.

Demonstrate that you practice what you preach. Your past experiences may come handy.

Communicate for tomorrow, based on previous learning, enabling the audience visualize new horizons on the subject of communication.

Last, but not the least, seek not to be understood, but to understand. Be a good listener too.

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The Edinburgh Military Tattoo

An August evening, and people make their way to
Edinburgh Castle for the world famous Military Tattoo.
Once everyone has arrived and taken their seats,
From the battlements, sounds a steady drum beat.

Soon, a large corps of drummers appears,
To the audience’s applause and rousing cheers.
Each of the soldiers, dressed in their smart uniforms,
Has been up, rehearsing, since the first break of dawn.

The drummer’s skills are most highly rated:
They perform all kinds of rhythms, including syncopated.
The sound of the big bass drum, through my body, resonates;
Its booming beat similar to that of my own pulsing heart rate.

The drummers are replaced by another military band;
No drums this time, but they have bagpipes in hand.
The whole event is a real feast for ears and eyes.
Some of the tunes played, I instantly recognise.

During the show, the arena is constantly filled,
With military personnel demonstrating their skills.
Soldiers stand to attention in a long regimented, straight line,
Then, as one, move their feet, as they stand there marking time.

The spectacle of the Massed Band of The Royal Air Force,
Makes the blood in my veins race and excitedly course.
You can’t help but be moved by the sights and the sounds,
Of one of the world’s most famous military displays around.

The audience of some seven thousand people strong,
Sit enraptured, taping their feet and clapping along.
The Esplanade, where the action all takes place, sits
In front of the impressive stone castle which is floodlit.

This stunning pageant has a truly international flavour.
Talents from around the world, the audience can savour.
To a Scottish fiddle, traditional dancers swirl.
Regimental flags are ceremoniously unfurled.

And, just as all this action has made the audience rather hyper,
They are calmed down again by the lament of the lone piper.
To the ramparts, where the piper is stood, all eyes are drawn,
As the pipes play a haunting melody, traditionally, used to mourn.

Near the end, my neighbours link their arms with mine,
As, together, we sing a rousing chorus of ‘Auld Lang Syne.’
The audience make their way home, and soon, a hush falls.
I stroll back to my hotel, feeling glad to have been a part of it all.

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Be Audience Rare

do not write
to fickle audience
be audience rare

write what
themes
flow choose

most
rarely read
rhymes

no time to waste
on audience present
will eternity wait?

do not write
to audience
be audience rare

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You've Got Magic!

'America - You've Got Magic! '
Ran the sign on the Glitzy Floor,
For this was the latest Reality Show
To consume consumers with awe;
Some Boffin, deep in a Think-Tank
Had been racking his brain for weeks,
And this was the format he gave them;
Home Magicians! - with tricks and treats!

The Show was into the knockout stage,
The Advertisers were rapt,
None of your Song and Dancing here,
Nobody shedding Fat,
No-one stuck in a boring House
With brains the size of a pea,
But plenty of age-old magic tricks
For the rest of the world to see.

The Judges sat in their glory
Each equipped with a magic wand,
The first of them, Benjamin Glowery
Played his part, in a deep despond,
He hated the Hatted Rabbits
And the Doves that flew over the stage,
While contestants that showed him a Card Trick
Bore the brunt of his fearful rage.

He'd wave his wand in rejection
Like thumbs down, as they did in Rome,
And depending on Betty Abullbull
He would send them all packing, home,
While Betty paraded her implants
And her elegant, coiffured hair,
She was there for the sex attraction
As there wasn't much intellect there.

The third was a known Magician
Who had fallen on harder times,
He'd taken the job for the money
He was known as 'Impeccable' Grimes,
He spent more time on his fingernails
Than watching the acts begin,
He said that he knew all the magic tricks,
That nothing was new to him!

He waited to see how Glowery went
Then voted the other way,
So often it was up to Abullbull
Whether the act would go, or stay,
The audience cheered and hooted,

[...] Read more

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Christening

Yes, yes there's a new world dawning
Get dressed, quit dreaming you're falling
Take notes and I'll tell you when you got it right
No, no you can leave your attitude
You're the only one it seems to matter to Count votes and you'll see it in a
brand new light
Why can't you be a man about it
Let me turn you into someone new
I'm screaming in a fan
I doubt that any of my words will make it through
This is your christening
Find out what you been missing and
I promise it'll make you fell better
This is your christening
The audience is listening
Baby, baby we're a perfect pairing
Walk in the room and they can't stop staring
I've gotten used to it, I've gotten used to you
You'll never, never land another like me
I think you're clever, please don't try to fight me
Take notes and I'll tell you when you got it right
Why can't you be a man about it
Let me turn you onto something new
I'm screaming in a fan
I doubt that any of my words will make it through
This is your christening
Find out what you been missing and
I promise it'll make you fell better
This is your christening
The audience is listening
This is your christening
Find out what you been missing and
I promise it'll make you fell better
This is your christening
The audience is listening
Why can't you be a man about it
(There's a new world dawning)
We're swimming in a painted fountain
(There's a new world dawning)
This is your christening
Find out what you been missing and
I promise it'll make you fell better
This is your christening
The audience is listening...

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The Hunt within

I,
Smile, to my audience
Bow before my pain.
Sing the song of loneliness
mask it with a laugh in vain.

If only you could see; this pain does not have to be.
The hands I feel grasp my chest,
The piercing screams inside,
I know that I'm just prey walking in the hunters grasp, asking for the pain.
But although I feel my strain I know it is not in vain,

So I,
Smile, to my audience
Bow before my pain.
Sing the song of loneliness
Mask it with a laugh in vain.

I feel myself slipping, evil greed poisoning the good; maybe I'm just blind.
I'm the hunter in the dark
The lurk of a selfish need,
I cannot bear to hurt someone else, I can only hurt me.

So I,
Smile, to my audience
Bow before my pain.
Sing the song of loneliness
Mask it with a laugh in vain.

Just the want to feel loved, is making me a monster.
I'm the scratches in my heart
I slowly go insane.
I have no way to walk away; my howl is in a strain,

But I,
Smile, to my audience
Bow before my pain.
Sing the song of loneliness
Mask it with a laugh in vain.
Hope you will see through this mask,
And save what's left of the heart I stained.

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Salomé

The play was called Salomé, and we
Thought it was an omen when
The girl that played the leading part
Was stricken with the mumps,
So we had to get a new one, and we
Called on Mrs. Newman, who was
Thirty, going forty, and too
Large around the rump.

There was little we could choose from
In the cast, if we should lose one,
So the stand-ins were recruited from
The Geriatric Home,
There was Barney, who'd gone missing
On a trip to Little Gissing, though
His body had returned, he'd left
His faculties to roam.

Then Madge and Mavis Murray were
Recruited in a hurry to
Supply their famous curry
To the audience, at the break.
When we asked them of the Matron
She said, 'go ahead and take them! '
For the ulcers of our Patron had
Been keeping her awake.

The rehearsals were exciting, and
The changes rung like lightning
'Til the player playing Herod slipped
And fell right off the stage.
So we had to bring on Barney, who'd
Been in the British Army, but
Who didn't like the guy who played
The Prophet in the play.

They had been out there with Rommel,
One a Private, one a Colonel,
In the Regimental Journal
Barney didn't get his say.
Now he got to play King Herod who
Would see this Prophet buried
When Salomé asked the Prophet's head
Delivered on a tray.

I was worried about Barney, who
I thought a little barmy,
Then the printer spelt - 'Salami'
On the program for the play.
I was livid, I was raging,

[...] Read more

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How Shirwi ascended the Throne

From the Shahnameh
Now when Shirwi sat on the goodly throne,
And donned the royal crown so much desired,
The leaders of the Iranians each drew near
To proffer him the homage due to kings,
Exclaiming: 'Worshipful and honoured Sháh!
Know, God gave thee the crown, and now thou sittest
Securely on the throne of ivory,
And may thy sons and scions have the world.'

Kubád replied: 'Be ever conquering
And happy. Never will we practice ill.
How good is justice with benevolence!
The world will we keep peaceful and cut off
The works of Ahriman by every right,
Ancestral precedent that greateneth
The Glory of our Faith. I will dispatch
A message to my sire and tell him all.
He is in evil odour in the world
Through his ill deeds: let him excuse his faults
To God and turn to custom and the way.
If he shall heed me he will not resent
My conduct. Then will I devote myself
To state affairs and strive to compass justice
Both publicly and privily, do good
Where good is due, and break no poor man's heart.
I need two honest men of goodly speech,
Whose memories are charged with ancient lore.'

He asked the assembly: 'Whom shall I employ?
Who is most shrewd and honest in Iran?'

The warriors suggested by their looks
Two men of lore if they should give consent.
Kubád perceived whom the Iránians
Agreed to choose: one of them was Ashtád,
The other was Kharrád, son of Barzin,
The old-two sages eloquent and heedful.
Kubád addressed them thus: 'O ye wise men,
Ye chiefs experienced and veteran!
Deem not the conduct of the world too toilsome,
Because the Great by travail compass treasure.
It is for you now to approach the Sháh;
Perchance through you he may conform himself.
Appeal to him by instance new or old
As there is need.'

With tears unwilling
Those sages made them ready. When Kharrád,
Son of Barzin, and when Ashtád, who had

[...] Read more

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King Solomon And The Queen Of Sheba

(A Poem Game.)

“And when the Queen of Sheba heard of the fame of Solomon, . . .
she came to prove him with hard questions.”


[The men’s leader rises as he sees the Queen unveiling
and approaching a position that gives her half of the stage.]

Men’s Leader: The Queen of Sheba came to see King Solomon.
[He bows three times.]
I was King Solomon,
I was King Solomon,
I was King Solomon.

[She bows three times.]
Women’s Leader: I was the Queen,
I was the Queen,
I was the Queen.

Both Leaders: We will be king and queen,
[They stand together stretching their hands over the land.]
Reigning on mountains green,
Happy and free
For ten thousand years.

[They stagger forward as though carrying a yoke together.]
Both Leaders: King Solomon he had four hundred oxen.

Congregation: We were the oxen.

[Here King and Queen pause at the footlights.]
Both Leaders: You shall feel goads no more.
[They walk backward, throwing off the yoke and rejoicing.]
Walk dreadful roads no more,
Free from your loads
For ten thousand years.

[The men’s leader goes forward, the women’s leader dances round him.]
Both Leaders: King Solomon he had four hundred sweethearts.

[Here he pauses at the footlights.]
Congregation: We were the sweethearts.

[He walks backward. Both clap their hands to the measure.]
Both Leaders: You shall dance round again,
You shall dance round again,
Cymbals shall sound again,
Cymbals shall sound again,
[The Queen appears to gather wildflowers.]

[...] Read more

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The Booker Washington Trilogy

I. A NEGRO SERMON:—SIMON LEGREE

(To be read in your own variety of negro dialect.)


Legree's big house was white and green.
His cotton-fields were the best to be seen.
He had strong horses and opulent cattle,
And bloodhounds bold, with chains that would rattle.
His garret was full of curious things:
Books of magic, bags of gold,
And rabbits' feet on long twine strings.
But he went down to the Devil.

Legree he sported a brass-buttoned coat,
A snake-skin necktie, a blood-red shirt.
Legree he had a beard like a goat,
And a thick hairy neck, and eyes like dirt.
His puffed-out cheeks were fish-belly white,
He had great long teeth, and an appetite.
He ate raw meat, 'most every meal,
And rolled his eyes till the cat would squeal.

His fist was an enormous size
To mash poor niggers that told him lies:
He was surely a witch-man in disguise.
But he went down to the Devil.

He wore hip-boots, and would wade all day
To capture his slaves that had fled away.
But he went down to the Devil.

He beat poor Uncle Tom to death
Who prayed for Legree with his last breath.
Then Uncle Tom to Eva flew,
To the high sanctoriums bright and new;
And Simon Legree stared up beneath,
And cracked his heels, and ground his teeth:
And went down to the Devil.

He crossed the yard in the storm and gloom;
He went into his grand front room.
He said, "I killed him, and I don't care."
He kicked a hound, he gave a swear;
He tightened his belt, he took a lamp,
Went down cellar to the webs and damp.
There in the middle of the mouldy floor
He heaved up a slab, he found a door —
And went down to the Devil.

[...] Read more

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I prefer that for my own satisfaction over radio, there's no audience. TV, there's no audience. I need the response of the audience, even if it's a silent response.

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Which implies that the real issue in art is the audience's response. Now I claim that when I make things, I don't care about the audience's response, I'm making them for myself. But I'm making them for myself as audience, because I want to wake myself up.

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Wole Soyinka

There's a kind of dynamic quality about theater and that dynamic quality expresses itself in relation to, first of all, the environment in which it's being staged; then the audience, the nature of the audience, the quality of the audience.

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When I'm shooting, really the audience I'm thinking the hardest about is that first test screening audience who I want to like the film and that first opening weekend audience.

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If your audience is young, it'd be youth culture, if your audience is older, it'd be older people, if it were senior citizens, it'd be senior citizen issues. So you try and hit the target audience.

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There is always an audience for different individuals, but critics sometimes stop the audience finding the show and the show finding the audience.

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Consolation

Dear,
There is a poem for every audience
And an audience for every poem-
This may not be yours-audience, that is,
Or it may-
Poets are jealous creatures
And justifiably-
Self-absorption is not the same as selfishness
You can make a good case for it.
On line, as in life
People rarely get what they deserve.
Just as Truth is relative.
This I'm telling you, so you know.
Trust me, I'm a lawyer.

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The Society Knows It

Affluence is the audience
For art and music.
Perversion is the audience
For dance and romance.
Monogamy is the audience
For porn and blue films.
The society is aware of it
And condone it for a purpose.

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