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I am definitely a storyteller, but probably not a traditional Storyteller.

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K... I Lost

I lost... She lost... We lost and our heart lost.
Oh’ Society at your social and traditional cost.

Now our face will be considered as a culprit in love.
A strain is on our character with a defame shove.
How the rain will happen at my territory...
How a bud will blossom at a contrary...
My love ruined the society, people made that prove
Blaming us become their fashion and groove
at every lane and street we became the hated most.
I lost... She lost... We lost and our heart lost.
Oh’ Society at your social and traditional cost.

All are mortal; we can never be immortal
but... Our love will become for lovers’ portal
In future our successor will follow my shadow path
now may not the time for the spring... but it will be a heath
Defame has became our own fatal
we are blamed and going to die, but love is immortal
Love is spontaneous and the earth is its host
I lost... She lost... We lost and our heart lost.
Oh’ Society at your social and traditional cost.

I saw her love and felt me in her eye.
She is there always for me; Where is the “but & why”?
You are mistreating us and blaming us today
for you, our lives, we are going to pay.
We expressed our feeling with no shy.
Nothing is there what I have to post.
I lost... She lost... We lost and our heart lost.
Oh’ Society at your social and traditional cost.

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We survive not on any other resources, but on the expressed taste for music

Marriage getting solemnized
All in appropriate attires
Greetings
Friends in great excitement
Relatives exchanging welfare
And development or otherwise in
Respective families
Photographers, video-graphers
Busy and directing targets for proper posing
Me, alone, present at the request of the
Bridegroom's father
Who, at a distance, was busy
With his traditional rituals
Just fifteen minutes before
He only received me with all enthusiasm
And made have a sumptuous breakfast
I was seated in a select location
With enough air circulation
And was watching everything going on
I was forced into listening to
The instrumental music played live
The traditional manually air-blown instrument
Creates strong sounds of music
Masking all other sounds
And a music-drawn mind
Will not miss to make out the notes being played
Me, having a taste of music,
Was naturally drawn to that
And I was enjoying the same
Failing to note the happenings around
But the musician gives a break and
Allows his percussionist comes out
With a speedy beat to mark the completion of
A particular special traditional event
This helped me to assess the standing of the celebration
Marriage got solemnized
I approached the musician
And told him about those notes
Which I enjoyed very much
And thanked him for a nice presentation
I must indeed thank you,
He said, as
No one really takes note of us, the musicians
At these functions
I only wish your taste for music stay for ever
And let that be made known
We survive not on any other resources
But on the expressed taste for music

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PRINCE of my Heart

Most annoying around dining table
Lovely mom singing a same song
When, when, when
Worrisome miss traditional wedding
After a long stay in hospital bed

Preferred a prince of my heart
Modern wedding plan in mind
But mom dreaming Sumatra prince
Traditional culture of ancestor

Insomnia in dilemma
Dying mom nor prince
Would never be wounded
What should I do

Humming in hospital bed
Wish to inaugurated an Ulos scarf
Unique traditional wedding
And sing Borhat ma Dainang @
Before going to heaven

Dark cloud, flying to Sumatra island
To bury her in ancestor's land
My cheeks never stop wet
Her dream never come true

But God answered our prayers
No more pain, she RIP
Blessed me God, blessed me mom
With a prince of my heart

@ Good bye my dear daughter

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Making Sense Of Sound

SENSE OF SOUND

In Plato’s time fools used to say
there are no rules for music that you play.
Being law-abiding when you write
a piece of music often won’t excite
the fools who will demand of you to break
its laws, while claiming that the word mistake
doe not apply to music. It is pleasure
that’s their bottom line, every measure
composed in any manner the composer
may wish. I do not want to be imposer
of any law that may inhibit your
ability to write, but I feel sure
that ultimately it is only fools
who break in music, as in life, all rules.

In music as in life there’s right and wrong,
and both of them, in order to last long,
must follow norms, as Plato once declared.
a view that by this poet now is shared,
while hoping antinomians are not friendless,
like Wagner making melody that’s endless.
Music is a stock that never should be shorted.
Like any lover that you may have courted,
it follows rules on which you should go long,
avoiding dissonances that sound wrong,
except for all the ones that are resolved
like problems that in life that have been solved.
Only by preventing disappearance
of rules can life-like music reach coherence.

Inspired by Plato, cited in “Making Sense of Sound, ” by James F. Penrose in the WSJ, January 27,2010, reviewing Ruth Katz’s “A Language of Its Own, ” describing a grammar of music that evolved over the centuries without any overt instruction, giving an internal coherence to music and allowing it to adapt to cultural and social change, with a shared understanding between musicians and audiences. Penrose writes;

“Through foolishness they deceived themselves into thinking that there was no right or wrong way in music, that it was to be judged good or bad by the pleasure that it gave.” With these words Plato complained about the “promiscuous cleverness and a spirit of law-breaking” that characterized the music of the time—the fourth century B.C. Even then, it seems, music had a form and structure that guided its composition and performance, for “law-abiding” musicians anyway…. Beethoven, in Mr. Katz’s view, never damaged the system of harmonic tonality and “integrated” form, for all his iconoclasm. But a succession of composers––including Schumann, Liszt and, above all, Wagner––chipped away at coherence by preparing unprepared and unresolved chords, chromatic alterations, and above all modulations into remote keys. With his “unendlische Melodie (infinite melody) and other devices, Wagner savaged traditional musical structures even as he created astonishingly beautiful music. The gulf between past and present widened as the 20th century progressed––but there were pockets of resistance, Ms. Katz observes. Debussy joined the moderns in rebelling against the constraints of harmonic tonality but found coherence in modal forms and in melodic tonality. Composers like Bartok, Ravel and Janacek, though also pushing the boundaries of traditional harmony, appealed to the ear by retaining crucial elements of traditional tonality… [Ms Katz] is hopeful that musical tradition can regain its footing, perhaps by recreating the “abstracting” process that allowed Wesstern music, despite its inability to describe what it does, to beguile and fascinate us for so long.

1/27/10

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I wanted to hold onto and exploit the power of narrative. This is not only a book about a great storyteller, but there have to be stories about the storyteller.

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When I began to think about the head of the family, the storyteller, the rise of television which became the new storyteller, the break-up of the American family as an idea and then Avalon came.

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GRIOTTE by Marjorie Evasco

the story I remember Sandie Mbanefo remembers
her Igbo father telling her the old village storyteller
sat in the moonlight middle of a circle of ears and drums
beating the story in to let each one remember
stories from the very beginning simple complete
the way to throw nets onto the center of the lake
the way to cast spells to tame spit of the black mamba
in the countless spirals of words seeking the listening
whole navel dark pit memory called Mother in any tongue
in any story remembered and passed on in time
from time to time resurfacing in another other parts
of the world woven with skein like hers like mine like
Lina Sagaral Reyes bathing in the moonlight because
Bohol Electric cut off her supply her power to tell
the moonlight to me undiminished under the candleglow
as she remembered how rain water splashed
a shiver of fireflies on her brown body washed off salt
and silt from her twilight search for mollusks at Loay Beach
with the village women who also tell stories
what they remember everyday where crabs dance mate spawn
at new moon tide extraordinary things glowing
in the mangrove swamps while my feet tread their way
back to the night Sandie showed me Nigeria
the ceremonial clay figures in the round of storytelling
pulling me into the silent stretch of words as time curves
the gesture of fishers’ nets on to another lake where
I sit listen with Mabel Alampay to the blind
storyteller of Talisay remembering Taal Volcano
spewing lightning bolts the memory burned onto thin membrane
of eyelids shut forever into seeing inward a story of awe
passed on passing

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I have to say that the traditional role is kind of a myth. I think the traditional Mexican woman is a fierce woman.

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With The Key, it was, I had gone through a divorce and losing my father, and just kinda really reminiscing about how much I loved the traditional side of country music, so I made a record that was really traditional from start to finish.

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In a time of constrained resources we will have to shift emphasis. but not necessarily from the traditional Political Officer to the traditional Economic Officer.

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I have no difficulty with the recognition of civil unions for non-traditional relationships but I believe in law we should protect the traditional definition of marriage.

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Adolf Loos

Changes in the traditional way of building are only permitted if they are an improvement. Otherwise stay with what is traditional, for truth, even if it be hundreds of years old has a stronger inner bond with us than the lie that walks by our side.

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If we follow the traditional way of thought, there will always be traditional enemies. Extremist circles from both sides will find causes to give rise to problems.

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Brian Wilson Christmas Interview

Well, along with our special feature of this beach boys christmas album,
Once again Im happy to see the smiling face of the leader of
This popular group here in the studio, brian wilson.
Good to see you again, brian.
Hi, jack.
This beach boys christmas album is really something.
Ah, dick reynolds did the arrangements, I guess, huh?
Yes, he did. he did a beautiful job, a wonderful job.
Is this the first time youve worked with him?
Right. Id been, uh, wanting to meet him and work with him for quite a long time.
Now whos idea was it to have you featured on this, uh, one particular tune--i,
I was particularly impressed with it--a blue christmas.
Well, i... sort of picked out that song to sing for myself.
I, I love the song and uh, Ive always wanted to sing it, so I thought Id sing it.
Well, maybe this will be the start of a whole new career, huh?
I dont know, thats... it, it could, and it couldnt. ah... I really dont know.
Well, lets leave it to the listeners to see what they think of it.
Right.
I notice this album has uh, ah, along with some of the popular things like, uh,
Ill be home for christmas, uh, auld lang syne, and uh, um, we three kings
And some of the traditional things, that you have a couple of your,
Your own, uh, beach boys type sounds in the lp, too.
Uh-huh, weve more or less made one side, uh, our own style, and...
Kind of a teen side and an adult side.
Uh-huh, right, um-hm. contrasting.
Uh-huh. now, we have, uh, one of your originals coming up here, brian.
Uh, christmas day. you wrote this for the album specifically?
Yes, I did. uh-huh.
Uh-huh. and now, do you do your, the vocal arrangements,
Or did dick reynolds handle all of that?
Dick handled the vocal arrangements on the, ah, the modern side
--the traditional side--and I did the, ah, vocal and the
Arrangements of the music on our own style--our basic style--side.
Dick did the strings, also, on the, uh, on the modern side.
Coming up now, ah, a very sentimental type christmas song,
Particularly for those who are away from home during this time of year
--Ill be home for christmas. any, ah, thing particular about this,
This tune that youd like to say, brian?
Ah, well, I guess theres something very obvious when you hear the song.
Its, ah, theres a very definite influence of the four freshmen
On the arrangement as well as the delivery, and, uh, obviously
We all look up and admire the style of the four freshmen and,
Uh, I feel this has been the greatest--one of the greater--
Vocal influences, ah, in the world today.
Well, its certainly been, uh, nice of you to take the time to come
By again here for our special beach boys christmas show.
You have a fine album here and, uh, I hope youll be home for christmas.
Well, I hope I will, too. I hope everyones home for christmas.
I do, too. brian wilson, thanks again for coming by.
Thank you very much, jack.

[...] Read more

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Will The Circle Be Unbroken

(traditional)
This is a traditional song. jeff performed it live at the club logo, hamburg, on february 22, 1995.
I was standing by my window
On a cold and cloudy day
When I saw the hearse come rollin
For to take my mother away.
Will the circle be unbroken?
By and by lord, by and by,
Theres a better home a-waitin
In the sky lord, in the sky.
I told the undertaker:
Undertaker, please drive slow,
For this body you are haulin
Lord, I hate to see her go.
Will the circle be unbroken?
By and by lord, by and by,
Theres a better home a-waitin
In the sky lord, in the sky.
Well I followed close behind her,
Tried to hold up and be brave,
But I could not hide my sorrow
When they laid her in the grave
Will the circle be unbroken?
By and by lord, by and by,
Theres a better home a-waitin
In the sky lord, in the sky.
I went back home, my home was lonesome,
Missed my mother she was gone.
All my brothers and sisters crying
In our home so sad and alone.
Will the circle be unbroken?
By and by lord, by and by,
Theres a better home a-waitin
In the sky lord, in the sky.
We sang the songs of childhood,
Hymns of faith that made us strong,
Ones that our mother had taught us,
Hear the angels sing along
Will the circle be unbroken?
By and by lord, by and by,
Theres a better home a-waitin
In the sky lord, in the sky.

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First, it doesn't surprise me that traditional music has experienced a kind of exhaustion in the 20th century - not forgetting that many musicians started to look outside the traditional structures of tonality.

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I knew that if it ever got down to a choice between the Party and our traditional democratic structure I would fight the Party and our traditional democratic structure I would fight the Party to the bitter end.

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The traditional

A change of environment
Is the traditional fallacy
That the desperate people
And the doomed lovers
Pin their hopes on.
A change of time too is awaited.
Will the result be traditional?
08.05.2007

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Medley: Hallelujah / Last Month Of The Year

(l. cohen/traditional)
Hallelujah was originally contained in leonard cohen's various positions, while last month of the year is a blues traditional. on the cd booklet this song is credited only as hallelujah.
I heard there was a secret chord
That david played and it pleased the lord
But you don't really care for music, do you?
Well it goes like this :
The fourth, the fifth, the minor fall and the major lift
The baffled king composing hallelujah
Hallelujah, hallelujah, hallelujah, hallelujah
Well your faith was strong but you needed proof
You saw her bathing on the roof
Her beauty and the moonlight overthrough ya
She tied you to her kitchen chair
She broke your throne and she cut your hair
And from your lips she drew the hallelujah
Hallelujah, hallelujah, hallelujah, hallelujah
Baby i've been here before
I've seen this room and i've walked this floor
I used to live alone before i knew ya
I've seen your flag on the marble arch
And love is not some victory march
It's a cold and it's a broken hallelujah
Hallelujah, hallelujah, hallelujah, hallelujah
There was a time when you let me know
What's really going on below
But now you never show that to me do ya
But remember when i moved in you
And the holy dove was moving too
And every breath we drew was hallelujah
Well, maybe there's a god above
But all i've ever learned from love
Was how to shoot at someone who outdrew ya
And it's not a cry that you hear at night
It's not somebody who's seen the light
It's a cold and it's a broken hallelujah
Hallelujah, hallelujah, hallelujah, hallelujah,
Hallelujah, hallelujah, hallelujah...
[and here starts last month of the year]
Tell me what month was jesus born in
Last month of the year
Tell me what month was jesus born in
Last month of the year
Got january, january, march oh lord
Got april, may and june lord
You got july oh yeah
September, october and november
Got the twenty fifty
December is the last month of the year
What month was jesus born in
Last month of the year

[...] Read more

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She Moved Through The Fair

My young love said to me,
My mother wont mind,
And my father wont slight you,
For your lack of kind.
Then, she stepped away from me,
And this she did say:
It will not be long love,
til our wedding day.
She stepped away from me,
And she moved through the fair,
And fondly I watched her,
Move here and move there.
Then she made her way homeward,
With one star awake,
As the swan in the evening,
Moves over the lake.
I dreamt it last night,
That my dead love came in,
So softly she moved,
That her feet made no din.
Then she came close beside me,
And this she did say:
It will not be long love,
til our wedding day.
Music : traditional
Lyrics : traditional
Reproduced without permission

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