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I haven't spoken English with native speakers in several months. I've been speaking Arabic.

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The White Cliffs

I
I have loved England, dearly and deeply,
Since that first morning, shining and pure,
The white cliffs of Dover I saw rising steeply
Out of the sea that once made her secure.
I had no thought then of husband or lover,
I was a traveller, the guest of a week;
Yet when they pointed 'the white cliffs of Dover',
Startled I found there were tears on my cheek.
I have loved England, and still as a stranger,
Here is my home and I still am alone.
Now in her hour of trial and danger,
Only the English are really her own.

II
It happened the first evening I was there.
Some one was giving a ball in Belgrave Square.
At Belgrave Square, that most Victorian spot.—
Lives there a novel-reader who has not
At some time wept for those delightful girls,
Daughters of dukes, prime ministers and earls,
In bonnets, berthas, bustles, buttoned basques,
Hiding behind their pure Victorian masks
Hearts just as hot - hotter perhaps than those
Whose owners now abandon hats and hose?
Who has not wept for Lady Joan or Jill
Loving against her noble parent's will
A handsome guardsman, who to her alarm
Feels her hand kissed behind a potted palm
At Lady Ivry's ball the dreadful night
Before his regiment goes off to fight;
And see him the next morning, in the park,
Complete in busbee, marching to embark.
I had read freely, even as a child,
Not only Meredith and Oscar Wilde
But many novels of an earlier day—
Ravenshoe, Can You Forgive Her?, Vivien Grey,
Ouida, The Duchess, Broughton's Red As a Rose,
Guy Livingstone, Whyte-Melville— Heaven knows
What others. Now, I thought, I was to see
Their habitat, though like the Miller of Dee,
I cared for none and no one cared for me.


III
A light blue carpet on the stair
And tall young footmen everywhere,
Tall young men with English faces
Standing rigidly in their places,
Rows and rows of them stiff and staid

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Blow Your Speakers Out

So hop in your ride
Roll your windows down
cause tonight's your night
get lost in the sound
gotta crank the music loud
baby blow your speakers out (Your speakers out)

Under the stolen lights
feel the rhythm, the rhythm
and it will get you right
sweat it all out of your system
you gotta free your mind
let yourself unwind
cause it's your night night night
so get it right right right come on
can you feel it inside
it likes to go for a ride
i know you need it
i can see it in your eyes

So hop in your ride
Roll your windows down
cause tonight's your night
get lost in the sound
gotta crank the music loud
baby blow your speakers out (Your speakers out)

So hop in your ride
Roll your windows down
cause tonight's your night
get lost in the sound
gotta crank the music loud
baby blow your speakers out (Your speakers out)

I know you feel the heat
i see you feeling the fire
don't worry bout a thing
fulfill your every desire
the Dj's playing this song
so now you can't go wrong
cause it's your night night night
so do it right right right come on

Can you feel it inside
He likes to go for a ride
i know you need it
i can see it in your eyes

So hop in your ride
Roll your windows down

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The mother and the artist

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of wonderfully emollient freshness; every
unfurling instant of impregnably magnificent existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of spellbindingly undefeated innocence; every
unfurling instant of symbiotically pristine existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of timelessly unconquerable truth; every unfurling
instant of bounteously magnanimous existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of unfathomably unfettered creativity; every
unfurling instant of timelessly burgeoning existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of royally triumphant resplendence; every
unfurling instant of unconquerably majestic existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of eternally exhilarating vivaciousness; every
unfurling instant of redolently insuperable existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of unbelievably ameliorating optimism; every
unfurling instant of marvelously benign existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of brilliantly liberated camaraderie; every
unfurling instant of iridescently inscrutable existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of unshakably virgin righteousness; every
unfurling instant of beautifully untainted existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of uninhibitedly heavenly frolic; every unfurling
instant of tantalizingly sensuous existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of compassionately humanitarian friendship; every
unfurling instant of magically mitigating existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of miraculously everlasting freshness; every
unfurling instant of invincibly coalescing existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of pricelessly ubiquitous oneness; every unfurling

[...] Read more

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John Dryden

Annus Mirabilis, The Year Of Wonders, 1666

1
In thriving arts long time had Holland grown,
Crouching at home and cruel when abroad:
Scarce leaving us the means to claim our own;
Our King they courted, and our merchants awed.

2
Trade, which, like blood, should circularly flow,
Stopp'd in their channels, found its freedom lost:
Thither the wealth of all the world did go,
And seem'd but shipwreck'd on so base a coast.

3
For them alone the heavens had kindly heat;
In eastern quarries ripening precious dew:
For them the Idumaean balm did sweat,
And in hot Ceylon spicy forests grew.

4
The sun but seem'd the labourer of the year;
Each waxing moon supplied her watery store,
To swell those tides, which from the line did bear
Their brimful vessels to the Belgian shore.

5
Thus mighty in her ships, stood Carthage long,
And swept the riches of the world from far;
Yet stoop'd to Rome, less wealthy, but more strong:
And this may prove our second Punic war.

6
What peace can be, where both to one pretend?
(But they more diligent, and we more strong)
Or if a peace, it soon must have an end;
For they would grow too powerful, were it long.

7
Behold two nations, then, engaged so far
That each seven years the fit must shake each land:
Where France will side to weaken us by war,
Who only can his vast designs withstand.

8
See how he feeds the Iberian with delays,
To render us his timely friendship vain:
And while his secret soul on Flanders preys,
He rocks the cradle of the babe of Spain.

9
Such deep designs of empire does he lay

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Pardon My English

Please pardon my English
sorry I did not understand?

It is not your English
which is not at fault.
These native speakers
are speaking in idioms.
Idioms are fixed expressions
with nonliteral meanings.
A natural way of using language.
A natural way for native speakers to speak.

Your problem arises
because a fixed
distinctive expression
whose meaning
cannot be deduced
from the combined
meanings of its
actual spoken words

is not directly translatable.

Jargon and accents
betray speakers
places of origins
social background
and educational
class privileges
intonation inflection
betray mood character.

Note a
greater stress
emphasis
in pronouncing
a syllable
within a word
or a word
within a phrase.

An aspect
of situation
or issue
that is
emphasized
reveals
each speakers
main emphasis.

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Can't Stand It (Live On Letterman)

The way things go
You get so low
Struggle to find your skin
Hey ho
Look out below
Your prayers will never be answered again
Phones still ring
And singers sing
Speakers are speaking in code
What now
Well anyhow
Our prayers will never be answered again
You know it's all beginning
(It's all beginning)
To feel like It's ending
(Feels like It's ending)
No loves as random
As God's love
I can't stand it
I can't stand it
The way things get
You get so high
Funny how we make new friends
Oh hey ho
I gotta go
My prayers will never be answered again
You know It's all beginning
(it's all beginning)
To feel like It's ending
(Feels like It's ending)
No loves as random
As God's love
I can't stand it
I can't stand it
Speakers speaking
Speakers speaking
Speaking in code
Speakers speaking
Speakers speaking
Speaking in code
You know It's all beginning
(it's all beginning)
To feel like pretending
(To feel like pretending)
No loves as random
As my love
I can't stand it
I can't stand it
Your prayers will never be answered again
Your prayers will never be answered again

[...] Read more

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Katie

It may be through some foreign grace,
And unfamiliar charm of face;
It may be that across the foam
Which bore her from her childhood's home,
By some strange spell, my Katie brought,
Along with English creeds and thought --
Entangled in her golden hair --
Some English sunshine, warmth, and air!
I cannot tell -- but here to-day,
A thousand billowy leagues away
From that green isle whose twilight skies
No darker are than Katie's eyes,
She seems to me, go where she will,
An English girl in England still!

I meet her on the dusty street,
And daisies spring about her feet;
Or, touched to life beneath her tread,
An English cowslip lifts its head;
And, as to do her grace, rise up
The primrose and the buttercup!
I roam with her through fields of cane,
And seem to stroll an English lane,
Which, white with blossoms of the May,
Spreads its green carpet in her way!
As fancy wills, the path beneath
Is golden gorse, or purple heath:
And now we hear in woodlands dim
Their unarticulated hymn,
Now walk through rippling waves of wheat,
Now sink in mats of clover sweet,
Or see before us from the lawn
The lark go up to greet the dawn!
All birds that love the English sky
Throng round my path when she is by:
The blackbird from a neighboring thorn
With music brims the cup of morn,
And in a thick, melodious rain
The mavis pours her mellow strain!
But only when my Katie's voice
Makes all the listening woods rejoice
I hear -- with cheeks that flush and pale --
The passion of the nightingale!

Anon the pictures round her change,
And through an ancient town we range,
Whereto the shadowy memory clings
Of one of England's Saxon kings,
And which to shrine his fading fame
Still keeps his ashes and his name.

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Love and Honor

Sed neque Medorum silvae, ditissima terra
Nec pulcher Ganges, atque auro turbidus Haemus,
Laudibus Angligenum certent; non Bactra, nec Indi,
Totaque thuriferis Panchaia pinguis arenis.

Imitation.

Yet let not Median woods, (abundant track!)
Nor Ganges fair, nor Haemus, miser-like,
Proud of his hoarded gold, presume to vie
With Britain's boast and praise; nor Persian Bactra,
Nor India's coasts, nor all Panchaia's sands,
Rich, and exulting in their lofty towers.

____

Let the green olive glad Hesperian shores;
Her tawny citron, and her orange groves,
These let Iberia boast; but if in vain,
To win the stranger plant's diffusive smile,
The Briton labours, yet our native minds,
Our constant bosoms, these the dazzled world
May view with envy; these Iberian dames
Survey with fix'd esteem and fond desire.
Hapless Elvira! thy disastrous fate
May well this truth explain, nor ill adorn
The British lyre; then chiefly, if the Muse,
Nor vain, nor partial, from the simple guise
Of ancient record catch the pensive lay,
And in less grovelling accents give to Fame.
Elvira! loveliest maid! the Iberian realm
Could boast no purer breast, no sprightlier mind,
No race more splendent, and no form so fair.
Such was the chance of war, this peerless maid,
In life's luxuriant bloom, enrich'd the spoil
Of British victors, victory's noblest pride!
She, she alone, amid the wailful train
Of captive maids, assign'd to Henry's care,
Lord of her life, her fortune, and her fame!
He, generous youth! with no penurious hand,
The tedious moments, that unjoyous roll
Where Freedom's cheerful radiance shines no more,
Essay'd to soften; conscious of the pang
That Beauty feels, to waste its fleeting hours
In some dim fort, by foreign rule restrain'd,
Far from the haunts of men, or eye of day!
Sometimes, to cheat her bosom of its cares,
Her kind protector number'd o'er the toils
Himself had worn; the frowns of angry seas,
Or hostile rage, or faithless friend, more fell

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Henry Wadsworth Longfellow

Courtship of Miles Standish, The

I
MILES STANDISH

In the Old Colony days, in Plymouth the land of the Pilgrims
To and fro in a room of his simple and primitive dwelling,
Clad in doublet and hose, and boots of Cordovan leather,
Strode, with a martial air, Miles Standish the Puritan Captain.
Buried in thought he seemed, with his hands behind him, and pausing
Ever and anon to behold his glittering weapons of warfare,
Hanging in shining array along the walls of the chamber, --
Cutlass and corselet of steel, and his trusty sword of Damascus,
Curved at the point and inscribed with its mystical Arabic sentence,
While underneath, in a corner, were fowling-piece, musket, and matchlock.
Short of stature he was, but strongly built and athletic,
Broad in the shoulders, deep-chested, with muscles and sinews of iron;
Brown as a nut was his face, but his russet beard was already
Flaked with patches of snow, as hedges sometimes in November.
Near him was seated John Alden, his friend and household companion,
Writing with diligent speed at a table of pine by the window:
Fair-haired, azure-eyed, with delicate Saxon complexion,
Having the dew of his youth, and the beauty thereof, as the captives
Whom Saint Gregory saw, and exclaimed, "Not Angles, but Angels."
Youngest of all was he of the men who came in the Mayflower.

Suddenly breaking the silence, the diligent scribe interrupting,
Spake, in the pride of his heart, Miles Standish the Captain of Plymouth.
"Look at these arms," he said, "the war-like weapons that hang here
Burnished and bright and clean, as if for parade or inspection!
This is the sword of Damascus I fought with in Flanders; this breastplate,
Well I remember the day! once save my life in a skirmish;
Here in front you can see the very dint of the bullet
Fired point-blank at my heart by a Spanish arcabucero.
Had it not been of sheer steel, the forgotten bones of Miles Standish
Would at this moment be mould, in their grave in the Flemish morasses."
Thereupon answered John Alden, but looked not up from his writing:
"Truly the breath of the Lord hath slackened the speed of the bullet;
He in his mercy preserved you, to be our shield and our weapon!"
Still the Captain continued, unheeding the words of the stripling:
"See, how bright they are burnished, as if in an arsenal hanging;
That is because I have done it myself, and not left it to others.
Serve yourself, would you be well served, is an excellent adage;
So I take care of my arms, as you of your pens and your inkhorn.
Then, too, there are my soldiers, my great, invincible army,
Twelve men, all equipped, having each his rest and his matchlock,
Eighteen shillings a month, together with diet and pillage,
And, like Caesar, I know the name of each of my soldiers!"
This he said with a smile, that danced in his eyes, as the sunbeams
Dance on the waves of the sea, and vanish again in a moment.
Alden laughed as he wrote, and still the Captain continued:
"Look! you can see from this window my brazen howitzer planted

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Henry Wadsworth Longfellow

The Courtship of Miles Standish

I
MILES STANDISH

In the Old Colony days, in Plymouth the land of the Pilgrims
To and fro in a room of his simple and primitive dwelling,
Clad in doublet and hose, and boots of Cordovan leather,
Strode, with a martial air, Miles Standish the Puritan Captain.
Buried in thought he seemed, with his hands behind him, and pausing
Ever and anon to behold his glittering weapons of warfare,
Hanging in shining array along the walls of the chamber, --
Cutlass and corselet of steel, and his trusty sword of Damascus,
Curved at the point and inscribed with its mystical Arabic sentence,
While underneath, in a corner, were fowling-piece, musket, and matchlock.
Short of stature he was, but strongly built and athletic,
Broad in the shoulders, deep-chested, with muscles and sinews of iron;
Brown as a nut was his face, but his russet beard was already
Flaked with patches of snow, as hedges sometimes in November.
Near him was seated John Alden, his friend and household companion,
Writing with diligent speed at a table of pine by the window:
Fair-haired, azure-eyed, with delicate Saxon complexion,
Having the dew of his youth, and the beauty thereof, as the captives
Whom Saint Gregory saw, and exclaimed, "Not Angles, but Angels."
Youngest of all was he of the men who came in the Mayflower.

Suddenly breaking the silence, the diligent scribe interrupting,
Spake, in the pride of his heart, Miles Standish the Captain of Plymouth.
"Look at these arms," he said, "the war-like weapons that hang here
Burnished and bright and clean, as if for parade or inspection!
This is the sword of Damascus I fought with in Flanders; this breastplate,
Well I remember the day! once save my life in a skirmish;
Here in front you can see the very dint of the bullet
Fired point-blank at my heart by a Spanish arcabucero.
Had it not been of sheer steel, the forgotten bones of Miles Standish
Would at this moment be mould, in their grave in the Flemish morasses."
Thereupon answered John Alden, but looked not up from his writing:
"Truly the breath of the Lord hath slackened the speed of the bullet;
He in his mercy preserved you, to be our shield and our weapon!"
Still the Captain continued, unheeding the words of the stripling:
"See, how bright they are burnished, as if in an arsenal hanging;
That is because I have done it myself, and not left it to others.
Serve yourself, would you be well served, is an excellent adage;
So I take care of my arms, as you of your pens and your inkhorn.
Then, too, there are my soldiers, my great, invincible army,
Twelve men, all equipped, having each his rest and his matchlock,
Eighteen shillings a month, together with diet and pillage,
And, like Caesar, I know the name of each of my soldiers!"
This he said with a smile, that danced in his eyes, as the sunbeams
Dance on the waves of the sea, and vanish again in a moment.
Alden laughed as he wrote, and still the Captain continued:
"Look! you can see from this window my brazen howitzer planted

[...] Read more

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In a Manner of Speaking

In a manner of speaking, I want to kill you,
said the drunk redneck to his wife,
In a manner of speaking, I don't love you,
said my ex (turned vegan) to me,
as I returned from a psych ward, hoping for
some sort of reconciliation,
And in a manner of speaking, the whole
world has gone to shit, that no mentally
unbalanced poet can improve upon,
In a manner of speaking, I was just a haiku
before I birthed an epic poem in 2008
and it went something like:
In a manner of speaking

In a manner of speaking, there is plenty of
beer and loose women,
In a manner of speaking, there is plenty of
internet journals with useless information,
In a manner of speaking, there are plenty of
assholes writing about getting laid and anal sex
on MySpace,
In a manner of speaking, my friend got raped
a few years ago and now has occasional herpes
outbreaks, which are quite disturbing
to her husband,
In a manner of speaking, I'm losing faith in humanity
and love at times,
In a manner of speaking, we just go through the motions,
hoping for something to change or something
spectacular to happen.

But I don't really know any more,
trying to make sense of it all, screaming for some sort of
sanity that eludes me,
In a manner of speaking, I feel alone here,
unable to connect to what's around me-
I just told some guy at a bar that I was a Dallas Cowboys
fan and I don't even watch football,
and he told me to come in my 'gear' on Sunday,
In a manner of speaking, I feel somewhat liberated
because I have no clue as to what I'm doing,
knowing that there is really no escape.

January 8,2008
-Alexander Shaumyan

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Tale II

THE PARTING HOUR.

Minutely trace man's life; year after year,
Through all his days let all his deeds appear,
And then though some may in that life be strange,
Yet there appears no vast nor sudden change:
The links that bind those various deeds are seen,
And no mysterious void is left between.
But let these binding links be all destroyed,
All that through years he suffer'd or enjoy'd,
Let that vast gap be made, and then behold -
This was the youth, and he is thus when old;
Then we at once the work of time survey,
And in an instant see a life's decay;
Pain mix'd with pity in our bosoms rise,
And sorrow takes new sadness from surprise.
Beneath yon tree, observe an ancient pair -
A sleeping man; a woman in her chair,
Watching his looks with kind and pensive air;
Nor wife, nor sister she, nor is the name
Nor kindred of this friendly pair the same;
Yet so allied are they, that few can feel
Her constant, warm, unwearied, anxious zeal;
Their years and woes, although they long have

loved,
Keep their good name and conduct unreproved:
Thus life's small comforts they together share,
And while life lingers for the grave prepare.
No other subjects on their spirits press,
Nor gain such int'rest as the past distress:
Grievous events, that from the mem'ry drive
Life's common cares, and those alone survive,
Mix with each thought, in every action share,
Darken each dream, and blend with every prayer.
To David Booth, his fourth and last-born boy,
Allen his name, was more than common joy;
And as the child grew up, there seem'd in him
A more than common life in every limb;
A strong and handsome stripling he became,
And the gay spirit answer'd to the frame;
A lighter, happier lad was never seen,
For ever easy, cheerful, or serene;
His early love he fix'd upon a fair
And gentle maid--they were a handsome pair.
They at an infant-school together play'd,
Where the foundation of their love was laid:
The boyish champion would his choice attend
In every sport, in every fray defend.
As prospects open'd, and as life advanced,

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Elizabeth Barrett Browning

First Book

OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.

I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.

I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)

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Byron

Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

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The Prophecy Of Famine

A SCOTS PASTORAL INSCRIBED TO JOHN WILKES, ESQ.

Nos patriam fugimus.--VIRGIL.

When Cupid first instructs his darts to fly
From the sly corner of some cook-maid's eye,
The stripling raw, just enter'd in his teens,
Receives the wound, and wonders what it means;
His heart, like dripping, melts, and new desire
Within him stirs, each time she stirs the fire;
Trembling and blushing, he the fair one views,
And fain would speak, but can't--without a Muse.
So to the sacred mount he takes his way,
Prunes his young wings, and tunes his infant lay,
His oaten reed to rural ditties frames,
To flocks and rocks, to hills and rills, proclaims,
In simplest notes, and all unpolish'd strains,
The loves of nymphs, and eke the loves of swains.
Clad, as your nymphs were always clad of yore,
In rustic weeds--a cook-maid now no more--
Beneath an aged oak Lardella lies--
Green moss her couch, her canopy the skies.
From aromatic shrubs the roguish gale
Steals young perfumes and wafts them through the vale.
The youth, turn'd swain, and skill'd in rustic lays,
Fast by her side his amorous descant plays.
Herds low, flocks bleat, pies chatter, ravens scream,
And the full chorus dies a-down the stream:
The streams, with music freighted, as they pass
Present the fair Lardella with a glass;
And Zephyr, to complete the love-sick plan,
Waves his light wings, and serves her for a fan.
But when maturer Judgment takes the lead,
These childish toys on Reason's altar bleed;
Form'd after some great man, whose name breeds awe,
Whose every sentence Fashion makes a law;
Who on mere credit his vain trophies rears,
And founds his merit on our servile fears;
Then we discard the workings of the heart,
And nature's banish'd by mechanic art;
Then, deeply read, our reading must be shown;
Vain is that knowledge which remains unknown:
Then Ostentation marches to our aid,
And letter'd Pride stalks forth in full parade;
Beneath their care behold the work refine,
Pointed each sentence, polish'd every line;
Trifles are dignified, and taught to wear
The robes of ancients with a modern air;
Nonsense with classic ornaments is graced,
And passes current with the stamp of taste.

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Byron

Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

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New-Englands Crisis

IN seventy five the Critick of our years
Commenc'd our war with Phillip and his peers.
Whither the sun in Leo had inspir'd
A feav'rish heat, and Pagan spirits fir'd?
Whither some Romish Agent hatcht the plot?
Or whither they themselves? appeareth not.
Whither our infant thrivings did invite?
Or whither to our lands pretended right?
Is hard to say; but Indian spirits need
No grounds but lust to make a Christian bleed.


And here methinks I see this greazy Lout
With all his pagan slaves coil'd round about,
Assuming all the majesty his throne
Of rotten stump, or of the rugged stone
Could yield; casting some bacon-rine-like looks,
Enough to fright a Student from his books,
Thus treat his peers, and next to them his Commons,
Kennel'd together all without a summons.
"My friends, our Fathers were not half so wise
As we our selves who see with younger eyes.
They sel our land to english man who teach
Our nation all so fast to pray and preach:
Of all our countrey they enjoy the best,
And quickly they intend to have the rest.
This no wunnegin, so big matchit law,
Which our old fathers fathers never saw.
These english make and we must keep them too,
Which is too hard for them or us to doe,
We drink we so big whipt, but english they
Go sneep, no more, or else a little pay.
Me meddle Squaw me hang'd, our fathers kept
What Squaws they would whither they wakt or slept.
Now if you'le fight Ile get you english coats,
And wine to drink out of their Captains throats.
The richest merchants houses shall be ours,
Wee'l ly no more on matts or dwell in bowers
Wee'l have their silken wives take they our Squaws,
They shall be whipt by virtue of our laws.
If ere we strike tis now before they swell
To greater swarmes then we know how to quell.
This my resolve, let neighbouring Sachems know,
And every one that hath club, gun or bow."
This was assented to, and for a close
He strokt his smutty beard and curst his foes.
This counsel lightning like their tribes invade,
And something like a muster's quickly made,
A ragged regiment, a naked swarm,
Whome hopes of booty doth with courage arm,

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Byron

Oh, thou, in Hellas deemed of heavenly birth,
Muse, formed or fabled at the minstrel’s will!
Since shamed full oft by later lyres on earth,
Mine dares not call thee from thy sacred hill:
Yet there Ive wandered by thy vaunted rill;
Yes! sighed o’er Delphi’s long-deserted shrine
Where, save that feeble fountain, all is still;
Nor mote my shell awake the weary Nine
To grace so plain a tale - this lowly lay of mine.

II.

Whilome in Albion’s isle there dwelt a youth,
Who ne in virtue’s ways did take delight;
But spent his days in riot most uncouth,
And vexed with mirth the drowsy ear of Night.
Ah, me! in sooth he was a shameless wight,
Sore given to revel and ungodly glee;
Few earthly things found favour in his sight
Save concubines and carnal companie,
And flaunting wassailers of high and low degree.

III.

Childe Harold was he hight: - but whence his name
And lineage long, it suits me not to say;
Suffice it, that perchance they were of fame,
And had been glorious in another day:
But one sad losel soils a name for aye,
However mighty in the olden time;
Nor all that heralds rake from coffined clay,
Nor florid prose, nor honeyed lines of rhyme,
Can blazon evil deeds, or consecrate a crime.

IV.

Childe Harold basked him in the noontide sun,
Disporting there like any other fly,
Nor deemed before his little day was done
One blast might chill him into misery.
But long ere scarce a third of his passed by,
Worse than adversity the Childe befell;
He felt the fulness of satiety:
Then loathed he in his native land to dwell,
Which seemed to him more lone than eremite’s sad cell.

V.

For he through Sin’s long labyrinth had run,
Nor made atonement when he did amiss,

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Byron

Canto the First

Oh, thou, in Hellas deemed of heavenly birth,
Muse, formed or fabled at the minstrel’s will!
Since shamed full oft by later lyres on earth,
Mine dares not call thee from thy sacred hill:
Yet there Ive wandered by thy vaunted rill;
Yes! sighed o’er Delphi’s long-deserted shrine
Where, save that feeble fountain, all is still;
Nor mote my shell awake the weary Nine
To grace so plain a tale - this lowly lay of mine.

II.

Whilome in Albion’s isle there dwelt a youth,
Who ne in virtue’s ways did take delight;
But spent his days in riot most uncouth,
And vexed with mirth the drowsy ear of Night.
Ah, me! in sooth he was a shameless wight,
Sore given to revel and ungodly glee;
Few earthly things found favour in his sight
Save concubines and carnal companie,
And flaunting wassailers of high and low degree.

III.

Childe Harold was he hight: - but whence his name
And lineage long, it suits me not to say;
Suffice it, that perchance they were of fame,
And had been glorious in another day:
But one sad losel soils a name for aye,
However mighty in the olden time;
Nor all that heralds rake from coffined clay,
Nor florid prose, nor honeyed lines of rhyme,
Can blazon evil deeds, or consecrate a crime.

IV.

Childe Harold basked him in the noontide sun,
Disporting there like any other fly,
Nor deemed before his little day was done
One blast might chill him into misery.
But long ere scarce a third of his passed by,
Worse than adversity the Childe befell;
He felt the fulness of satiety:
Then loathed he in his native land to dwell,
Which seemed to him more lone than eremite’s sad cell.

V.

For he through Sin’s long labyrinth had run,
Nor made atonement when he did amiss,

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Byron

Childe Harold's Pilgrimage: A Romaunt. Canto I.

To Ianthe:

Not in those climes where I have late been straying,
Though Beauty long hath there been matchless deem'd;
Not in those visions to the heart displaying
Forms which it sighs but to have only dream'd,
Hath aught like thee in truth or fancy seem'd:
Nor, having seen thee, shall I vainly seek
To paint those charms which varied as they beam'd --
To such as see thee not my words were weak;
To those who gaze on thee what language could they speak?
Ah! may'st thou ever be what now thou art,
Nor unbeseem the promise of thy spring,
As fair in form, as warm yet pure in heart,
Love's image upon earth without his wing,
And guileless beyond Hope's imagining!
And surely she who now so fondly rears
Thy youth, in thee, thus hourly brightening,
Beholds the rainbow of her future years,
Before whose heavenly hues all sorrow disappears.

Young Peri of the West!-'tis well for me
My years already doubly number thine;
My loveless eye unmov'd may gaze on thee,
And safely view thy ripening beauties shine;
Happy, I ne'er shall see them in decline,
Happier, that while all younger hearts shall bleed,
Mine shall escape the doom thine eyes assign
To those whose admiration shall succeed,
But mixed with pangs to Love's even loveliest hours decreed.

Oh! let that eye, which, wild as the Gazelle's,
Now brightly bold or beautifully shy,
Wins as it wanders, dazzles where it dwells,
Glance o'er this page; nor to my verse deny
That smile for which my breast might vainly sigh,
Could I to thee be ever more than friend:
This much, dear maid, accord; nor question why
To one so young my strain I would commend,
But bid me with my wreath one matchless lily blend.

Such is thy name with this my verse entwin'd;
And long as kinder eyes a look shall cast
On Harold's page, Ianthe's here enshrin'd
Shall thus be first beheld, forgotten last:
My days once number'd, should this homage past
Attract thy fairy fingers near the lyre
Of him who hail'd thee, loveliest as thou wast,
Such is the most my memory may desire;
Though more than Hope can claim, could Friendship less require?

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