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The taste for quotations (and for the juxtaposition of incongruous quotations) is a Surrealist taste.

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Amours de Voyage, Canto III

Yet to the wondrous St. Peter's, and yet to the solemn Rotunda,
Mingling with heroes and gods, yet to the Vatican Walls,
Yet may we go, and recline, while a whole mighty world seems above us,
Gathered and fixed to all time into one roofing supreme;
Yet may we, thinking on these things, exclude what is meaner around us;
Yet, at the worst of the worst, books and a chamber remain;
Yet may we think, and forget, and possess our souls in resistance.--
Ah, but away from the stir, shouting, and gossip of war,
Where, upon Apennine slope, with the chestnut the oak-trees immingle,
Where, amid odorous copse bridle-paths wander and wind,
Where, under mulberry-branches, the diligent rivulet sparkles,
Or amid cotton and maize peasants their water-works ply,
Where, over fig-tree and orange in tier upon tier still repeated,
Garden on garden upreared, balconies step to the sky,--
Ah, that I were far away from the crowd and the streets of the city,
Under the vine-trellis laid, O my beloved, with thee!

I. Mary Trevellyn to Miss Roper,--on the way to Florence.

Why doesn't Mr. Claude come with us? you ask.--We don't know,
You should know better than we. He talked of the Vatican marbles;
But I can't wholly believe that this was the actual reason,--
He was so ready before, when we asked him to come and escort us.
Certainly he is odd, my dear Miss Roper. To change so
Suddenly, just for a whim, was not quite fair to the party,--
Not quite right. I declare, I really almost am offended:
I, his great friend, as you say, have doubtless a title to be so.
Not that I greatly regret it, for dear Georgina distinctly
Wishes for nothing so much as to show her adroitness. But, oh, my
Pen will not write any more;--let us say nothing further about it.
* * * * * * * * * * * * * * * *
Yes, my dear Miss Roper, I certainly called him repulsive;
So I think him, but cannot be sure I have used the expression
Quite as your pupil should; yet he does most truly repel me.
Was it to you I made use of the word? or who was it told you?
Yes, repulsive; observe, it is but when he talks of ideas
That he is quite unaffected, and free, and expansive, and easy;
I could pronounce him simply a cold intellectual being.--
When does he make advances?--He thinks that women should woo him;
Yet, if a girl should do so, would be but alarmed and disgusted.
She that should love him must look for small love in return,--like the ivy
On the stone wall, must expect but a rigid and niggard support, and
E'en to get that must go searching all round with her humble embraces.

II. Claude to Eustace,--from Rome

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Taste So Good

[intro]
Please play at low volume
Preferably, while having sex
Can I taste you, can I taste you
(yes, you can)
Can I taste your body, girl
(of course you can)
Can I taste you, can I taste you
I just cant wait to
Can I taste you, can I taste you
(of course you can)
Can I taste your body, girl
(yes, you can)
Can I taste you, can I taste you
(oh, dont stop, until I tell you to)
Oh, baby whatcha doing
Got me feining like this
I wanna go to your valley
I wanna taste your lips, oh yeah
Never understood it
All my homies say dont do it
But baby when I tried it
Girl I couldnt help but like it
You taste so good
Baby you taste so good
You know you do girl
You taste so good
Baby do you like it when I taste your love, yeah
You taste so good
Baby, you taste so good
You know that it tastes so good
You taste so good
So good to me, my baby
So good to me, yeah
Sweeter than candy
Making my tongue so happy, oh
Loving down your backside
Girl, wont you take me on a thigh ride
Well go home
We;ll go around when we bounce
Youre giving me so much
Just swing and make you bounce
Your love is so delicious
Baby, I can tell by the smile on your face
Ya dont mind
If I have another taste
You taste so good
Baby, you taste so good
You taste so good
I cant get over this taste I found

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Tastes So Good

Please play at low volume
Preferably while havin sex
can i taste you can i taste you
(yes you can)
Can i taste your body girl
(of course you can)
Can i taste you can i taste you
I just cant wait to
Can i taste you can i taste you
( of course you can)
Can i taste your body Girl
(yes you can)
can i taste you can i taste you
( oh dont stop until i tell you to)
Oh baby whatcha doin
got me feining like this
I wanna go to your valley
I wanna taste your lips oh yeah
Never understood it
All my homies say dont do it
But baby when i tried it
Girl i couldnt help but like it
You taste so good
baby you tase so good
you know you do girl
you taste so good
Baby do you like it when i taste your love yeah
you taste so good
Baby you taste so good
you know that it tastes so good
you taste so good
so good to me my baby
so good to me yeah
Sweeter than candy
makin my tongue so happy oh
Lovin down your backside
Girl wont you take me on a thigh ride
we'll go home
we'll go areound when we bounce
your givin me so much
just swing and make you bounce
your love is so delicious
baby i can tell by the smile on your face
ya dont mind
if i have another taste
You taste so good
baby you taste so good
you taste so good
I cant get over this taste i found
when i go downtown down

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Amours de Voyage, Canto I

Over the great windy waters, and over the clear-crested summits,
Unto the sun and the sky, and unto the perfecter earth,
Come, let us go,--to a land wherein gods of the old time wandered,
Where every breath even now changes to ether divine.
Come, let us go; though withal a voice whisper, 'The world that we live in,
Whithersoever we turn, still is the same narrow crib;
'Tis but to prove limitation, and measure a cord, that we travel;
Let who would 'scape and be free go to his chamber and think;
'Tis but to change idle fancies for memories wilfully falser;
'Tis but to go and have been.'--Come, little bark! let us go.

I. Claude to Eustace.

Dear Eustatio, I write that you may write me an answer,
Or at the least to put us again en rapport with each other.
Rome disappoints me much,--St Peter's, perhaps, in especial;
Only the Arch of Titus and view from the Lateran please me:
This, however, perhaps is the weather, which truly is horrid.
Greece must be better, surely; and yet I am feeling so spiteful,
That I could travel to Athens, to Delphi, and Troy, and Mount Sinai,
Though but to see with my eyes that these are vanity also.
Rome disappoints me much; I hardly as yet understand it, but
Rubbishy seems the word that most exactly would suit it.
All the foolish destructions, and all the sillier savings,
All the incongruous things of past incompatible ages,
Seem to be treasured up here to make fools of present and future.
Would to Heaven the old Goths had made a cleaner sweep of it!
Would to Heaven some new ones would come and destroy these churches!
However, one can live in Rome as also in London.*
It is a blessing, no doubt, to be rid, at least for a time, of
All one's friends and relations,--yourself (forgive me!) included,--
All the assujettissement of having been what one has been,
What one thinks one is, or thinks that others suppose one;
Yet, in despite of all, we turn like fools to the English.
Vernon has been my fate; who is here the same that you knew him,--
Making the tour, it seems, with friends of the name of Trevellyn.
* The 1968 Oxford Edition, edited by A.L.P. Norrington,
includes a line immediately following this:
Rome is better than London, because it is other than London.

II. Claude to Eustace.

Rome disappoints me still; but I shrink and adapt myself to it.
Somehow a tyrannous sense of a superincumbent oppression
Still, wherever I go, accompanies ever, and makes me
Feel like a tree (shall I say?) buried under a ruin of brickwork.

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Loving That Taste For The Gutter

If they always call those they visit trash,
And on a daily basis they are around them.
What do they regard themselves?
Trash collectors?
Or recycled garbage...
Loving that taste for the gutter.

They can't leave it,
'Cause they come right back.
No matter what they call it they want it like that!
Because they love that taste for the gutter.
They love that taste for the gutter.

Whenever its suspected someone else will attack,
They will defend their trash with a coming back.
Because they love that taste for the gutter.
Yes they love that taste for the gutter.

They can't leave it,
'Cause they come right back.
No matter what they call it they want it like that!
Because they love that taste for the gutter.
They love that taste for the gutter.

If they always call those they visit trash,
And on a daily basis they are around them.
What do they regard themselves?
Trash collectors?
Garbage defenders?

Whenever its suspected someone else will attack,
They will defend their trash with a coming back.
Because they love that taste for the gutter.
Yes they love that taste for the gutter.

Garbage defenders,
Loving that taste for the gutter.
Trash collectors,
Loving that taste for the gutter.
But wont admit or quit,
Loving that taste for the gutter.

They can't leave it,
'Cause they come right back.
Because they love that taste for the gutter.
Garbage defenders,
Loving that taste for the gutter.
Trash collectors,
Loving that taste for the gutter.
But wont admit or quit,

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Well, I know, after all, it is only juxtaposition, Juxtaposition, in short; and what is juxtaposition?

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Night Ride Home

Words and music by joni mitchell
Once in a while
In a big blue moon
There comes a night like this
Like some surrealist
Invented this 4th of july
Night ride home
Hula girls
And caterpillar tractors in the sand
The ukulele man
The fireworks
This 4th of july
Night ride home
I love the man beside me
We love the open road
No phones till friday
Far from the overkill
Far from the overload
Back at the bar
The band tears down
But out here in the headlight beams
The silver powerlines
Gleam
On this 4th of july
Night ride home
Round the curve
And a big dark horse
Red taillights on his hide
Is keeping right alongside
Rev for stride
4th of july
Night ride home
I love the man beside me
We love the open road
No phones till friday
Far from the undertow
Far from the overload
Once in awhile
In a big blue moon
There comes a night like this
Like some surrealist
Invented this 4th of july
Night ride home

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Louis Aragon'la Telepati

Duyuyorum sesini Aragon
Bağırma lütfen!

Biliyorum
Tahta at'lardan inmeliyim artık
Asıp burjuva takıntılarımı
Çırılçıplak çarmıha
Kesmeliyim Mona Lisa'da
Çıkan bıyığı
Da Vinci uyanmadan

Üç memeli kadın resimleri
Çizemiyorum Aragon
Acıtıyor dudağımı her ısırışta
Teresa'nın memelerindeki yangın
Ne zaman kalçalarında gezinse ellerim
küf kokuyor
Üşüyor tuvalimdeki
Kadın

Sürrealist bir şiir yazmak istiyorum
Kazınsın öldüğümde mezar taşıma
Son dizeleri
Ve
Solurken azabı
Dadaist meftalar ayakucumda
Sultan-ı yegah'ı fısıldasın karıncalar
Picasso'ya akapella
Benden

Çekiliyor
Gözlerimdeki simetri
Katlanamıyorum Aragon
Olasılıklar olabildiğince sert
Ve keskin
Büyük mastürbasyoncu gibi
Aforoz'un eşiğinde sanki
Kırmızı çizgilerim
Ki
Son akşam yemeği'ne paha biçilmezken
Müze lokantasında
Gerçeküstücülük hayal olmamalı
Dar beyinlere vurup kazmayı
Sürrealist metrolar açmalı
Neo-estetik steplerinde insanlığın
Haksızmı yım?
Birşey söyle Aragon
Ya da şiire son dizeyi
Ölümsüz kalemin yazsın…

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John Milton

Paradise Lost: Book 09

No more of talk where God or Angel guest
With Man, as with his friend, familiar us'd,
To sit indulgent, and with him partake
Rural repast; permitting him the while
Venial discourse unblam'd. I now must change
Those notes to tragick; foul distrust, and breach
Disloyal on the part of Man, revolt,
And disobedience: on the part of Heaven
Now alienated, distance and distaste,
Anger and just rebuke, and judgement given,
That brought into this world a world of woe,
Sin and her shadow Death, and Misery
Death's harbinger: Sad talk!yet argument
Not less but more heroick than the wrath
Of stern Achilles on his foe pursued
Thrice fugitive about Troy wall; or rage
Of Turnus for Lavinia disespous'd;
Or Neptune's ire, or Juno's, that so long
Perplexed the Greek, and Cytherea's son:

If answerable style I can obtain
Of my celestial patroness, who deigns
Her nightly visitation unimplor'd,
And dictates to me slumbering; or inspires
Easy my unpremeditated verse:
Since first this subject for heroick song
Pleas'd me long choosing, and beginning late;
Not sedulous by nature to indite
Wars, hitherto the only argument
Heroick deem'd chief mastery to dissect
With long and tedious havock fabled knights
In battles feign'd; the better fortitude
Of patience and heroick martyrdom
Unsung; or to describe races and games,
Or tilting furniture, imblazon'd shields,
Impresses quaint, caparisons and steeds,
Bases and tinsel trappings, gorgeous knights
At joust and tournament; then marshall'd feast
Serv'd up in hall with sewers and seneshals;
The skill of artifice or office mean,
Not that which justly gives heroick name
To person, or to poem. Me, of these
Nor skill'd nor studious, higher argument
Remains; sufficient of itself to raise
That name, unless an age too late, or cold
Climate, or years, damp my intended wing
Depress'd; and much they may, if all be mine,
Not hers, who brings it nightly to my ear.
The sun was sunk, and after him the star
Of Hesperus, whose office is to bring

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Hannah More

The Bas Bleu: Or, Conversation. Addressed To Mrs. Vesey

VESEY, of Verse the judge and friend,
Awhile my idle strain attend:
Not with the days of early Greece,
I mean to ope my slender piece;
The rare Symposium to proclaim
Which crown'd th' Athenians' social name;
Or how Aspasia's parties shone,
The first Bas-bleu at Athens known;
Where SOCRATES unbending sat,
With ALCIBIADES in chat;
And PERICLES vouchsafed to mix
Taste, wit, and mirth, with politics.
Nor need I stop my tale to show,
At least to readers such as you,
How all that Rome esteem'd polite,
Supp'd with LUCULLUS every night;
LUCULLUS, who, from Pontus come,
Brought conquests, and brought cherries home.
Name but the suppers in th' Appollo,
What classic images will follow!
How wit flew round, while each might take
Conchylia from the Lucrine lake;
And Attic Salt, and Garum Sauce,
And Lettuce from the Isle of Cos;
The first and last from Greece transplanted,
Us'd here--because the rhyme I wanted:
How pheasant's heads, with cost collected,
And Phenicopters' stood neglected,
To laugh at SCIPIO's lucky hit,
POMPEY's bon-mot, or CAESAR's wit!
Intemperance, list'ning to the tale,
Forgot the Mullet growing stale;
And Admiration, balanc'd, hung
'Twixt PEACOCKS' brains, and TULLY's tongue.
I shall not stop to dwell on these,
But be as epic as I please,
And plunge at once in medias res.
To prove that privilege I plead,
I'll quote some Greek I cannot read;
Stunn'd by Authority you yield,
And I, not reason, keep the field.
Long was Society o'er-run
By Whist, that desolating Hun;
Long did Quadrille despotic sit,
That Vandal of colloquial wit;
And Conversation's setting light
Lay half-obscur'd in Gothic night.
At length the mental shades decline,
Colloquial wit begins to shine;
Genius prevails, and Conversation

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Winston Churchill

It is a good thing for an uneducated man to read books of quotations. Bartlett's Familiar Quotations is an admirable work, and I studied it intently. The quotations when engraved upon the memory give you good thoughts. They also make you anxious to read the authors and look for more.

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Alexander Pope

An Essay on Criticism

Part I

INTRODUCTION. That it is as great a fault to judge ill as to write ill, and a more dangerous one to the public. That a true Taste is as rare to be found as a true Genius. That most men are born with some Taste, but spoiled by false education. The multitude of Critics, and causes of them. That we are to study our own Taste, and know the limits of it. Nature the best guide of judgment. Improved by Art and rules, which are but methodized Nature. Rules derived from the practice of the ancient poets. That therefore the ancients are necessary to be studied by a Critic, particularly Homer and Virgil. Of licenses, and the use of them by the ancients. Reverence due to the ancients, and praise of them.


'Tis hard to say if greater want of skill
Appear in writing or in judging ill;
But of the two less dangerous is th'offence
To tire our patience than mislead our sense:
Some few in that, but numbers err in this;
Ten censure wrong for one who writes amiss;
A fool might once himself alone expose;
Now one in verse makes many more in prose.

'Tis with our judgments as our watches, none
Go just alike, yet each believes his own.
In Poets as true Genius is but rare,
True Taste as seldom is the Critic's share;
Both must alike from Heav'n derive their light,
These born to judge, as well as those to write.
Let such teach others who themselves excel,
And censure freely who have written well;
Authors are partial to their wit, 'tis true,
But are not Critics to their judgment too?

Yet if we look more closely, we shall find
Most have the seeds of judgment in their mind:
Nature affords at least a glimm'ring light;
The lines, tho' touch'd but faintly, are drawn right:
But as the slightest sketch, if justly traced,
Is by ill col'ring but the more disgraced,
So by false learning is good sense defaced:
Some are bewilder'd in the maze of schools,
And some made coxcombs Nature meant but fools:
In search of wit these lose their common sense,
And then turn Critics in their own defence:
Each burns alike, who can or cannot write,
Or with a rival's or an eunuch's spite.
All fools have still an itching to deride,
And fain would be upon the laughing side.
If Mævius scribble in Apollo's spite,
There are who judge still worse than he can write.

Some have at first for Wits, then Poets pass'd;
Turn'd Critics next, and prov'd plain Fools at last.
Some neither can for Wits nor Critics pass,
As heavy mules are neither horse nor ass.
Those half-learn'd witlings, numerous in our isle,
As half-form'd insects on the banks of Nile;
Unfinish'd things, one knows not what to call,

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Honeyfuzz

Got ya
I crave, I crave, I crave, I crave
A taste, a taste, a taste, a taste, a taste, a taste
Honeyfuzz, honeyfuzz
I can't go on, go on
Alone, alone, alone, alone, alone
alone without my honeyfuzz, honeyfuzz
Funny, it tasted so sweet like honey
D'you know what I mean? It's so funny
I never had a dream like honey, honey
Got ya
I taste, I taste, I taste, I taste
Go to waste, I taste, go to waste
I taste, go to waste
I taste your honeyfuzz, honeyfuzz
I love, I love, I love, I love, I love
I touch, I love, I love, I touch
I touch your honeyfuzz, honeyfuzz
Funny, it tasted so sweet like honey
D'you know what I mean? It's so funny
I never had a dream like honey, honey
It's so funny, it tasted so sweet like honey
I never had a dream, but honeyfuzz
Honeyfuzz
Honeyfuzz
Honeyfuzz
Honey

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Tale XXI

The Learned Boy

An honest man was Farmer Jones, and true;
He did by all as all by him should do;
Grave, cautious, careful, fond of gain was he,
Yet famed for rustic hospitality:
Left with his children in a widow'd state,
The quiet man submitted to his fate;
Though prudent matrons waited for his call,
With cool forbearance he avoided all;
Though each profess'd a pure maternal joy,
By kind attention to his feeble boy;
And though a friendly Widow knew no rest,
Whilst neighbour Jones was lonely and distress'd;
Nay, though the maidens spoke in tender tone
Their hearts' concern to see him left alone,
Jones still persisted in that cheerless life,
As if 'twere sin to take a second wife.
Oh! 'tis a precious thing, when wives are dead,
To find such numbers who will serve instead;
And in whatever state a man be thrown,
'Tis that precisely they would wish their own;
Left the departed infants--then their joy
Is to sustain each lovely girl and boy:
Whatever calling his, whatever trade,
To that their chief attention has been paid;
His happy taste in all things they approve,
His friends they honour, and his food they love;
His wish for order, prudence in affairs,
An equal temper (thank their stars!), are theirs;
In fact, it seem'd to be a thing decreed,
And fix'd as fate, that marriage must succeed:
Yet some, like Jones, with stubborn hearts and

hard,
Can hear such claims and show them no regard.
Soon as our Farmer, like a general, found
By what strong foes he was encompass'd round,
Engage he dared not, and he could not fly,
But saw his hope in gentle parley lie;
With looks of kindness then, and trembling heart,
He met the foe, and art opposed to art.
Now spoke that foe insidious--gentle tones,
And gentle looks, assumed for Farmer Jones:
'Three girls,' the Widow cried, 'a lively three
To govern well--indeed it cannot be.'
'Yes,' he replied, 'it calls for pains and care:
But I must bear it.'--'Sir, you cannot bear;
Your son is weak, and asks a mother's eye:'
'That, my kind friend, a father's may supply.'

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Alfred North Whitehead

I have suffered a great deal from writers who have quoted this or that sentence of mine either out of its context or in juxtaposition to some incongruous matter which quite distorted my meaning , or destroyed it altogether.

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Alfred North Whitehead

I have suffered a great deal from writers who have quoted this or that sentence of mine either out of its context or in juxtaposition to some incongruous matter which quite distorted my meaning, or destroyed it altogether.

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Forbidden Fruit

There's a game you wanna play
There's a risk you would like to take
But words can't change what you feel inside
There'll be no going back from here
I'm scared it'll lead to tears
Patience, boy, and I will decide
If your kiss is sweet enough
If I wanna feel your touch
You should know I can read your mind
If the deal is worth the pain
If you just won't die of shame
I am tempted to try
If you taste this fruit forbidden to eat
You can drink this wine from a love so deep
I dance for you
Let you come within
If you swear to me that it ain't no sin
There's a world you wanna know
There's a place you wanna go
Take your time and love will delight
There're wonders everywhere
Their mysteries to share
Be gentle, boy, and it will be alright
If you taste this fruit forbidden to eat
You can drink this wine from a love so deep
I dance for you
Let you come within
If you swear to me that it ain't no sin
If you taste this fruit forbidden to eat
You can drink this wine from a love so deep
I dance for you
Let you come within
If you swear to me that it ain't no sin
You wanna taste it
Oh, if you swear to me
If you taste this fruit forbidden to eat
You can drink this wine from a love so deep
Love so deep
I dance for you
Let you come within
If you swear to me that it ain't no sin
If you taste this fruit forbidden to eat
You can drink this wine from a love so deep
Love so deep
I dance for you
Let you come within
If you swear to me that it ain't no sin
Wanna taste it
Love so deep
I wanna dance for you

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John Milton

Paradise Lost: Book 05

Now Morn, her rosy steps in the eastern clime
Advancing, sowed the earth with orient pearl,
When Adam waked, so customed; for his sleep
Was aery-light, from pure digestion bred,
And temperate vapours bland, which the only sound
Of leaves and fuming rills, Aurora's fan,
Lightly dispersed, and the shrill matin song
Of birds on every bough; so much the more
His wonder was to find unwakened Eve
With tresses discomposed, and glowing cheek,
As through unquiet rest: He, on his side
Leaning half raised, with looks of cordial love
Hung over her enamoured, and beheld
Beauty, which, whether waking or asleep,
Shot forth peculiar graces; then with voice
Mild, as when Zephyrus on Flora breathes,
Her hand soft touching, whispered thus. Awake,
My fairest, my espoused, my latest found,
Heaven's last best gift, my ever new delight!
Awake: The morning shines, and the fresh field
Calls us; we lose the prime, to mark how spring
Our tender plants, how blows the citron grove,
What drops the myrrh, and what the balmy reed,
How nature paints her colours, how the bee
Sits on the bloom extracting liquid sweet.
Such whispering waked her, but with startled eye
On Adam, whom embracing, thus she spake.
O sole in whom my thoughts find all repose,
My glory, my perfection! glad I see
Thy face, and morn returned; for I this night
(Such night till this I never passed) have dreamed,
If dreamed, not, as I oft am wont, of thee,
Works of day past, or morrow's next design,
But of offence and trouble, which my mind
Knew never till this irksome night: Methought,
Close at mine ear one called me forth to walk
With gentle voice; I thought it thine: It said,
'Why sleepest thou, Eve? now is the pleasant time,
'The cool, the silent, save where silence yields
'To the night-warbling bird, that now awake
'Tunes sweetest his love-laboured song; now reigns
'Full-orbed the moon, and with more pleasing light
'Shadowy sets off the face of things; in vain,
'If none regard; Heaven wakes with all his eyes,
'Whom to behold but thee, Nature's desire?
'In whose sight all things joy, with ravishment
'Attracted by thy beauty still to gaze.'
I rose as at thy call, but found thee not;
To find thee I directed then my walk;
And on, methought, alone I passed through ways

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Please Do Not Resist

At nighttime I have found my mind,
Can not unwind.
You've got my insight on a hold...
All thoughts I've left behind.

And I know you're not the kind,
To try to probe and define me.
And feeling good I surely do...
Because of you it's true.

A taste I want a little bit...
Of it.
Yes.
A taste I want a little bit,
But I am not a quitter.

I know I'll try to get as much of it,
As I can get.
Oh I know I am persistent...
And it's to your benefit.

A taste I want a little bit...
Of it.
Yes.
A taste I want a little bit,
But I am not a quitter.
And...
I know I'll try to get as much of it,
As I can get.
Oh I know I am persistent...
And it's to your benefit.

And I know you're not the kind,
To try to probe and define me.
And feeling good I surely do.
Because of you it's true.

A taste I want a little bit...
Of it.
Yes.
A taste I want a little bit,
But I am not a quitter.

I know I'll try to get as much of it,
As I can get.
Oh I know I am persistent...
And it's to your benefit.

A taste I want a little bit...
Of it.

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Taste Of Danger

I met you at the barricade
The speed bump where the crowd has gathered
You said the bow was breaking
You wanna get some coffee or something and then
Flow for the crowd that scatters
I found my people and nothing else matters
Bull horns scream in the stormy skies
No one listens but you still have a new tribe
Cos you love the taste of danger
It turns you on (danger)
Just take a look at your face
I know whats going on (whats going on)
You love the taste of danger
Tip-toe through the riots
? ? ? braced for action
No sense, so consequence breeds...
Bounce back at ya
Cos you love the taste of danger
So bring it on (danger)
Just take a look at your face
I know whats going on (whats going on)
You love the taste of danger
Stare at the brand new sneakers on the
Idle kiss ? ? ? speaker
These are probable days my friends
Tomorrows monday and all good things must end
The cops told the crowd they must disperse
Your pretty eyes fog as the tear gas bursts
We found the horses and we move along
And I promised Id see you but the moment was gone
You attack where the spray can splatters
Deliver us from the chokes and suckers
You and me keep the time of the presidents
Bind together for someone to vote against
Well you lost the taste for danger
And now its gone (danger)
Just take a look at your face
I know that somethings wrong (whats going on)
You lost your taste for danger
? ? ?
? ? ?
Cos you love the taste of danger
So bring it on (danger)
You love the taste of danger
You love the taste of danger
And now its gone (danger, whats going on)
You love the taste of danger

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