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These gardens may be called the gardens of the respectable working classes.

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Would you ever believe

WOULD YOU EVER believe if I called a nondescript table of teakwood; as a vivacious bird soaring high in the sky,

Would you ever believe if I called a ruffled sheet of paper; as a chunk of glittering gold,

Would you ever believe if I called a grandiloquent watch embodied with diamonds; as a lump of bedraggled stone,

Would you ever believe if I called a mountain of compacted mud; as a switchboard of pugnacious electricity,

Would you ever believe if I called a resplendent rainbow in the sky; as a broomstick with incongruous bristles,

Would you ever believe if I called a rusty canister of dilapidated iron; as a mesmerizing rose growing in the garden,

Would you ever believe if I called a pink tablet of luxury soap; as a mosquito hovering acrimoniously in the cloistered room,

Would you ever believe if I called a boat rollicking merrily on the undulating waves; as a rustic jungle spider,

Would you ever believe if I called a valley profusely embedded with snow; as an unscrupulous dog on the street,

Would you ever believe if I called a pair of luscious lips; as a disdainfully fetid shoe,

Would you ever believe if I called a fluorescent rod of light; as a jagged bush of cactus growing in the sweltering desert,

Would you ever believe if I called the blazing sun; as a pudgy bar of delectable chocolate,
Would you ever believe if I called an angular sculptured bone; as acid bubbling in a swanky bottle,

Would you ever believe if I called a scintillating oyster; as an inarticulate matchstick coated with lead,

Would you ever believe if I called a cluster of bells jingling from the ceiling; as a sordid cockroach philandering beside the lavatory seat,

Would you ever believe if I called a fruit of succulent coconut; as a dead mans morbid tooth,

Would you ever believe If I called a steaming cup of filter coffee; as gaudily colored water emanating from the street fountains,

Would you ever believe if I called the majestic statue of a revered historian; as a slab of tangy peanut butter,

Would you ever believe if I called a vibrant shirt; as a protuberant pigeon discerningly pecking its beak at grains scattered on the floor,

Would you ever believe if I called a flocculent bud of cotton; as a camouflaged lizard transgressing through wild projections of grass,

Would you ever believe if I called a photograph depicting the steep gorges; as a gutter inundated with obnoxious sewage,

Would you ever believe if I called a lanky giraffe; as a convict nefariously lurking through solitary streets of the city,

Would you ever believe if I called a pair of flamboyant sunglasses; as a weird tattoo to be adhered to the chest,

Would you ever believe if I called a chicken’s egg; as logs of sooty charcoal abundantly stashed in the colossal warehouse,

Would you ever believe if I called a biscuit replete with golden honey; as a ominously slithering reptile in the jungles,

Would you ever believe if I called a bald man possessing a profoundly tonsured scalp; as a gas balloon floating in insipid air,

[...] Read more

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Working For The Man

Roy orbison
Re-recorded version of 1987
----------------------------------
Hey now
You better listen to me every one of you
We got a lot of lot of lot of lot of work to do
Forget about your women
No, no water can
Today you're working for the man
Well pick up your feet
We got a deadline to meet
I'm gonna see you make it on time
Now, don't relax
I want elbows and backs
I wanna see everybody from behind
'cause you're working for the man
Working for the man
Gotta make him a hand
When you're working for the man
Well i'm pickin' em' up
And i'm layin' 'em down
I believe he's gonna work me into the ground
I pulled to the left, and i heaved to the right
I wanna kill him but it wouldn't be right
'cause i'm working for the man
Working for the man
Gotta make him a hand
When you're working for the man
Well the bossman's daughter sneaks me water
Everytime her daddy's down the line
She says "meet me tonight,
Love me right
And everyting's gonna be fine."
So i slave all day, without much pay
I'm just abiding my time
'cause the company and the daughter, you see
They both gonna be all mine
Yeah i'm gonna be the man
Gonna be the man
Gotta make him a hand
If you gonna be the man
Working for the man
Working for the man
Gotta make him a hand
When you're working for the man
Working for the man
Working for the man
Original version
------------------------
Hey now

[...] Read more

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Love Working On You

(jim collins/craig wiseman)
You woke up this morning
Changes were taking place
You looked in the mirror
A smile was all over your face
cause out of nowhere
Someone was there
Who dared to climb
Those walls you made
Its exciting, a little frightening
But girl dont you be afraid
Thats just the love working
Love working on you
Thats just the love working
Working on pulling you through
Cant even remember
All the sorrow that you left behind
Its a brand new day
Theres a bright new way
And your tears have turned into wine
You never forget
When your eyes met
Or just how clearly you could see
Where the turns are deep in your heart
That lead you to believe
Thats just the love working
Love working on you
Thats just the love working
Working on pulling you through
All of the while you felt forsaken
And all of the while
Loves been waiting, waiting
Suddenly you see how it could be
If we all only felt this way
And for a while girl you can see this world
Looking through the eyes of fate
Thats just the love working
Love working on you
Thats just the love working
Working on pulling you through
Thats just the love working
Love working on you
Thats just the love working
Working on pulling you through
Thats just the love working on you
Thats just the love working
Working on pulling you through

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Respectable Street

Heard the neighbour slam his car door,
Don't he realise this is respectable street?
What d'you think he bought that car for?
'cause he realise this is respectable street
Now they talk about absorption,
In cosmopolitan proportions to their daughters,
As they speak of child prevention,
And immaculate receptions on their portable,
Sony entertainment centres.
Heard the neighbour slam his car door,
Don't he realise this is respectable street?
What d'you think he bought that car for?
'cause he realise this is respectable street
Now she speak about diseases,
And which proposition pleases best her old man,
Avon lady fills the creases,
When she manages to squeeze in past the caravans,
That never move from their front gardens.
It's in the order of their hedgerows,
It's in the way their curtains open and close,
It's in the look they give you down their nose,
All part of decency's jigsaw i suppose.
Sunday church and they look fetching,
Saturday night saw him stretching over our fence,
Bang the wall for me to turn down,
I can see them with their stern frown,
As they dispense the kind of look that says they're perfect.
Heard the neighbour slam his car door,
Don't he realise this is respectable street?
What d'you think he bought that car for?
'cause he realise this is respectable street

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Virginia's Story

Elizabeth Gates-Wooten is my Grand mom.

She was born in Canada with her father and brothers.
They owned a Barber Shoppe.
I don't remember exactly where in Canada.
I believe it was right over the border like Windsor or Toronto.
I never knew exactly where it was.

When she was old enough she got married.

First, she married a man by the name of Frank Gates.
He was from Madagascar.
He fathered my mom and her brother and sister.
The boy's name was Frank Gates, Jr.
Two girls name were Anna and Agnes.

Agnes was my mother.

Frank Gates went crazy after the war
He drank a lot and died
Then grandma Elizabeth married a man by the name of Mr. Wooten.
He had a German name, but I don't think he was German.
She took his last name after they got married.

Then they moved to West Virginia in the United States.

Their son, Frank Gates Jr. Became a delegate in the democratic party.
He use to get into a lot of trouble because he liked to fight.
He was a delegate from the 1940's to 1970's.
He died of gout in the 1970's.

Anna was a maid and cook.

She baked cakes and stuff for people as a side line.
She had a hump on her back (scoliosis) .
She had to walk with a cane.
She could cook good though.
She did this kind of work all of her life, just like her mom, Elizabeth

They were both good cooks

They had a lot of money because they had these skills
Especially when people had parties.
Because they would make all of this food and then they would have left-overs.
We got to eat a lot of stuff we normally wouldn't get because of that.
When they cooked, they didn't use no measuring stuff, they would just use there hand.

My moms name was Agnes Barrie Gates.

She married James Wright and moved to Cleveland.

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Clampdown

Taking off his turban they said is this man a jew
Cause theyre working for the clampdown
And they put up a poster saying we earn more than you
When were working for the clampdown
We will teach our twisted speech
To the young believers
Train our blue-eyed men
To be young believers
Judge said five to ten - I said double that again
Im not working for the clampdown
Well no one born with a living soul
Could be working for the clampdown
Kick over the wall cause governments to fall
How can you refuse it
Let fury have the hour, anger can be power
Dont you know that you can use it
The voices in your head are calling
Stop wasting your time theres nothing coming
Only a fool would think someone could save you
The men at the factory are old and cunning
You dont owe nothing so boy get running
Its the best years of your life they want to steal
You grow up and you calm down
Cause youre working for the clampdown
And you start wearing the blue and the brown
Cause youre working for the clampdown
So you got someone to boss around
Does it makes you feel big now
And you drift until you brutalize
Youve made your first kill now
I say in these days of evil presidentes
Working for the clampdown
I said lately one or two have fully paid their dues
Working for the clampdown
Working for the clampdown
Hey you are now
Working for the clampdown
Hey you are now
(working for the clampdown)
Kick over the wall (working for the clampdown)
Cause governments to fall (working for the clampdown)
How can you refuse it (working for the clampdown)
Hey get along now
(working for the clampdown)
Giving away no secrets

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No More Chain Gang

He was black and handsome
And mighty mighty brave
Comin from the backwoods
The grandson of a slave
He was caught for something
They knew hed never done
And he was diggin ditches
Out in the burnin sun
Working on the chain gang-no more
Working on the chain gang-no more
Working on the chain gang-no more
Working on the chain gang-no more
No more, no more, no more
Man he was a giant
And iron he could bend
And he swore hed fight them
Down to the bitter end
Though he was no talker
His burnin eyes would say
You may keep on tryin
Cant hold me no way
Working on the chain gang-no more
Working on the chain gang-no more
Working on the chain gang-no more
Working on the chain gang-no more
No more, no more, no more
And one night he lay in waiting
Hit the guard and took the key
And before the others caught him
He jumped out and he was free
He jumped out and he was free
He made for the swamp lands
It seemed a hopeless duel
They had dogs and shotguns
And they were mighty cruel
But they couldnt find him
He was too smart and strong
Hiding in the daytime
Wandering all night long
Working on the chain gang-no more
Working on the chain gang-no more
Working on the chain gang-no more
Working on the chain gang-no more
Working on the chain gang-no more
Working on the chain gang-no more

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The Idolators

The veil was rent, and mundane Time merged in Eternity;
And I beheld the End of Things. I heard the Last Decree
Pronounced on all the World that Is, and Was, and Is to Be.

Rank upon rank before the Throne the Nations were arrayed,
And every man since Time began by his own act was weighed;
Till, to the Right, the diffident Elected stood dismayed.

For here the lowly Lazarus, and all his kind and ken
Repentant knave and serf and slave and humble beggar-men
In wonder looked from Damned to Throne, then on the Damned again.

Gaunt, towsled creatures of the streets still trembled, half in fear;
Weak women who had 'sinned' for love, and common folk were here,
Facing the Lost, yet doubting still that the Decree was clear.

For on the Left amid the Damned, a thousand million strong,
There stood a band of 'righteous' folk - a very 'genteel' throng;
All much surprised and scandalised, and scenting 'something wrong.'

Here reigned Respectability 'mid virgins sour and chaste;
Prim, haughty dames, whose worldly aims had been in perfect taste,
Shorn of their pride, stood side by side with sweaters leaden-faced.

Strict folk, who ne'er had sinned without due reck'ning of the cost,
Sniffed disapproval and declared the function was a frost,
And vowed the angel-ushers erred in marking them as Lost.

Strange men there were of ev'ry age since Man did first increase,
From Adam on to Babylon, from Persia to Greece,
From Greece and Rome, to England, on till Time was bidden cease.

Courtiers were there, and prince and peer - ay, even brewere-knights -
Preachers and parsons, Pharisees, Gentiles and Israelites,
Pharaohs and Caesars, Emperors and smug suburbanites.

Yea, every canting hypocrite since early Eocene,
In skin and silk and suit of mail and broadcloth stood serene,
Full sure his plight would be set right when the 'mistake' was seen.

And, as they gazed, shocked and amazed, upon the chosen side
On folk ill-clad in rags that had half-clothed them when they died
Lord God, they're not respectable! Nay, have a care!' they cried.

Then stepped there forth, consumed with wrath, an unctuous alderman;
And, standing out before the Throne, he pompously began
(In life he built a church, and many 'charities' he ran)

'Most High, the Heavenly Court, and Friends I do not wish to blame
Where blame is not deserved; but I protest it is a shame

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Algebraic Expression of Philippine Education System

A Student (self supporting or parent dependent)
Pays the tuition fee “X” equivalent to the number of classes “Y”
thus, the level of education (quantity = quality) .
However, the final grade “A”
is the difference of classes attended “Y” and absence “Z”.

Where:
X = Tuition Fee
Y = # of Classes
Z = # of Absences
A = Final Grade

A= X=Y
Y - Z

A Teacher (Instructor or Professor)
receives wage “W” equivalent to the number of Classes “C” attended.
Wage “W” is the difference of the classes “Y” and “D” absence.

Where:
C = # of Classes
D = # of Absences
W = Wage

W = ___C____
C – D
____________________________________

Let: X = B and Y = C
X = C and Y = B

But if:
Y and C ≠ X and B

What is the Difference and where does it go,
When it is not Refundable?

Y and C ≠ X and B

∞ is the value of Philippine Education.

Where:
Q1 = Quantity
Q2 = Quality

Value = Quantity
Quality

∞ = Q1 ≠ Q2

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Upon Appleton House, to My Lord Fairfax

Within this sober Frame expect
Work of no Forrain Architect;
That unto Caves the Quarries drew,
And Forrests did to Pastures hew;
Who of his great Design in pain
Did for a Model vault his Brain,
Whose Columnes should so high be rais'd
To arch the Brows that on them gaz'd.

Why should of all things Man unrul'd
Such unproportion'd dwellings build?
The Beasts are by their Denns exprest:
And Birds contrive an equal Nest;
The low roof'd Tortoises do dwell
In cases fit of Tortoise-shell:
No Creature loves an empty space;
Their Bodies measure out their Place.

But He, superfluously spread,
Demands more room alive then dead.
And in his hollow Palace goes
Where Winds as he themselves may lose.
What need of all this Marble Crust
T'impark the wanton Mose of Dust,
That thinks by Breadth the World t'unite
Though the first Builders fail'd in Height?

But all things are composed here
Like Nature, orderly and near:
In which we the Dimensions find
Of that more sober Age and Mind,
When larger sized Men did stoop
To enter at a narrow loop;
As practising, in doors so strait,
To strain themselves through Heavens Gate.

And surely when the after Age
Shall hither come in Pilgrimage,
These sacred Places to adore,
By Vere and Fairfax trod before,
Men will dispute how their Extent
Within such dwarfish Confines went:
And some will smile at this, as well
As Romulus his Bee-like Cell.

Humility alone designs
Those short but admirable Lines,
By which, ungirt and unconstrain'd,
Things greater are in less contain'd.
Let others vainly strive t'immure

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Hats

Amy grant/chris eaton
Copyright 1991 age to age music, inc. (ascap)/clouseau music ltd. (prs), adm. by reunion music group, inc.
The sun comes up
The breakfast show
Cant you see me running
Its crazy dont you know?
(dont you know? dont you know? )
The moon is high
Im working through the night
Will somebody tell me
Where do all the hours go?
(I dont know.)
Well it dont stop
No, its never gonna stop
Why do I have to wear so many things on my head?
Hats!
One day Im a mother
One day Im a lover
What am I supposed to do?
Hats!
Working for a livin
(working for a livin)
All because Im driven
(all because Im driven)
To be the very best for you.
The water is hot
(so hot)
The phone dont stop
(hello, good-bye)
So how do I manage
To hold on to my sanity
(I dont know, baby, I dont know)
The red dress on
Time for having fun
(time for having fun)
But can I really be
The girl you see in me?
The spirit is willing
But the flesh is weak
Why do I have to wear so many things on my head?
Hats!
One day Im a mother
(one day Im a mother)
One day Im a lover
(one day Im a lover)
What am I supposed to do?
Hats!
Working for a livin
(working for a livin)
All because Im driven

[...] Read more

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How Are You?

By cheap trick
Hello
How are you?
Howd you sleep last night?
Did you dream of me all night?
How are you?
Wake up
Good morning
You shouldnt sleep all day
Such a beautiful day
How are you?
Good morning
Whats with you?
How could you?
I heard your voice
I couldnt stand it
You know you talk too much
You even scare my friends
Whats with you?
The world you said
I know youre lying
You lie in bed
You lie, you lie
You lie there crying
Whats with you?
How could you?
Why did you?
Hey, hey
I said its alright
Come on, come on
Ive been working all night
Hey, hey
I said its okay
Come on, come on
Ive been working all day
Working all day, hey!
Hello
How are you?
I couldnt sleep last night
I dreamed of you all night
Good morning
Get up
I know youre lying
You lie in bed
You lie, you lie
You lie there crying
Whats with you?
How could you?
Why did you?
Hey, hey

[...] Read more

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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

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Chain Gang Medley

Chain Gang - Written by - Sam Cooke
He Don't Love You - Written by - J. Butler, C. Mayfield & C. Carter
Searchin' - Written by - Jerry Leiber & Mike Stoller
That's the sound of the men working on the chain gang
That's the sound of the men working on the chain gang
All day long they work so hard till the sun is goin' down
Working on the highways and byways and wearin', wearin' a frown
Hear them moanin' their lives away
Then you hear somebody say
That's the sound of the men working on the chain gang
That's the sound of the men working on the chain gang
He don't love you, like I love you
If he did he wouldn't break your heart
He don't love you, like I love you
He's trying to tear us apart
Gonna find her, I'm gonna find her, I'm gonna find her
Oh, if I have to climb a mountain, you know I will
And if I have to swim a river, you know I will
And I might find her hidin' up on Blueberry Hill
How am I gonna find her, child, you know I will
Cause I'm goin' searchin'
I'm goin' searchin'
Searchin' everywhere
Just like some Northwest Mountie
That's the sound of the men working on the chain gang
That's the sound of the men working on the chain gang
All day long they work so hard till the sun is goin' down
Working on the highways and byways and wearin', wearin' a frown
Hear them moanin' their lives away
Then you hear somebody say
That's the sound of the men working on the chain gang
That's the sound of the men working on the chain gang
That's the sound of the men working on the chain gang (5 x's)

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Stop writing Literature, You garrulous Indian

a life of toil for the man in the centre
a hub in the peripheral tireless wheel

where he go then where he go this working man
he go on waking people working at waking man

no words cling now no words meant in blame
the tongue he lash the words they now tame

no shock of blast open laughter rock the hall
everyman there say there sure were a man

a man no fear cowed in communion to other
made for no gods made for no demons either

all men he know best when he see just once
no second thought resurrect the man if bad

so go tell the magi no trek in sight in sky
here a man be born here he so sure die

other no like see one so bright stand up high
other no like feel like sky fall low into ocean

what make ‘m i say with feeling so just
is sure he different he force hisself work

work work work work an' again work
he work nite an' nite so 50-hour in day

where he go then where he go this working man
he go on waking people working at waking man

where you go from word born here now
turn and twist all whoring the alphabet

‘don't write anything you can get published'
so publish only what you can't call your own

writing like reading's a public coital act
so showing your work is exhibitionism

‘why don't you send your stuff around
keeping it to yourself's sheer masturbation'

reading-watching-listening's just voyeurism
so sending wares around is prostitutionism

where he go then where he go this working man
he go on waking people working at waking man

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The White Cliffs

I
I have loved England, dearly and deeply,
Since that first morning, shining and pure,
The white cliffs of Dover I saw rising steeply
Out of the sea that once made her secure.
I had no thought then of husband or lover,
I was a traveller, the guest of a week;
Yet when they pointed 'the white cliffs of Dover',
Startled I found there were tears on my cheek.
I have loved England, and still as a stranger,
Here is my home and I still am alone.
Now in her hour of trial and danger,
Only the English are really her own.

II
It happened the first evening I was there.
Some one was giving a ball in Belgrave Square.
At Belgrave Square, that most Victorian spot.—
Lives there a novel-reader who has not
At some time wept for those delightful girls,
Daughters of dukes, prime ministers and earls,
In bonnets, berthas, bustles, buttoned basques,
Hiding behind their pure Victorian masks
Hearts just as hot - hotter perhaps than those
Whose owners now abandon hats and hose?
Who has not wept for Lady Joan or Jill
Loving against her noble parent's will
A handsome guardsman, who to her alarm
Feels her hand kissed behind a potted palm
At Lady Ivry's ball the dreadful night
Before his regiment goes off to fight;
And see him the next morning, in the park,
Complete in busbee, marching to embark.
I had read freely, even as a child,
Not only Meredith and Oscar Wilde
But many novels of an earlier day—
Ravenshoe, Can You Forgive Her?, Vivien Grey,
Ouida, The Duchess, Broughton's Red As a Rose,
Guy Livingstone, Whyte-Melville— Heaven knows
What others. Now, I thought, I was to see
Their habitat, though like the Miller of Dee,
I cared for none and no one cared for me.


III
A light blue carpet on the stair
And tall young footmen everywhere,
Tall young men with English faces
Standing rigidly in their places,
Rows and rows of them stiff and staid

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Star 69

You dont have to take the bar exam to see
What you did is ignoramus 103
Where have I got to hang my hat
You dont have line to me
All this just to be your friend
I was there to tell you
Extortion and arson, petty larceny
I know you called. I know you called. I know you called.
I know you called. I know you called. I know you hung up my line.
Star 69.
I know all about the warehouse fire.
I know squirrelies didnt chew the wire.
Three people have my number, the other two were with me.
I dont stand tall, but Im not your patsy.
This time you have gone too far with me.
I know you called. I know you called. I know you called.
I know you called. I know you called. I know you hung up my line.
Star 69.
Whyd you put your quarter down on me?
This reads like some dark inside edition, hard copy.
I cant be your character witness, I cant be your alibi.
Dont arrange the fbi, here this spy versus spy.
You my friend are guilty as can be.
I know you called. I know you called. I know you called.
I know you called. I know you called. I cant be your alibi.
Star 69.

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Old Town Types No. 13 - Larrikin Luke

Luke Gale, the larrikin lad, dwelt in Larrikin Lane,
A low street, a by-street, right at the edge of the town;
King of the boys and hobbledehoys - a vulgar youth, and vain,
Winning from all respectable folk a very respectable frown.
But, oh, to see him on Saturday nights, dolled in his nobbiest duds,
Doing the weekly Saturday rounds; impudent, out for larks
Eyeing the girls at the Saturday shops
Coming for candy and acidy drops,
While Luke and his henchmen leaned on posts, passing inane remarks.

Larrikin Luke knew how to dress; short, black-braided coat,
Big, black, felt hat, low and broad of brim;
Shirt, white and collarless quite, narrow tie at the throat
Neatly drawn thro' a quandong ring; vest low-cut and trim.
But, pride of his wardrobe, badge of his clan, flapping about his feet,
Black pants - wonderful pants, by a snake-skin belt girt low,
Belled at the bottoms and tight on the thighs;
A curly fringe combed down to his eyes;
Thimble heels to his shiny shoes, laced right down to the toe.

When General Booth sent soldiers hence banging the 'Salvo' drum,
Larrikin Luke and his rowdy push hatched more larrikin plots;
And the 'Starvation Army' marched, to the joy of the township's scum,
Down the streets as they wildly beat on old tins and pots.
And the grave town elders shook their heads hearing the ribald songs
As the badgered brothers of 'Blood and Fire' meekly knelt to pray;
'Larrikin Luke is doomed,' they said;
'Nothing but gaol for him ahead.'
Now Luke and his lads have long passed on, but Booth's men came to stay.

Larrikin Luke, when I saw him last, was a sober man and grey,
Boss of a thriving business now, moved to a different town;
Married and made and settled down; marking the young folk's way,
As any respectable citizen would, with a very respectable frown.
A serious man, Luke Gale, esquire, with a grown-up family now,
A family man, and a solid man, as every townsman grants,
Chiding the wayward young, forsooth!
But I see him still in his own wild youth,
With his thimble heels, and his broad-brimmed hat, and those queer bell-bottomed pants.

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The Highly Respectable Gondolier

I stole the Prince, and I brought him here,
And left him, gaily prattling
With a highly respectable Gondolier,
Who promised the Royal babe to rear,
And teach him the trade of a timoneer
With his own beloved bratling.

Both of the babes were strong and stout,
And, considering all things, clever.
Of that there is no manner of doubt -
No probable, possible shadow of doubt -
No possible doubt whatever.

Time sped, and when at the end of a year
I sought that infant cherished,
That highly respectable Gondolier
Was lying a corpse on his humble bier -
I dropped a Grand Inquisitor's tear -
That Gondolier had perished!

A taste for drink, combined with gout,
Had doubled him up for ever.
Of THAT there is no manner of doubt -
No probable, possible shadow of doubt -
No possible doubt whatever.

But owing, I'm much disposed to fear,
To his terrible taste for tippling,
That highly respectable Gondolier
Could never declare with a mind sincere
Which of the two was his offspring dear,
And which the Royal stripling!

Which was which he could never make out,
Despite his best endeavour.
Of THAT there is no manner of doubt -
No probable, possible shadow of doubt -
No possible doubt whatever.

The children followed his old career -
(This statement can't be parried)
Of a highly respectable Gondolier:
Well, one of the two (who will soon be here) -
But WHICH of the two is not quite clear -
Is the Royal Prince you married!

Search in and out and round about
And you'll discover never
A tale so free from every doubt -
All probable, possible shadow of doubt -

[...] Read more

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

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