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Custom adapts itself to expediency.

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Custom Machine

Check my custom machine
Well shes metal flake blue with a corvette grill
(check my custom machine)
And they say it looks better when shes standin still
(check my custom machine)
When I step on the gas she goes wa aa aa
Ill let you look but dont touch my custom machine
Well with naugahyde bucket seats in front and back
(check my custom machine)
Everything is chrome, man, even my jack
(check my custom machine)
When I step on the gas she goes wa aa aa
Ill let you look but dont touch my custom machine
With stereophonic speaker set with fibrosonic sound
(check my custom machine)
Magnesium spokes, it stands an inch off the ground
(check my custom machine)
When I step on the gas she goes wa aa aa
Ill let you look but dont touch my custom machine
Oo oo oo oo oo oo oo oo

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Briefs 6

The Universe is neither good nor bad-
Good is mere cultural consensus
And what is profitable for you to think or do
As a member of a group
With an assigned role therein.
Good is what your parents told you was good.
Good is what your peers told you was good.
Good is what the Press told you was good.
Good is what your payer tells you is good
Good is what you wouldn't know was good
Had you not been told, for good is expediency.
And whatever determines the best chance of getting paid.
And if you can clothe expediency with idealogy, oh my-
Then you've really got something!
Good unallied with expediency? Well,
'Do unto others' is still the best code
for the man who wants to do the right thing.
Using this code you cannot go wrong.

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The Victories Of Love. Book I

I
From Frederick Graham

Mother, I smile at your alarms!
I own, indeed, my Cousin's charms,
But, like all nursery maladies,
Love is not badly taken twice.
Have you forgotten Charlotte Hayes,
My playmate in the pleasant days
At Knatchley, and her sister, Anne,
The twins, so made on the same plan,
That one wore blue, the other white,
To mark them to their father's sight;
And how, at Knatchley harvesting,
You bade me kiss her in the ring,
Like Anne and all the others? You,
That never of my sickness knew,
Will laugh, yet had I the disease,
And gravely, if the signs are these:

As, ere the Spring has any power,
The almond branch all turns to flower,
Though not a leaf is out, so she
The bloom of life provoked in me;
And, hard till then and selfish, I
Was thenceforth nought but sanctity
And service: life was mere delight
In being wholly good and right,
As she was; just, without a slur;
Honouring myself no less than her;
Obeying, in the loneliest place,
Ev'n to the slightest gesture, grace
Assured that one so fair, so true,
He only served that was so too.
For me, hence weak towards the weak,
No more the unnested blackbird's shriek
Startled the light-leaved wood; on high
Wander'd the gadding butterfly,
Unscared by my flung cap; the bee,
Rifling the hollyhock in glee,
Was no more trapp'd with his own flower,
And for his honey slain. Her power,
From great things even to the grass
Through which the unfenced footways pass,
Was law, and that which keeps the law,
Cherubic gaiety and awe;
Day was her doing, and the lark
Had reason for his song; the dark
In anagram innumerous spelt
Her name with stars that throbb'd and felt;

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Metamorphoses: Book The Tenth

THENCE, in his saffron robe, for distant Thrace,
Hymen departs, thro' air's unmeasur'd space;
By Orpheus call'd, the nuptial Pow'r attends,
But with ill-omen'd augury descends;
Nor chearful look'd the God, nor prosp'rous spoke,
Nor blaz'd his torch, but wept in hissing smoke.
In vain they whirl it round, in vain they shake,
No rapid motion can its flames awake.
The Story of With dread these inauspicious signs were view'd,
Orpheus And soon a more disastrous end ensu'd;
and Eurydice For as the bride, amid the Naiad train,
Ran joyful, sporting o'er the flow'ry plain,
A venom'd viper bit her as she pass'd;
Instant she fell, and sudden breath'd her last.
When long his loss the Thracian had deplor'd,
Not by superior Pow'rs to be restor'd;
Inflam'd by love, and urg'd by deep despair,
He leaves the realms of light, and upper air;
Daring to tread the dark Tenarian road,
And tempt the shades in their obscure abode;
Thro' gliding spectres of th' interr'd to go,
And phantom people of the world below:
Persephone he seeks, and him who reigns
O'er ghosts, and Hell's uncomfortable plains.
Arriv'd, he, tuning to his voice his strings,
Thus to the king and queen of shadows sings.
Ye Pow'rs, who under Earth your realms extend,
To whom all mortals must one day descend;
If here 'tis granted sacred truth to tell:
I come not curious to explore your Hell;
Nor come to boast (by vain ambition fir'd)
How Cerberus at my approach retir'd.
My wife alone I seek; for her lov'd sake
These terrors I support, this journey take.
She, luckless wandring, or by fate mis-led,
Chanc'd on a lurking viper's crest to tread;
The vengeful beast, enflam'd with fury, starts,
And thro' her heel his deathful venom darts.
Thus was she snatch'd untimely to her tomb;
Her growing years cut short, and springing bloom.
Long I my loss endeavour'd to sustain,
And strongly strove, but strove, alas, in vain:
At length I yielded, won by mighty love;
Well known is that omnipotence above!
But here, I doubt, his unfelt influence fails;
And yet a hope within my heart prevails.
That here, ev'n here, he has been known of old;
At least if truth be by tradition told;
If fame of former rapes belief may find,
You both by love, and love alone, were join'd.

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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

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Money For Nothing

Now look at them yo-yos thats the way you do it
You play the guitar on the mtv
That aint workin thats the way you do it
Money for nothin and chicks for free
Now that aint workin thats the way you do it
Lemme tell ya them guys aint dumb
Maybe get a blister on your little finger
Maybe get a blister on your thumb
We gotta install microwave ovens
Custom kitchen deliveries
We gotta move these refrigerators
We gotta move these colour tvs
See the little faggot with the earring and the makeup
Yeah buddy thats his own hair
That little faggot got his own jet airplane
That little faggot hes a millionaire
We gotta install microwave ovesns
Custom kitchens deliveries
We gotta move these refrigerators
We gotta move these colour tvs
I shoulda learned to play the guitar
I shoulda learned to play them drums
Look at that mama, she got it stickin in the camera
Man we could have some fun
And hes up there, whats that? hawaiian noises?
Bangin on the bongoes like a chimpanzee
That aint workin thats the way you do it
Get your money for nothin get your chicks for free
We gotta install microwave ovens
Custom kitchen deliveries
We gotta move these refrigerators
We gotta move these colour tvs, lord
Now that aint workin thats the way you do it
You play the guitar on the mtv
That aint workin thats the way you do it
Money for nothin and your chicks for free
Money for nothin and chicks for free

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Lonely Ol Night

She calls me up and says baby its a lonely ol night
I dont know Im just so scared and lonely all at the same time
Nobody told us it was gonna work out this way no, no, no, no, no
I guess they knew wed work it out in our own way
Chorus:
Its a lonely ol night
Can I put my arms around you
Its a lonely ol night
Custom made for two lonely people like me and you
Radio playing softly some singers sad sad song
Hes singing about standing in the shadows of love
I guess he feels awfully alone
She says I know exactly what he means yeah, yeah, yeah, yeah, yeah
And its a sad, sad feeling when youre living on those in-betweens
But its okay
Chorus:
Its a lonely ol night
Can I put my arms around you
Its a lonely ol night
Custom made for two lonely people like me and you
She calls me baby she calls everybody baby
Its a lonely ol night but aint they all
Chorus:
Its a lonely ol night
Can I put my arms around you
Its a lonely ol night
Custom made for two lonely people like me and you

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Byron

Canto the Third

I
Hail, Muse! et cetera.—We left Juan sleeping,
Pillow'd upon a fair and happy breast,
And watch'd by eyes that never yet knew weeping,
And loved by a young heart, too deeply blest
To feel the poison through her spirit creeping,
Or know who rested there, a foe to rest,
Had soil'd the current of her sinless years,
And turn'd her pure heart's purest blood to tears!

II
Oh, Love! what is it in this world of ours
Which makes it fatal to be loved? Ah, why
With cypress branches hast thou wreathed thy bowers,
And made thy best interpreter a sigh?
As those who dote on odours pluck the flowers,
And place them on their breast—but place to die—
Thus the frail beings we would fondly cherish
Are laid within our bosoms but to perish.

III
In her first passion woman loves her lover,
In all the others all she loves is love,
Which grows a habit she can ne'er get over,
And fits her loosely—like an easy glove,
As you may find, whene'er you like to prove her:
One man alone at first her heart can move;
She then prefers him in the plural number,
Not finding that the additions much encumber.

IV
I know not if the fault be men's or theirs;
But one thing's pretty sure; a woman planted
(Unless at once she plunge for life in prayers)
After a decent time must be gallanted;
Although, no doubt, her first of love affairs
Is that to which her heart is wholly granted;
Yet there are some, they say, who have had none,
But those who have ne'er end with only one.

V
'T is melancholy, and a fearful sign
Of human frailty, folly, also crime,
That love and marriage rarely can combine,
Although they both are born in the same clime;
Marriage from love, like vinegar from wine—
A sad, sour, sober beverage—by time
Is sharpen'd from its high celestial flavour
Down to a very homely household savour.

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Byron

Canto the Fifth

I
When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.

II
I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain -- simple -- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.

III
The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.

IV
I have a passion for the name of "Mary,"
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad -- and let a tale grow cold,
Which must not be pathetically told.

V
The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.

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Byron

Don Juan: Canto The Fifth

When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.

I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain- simple- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.

The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.

I have a passion for the name of 'Mary,'
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad- and let a tale grow cold,
Which must not be pathetically told.

The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off 'the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There 's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.

'T was a raw day of Autumn's bleak beginning,
When nights are equal, but not so the days;
The Parcae then cut short the further spinning
Of seamen's fates, and the loud tempests raise
The waters, and repentance for past sinning

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Byron

Don Juan: Canto The Third

Hail, Muse! et cetera.--We left Juan sleeping,
Pillow'd upon a fair and happy breast,
And watch'd by eyes that never yet knew weeping,
And loved by a young heart, too deeply blest
To feel the poison through her spirit creeping,
Or know who rested there, a foe to rest,
Had soil'd the current of her sinless years,
And turn'd her pure heart's purest blood to tears!

Oh, Love! what is it in this world of ours
Which makes it fatal to be loved? Ah, why
With cypress branches hast thou Wreathed thy bowers,
And made thy best interpreter a sigh?
As those who dote on odours pluck the flowers,
And place them on their breast- but place to die-
Thus the frail beings we would fondly cherish
Are laid within our bosoms but to perish.

In her first passion woman loves her lover,
In all the others all she loves is love,
Which grows a habit she can ne'er get over,
And fits her loosely- like an easy glove,
As you may find, whene'er you like to prove her:
One man alone at first her heart can move;
She then prefers him in the plural number,
Not finding that the additions much encumber.

I know not if the fault be men's or theirs;
But one thing 's pretty sure; a woman planted
(Unless at once she plunge for life in prayers)
After a decent time must be gallanted;
Although, no doubt, her first of love affairs
Is that to which her heart is wholly granted;
Yet there are some, they say, who have had none,
But those who have ne'er end with only one.

'T is melancholy, and a fearful sign
Of human frailty, folly, also crime,
That love and marriage rarely can combine,
Although they both are born in the same clime;
Marriage from love, like vinegar from wine-
A sad, sour, sober beverage- by time
Is sharpen'd from its high celestial flavour
Down to a very homely household savour.

There 's something of antipathy, as 't were,
Between their present and their future state;
A kind of flattery that 's hardly fair
Is used until the truth arrives too late-
Yet what can people do, except despair?

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John Dryden

Sigismond And Guiscardo. From Boccace

While Norman Tancred in Salerno reigned,
The title of a gracious Prince he gained;
Till turned a tyrant in his latter days,
He lost the lustre of his former praise,
And from the bright meridian where he stood
Descending dipped his hands in lovers' blood.

This Prince, of Fortune's favour long possessed,
Yet was with one fair daughter only blessed;
And blessed he might have been with her alone,
But oh! how much more happy had he none!
She was his care, his hope, and his delight,
Most in his thought, and ever in his sight:
Next, nay beyond his life, he held her dear;
She lived by him, and now he lived in her.
For this, when ripe for marriage, he delayed
Her nuptial bands, and kept her long a maid,
As envying any else should share a part
Of what was his, and claiming all her heart.
At length, as public decency required,
And all his vassals eagerly desired,
With mind averse, he rather underwent
His people's will than gave his own consent.
So was she torn, as from a lover's side,
And made, almost in his despite, a bride.

Short were her marriage joys; for in the prime
Of youth, her lord expired before his time;
And to her father's court in little space
Restored anew, she held a higher place;
More loved, and more exalted into grace.
This Princess, fresh and young, and fair and wise,
The worshipped idol of her father's eyes,
Did all her sex in every grace exceed,
And had more wit beside than women need.

Youth, health, and ease, and most an amorous mind,
To second nuptials had her thoughts inclined;
And former joys had left a secret string behind.
But, prodigal in every other grant,
Her sire left unsupplied her only want,
And she, betwixt her modesty and pride,
Her wishes, which she could not help, would hide.

Resolved at last to lose no longer time,
And yet to please her self without a crime,
She cast her eyes around the court, to find
A worthy subject suiting to her mind,
To him in holy nuptials to be tied,
A seeming widow, and a secret bride.

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A Satire, in Imitation of the Third of Juvenal

1Though much concern'd to leave my dear old friend,
2I must however his design commend
3Of fixing in the country: for were I
4As free to choose my residence, as he;
5The Peak, the Fens, the Hundreds, or Land's End,
6I would prefer to Fleet Street, or the Strand.
7What place so desert, and so wild is there
8Whose inconveniences one would not bear,
9Rather than the alarms of midnight fire,
10The falls of houses, knavery of cits,
11The plots of factions, and the noise of wits,
12And thousand other plagues, which up and down
13Each day and hour infest the cursed town?
14 As fate would hav't, on the appointed day
15Of parting hence, I met him on the way,
16Hard by Mile End, the place so fam'd of late,
17In prose, and verse for the great faction's treat;
18Here we stood still, and after compliments
19Of course, and wishing his good journey hence
20I ask'd what sudden causes made him fly
21The once lov'd town, and his dear company:
22When, on the hated prospect looking back,
23Thus with just rage the good old Timon spake.
24 .'Since virtue here in no repute is had,
25Since worth is scorn'd, learning and sense unpaid,
26And knavery the only thriving trade;
27Finding my slender fortune ev'ry day
28Dwindle, and waste insensibly away,
29I, like a losing gamester, thus retreat,
30To manage wiselier my last stake of fate:
31While I have strength, and want no staff to prop
32My tott'ring limbs, ere age has made me stoop
33Beneath its weight, ere all my thread be spun,
34And life has yet in store some sands to run,
35'Tis my resolve to quit the nauseous town.
36 Let thriving Morecraft choose his dwelling there,
37Rich with the spoils of some young spendthrift heir:
38Let the plot-mongers stay behind, whose art
39Can truth to sham, and sham to truth convert:
40Whoever has an house to build, or set
41His wife, his conscience, or his oath to let:
42Whoever has, or hopes for offices,
43A Navy, Guard, or Custom-house's place:
44Let sharping courtiers stay, who there are great
45By putting the false dice on King, and state.
46Where they, who once were grooms, and foot-boys known,
47Are now to fair estates, and honours grown;
48Nor need we envy them, or wonder much
49At their fantastic greatness, since they're such,
50Whom Fortune oft, in her capricious freaks,

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Titania

By Lord T-n.
So bluff Sir Leolin gave the bride away:
And when they married her, the little church
Had seldom seen a costlier ritual.
The coach and pair alone were two-pound-ten,
And two-pound-ten apiece the wedding-cakes;—
Three wedding-cakes. A Cupid poised a-top
Of each hung shivering to the frosted loves
Of two fond cushats on a field of ice,
As who should say 'I see you!'—Such the joy
When English-hearted Edwin swore his faith
With Mariana of the Moated Grange.
For Edwin, plump head-waiter at The Cock,
Grown sick of custom, spoilt of plenitude,
Lacking the finer wit that saith,
'I wait, They come; and if I make them wait, they go,'
Fell in a jaundiced humour petulant-green,
Watched the dull clerk slow-rounding to his cheese,
Flicked a full dozen flies that flecked the pane—
All crystal-cheated of the fuller air,
Blurted a free 'Good-day t'ye,' left and right,
And shaped his gathering choler to this head:—
'Custom! And yet what profit of it all?
The old order changeth yielding place to new,
To me small change, and this the Counter-change
Of custom beating on the self-same bar—
Change out of chop. Ah me! the talk, the tip,
The would-be-evening should-be-mourning suit,
The forged solicitude for petty wants
More petty still than they,—all these I loathe,
Learning they lie who feign that all things come
To him that waiteth. I have waited long,
And now I go, to mate me with a bride
Who is aweary waiting, even as I!'
But when the amorous moon of honeycomb
Was over, ere the matron-flower of Love—
Step-sister of To-morrow's marmalade—
Swooned scentless, Mariana found her lord
Did something jar the nicer feminine sense
With usage, being all too fine and large,
Instinct of warmth and colour, with a trick
Of blunting 'Mariana's' keener edge
To 'Mary Ann'—the same but not the same:
Whereat she girded, tore her crisped hair,
Called him 'Sir Churl,' and ever calling 'Churl!'
Drave him to Science, then to Alcohol,
To forge a thousand theories of the rocks,
Then somewhat else for thousands dewy cool,
Wherewith he sought a more Pacific isle
And there found love, a duskier love than hers.

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Love and Honor

Sed neque Medorum silvae, ditissima terra
Nec pulcher Ganges, atque auro turbidus Haemus,
Laudibus Angligenum certent; non Bactra, nec Indi,
Totaque thuriferis Panchaia pinguis arenis.

Imitation.

Yet let not Median woods, (abundant track!)
Nor Ganges fair, nor Haemus, miser-like,
Proud of his hoarded gold, presume to vie
With Britain's boast and praise; nor Persian Bactra,
Nor India's coasts, nor all Panchaia's sands,
Rich, and exulting in their lofty towers.

____

Let the green olive glad Hesperian shores;
Her tawny citron, and her orange groves,
These let Iberia boast; but if in vain,
To win the stranger plant's diffusive smile,
The Briton labours, yet our native minds,
Our constant bosoms, these the dazzled world
May view with envy; these Iberian dames
Survey with fix'd esteem and fond desire.
Hapless Elvira! thy disastrous fate
May well this truth explain, nor ill adorn
The British lyre; then chiefly, if the Muse,
Nor vain, nor partial, from the simple guise
Of ancient record catch the pensive lay,
And in less grovelling accents give to Fame.
Elvira! loveliest maid! the Iberian realm
Could boast no purer breast, no sprightlier mind,
No race more splendent, and no form so fair.
Such was the chance of war, this peerless maid,
In life's luxuriant bloom, enrich'd the spoil
Of British victors, victory's noblest pride!
She, she alone, amid the wailful train
Of captive maids, assign'd to Henry's care,
Lord of her life, her fortune, and her fame!
He, generous youth! with no penurious hand,
The tedious moments, that unjoyous roll
Where Freedom's cheerful radiance shines no more,
Essay'd to soften; conscious of the pang
That Beauty feels, to waste its fleeting hours
In some dim fort, by foreign rule restrain'd,
Far from the haunts of men, or eye of day!
Sometimes, to cheat her bosom of its cares,
Her kind protector number'd o'er the toils
Himself had worn; the frowns of angry seas,
Or hostile rage, or faithless friend, more fell

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Book Eleventh: France [concluded]

FROM that time forth, Authority in France
Put on a milder face; Terror had ceased,
Yet everything was wanting that might give
Courage to them who looked for good by light
Of rational Experience, for the shoots
And hopeful blossoms of a second spring:
Yet, in me, confidence was unimpaired;
The Senate's language, and the public acts
And measures of the Government, though both
Weak, and of heartless omen, had not power
To daunt me; in the People was my trust:
And, in the virtues which mine eyes had seen,
I knew that wound external could not take
Life from the young Republic; that new foes
Would only follow, in the path of shame,
Their brethren, and her triumphs be in the end
Great, universal, irresistible.
This intuition led me to confound
One victory with another, higher far,--
Triumphs of unambitious peace at home,
And noiseless fortitude. Beholding still
Resistance strong as heretofore, I thought
That what was in degree the same was likewise
The same in quality,--that, as the worse
Of the two spirits then at strife remained
Untired, the better, surely, would preserve
The heart that first had roused him. Youth maintains,
In all conditions of society,
Communion more direct and intimate
With Nature,--hence, ofttimes, with reason too--
Than age or manhood, even. To Nature, then,
Power had reverted: habit, custom, law,
Had left an interregnum's open space
For 'her' to move about in, uncontrolled.
Hence could I see how Babel-like their task,
Who, by the recent deluge stupified,
With their whole souls went culling from the day
Its petty promises, to build a tower
For their own safety; laughed with my compeers
At gravest heads, by enmity to France
Distempered, till they found, in every blast
Forced from the street-disturbing newsman's horn,
For her great cause record or prophecy
Of utter ruin. How might we believe
That wisdom could, in any shape, come near
Men clinging to delusions so insane?
And thus, experience proving that no few
Of our opinions had been just, we took
Like credit to ourselves where less was due,
And thought that other notions were as sound

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George Bernard Shaw

The reasonable man adapts himself to the world; the unreasonable one persists in trying to adapt the world to himself. Therefore, all progress depends on the unreasonable man.

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George Bernard Shaw

The reasonable man adapts himself to the world; the unreasonable man persists in trying to adapt the world to himself. Therefore, all progress depends on the unreasonable man.

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George Bernard Shaw

The reasonable man adapts himself to the world; the unreasonable one persists in trying to adapt the world to himself. Therefore all progress depends on the unreasonable man.

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George Bernard Shaw

The reasonable man adapts himself to the world; the unreasonable one persists in trying to adapt the world to himself. Therefore all progress depends on the unreasonable man.

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