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I could never do a show, or be a personality like Howard Stern, where you take all that heat from critics. What he does, he does, but the critical heat would crucify me.

quote by Chuck Barris
Added by Lucian Velea
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Show Me Love

(spoken) Hello
This was an accident
Not the kind where sorrow sounds
Never even noticed
We're suddenly crumbling
Tell me how you've never felt
Delicate or innocent
Do you still have doubts that
Us having faith makes any sense
Tell me nothing ever counts
Lashing out or breaking down
Still somebody loses 'cause
There's no way to turn around
Staring at your photograph
Everything now in the past
Never felt so lonely
I wish that you could show me love
Shov me love
Show me love
Show me love
Show me love
Show me love
'Til you open that door
Show me love
Show me love
Show me love
Show me love
Show me love
'Til I'm up off the floor
Show me love
Show me love
Show me love
Show me love
Show me love
'Til it's inside my pores
Show me love
Show me love
Show me love
Show me love
Show me love
'Til I'm screaming for more
Random acts of mindlessness
Commonplace occurences
Chances and surprises
Another state of consciousness
Tell me nothing ever counts
Lashing out or breaking down
Still somebody loses 'cause
There's no way to turn around
Tell me how you've never felt

[...] Read more

song performed by Tatu
Added by Lucian Velea
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An Essay on Criticism

Part I

INTRODUCTION. That it is as great a fault to judge ill as to write ill, and a more dangerous one to the public. That a true Taste is as rare to be found as a true Genius. That most men are born with some Taste, but spoiled by false education. The multitude of Critics, and causes of them. That we are to study our own Taste, and know the limits of it. Nature the best guide of judgment. Improved by Art and rules, which are but methodized Nature. Rules derived from the practice of the ancient poets. That therefore the ancients are necessary to be studied by a Critic, particularly Homer and Virgil. Of licenses, and the use of them by the ancients. Reverence due to the ancients, and praise of them.

'Tis hard to say if greater want of skill
Appear in writing or in judging ill;
But of the two less dangerous is th'offence
To tire our patience than mislead our sense:
Some few in that, but numbers err in this;
Ten censure wrong for one who writes amiss;
A fool might once himself alone expose;
Now one in verse makes many more in prose.

'Tis with our judgments as our watches, none
Go just alike, yet each believes his own.
In Poets as true Genius is but rare,
True Taste as seldom is the Critic's share;
Both must alike from Heav'n derive their light,
These born to judge, as well as those to write.
Let such teach others who themselves excel,
And censure freely who have written well;
Authors are partial to their wit, 'tis true,
But are not Critics to their judgment too?

Yet if we look more closely, we shall find
Most have the seeds of judgment in their mind:
Nature affords at least a glimm'ring light;
The lines, tho' touch'd but faintly, are drawn right:
But as the slightest sketch, if justly traced,
Is by ill col'ring but the more disgraced,
So by false learning is good sense defaced:
Some are bewilder'd in the maze of schools,
And some made coxcombs Nature meant but fools:
In search of wit these lose their common sense,
And then turn Critics in their own defence:
Each burns alike, who can or cannot write,
Or with a rival's or an eunuch's spite.
All fools have still an itching to deride,
And fain would be upon the laughing side.
If Mævius scribble in Apollo's spite,
There are who judge still worse than he can write.

Some have at first for Wits, then Poets pass'd;
Turn'd Critics next, and prov'd plain Fools at last.
Some neither can for Wits nor Critics pass,
As heavy mules are neither horse nor ass.
Those half-learn'd witlings, numerous in our isle,
As half-form'd insects on the banks of Nile;
Unfinish'd things, one knows not what to call,

[...] Read more

poem by Alexander Pope
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Condition Critical

Oh the tension's mounting
The pressure starts to show
All the men in haunting
Please don't let me go
(Don't go)
Try to free my body
(Don't go)
Try to strap me down
(Don't go)
These'll never break me
(Don't go)
Free wheel to look at me
Condition critical
I'm feeling physical
Condition critical
Now I'm really cynical
The bells they are ringing
Or is it in my head
My nerves numb understanding
I'm falling out of bed
(Don't go)
So call it paranoia
(Don't go)
I don't see it that way
(Let's go)
You say I adore ya
(Hell no)
We're gonna rock they way
Condition critical
I'm feeling physical
Condition critical
Now I'm really cynical
Ooh ooh
Whips and chains
Don't feel no pain
What's so wrong
I think I'm going out of my head
Over heels
I can't feel
No pain, only pleasure
Get me out
Take me home
Can't you see my condition
Woo-woo-woo
Condition
Condition
Condition critical, critical
Condition
Condition
Condition critical

[...] Read more

song performed by Quiet Riot
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The Song Of Theodolinda

I

Queen Theodolind has built
In the earth a furnace-bed:
There the Traitor Nail that spilt
Blood of the anointed Head,
Red of heat, resolves in shame:
White of heat, awakes to flame.
Beat, beat! white of heat,
Red of heat, beat, beat!

II

Mark the skeleton of fire
Lightening from its thunder-roof:
So comes this that saw expire
Him we love, for our behoof!
Red of heat, O white of heat,
This from off the Cross we greet.

III

Brown-cowled hammermen around
Nerve their naked arms to strike
Death with Resurrection crowned,
Each upon that cruel spike.
Red of heat the furnace leaps,
White of heat transfigured sleeps.

IV

Hard against the furnace core
Holds the Queen her streaming eyes:
Lo! that thing of piteous gore
In the lap of radiance lies,
Red of heat, as when He takes,
White of heat, whom earth forsakes.

V

Forth with it, and crushing ring
Iron hymns, for men to hear
Echoes of the deeds that sting
Earth into its graves, and fear!
Red of heat, He maketh thus,
White of heat, a crown of us.

VI

This that killed Thee, kissed Thee, Lord!

[...] Read more

poem by George Meredith
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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;

Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

[...] Read more

poem by Robinson Jeffers
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Sir Andrew Barton

The First Part
'When Flora with her fragrant flowers
Bedeckt the earth so trim and gaye,
And Neptune with his daintye showers
Came to present the monthe of Maye;
King Henrye rode to take the ayre,
Over the river of Thames past hee;
When eighty merchants of London came,
And downe they knelt upon their knee.

'O yee are welcome, rich merchants,
Good saylors, welcome unto mee.'
They swore by the rood, they were saylors good,
But rich merchants they cold not bee.
'To France nor Flanders dare we pass,
Nor Bordeaux voyage dare we fare;
And all for a rover that lyes on the seas,
Who robbs us of our merchant ware.'

King Henrye frownd, and turned him rounde,
And swore by the Lord that was mickle of might,
'I thought he had not beene in the world,
Durst have wrought England such unright.'
The merchants sighed, and said, 'Alas!'
And thus they did their answer frame;
'He is a proud Scott, that robbs on the seas,
And Sir Andrewe Barton is his name.'

The king loot over his left shoulder,
And an angrye look then looked hee;
'Have I never a lorde in all my realme,
Will feitch yond traytor unto mee?'
'Yea, that dare I,' Lord Howard sayes;
If it please your grace to give me leave,
Myselfe wil be the only man.'

'Thou art but yong,' the kyng replyed,
'Yond Scott hath numbred manye a yeare.'
'Trust me, my liege, Ile make him quail,
Or before my prince I will never appeare.'
'Then bowemen and gunners thou shalt have,
And chuse them over my realme so free;
Besides good mariners, and shipp-boyes,
To guide the great shipp on the sea.'

The first man that Lord Howard chose,
Was the ablest gunner in all the realme,
Thoughe he was threescore yeeres and ten;
Good Peter Simon was his name.
'Peter,' sais hee, 'I must to the sea,

[...] Read more

poem by Anonymous Olde English
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Ya Tvoya Ne Pervaya

hello...
hello...
do you see wind?
so what?
just look at the window.
so what?
it was sun yesterday
so what?
why are you always saying the same thing?
i am-answering machine.
Just to calm down,
silence is gold,
radio insomnia,
station parting.
who will get who,
coins will show?
who will be left to who,
by nerves, pills?
behind the windows at night
(she) will yell and break,
this doesn't count, this doesn't count.
(she is) faithful, not faithful,
i am not your first,
you are my sudden.
(you)show, show, show, show,
show, show me love.
(you) show, show, show, show
why, why am i with you.
(you)show, show, show,show
show, show me love.
(you)show, show, show, show
why, why am i with you.
i guess (someone) will refuse,
easier not to meet (not to introduce ourselves to each other)
who of us will refuse,
just to calm down.
girls like girls,
and then- sleepwalkers.
Numbers and narrows,
Chocolate bars, wrappings.
(she)will hide, cry,
will, say, scare.
this doesn't count
i am not your first
you are my sudden.
(you)show, show, show, show,
show, show me love.
(you)show, show, show, show,
why, why am i with you.
(you)show, show, show, show,

[...] Read more

song performed by Tatu
Added by Lucian Velea
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The Ballad Of John Yoko

Standing on the dock at southampton
Trying to get to holland or france
The man in the mac
Said, youve gotta go back
You know, they didnt even give us a chance
Christ, you know it aint easy
You know how hard it can be
The way things are going
Theyre gonna crucify me
Finally made the plane into paris
Honeymooning down by the seine
Peter brown called to say
You can make it okay
You can get married in gibraltar, near spain
Christ, you know it aint easy
You know how hard it can be
The way things are going
Theyre gonna crucify me
Drove from paris to the amsterdam hilton
Talking in our beds for a week
The newspeople said
Say, whatre you doing in bed?
I said, were only trying to get us some peace
Christ, you know it aint easy
You know how hard it can be
The way things are going
Theyre gonna crucify me
Made a lightning trip to vienna
Eating chocolate cakes in a bag
The newspapers said
Shes gone to his head
They look just like two gurus in drag
Christ, you know it aint easy
You know how hard it can be
The way things are going
Theyre gonna crucify me
Caught the early plane back to london
Fifty acrons tied in a sack
The men from the press
Said, we wish you success
Its good to have the both of you back
Christ, you know it aint easy
You know how hard it can be
The way things are going
Theyre gonna crucify me
The way things are going
Theyre gonna crucify me
The way things are going
Theyre gonna crucify me

song performed by Lennon John
Added by Lucian Velea
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The Ballad Of John & Yoko

Standing on the dock at southampton
Trying to get to holland or france
The man in the mac
Said, "you've gotta go back"
You know, they didn't even give us a chance
Christ, you know it ain't easy
You know how hard it can be
The way things are going
They're gonna crucify me
Finally made the plane into paris
Honeymooning down by the seine
Peter brown called to say
"you can make it okay
"you can get married in gibraltar, near spain"
Christ, you know it ain't easy
You know how hard it can be
The way things are going
They're gonna crucify me
Drove from paris to the amsterdam hilton
Talking in our beds for a week
The newspeople said
"say, what're you doing in bed?"
I said, "we're only trying to get us some peace"
Christ, you know it ain't easy
You know how hard it can be
The way things are going
They're gonna crucify me
Made a lightning trip to vienna
Eating chocolate cakes in a bag
The newspapers said
"she's gone to his head
"they look just like two gurus in drag"
Christ, you know it ain't easy
You know how hard it can be
The way things are going
They're gonna crucify me
Caught the early plane back to london
Fifty acrons tied in a sack
The men from the press
Said, "we wish you success
"it's good to have the both of you back"
Christ, you know it ain't easy
You know how hard it can be
The way things are going
They're gonna crucify me
The way things are going
They're gonna crucify me
The way things are going
They're gonna crucify me

song performed by Lennon John
Added by Lucian Velea
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Take The Heat Off Me

Take the heat off me
Please take the heat off me
Yes Im burning
If you really lie and cheat
I dont want to meet your kind of terms no more
So take the heat off me
Please take the heat off me
Yes Im burning
Dont believe youre trying to make it
And I just cant keep on taking it no more
Dont mean to say you double-crossed me
But somehow I think that youve lost me
Maybe you werent even trying to see
Where I was or where I should be
And if youre just faking
Wed better start breaking away tonight
So take this fire from my heart tonight
So take the heat off me
Please take the heat off me
Yes Im burning
Dont believe youre trying to make it
And I just cant keep on taking it no more
Take the heat off me
Please take the heat off me
Yes Im burning
If you really lie and cheat
I dont want to meet your kind of terms no more
Dont mean to say you double-crossed me
But somehow I think that youve lost me
Maybe you werent even trying to see
Where I was or where I should be
And if youre just faking
Wed better start breaking away tonight
So take this fire from my heart tonight
So take the heat off me
Please take the heat off me
Take the heat off me
Please take the heat off me
Take the heat off me
Yes Im burning
If you really lie and cheat
I dont want to meet your kind of terms no more
So take the heat off me
Please take the heat off me
Take the heat off me
Please take the heat off me
Take the heat off me
Yes Im burning
If you really lie and cheat
I dont want to meet your kind of terms no more

[...] Read more

song performed by Boney M.
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Woes And Wonders

Show me a city full of happiness,
Then i will show you the effect of their weakness.
Show me a man who is full of himself,
Then i will show you why he's a fool to himself.
Show me your success today,
And i will show you your mistakes of yesterday.
Show me a community not far from the mountain,
Then i will show you why their security is certain.
Show me a holy man,
Then i will show you why he's called a human.
Show me a man who is not afraid of death,
Then i will show him the theory of birth.
Show me an ocean of misery,
Then i will show you how to swim in victory.
Tell me the meaning of ' STOP ',
Then i will show you the way to the top.
Show me your best friend,
Then i will show you where your dreams will end.

Show me a good and caring heart,
And i will show you why it hasn't been torn apart.
Show me your hall of pain,
Then i will show you all what u've gain.
Show me an exceptional reader,
Then i will show you a great leader.
Show me a way to financial prosperity,
Then i will show you a way to heavenly security.
Show me a great man of all time,
Then i will show you his footprint on the sand of time.
Show me a problem you can't solve,
Then i will show you why you haven't use the solution called love.
Show me a world full of fantasy,
Then i will show you the pain behind a life full of ecstasy.
Show me a kingdom built with wrath,
Then i will show you how much it is worth.
Show me a man with a problem free life,
Then i will show you why he hasn't gotten a wife.
Show me all of earth's pleasure,
Then i will show you why heaven is the place to be beyond all measure

poem by Stanley Oguh
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English Bards and Scotch Reviewers: A Satire

'I had rather be a kitten, and cry mew!
Than one of these same metre ballad-mongers'~Shakespeare

'Such shameless bards we have; and yet 'tis true,
There are as mad, abandon'd critics too,'~Pope.

Still must I hear? -- shall hoarse Fitzgerald bawl
His creaking couplets in a tavern hall,
And I not sing, lest, haply, Scotch reviews
Should dub me scribbler, and denounce my muse?
Prepare for rhyme -- I'll publish, right or wrong:
Fools are my theme, let satire be my song.

O nature's noblest gift -- my grey goose-quill!
Slave of my thoughts, obedient to my will,
Torn from thy parent bird to form a pen,
That mighty instrument of little men!
The pen! foredoom'd to aid the mental throes
Of brains that labour, big with verse or prose,
Though nymphs forsake, and critics may deride,
The lover's solace, and the author's pride.
What wits, what poets dost thou daily raise!
How frequent is thy use, how small thy praise!
Condemn'd at length to be forgotten quite,
With all the pages which 'twas thine to write.
But thou, at least, mine own especial pen!
Once laid aside, but now assumed again,
Our task complete, like Hamet's shall be free;
Though spurn'd by others, yet beloved by me:
Then let us soar today, no common theme,
No eastern vision, no distemper'd dream
Inspires -- our path, though full of thorns, is plain;
Smooth be the verse, and easy be the strain.

When Vice triumphant holds her sov'reign sway,
Obey'd by all who nought beside obey;
When Folly, frequent harbinger of crime,
Bedecks her cap with bells of every clime;
When knaves and fools combined o'er all prevail,
And weigh their justice in a golden scale;
E'en then the boldest start from public sneers,
Afraid of shame, unknown to other fears,
More darkly sin, by satire kept in awe,
And shrink from ridicule, though not from law.

Such is the force of wit! but not belong
To me the arrows of satiric song;
The royal vices of our age demand
A keener weapon, and a mightier hand.

[...] Read more

poem by Byron
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The Ballad Of John & Yoko

Standing in the dock at southampton,
Trying to get to holland or france.
The man in the mac said, youve got to turn back.
You know they didnt even give us a chance.
Christ you know it aint easy,
You know how hard it can be.
The way things are going
Theyre going to crucify me.
Finally made the plane into paris,
Honey mooning down by the seine.
Peter brown called to say,
You can make it o.k.,
You can get married in gibraltar, near spain.
Christ you know it aint easy,
You know how hard it can be.
The way things are going
Theyre going to crucify me.
Drove from paris to the amsterdam hilton,
Talking in our beds for a week.
The newspapers said, say what you doing in bed?
I said, were only trying to get us some peace.
Christ you know it aint easy,
You know how hard it can be.
The way things are going
Theyre going to crucify me.
Saving up your money for a rainy day,
Giving all your clothes to charity.
Last night the wife said,
Oh boy, when youre dead
You dont take nothing with you
But your soul - think!
Made a lightning trip to vienna,
Eating chocolate cake in a bag.
The newspapers said, shes gone to his head,
They look just like two gurus in drag.
Christ you know it aint easy,
You know how hard it can be.
The way things are going
Theyre going to crucify me.
Caught an early plane back to london.
Fifty acorns tied in a sack.
The men from the press said, we wish you success,
Its good to have the both of you back.
Christ you know it aint easy,
You know how hard it can be.
The way things are going
Theyre going to crucify me.
The way things are going
Theyre going to crucify me.

song performed by Beatles
Added by Lucian Velea
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Cross Of Gold

You can change the way you live
You can make it ?
You can turn it up or down
You can change the things you're told
You can crucify the word on a cross of gold
You can crucify the word on a cross of gold
Oh oh oh
You can lie to every face
You can use a stranglehold
You can lose or win the chase
You can sell your very soul
You can crucify the word on a cross of gold
You can crucify the word on a cross of gold
Oh oh oh
You can steal the things you need
You can keep the people down
You can take the best there is
To the shelters underground
You can crucify the word on a cross of gold
You can crucify the word on a cross of gold

song performed by Bob Seger
Added by Lucian Velea
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The Rosciad

Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.

Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,

[...] Read more

poem by Charles Churchill
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Born Under Punches

Take a look at these hands.
Take a look at these hands.
The hand speaks. the hand of a government man.
Well Im a tumbler. born under punches.
Im so thin.
All I want is to breathe Im too thin
Wont you breathe with me?
Find a little space, so we can move in-between in-between it
And keep on step ahead, of yourself.
Dont you miss it, dont you miss it.
Some a you people just about missed it!
Last time to make plans!
Well Im a tumbler...
Im a government man.
Never seen anything like that before
Falling bodies tuble cross the floor well Im a tumbler!
When you get to where you wanna be thank you! thank you!
When you get to where you wanna be dont even mention it!
Take a look at these hands. theyre passing in-between us.
Take a look at these hands
Take a look at these hands. you dont have to mention it.
No thanks. Im a government man.
And the heat goes on...and the heat goes on...and the heat goes on...
And the heat goes on...where the hand has been...and the heat goes
On...and the heat goes on...and the heat goes on...and the heat goes
On...and the heat goes on...and the heat goes on...and the heat goes
On...where the hand has been...and the heat goes on...and the heat
Goes on...
Im not a drowning man!
And Im not a burning building! (Im a tumbler!)
Drowning cannot hurt a man!
Fire cannot hurt a man. (not the government man.)
All I want is to breathe thank you. thank you
Wont you breathe with me?
Find a little space...so we move in-between Im so thin
And keep one step ahead of yourself. Im catching up with myself
All I want it to breathe
Wont you breathe with me hands of a government man
Find a little space so we move in-between
And keep one step ahead of yourself. dont you miss it! dont you
Miss it!
And the heat goes on...and the heat goes on...and the heat goes on...
And the heat goes on...and the heat goes on...and the heat goes on...
And the heat goes on...and the heat goes on...and the heat goes on...
Where the hands has been...and the heat goes on...and the heat goes
On...and the heat goes on...

song performed by Talking Heads
Added by Lucian Velea
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The Lay of the Last Minstrel: Canto IV.

I
Sweet Teviot! on thy silver tide
The glaring bale-fires blaze no more;
No longer steel-clad warrior ride
Along thy wild and willow'd shore
Where'er thou wind'st, by dale or hill
All, all is peaceful, all is still,
As if thy waves, since Time was born
Since first they roll'd upon the Tweed,
Had only heard the shepherd's reed,
Nor started at the bugle-horn.

II
Unlike the tide of human time,
Which, though it change in ceaseless flow
Retains each grief, retains each crime
Its earliest course was doom'd to know;
And, darker as it downward bears,
Is stain'd with past and present tears
Low as that tide has ebb'd with me,
It still reflects to Memory's eye
The hour my brave, my only boy
Fell by the side of great Dundee.
Why, when the volleying musket play'd
Against the bloody Highland blade,
Why was not I beside him laid!
Enough, he died the death of fame;
Enough, he died with conquering Graeme.

III
Now over Border dale and fell
Full wide and far was terror spread;
For pathless marsh, and mountain cell,
The peasant left his lowly shed.
The frighten'd flocks and herds were pent
Beneath the peel's rude battlement;
And maids and matrons dropp'd the tear,
While ready warriors seiz'd the spear.
From Branksome's towers, the watchman's eye
Dun wreaths of distant smoke can spy,
Which, curling in the rising sun,
Show'd southern ravage was begun.

IV
Now loud the heedful gate-ward cried-
'Prepare ye all for blows and blood!
Watt Tinlinn, from the Liddel-side
Comes wading through the flood.
Full oft the Tynedale snatchers knock
At his lone gate, and prove the lock;

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poem by Sir Walter Scott
Added by Poetry Lover
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The Lay of the Last Minstrel: Canto V.

I
Call it not vain;-they do not err,
Who say, that when the Poet dies,
Mute Nature mourns her worshipper,
And celebrates his obsequies:
Who say, tall cliff and cavern lone
For the departed Bard make moan;
That mountains weep in crystal rill;
That flowers in tears of balm distill;
Through his lov'd groves that breezes sigh,
And oaks, in deeper groan, reply;
And rivers teach their rushing wave
To murmur dirges round his grave

II
Not that, in sooth, o'er mortal urn
Those things inanimate can mourn;
But that the stream, the wood, the gale
Is vocal with the plaintive wail
Of those, who, else forgotten long,
Liv'd in the poet's faithful song,
And with the poet's parting breath,
Whose memory feels a second death.
The Maid's pale shade, who wails her lot,
That love, true love, should be forgot,
From rose and hawthorn shakes the tear
Upon the gentle Minstrel's bier:
The phantom Knight, his glory fled,
Mourns o'er the field he heap'd with dead;
Mounts the wild blast that sweeps amain,
And shrieks along the battle-plain.
The Chief, whose antique crownlet long
Still sparkled in the feudal song,
Now, from the mountain's misty throne,
Sees, in the thanedom once his own,
His ashes undistinguish'd lie,
His place, his power, his memory die:
His groans the lonely caverns fill,
His tears of rage impel the rill:
All mourn the Minstrel's harp unstrung,
Their name unknown, their praise unsung.

III
Scarcely the hot assault was staid,
The terms of truce were scarcely made,
When they could spy, from Branksome's towers,
The advancing march of martial powers.
Thick clouds of dust afar appear'd,
And trampling steeds were faintly heard;
Bright spears, above the columns dun,

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poem by Sir Walter Scott
Added by Poetry Lover
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Burning Heat

Burning in my heart- burning in my soul
Gotta have it more and more- hot and overloaded
Starving for some fun tonight- always dressed to kill
Dont tell me what I need- I need the thrill indeed
Dont stop me now
Ill run you over- bastard
Get out of my way
I feel mighty great
Burning heat- gets me- burning heat
Burning heat- breaks me- burning heat
Cant you see it coming- stronger than a bull
Get yourself going- youre too easy to beat
Dont forget Im strong- powerful and straight
I can take you on cause I am hard to break
Dont stop me now
Ill run you over- bastard
Get out of my way
I feel mighty great
Burning heat- gets me- burning heat
Burning heat- breaks me- burning heat
Burning heat- gets me- burning heat
Burning heat- breaks me- burning heat
Burning heat- leads me- burning heat
Burning heat- feeds me- burning heat
Burning in my heart- burning in my soul
Gotta have it more and more- hot and overloaded
Burning heat- gets me- burning heat
Burning heat- breaks me- burning heat
Burning heat- leads me- burning heat
Burning heat- feeds me- burning heat

song performed by U. D. O.
Added by Lucian Velea
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Canto the Third

I.

Is thy face like thy mother’s, my fair child!
Ada! sole daughter of my house and heart?
When last I saw thy young blue eyes, they smiled,
And then we parted, - not as now we part,
But with a hope. -
Awaking with a start,
The waters heave around me; and on high
The winds lift up their voices: I depart,
Whither I know not; but the hour’s gone by,
When Albion’s lessening shores could grieve or glad mine eye.

II.

Once more upon the waters! yet once more!
And the waves bound beneath me as a steed
That knows his rider. Welcome to their roar!
Swift be their guidance, wheresoe’er it lead!
Though the strained mast should quiver as a reed,
And the rent canvas fluttering strew the gale,
Still must I on; for I am as a weed,
Flung from the rock, on Ocean’s foam, to sail
Where’er the surge may sweep, the tempest’s breath prevail.

III.

In my youth’s summer I did sing of One,
The wandering outlaw of his own dark mind;
Again I seize the theme, then but begun,
And bear it with me, as the rushing wind
Bears the cloud onwards: in that tale I find
The furrows of long thought, and dried-up tears,
Which, ebbing, leave a sterile track behind,
O’er which all heavily the journeying years
Plod the last sands of life - where not a flower appears.

IV.

Since my young days of passion - joy, or pain,
Perchance my heart and harp have lost a string,
And both may jar: it may be, that in vain
I would essay as I have sung to sing.
Yet, though a dreary strain, to this I cling,
So that it wean me from the weary dream
Of selfish grief or gladness - so it fling
Forgetfulness around me - it shall seem
To me, though to none else, a not ungrateful theme.

V.

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poem by Byron from Childe Harold's Pilgrimage (1818)
Added by Veronica Serbanoiu
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