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John Ruskin

Endurance is nobler than strength, and patience than beauty.

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John Milton

Samson Agonistes (excerpts)

[Samson's Opening Speech]
A little onward lend thy guiding hand
To these dark steps, a little further on;
For yonder bank hath choice of sun or shade,
There I am wont to sit, when any chance
Relieves me from my task of servile toil,
Daily in the common prison else enjoin'd me,
Where I a prisoner chain'd, scarce freely draw
The air imprison'd also, close and damp,
Unwholesome draught: but here I feel amends,
The breath of Heav'n fresh-blowing, pure and sweet,
With day-spring born; here leave me to respire.
This day a solemn feast the people hold
To Dagon, their sea-idol, and forbid
Laborious works; unwillingly this rest
Their superstition yields me; hence with leave
Retiring from the popular noise, I seek
This unfrequented place to find some ease;
Ease to the body some, none to the mind
From restless thoughts, that like a deadly swarm
Of hornets arm'd, no sooner found alone,
But rush upon me thronging, and present
Times past, what once I was, and what am now.
O wherefore was my birth from Heaven foretold
Twice by an angel, who at last in sight
Of both my parents all in flames ascended
From off the altar, where an off'ring burn'd,
As in a fiery column charioting
His godlike presence, and from some great act
Of benefit reveal'd to Abraham's race?
Why was my breeding order'd and prescrib'd
As of a person separate to God,
Design'd for great exploits; if I must die
Betray'd, captiv'd, and both my eyes put out,
Made of my enemies the scorn and gaze;
To grind in brazen fetters under task
With this Heav'n-gifted strength? O glorious strength
Put to the labour of a beast, debas'd
Lower than bondslave! Promise was that I
Should Israel from Philistian yoke deliver;
Ask for this great deliverer now, and find him
Eyeless in Gaza at the mill with slaves,
Himself in bonds under Philistian yoke.
Yet stay, let me not rashly call in doubt
Divine prediction; what if all foretold
Had been fulfill'd but through mine own default,
Whom have I to complain of but myself?
Who this high gift of strength committed to me,
In what part lodg'd, how easily bereft me,
Under the seal of silence could not keep,

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Charles Lamb

Beauty And The Beast

A Merchant, who by generous pains
Prospered in honourable gains,
Could boast, his wealth and fame to share,
Three manly Sons, three Daughters fair;
With these he felt supremely blest.-
His latest born surpass'd the rest:
She was so gentle, good and kind,
So fair in feature, form, and mind,
So constant too in filial duty,
The neighbours called her Little Beauty!
And when fair childhood's days were run,
That title still she wore and won;
Lovelier as older still she grew,
Improv'd in grace and goodness too.-
Her elder Sisters, gay and vain,
View'd her with envy and disdain,
Toss'd up their heads with haughty air;
Dress, Fashion, Pleasure, all their care.


'Twas thus, improving and improv'd;
Loving, and worthy to be lov'd,
Sprightly, yet grave, each circling day
Saw Beauty innocently gay.
Thus smooth the May-like moments past;
Blest times! but soon by clouds o'ercast!


Sudden as winds that madd'ning sweep
The foaming surface of the deep,
Vast treasures, trusted to the wave,
Were buried in the billowy grave!
Our Merchant, late of boundless store,
Saw Famine hasting to his door.


With willing hand and ready grace,
Mild Beauty takes the Servant's place;
Rose with the sun to household cares,
And morn's repast with zeal prepares,
The wholesome meal, the cheerful fire:
What cannot filial love inspire?
And when the task of day was done,
Suspended till the rising sun,
Music and song the hours employ'd,
As more deserv'd, the more enjoy'd;
Till Industry, with Pastime join'd,
Refresh'd the body and the mind;
And when the groupe retir'd to rest,
Father and Brothers Beauty blest.

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The Growth of Love

1
They that in play can do the thing they would,
Having an instinct throned in reason's place,
--And every perfect action hath the grace
Of indolence or thoughtless hardihood--
These are the best: yet be there workmen good
Who lose in earnestness control of face,
Or reckon means, and rapt in effort base
Reach to their end by steps well understood.
Me whom thou sawest of late strive with the pains
Of one who spends his strength to rule his nerve,
--Even as a painter breathlessly who stains
His scarcely moving hand lest it should swerve--
Behold me, now that I have cast my chains,
Master of the art which for thy sake I serve.


2
For thou art mine: and now I am ashamed
To have uséd means to win so pure acquist,
And of my trembling fear that might have misst
Thro' very care the gold at which I aim'd;
And am as happy but to hear thee named,
As are those gentle souls by angels kisst
In pictures seen leaving their marble cist
To go before the throne of grace unblamed.
Nor surer am I water hath the skill
To quench my thirst, or that my strength is freed
In delicate ordination as I will,
Than that to be myself is all I need
For thee to be most mine: so I stand still,
And save to taste my joy no more take heed.

3
The whole world now is but the minister
Of thee to me: I see no other scheme
But universal love, from timeless dream
Waking to thee his joy's interpreter.
I walk around and in the fields confer
Of love at large with tree and flower and stream,
And list the lark descant upon my theme,
Heaven's musical accepted worshipper.
Thy smile outfaceth ill: and that old feud
'Twixt things and me is quash'd in our new truce;
And nature now dearly with thee endued
No more in shame ponders her old excuse,
But quite forgets her frowns and antics rude,
So kindly hath she grown to her new use.

4

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The Woefull Lamentation Of Jane Shore

The woefull lamentation of Jane Shore, a goldsmith's wife in London, sometime king Edward IV. his concubine. To the tune of 'Live with me,' &c.

If Rosamonde, that was so faire,
Had cause her sorrowes to declare,
Then let Jane Shore with sorrowe sing,
That was beloved of a king.
Then maids and wives in time amend,
For love and beauty will have end.

In maiden yeares my beautye bright
Was loved dear of lord and knight;
But yet the love that they requir'd,
It was not as my friends desir'd.
Then maids and wives in time amend,
For love and beauty will have end.

My parents they, for thirst of gaine,
A husband for me did obtaine;
And I, their pleasure to fulfille,
Was forc'd to wedd against my wille.
Then maids and wives in time amend,
For love and beauty will have end.

To Matthew Shore I was a wife,
Till lust brought ruine to my life;
And then my life I lewdlye spent,
Which makes my soul for to lament.
Then maids and wives in time amend,
For love and beauty will have end.

In Lombard-street I once did dwelle,
As London yet can witness welle;
Where many gallants did beholde
My beautye in a shop of golde.
Then maids and wives in time amend,
For love and beauty will have end.

I spred my plumes, as wantons doe,
Some sweet and secret friende to wooe,
Because chast love I did not finde
Agreeing to my wanton minde.
Then maids and wives in time amend,
For love and beauty will have end.

At last my name in court did ring
Into the eares of Englandes king,
Who came and lik'd, and love requir'd,
But I made coye what he desir'd.
Then maids and wives in time amend,
For love and beauty will have end.

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The Fair of Beauty

I must confess! An angel must hide placidly undermine eyelids, for when I close them I see a word magnanimously delightful, and when I open them I see a pageant as sweet as a garden of sugar. I see the land of Lucien.

With languorous sunsets, charming lakes and emerald grass the land of Lucien is a place of beauty. It is a kingdom where romance lavishes the land. In the heart of Lucien, a small castle stands, ornamented with stained glass, beautiful balustrades and gothic arches. The gray stone which holds it together is forged by the hands of many peasants, but its form was conceived by the mind of one talented artisan. This gives the building a real integrity and a strange personality peculiar to one man. To that man no one knew or knows, no myth even could or can shed light into its mystery. "Mysteries shall be left mysterious, for shall they be discovered they lose their charm, " Madame Rupert once said with the eloquence of an aristocrat.

In this story there is no place for mystery, for beauty is forever revealing itself to us, but here is short history of Lucien. In order to understand this story I must give an account of the castle. The castle is called the house of Rupert, for the Rupert's have reigned over the land of Lucien for many a century. The family is everything royal except their horrible habit of being unconventional. They never marry within royal line, for they suffer from the malady of beauty and love and the lads of the family hold beauty contests to chose the wife they think the most beautiful. Dowries mean nil compared to a charming countenance in this world. They worship love, as other's worship the mammoth, however, they worship love with as much avidity as others worship the latter, that it would be quite pernicious to their name in a practical world, therefore, I thank Venus for making my land of Lucien quite unpractical, for here the Rupert's mania for beauty doesn't seem to affect their status, or their sanity, and more importantly their virtue.

Beauty! Beauty is the way of life here. The Rupert's excessive love of beauty transcends the emotion of admiration and even slips importunately into the realm of Justice. To the Rupert's, justice must follow the law of beauty, hence the inscription engraved in marble adorning the head of the entrance way which reads Beauty is Thine Nature, Justice Must Protect Thine Nature, and Good Shall Prosper Here, For Justice is Not Just Shall It Produce Bad Results.

The Story begins.

On this day, the 11th of August, the patriarch, the king, the majestic lord, King Eric de Rupert, dressed in raiment ebony, laced with gold ruffles, calls into session the Fair of Beauty. The king's brown Moorish eyes overlook the crowd and its meticulous beauty. The praetorian guards stand erect and proud; magenta rubies are sewn into the turbans resting upon their heads; their scarlet cloaks are stained with the blood of dead youth and underneath their pleasant attire lay a well of gold, for their skin appears to be laced with gold.

Dear reader, music always seems to sing from the heart. For musicians play lovely tunes with their skillfully wrought instruments. The ceremony is conducted in a way to infuse a merry emollient on all the hearts of all the spectators'. The scenery is potent in beautiful colors, an elegant display of fashion rests listlessly on all who attend, and an uncanny feast is prepared and served in lovely style, that one didn't notice, if what one is eating, is good or not. That is the charm of beauty here, it has no taste, like water, it is a necessity to live.
A squire whispers to his wanton mistress, "The King appears to be alone, for where is his noble wife and her amorous spirit? "
"The King looks so handsome this evening maybe he'll notice my azure mascara, " said Lyla to her girlfriend Plenie.
"The King sees nothing but beauty, that is what makes him so irresistible, " replied Plenie.
'For twenty years he has ruled with compassion and benevolence, and twenty years more shall he be loved with compassion and benevolence, " said Lorenzo the accountant.

(The King rises from a throne made of Persian Wood)

The King: "Tis my favorite time of all my life. The Fair of Beauty is born again. My apologies, my fellow citizens, for my wife's heart is empty of jealously; for it flows through her purple veins. I am sorry for time has wrinkled her very forehead and shriveled her very hands. She will not attend this lovely noble ceremony because she is conceived herself not beautiful enough. I, myself, could not convince her, that she herself, is still beautiful in body and soul. For she is a woman and gentleman we know how women can be. I give thee my humble apologies for her absence. My people, dear citizens of Lucien, thou shall receive a barrel of honey for such a grievous loss. For I know how thee cherish her beauty as a school of fish cherish the sea. Therefore let us partake of the glorious ceremony. Shall it begin! "

Here is the Ode of Beauty that my ancestors have passed to me by way of memory and mouth.

Sympathy is in thy sigh,
Kindness blessed thy hand
Beauty is in thy eye
Love looks on thy land
Live and be Free
And thou will See
What is Noble
In You and Me.

King: "Beauty shall triumph! As you know, my son Menillo Rupert, has been courting five exquisite women for the last year. Tonight he shall chose the love of his life, and forever live in happiness, because love is the panacea to all our sorrows. For to have love means to never die, to know nothing of vulgarity, to dwell lazily under the eyes of another, and to never know of loneliness. For your beloved knows thee without inquiry and loves thee without scruples."

(Menillo enters escorted by five guardsmen of refined physical features and envious beauty.)

King: "For my son to see true beauty and know real truth his eyes shall be covered by the cloth of Tangerine."

(A Guard places a vermillion blindfold over the eyes of Menillo)

King: Call on the beauties of earth so they can test their heart to the heart of mine son.

(Enter the Five Beauties of Earth)

King: "Shatalana, the first beauty, who comes from the Ivory Coast, whose skin smells of coconuts, whose vigorous eyes stir my lands imagination. How lovely are thee."

King: "Carmelita, the second beauty, who comes from South America, the Incan sun light rests inside thine skin, and your thick strands of hair flow like a gentle spring wind. How lovely are thee."

King: "Unchi, the third beauty, who comes from the Korean peninsula, your skin is a like a doll's skin, and your heart burns with the intensity of a hot spring which colors thy cheek. How lovely are thee."

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Beautiful One

Oh beautiful one, adorned with spell
To ravage my world as might a sweet angel.
Oh beautiful thing, so much at ease:
Allure of caressing breeze in touch gentle.

Oh beautiful creature, sail me do,
As floating on seas of halcyon blue tincture.
You beautiful being, gracing charm
And features that render feel of deep texture.

Your beautiful poise in glide supreme,
Gives such like a vista honed as from heaven.
That beautiful art of face ornate,
Not ever to understate or be riven.

Your beautiful flame of pulchritude
Doth dizzy me high, so I conclude always
You beautiful girl forever be
My shining Janette; my guide; my stairway.

Copyright © Mark R Slaughter 2009
All rights reserved

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Quatrains Of Life

What has my youth been that I love it thus,
Sad youth, to all but one grown tedious,
Stale as the news which last week wearied us,
Or a tired actor's tale told to an empty house?

What did it bring me that I loved it, even
With joy before it and that dream of Heaven,
Boyhood's first rapture of requited bliss,
What did it give? What ever has it given?

'Let me recount the value of my days,
Call up each witness, mete out blame and praise,
Set life itself before me as it was,
And--for I love it--list to what it says.

Oh, I will judge it fairly. Each old pleasure
Shared with dead lips shall stand a separate treasure.
Each untold grief, which now seems lesser pain,
Shall here be weighed and argued of at leisure.

I will not mark mere follies. These would make
The count too large and in the telling take
More tears than I can spare from seemlier themes
To cure its laughter when my heart should ache.

Only the griefs which are essential things,
The bitter fruit which all experience brings;
Nor only of crossed pleasures, but the creed
Men learn who deal with nations and with kings.

All shall be counted fairly, griefs and joys,
Solely distinguishing 'twixt mirth and noise,
The thing which was and that which falsely seemed,
Pleasure and vanity, man's bliss and boy's.

So I shall learn the reason of my trust
In this poor life, these particles of dust
Made sentient for a little while with tears,
Till the great ``may--be'' ends for me in ``must.''

My childhood? Ah, my childhood! What of it
Stripped of all fancy, bare of all conceit?
Where is the infancy the poets sang?
Which was the true and which the counterfeit?

I see it now, alas, with eyes unsealed,
That age of innocence too well revealed.
The flowers I gathered--for I gathered flowers--
Were not more vain than I in that far field.

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Introit : V. Litany Of Beauty

Joy, if the Soul or aught immortal be,
How may this Beauty know mortality?

O Beauty, perfect child of Light,
Sempiternal spirit of delight!
White and set with gold like the gold of the night,
The gold of the stars in quiet weather,--
White and shapely and pure!--
O lily-flower from stain secure,
With life and virginity dying together!

One lily liveth so,
Liveth for ever unstained, immortal, a mystic flower:
Perfectly wrought its frame,
Gold inwrought and eternal white,
White more white than cold of the snow,
For never, never, near it came,
Never shall come till the end of all,
Hurtful thing in wind or shower,
Worm or stain or blight;
But ever, ever, gently fall
The dews elysian of years that flow
Where it doth live secure
In flawless comeliness mature,
Golden and white and pure.
In the fair far-shining glow
Of eternal and holy Light.

Beauty of earthly things
Wrought by God and with hands of men!
Beauty of Nature and Art,
Fashioned anew for each Time brings,
For each new soul and living heart!
Beauty of Beauty that fills the ken
Till the soul is swooning, faint with delight!
Beauty of human form and voice,
Of eyes and ears and lips!--
O golden hair and brow of white!--
Wine of Beauty that whoso sips
Doth die to a spirit free, and rejoice,
Living with God and living with men,
Rapt rejoice in eternal bliss,
Raising his face to meet the kiss
Of the Beauty seraphic he sees above
In figure of his love.

O Beauty of Wisdom unsought
That in trance to poet is taught,
Uttered in secret lay,
Singing the heart from earth away,

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A Day At Tivoli - Prologue

Fair blows the breeze—depart—depart—
And tread with me th' Italian shore;
And feed thy soul with glorious art;
And drink again of classic lore.
Nor sometime shalt thou deem it wrong,
When not in mood too gravely wise,
At idle length to lie along,
And quaff a bliss from bluest skies.

Or, pleased more pensive joy to woo,
At twilight eve, by ruin grey,
Muse o'er the generations, who
Have passed, as we must pass, away.
Or mark o'er olive tree and vine
Steep towns uphung; to win from them
Some thought of Southern Palestine;
Some dream of old Jerusalem.

Come, Pilgrim-Friend! At last our sun outbreaks,
And chases, one by one, dawn's lingering flakes.
Come, Pilgrim-Friend! and downward let us rove
(Thy long-vow'd vow) this old Tiburtian grove.
See where, beneath, the jocund runnels play,
All cheerly brighten'd in the brightening day.
E'en in the far-off years when Flaccus wrote,
('Tis here, I ween, no pedantry to quote,)
Thus led, they gurgled thro' those orchard-bowers
To feed the herb—the fruitage—and the flowers.

Come, then, and snatch Occasion; transient boon!
And sliding into Future all too soon.
That Future's self possession just as brief,
And stolen, soon as given, by Time—the Thief.
Well! if such filching knave we needs must meet,
Let us, as best we may, the Cheater cheat;
And, since the Then, the Now, will flit so fast,
Look back, and lengthen life into the Past.

That Past is here; where old Tiburtus found
Mere mountain-brow, and fenc'd with walls around;
And for his wearied Argives reared a home
Long ere yon seven proud hills had dream'd of Rome.
'Tis here, amid these patriarch olive trees,
Which Flaccus saw, or ancestry of these;
Oft musing, as he slowly strayed him past,
How here his quiet age should close at last.

And here behold them, still! Like ancient seers
They stand; the dwellers of a thousand years.
Deep-furrow'd, strangely crook'd, and ashy-grey,

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Patience Rules

I am told that idea rules the world
The real ruler is patience
Patience owns the plannet
The child of patience is idea
Without patience idea is aborted

Patience rules the world
Patience is gradual and steady
Yet it always leads to victory
Although the snail has neither hand nor leg
Patiently its destinations are reached

Nothing can be attained without patience
It is with patience
That snake climbs coconut trees
An ant invested firewood
Is fetched vide patience

Patience is profitable
Whatever you desire in life
Let patience be your watchword
Only the patient can milk lionness
Kingship is attained through patience
Royal crown is perfectly fitted by it


Hurray! patience is the champion
Patience is it!

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Sonnet: A Bit of Patience

A bit of patience works out miracles;
A bit of patience puts off arguments;
A bit of patience problems well tackles;
A bit of patience preserves monuments.

A bit of patience can avoid hatred;
A bit of patience cools one’s anger off;
A bit of patience marks well good kindred;
A bit of patience makes many to laugh.

A bit of patience keeps good friends at peace;
A bit of patience can avoid big wars;
A bit of patience can jealousy cease;
A bit of patience can avoid big scars.

A bit of patience gives good advantage;
A bit of patience is good heritage.

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Your Patience Is Needed To Feed It

Don't do it to stop...
No!
Don't do it to drop...
No!

Just you know that...
Every single prayer,
That is made...
Stays right there.

A patience is needed.
Your patience is needed to feed it.

Every single prayer,
That is made...
Stays right there.

A patience is needed.
Don't leave it to disbelieve.
You must keep your faith to receive,
And appreciate what comes to be.

Oh don't exchange woes,
To give up and let go.
Don't you know that...
Every single prayer,
That is made...
Stays right there.

A patience is needed.
Your patience is needed to feed it.
A patience is needed to greet it.

Every single prayer,
That is made...
Stays right there.

A patience is needed.
Don't leave it to disbelieve.
Be right there to meet it and greet.

Don't do it to stop...
No!
Don't do it to drop...
No!
Don't do it to stop...
No!
Don't do it to drop...
No!

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Praise to you Jesus Christ (Song)

Praise to you Jesus Christ/God
Praise to you Jesus Christ/Holy spirit
Praise to you Jesus Christ

Give me the strength to praise your mane
Give me the strength to sing your song
Give me the strength to sing loudly
Give me the strength to speak your work
Give me the strength to bare my cross

Give me the strength to walk in your path
Give me the strength to share my wealth
Give me the strength to share what I have
Give me the strength to live in peace

Give me the strength to come to the church
Give me the strength to understand your word
Give me the strength to confess my faults
Give me the strength to stand and sing

Give me the strength to survive in this world
Give me the strength to watch your works
Give me the strength to stay with you
Give me the strength to say thank you

Give me the strength to walk in darkness
Give me the strength to walk for freedom
Give me the strength to stand for my nation
Give me the strength to stand with you

Amen

-o-

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A Strong Woman vs. A Woman Of Strength

A strong woman works out every day,
Pride in her appearance she portrays,
But a woman of strength kneels to pray,
Her soul in shape, God leading the way.

A strong woman claims she isn't afraid of anything,
Looking forward to challenges each day will bring,
Women of strength show courage in the midst of fear,
Declaring triumph through faith because God is near.

Strong women won't let anyone get the best of them,
So skilled in defenses even if they have to pretend,
Yet a woman of strength gives her best to everyone,
And even on a cloud filled day still bright as the sun.

A strong woman relies on the physical attributes making her tough,
In her search for power and money she will never have enough,
A woman of strength understands that it's not about material stuff,
Knowing that before becoming a diamond first she'll be in the rough.

A strong woman sometimes disguises her feelings shadowed by clouds,
Unhinged when challenged on her policy becoming boisterous and loud,
A woman of strength concerns herself not with judgment from others,
And will not let business interfere with commitments as a wife and mother.

A strong woman is easily impatient back and forth she will begin to pace,
Counting on her holier than thou attitude instead of depending on faith,
A woman of strength is assured trust in God will always carry her through,
And at the Creator's appointed time she'll receive all that is justly due.

A strong woman makes mistakes and avoids the same for tomorrow,
Refusing to take time looking back with reverence and Godly sorrow,
The woman of strength realizes life's mistakes no matter how slim,
While thanking God for the blessings as she capitalizes on them.

A strong woman walks head first with no doubt in her mind,
No matter what, she'll not make this mistake a second time,
But a woman of strength knows God will catch her when she falls,
So when a situation arises again, she's not afraid to answer the call.

A strong woman wears the look of confidence on her face,
Always doing whatever it takes to finish, seeking only first place,
The woman of strength competes with an emotional sense of grace,
Understanding it's more important to run a Holy Spirit filled race.

A strong woman has faith that for the journey she'll have enough,
No matter how uneven the terrain or roads being rocky and rough,
A woman of strength knows it's in the journey she will become strong,
And the love of God is forever with her, no matter how difficult or long.

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The Artists

How gracefully, O man, with thy palm-bough,
Upon the waning century standest thou,
In proud and noble manhood's prime,
With unlocked senses, with a spirit freed,
Of firmness mild,--though silent, rich in deed,
The ripest son of Time,
Through meekness great, through precepts strong,
Through treasures rich, that time had long
Hid in thy bosom, and through reason free,--
Master of Nature, who thy fetters loves,
And who thy strength in thousand conflicts proves,
And from the desert soared in pride with thee!

Flushed with the glow of victory,
Never forget to prize the hand
That found the weeping orphan child
Deserted on life's barren strand,
And left a prey to hazard wild,--
That, ere thy spirit-honor saw the day,
Thy youthful heart watched over silently,
And from thy tender bosom turned away
Each thought that might have stained its purity;
That kind one ne'er forget who, as in sport,
Thy youth to noble aspirations trained,
And who to thee in easy riddles taught
The secret how each virtue might be gained;
Who, to receive him back more perfect still,
E'en into strangers' arms her favorite gave--
Oh, may'st thou never with degenerate will,
Humble thyself to be her abject slave!
In industry, the bee the palm may bear;
In skill, the worm a lesson may impart;
With spirits blest thy knowledge thou dost share,
But thou, O man, alone hast art!

Only through beauty's morning gate
Didst thou the land of knowledge find.
To merit a more glorious fate,
In graces trains itself the mind.
What thrilled thee through with trembling blessed,
When erst the Muses swept the chord,
That power created in thy breast,
Which to the mighty spirit soared.

When first was seen by doting reason's ken,
When many a thousand years had passed away,
A symbol of the fair and great e'en then,
Before the childlike mind uncovered lay.
Its blessed form bade us honor virtue's cause,--
The honest sense 'gainst vice put forth its powers,

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The Beauty Of A Poem

The beauty of a poem
The beauty of music
The beauty of light
The beauty of life
The beauty which makes us want to live life more
The beauty which pains us inside
The beauty in longing.
The beauty we come upon by surprise
The beauty of the day and the beauty of the night
The beauty we all have inside us
The beauty we can see and feel and never explain
The beauty that lifts us up
The beauty that makes us want to live more
The beauty that makes us reach out to God
The beauty we want to thank God for
The beauty of lilacs
The beauty of autumn leaves
The beauty of the people we love
The beauty that pervades life
The beauty that turns away from us
And will not let us be a part of it
The beauty we hold on to fragilely
As a driven leaf
The beauty the beauty the beauty
Oh life oh God of goodness oh death
The beauty we can never see
And the Beauty within us all
Oh God
The Beauty in us and Beyond us all.

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Byron

Canto the Fourth

I.

I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter’s wand:
A thousand years their cloudy wings expand
Around me, and a dying glory smiles
O’er the far times when many a subject land
Looked to the wingèd Lion’s marble piles,
Where Venice sate in state, throned on her hundred isles!

II.

She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Poured in her lap all gems in sparkling showers.
In purple was she robed, and of her feast
Monarchs partook, and deemed their dignity increased.

III.

In Venice, Tasso’s echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone - but beauty still is here.
States fall, arts fade - but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!

IV.

But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city’s vanished sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away -
The keystones of the arch! though all were o’er,
For us repeopled were the solitary shore.

V.

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Byron

Canto the Third

I.

Is thy face like thy mother’s, my fair child!
Ada! sole daughter of my house and heart?
When last I saw thy young blue eyes, they smiled,
And then we parted, - not as now we part,
But with a hope. -
Awaking with a start,
The waters heave around me; and on high
The winds lift up their voices: I depart,
Whither I know not; but the hour’s gone by,
When Albion’s lessening shores could grieve or glad mine eye.

II.

Once more upon the waters! yet once more!
And the waves bound beneath me as a steed
That knows his rider. Welcome to their roar!
Swift be their guidance, wheresoe’er it lead!
Though the strained mast should quiver as a reed,
And the rent canvas fluttering strew the gale,
Still must I on; for I am as a weed,
Flung from the rock, on Ocean’s foam, to sail
Where’er the surge may sweep, the tempest’s breath prevail.

III.

In my youth’s summer I did sing of One,
The wandering outlaw of his own dark mind;
Again I seize the theme, then but begun,
And bear it with me, as the rushing wind
Bears the cloud onwards: in that tale I find
The furrows of long thought, and dried-up tears,
Which, ebbing, leave a sterile track behind,
O’er which all heavily the journeying years
Plod the last sands of life - where not a flower appears.

IV.

Since my young days of passion - joy, or pain,
Perchance my heart and harp have lost a string,
And both may jar: it may be, that in vain
I would essay as I have sung to sing.
Yet, though a dreary strain, to this I cling,
So that it wean me from the weary dream
Of selfish grief or gladness - so it fling
Forgetfulness around me - it shall seem
To me, though to none else, a not ungrateful theme.

V.

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Byron

Childe Harold's Pilgrimage: A Romaunt. Canto III.

I.
Is thy face like thy mother's, my fair child!
Ada! sole daughter of my house and heart?
When last I saw thy young blue eyes they smiled,
And then we parted,--not as now we part,
But with a hope.--
Awaking with a start,
The waters heave around me; and on high
The winds lift up their voices: I depart,
Whither I know not; but the hour's gone by,
When Albion's lessening shores could grieve or glad mine eye.

II.
Once more upon the waters! yet once more!
And the waves bound beneath me as a steed
That knows his rider. Welcome, to their roar!
Swift be their guidance, wheresoe'er it lead!
Though the strain'd mast should quiver as a reed,
And the rent canvas fluttering strew the gale,
Still must I on; for I am as a weed,
Flung from the rock, on Ocean's foam, to sail
Where'er the surge may sweep, or tempest's breath prevail.

III.
In my youth's summer I did sing of One,
The wandering outlaw of his own dark mind;
Again I seize the theme then but begun,
And bear it with me, as the rushing wind
Bears the cloud onwards: in that Tale I find
The furrows of long thought, and dried-up tears,
Which, ebbing, leave a sterile track behind,
O'er which all heavily the journeying years
Plod the last sands of life,--where not a flower appears.

IV.
Since my young days of passion--joy, or pain,
Perchance my heart and harp have lost a string,
And both may jar: it may be, that in vain
I would essay as I have sung to sing.
Yet, though a dreary strain, to this I cling;
So that it wean me from the weary dream
Of selfish grief or gladness--so it fling
Forgetfulness around me--it shall seem
To me, though to none else, a not ungrateful theme.

V.
He, who grown aged in this world of woe,
In deeds, not years, piercing the depths of life,
So that no wonder waits him; nor below
Can love, or sorrow, fame, ambition, strife,

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Who Created This Beautiful World?

Who created this beautiful world?
What a harmony and perfection!
Who thought this beauty, who brought it out?
Who is he that perfected it?
What matching patterns spawn the wonder?
What concinnous rhythms create this charm?
What is that grand invisible hand
That weaves this beauty with rhythms and patterns
That makes beauty, beauty; a divine music?
What a match of place, time and form
That makes this world a joyous feeling!


Beauty infuses life to the world,
Beauty makes the world to speak and sing,
To awaken soul to the creator’s skills
Who gave his rare gifts in abundance.


What brings those hues to youthful glows,
What brings those shapes to enchanting slopes,
What brings gentleness to graceful love,
What brings those grace to ripening age,
What brings brooding beauty to day-break’s freshness,
What brings that beauty to the width of the sky,
To the height of hills and depth of seas,
To the shapes of clouds, to the moods of men
In liquid ease and endless abundance
That no more the world is what it is made of,
But a celestial charm of unknown depth.


A subtle music in joyous rhythms,
A pregnant pattern in brilliant colours,
In human forms, in nature’s moods,
In fast changing life’s variegated hues,
In tides of sea, in tides of life,
Surface to those inner ears and eyes
That keep itself wide open always;
A living rhythm is at work in womb
In hide and seek of light and shadow,
In fall and rise of hills and vales,
In love and hate, in war and peace;
The twinkles of eyes, the gentle smiles,
The blue of the sky, the warm sunshine,
Each is a rich work of a master craftsman.


Day is beauty, night is beauty;
Youth is beauty, old age is beauty;

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