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Mick's not good on his own problems, but he's very good at other people's. He's been wonderful over the years. I don't mean I ring him up every week, but he's fantastic.

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Ginger's Cobber

''E wears perjarmer soots an' cleans 'is teeth,'
That's wot I reads. It fairly knocked me flat,
'Me soljer cobber, be the name o' Keith.'
Well, if that ain't the limit, strike me fat!
The sort that Ginger Mick would think beneath
'Is notice once. Perjarmers! Cleans 'is teeth?

Ole Ginger Mick 'as sent a billy-doo
Frum somew'ere on the earth where fightin' thick.
The Censor wus a sport to let it thro',
Considerin' the choice remarks o' Mick.
It wus that 'ot, I'm wond'rin' since it came
It didn't set the bloomin' mail aflame.

I'd love to let yeh 'ave it word fer word;
But, strickly, it's a bit above the odds;
An' there's remarks that's 'ardly ever 'eard
Amongst the company to w'ich we nods.
It seems they use the style in Ginger's trench
Wot's written out an' 'anded to the Bench.

I tones the langwidge down to soot the ears
Of sich as me an' you resorts wiv now.
If I should give it jist as it appears
Partic'lar folk might want ter make a row.
But say, yeh'd think ole Ginger wus a pote
If yeh could read some juicy bits 'e's wrote.

It's this noo pal uv 'is that tickles me;
'E's got a mumma, an' 'is name is Keith.
A knut upon the Block le used to be,
'Ome 'ere; the sort that flashes golden teeth,
An' wears 'or socks, an' torks a lot o' guff;
But Ginger sez they're cobbers till they snuff.

It come about like this: Mick spragged 'im first
Fer swankin' it too much abroad the ship.
'E 'ad nice manners an' 'e never cursed;
Which set Mick's teeth on edge, as you may tip.
Likewise, 'e 'ad two silver brushes, w'ich
'Is mumma give 'im, 'cos 'e fancied sich.

Mick pinched 'em. Not, as you will understand,
Becos uv any base desire fer loot,
But jist becos, in that rough soljer band,
Them silver-backed arrangements didn't soot:
An' etiket must be observed always.
(They fetched ten drinks in Cairo, Ginger says.)

That satisfied Mick's honour fer a bit,

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Introduction to Ginger Mick

Jist to intraj'uice me cobber, an 'is name is Ginger Mick
A rorty boy, a naughty boy, wiv rude impressions thick
In 'is casu'l conversation, an' the wicked sort o' face
That gives the sudden shudders to the lor-abidin' race.

'Is name is on the records at the Melbourne City Court,
Fer doin' things an' sayin' things no reel nice feller ort;
An 'is name is on the records uv the Army, over there,
Fer doin' things - same sort o' things that rose the Bench's 'air.

They never rung no joy-bells when 'e made 'is first de- boo;
But 'e got free edjication, w'ich they fondly shoved 'im thro';
Then turned 'im loose in Spadger's Lane to 'ang around the street
An' 'elp the cop to re-erlize the 'ardness uv 'is beat.

Then 'e quickly dropped 'is aitches, so as not to be mistook
Fer an edjicated person, 'oo 'is cobbers reckoned crook;
But 'e 'ad a trick wiv figgers that ud make a clerk look sick;
So 'e pencilled fer a bookie; an' 'e 'awked a bit, did Mick.

A bloke can't be partic'lar 'oo must battle fer a crust;
An' some, they pinch fer preference, an' some, becos they must.
When times is 'ard, an' some swell coves is richer than they ort;
Well, it's jist a little gamble fer a rise, agin the Court.

Now, Mick wus never in it as a reel perfeshnal crook,
But sometimes cops 'as slabs uv luck, so sometimes 'e wus took,
An' 'e got a repitation, thro' 'im bein' twice interned;
But 'e didn't skite about it, 'cos 'e felt it wasn't earned.

I reckerlect one time a Beak slings Mick a slab uv guff,
Wiv 'Thirty days or forty bob' (Mick couldn't raise the stuff) -
An' arsts 'im where 'is conshuns is, an' w'y 'e can't be good,
An' Mick jist grins, an' takes it out, an' never understood.

An' that is orl there wus to Mick, wiv orl 'is leery ways.
If I wus up among the 'eads, wiv right to blame or praise,
Whenever some sich bloke as 'im wus tucked away fer good
I'd chalk them words above 'is 'ead: ''E never understood.'

If I wus up among the 'eads, wiv right to judge the game,
I'd look around fer chance to praise, an' sling the flamin' blame;
Fer findin' things in blokes to praise pays divvies either way;
An' wot they're blamed fer yesterd'y brings 'earty cheers to-day.

Yes, 'earty cheers frum thortless coots 'oo feel dead sure their God
Would never 'ave no time fer crooks 'oo does a stretch in quod;
'Oo reckon 'eaven is a place where orl folk tork correck,
An' judgment, where the 'vulgar' gits it solid in the neck.

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A Gallant Gentleman

A month ago the world grew grey fer me;
A month ago the light went out fer Rose.
To 'er they broke it gentle as might be;
But fer 'is pal 'twus one uv them swift blows
That stops the 'eart-beat; fer to me it came
Jist, 'Killed in Action,' an' beneath 'is name.

'Ow many times 'ave I sat dreamin' 'ere
An' seen the boys returnin', gay an' proud.
I've seen the greetin's, 'eard 'is rousin' cheer,
An' watched ole Mick come stridin' thro' the crowd.
'Ow many times 'ave I sat in this chair
An' seen 'is 'ard chiv grinnin' over there.

'E's laughed, an' told me stories uv the war.
Changed some 'e looked, but still the same ole Mick,
Keener an' cleaner than 'e wus before;
'E's took me 'and, an' said 'e's in great nick.
Sich wus the dreamin's uv a fool 'oo tried
To jist crack 'ardy, an' 'old gloom aside.

An' now - well, wot's the odds? I'm only one:
One out uv many 'oo 'as lost a friend.
Manlike, I'll bounce again, an' find me fun;
But fer Poor Rose it seems the bitter end.
Fer Rose, an' sich as Rose, when one man dies
It seems the world goes black before their eyes.

Ar, well; if Mick could 'ear me blither now,
I know jist wot 'e'd say an' 'ow 'e'd look:
'Aw, cut it out, mate; chuck that silly row!
There ain't so sense in takin' sich things crook.
I've took me gamble; an' there's none to blame
Becos I drew a blank; it's in the game.'

A parson cove he broke the noos to Rose
A friend uv mine, a bloke wiv snowy 'air,
An' gentle, soothin' sort o'ways, 'oo goes
Thro' life jist 'umpin' others' loads uv care.
Instid uv Mick - jist one rough soljer lad -
Yeh'd think 'e'd lost the dearest friend 'e 'ad.

But 'ow kin blows be sof'n'd sich as that?
Rose took it as 'er sort must take sich things.
An' if the jolt uv it 'as knocked me flat,
Well, 'oo is there to blame 'er if it brings
Black thorts that comes to women when they frets,
An' makes 'er tork wild tork an' foolish threats.

An' then there comes the letter that wus sent

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Problems

I wont take no lies, hanging out all night
The gig is up, enough, its enough
Youre wrong, dead wrong, wont take no more
Cause I see your game and dumb is not my name
Pack your bags, call you a cab
No more laughs
Cause Im not the one that youre gonna play on
Move along, sing a song
You give me problems, problems
Too many problems
Dont want no problems, problems
No time to solve them
You give me problems, problems
Too many problems
Dont want no problems, problems
No time to solve them
Got love for you, but I cant stand you
I page you, you wont call
Whats a 2-way for
Strike one, strike two, strike three, no more me
Cause I see the game and dumbs not my name
Pack your bags, call you a cab
No more laughs
Cause Im not the one that youre gonna play on
Move along, sing a song
You give me problems, problems
Too many problems
Dont want no problems, problems
No time to solve them
You give me problems, problems
Too many problems
Dont want no problems, problems
No time to solve them
We can do this any way that
You want cause I dont care
Its no problem and Im not the one
Pack your bags, call you a cab
No more laughs
Cause Im not the one that youre gonna play on
Move along, sing a song
You give me problems, problems
Too many problems
Dont want no problems, problems
No time to solve them
You give me problems, problems
Too many problems
Dont want no problems, problems
No time to solve them
[over chorus]
Its plain to see, you cant have me

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Finding Oneself......... [EXTREMELY LONG; Growing Up; Relationships; Humor

Part One

When Bri was 13 and in grade 8,
he noticed classmates beginning to date.
At school (other) boys got their way with the girls with a kiss.
But Bri didn't have the urge; he thought 'what's this? '
He decided he should give it a try,
but each time he tried, the girl would cry.
Not only would she cry; she would run away and hide.
Bri felt between himself and the other boys a great divide.

Back home after school he'd seclude himself in his room and cry.
Through his mind was repeated the question 'why? ' 'Why DO they cry? Why? '

Bri was a straight A+ student with no flubs.
He played football but (except for 'Cooking') he joined not clubs.

After a few months Bri gave up (on girls) . He had NO close friends to set him right;
his parents should have known the problem, but they weren't bright.

In high school he took AP courses, and took 3 courses at a nearby college.
He ignored girls and sports and concentrated on gaining knowledge.

He got a full scholarship to Harvard, but his advisor looked at him funny.
By age 26 he had his PhD in psychology and started making money.
But he still asked 'why? '
It still bothered him and at times he'd cry.

Then waking up one day from a dream, Bri suddenly asked himself 'were they shy?
And if so, why with ME and not the other boys? Why DID they cry? '
The answer could be that his brain and looks were superior.
Were those girls only uncomfortable with boys that were inferior (to him) ?
If that really was the answer, he could now save face,
and could pursue women with HIS high level of brains, looks, and grace.
(But WAS it the answer? He was still not SURE why they did cry.)
For now he would work hard, avoid girls, and try to keep his eyes dry.
In two more years would be a second high school reunion. Thoughts of attending gave Bri a fright. (He'd skipped the first,5 year, reunion.)
But by going this time he might find out if his answer to his 'why? ' was right.

PART TWO

For two more years he waited anxiously for invitation he was dreading.
At times he'd awaken at night from a 'reunion dream', profusely sweating.
Finally it arrived in mail; it would be in June, before it got TOO warm.
He kept his calendar free for the whole month, doubting, at work, he could perform.
He got out the yearbooks his Mom had bought, and he studied each girl's name.
Would he have the nerve to ask them 'why? ' ….OR would he be too scared and lame?

He lived on sedatives for a week. He picked his favorite tie, and a light grey business suit.
Would he find out if the girls had just been shy, or would they give him 'the boot'?

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A Letter to the Front

I 'ave written Mick a letter in reply to one uv 'is,
Where 'e arsts 'ow things is goin' where the gums an' wattles is -
So I tries to buck 'im up a bit; to go fer Abdul's fez;
An' I ain't no nob at litrachure; but this is wot I sez:


I suppose you fellers dream, Mick, in between the scraps out them
Uv the land yeh left be'ind yeh when yeh sailed to do yer share:
Uv Collins Street, or Rundle Street, or Pitt, or George, or Hay,
Uv the land beyond the Murray or along the Castlereagh.
An' I guess yeh dream of old days an' the things yeh used to do,
An' yeh wonder 'ow 'twill strike yeh when yeh've seen this business thro';
An' yeh try to count yer chances when yeh've finished wiv the Turk
An' swap the gaudy war game fer a spell o' plain, drab work.


Well, Mick, yeh know jist 'ow it is these early days o' Spring,
When the gildin' o' the wattle chucks a glow on everything.
Them olden days, the golden days that you remember well,
In spite o' war an' worry, Mick, are wiv us fer a spell.
Fer the green is on the paddicks, an' the sap is in the trees,
An' the bush birds in the gullies sing the ole, sweet melerdies;
An' we're 'opin', as we 'ear 'em, that, when next the Springtime comes,
You'll be wiv us 'ere to listen to that bird tork in the gums.


It's much the same ole Springtime, Mick, yeh reckerlect uv yore;
Boronier an' dafferdils and wattle blooms once more
Sling sweetness over city streets, an' seem to put to shame
The rotten greed an' butchery that got you on this game -
The same ole sweet September days, an' much the same ole place;
Yet, there's a sort o' somethin', Mick, upon each passin' face,
A sort o' look that's got me beat; a look that you put there,
The day yeh lobbed upon the beach an' charged at Sari Bair.


It isn't that we're boastin', lad; we've done wiv most o' that -
The froth, the cheers, the flappin' flags, the giddy wavin' 'at.
Sich things is childish memories; we blush to 'ave 'em told,
Fer we 'ave seen our wounded, Mick, an' it 'as made us old.
We ain't growed soggy wiv regret, we ain't swelled out wiv pride;
But we 'ave seen it's up to us to lay our toys aside.
An' it wus you that taught us, Mick, we've growed too old fer play,
An' everlastin' picter shows, an' going' down the Bay.


An', as grown man dreams at times uv boy'ood days gone by,
So, when we're feelin' crook, I s'pose, we'll sometimes sit an' sigh.
But as a clean lad takes the ring wiv mind an' 'eart serene,
So I am 'opin' we will fight to make our man'ood clean.

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Problems

Feat. coffee brown
Problems
Problems with your girl today
Problems
Problems with your man today
Situations
Hard to handle
Got me going out of my head
Theres so much pressure
I just cant deal
You think its all about
You and that sex appeal
But I got problems
(slickin around on the l to the hotel, all around town)
Let me know
(whos it gonna be, him or me)
It cant be three
Problems
Problems with your girl today
Problems
Problems with your girl today
[coffee brown]
Here we are
The two of us together
Taking this crazy chance
To be all alone
My man dont know
That we been loving each other
Cuz if he found out
Well have nothing
Nothing but
Problems
Problems with your man today
Problems
Problems with your man today
Problems
Problems with your man today
Problems
Problems with your man today
[next]
Said, can I get a witness
So many problems
Can I get a witness
[coffee]
Can I get a witness
So many problems
Can I get a witness
Problems
Problems with your girl today
Problems

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Problems (feat. Koffee Brown)

Problems
Problems with your girl today
Problems
Problems with your man today
situations hard to handle
got me goin out ofmy head
theres so much pressure
i just cant deal
you think its all about you
and that sex appeal
but i got problems
(slickin around on the "L" to the hotel all around town) let me know
(whos it gonna be him or me)
it cant be three
problems
problems with your girl today
problems
problems with your girl today
here we are
the two of us together
takin this crazy chance
to be all alone
my man dont know
that we been lovin eachother
cuz if he found out
we'll have nothin
nothin but
Problems
problems with your man today
problems
problems with your man today
problems
problems with your man today
problems
problems with your man today
said can i get a witness
so many problems
can i get a witness
can i get a witness
so many problems
can i get a witness
problems
problems with your girl today
problems
problems with your man today
problems
problems with your girl today
problems
problems with your man today

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M'Fingal - Canto IV

Now Night came down, and rose full soon
That patroness of rogues, the Moon;
Beneath whose kind protecting ray,
Wolves, brute and human, prowl for prey.
The honest world all snored in chorus,
While owls and ghosts and thieves and Tories,
Whom erst the mid-day sun had awed,
Crept from their lurking holes abroad.


On cautious hinges, slow and stiller,
Wide oped the great M'Fingal's cellar,
Where safe from prying eyes, in cluster,
The Tory Pandemonium muster.
Their chiefs all sitting round descried are,
On kegs of ale and seats of cider;
When first M'Fingal, dimly seen,
Rose solemn from the turnip-bin.
Nor yet his form had wholly lost
Th' original brightness it could boast,
Nor less appear'd than Justice Quorum,
In feather'd majesty before 'em.
Adown his tar-streak'd visage, clear
Fell glistening fast th' indignant tear,
And thus his voice, in mournful wise,
Pursued the prologue of his sighs.


"Brethren and friends, the glorious band
Of loyalty in rebel land!
It was not thus you've seen me sitting,
Return'd in triumph from town-meeting;
When blust'ring Whigs were put to stand,
And votes obey'd my guiding hand,
And new commissions pleased my eyes;
Blest days, but ah, no more to rise!
Alas, against my better light,
And optics sure of second-sight,
My stubborn soul, in error strong,
Had faith in Hutchinson too long.
See what brave trophies still we bring
From all our battles for the king;
And yet these plagues, now past before us,
Are but our entering wedge of sorrows!


"I see, in glooms tempestuous, stand
The cloud impending o'er the land;
That cloud, which still beyond their hopes
Serves all our orators with tropes;

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The Aeneid of Virgil: Book 12

WHEN Turnus saw the Latins leave the field,
Their armies broken, and their courage quell’d,
Himself become the mark of public spite,
His honor question’d for the promis’d fight;
The more he was with vulgar hate oppress’d, 5
The more his fury boil’d within his breast:
He rous’d his vigor for the last debate,
And rais’d his haughty soul to meet his fate.
As, when the swains the Libyan lion chase,
He makes a sour retreat, nor mends his pace; 10
But, if the pointed jav’lin pierce his side,
The lordly beast returns with double pride:
He wrenches out the steel, he roars for pain;
His sides he lashes, and erects his mane:
So Turnus fares; his eyeballs flash with fire, 15
Thro’ his wide nostrils clouds of smoke expire.
Trembling with rage, around the court he ran,
At length approach’d the king, and thus began:
“No more excuses or delays: I stand
In arms prepar’d to combat, hand to hand, 20
This base deserter of his native land.
The Trojan, by his word, is bound to take
The same conditions which himself did make.
Renew the truce; the solemn rites prepare,
And to my single virtue trust the war. 25
The Latians unconcern’d shall see the fight;
This arm unaided shall assert your right:
Then, if my prostrate body press the plain,
To him the crown and beauteous bride remain.”
To whom the king sedately thus replied: 30
“Brave youth, the more your valor has been tried,
The more becomes it us, with due respect,
To weigh the chance of war, which you neglect.
You want not wealth, or a successive throne,
Or cities which your arms have made your own: 35
My towns and treasures are at your command,
And stor’d with blooming beauties is my land;
Laurentum more than one Lavinia sees,
Unmarried, fair, of noble families.
Now let me speak, and you with patience hear, 40
Things which perhaps may grate a lover’s ear,
But sound advice, proceeding from a heart
Sincerely yours, and free from fraudful art.
The gods, by signs, have manifestly shown,
No prince Italian born should heir my throne: 45
Oft have our augurs, in prediction skill’d,
And oft our priests, a foreign son reveal’d.
Yet, won by worth that cannot be withstood,
Brib’d by my kindness to my kindred blood,
Urg’d by my wife, who would not be denied, 50

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The Straight Griffin

''Eroes? Orright. You 'ave it 'ow yeh like.
Throw up yer little 'at an' come the glad;
But not too much 'Three-'Earty-Cheers' fer Mike;
There's other things that 'e'll be wantin' bad.
The boys won't 'ave them kid-stakes on their mind
Wivout there's somethin' solider be'ind.'

Now that's the dinkum oil frum Ginger Mick,
In 'orspital, somew'ere be'ind the front;
Plugged in the neck, an' lately pretty sick,
But now right on the converlescent stunt.
'I'm on the mend,' 'e writes, 'an' nearly doo
To come the 'ero act agen - Scene two.'

I'd sent some papers, knowin' 'ow time drags
Wiv blokes in blankits, waitin' fer a cure.
'An' 'Struth!' Mick writes, 'the way they et them rags
Yeh'd think that they'd bin weaned on litrachure.
They wrestled thro' frum 'Births' to 'Lost and Found';
They even give the Leaders 'arf a round.'

Mick spent a bonzer day propped up in bed,
Soothin' 'is soul wiv ev'ry sportin' page;
But in the football noos the things 'e read
Near sent 'im orf 'is top wiv 'oly rage;
The way 'is team 'as mucked it earned 'is curse;
But 'e jist swallered it - becos uv nurse.

An' then this 'eadline 'it 'im wiv bokays;
'Australian Heroes!' is the song it makes.
Mick reads the boys them ringin' words o' praise;
But they jist grins a bit an' sez 'Kid stakes!'
Sez Mick to nurse, 'You tumble wot I am?
A bloomin' little 'ero. Pass the jam!'

Mick don't say much uv nurse; but 'tween the lines -
('Im bein' not too strong on gushin' speech)
I seem to see some tell-tale sort o' signs.
Sez 'e, 'Me nurse-girl is a bonzer peach,'
An' then 'e 'as a line: ''Er sad, sweet look.'
'Struth! Ginger must 'a' got it frum a book.

Say, I can see ole Ginger, plain as plain,
Purrin' to feel the touch u'v 'er cool 'and,
Grinnin' a bit to kid 'is wound don't pain,
An' yappin' tork she don't 'arf understand,
That makes 'er wonder if, back where she lives,
They're all reel men be'ind them ugly chivs.

But that's orright. Ole Ginger ain't no flirt.

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Love Plus One

I, I went off to the right
Without saying goodbye, goodbye
Where does it go from here?
Is it down to the lake I fear?
Ay ah ah ah ah ah
Ay ah ah ah ah ah
Then I call
Ring (ring) ring (ring) ring (ring) ring (ring)
La la love plus one
Ring (ring) ring (ring) ring (ring) ring (ring)
When I call love
Give love some soul
If I may be quite so bold
Where does it go from here?
Is it down to the lake I fear?
Ay ah ah ah ah ah
Ay ah ah ah ah ah
Then I call
Ring (ring) ring (ring) ring (ring) ring (ring)
La la love plus one
Ring (ring) ring (ring) ring (ring) ring (ring)
When I call love
Love plus one

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The Wanderer: A Vision: Canto V

We left the cave. Be Fear (said I) defy'd!
Virtue (for thou art Virtue) is my guide.


By time-worn steps a steep ascent we gain,
Whose summit yields a prospect o'er the plain.
There, bench'd with turf, an oak our seat extends,
Whose top, a verdant, branch'd pavilion bends.
Vistas, with leaves, diversify the scene,
Some pale, some brown, and some of lively green.


Now, from the full-grown day a beamy show'r
Gleams on the lake, and gilds each glossy flow'r.
Gay insects sparkle in the genial blaze,
Various as light, and countless as its rays:
They dance on every stream, and pictur'd play,
'Till, by the wat'ry racer, snatch'd away.


Now, from yon range of rocks, strong rays rebound,
Doubling the day on flow'ry plains around:
King-cups beneath far-striking colours glance,
Bright as th' etherial glows the green expanse.
Gems of the field!-the topaz charms the sight,
Like these, effulging yellow streams of light.
From the same rocks, fall rills with soften'd force,
Meet in yon mead, and well a river's source.
Thro' her clear channel, shine her finny shoals,
O'er sands, like gold, the liquid crystal rolls.
Dimm'd in yon coarser moor, her charms decay,
And shape, thro' rustling reeds, a ruffled way.
Near willows short and bushy shadows throw:
Now lost, she seems thro' nether tracts to flow;
Yet, at yon point, winds out in silver state,
Like Virtue from a labyrinth of fate.
In length'ning rows, prone from the mountains, run
The flocks:-their fleeces glist'ning in the sun;
Her streams they seek, and, 'twixt her neighb'ring trees,
Recline in various attitudes of ease.
Where the herds sip, the little scaly fry,
Swift from the shore, in scatt'ring myriads fly.


Each liv'ry'd cloud, that round th' horizon glows,
Shifts in odd scenes, like earth, from whence it rose.
The bee hums wanton in yon jasmine bow'r,
And circling settles, and despoils the flow'r.
Melodious there the plumy songsters meet,
And call charm'd Echo from her arch'd retreat.

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The Aeneid of Virgil: Book 10

THE GATES of heav’n unfold: Jove summons all
The gods to council in the common hall.
Sublimely seated, he surveys from far
The fields, the camp, the fortune of the war,
And all th’ inferior world. From first to last, 5
The sov’reign senate in degrees are plac’d.
Then thus th’ almighty sire began: “Ye gods,
Natives or denizens of blest abodes,
From whence these murmurs, and this change of mind,
This backward fate from what was first design’d? 10
Why this protracted war, when my commands
Pronounc’d a peace, and gave the Latian lands?
What fear or hope on either part divides
Our heav’ns, and arms our powers on diff’rent sides?
A lawful time of war at length will come, 15
(Nor need your haste anticipate the doom),
When Carthage shall contend the world with Rome,
Shall force the rigid rocks and Alpine chains,
And, like a flood, come pouring on the plains.
Then is your time for faction and debate, 20
For partial favor, and permitted hate.
Let now your immature dissension cease;
Sit quiet, and compose your souls to peace.”
Thus Jupiter in few unfolds the charge;
But lovely Venus thus replies at large: 25
“O pow’r immense, eternal energy,
(For to what else protection can we fly?)
Seest thou the proud Rutulians, how they dare
In fields, unpunish’d, and insult my care?
How lofty Turnus vaunts amidst his train, 30
In shining arms, triumphant on the plain?
Ev’n in their lines and trenches they contend,
And scarce their walls the Trojan troops defend:
The town is fill’d with slaughter, and o’erfloats,
With a red deluge, their increasing moats. 35
Æneas, ignorant, and far from thence,
Has left a camp expos’d, without defense.
This endless outrage shall they still sustain?
Shall Troy renew’d be forc’d and fir’d again?
A second siege my banish’d issue fears, 40
And a new Diomede in arms appears.
One more audacious mortal will be found;
And I, thy daughter, wait another wound.
Yet, if with fates averse, without thy leave,
The Latian lands my progeny receive, 45
Bear they the pains of violated law,
And thy protection from their aid withdraw.
But, if the gods their sure success foretell;
If those of heav’n consent with those of hell,
To promise Italy; who dare debate 50

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The Call Of Stoush

Wot price ole Ginger Mick? 'E's done a break -
Gone to the flamin' war to stoush the foe.
Wus it fer glory, or a woman's sake?
Ar, arst me somethin' easy! I dunno.
'Is Kharki clobber set 'im off a treat,
That's all I know; 'is motive's got me beat.

Ole Mick 'e's trainin' up in Cairo now;
An' all the cops in Spadger's Lane is sad.
They miss 'is music in the midnight row
Wot time the pushes mix it good an' glad.
Fer 'e wus one o' them, you understand,
Wot 'soils the soshul life uv this fair land.'

A peb wus Mick; a leery bloke wus 'e,
Low down, an' given to the brinnin' cup;
The sort o' chap that coves like you an' me
Don't mix wiv, 'cos of our strick bringin's-up.
An' 'e wus sich becos unseein' Fate
Lobbed 'im in life a 'undred years too late.

'E wus a man uv vierlence, wus Mick,
Coarse wiv 'is speech an' in 'is manner low,
Slick wiv 'is 'ands, an' 'andy wiv a brick
When bricks wus needful to defeat a foe.
An' now 'e's gone an' mizzled to the war,
An' some blokes 'as the nerve to arst 'Wot for? '

Wot for? gawstruth! 'E wus no patriot
That sits an' brays advice in days uv strife;
'E never flapped no flags nor sich like rot;
'E never sung 'Gawsave' in all 'is life.
'E wus dispised be them that make sicg noise:
But now - O strike! - 'e's 'one uv our brave boys.'

'E's one uv our brave boys, all right, all right.
'Is early trainin' down in Spadgers Lane
Done 'im no 'arm fer this 'ere orl-in fight:
'Is loss o' culcher is 'is country's gain.
'Im wiv 'is carst-ir'n chiv an' leery ways -
An' swell tarts 'eavin' 'im sweet words o' praise.

Why did 'e go? 'E 'ad a decent job,
'Is tart an' 'im they could 'a' made it right.
Why does a wild bull fight to guard the mob?
Why does a bloomin' bull-ant look fer fight?
Why does a rooster scrap an' flap an' crow?
'E went becos 'e dam well 'ad to go.

'E never spouted no 'igh-soundin' stuff

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The Aeneid of Virgil: Book 11

SCARCE had the rosy Morning rais’d her head
Above the waves, and left her wat’ry bed;
The pious chief, whom double cares attend
For his unburied soldiers and his friend,
Yet first to Heav’n perform’d a victor’s vows: 5
He bar’d an ancient oak of all her boughs;
Then on a rising ground the trunk he plac’d,
Which with the spoils of his dead foe he grac’d.
The coat of arms by proud Mezentius worn,
Now on a naked snag in triumph borne, 10
Was hung on high, and glitter’d from afar,
A trophy sacred to the God of War.
Above his arms, fix’d on the leafless wood,
Appear’d his plumy crest, besmear’d with blood:
His brazen buckler on the left was seen; 15
Truncheons of shiver’d lances hung between;
And on the right was placed his corslet, bor’d;
And to the neck was tied his unavailing sword.
A crowd of chiefs inclose the godlike man,
Who thus, conspicuous in the midst, began: 20
“Our toils, my friends, are crown’d with sure success;
The greater part perform’d, achieve the less.
Now follow cheerful to the trembling town;
Press but an entrance, and presume it won.
Fear is no more, for fierce Mezentius lies, 25
As the first fruits of war, a sacrifice.
Turnus shall fall extended on the plain,
And, in this omen, is already slain.
Prepar’d in arms, pursue your happy chance;
That none unwarn’d may plead his ignorance, 30
And I, at Heav’n’s appointed hour, may find
Your warlike ensigns waving in the wind.
Meantime the rites and fun’ral pomps prepare,
Due to your dead companions of the war:
The last respect the living can bestow, 35
To shield their shadows from contempt below.
That conquer’d earth be theirs, for which they fought,
And which for us with their own blood they bought;
But first the corpse of our unhappy friend
To the sad city of Evander send, 40
Who, not inglorious, in his age’s bloom,
Was hurried hence by too severe a doom.”
Thus, weeping while he spoke, he took his way,
Where, new in death, lamented Pallas lay.
Acoetes watch’d the corpse; whose youth deserv’d 45
The father’s trust; and now the son he serv’d
With equal faith, but less auspicious care.
Th’ attendants of the slain his sorrow share.
A troop of Trojans mix’d with these appear,
And mourning matrons with dishevel’d hair. 50

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He Knows You Know

(derek disck/steve rothery/ pete trewavas/ micheal pointer/mark kelly/diz minnett/brian jellyman)
He knows, you know, he knows, you know
Problems, problems, problems, problems
Light switch, yellow fever, crawling up your bathroom wall
Singing psychedelic praises to the depths of a china bowl
Youve got venom in your stomach, youve got poison in your head
You should have listened to the priest at the confession
When he offered you the sacred bread
He knows, you know, he knows, you know, he knows, you know
But hes got problems
Fast feed, crystal fever, swarming through a fractured mind
Chilling needles freeze emotion, the blind shall lead the blind
Youve got venom in you stomach, youve got poison in your head
When your conscience whispered, the vein lines stiffened
You were walking with the dead
He knows, you know, he knows, you know, he knows, you know
Hes got experience
Hes got experience, he knows, you know
But hes got problems
Problems, problems, problems, problems, problems, problems.
He knows...
Slash wrist, scarlet fever, crawled under your bathroom door
Pumping arteries ooze the problem, through the gap that the razor tore
Youve got venom in your stomach, youve got poison in your head
You should have listened to your analyst questions when yo lay on his leather bed
He knows, you know, he knows, you know, he knows, you know
But hes got problems
Blank eyes, purple fever, streaming through the frosted pane
You learned your lesson far to late from the links in a chemist chain
Youve got venom in your stomach, youve got poison in your head
You should have stayed at home and talked with father
Listen to the lies he fed
He knows, you know, he knows, you know, he knows, you know
But hes got problems
He knows, you know, he knows, you know, he knows, you know
Hes got experience
Hes got experience, he knows, you know
He knows, you know, you know, you know
You know, you know, you know, you know
Problems, problems, problems, problems, problems, problems
Dont give me your problems

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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Solomon

As thro' the Psalms from theme to theme I chang'd,
Methinks like Eve in Paradice I rang'd;
And ev'ry grace of song I seem'd to see,
As the gay pride of ev'ry season, she.
She gently treading all the walks around,
Admir'd the springing beauties of the ground,
The lilly glist'ring with the morning dew,
The rose in red, the violet in blew,
The pink in pale, the bells in purple rows,
And tulips colour'd in a thousand shows:
Then here and there perhaps she pull'd a flow'r
To strew with moss, and paint her leafy bow'r;
And here and there, like her I went along,
Chose a bright strain, and bid it deck my song.

But now the sacred Singer leaves mine eye,
Crown'd as he was, I think he mounts on high;
Ere this Devotion bore his heav'nly psalms,
And now himself bears up his harp and palms.
Go, saint triumphant, leave the changing sight,
So fitted out, you suit the realms of light;
But let thy glorious robe at parting go,
Those realms have robes of more effulgent show;
It flies, it falls, the flutt'ring silk I see,
Thy son has caught it and he sings like thee,
With such election of a theme divine,
And such sweet grace, as conquers all but thine.

Hence, ev'ry writer o'er the fabled streams,
Where frolick fancies sport with idle dreams,
Or round the sight enchanted clouds dispose,
Whence wanton cupids shoot with gilded bows;
A nobler writer, strains more brightly wrought,
Themes more exulted, fill my wond'ring thought:
The parted skies are track'd with flames above,
As love descends to meet ascending love;
The seasons flourish where the spouses meet,
And earth in gardens spreads beneath their feet.
This fresh-bloom prospect in the bosom throngs,
When Solomon begins his song of songs,
Bids the rap'd soul to Lebanon repair,
And lays the scenes of all his action there,
Where as he wrote, and from the bow'r survey'd
The scenting groves, or answ'ring knots he made,
His sacred art the sights of nature brings,
Beyond their use, to figure heav'nly things.

Great son of God! whose gospel pleas'd to throw
Round thy rich glory, veils of earthly show,
Who made the vineyard oft thy church design,

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Ring Out , Wild Bells

Ring out, wild bells, to the wild sky,
The flying cloud, the frosty light;
The year is dying in the night;
Ring out, wild bells, and let him die.

Ring out the old, ring in the new,
Ring, happy bells, across the snow:
The year is going, let him go;
Ring out the false, ring in the true.

Ring out the grief that saps the mind,
For those that here we see no more,
Ring out the feud of rich and poor,
Ring in redress to all mankind.

Ring out a slowly dying cause,
And ancient forms of party strife;
Ring in the nobler modes of life,
With sweeter manners, purer laws.

Ring out the want, the care the sin,
The faithless coldness of the times;
Ring out, ring out my mournful rhymes,
But ring the fuller minstrel in.

Ring out false pride in place and blood,
The civic slander and the spite;
Ring in the love of truth and right,
Ring in the common love of good.

Ring out old shapes of foul disease,
Ring out the narrowing lust of gold;
Ring out the thousand wars of old,
Ring in the thousand years of peace.

Ring in the valiant man and free,
The larger heart, the kindlier hand;
Ring out the darkness of the land,
Ring in the Christ that is to be.

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