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Always hold your head up, but be careful to keep your nose at a friendly level.

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Charles Lamb

Prince Dorus

In days of yore, as Ancient Stories tell,
A King in love with a great Princess fell.
Long at her feet submiss the Monarch sigh'd,
While she with stern repulse his suit denied.
Yet was he form'd by birth to please the fair,
Dress'd, danc'd, and courted, with a Monarch's air;
But Magic Spells her frozen breast had steel'd
With stubborn pride, that knew not how to yield.


This to the King a courteous Fairy told,
And bade the Monarch in his suit be bold;
For he that would the charming Princess wed,
Had only on her cat's black tail to tread,
When straight the Spell would vanish into air,
And he enjoy for life the yielding fair.


He thank'd the Fairy for her kind advice.-
Thought he, 'If this be all, I'll not be nice;
Rather than in my courtship I will fail,
I will to mince-meat tread Minon's black tail.'


To the Princess's court repairing strait,
He sought the cat that must decide his fate;
But when he found her, how the creature stared!
How her back bristled, and her great eyes glared!
That tail, which he so fondly hop'd his prize,
Was swell'd by wrath to twice its usual size;
And all her cattish gestures plainly spoke,
She thought the affair he came upon, no joke.


With wary step the cautious King draws near,
And slyly means to attack her in her rear;
But when he thinks upon her tail to pounce,
Whisk-off she skips-three yards upon a bounce-
Again he tries, again his efforts fail-
Minon's a witch-the deuce is in her tail.-


The anxious chase for weeks the Monarch tried,
Till courage fail'd, and hope within him died.
A desperate suit 'twas useless to prefer,
Or hope to catch a tail of quicksilver.-
When on a day, beyond his hopes, he found
Minon, his foe, asleep upon the ground;
Her ample tail hehind her lay outspread,
Full to the eye, and tempting to the tread.

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Finding Oneself......... [EXTREMELY LONG; Growing Up; Relationships; Humor

Part One

When Bri was 13 and in grade 8,
he noticed classmates beginning to date.
At school (other) boys got their way with the girls with a kiss.
But Bri didn't have the urge; he thought 'what's this? '
He decided he should give it a try,
but each time he tried, the girl would cry.
Not only would she cry; she would run away and hide.
Bri felt between himself and the other boys a great divide.

Back home after school he'd seclude himself in his room and cry.
Through his mind was repeated the question 'why? ' 'Why DO they cry? Why? '

Bri was a straight A+ student with no flubs.
He played football but (except for 'Cooking') he joined not clubs.

After a few months Bri gave up (on girls) . He had NO close friends to set him right;
his parents should have known the problem, but they weren't bright.

In high school he took AP courses, and took 3 courses at a nearby college.
He ignored girls and sports and concentrated on gaining knowledge.

He got a full scholarship to Harvard, but his advisor looked at him funny.
By age 26 he had his PhD in psychology and started making money.
But he still asked 'why? '
It still bothered him and at times he'd cry.

Then waking up one day from a dream, Bri suddenly asked himself 'were they shy?
And if so, why with ME and not the other boys? Why DID they cry? '
The answer could be that his brain and looks were superior.
Were those girls only uncomfortable with boys that were inferior (to him) ?
If that really was the answer, he could now save face,
and could pursue women with HIS high level of brains, looks, and grace.
(But WAS it the answer? He was still not SURE why they did cry.)
For now he would work hard, avoid girls, and try to keep his eyes dry.
In two more years would be a second high school reunion. Thoughts of attending gave Bri a fright. (He'd skipped the first,5 year, reunion.)
But by going this time he might find out if his answer to his 'why? ' was right.

PART TWO

For two more years he waited anxiously for invitation he was dreading.
At times he'd awaken at night from a 'reunion dream', profusely sweating.
Finally it arrived in mail; it would be in June, before it got TOO warm.
He kept his calendar free for the whole month, doubting, at work, he could perform.
He got out the yearbooks his Mom had bought, and he studied each girl's name.
Would he have the nerve to ask them 'why? ' ….OR would he be too scared and lame?

He lived on sedatives for a week. He picked his favorite tie, and a light grey business suit.
Would he find out if the girls had just been shy, or would they give him 'the boot'?

[...] Read more

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

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Hold Your Position (Stones)

Now here comes the great musical thing called "hold your position"
Rasta, them style ya a just levelment Uncle seen
Hold me position, Just a hold me position
I ya, hold me position, just a hold me position
Go on, hold me position, just a hold me position
Just like Jesus Christ in the valley of decision
Devil come along and tru to deceive man through him
Got him plan from the older one
Him had to hold him position, had to hold him position yeh
Hold him position, had to hold him position
Well rhythm like this makes me and me daughter
Go down at the dance, bubble on the corner
When the rhythm is sweet, we a go hold tighter
Rub-adub like this makes you go one
So you hold your position
Say you hold you position aya
Hold your position, say hold your position
Things and time was a getting slow let off the rhythm
Let the good time roll
Don't bother go a slow and stay a back row
I man come to make the rhythm
Just a rock and flow, because me hold me position
Just a hold me position
Special request to 39 Acker Tree, Frontline, everyman on Kime
UB40 say come and rhyme
Yes, Daddy Stone, me in the dance hall style
So we really come to make it versatile
Because one of a kind we come to blow your mind
So you should hold you position
Yes, hold your position, aya
Hold your position, hold your position
Hold Your Position (cont'd) Stones
Skank steady, Skank Steady
I tell you rock the rhythm
You should skank down steady
You know you say, it heavier than lead
Kinda tougher than tough
You know that Jah, Jah covers
Since he stands over us
So hold your position
Hold your position
Move to the east, and you could a move to the west
Lyrics like this Jab know never go jest
Say chunk ice water say right to your chest
Intercity, outer city everywhere the best you better
Hold you position, just hold your position
Hold you position, say hold your position
Well rhythm like this is really so hot
Let off the vilse because a legal shot
Because we hold our position

[...] Read more

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Hold Your Head Up

Ten Demo)
Yeah...and you been so bad...
Don't let it get you down, you can take it, yeah...
And if it hurts, don't let them see you cry
You can make it...come on...
Hold your head up...whoa now... (2x)
Sing...
Hod your head up...whoa now...
Yeah, hold your head high...I said...
Hold your head up...whoa now... (3x)
I said hold your head high...yeah...
Ha ha ha ha ha...
And if they stare...
Just let them burn their eyes on your movie
'Cause your movin' on
And if they shout...
Just let 'em, don't let 'em change a thing that you're doing...
Said...hold your head up...whoa now...
Sayin'...hold your head up...whoa now... (2x)
Sayin' hold your head high, yeah...
Hold you're head up...whoa now... (2x)
Ooh...sing...
Hold your head up...whoa now...
Yeah, hold your head high...come on...yeah...
I said...
And if they mess you 'round, don't let 'em change a thing that you're thinking, yeah...
And if they called you names, just tell 'em, "this is lovelock in the makings"
Hold your head up... (3x)
Yeah...hold your head up... (2x)
Hold your head up...busted...ooh yeah...
Let your pink flag fly...come on...
Hold your head up...whoa now... (3x)
Hold your head high, yeah...
Hold your head up...whoa now... (3x)
Yeah...hold your head high, come on...
Hold your head up...whoa now... (3x)
Yeah, yeah, yeah...I said to gimme, gimme, gimme...
Hold your head up...whoa now... (3x)
Yeah, yeah...
Hold your head up...whoa now... (3x) } (2x)
Said hold your head high... }
Hold your head up...whoa now... (3x)
Hold your head high

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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

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Careful What You Wish For

Just lately I've had a go
To find me a new world and candy home
All I needed was a little affection for my soul
Hey, maybe it's time to go
I should have told you a couple of years ago
And I know what's gonna play on my mind
So I'll meet you on the floor
Are you ready for some more?
Just be careful what you wish for
Just be careful what you hope for
Just be careful what you wish for
Just be careful what you hope for
Tell me who do you think you see?
Am I still the girl that you thought I'd be?
Do you care that I might be for real?
Hey, maybe it's time to go
I should have told you a couple of years ago
And I know what's gonna play on my mind
So I'll meet you on the floor
Are you ready for some more?
Just be careful what you wish for
Just be careful what you hope for
Just be careful what you wish for
Just be careful what you hope for
INSTRUMENTAL
Just be careful what you wish for
Just be careful what you hope for
Just be careful what you wish for
Just be careful what you hope for
Just be careful what you wish for
Just be careful what you hope for
You're wish, it may come true!
You're wish, it may come true!
You're wish, it may come true!
You're wish, it may come true!

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Careful What You Wish For

Just lately I've had a go
To find me a new world and candy home
All I needed was a little affection for my soul
Hey, maybe it's time to go
I should have told you a couple of years ago
And I know what's gonna play on my mind
So I'll meet you on the floor
Are you ready for some more?
Just be careful what you wish for
Just be careful what you hope for
Just be careful what you wish for
Just be careful what you hope for
Tell me who do you think you see?
Am I still the girl that you thought I'd be?
Do you care that I might be for real?
Hey, maybe it's time to go
I should have told you a couple of years ago
And I know what's gonna play on my mind
So I'll meet you on the floor
Are you ready for some more?
Just be careful what you wish for
Just be careful what you hope for
Just be careful what you wish for
Just be careful what you hope for
INSTRUMENTAL
Just be careful what you wish for
Just be careful what you hope for
Just be careful what you wish for
Just be careful what you hope for
Just be careful what you wish for
Just be careful what you hope for
You're wish, it may come true!
You're wish, it may come true!
You're wish, it may come true!
You're wish, it may come true!

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Careful With That Melletron, Eugene

Be careful with that melletron, eugene
Careful with that melletron, eugene
Careful with that melletron, eugene
Be careful with that melletron, you dont know where its been
Careful with the melletron, eugene
Careful with the melletron, eugene
Careful with the melletron, eugene
Be careful with the melletron, you dont know where its been
Play I am the walrus, eugene
Play I am the walrus, eugene
Its I am the walrus, eugene
Play I am the walrus, you dont know where its been
Careful with the melletron, eugene
Careful with the melletron, eugene
Careful with the melletron, eugene
Be careful with the melletron, you dont know where its been
Be careful with the melletron, you dont know where its been
Be careful with the melletron, you dont know where its been

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Hold Me Back

(young - young)
I got a big fat cadillac built for you
I got a honk thatll blow the avenue
Got a hot dog kickin all bend my thing
Got a a sugar looking woman with a bald headed man
Give me five o here boy, thats what Ill do
Got a big fat momma who can hold a tune
Gotta slip that bone in hard and mean
A honky tonk woman get the best of me
Cant hold me back
Cant hold me back
Cant hold me back
Get a heart attack
Cant hold me back
Got a honky tonk big ball hit to thrill
I got a sugar boot money baby thatll kill
A honky tonk 15 golden mile
Gotta bald headed woman loaded in the town
You can get me to the ball man, drivin in
And dont balk the kill, call in the ville
You gotta map the wrong town, hit the road
You got the whole boppa movin on down the road
Cant hold me back
You cant hold me back
You cant hold me back
You get a heart attack
Cant hold me back
You cant hold me back
You cant hold me back
You cant hold me back
You get a heart attack
Cant hold me back
You cant hold me back, you cant hold me back
You cant hold me back, you cant hold me back
Cant hold me back, you cant hold me back
You cant hold me back, you get a heart attack
Cant hold me back (hold me back)
You cant hold me back (hold me back)
You cant hold me back (hold me back)
Cant hold me back (hold me back)
You cant hold me back (hold me back)
Cant hold me back (hold me back)
You cant hold me back (hold me back)
You cant hold me back
2000, j. albert & son, pty.

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Hold Back

Written by ricky & marty wilde
Now when we started - no interventions
I wanted everything with no conditions
You took my love and told it to the world
But now it really changes things
The ring you wear belongs to someone else
Somebody else and my heart keeps saying
Hold back - hold back your love
Baby its just a crazy thing to start
Hold back - hold back your love
Maybe its just the easy way to part
Hold back - hold back (hold back, hold back...)
No denials - no introspection
Im not competing for some true perfection
I wanted something thats fine and thats for sure
And now I wonder how she feels
cos in her heart she knows theres someone else
Somebody else and I hear her saying
Hold back - hold back your love
Baby its just a crazy thing to start
Hold back - hold back your love
Maybe its just the easy way to part
Hold back - hold back
Hold back (hold back)
Hold back your love
Hold back (hold back)
Hold back your love
(baby...) hold back (hold back)
Hold back your love
Baby its just a crazy thing to start
Baby its just a crazy thing
You gotta hold back - hold back your love
(hold back) - hold back your love
(hold back) - you gotta hold back your love
(ooh) you gotta hold back your love
(ooh) hold back your love
Hold back (hold back)
(ooh)
(ooh)
Hold back
(ad lib to fade)

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II. Half-Rome

What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)

Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,

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Collision

Collision, my mission,
When the dawn breaks
With a handshake
Relaxed and feelin great
Screeching head on, head on, head on
Im needing a head on, head on, head on
Screeching, head on, head on, head on
Im needing a head on, head on, head on
All the days plans
All the shaken hands
Beepers and suntans
Screeching, head on, head on, head on
Im needing a head on, head on, head on
Screeching, head on, head on, head on
Im needing a head on, head on, head on
Collision, my mission
Head on, head on, head on, head on
(sample of people talking)
When the dawn breaks
With a handshake
Relaxed and feelin great
Collision, my mission
Head on, head on, head on,
Head on, head on, head on,
Head on,
Head on,
Head on

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The Ghost - Book IV

Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;

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Metamorphoses: Book The Fifth

WHILE Perseus entertain'd with this report
His father Cepheus, and the list'ning court,
Within the palace walls was heard aloud
The roaring noise of some unruly crowd;
Not like the songs which chearful friends prepare
For nuptial days, but sounds that threaten'd war;
And all the pleasures of this happy feast,
To tumult turn'd, in wild disorder ceas'd:
So, when the sea is calm, we often find
A storm rais'd sudden by some furious wind.
The Story of Chief in the riot Phineus first appear'd,
Perseus The rash ringleader of this boist'rous herd,
continu'd And brandishing his brazen-pointed lance,
Behold, he said, an injur'd man advance,
Stung with resentment for his ravish'd wife,
Nor shall thy wings, o Perseus, save thy life;
Nor Jove himself; tho' we've been often told
Who got thee in the form of tempting gold.
His lance was aim'd, when Cepheus ran, and said,
Hold, brother, hold; what brutal rage has made
Your frantick mind so black a crime conceive?
Are these the thanks that you to Perseus give?
This the reward that to his worth you pay,
Whose timely valour sav'd Andromeda?
Nor was it he, if you would reason right,
That forc'd her from you, but the jealous spight
Of envious Nereids, and Jove's high decree;
And that devouring monster of the sea,
That ready with his jaws wide gaping stood
To eat my child, the fairest of my blood.
You lost her then, when she seem'd past relief,
And wish'd perhaps her death, to ease your grief
With my afflictions: not content to view
Andromeda in chains, unhelp'd by you,
Her spouse, and uncle; will you grieve that he
Expos'd his life the dying maid to free?
And shall you claim his merit? Had you thought
Her charms so great, you shou'd have bravely sought
That blessing on the rocks, where fix'd she lay:
But now let Perseus bear his prize away,
By service gain'd, by promis'd faith possess'd;
To him I owe it, that my age is bless'd
Still with a child: Nor think that I prefer
Perseus to thee, but to the loss of her.
Phineus on him, and Perseus, roul'd about
His eyes in silent rage, and seem'd to doubt
Which to destroy; 'till, resolute at length,
He threw his spear with the redoubled strength
His fury gave him, and at Perseus struck;
But missing Perseus, in his seat it stuck.

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Tread Careful

Tread careful
Because youre treading on my dreams.
Tread careful
Because Ive just one heart
Tread careful
Let me down slowly
Or Ill forget how to dream.
Chorus:
I wont forget anything
(I love you)
I wont forgive anyone
(do you love me? )
Tread careful
You hear the sound of my breathing
Tread careful
Because I feel this sound
Tread careful
Im falling in a glasshouse
Im trying hard to begin
Because I want it to get harder
Tread careful
Before I change my mind
Tread careful
I could surprise you
I know something you want to do.
(repeat chorus)
Tread careful
Im sure you dont care but
Tread careful
I could change your mind
Tread careful
Ive been waiting for you
There is no comfort in here.
(repeat chorus)

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Tale XXI

The Learned Boy

An honest man was Farmer Jones, and true;
He did by all as all by him should do;
Grave, cautious, careful, fond of gain was he,
Yet famed for rustic hospitality:
Left with his children in a widow'd state,
The quiet man submitted to his fate;
Though prudent matrons waited for his call,
With cool forbearance he avoided all;
Though each profess'd a pure maternal joy,
By kind attention to his feeble boy;
And though a friendly Widow knew no rest,
Whilst neighbour Jones was lonely and distress'd;
Nay, though the maidens spoke in tender tone
Their hearts' concern to see him left alone,
Jones still persisted in that cheerless life,
As if 'twere sin to take a second wife.
Oh! 'tis a precious thing, when wives are dead,
To find such numbers who will serve instead;
And in whatever state a man be thrown,
'Tis that precisely they would wish their own;
Left the departed infants--then their joy
Is to sustain each lovely girl and boy:
Whatever calling his, whatever trade,
To that their chief attention has been paid;
His happy taste in all things they approve,
His friends they honour, and his food they love;
His wish for order, prudence in affairs,
An equal temper (thank their stars!), are theirs;
In fact, it seem'd to be a thing decreed,
And fix'd as fate, that marriage must succeed:
Yet some, like Jones, with stubborn hearts and

hard,
Can hear such claims and show them no regard.
Soon as our Farmer, like a general, found
By what strong foes he was encompass'd round,
Engage he dared not, and he could not fly,
But saw his hope in gentle parley lie;
With looks of kindness then, and trembling heart,
He met the foe, and art opposed to art.
Now spoke that foe insidious--gentle tones,
And gentle looks, assumed for Farmer Jones:
'Three girls,' the Widow cried, 'a lively three
To govern well--indeed it cannot be.'
'Yes,' he replied, 'it calls for pains and care:
But I must bear it.'--'Sir, you cannot bear;
Your son is weak, and asks a mother's eye:'
'That, my kind friend, a father's may supply.'

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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Hold On

Written by: myles goodwyn
Why do I speak if no one hears
Who can I turn to if youre not there
And why do I carry on the way that I do
Why do I question myself like this over you
cos trouble and sorrow - its all I can feel
Theres so much confusion it seems so unreal
Hold on - to our own selves be true
Hold on hold on
Hold on - lets see this love through
Hold on hold on
Why do we have to act so foolishly
Hurting one another - you and me
All we have to do is try more now and then
And whos to say that we cant make things right again
Heartaches and sorrow its bringin us down
Theres so much to give lets turn this love around
Hold on - to our own selves be true
Hold on hold on
Hold on - lets see this love through
Hold on hold on
Hold on just hold on to me
Hold on hold on
Hold on you know our love will be
Hold on
I dont wanna hear that loving you is wrong
I only know these words will have to make us strong
Its the things we say but more the things we do
And what I wanna say is baby I love you
Heartaches and sorrow its bringin us down
Theres so much to give lets turn this love around
Hold on - to our own selves be true
Hold on hold on
Hold on - lets see this love through
Hold on hold on
Hold on just hold on to me
Hold on hold on
Hold on you know our love will be
Hold on hold on
Hold on

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