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Editing is the same as quarrelling with writers - same thing exactly.

quote by Harold Ross
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Four Main Types of Writers (personal opinion)

The Lonely Writer

Some writings tell me
This person is lonely
And is reaching out
For the touch of a friendly comment
These writers are sad, solitary,
Isolated, but good persons
And quite often very good writers

The needy juvenile writer

Some writings contain words
Or language meant to shock
And to offend.
These writers are lonely also
But in a different way.
These writers are simply saying
Like a little child
“hey! I exist! Someone better
Acknowledge me! ”
These writers can often write well
But usually don’t, can’t, or choose not to

The Spite Writer

This writer can be of either gender
But seems to be in a female majority
They’ve been spurned or rejected
Two-timed or lied to.
And they are going to vent their ire
In the most public way they can.
These writers can also be very good writers
But too often let their anger get in the way.

The Religious Writer

These writers show people passionate
And zealously devoted to singing the praises
Of the Lord and goodness and charity.
They’re probably austere, honest people
Who almost always write very well.
For the most part these writers seem
To want to spread the word and
At the same time tend to be rather singular
In the subject matter of their writings,
Rarely attempting other genres.

poem by David Whalen
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Most Writers

Most writers 'twould seem have moments of self doubt
But they never go short of things to write about
And to become a top writer of one a big ask
And to succeed as a writer for many seems too daunting a task.

Most writers do not write for wealth or for fame
And despite lack of success they pen on just the same
For every one hundred thousand writers perhaps one writing millionaire
Amongst the ranks of the wealthy the writers are rare.

Few writers can hope for to scale success height
For the love of writing they only do write
Few writers get published and fewer know of success
But in their writings on paper their thoughts they express.

Most writers will never know wealth and renown
And they are not even well known in their own Hometown
They never will be known beyond their home shore
They write for the love of it and little more.

poem by Francis Duggan
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Writer's Drought

You've heard of a thing called writer's block and you've heard of writer's drought
But writers are never short of things on which they can write about
It's just at times their inspiration well does seem to run dry
And they cannot seem to pen a line though hard enough they try.

The writers drought it causes writers moments of self doubt
Till the words that seem locked in them eventually flow out
Through their pens to their notebooks their dry spells do not last
And on time lost out on penning words they seem to catch up fast.

Some writers in their writing drought cannot seem to feel inspired
To write even a single line they feel mentally tired
But when fresh inspiration comes to them much better stuff they do write
And feeling re-invigorated they sit and pen all night.

Most writers you will talk to of writers drought can tell
When there is no inspiration in their inspiration well
But when inspiration returns to them and their creative juices flow
They become much better writers and in self confidence grow.

poem by Francis Duggan
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Editing is the only process. The shooting is the pleasant work. The editing makes the movie, so I spend all my life in editing.

quote by Garry Marshall
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Caricatures

There are writers great and writers small
And writers on the spree;
And writers short and writers tall,
And bards of low degree.

There are artists small and artist great,
With lines both bold and free –
It takes a Low to illustrate
Us bards of low degree.

poem by Henry Lawson
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The Truth can Hurt

The truth can hurt

Some writers write infrequently
and others write prolifically.
What matters is the quality
much more so than the quantity.

Good writers by their words display
their thoughts in a coherent way
Describing things they have observed
and garner praise that’s well deserved.

But some think anything will do
and they pay no attention to
the rules successful writers use
they will not learn: point blank refuse

to accept well meant critique.
They much prefer dishonest praise
from so called friends afraid
to speak the simple truth lest they dismay

their friend by speaking honestly.
So naturally they take offence
when other people criticise
that which seems perfect in their eyes.

True writers take this in their stride
they know their work is not perfect.
But what they know is they have tried
and that is all you can expect.

New writers lack experience
but everyone must start some where.
The wise ones do not take offence
when other people show they care

enough to offer some advice.
Because they can remember when
they too were just a new novice
to painting pictures with their pen.
27 feb 08

poem by Ivor Or Ivor.e Hogg
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Essay on Psychiatrists

I. Invocation

It‘s crazy to think one could describe them—
Calling on reason, fantasy, memory, eves and ears—
As though they were all alike any more

Than sweeps, opticians, poets or masseurs.
Moreover, they are for more than one reason
Difficult to speak of seriously and freely,

And I have never (even this is difficult to say
Plainly, without foolishness or irony)
Consulted one for professional help, though it happens

Many or most of my friends have—and that,
Perhaps, is why it seems urgent to try to speak
Sensibly about them, about the psychiatrists.

II. Some Terms

“Shrink” is a misnomer. The religious
Analogy is all wrong, too, and the old,
Half-forgotten jokes about Viennese accents

And beards hardly apply to the good-looking woman
In boots and a knit dress, or the man
Seen buying the Sunday Times in mutton-chop

Whiskers and expensive running shoes.
In a way I suspect that even the terms “doctor”
And “therapist” are misnomers; the patient

Is not necessarily “sick.” And one assumes
That no small part of the psychiatrist’s
Role is just that: to point out misnomers.

III. Proposition

These are the first citizens of contingency.
Far from the doctrinaire past of the old ones,
They think in their prudent meditations

Not about ecstasy (the soul leaving the body)
Nor enthusiasm (the god entering one’s person)
Nor even about sanity (which means

Health, an impossible perfection)
But ponder instead relative truth and the warm

[...] Read more

poem by Robert Pinsky
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An Essay On The Different Stiles Of Poetry

To Henry, Lord Viscount Bolingbroke.

I hate the Vulgar with untuneful Mind,
Hearts uninspir'd, and Senses unrefin'd.
Hence ye Prophane, I raise the sounding String,
And Bolingbroke descends to hear me sing.

When Greece cou'd Truth in Mystick Fable shroud,
And with Delight instruct the list'ning Crowd,
An ancient Poet (Time has lost his Name)
Deliver'd Strains on Verse to future Fame.
Still as he sung he touch'd the trembling Lyre,
And felt the Notes a rising Warmth inspire.
Ye sweet'ning Graces in the Musick Throng,
Assist my Genius, and retrieve the Song
From dark Oblivion. See, my Genius goes
To call it forth. 'Twas thus the Poem rose.

Wit is the Muses Horse, and bears on high
The daring Rider to the Muses Sky:
Who, while his strength to mount aloft he tries,
By Regions varying in their Nature, flies.

At first he riseth o'er a Land of Toil,
A barren, hard, and undeserving Soil,
Where only Weeds from heavy Labour grow,
Which yet the Nation prune, and keep for show.
Where Couplets jingling on their Accent run,
Whose point of Epigram is sunk to Pun.
Where Wings by Fancy never feather'd fly,
Where Lines by measure form'd in Hatchets lie;
Where Altars stand, erected Porches gape,
And Sense is cramp'd while Words are par'd to shape;
Where mean Acrosticks labour'd in a Frame,
On scatter'd Letters raise a painful Scheme;
And by Confinement in their Work controul
The great Enlargings of the boundless Soul.
Where if a Warriour's elevated Fire
Wou'd all the brightest Strokes of Verse require,
Then streight in Anagram a wretched Crew
Will pay their undeserving Praises too;
While on the rack his poor disjointed Name
Must tell its Master's Character to Fame.
And (if my Fire and Fears aright presage)
The lab'ring Writers of a future Age
Shall clear new ground, and Grotts and Caves repair,
To civilize the babbling Ecchoes there.
Then while a Lover treads a lonely Walk,
His Voice shall with its own Reflection talk,

[...] Read more

poem by Thomas Parnell
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The Iliad: Book 14

Nestor was sitting over his wine, but the cry of battle did not
escape him, and he said to the son of Aesculapius, "What, noble
Machaon, is the meaning of all this? The shouts of men fighting by our
ships grow stronger and stronger; stay here, therefore, and sit over
your wine, while fair Hecamede heats you a bath and washes the clotted
blood from off you. I will go at once to the look-out station and
see what it is all about."
As he spoke he took up the shield of his son Thrasymedes that was
lying in his tent, all gleaming with bronze, for Thrasymedes had taken
his father's shield; he grasped his redoubtable bronze-shod spear, and
as soon as he was outside saw the disastrous rout of the Achaeans who,
now that their wall was overthrown, were flying pell-mell before the
Trojans. As when there is a heavy swell upon the sea, but the waves
are dumb- they keep their eyes on the watch for the quarter whence the
fierce winds may spring upon them, but they stay where they are and
set neither this way nor that, till some particular wind sweeps down
from heaven to determine them- even so did the old man ponder
whether to make for the crowd of Danaans, or go in search of
Agamemnon. In the end he deemed it best to go to the son of Atreus;
but meanwhile the hosts were fighting and killing one another, and the
hard bronze rattled on their bodies, as they thrust at one another
with their swords and spears.
The wounded kings, the son of Tydeus, Ulysses, and Agamemnon son
of Atreus, fell in Nestor as they were coming up from their ships- for
theirs were drawn up some way from where the fighting was going on,
being on the shore itself inasmuch as they had been beached first,
while the wall had been built behind the hindermost. The stretch of
the shore, wide though it was, did not afford room for all the
ships, and the host was cramped for space, therefore they had placed
the ships in rows one behind the other, and had filled the whole
opening of the bay between the two points that formed it. The kings,
leaning on their spears, were coming out to survey the fight, being in
great anxiety, and when old Nestor met them they were filled with
dismay. Then King Agamemnon said to him, "Nestor son of Neleus, honour
to the Achaean name, why have you left the battle to come hither? I
fear that what dread Hector said will come true, when he vaunted among
the Trojans saying that he would not return to Ilius till he had fired
our ships and killed us; this is what he said, and now it is all
coming true. Alas! others of the Achaeans, like Achilles, are in anger
with me that they refuse to fight by the sterns of our ships."
Then Nestor knight of Gerene answered, "It is indeed as you say;
it is all coming true at this moment, and even Jove who thunders
from on high cannot prevent it. Fallen is the wall on which we
relied as an impregnable bulwark both for us and our fleet. The
Trojans are fighting stubbornly and without ceasing at the ships; look
where you may you cannot see from what quarter the rout of the
Achaeans is coming; they are being killed in a confused mass and the
battle-cry ascends to heaven; let us think, if counsel can be of any
use, what we had better do; but I do not advise our going into
battle ourselves, for a man cannot fight when he is wounded."

[...] Read more

poem by Homer, translated by Samuel Butler
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The Iliad: Book 21

Now when they came to the ford of the full-flowing river Xanthus,
begotten of immortal Jove, Achilles cut their forces in two: one
half he chased over the plain towards the city by the same way that
the Achaeans had taken when flying panic-stricken on the preceding day
with Hector in full triumph; this way did they fly pell-mell, and Juno
sent down a thick mist in front of them to stay them. The other half
were hemmed in by the deep silver-eddying stream, and fell into it
with a great uproar. The waters resounded, and the banks rang again,
as they swam hither and thither with loud cries amid the whirling
eddies. As locusts flying to a river before the blast of a grass fire-
the flame comes on and on till at last it overtakes them and they
huddle into the water- even so was the eddying stream of Xanthus
filled with the uproar of men and horses, all struggling in
confusion before Achilles.
Forthwith the hero left his spear upon the bank, leaning it
against a tamarisk bush, and plunged into the river like a god,
armed with his sword only. Fell was his purpose as he hewed the
Trojans down on every side. Their dying groans rose hideous as the
sword smote them, and the river ran red with blood. As when fish fly
scared before a huge dolphin, and fill every nook and corner of some
fair haven- for he is sure to eat all he can catch- even so did the
Trojans cower under the banks of the mighty river, and when
Achilles' arms grew weary with killing them, he drew twelve youths
alive out of the water, to sacrifice in revenge for Patroclus son of
Menoetius. He drew them out like dazed fawns, bound their hands behind
them with the girdles of their own shirts, and gave them over to his
men to take back to the ships. Then he sprang into the river,
thirsting for still further blood.
There he found Lycaon, son of Priam seed of Dardanus, as he was
escaping out of the water; he it was whom he had once taken prisoner
when he was in his father's vineyard, having set upon him by night, as
he was cutting young shoots from a wild fig-tree to make the wicker
sides of a chariot. Achilles then caught him to his sorrow unawares,
and sent him by sea to Lemnos, where the son of Jason bought him.
But a guest-friend, Eetion of Imbros, freed him with a great sum,
and sent him to Arisbe, whence he had escaped and returned to his
father's house. He had spent eleven days happily with his friends
after he had come from Lemnos, but on the twelfth heaven again
delivered him into the hands of Achilles, who was to send him to the
house of Hades sorely against his will. He was unarmed when Achilles
caught sight of him, and had neither helmet nor shield; nor yet had he
any spear, for he had thrown all his armour from him on to the bank,
and was sweating with his struggles to get out of the river, so that
his strength was now failing him.
Then Achilles said to himself in his surprise, "What marvel do I see
here? If this man can come back alive after having been sold over into
Lemnos, I shall have the Trojans also whom I have slain rising from
the world below. Could not even the waters of the grey sea imprison
him, as they do many another whether he will or no? This time let
him taste my spear, that I may know for certain whether mother earth

[...] Read more

poem by Homer, translated by Samuel Butler
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The Iliad: Book 8

Now when Morning, clad in her robe of saffron, had begun to suffuse
light over the earth, Jove called the gods in council on the topmost
crest of serrated Olympus. Then he spoke and all the other gods gave
ear. "Hear me," said he, "gods and goddesses, that I may speak even as
I am minded. Let none of you neither goddess nor god try to cross
me, but obey me every one of you that I may bring this matter to an
end. If I see anyone acting apart and helping either Trojans or
Danaans, he shall be beaten inordinately ere he come back again to
Olympus; or I will hurl him down into dark Tartarus far into the
deepest pit under the earth, where the gates are iron and the floor
bronze, as far beneath Hades as heaven is high above the earth, that
you may learn how much the mightiest I am among you. Try me and find
out for yourselves. Hangs me a golden chain from heaven, and lay
hold of it all of you, gods and goddesses together- tug as you will,
you will not drag Jove the supreme counsellor from heaven to earth;
but were I to pull at it myself I should draw you up with earth and
sea into the bargain, then would I bind the chain about some
pinnacle of Olympus and leave you all dangling in the mid firmament.
So far am I above all others either of gods or men."
They were frightened and all of them of held their peace, for he had
spoken masterfully; but at last Minerva answered, "Father, son of
Saturn, king of kings, we all know that your might is not to be
gainsaid, but we are also sorry for the Danaan warriors, who are
perishing and coming to a bad end. We will, however, since you so
bid us, refrain from actual fighting, but we will make serviceable
suggestions to the Argives that they may not all of them perish in
your displeasure."
Jove smiled at her and answered, "Take heart, my child,
Trito-born; I am not really in earnest, and I wish to be kind to you."
With this he yoked his fleet horses, with hoofs of bronze and
manes of glittering gold. He girded himself also with gold about the
body, seized his gold whip and took his seat in his chariot. Thereon
he lashed his horses and they flew forward nothing loth midway twixt
earth and starry heaven. After a while he reached many-fountained Ida,
mother of wild beasts, and Gargarus, where are his grove and
fragrant altar. There the father of gods and men stayed his horses,
took them from the chariot, and hid them in a thick cloud; then he
took his seat all glorious upon the topmost crests, looking down
upon the city of Troy and the ships of the Achaeans.
The Achaeans took their morning meal hastily at the ships, and
afterwards put on their armour. The Trojans on the other hand likewise
armed themselves throughout the city, fewer in numbers but
nevertheless eager perforce to do battle for their wives and children.
All the gates were flung wide open, and horse and foot sallied forth
with the tramp as of a great multitude.
When they were got together in one place, shield clashed with
shield, and spear with spear, in the conflict of mail-clad men. Mighty
was the din as the bossed shields pressed hard on one another-
death- cry and shout of triumph of slain and slayers, and the earth
ran red with blood.

[...] Read more

poem by Homer, translated by Samuel Butler
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A goal in sight

One two or go on making it to eight hundred
The poems may go on piling without any end
There is definite goal or aim in sight
You might attain it or would like to continue the fight

'You are good man but bad poet'
I read message which cautioned me not to write
This is not right place for you to reflect the views
I too felt it needed constant reviews

It has become craze among writers
They try to play easy and not prove as good fighters
They may approach readers to view their articles
They also try to limit themselves in small circle

'You read my article and I shall read yours'
This may please each other to have some favors
The quality may limit to one particular leave
The writers may not have good chance to excel

The flaws or drawbacks may not be pointed to him at all
It may be crushed under friendly observation or call
Why at all we need to approach viewers to comment?
Is there no other option to approach them for a moment?

Many comment sarcastically as if they are very good expert
The writer' only crime is request for support
This is not essentially to find any favor at the outset
It is only aimed at getting foot hold to set

Some writers get alienated over the honest remark
They want favorable remarks when try to venture or embark
This is not correct approach as it may not allow their real talents to surface
It may block the creativity and finally they enter in mad race

Any human being may not be pleased with the criticism
It hurts their ego and they take it affront to individualism
The relation has to be kept at one side and profession on other
Both should not be mixed and it should not concern or bother

The writing skill is God's gift and may come out as creation
To some it may prove dine piece and to others only recreation
Everybody has different perception and right to evaluate
The writers weight pro and con and the calculate

It is always nice to find place with some recognition
Your pen may be contributing more with ammunition
They may embark up on new themes and excel
Everything may then move on sound footing to fare well

[...] Read more

poem by Hasmukh Amathalal
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Writers and Poets

Here I sit
At a desk dimly lit.
Holding an unsharpened pencil
Over a piece of old, faded paper,
In my mind lingers a vague intention
Within the unformed idea
Of somehow writing something.
With no clear idea, theme or plan.
Only the restless desire to write.

It's raining. Again.
It seems to rain often.
Not the weather.
Life.
Interior drops fall,
Like flower pedals sacrificed.
Beautys death, the ransom price.
My desire lives in poetic rhythms,
Not in serious writers cadences.
I am not a writer.
- I hope to be a poet-
There is a difference? one may ask;
Oh yes, I believe so.
I'll attempt to express why.
In poetry words flow,
Like living waters.
In writing ideas are built within words.
The writer builds something,
Like a dam, to hold and control the way of the water,
To cause it to go somewhere precisely.
Writers form canals to move readers
To certain places.
Poets open up the dark clouds over life
Pouring out necessary wonders onto human souls;
Thirst quenching beauties that all
-in one way or another-
Are in great need of.
Writers, thankfully, take people
To places where they are able
To realize their own thirst.
Poets give them the drink.
The taste towards fulfilling life's true longings.

Writers and poets together
Make the dark a bit brighter,
The waters a bit more navagatible,
The way a bit clearer,
And the thirst of life
A bit more quenchable.

poem by Smoky Hoss
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A Well Crafted Word

Why am I so philosophical, a philosopher a long time ago once wrote.
The song writer, script writer, poet and novelist like to use a great quote.
Some poems are written with a catchy rhyme and a theme.
A well crafted word can help and be a great writers dream.
Everyone knows that the pen is mightier than the sword.
A well crafted word can give the reader great reward.
'A metaphor is just like a simile'; An unknown author once quoted.
It's true about all writers I know, they all hate their words being misquoted.
To writers one and all, a well crafted word is always a must to write down.
Just remember this about all writers, they can make great use of a pronoun.

poem by Nichole Kaci McKnight
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We all know nations that can be identified by the flight of writers from their shores. These are regimes whose fear of unmonitored writing is justified because truth is trouble. It is trouble for the warmonger, the torturer, the corporate thief, the political hack, the corrupt justice system, and for a comatose public. Unpersecuted, unjailed, unharrassed writers are trouble for the ignorant bully, the sly racist, and the predators feeding off the world’s resources. The alarm, the disquiet, writers raise is instructive because it is open and vulnerable, because if unpoliced it is threatening. Therefore the historical suppression of writers is the earliest harbinger of the steady peeling away of additional rights and liberties that will follow.

quote by Toni Morrison
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More Than Words Can Say...

Some writers like short poetry. Others don't.
Some will write long lines... Others won't...
Some like to embellish... Others can't...
Some write with relish... Others shan't...

In poetry, we explore the twists and turns of love.
The blessings here... and the burdens there.
Did we feel we'd reached the end of the theme?
Did we have more lines left unshared?
Did we sense that all was said?
If we forced ourselves to write a few more ideas, what then?
Would we abandon the initial lines along the way?

Writing starts with a wry-tingle... then a knowing within.
We reach for pen and paper or keyboard and computer.
We may begin with a title to spark us off...
We may have a pun in mind as a punchline...
Whatever gets us to begin is useful.

Whatever we create, success or failure, helps.
We learn as we go... Here a little, there a little.
We mature in our favourite themes...
We explore new horizons just for the sake of expression.
We may not conquer all poetry styles.
We may be completely average at first.
Falling in love helps writers become pilgrims.

The editing stages drag us all down to the depths of despair.
We plough through punctuation, clamber through commas.
We press on past exclamation marks towards the mountaintop.
There, we see things clearly. The view is outstanding!
It's there that we sense that we must share our vision!
From then on, we strive to pass on that exhileration!

Surely it isn't pearls before swine, we ask?
Surely the people will praise us for our poetry?
Surely we will be honoured by one and all?
No... but still the eternal flame of faith burns brightly!
No matter where we go, God knows us truly...

If we permit Him, He will inspire us totally!
Then, at the end, the blessing will be given:
A mighty blessing for the most dedicated and passionate souls.
Those that burnt out in the name of love.
Those that went the extra mile, by day, by night.
Those that fought fiercely against cutthroat criticisms.
Those that anointed others with the outpouring of grace.

For what is a writer? What is a poet?
We are only thinkers. Our sentiments are meant to amuse.

[...] Read more

poem by Denis Martindale
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Reality TV finds talented people. There are no scripts. The editing is what it's all about. Great editing makes those shows.

quote by Pete Waterman
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There are editing procedures for talks just as there are editing procedures in jazz improvisation.

quote by David Antin
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David and I got cut out the editing process on that. We were able to affect it more than not. We sent in our notes, we were able to see cuts. We weren't allowed to see dailies and we weren't allowed to sit in the editing room and just work.

quote by Bob Odenkirk
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The Printer's Error

Fellow compositors
and pressworkers!

I, Chief Printer
Frank Steinman,
having worked fifty-
seven years at my trade,
and served five years
as president
of the Holliston
Printer's Council,
being of sound mind
though near death,
leave this testimonial
concerning the nature
of printers' errors.

First: I hold that all books
and all printed
matter have
errors, obvious or no,
and that these are their
most significant moments,
not to be tampered with
by the vanity and folly
of ignorant, academic
textual editors.
Second: I hold that there are
three types of errors, in ascending
order of importance:
One: chance errors
of the printer's trembling hand
not to be corrected incautiously
by foolish professors
and other such rabble
because trembling is part
of divine creation itself.

Two: silent, cool sabotage
by the printer,
the manual laborer
whose protests
have at times taken this
historical form,
covert interferences
not to be corrected
censoriously by the hand
of the second and far
more ignorant saboteur,
the textual editor.

[...] Read more

poem by Aaron Fogel
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