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A proof tells us where to concentrate our doubts.

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Lovin Proof

(dianne warren)
I know some lovers would be satisfied
With sweet I love yous and some pretty lines
But that wont get you in this heart of mine
No, youll never steal my heart away
With just words, sweet words that you say
It is all in the things that you do
Im telling you
If you want me to believe
That Im the only one you need
I need lovin proof
I need lovin proof
Baby, hold me in your arms
And show me something from the heart
Give me lovin proof
I need lovin proof from you
And if the love you got is strong and true
And if you love me like you say you do
Your tender touch will tell the honest truth
And your kiss could never tell a lie
cause Id see it in your eyes
There is one way to ease any doubt
I tell you now
If you want me to believe
That Im the only one you need
I need lovin proof
I need lovin proof
Baby, I wont be impressed
Unless I get some tenderness
Give me lovin proof
I need lovin proof, oh, oh, from you, oh, oh
(I need lovin proof)
If the love is right
(I need lovin proof)
Prove it, prove it all night
(I need lovin proof)
From you
cause youll never steal my heart away
With just words, sweet words that you say
It is all in the things you do
Im telling you, telling you baby
If you want me to believe
That Im the only one you need
I need lovin proof
I need lovin proof
Baby, hold me in your arms
And tell me something from the heart
I need lovin proof
Give me lovin proof, oh, oh, from you
If you want me to believe

[...] Read more

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

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Bringin Da Noise

Bringin da noise
Bring down the house
We came here to turn the party out
Say come on, come on
Lets raise the roof
And give 'em proof
That we can get loose yall
Bringin da noise
Bring down the house
We came here to turn the party out
Say come on, come on
Lets raise the roof
And give 'em proof
That we can get loose yall
Jc:
We need to get down
The scene is set so right
Everybodys in the house tonight (tonight)
Lose your mind
Let your body take control (control)
Youve got to feel it in your soul (in your soul)
Ive got that feeling baby
You know it drives me crazy
And all I wanna do is hit the floor
I wanna shout it yall
So make it louder yall
Jc:
And turn it up some more
Bringin da noise
Bring down the house
We came here to turn the party out
Say come on, come on
Lets raise the roof
And give 'em proof
That we can get loose yall
Bringin da noise
Bring down the house
We came here to turn the party out
Say come on, come on
Lets raise the roof
And give 'em proof
That we can get loose yall
Bringin da noise
Bringin da noise
Jc:
Just shake it girl (shake it girl)
And enjoy the ride
Do what you feel inside
Cause its your world..
All you want and more

[...] Read more

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Proof

Soon our fortunes will be made, my darling
And we will leave this loathsome little town
Silver bells jingling from your black lizard boots, my baby
Silver foil to trim your wedding gown
Its true the tools of love wear down
Time passes
A mind wanders
It seems mindless, but it does
Sometimes I see you face
As if through reading glasses
And your smile seems softer than it was
Proof
Some people gonna call you up
Tell you something that you already know
Proof
Sane people go crazy on you
Say no man, that was not
The deal we made
I got to go, I got to go
Faith
Faith is an island in the setting sun
But proof, yes
Proof is the bottom line for everyone
My face, my race
Dont matter anymore
My sex, my cheques
Accepted at the door
Proof
Some people gonna call you up
Tell you something that you already know
Proof
Sane people go crazy on you
Say no man, that was not
The deal we made
I got to, I got to go
Faith
Faith is an island in the setting sun
But proof, yes
Proof is the bottom line for everyone
Half moon hiding in the clouds, my darling
And the sky is flecked with signs of hope
Raise your weary wings against the rain, my baby
Wash your tangled curls with gamblers soap
Proof
Some people gonna call you up
Tell you something that you already know
Sane people go crazy on you
Say no man, that was not
The deal we made
I got to, I got to, I got to

[...] Read more

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Every Face Tells A Story

Look at the man in the corner, hes sitting all alone
His blankets are made out of cardboard,
His pillows are made out of stone
Every face tells a story it never tells a lie
Every face tells a story it never tells a lie
See the man walking on the water, see the light in his eyes
He came into the world with a message to tell,
He came into the world to die
Every face tells a story it never tells a lie
Every face tells a story it never tells a lie
Youre always telling stories, youre always telling me lies
Youre always telling stories, why?
So think of yourself in the water, seeing your days flashing by
Its too late to see what you wanted to be,
Youve spent all your time, you must die
Every face tells a story it never tells a lie
Every face tells a story it never tells a lie
Step down
And make it work out right
Im trying to get to you with my warning
Been there
For nearly half the night
Look its nearly four in the morning

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Space Between All Things

All the walls of your house,
were painted in deep blue,
you're at that indecisive age to choose colours that reflect you,
and everything and nothing,
is in the space between all things,
that fascinates as much as it agitates,
words turn me into what I say,
as you pull your yellow stained fingers,
through your un-kept hair,
I noticed that the corners of your jeans,
were folded neatly into squares,
your thoughts are the strangest place that you've ever been,
stranger even than Los Angeles,
it's like a cinema where they never ask you to leave,
So while you wait and are you wait,
and concentrate on being as far away,
from fate so while you wait,
and concentrate on being as far away,
She had a north Atlantic film star grace,
that's why her tears are out of place,
that kind sadness has more style,
so nothing will make her smile,
except as soon as anything happens,
she'll drag me on the street,
and hand in hand we stand protesting,
while everyone is still asleep,
So while you wait and are you wait,
and concentrate on being as far away,
from fate so while you wait,
and concentrate on being as far away,
so while you wait and are you wait,
and concentrate on being as far away,
from fate so while you wait,
and concentrate on being as far away,
Are you wait,
are you wait,
are you wait,
are you waaait,

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Passive Aggressive

Its in your reach
Concentrate
Its in your reach
Concentrate
If you deny this
Then its your fault
That gods in crisis
Hes over
Its in your reach
Concentrate
Its in your reach
Concentrate
If you deny this
Then its your fault
That gods in crisis
Hes over
Every time I rise I see you falling
Can you find me space inside your bleeding heart
Every time I rise I see you falling
Can you find me space
Find me space
Its in your reach
Concentrate
Its in your reach
Concentrate
If you deny this
Then its your fault
That gods in crisis
Hes over
Every time I rise I see you falling
Can you find me space inside your bleeding heart
Every time I rise I see you falling
Can you find me space inside your bleeding heart
It falls apart
It falls apart
It falls apart
Every time I rise I see you falling
Can you find me space inside your bleeding heart?
Every time I rise I see you falling
Can you find me space inside your bleeding heart?
It falls apart
It falls apart
It falls apart

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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

[...] Read more

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I. The Ring and the Book

Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.

Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.

[...] Read more

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Bulletproof

Limb by limb and tooth by tooth
It's tearing up inside of me
Everyday, every hour wish that I
Was bullet proof
Wax me
Mould me
Heat the pins and stab them in
You have turned me into this
Just wish that it
Was bullet proof
Was bullet proof
So pay me money and take a shot
Lead-fill the hole in me
I could burst a million bubbles
All surrogate
And bullet proof
And bullet proof
And bullet proof
And bullet proof

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A proof is a proof. What kind of a proof? It's a proof. A proof is a proof. And when you have a good proof, it's because it's proven.

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John Keats

Otho The Great - Act III

SCENE I.
The Country.
Enter ALBERT.
Albert. O that the earth were empty, as when Cain
Had no perplexity to hide his head!
Or that the sword of some brave enemy
Had put a sudden stop to my hot breath,
And hurl'd me down the illimitable gulph
Of times past, unremember'd! Better so
Than thus fast-limed in a cursed snare,
The white limbs of a wanton. This the end
Of an aspiring life! My boyhood past
In feud with wolves and bears, when no eye saw
The solitary warfare, fought for love
Of honour 'mid the growling wilderness.
My sturdier youth, maturing to the sword,
Won by the syren-trumpets, and the ring
Of shields upon the pavement, when bright-mail'd
Henry the Fowler pass'd the streets of Prague,
Was't to this end I louted and became
The menial of Mars, and held a spear
Sway'd by command, as corn is by the wind?
Is it for this, I now am lifted up
By Europe's throned Emperor, to see
My honour be my executioner,
My love of fame, my prided honesty
Put to the torture for confessional?
Then the damn'd crime of blurting to the world
A woman's secret! Though a fiend she be,
Too tender of my ignominious life;
But then to wrong the generous Emperor
In such a searching point, were to give up
My soul for foot-ball at Hell's holiday!
I must confess, and cut my throat, to-day?
To-morrow? Ho! some wine!
Enter SIGIFRED.
Sigifred. A fine humour
Albert. Who goes there? Count Sigifred? Ha! Ha!
Sigifred. What, man, do you mistake the hollow sky
For a throng 'd tavern, and these stubbed trees
For old serge hangings, me, your humble friend,
For a poor waiter? Why, man, how you stare!
What gipsies have you been carousing with?
No, no more wine; methinks you've had enough.
Albert. You well may laugh and banter. What a fool
An injury may make of a staid man!
You shall know all anon.
Sigifred. Some tavern brawl?
Albert. 'Twas with some people out of common reach;
Revenge is difficult.

[...] Read more

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Somebody, Somewhere Claims To Have Proof

Many with a minature flow grown old,
Have overblown and exposing bluff that disrupts.
Just to get the followers of doers to give up...
What they know effective and correct,
And not corrupt...
'Cause,
Somebody, somewhere claims to have proof...
That the doers are the losers.
With lies they tell and try to hide.

Many with a minature flow grown old,
Have overblown and exposing bluff that disrupts.
Just to get the followers of doers to give up...
What they know effective and correct,
And not corrupt...
'Cause,
Somebody, somewhere claims to have proof...
That the doers are the losers.
With lies they tell and try to hide.

Somebody, somewhere claims to have proof...
But,
Where is it?
Somebody, somewhere claims to have proof...
But,
Does it exist?
And...
Somebody, somewhere claims to have proof...
That the doers are the losers.

Can a duck pass as a pheasant?
And...
Somebody, somewhere claims to have proof.
But...
Where is it revealed?
And...
Somebody, somewhere claims to have proof,
Kept hidden and concealed.
Yet...
Somebody, somewhere confuses truth,
That those who 'Do' are not the losers.

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William Cowper

The Task: Book II. -- The Time-Piece

Oh for a lodge in some vast wilderness,
Some boundless contiguity of shade,
Where rumour of oppression and deceit,
Of unsuccessful or successful war
Might never reach me more! My ear is pained,
My soul is sick with every day's report
Of wrong and outrage with which earth is filled.
There is no flesh in man's obdurate heart,
It does not feel for man. The natural bond
Of brotherhood is severed as the flax
That falls asunder at the touch of fire.
He finds his fellow guilty of a skin
Not coloured like his own, and having power
To enforce the wrong, for such a worthy cause
Dooms and devotes him as his lawful prey.
Lands intersected by a narrow frith
Abhor each other. Mountains interposed,
Make enemies of nations who had else
Like kindred drops been mingled into one.
Thus man devotes his brother, and destroys;
And worse than all, and most to be deplored
As human nature's broadest, foulest blot,
Chains him, and tasks him, and exacts his sweat
With stripes, that mercy with a bleeding heart
Weeps when she sees inflicted on a beast.
Then what is man? And what man seeing this,
And having human feelings, does not blush
And hang his head, to think himself a man?
I would not have a slave to till my ground,
To carry me, to fan me while I sleep,
And tremble when I wake, for all the wealth
That sinews bought and sold have ever earned.
No: dear as freedom is, and in my heart's
Just estimation prized above all price,
I had much rather be myself the slave
And wear the bonds, than fasten them on him.
We have no slaves at home. - Then why abroad?
And they themselves, once ferried o'er the wave
That parts us, are emancipate and loosed.
Slaves cannot breathe in England; if their lungs
Receive our air, that moment they are free,
They touch our country and their shackles fall.
That's noble, and bespeaks a nation proud
And jealous of the blessing. Spread it then,
And let it circulate through every vein
Of all your empire! that where Britain's power
Is felt, mankind may feel her mercy too.

Sure there is need of social intercourse,
Benevolence and peace and mutual aid

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The Believer's Principles : Chap. IV.

Faith and Sense Natural, compared and distinguished.


When Abram's body, Sarah's womb,
Were ripe for nothing but the tomb,
Exceeding old, and wholly dead,
Unlike to bear the promis'd seed:

Faith said, 'I shall an Isaac see;'
'No, no,' said Sense, 'it cannot be;'
Blind Reason, to augment the strife,
Adds, 'How can death engender life?'

My heart is like a rotten tomb,
More dead than ever Sarah's womb;
O! can the promis'd seed of grace
Spring forth from such a barren place?

Sense gazing but on flinty rocks,
My hope and expectation chokes:
But could I, skill'd in Abram's art,
O'erlook my dead and barren heart;

And build my hope on nothing less
That divine pow'r and faithfulness;
Soon would I find him raise up sons
To Abram, out of rocks and stones.

Faith acts as busy boatmen do,
Who backward look and forward row;
It looks intent to things unseen,
Thinks objects visible too mean.

Sense thinks it madness thus to steer,
And only trusts its eye and ear;
Into faith's boat dare thrust its oar,
And put it further from the shore.

Faith does alone the promise eye;
Sense won't believe unless it see;
Nor can it trust the divine guide,
Unless it have both wind and tide.

Faith thinks the promise sure and good;
Sense doth depend on likelihood;
Faith ev'n in storms believes the seers;
Sense calls all men, ev'n prophets, liars.

Faith uses means, but rests on none;
Sense sails when outward means are gone:

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Every Face Tells A Story

(m. allison/p. sills/d. black)
Theres no need for you to tell me
I can see the way you feel
I just know without you saying
What is a lie and whats real
Every face tells a story
Its hard to hide a lie
Every face tells a story
And yours is saying goodbye
Somethings going on, and I know it
You cant keep it from me
Your smile cannot hide what you feel inside
And I dont like what I see
Every face tells a story
Its hard to hide a lie
Every face tells a story
And yours is saying goodbye
Youre always telling stories
Youre always telling me lies
Youre always telling stories
If you want to leave me, leave me
No good living a lie
You can pretend that were not gonna end
But your eyes are saying goodbye
Every face tells a story
Its hard to hide a lie
Every face tells a story
And yours is saying goodbye
Youre always telling stories
Youre always telling me lies
Youre always telling stories
Tell me, I got a right to know
Pour your little heart out to me, baby
You know, you know I dont want to let go
Every face tells a story
Its hard to hide a lie
Every face tells a story
And yours is saying goodbye

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Illahi Nama (Book of God)

In the Book of God (Ilahi-nama) 'Attar framed his mystical teachings in various stories that a caliph tells his six sons, who are kings themselves and seek worldly pleasures and power.
The first son is captivated by a virgin princess, and his father tells him the adventures of a beautiful and virtuous woman who attracts several men but miraculously survives their abuse and then forgives them. They acknowledge that carnal desire is necessary to propagate the race but also recognize that passionate love can lead to spiritual love, which can annihilate the soul in the beloved.
Other stories indicate the importance of respecting the lives of other creatures such as ants or dogs. One only thinks oneself better than a dog because of one's dog-like nature.

The second son tells his father that his heart craves magic; but his father warns him against the work of the Devil. A monk tells a shaikh that he has chosen the job of locking up a savage dog inside himself, and he advises the shaikh to lock up anger lest he be changed into a dog. The father suggests that this son ask for something more worthy and tells an anecdote in which Jesus teaches a man the greatest name of God. The man uses it to make bones come alive into a lion, which devours him, leaving his bones. Jesus then says that when a person asks for something unworthy, God does not grant it. Birds and beasts flee from people, because people eat them. God tells Moses to watch his heart when he is alone, to be kind and watch his tongue when he is with people, the road in front when he is walking, and his gullet when he is dining. A saint tells a shaikh that love is never denied to humans, for only the lover knows the true value of the beloved. Another saint warns that unless you pray for protection from negativity (the Devil), you shall not enter the court of God.

The third son of the caliph asks for a cup that could display the whole world. 'Attar concluded a story by saying that Sufism is to rest in patience and forsake all desire for the world, and trust in God means bridling one's tongue and wishing for better things for others than for oneself. This son asks why his father seems to disparage the love of honor and the love of wealth which all seem to possess. The caliph replies that in the crazy prison of the world one can achieve greatness only by devotion. Since one speaks to God through the heart and soul, it is difficult to speak with God of worldly things. The third son asks if he can be allowed to seek power in moderation; but the father still warns that this will place screens between him and God. Each screen created by seeking power will create more screens. One must see both the good and the bad inside and outside oneself to understand how they are connected together. Saints who reach their goal see nothingness in all things, making sugar seem like poison and a rose like thorns. Ayaz advises the conquering sultan Mahmud to leave his self behind since he is better being entirely We. In the last story for his third son, the father says that thousands of arts, mysteries, definitions, commands, prohibitions, orders, and injunctions are founded on the intellect. What cup could be more revealing than this?

The fourth son seeks the water of life, and his father warns him against desire. A wise man considers Alexander the Great the slave of his slave, because the Greek conqueror has submitted to greed and desire, which this wise man controls. If the son cannot have the water of life, he asks for the knowledge that will illuminate his heart. In one story 'Attar concluded that if you are not faithful in love, you are in love only with yourself. The fifth son asks for the ring of Solomon that enables one to communicate with birds and other animals. The Way is summarized as seeing the true road, traveling light, and doing no harm. The father tells this son that he has chosen an earthly kingdom, because he has not heard of the kingdom of the next world. He advises this king that since his sovereignty will not endure not to load the whole world on his shoulders. Why take on the burden of all creation? The caliph suggests that his son practice contentment, which is an eternal kingdom that overshadows even the Sun. When Joseph was thrown into a pit, the angel Gabriel counseled him that it is better to notice a single blemish in yourself than to see a hundred lights of the Unseen.

The sixth son desires to practice alchemy, but his father perceives that he is caught in the snare of greed. Gold is held more tightly by a miser than the rock grips the ore. The son observes that excessive poverty often leads to losing faith, and so he asks God for both the philosopher's stone and for gold; but his father replies that one cannot promote both faith and the world at the same time. In the epilog the poet commented that since he receives his daily bread from the Unseen, he does not have to be the slave of wretched men, and 'Attar concluded this work with the satisfaction that he has perfumed the name of God with his poetry.

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Nature tells me

Nature tells me not to be proud
of my riches for I am not
much richer than her.

Nature tells me not to be proud
of my beauty for I am not
much beautiful than her.

Nature tells me not to be proud
of my kindness for I am not
much kinder than her.

Nature tells me not to be proud
of my generosity for I am not
much generous than her.

Nature tells me not to be proud
of my logicality for I am not
much logical than her.

Nature tells me not to be proud
of my judiciousness for I am not
much judicious than her.

Nature tells me not to be proud
of my poetic mind for I am not
much poetic than her.

Nature tells me not to be proud
of my prides for I am not
much prouder than her.

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The Columbiad: Book IX

The Argument


Vision suspended. Night scene, as contemplated from the mount of vision. Columbus inquires the reason of the slow progress of science, and its frequent interruptions. Hesper answers, that all things in the physical as well as the moral and intellectual world are progressive in like manner. He traces their progress from the birth of the universe to the present state of the earth and its inhabitants; asserts the future advancement of society, till perpetual peace shall be established. Columbus proposes his doubts; alleges in support of them the successive rise and downfal of ancient nations; and infers future and periodical convulsions. Hesper, in answer, exhibits the great distinction between the ancient and modern state of the arts and of society. Crusades. Commerce. Hanseatic League. Copernicus. Kepler. Newton, Galileo. Herschel. Descartes. Bacon. Printing Press. Magnetic Needle. Geographical discoveries. Federal system in America. A similar system to be extended over the whole earth. Columbus desires a view of this.


But now had Hesper from the Hero's sight
Veil'd the vast world with sudden shades of night.
Earth, sea and heaven, where'er he turns his eye,
Arch out immense, like one surrounding sky
Lamp'd with reverberant fires. The starry train
Paint their fresh forms beneath the placid main;
Fair Cynthia here her face reflected laves,
Bright Venus gilds again her natal waves,
The Bear redoubling foams with fiery joles,
And two dire dragons twine two arctic poles.
Lights o'er the land, from cities lost in shade,
New constellations, new galaxies spread,
And each high pharos double flames provides,
One from its fires, one fainter from the tides.

Centred sublime in this bivaulted sphere,
On all sides void, unbounded, calm and clear,
Soft o'er the Pair a lambent lustre plays,
Their seat still cheering with concentred rays;
To converse grave the soothing shades invite.
And on his Guide Columbus fixt his sight:
Kind messenger of heaven, he thus began,
Why this progressive laboring search of man?
If men by slow degrees have power to reach
These opening truths that long dim ages teach,
If, school'd in woes and tortured on to thought,
Passion absorbing what experience taught,
Still thro the devious painful paths they wind,
And to sound wisdom lead at last the mind,
Why did not bounteous nature, at their birth,
Give all their science to these sons of earth,
Pour on their reasoning powers pellucid day,
Their arts, their interests clear as light display?
That error, madness and sectarian strife
Might find no place to havock human life.

To whom the guardian Power: To thee is given
To hold high converse and inquire of heaven,
To mark untraversed ages, and to trace
Whate'er improves and what impedes thy race.
Know then, progressive are the paths we go
In worlds above thee, as in thine below
Nature herself (whose grasp of time and place
Deals out duration and impalms all space)

[...] Read more

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Bishop Blougram's Apology

No more wine? then we'll push back chairs and talk.
A final glass for me, though: cool, i' faith!
We ought to have our Abbey back, you see.
It's different, preaching in basilicas,
And doing duty in some masterpiece
Like this of brother Pugin's, bless his heart!
I doubt if they're half baked, those chalk rosettes,
Ciphers and stucco-twiddlings everywhere;
It's just like breathing in a lime-kiln: eh?
These hot long ceremonies of our church
Cost us a little—oh, they pay the price,
You take me—amply pay it! Now, we'll talk.

So, you despise me, Mr. Gigadibs.
No deprecation—nay, I beg you, sir!
Beside 't is our engagement: don't you know,
I promised, if you'd watch a dinner out,
We'd see truth dawn together?—truth that peeps
Over the glasses' edge when dinner's done,
And body gets its sop and holds its noise
And leaves soul free a little. Now's the time:
Truth's break of day! You do despise me then.
And if I say, "despise me"—never fear!
1 know you do not in a certain sense—
Not in my arm-chair, for example: here,
I well imagine you respect my place
(Status, entourage, worldly circumstance)
Quite to its value—very much indeed:
—Are up to the protesting eyes of you
In pride at being seated here for once—
You'll turn it to such capital account!
When somebody, through years and years to come,
Hints of the bishop—names me—that's enough:
"Blougram? I knew him"—(into it you slide)
"Dined with him once, a Corpus Christi Day,
All alone, we two; he's a clever man:
And after dinner—why, the wine you know—
Oh, there was wine, and good!—what with the wine . . .
'Faith, we began upon all sorts of talk!
He's no bad fellow, Blougram; he had seen
Something of mine he relished, some review:
He's quite above their humbug in his heart,
Half-said as much, indeed—the thing's his trade.
I warrant, Blougram's sceptical at times:
How otherwise? I liked him, I confess!"
Che che, my dear sir, as we say at Rome,
Don't you protest now! It's fair give and take;
You have had your turn and spoken your home-truths:
The hand's mine now, and here you follow suit.

[...] Read more

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