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I'm basically a musician.

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Victor Should Have Been A Jazz Musician

I went to a concert, to see nina, simone,
The concert was over, there was still a band playing, the rap up,
The booguh played with his hands, I close my eyes, and look at him,
Victor should have been a jazz musician,
I said to myself, victor should have been a jazz musician,
I looked at his face, and I saw victor, looked at his smile, and I saw victor,
I looked at his hair, and thought,
Victor should have been a jazz musician,
Victor should have been a jazz musician,
And the people dancing on the floor, dancing on the floor, were so high,
You should have seen victor smile, you should have seen victor smile,
As they danced all the while all around on the floor, and he laughed,
Victor should have been a jazz musician,
Oh, victor should have been a jazz musician,
He was playing so nice, the jazz musician,
Ah, ah,
Hes living in a fast beat, in a city thats hot,
Telling all the latinos and puerto ricans, victor seems happy, but he doesnt even know himself, hes gotta look inside to know his first love,
Victor was a jazz musician, he was playing so nice, victor was a jazz musician, (? ) victor was a jazz musician,
Victor loves his music, he loves his music, somewhere, he plays his music, somewhere,
Victor is a jazz musician,
Jazz.

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Studio Musician

I am a studio musician
We've never met
But you know me well
I am the English horn
Who plays the poignant counter-nine
Upon the song you heard
While making love in some hotel
I am a part of you
I've never tried for fame
You'll never know my name
I am the strings that enter softly
Or three guitars that glitter gold
I am the thousand trumpet lines
That were an afterthought
Intended eyes,
the way to get a dying record sold
I never ride the road
I never play around
I played what they set down
I'm a working musician
living from week to week
I'm the voice through each empty men
tried to speak
A studio musician
Blowin' the chance I see
And when the woodwind coushin rises
I start to dream
With the low brass bed
But I awake the horns
The drummer calls to me
We're up the letter D
I'm a man of the moment
pop is my stock n' trade
Singles, jingles and demos
conventently made
A studio musician
Whose music will die unplayed
A studio musician
Whose music could have died unplayed

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Matthew Arnold

Epilogue To Lessing's Laocooen

One morn as through Hyde Park we walk'd,
My friend and I, by chance we talk'd
Of Lessing's famed Laocooen;
And after we awhile had gone
In Lessing's track, and tried to see
What painting is, what poetry--
Diverging to another thought,
'Ah,' cries my friend, 'but who hath taught
Why music and the other arts
Oftener perform aright their parts
Than poetry? why she, than they,
Fewer fine successes can display?

'For 'tis so, surely! Even in Greece,
Where best the poet framed his piece,
Even in that Phoebus-guarded ground
Pausanias on his travels found
Good poems, if he look'd, more rare
(Though many) than good statues were--
For these, in truth, were everywhere.
Of bards full many a stroke divine
In Dante's, Petrarch's, Tasso's line,
The land of Ariosto show'd;
And yet, e'en there, the canvas glow'd
With triumphs, a yet ampler brood,
Of Raphael and his brotherhood.
And nobly perfect, in our day
Of haste, half-work, and disarray,
Profound yet touching, sweet yet strong,
Hath risen Goethe's, Wordsworth's song;
Yet even I (and none will bow
Deeper to these) must needs allow,
They yield us not, to soothe our pains,
Such multitude of heavenly strains
As from the kings of sound are blown,
Mozart, Beethoven, Mendelssohn. '

While thus my friend discoursed, we pass
Out of the path, and take the grass.
The grass had still the green of May,
And still the unblackan'd elms were gay;
The kine were resting in the shade,
The flies a summer-murmur made.
Bright was the morn and south the air;
The soft-couch'd cattle were as fair
As those which pastured by the sea,
That old-world morn, in Sicily,
When on the beach the Cyclops lay,
And Galatea from the bay
Mock'd her poor lovelorn giant's lay.

[...] Read more

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Ch 02 The Morals Of Dervishes Story 20

Despite the abundant admonitions of the most illustrious Sheikh Abulfaraj Ben Juzi to shun musical entertainments and to prefer solitude and retirement, the budding of my youth overcame me, my sensual desires were excited so that, unable to resist them, I walked some steps contrary to the opinion of my tutor, enjoying myself in musical amusements and convivial meetings. When the advice of my sheikh occurred to my mind, I said:

‘If the qazi were sitting with us, he would clap his hands.
If the muhtasib were bibbing wine, he would excuse a drunkard.’

Thus I lived till I paid one night a visit to an assembly of people in which I saw a musician.

Thou wouldst have said he is tearing up the vital artery with his fiddle-bow.
His voice was more unpleasant than the wailing of one who lost his father.

The audience now stopped their ears with their fingers, and now put them on their lips to silence him. We became ecstatic by the sounds of pleasing songs but thou art such a singer that when thou art silent we are pleased.

No one feels pleased by thy performance
Except at the time of departure when thou pleasest.
When that harper began to sing
I said to the host: ‘For God’s sake
Put mercury in my ear that I may not hear
Or open the door that I may go away.’

In short, I tried to please my friends and succeeded after a considerable struggle in spending the whole night there.

The muezzin shouted the call to prayers out of time,
Not knowing how much of the night had elapsed.
Ask the length of the night from my eyelids
For sleep did not enter my eyes one moment.

In the morning I took my turban from my head, with one dinar from my belt by way of gratification, and placed them before the musician whom I embraced and thanked. My friends who saw that my appreciation of his merits was unusual attributed it to the levity of my intellect and laughed secretly. One of them, however, lengthened out his tongue of objection and began to reproach me, saying that I had committed an act repugnant to intelligent men by bestowing a portion of my professional dress upon a musician who had all his life not a dirhem laid upon the palm of his hand nor filings of silver or of gold placed on his drum.

A musician! Far be he from this happy abode.
No one ever saw him twice in the same place.
As soon as the shout rose from his mouth
The hair on the bodies of the people stood on end.
The fowls of the house, terrified by him, flew away
Whilst he distracted our senses and tore his throat.

I said: ‘It will be proper to shorten the tongue of objection because his talent has become evident to me.’ He then asked me to explain the quality of it in order to inform the company so that all might apologize for the jokes they had cracked about me. I replied: ‘Although my sheikh had often told me to abandon musical entertainments and had given me abundant advice, I did not mind it. This night my propitious horoscope and my august luck have guided me to this place where I have, on hearing the performance of this musician, repented and vowed never again to attend at singing and convivial parties.’

A pleasant voice, from a sweet palate, mouth and lips,
Whether employed in singing or not, enchants the heart
But the melodies of lovers of Isfahan or of the Hejaz
From the windpipe of a bad singer are not nice.

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Loose Talk Costs Lives

(b gibb)
Loose talk costs lives
People like to play
Were basically the same
We never lie
Loose talk costs lives
Dont look at me as if you dont remember me at all
There was laughter, there was pain
But I wont make the same mistakes I made
You are too beautiful to me
I hide my tears inside the rain
Am I the soul you cast your spell upon
I had control and now its gone
Or are you someone who controls my heart and mind
And I will never say a word
And I will never say goodbye
Loose talk costs lives
People like to play
Were basically the same
We never lie
Loose talk costs lives
I can see that someone hung a sign around your heart
And it reads do not return
And there is so much trouble I could cause
Someone as beautiful as you
You can feel my candle burn
And I still recall some starry night
We had it all, we held on tight
I promised I would come to you and catch you if you fall
And they will never know about us
For just one moment you were mine
Loose talk costs lives
People like to play
Were basically the same
We never lie
Loose talk costs lives
For just one moment, just one moment, you were mine
Loose talk costs lives
(our moment held in time)
People like to play
Were basically the same
We never lie
Loose talk costs lives
Loose talk costs lives
People like to play
Were basically the same
We never lie
Loose talk costs lives

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Well I'm a third-generation musician. My Grandfather's a musician and my father and mother were both musicians and so I'm a musician. It was just natural that I should be a musician 'cause I was born into the family.

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Henry Wadsworth Longfellow

Tales Of A Wayside Inn : Part 1. Prelude; The Wayside Inn

One Autumn night, in Sudbury town,
Across the meadows bare and brown,
The windows of the wayside inn
Gleamed red with fire-light through the leaves
Of woodbine, hanging from the eaves
Their crimson curtains rent and thin.

As ancient is this hostelry
As any in the land may be,
Built in the old Colonial day,
When men lived in a grander way,
With ampler hospitality;
A kind of old Hobgoblin Hall,
Now somewhat fallen to decay,
With weather-stains upon the wall,
And stairways worn, and crazy doors,
And creaking and uneven floors,
And chimneys huge, and tiled and tall.

A region of repose it seems,
A place of slumber and of dreams,
Remote among the wooded hills!
For there no noisy railway speeds,
Its torch-race scattering smoke and gleeds;
But noon and night, the panting teams
Stop under the great oaks, that throw
Tangles of light and shade below,
On roofs and doors and window-sills.
Across the road the barns display
Their lines of stalls, their mows of hay,
Through the wide doors the breezes blow,
The wattled cocks strut to and fro,
And, half effaced by rain and shine,
The Red Horse prances on the sign.
Round this old-fashioned, quaint abode
Deep silence reigned, save when a gust
Went rushing down the county road,
And skeletons of leaves, and dust,
A moment quickened by its breath,
Shuddered and danced their dance of death,
And through the ancient oaks o'erhead
Mysterious voices moaned and fled.

But from the parlor of the inn
A pleasant murmur smote the ear,
Like water rushing through a weir:
Oft interrupted by the din
Of laughter and of loud applause,
And, in each intervening pause,
The music of a violin.

[...] Read more

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First Encounter - Kitaro

Kitaro
more mystical than him
his music

Kitaro just another
musician working
for survival

Kitaro just another
musician who enlightens us
with his specialities

Several years back Kitaro came to give a concert at the Genting Highlands. He came across as just another musician, working for his survival. A lot of hypes have been written about the mystic way of life he lives but that did not come across to me. Yes, his hair was long but what I perceived was a man working for his survival. Tagging along was his musician wife who worked in the same band as Kitaro.

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Nat King Cole

Music is emotional, and you may catch a musician in a very unemotional mood or you may not be in the same frame of mind as the musician. So a critic will often say a musician is slipping.

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Session Man

He never will forget at all
The day he played at the albert hall.
A million sessions ago it seems.
He is a session man,
A chord progression,
A top musician.
Rock n roll or vocal star[? ],
A philharmonic orchestra,
Everything comes the same to him.
He is a session man,
A chord progression,
A top musician.
Hes not paid to think, just play,
A session man
A session man
A session man
Playing at a different studio every day.
He reads the dots and plays each line,
And always finishes on time.
No overtime nor favors done.
He is a session man,
A chord progression,
A top musician.
Hes not paid to think, just play,
A session man
A session man
A session man

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Henry Wadsworth Longfellow

Hiawatha's Lamentation

In those days the Evil Spirits,
All the Manitos of mischief,
Fearing Hiawatha's wisdom,
And his love for Chibiabos,
Jealous of their faithful friendship,
And their noble words and actions,
Made at length a league against them,
To molest them and destroy them.
Hiawatha, wise and wary,
Often said to Chibiabos,
"O my brother! do not leave me,
Lest the Evil Spirits harm you!"
Chibiabos, young and heedless,
Laughing shook his coal-black tresses,
Answered ever sweet and childlike,
"Do not fear for me, O brother!
Harm and evil come not near me!"
Once when Peboan, the Winter,
Roofed with ice the Big-Sea-Water,
When the snow-flakes, whirling downward,
Hissed among the withered oak-leaves,
Changed the pine-trees into wigwams,
Covered all the earth with silence,
Armed with arrows, shod with snow-shoes,
Heeding not his brother's warning,
Fearing not the Evil Spirits,
Forth to hunt the deer with antlers
All alone went Chibiabos.
Right across the Big-Sea-Water
Sprang with speed the deer before him.
With the wind and snow he followed,
O'er the treacherous ice he followed,
Wild with all the fierce commotion
And the rapture of the hunting.
But beneath, the Evil Spirits
Lay in ambush, waiting for him,
Broke the treacherous ice beneath him,
Dragged him downward to the bottom,
Buried in the sand his body.
Unktahee, the god of water,
He the god of the Dacotahs,
Drowned him in the deep abysses
Of the lake of Gitche Gumee.
From the headlands Hiawatha
Sent forth such a wail of anguish,
Such a fearful lamentation,
That the bison paused to listen,
And the wolves howled from the prairies,
And the thunder in the distance
Starting answered "Baim-wawa!"

[...] Read more

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Henry Wadsworth Longfellow

The Song Of Hiawatha XV: Hiawatha's Lamentation

In those days the Evil Spirits,
All the Manitos of mischief,
Fearing Hiawatha's wisdom,
And his love for Chibiabos,
Jealous of their faithful friendship,
And their noble words and actions,
Made at length a league against them,
To molest them and destroy them.
Hiawatha, wise and wary,
Often said to Chibiabos,
'O my brother! do not leave me,
Lest the Evil Spirits harm you!'
Chibiabos, young and heedless,
Laughing shook his coal-black tresses,
Answered ever sweet and childlike,
'Do not fear for me, O brother!
Harm and evil come not near me!'
Once when Peboan, the Winter,
Roofed with ice the Big-Sea-Water,
When the snow-flakes, whirling downward,
Hissed among the withered oak-leaves,
Changed the pine-trees into wigwams,
Covered all the earth with silence,
Armed with arrows, shod with snow-shoes,
Heeding not his brother's warning,
Fearing not the Evil Spirits,
Forth to hunt the deer with antlers
All alone went Chibiabos.
Right across the Big-Sea-Water
Sprang with speed the deer before him.
With the wind and snow he followed,
O'er the treacherous ice he followed,
Wild with all the fierce commotion
And the rapture of the hunting.
But beneath, the Evil Spirits
Lay in ambush, waiting for him,
Broke the treacherous ice beneath him,
Dragged him downward to the bottom,
Buried in the sand his body.
Unktahee, the god of water,
He the god of the Dacotahs,
Drowned him in the deep abysses
Of the lake of Gitche Gumee.
From the headlands Hiawatha
Sent forth such a wail of anguish,
Such a fearful lamentation,
That the bison paused to listen,
And the wolves howled from the prairies,
And the thunder in the distance
Starting answered 'Baim-wawa!'

[...] Read more

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Henry Wadsworth Longfellow

Tales Of A Wayside Inn : Part 3. Interlude VI.

'Now that is after my own heart,'
The Poet cried; 'one understands
Your swarthy hero Scanderbeg,
Gauntlet on hand and boot on leg,
And skilled in every warlike art,
Riding through his Albanian lands,
And following the auspicious star
That shone for him o'er Ak-Hissar.'

The Theologian added here
His word of praise not less sincere,
Although he ended with a jibe;
'The hero of romance and song
Was born,' he said, 'to right the wrong;
And I approve; but all the same
That bit of treason with the Scribe
Adds nothing to your hero's fame.'

The Student praised the good old times,
And liked the canter of the rhymes,
That had a hoofbeat in their sound;
But longed some further word to hear
Of the old chronicler Ben Meir,
And where his volume might he found.

The tall Musician walked the room
With folded arms and gleaming eyes,
As if he saw the Vikings rise,
Gigantic shadows in the gloom;
And much he talked of their emprise
And meteors seen in Northern skies,
And Heimdal's horn, and day of doom.
But the Sicilian laughed again;
'This is the time to laugh,' he said,
For the whole story he well knew
Was an invention of the Jew,
Spun from the cobwebs in his brain,
And of the same bright scarlet thread
As was the Tale of Kambalu.

Only the Landlord spake no word;
'T was doubtful whether he had heard
The tale at all, so full of care
Was he of his impending fate,
That, like the sword of Damocles,
Above his head hung blank and bare,
Suspended by a single hair,
So that he could not sit at ease,
But sighed and looked disconsolate,
And shifted restless in his chair,

[...] Read more

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As a musician, basically the masses never thought I was a musician.

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Quartz

I can imagine nothing more tedious
Than trying to have fun with you again
Maybe its just something in my mind
But I hate feeling like Im trying all the time
Its a kind of lie
When we pretend that were still friends
Im sure youre not exactly short of people to
Hang out and laugh at your jokes
Tell you you look great
You wouldnt want me around
Making it all feel forced
..and put down
And every time I smile to wonder if Im laughin at you
And with every little grin you dont want to be wonderin
Just exactly what it is Im taking pleasure in
Although I always said
We were basically the same and all one
All one
Its so easy to persuade myself
Im clockwork and youre quartz
I guess that irony
Will surely be
The death of me
And every time I smile dyou wonder if Im laughin at you?
And with every little grin you dont want to be wonderin..
Although I always said
We were basically the same and all one
All one
Its so easy to persuade myself
Im clockwork and youre quartz
Youre only happy when youre oiled and jewelled
Youre only happy when you wind me up and I know
Youre so reliable it isnt true
And its so easy for me to break down
If I could jump a ride between the skin and silicon then
We could join hands and understand. hallelujah!
But I listen
To the ticking
I guess were worlds apart ...
Its so hard
So hard
I know theres no going back
And you know theres no going back
Youre only happy when youre oiled and jewelled
Youre only happy when youre oiled and jewelled
Youre never happy
I need maintenance
I need patience
Im not foolproof
Im not waterproof

[...] Read more

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Bobby McFerrin

I grew up in a time when being a musician and learning to be a musician was actually very wonderful.

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John Coltrane

Over all, I think the main thing a musician would like to do is give a picture to the listener of the many wonderful things that he knows of and senses in the universe... That’s what I would like to do. I think that’s one of the greatest things you can do in life and we all try to do it in some way. The musician’s is through his music.

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'Musician' is not a very respected title. I'm not a musician.

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Jon Secada

My intention when I came into this industry was to be a musician, not necessarily a recording artist, just a musician in general. And that's the reason I went to college and got my degree, which has been great for me. It's helped me a lot with my career.

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If he's a true symphony artist, he knows better than that because he knows that the only truly creative musician is the jazz musician.

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