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Well the most successful of course was this Polypropylene chair.

quote by Robin Day
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Handles Bermuda

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poem by Rwetewrt Erwtwer
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Luggage Canada

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poem by Rwetewrt Erwtwer
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Trash Bag

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poem by Rwetewrt Erwtwer
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Parson Turell’s Legacy

OR, THE PRESIDENT'S OLD ARM-CHAIR

A MATHEMATICAL STORY

FACTS respecting an old arm-chair.
At Cambridge. Is kept in the College there.
Seems but little the worse for wear.
That 's remarkable when I say
It was old in President Holyoke's day.
(One of his boys, perhaps you know,
Died, _at one hundred_, years ago.)
He took lodgings for rain or shine
Under green bed-clothes in '69.

Know old Cambridge? Hope you do.--
Born there? Don't say so! I was, too.
(Born in a house with a gambrel-roof,--
Standing still, if you must have proof.--
'Gambrel?--Gambrel?'--Let me beg
You'll look at a horse's hinder leg,--
First great angle above the hoof,--
That 's the gambrel; hence gambrel-roof.)
Nicest place that ever was seen,--
Colleges red and Common green,
Sidewalks brownish with trees between.
Sweetest spot beneath the skies
When the canker-worms don't rise,--
When the dust, that sometimes flies
Into your mouth and ears and eyes,
In a quiet slumber lies,
_Not_ in the shape of umbaked pies
Such as barefoot children prize.

A kind of harbor it seems to be,
Facing the flow of a boundless sea.
Rows of gray old Tutors stand
Ranged like rocks above the sand;
Rolling beneath them, soft and green,
Breaks the tide of bright sixteen,--
One wave, two waves, three waves, four,--
Sliding up the sparkling floor.

Then it ebbs to flow no more,
Wandering off from shore to shore
With its freight of golden ore!
Pleasant place for boys to play;--
Better keep your girls away;
Hearts get rolled as pebbles do
Which countless fingering waves pursue,
And every classic beach is strown

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poem by Oliver Wendell Holmes
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Fitration Bags

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poem by Rwetewrt Erwtwer
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Cogitation

if this chair does not exist
will i, this, chair, me, who asks,
if this chair, exists at all,
can i, exist, too? will i be dependent
on the thought of a chair
a thought of me that i think i
can touch, that i think thoughts
touching this thought of a chair
does the chair think about me,
i ask, looking for that therefore
beside the chair that i thought
is a chair, that i thought is I,
am, therefore, a chair, thinking
chair, on four feet?

poem by Ric S. Bastasa
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The Ghost - Book IV

Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;

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poem by Charles Churchill
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Red Chair Fade Away

Red chair fade away
bring back memories

Think of something nice
Fragrant lemon trees
I can feel the speaking sky
I don't want to know
It's filling up the air
Grandpa's fairy tale
Red chair round the fire
Rainbows all the time
We're all going higher
I can feel the speaking sky
I don't want to know
It's filling up the air
Red chair fade away
Red chair fade away
Red chair fade away
Red chair fade away
Red chair fade away
Bring back memories

Think of something nice
Fragrant lemon trees
I can feel the speaking sky
I don't want to know
It's filling up the air
Red chair fade away....
Red chair fade away....

song performed by Bee Gees from Bee Gees 1st
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The Columbiad: Book I

The Argument

Natives of America appear in vision. Their manners and characters. Columbus demands the cause of the dissimilarity of men in different countries, Hesper replies, That the human body is composed of a due proportion of the elements suited to the place of its first formation; that these elements, differently proportioned, produce all the changes of health, sickness, growth and decay; and may likewise produce any other changes which occasion the diversity of men; that these elemental proportions are varied, not more by climate than temperature and other local circumstances; that the mind is likewise in a state of change, and will take its physical character from the body and from external objects: examples. Inquiry concerning the first peopling of America. View of Mexico. Its destruction by Cortez. View of Cusco and Quito, cities of Peru. Tradition of Capac and Oella, founders of the Peruvian empire. Columbus inquires into their real history. Hesper gives an account of their origin, and relates the stratagems they used in establishing that empire.

I sing the Mariner who first unfurl'd
An eastern banner o'er the western world,
And taught mankind where future empires lay
In these fair confines of descending day;
Who sway'd a moment, with vicarious power,
Iberia's sceptre on the new found shore,
Then saw the paths his virtuous steps had trod
Pursued by avarice and defiled with blood,
The tribes he foster'd with paternal toil
Snatch'd from his hand, and slaughter'd for their spoil.

Slaves, kings, adventurers, envious of his name,
Enjoy'd his labours and purloin'd his fame,
And gave the Viceroy, from his high seat hurl'd.
Chains for a crown, a prison for a world
Long overwhelm'd in woes, and sickening there,
He met the slow still march of black despair,
Sought the last refuge from his hopeless doom,
And wish'd from thankless men a peaceful tomb:
Till vision'd ages, opening on his eyes,
Cheer'd his sad soul, and bade new nations rise;
He saw the Atlantic heaven with light o'ercast,
And Freedom crown his glorious work at last.

Almighty Freedom! give my venturous song
The force, the charm that to thy voice belong;
Tis thine to shape my course, to light my way,
To nerve my country with the patriot lay,
To teach all men where all their interest lies,
How rulers may be just and nations wise:
Strong in thy strength I bend no suppliant knee,
Invoke no miracle, no Muse but thee.

Night held on old Castile her silent reign,
Her half orb'd moon declining to the main;
O'er Valladolid's regal turrets hazed
The drizzly fogs from dull Pisuerga raised;
Whose hovering sheets, along the welkin driven,
Thinn'd the pale stars, and shut the eye from heaven.
Cold-hearted Ferdinand his pillow prest,
Nor dream'd of those his mandates robb'd of rest,
Of him who gemm'd his crown, who stretch'd his reign
To realms that weigh'd the tenfold poise of Spain;
Who now beneath his tower indungeon'd lies,
Sweats the chill sod and breathes inclement skies.

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poem by Joel Barlow
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The Man Who Discovered The Use Of A Chair

The man who discovered the use of a chair,
_Odds--bobs--
What a wonderful man!_
He used to sit down on it, tearing his hair,
Till he thought of a highly original plan.
For years he had sat on his chair, like you,
_Quite--still!
But his looks were grim_
For he wished to be famous (as great men do)
And nobody ever would listen to him.

Now he went one night to a dinner of state
_Hear! hear!
In the proud Guildhall!_
And he sat on his chair, and he ate from a plate;
But nobody heard his opinions at all;

There were ten fat aldermen down for a speech
(_Grouse! Grouse!
What a dreary bird!_)
With five fair minutes allotted to each,
But never a moment for him to be heard.

But, each being ready to talk, I suppose,
_Order! Order!_
They cried, _for the Chair!_
And, much to their wonder, our friend arose
And fastened his eye on the eye of the Mayor.

'We have come,' he said, 'to the fourteenth course!
'_High--time,
for the Chair_,' he said.
Then, with both of his hands, and with all of his force,
He hurled his chair at the Lord Mayor's head.

It missed that head by the width of a hair.
_Gee--whizz!
What a horrible squeak!_
But it crashed through the big bay-window there
And smashed a bus into Wednesday week.

And the very next day, in the decorous Times
(_Great--Guns--
How the headlines ran!_)
In spite of the kings and the wars and the crimes,
There were five full columns about that man.

ENVOI

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poem by Alfred Noyes
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The Rosciad

Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.

Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,

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poem by Charles Churchill
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Blue Chair

Now its just you and me, my blue friend
And you say that its you that shes thinking of
And our affair must end
But if its you that shes thinking of
I think my broken heart might mend
Chorus: now its my turn to talk and your turn to think
Your turn to buy and my turn to drink
Your turn to cry and my turn to sink down in the blue chair
Down in the blue chair
Now Ive made up my mind Ive made my mistake
And I know that she cries for you
When shes barely awake
Well shes going to bend your mind
Well I hope it dont break
Chorus
Down in the blue chair
We can watch our troubles rise
Like smoke into the air
And drift up to the ceiling
Down in the blue chair
You can feel just like a boy or a man
And next minute you can find yourself kneeling
Down in the blue chair
Theyre boasting of loving the daylights right out of her in the small hours
Down in the blue chair
You say that your love lasts forever when you know the night just hours
And still I want her right now
Not any minute, hour or day
And wherever she is tonight
I want her anyway
I suppose she never said to you,
You were just in the way
Chorus
Down in the blue chair
Down in the blue
Blue becomes you
Down in the blue chair

song performed by Elvis Costello
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The Chair

We sat at the table talking
when we noticed from the corner of our eyes
the door seemed to open and close again.
No one took much notice of it;
each thinking it was a draft that had caught it.
Then we watched amazed
as the chair at the far end of the room
began to move on its own.
Each time it caught our attention the chair stopped.
Turning back to our conversation
from the corner of our eyes,
we watched the chair move again.
Each time it inched closer
towards the table where we sat.
Our guests and we were hypnotised
by the spectacular of the moving chair.
We had lived here for many years
and nothing like this had ever happened before.
We all watched intently the chair
with not a word being spoken.
Whatever was moving it
could clearly not be seen.
Someone smiled and said,
“That is a neat trick you must tell us all
just how you’ve done it.”
I shook my head and replied,
“It is not us doing this.”
Faces paled at the thought
of the chair moving on its own.
The chair then stopped
and the outline of a figure appeared,
its eyes were flaming red
and it stared intently at us all.
“Who are you? ” Someone asked.
“Who do you wish I be? ” The reply came
from a voice that seemed to surround us.
You could see the fear begin to inherit everyone’s eyes
as the eyes of whatever looked around at everyone.
A crackling laughter then arose.
“Who are you? ” I asked,
“You are frightening everyone.
I tell you now you were not invited;
your presence is not welcome here.
Be gone I say, be gone and leave us in peace.”
The flaming eyes stared at me
as if to devour my soul.
Outside a lightning bolt struck,
its explosion made us jump.
When we looked back,
the chair was where it should be

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poem by David Harris
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The Cane-Bottom'd Chair

In tattered old slippers that toast at the bars,
And a ragged old jacket perfumed with cigars,
Away from the world, and its toils and its cares,
I've a snug little kingdom up four pair of stairs.

To mount to this realm is a toil, to be sure,
But the fire there is bright and the air rather pure;
And the view I behold on a sunshiny day
Is grand through the chimney-pots over the way.

This snug little chamber is cramm'd in all nooks
With worthless old knicknacks and silly old books,
And foolish old odds and foolish old ends,
Crack'd bargains from brokers, cheap keepsakes from friends.

Old armor, prints, pictures, pipes, china (all crack'd),
Old rickety tables, and chairs broken-backed;
A two-penny treasury, wondrous to see;
What matter? 'tis pleasant to you, friend, and me.

No better divan need the Sultan require,
Than the creaking old sofa that basks by the fire;
And 'tis wonderful, surely, what music you get
From the rickety, ramshackle, wheezy spinet.

That praying-rug came from a Turcoman's camp;
By Tiber once twinkled that brazen old lamp;
A Mameluke fierce yonder dagger has drawn:
'Tis a murderous knife to toast muffins upon.

Long, long through the hours, and the night, and the chimes,
Here we talk of old books, and old friends, and old times;
As we sit in a fog made of rich Latakie,
This chamber is pleasant to you, friend, and me.

But of all the cheap treasures that garnish my nest,
There is one that I love and I cherish the best:
For the finest of couches that's padded with hair
I never would change thee, my cane-bottom'd chair.

'Tis a bandy-legg'd, high shoulder'd, worm-eaten seat,
With a creaking old back, and twisted old feet;
But since the fair morning when Fanny sat there,
I bless thee and love thee, old cane-bottom'd chair.

If chairs have but feeling, in holding such charms,
A thrill must have pass'd through your wither'd old arms!
I look'd, and I long'd, and I wish'd in despair;
I wished myself turn'd to a cane-bottom'd chair.

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poem by William Makepeace Thackeray
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The Conference

Grace said in form, which sceptics must agree,
When they are told that grace was said by me;
The servants gone to break the scurvy jest
On the proud landlord, and his threadbare guest;
'The King' gone round, my lady too withdrawn;
My lord, in usual taste, began to yawn,
And, lolling backward in his elbow-chair,
With an insipid kind of stupid stare,
Picking his teeth, twirling his seals about--
Churchill, you have a poem coming out:
You've my best wishes; but I really fear
Your Muse, in general, is too severe;
Her spirit seems her interest to oppose,
And where she makes one friend, makes twenty foes.
_C_. Your lordship's fears are just; I feel their force,
But only feel it as a thing of course.
The man whose hardy spirit shall engage
To lash, the vices of a guilty age,
At his first setting forward ought to know
That every rogue he meets must be his foe;
That the rude breath of satire will provoke
Many who feel, and more who fear the stroke.
But shall the partial rage of selfish men
From stubborn Justice wrench the righteous pen?
Or shall I not my settled course pursue,
Because my foes are foes to Virtue too?
_L_. What is this boasted Virtue, taught in schools,
And idly drawn from antiquated rules?
What is her use? Point out one wholesome end.
Will she hurt foes, or can she make a friend?
When from long fasts fierce appetites arise,
Can this same Virtue stifle Nature's cries?
Can she the pittance of a meal afford,
Or bid thee welcome to one great man's board?
When northern winds the rough December arm
With frost and snow, can Virtue keep thee warm?
Canst thou dismiss the hard unfeeling dun
Barely by saying, thou art Virtue's son?
Or by base blundering statesmen sent to jail,
Will Mansfield take this Virtue for thy bail?
Believe it not, the name is in disgrace;
Virtue and Temple now are out of place.
Quit then this meteor, whose delusive ray
Prom wealth and honour leads thee far astray.
True virtue means--let Reason use her eyes--
Nothing with fools, and interest with the wise.
Wouldst thou be great, her patronage disclaim,
Nor madly triumph in so mean a name:
Let nobler wreaths thy happy brows adorn,
And leave to Virtue poverty and scorn.

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poem by Charles Churchill
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How Do You Define Success?

The word success means many things to many people
To be considered a success, means that you have made it
The question here is – made it as what?
How do you define success?
Is it by passing an exam?
Is it by becoming a landlord or landlady?
Is it by been promoted at work?
Is it by winning the lottery?
Is it by marrying the woman of your dreams?
Is it by marrying the man of your dreams?
Is it by been in an executive position?
Is it by winning an election?
How do you define success?
Are you successful as a pilot or a stewardess?
What does the word – “success” mean to you?
Is it by been the head of your organization?
Is it by having lots of money?
And how much money determines success?
Are you successful as a member of the armed forces?
Are you successful as a member of the police force?
What is your own definition of success?
Are you successful by been a writer, teacher,
Pastor, evangelist, taxi driver, congressperson,
Medical doctor or a reputed musician
Are you successful by been a sole proprietor
Mechanic, movie star, or the chairman of the board
Are you successful as an architect or builder?
Do you consider yourself a success as a banker?
Success is in the eyes of the beholder
The meaning of success varies and differs
From one person to the other

poem by Julius Babarinsa
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Pharsalia - Book VI: The Fight Near Dyrhachium. Scaeva's Exploits. The Witch Of Thessalia.

Now that the chiefs with minds intent on fight
Had drawn their armies near upon the hills
And all the gods beheld their chosen pair,
Caesar, the Grecian towns despising, scorned
To reap the glory of successful war
Save at his kinsman's cost. In all his prayers
He seeks that moment, fatal to the world,
When shall be cast the die, to win or lose,
And all his fortune hang upon the throw.
Thrice he drew out his troops, his eagles thrice,
Demanding battle; thus to increase the woe
Of Latium, prompt as ever: but his foes,
Proof against every art, refused to leave
The rampart of their camp. Then marching swift
By hidden path between the wooded fields
He seeks, and hopes to seize, Dyrrhachium's fort;
But Magnus, speeding by the ocean marge,
First camped on Petra's slopes, a rocky hill
Thus by the natives named. From thence he keeps
Watch o'er the fortress of Corinthian birth
Which by its towers alone without a guard
Was safe against a siege. No hand of man
In ancient days built up her lofty wall,
No hammer rang upon her massive stones:
Not all the works of war, nor Time himself
Shall undermine her. Nature's hand has raised
Her adamantine rocks and hedged her in
With bulwarks girded by the foamy main:
And but for one short bridge of narrow earth
Dyrrhachium were an island. Steep and fierce,
Dreaded of sailors, are the cliffs that bear
Her walls; and tempests, howling from the west,
Toss up the raging main upon the roofs;
And homes and temples tremble at the shock.

Thirsting for battle and with hopes inflamed
Here Caesar hastes, with distant rampart lines
Seeking unseen to coop his foe within,
Though spread in spacious camp upon the hills.
With eagle eye he measures out the land
Meet to be compassed, nor content with turf
Fit for a hasty mound, he bids his troops
Tear from the quarries many a giant rock:
And spoils the dwellings of the Greeks, and drags
Their walls asunder for his own. Thus rose
A mighty barrier which no ram could burst
Nor any ponderous machine of war.
Mountains are cleft, and level through the hills
The work of Caesar strides: wide yawns the moat,
Forts show their towers rising on the heights,

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poem by Marcus Annaeus Lucanus
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Old Blue Chair

There's a blue rockin' chair
Sittin' in the sand
Weathered by the storms
And well-oiled hands
It sways back and forth
With the help of the winds
And seems to always be there like an old trusted friend
I've read a lot of books
Wrote a few songs
Looked at my life where it's goin' where it's gone
I've seen the world through a bus winshield
But nothing compares
To the way that I see it
To the way that I see it
To the way that I see it when I sit in that Old Blue Chair
From that chair I've caught
A few fish and some rays
And I've watched boats sail
In and out of cinnamon bays
I let go of a lover
That took a piece of my heart
Prayed many times for forgiveness
And a brand new start
I've read a lot of books
Wrote a few songs
Looked at my life where it's goin' where it's gone
I've seen the world trough a bus winshield
But nothing compares
To the way that I see it
To the way that I see it
To the way that I see it when I sit in that Old Blue Chair
That chair was my bead one new year's night
When I passed out from too much
Malibu and Dye
And I woke up to a hundred mosquito bites I swear
Got em' all sittin' right there in that Old Blue Chair
There's a blue rockin' chair
Sittin' in the sands
Weathered by the storms
And well-oiled hands

song performed by Kenny Chesney
Added by Lucian Velea
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The Aeneid of Virgil: Book 10

THE GATES of heav’n unfold: Jove summons all
The gods to council in the common hall.
Sublimely seated, he surveys from far
The fields, the camp, the fortune of the war,
And all th’ inferior world. From first to last, 5
The sov’reign senate in degrees are plac’d.
Then thus th’ almighty sire began: “Ye gods,
Natives or denizens of blest abodes,
From whence these murmurs, and this change of mind,
This backward fate from what was first design’d? 10
Why this protracted war, when my commands
Pronounc’d a peace, and gave the Latian lands?
What fear or hope on either part divides
Our heav’ns, and arms our powers on diff’rent sides?
A lawful time of war at length will come, 15
(Nor need your haste anticipate the doom),
When Carthage shall contend the world with Rome,
Shall force the rigid rocks and Alpine chains,
And, like a flood, come pouring on the plains.
Then is your time for faction and debate, 20
For partial favor, and permitted hate.
Let now your immature dissension cease;
Sit quiet, and compose your souls to peace.”
Thus Jupiter in few unfolds the charge;
But lovely Venus thus replies at large: 25
“O pow’r immense, eternal energy,
(For to what else protection can we fly?)
Seest thou the proud Rutulians, how they dare
In fields, unpunish’d, and insult my care?
How lofty Turnus vaunts amidst his train, 30
In shining arms, triumphant on the plain?
Ev’n in their lines and trenches they contend,
And scarce their walls the Trojan troops defend:
The town is fill’d with slaughter, and o’erfloats,
With a red deluge, their increasing moats. 35
Æneas, ignorant, and far from thence,
Has left a camp expos’d, without defense.
This endless outrage shall they still sustain?
Shall Troy renew’d be forc’d and fir’d again?
A second siege my banish’d issue fears, 40
And a new Diomede in arms appears.
One more audacious mortal will be found;
And I, thy daughter, wait another wound.
Yet, if with fates averse, without thy leave,
The Latian lands my progeny receive, 45
Bear they the pains of violated law,
And thy protection from their aid withdraw.
But, if the gods their sure success foretell;
If those of heav’n consent with those of hell,
To promise Italy; who dare debate 50

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poem by Publius Vergilius Maro
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