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I can see every monster as they come in.

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I Want A Monster To Be My Friend

Some kids just love
To play with dolls
Or put on funny hats
And some make pets
Of birds and fish
And dogs and
Alley cats
That's not the way
I like to play
I'm tired of all these
I need a very
Special friend
Won't you
Help me please?
I want a monster
To be my playmate
I want a monster
To be my friend
I want to get
For my own pet
A real live monster
Who's not pretend
Oh, I want a monster
To be my playmate
We'd soon become
Good friends because
Although they're hairy
And sometimes scary
They have such soft
And furry paws
If I make friends with
A friendly monster
I'd be the best that a
friend could be
I'd let him do
Whatever he wants to
And he'd always
Belong to me
So, if you know a
Nice old monster
If you've a monster
To recommend
Ooh, golly gee
Please send him to me
I just can't wait
Until then!
I want a monster
A real live monster
I want a monster
Send me my monster

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Charles Baudelaire

Beowulf

LO, praise of the prowess of people-kings
of spear-armed Danes, in days long sped,
we have heard, and what honor the athelings won!
Oft Scyld the Scefing from squadroned foes,
from many a tribe, the mead-bench tore,
awing the earls. Since erst he lay
friendless, a foundling, fate repaid him:
for he waxed under welkin, in wealth he throve,
till before him the folk, both far and near,
who house by the whale-path, heard his mandate,
gave him gifts: a good king he!
To him an heir was afterward born,
a son in his halls, whom heaven sent
to favor the folk, feeling their woe
that erst they had lacked an earl for leader
so long a while; the Lord endowed him,
the Wielder of Wonder, with world's renown.
Famed was this Beowulf: far flew the boast of him,
son of Scyld, in the Scandian lands.
So becomes it a youth to quit him well
with his father's friends, by fee and gift,
that to aid him, aged, in after days,
come warriors willing, should war draw nigh,
liegemen loyal: by lauded deeds
shall an earl have honor in every clan.
Forth he fared at the fated moment,
sturdy Scyld to the shelter of God.
Then they bore him over to ocean's billow,
loving clansmen, as late he charged them,
while wielded words the winsome Scyld,
the leader beloved who long had ruled….
In the roadstead rocked a ring-dight vessel,
ice-flecked, outbound, atheling's barge:
there laid they down their darling lord
on the breast of the boat, the breaker-of-rings,
by the mast the mighty one. Many a treasure
fetched from far was freighted with him.
No ship have I known so nobly dight
with weapons of war and weeds of battle,
with breastplate and blade: on his bosom lay
a heaped hoard that hence should go
far o'er the flood with him floating away.
No less these loaded the lordly gifts,
thanes' huge treasure, than those had done
who in former time forth had sent him
sole on the seas, a suckling child.
High o'er his head they hoist the standard,
a gold-wove banner; let billows take him,
gave him to ocean. Grave were their spirits,
mournful their mood. No man is able

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Monster Mash

I was working in the lab
And light one night
When my eyes beheld
An eerie sight
When my monster from his slab
Began to rise
And suddenly
To my surprise
He did the mash
He did the monster mash
The monster mash
It was a graveyard smash
He did the mash
It caught on in a flash
The monster mash
Its called the monster mash
The laboratory in the castle eaves
And the master bedroom where the vampire sleeps
The girls all came from their humble abodes
To get a jolt from my electrodes
They did the mash
They did the monster mash
The monster mash
It was a graveyard smash
They did the mash
It caught on in a flash
The monster mash
Its called the monster mash
Zombies were having fun
The party had just begun
The guests included wolfman
Dracula and his little baby boy
The scene was rocking
All the digging sounds
Igor unchained ? ? ? ?
The coffin bangers were about to arrive
With a local group the beach boy five
They did the mash
They did the monster mash
The monster mash
It was a graveyard smash
They did the mash
It caught on in a flash
The monster mash
Its called the monster mash
Mmmm, what luck girl in the audience
Would care to dance with igor?
The monster mash is so ghoul
Muah ha ha ha
Muah ha ha ha

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Walt Whitman

Salut Au Monde

O TAKE my hand, Walt Whitman!
Such gliding wonders! such sights and sounds!
Such join'd unended links, each hook'd to the next!
Each answering all--each sharing the earth with all.

What widens within you, Walt Whitman?
What waves and soils exuding?
What climes? what persons and lands are here?
Who are the infants? some playing, some slumbering?
Who are the girls? who are the married women?
Who are the groups of old men going slowly with their arms about each
other's necks?
What rivers are these? what forests and fruits are these?
What are the mountains call'd that rise so high in the mists?
What myriads of dwellings are they, fill'd with dwellers?

Within me latitude widens, longitude lengthens;
Asia, Africa, Europe, are to the east--America is provided for in the
west;
Banding the bulge of the earth winds the hot equator,
Curiously north and south turn the axis-ends;
Within me is the longest day--the sun wheels in slanting rings--it
does not set for months;
Stretch'd in due time within me the midnight sun just rises above the
horizon, and sinks again;
Within me zones, seas, cataracts, plants, volcanoes, groups,
Malaysia, Polynesia, and the great West Indian islands.

What do you hear, Walt Whitman?

I hear the workman singing, and the farmer's wife singing;
I hear in the distance the sounds of children, and of animals early
in the day;
I hear quick rifle-cracks from the riflemen of East Tennessee and
Kentucky, hunting on hills;
I hear emulous shouts of Australians, pursuing the wild horse;
I hear the Spanish dance, with castanets, in the chestnut shade, to
the rebeck and guitar;
I hear continual echoes from the Thames;
I hear fierce French liberty songs;
I hear of the Italian boat-sculler the musical recitative of old
poems;
I hear the Virginia plantation-chorus of negroes, of a harvest night,
in the glare of pine-knots;
I hear the strong baritone of the 'long-shore-men of Mannahatta;
I hear the stevedores unlading the cargoes, and singing;
I hear the screams of the water-fowl of solitary north-west lakes;
I hear the rustling pattering of locusts, as they strike the grain
and grass with the showers of their terrible clouds;
I hear the Coptic refrain, toward sundown, pensively falling on the

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Pillow Monster Magically Transforms

Pillow Monster magically gets so big
he has magical powers, he never worked out in the gym.
Pillow Monster now has sweet memories,
memories of the Krendoll characters so sweet.
Pillow Monster can't figure out why he feels so happy inside,
he now has a colorful outfit with a bigger tie,
Pillow Monster is so happy he has a new magical life.
Transformed Pillow Monster is what the neighbors think,
they see Pillow Monster so happy to be alive,
Pillow Monster is so happy for he can't deny,
Pillow Monster gets so big, tears came to his eyes.
Pillow Monster gets bigger and bigger; but he makes it outside
Outside to see the sunshine, he is no longer inside.
Then it rains and makes a lot of mud,
Pillow Monster doesn't mind if he gets stuck.
Stuck in the mud goes Pillow Monster Toe,
then his friend Hamburger Helper Hand—
helps him because he understands…
how excited Pillow Monster is to get so Big…
big like the biggest Pillow Monster that had magically grown,
Magical like Pinocchio's very Long nose.

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Pillow Monster Magically Transforms

Pillow Monster magically gets so big
he has magical powers, he never worked out in the gym.
Pillow Monster now has sweet memories,
memories of the Krendoll characters so sweet.
Pillow Monster can't figure out why he feels so happy inside,
he now has a colorful outfit with a bigger tie,
Pillow Monster is so happy he has a new magical life.
Transformed Pillow Monster is what the neighbors think,
they see Pillow Monster so happy to be alive,
Pillow Monster is so happy for he can't deny,
Pillow Monster gets so big, tears came to his eyes.
Pillow Monster gets bigger and bigger; but he makes it outside
Outside to see the sunshine, he is no longer inside.
Then it rains and makes a lot of mud,
Pillow Monster doesn't mind if he gets stuck.
Stuck in the mud goes Pillow Monster Toe,
then his friend Hamburger Helper Hand—
helps him because he understands
how excited Pillow Monster is to get so Big…
big like the biggest Pillow Monster that had magically grown,
Magical like Pinocchio's very Long nose.

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Orlando Furioso Canto 11

ARGUMENT
Assisted by the magic ring she wears,
Angelica evanishes from view.
Next in a damsel, whom a giant bears
Beneath his arm, his bride Rogero true
Beholds. Orlando to the shore repairs,
Where the fell orc so many damsels slew;
Olympia frees, and spoils the beast of life:
Her afterwards Oberto takes to wife.

I
Although a feeble rein, in mid career,
Will oft suffice to stop courageous horse;
'Tis seldom Reason's bit will serve to steer
Desire, or turn him from his furious course,
When pleasure is in reach: like headstrong bear,
Whom from the honeyed meal 'tis ill to force,
If once he scent the tempting mess, or sup
A drop, which hangs upon the luscious cup.

II
What reason then Rogero shall withhold
From taking with Angelica delight, -
That gentle maid, there naked in his hold,
In the lone forest, and secure from sight?
Of Bradamant he thinks not, who controlled
His bosom erst: and foolish were the knight,
If thinking of that damsel as before,
By this he had not set an equal store;

III
Warmed by whose youthful beauties, the severe
Xenocrates would not have been more chaste.
The impatient Child had dropt both shield and spear,
And hurrying now his other arms uncased;
When, casting down her eyes in shame and fear,
The virtuous ring upon her finger placed,
Angelica descried, and which of yore
From her Brunello in Albracca bore.

IV
This is the ring she carried into France,
When thither first the damsel took her way;
With her the brother, bearer of the lance,
After, the paladin, Astolpho's prey.
With this she Malagigi's spells and trance
Made vain by Merlin's stair; and on a day
Orlando freed, with many knights and good,
From Dragontina's cruel servitude:

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Orlando Furioso Canto 10

ARGUMENT
Another love assails Bireno's breast,
Who leaves one night Olympia on the shore.
To Logistilla's holy realm addressed,
Rogero goes, nor heeds Alcina more:
Him, of that flying courser repossest,
The hippogryph on airy voyage bore:
Whence he the good Rinaldo's levy sees,
And next Angelica beholds and frees.

I
Of all the loves, of all fidelity
Yet proved, of all the constant hearts and true,
Of all the lovers, in felicity
Or sorrow faithful found, a famous crew,
To Olympia I would give the first degree
Rather than second: if this be not due,
I well may say that hers no tale is told
Of truer love, in present times or old.

II
And this she by so many proofs and clear,
Had made apparent to the Zealand lord,
No woman's faith more certain could appear
To man, though he her open heart explored:
And if fair truth such spirits should endear,
And they in mutual love deserve reward,
Bireno as himself, nay, he above
Himself, I say, should kind Olympia love.

III
Not only should he nevermore deceive
Her for another, were that woman she
Who so made Europe and wide Asia grieve,
Or fairer yet, if one more fair there be;
But rather that quit her the light should leave,
And what is sweet to taste, touch, hear, and see,
And life and fame, and all beside; if aught
More precious can in truth be styled, or thought.

IV
If her Bireno loved, as she had loved
Bireno, if her love he did repay
With faith like hers, and still with truth unmoved,
Veered not his shifting sail another way;
Or ingrate for such service - cruel proved
For such fair love and faith, I now will say;
And you with lips comprest and eye-brows bent,
Shall listen to the tale for wonderment;

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Orlando Furioso Canto 10

ARGUMENT
Another love assails Bireno's breast,
Who leaves one night Olympia on the shore.
To Logistilla's holy realm addressed,
Rogero goes, nor heeds Alcina more:
Him, of that flying courser repossest,
The hippogryph on airy voyage bore:
Whence he the good Rinaldo's levy sees,
And next Angelica beholds and frees.

I
Of all the loves, of all fidelity
Yet proved, of all the constant hearts and true,
Of all the lovers, in felicity
Or sorrow faithful found, a famous crew,
To Olympia I would give the first degree
Rather than second: if this be not due,
I well may say that hers no tale is told
Of truer love, in present times or old.

II
And this she by so many proofs and clear,
Had made apparent to the Zealand lord,
No woman's faith more certain could appear
To man, though he her open heart explored:
And if fair truth such spirits should endear,
And they in mutual love deserve reward,
Bireno as himself, nay, he above
Himself, I say, should kind Olympia love.

III
Not only should he nevermore deceive
Her for another, were that woman she
Who so made Europe and wide Asia grieve,
Or fairer yet, if one more fair there be;
But rather that quit her the light should leave,
And what is sweet to taste, touch, hear, and see,
And life and fame, and all beside; if aught
More precious can in truth be styled, or thought.

IV
If her Bireno loved, as she had loved
Bireno, if her love he did repay
With faith like hers, and still with truth unmoved,
Veered not his shifting sail another way;
Or ingrate for such service - cruel proved
For such fair love and faith, I now will say;
And you with lips comprest and eye-brows bent,
Shall listen to the tale for wonderment;

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Orlando Furioso Canto 17

ARGUMENT
Charles goes, with his, against King Rodomont.
Gryphon in Norandino's tournament
Does mighty deeds; Martano turns his front,
Showing how recreant is his natural bent;
And next, on Gryphon to bring down affront,
Stole from the knight the arms in which he went;
Hence by the kindly monarch much esteemed,
And Gryphon scorned, whom he Martano deemed.

I
God, outraged by our rank iniquity,
Whenever crimes have past remission's bound,
That mercy may with justice mingled be,
Has monstrous and destructive tyrants crowned;
And gifted them with force and subtlety,
A sinful world to punish and confound.
Marius and Sylla to this end were nursed,
Rome with two Neros and a Caius cursed;

II
Domitian and the latter Antonine;
And, lifted from the lowest rabble's lees,
To imperial place and puissance, Maximine:
Hence Thebes to cruel Creon bent her knees,
Mezentius ruled the subject Agiline,
Fattening his fields with blood. To pests like these
Our Italy was given in later day,
To Lombard, Goth, and Hun a bleeding prey.

III
What shall I of fierce Attila, what say
Of wicked Ezzeline, and hundreds more?
Whom, because men still trod the crooked way,
God sent them for their pain and torment sore.
Of this ourselves have made a clear assay,
As well as those who lived in days of yore;
Consigned to ravening wolves, ordained to keep
Us, his ill-nurturing and unuseful sheep;

IV
Who, as if having more than served to fill
Their hungry maw, invite from foreign wood
Beyond the mountain, wolves of greedier will,
With them to be partakers of their food.
The bones which Thrasymene and Trebbia fill,
And Cannae, seem but few to what are strewed
On fattened field and bank, where on their way
Adda and Mella, Ronco and Tarro stray.

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Monster Skank

Chorus:
I want it I need it I'm headed out for something to break
I got it I'm feeling it I'm headed out on a monster skank
My feet are moving faster than my mind can do no thinking
My body's twisting in contortions that weren't meant to be
My head is spinning like a yo-yo that don't know no better
Off to the special place where there is only room for me
Have a little dance with a twist-hear you were hungry-eat a fist
Chorus
My mind paints pictures but I couldn't find no frame to fit it
Only an artist can create what he don't understand
I tried to tell you but you didn't have no time for reason
Off to my special place where only I am in command
What's to skank?-monster skank'n
Aye got something break'n-we've gone monster skank'n
Roses are red-violets are blues-you're uglier than a monkey-you should live
in a zoo
Chorus
Shoot off your mouth don't like what you said-here's my response a boot to
your head
The wise man feels no pressure then he tells you not to worry
Your inspiration hits me like a ton of falling bricks
Lost in a cemetery of forgotten resolutions
Off to my special place where I can break all that you fix
Aye gone monster skank'n-I don't need nobody
I think something's break'n-I've gone monster skank'n
Is it skank? Monster skank
What kind of skank? Monster skank
It's a monster-a scary scary monster!
Aye got something break'n-we gone monster skank'n
It's a monster

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The Libelle of Englyshe Polycye

Here beginneth the Prologe of the processe of the Libelle of Englyshe polycye, exhortynge alle Englande to kepe the see enviroun and namelye the narowe see, shewynge whate profete commeth thereof and also whate worshype and salvacione to Englande and to alle Englyshe menne.

The trewe processe of Englysh polycye
Of utterwarde to kepe thys regne in rest
Of oure England, that no man may denye
Ner say of soth but it is one the best,
Is thys, as who seith, south, north, est and west
Cheryshe marchandyse, kepe thamyralte,
That we bee maysteres of the narowe see.


For Sigesmonde the grete Emperoure,
Whyche yet regneth, whan he was in this londe
Wyth kynge Herry the vte, prince of honoure,
Here moche glorye, as hym thought, he founde,
A myghty londe, whyche hadde take on honde
To werre in Fraunce and make mortalite,
And ever well kept rounde aboute the see.


And to the kynge thus he seyde, 'My brothere',
Whan he perceyved too townes, Calys and Dovere,
'Of alle youre townes to chese of one and other
To kepe the see and sone for to come overe,
To werre oughtwardes and youre regne to recovere,
Kepe these too townes sure to youre mageste
As youre tweyne eyne to kepe the narowe see'.


For if this see be kepte in tyme of werre,
Who cane here passe withought daunger and woo?
Who may eschape, who may myschef dyfferre?
What marchaundy may forby be agoo?
For nedes hem muste take truse every foo,
Flaundres and Spayne and othere, trust to me,
Or ellis hyndered alle for thys narowe see.


Therfore I caste me by a lytell wrytinge
To shewe att eye thys conclusione,
For concyens and for myne acquytynge
Ayenst God, and ageyne abusyon
And cowardyse and to oure enmyes confusione;
For iiij. thynges oure noble sheueth to me,
Kyng, shype and swerde and pouer of the see.


Where bene oure shippes, where bene oure swerdes become?
Owre enmyes bid for the shippe sette a shepe.
Allas, oure reule halteth, hit is benome.

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Monster Men

Pop
Five little monsters were riding through space
Their spaceship broke and they fell into this place
They gotta get out but they dont know how
So theyre waiting and waiting in a creepy creepy house
The whole human race is already pretty loony
But the ones who move in this house are gonna go boony
Monsters live on tv never in the zoo
Hang around with us and youll be a monster too
Lalala lalalala we like monster men
Lalala lalalala we like monster men
Poor old stereo he aint sure just what he knows
Etno is intelligent hes quite a super-head
Gorgious is a great big guy but hes fat from too much pie
Bud is cool of course its true but hes a tv fool
Lalala lalalala we like monster men
Lalala lalalala we like monster men
Candy is the sweetest one cleans and cooks and acts like mom
All of them are going nutz their spaceships on the futz
The human race gets in their face gotta drive the from this place
Of course theyve got smtv nightmares for the family
Lalala lalalala we like monster men
Lalala lalalala we like monster men
Gotta get and ride home baby gotta get and ride now
Gotta get and ride home baby but they dont know how
Lalala lalalala we like monster men
Lalala lalalala we like monster men

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Thespis: Act II

DRAMATIS PERSONAE

GODS

Jupiter, Aged Diety
Apollo, Aged Diety
Mars, Aged Diety
Diana, Aged Diety
Mercury

THESPIANS

Thespis
Sillimon
TimidonTipseion
Preposteros
Stupidas
Sparkeio n
Nicemis
Pretteia
Daphne
Cymon

ACT II - The same Scene, with the Ruins Restored


SCENE-the same scene as in Act I with the exception that in place
of the ruins that filled the foreground of the stage, the
interior of a magnificent temple is seen showing the background
of the scene of Act I, through the columns of the portico at the
back. High throne. L.U.E. Low seats below it. All the substitute
gods and goddesses [that is to say, Thespians] are discovered
grouped in picturesque attitudes about the stage, eating and
drinking, and smoking and singing the following verses.

CHO. Of all symposia
The best by half
Upon Olympus, here await us.
We eat ambrosia.
And nectar quaff,
It cheers but don't inebriate us.
We know the fallacies,
Of human food
So please to pass Olympian rosy,
We built up palaces,
Where ruins stood,
And find them much more snug and cosy.

SILL. To work and think, my dear,
Up here would be,

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The Big Big Whoredom

Come on baby turn that frown upside down
Tell me why you aint been around
What is it brings you down?
We work the hardest to be the smartest (we work)
We work the hardest to be the smartest (we work)
We work the hardest to be the smartest (we work)
We work the hardest to be the smartest (we work)
And the big big whoredom scared me
No, no, baby I aint convinced it aint so bad as you paint it
Theres plenty more heads of hair for us out there
Well strike it rich, a monster switch (monster)
Well strike it rich, a monster switch (monster)
Well strike it rich, a monster switch (monster)
Well strike it rich, a monster switch (monster)
But the big big whoredom scares me (no no it doesnt do that)
The big big whoredom scares me (no no dont be sad)
The big big whoredom scares me (please please stop it)
The big big whoredom scares me (dont dont)
The big big whoredom scares me (please)
The big big whoredom scares me (no)
The big big whoredom scares me
The big big whoredom scares me
The big big whoredom scares me

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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The Monster of Mr Cogito

1

Lucky Saint George
from his knight's saddle
could exactly evaluate
the strength and movements of the dragon

the first principle of strategy
is to assess the enemy accurately

Mr Cogito
is in a worse position
he sits in the low
saddle of a valley
covered with thick fog

through fog it is impossible to perceive
fiery eyes
greedy claws
jaws

through fog
one sees only
the shimmering of nothingness

the monster of Mr Cogito
has no measurements
it is difficult to describe
escapes definition

it is like an immense depression
spread out over the country

it can't be pierced
with a pen

with an argument
or spear

were it not for its suffocating weight
and the death it sends down
one would think
it is the hallucination
of a sick imagination
but it exists
for certain it exists

like carbon monoxide it fills
houses temples markets

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Lets See Action

Lets see action, lets see people,
Lets see action, lets see people,
Lets see freedom, lets see who cares,
Lets see freedom, lets see who cares,
Take me with you when you leave me
Take me with you when you leave me
And my shell behind us there.
And my shell behind us there.
I have learned it, known who burned me,
I have learned it, known who burned me,
Avatar has warmed my feet,
Avatar has warmed my feet,
Take me with you, let me see you,
Take me with you, let me see you,
Time and life can meet.
Time and life can meet.
Nothing is everything, everything is, nothing is,
Nothing is everything, everything is, nothing is,
Please the people, audiences,
Please the people, audiences,
Break the fences,
Break the fences,
Nothing is.
Nothing is.
Lets see action, lets see people,
Lets see action, lets see people,
Lets see freedom up in the air,
Lets see freedom up in the air,
Lets see action, lets see people,
Lets see action, lets see people,
Lets be free, lets see who cares.
Lets be free, lets see who cares.
Lets see action, lets see people,
Lets see action, lets see people,
Lets see freedom up in the air,
Lets see freedom up in the air,
Lets see action, lets see people,
Lets see action, lets see people,
Lets be free, lets see who cares.
Lets be free, lets see who cares.
Give me a drink boy, wash my feet,
Give me a drink boy, wash my feet,
Im so tired of running from my own heat,
Im so tired of running from my own heat,
Take this package and heres what you do,
Take this package and heres what you do,
Gonna get this information through.
Gonna get this information through.
I dont know where Im going,
I dont know where Im going,

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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Orlando Furioso Canto 6

ARGUMENT
Ariodantes has, a worthy meed,
With his loved bride, the fief of Albany.
Meantime Rogero, on the flying steed,
Arrives in false Alcina's empery:
There from a myrtle-tree her every deed,
A human myrtle hears, and treachery,
And thence would go; but they who first withdrew
Him from one strife, engage him in a new.

I
Wretched that evil man who lives in trust
His secret sin is safe in his possession!
Since, if nought else, the air, the very dust
In which the crime is buried, makes confession,
And oftentimes his guilt compels the unjust,
Though sometime unarraigned in worldly session,
To be his own accuser, and bewray,
So God has willed, deeds hidden from the day.

II
The unhappy Polinesso hopes had nursed,
Wholly his secret treason to conceal.
By taking off Dalinda, who was versed
In this, and only could the fact reveal;
And adding thus a second to his first
Offence, but hurried on the dread appeal,
Which haply he had stunned, at least deferred;
But he to self-destruction blindly spurred.

III
And forfeited estate, and life, and love
Of friends at once, and honour, which was more.
The cavalier unknown, I said above,
Long of the king and court entreated sore,
At length the covering helmet did remove,
And showed a visage often seen before,
The cherished face of Ariodantes true,
Of late lamented weeping Scotland through;

IV
Ariodantes, whom with tearful eye
His brother and Geneura wept as dead,
And king, and people, and nobility:
Such light his goodness and his valour shed.
The pilgrim therefore might appear to lie
In what he of the missing warrior said.
Yet was it true that from a headland, he
Had seen him plunge into the foaming sea.

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