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Milos Forman

So I left with Jean Claude and went to Paris, so when the Russians came to Prague, I was in Paris.

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Amours de Voyage, Canto II

Is it illusion? or does there a spirit from perfecter ages,
Here, even yet, amid loss, change, and corruption abide?
Does there a spirit we know not, though seek, though we find, comprehend not,
Here to entice and confuse, tempt and evade us, abide?
Lives in the exquisite grace of the column disjointed and single,
Haunts the rude masses of brick garlanded gaily with vine,
E'en in the turret fantastic surviving that springs from the ruin,
E'en in the people itself? is it illusion or not?
Is it illusion or not that attracteth the pilgrim transalpine,
Brings him a dullard and dunce hither to pry and to stare?
Is it illusion or not that allures the barbarian stranger,
Brings him with gold to the shrine, brings him in arms to the gate?

I. Claude to Eustace.

What do the people say, and what does the government do?--you
Ask, and I know not at all. Yet fortune will favour your hopes; and
I, who avoided it all, am fated, it seems, to describe it.
I, who nor meddle nor make in politics,--I who sincerely
Put not my trust in leagues nor any suffrage by ballot,
Never predicted Parisian millenniums, never beheld a
New Jerusalem coming down dressed like a bride out of heaven
Right on the Place de la Concorde,--I, nevertheless, let me say it,
Could in my soul of souls, this day, with the Gaul at the gates shed
One true tear for thee, thou poor little Roman Republic;
What, with the German restored, with Sicily safe to the Bourbon,
Not leave one poor corner for native Italian exertion?
France, it is foully done! and you, poor foolish England,--
You, who a twelvemonth ago said nations must choose for themselves, you
Could not, of course, interfere,--you, now, when a nation has chosen----
Pardon this folly! The Times will, of course, have announced the occasion,
Told you the news of to-day; and although it was slightly in error
When it proclaimed as a fact the Apollo was sold to a Yankee,
You may believe when it tells you the French are at Civita Vecchia.

II. Claude to Eustace.

Dulce it is, and decorum, no doubt, for the country to fall,--to
Offer one's blood an oblation to Freedom, and die for the Cause; yet
Still, individual culture is also something, and no man
Finds quite distinct the assurance that he of all others is called on,
Or would be justified even, in taking away from the world that
Precious creature, himself. Nature sent him here to abide here;
Else why send him at all? Nature wants him still, it is likely;
On the whole, we are meant to look after ourselves; it is certain
Each has to eat for himself, digest for himself, and in general

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Catch Me If You Can

Jean, jean, jeanie, catch me if you can
Jean, jean, jeanie, catch me if you can
Do ya, do ya really wanna try, ohh my...
Jean, jean, jeanie, catch me if you can
Jean, jean, jeanie, catch me if you can
Do ya, do ya really wanna try, my, my, my...
Sweet magicians daughter, weaving spells my way
You know I want to be with you, but magic words are all you say
Jean, jean, jeanie, catch me if you can
Jean, jean, jeanie, catch me if you can
Do ya, do ya really wanna try, my, my...
Merlins magic daughter, I know thats what you are
Im playing magic games with you, its easier to guide a star
Jean, jean, jeanie, catch me if you can
Jean, jean, jeanie, catch me if you can
Do ya, do ya really wanna try, my...woo
Magic lady waiting, your palace walls are tall
I can wait forever, but Im climbing up the palace wall
Jean, jean, jeanie, catch me if you can
Jean, jean, jeanie, catch me if you can
Do ya, do ya really wanna try, ohhh, my, my, my, my...
Jean, jean, jeanie, catch me if you can
Jean, jean, jeanie, catch me if you can
Do ya, do ya really wanna try, my...

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Little Liza Jane

Traditional
Where is my tambourine wait a minute I'll get your tambourine
Got my tambourine get your thing baby
What's wrong with you what is it you want
Can't forget my tambourine boy want a minute
This is a folk tune nad it's called Little Liza Jane
We get some rhythm started here and see what happens
I got a beau you ain't got none Little Liza Jean
I got a beau you ain't got none Little Liza Jean
I got a beau you ain't got none Little Liza Jean
I got a beau you ain't got none Little Liza Jean
Oh Little Liza Liza Jane oh Little Liza Liza Jean
Oh Little Liza Liza Jane oh Little Liza Liza Jean
Come my love and live with me
I will take good care of thee Little Liza Jean
Come my love and live with me
I will take good care of thee Little Liza Jean
Oh Little Liza Liza Jane oh Little Liza Liza Jean
Oh Little Liza Liza Jane oh Little Liza Liza Jean
Hambone Hammer where you've been
Down by the river making gin
I know a man that's three feet tall
Drink his liquor and has a ball
Saw him just the other day
He had a horse and a ball of hay
Little Lisa Jane Jane Little Liza
Little Lisa Jane Jane Little Liza
Little Lisa Jane Jane Little Liza
Little Liza Jean Little Liza Jean
Little Lisa Jane Jane Little Liza
Little Lisa Jane Jane Little Liza
Little Lisa Jane Jane Little Liza
Little Liza Jean Little Liza Jean
Oh Little Liza Liza Jane oh Little Liza Liza Jean
Oh Little Liza Liza Jane oh Little Liza Liza Jean
He took me to his great big town
Lots of people standing around
They were listening to a great big band
the bestest music in the land
I tell you once and tell you twice
Enjoy yourself and live your life
Little Lisa Jane Jane Little Liza
Little Lisa Jane Jane Little Liza
Little Lisa Jane Jane Little Liza
Little Liza Jean Little Liza Jean
Little Lisa Jane Jane Little Liza
Little Lisa Jane Jane Little Liza
Little Lisa Jane Jane Little Liza
Little Liza Jean Little Liza Jean
Oh Little Liza Liza Jane oh Little Liza Liza Jean

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Little Liza Jean

Traditional
Where is my tambourine wait a minute Ill get your tambourine
Got my tambourine get your thing baby
Whats wrong with you what is it you want
Cant forget my tambourine boy want a minute
This is a folk tune nad its called little liza jane
We get some rhythm started here and see what happens
I got a beau you aint got none little liza jean
I got a beau you aint got none little liza jean
I got a beau you aint got none little liza jean
I got a beau you aint got none little liza jean
Oh little liza liza jane oh little liza liza jean
Oh little liza liza jane oh little liza liza jean
Come my love and live with me
I will take good care of thee little liza jean
Come my love and live with me
I will take good care of thee little liza jean
Oh little liza liza jane oh little liza liza jean
Oh little liza liza jane oh little liza liza jean
Hambone hammer where youve been
Down by the river making gin
I know a man thats three feet tall
Drink his liquor and has a ball
Saw him just the other day
He had a horse and a ball of hay
Little lisa jane jane little liza
Little lisa jane jane little liza
Little lisa jane jane little liza
Little liza jean little liza jean
Little lisa jane jane little liza
Little lisa jane jane little liza
Little lisa jane jane little liza
Little liza jean little liza jean
Oh little liza liza jane oh little liza liza jean
Oh little liza liza jane oh little liza liza jean
He took me to his great big town
Lots of people standing around
They were listening to a great big band
The bestest music in the land
I tell you once and tell you twice
Enjoy yourself and live your life
Little lisa jane jane little liza
Little lisa jane jane little liza
Little lisa jane jane little liza
Little liza jean little liza jean
Little lisa jane jane little liza
Little lisa jane jane little liza
Little lisa jane jane little liza
Little liza jean little liza jean
Oh little liza liza jane oh little liza liza jean

[...] Read more

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Amours de Voyage, Canto III

Yet to the wondrous St. Peter's, and yet to the solemn Rotunda,
Mingling with heroes and gods, yet to the Vatican Walls,
Yet may we go, and recline, while a whole mighty world seems above us,
Gathered and fixed to all time into one roofing supreme;
Yet may we, thinking on these things, exclude what is meaner around us;
Yet, at the worst of the worst, books and a chamber remain;
Yet may we think, and forget, and possess our souls in resistance.--
Ah, but away from the stir, shouting, and gossip of war,
Where, upon Apennine slope, with the chestnut the oak-trees immingle,
Where, amid odorous copse bridle-paths wander and wind,
Where, under mulberry-branches, the diligent rivulet sparkles,
Or amid cotton and maize peasants their water-works ply,
Where, over fig-tree and orange in tier upon tier still repeated,
Garden on garden upreared, balconies step to the sky,--
Ah, that I were far away from the crowd and the streets of the city,
Under the vine-trellis laid, O my beloved, with thee!

I. Mary Trevellyn to Miss Roper,--on the way to Florence.

Why doesn't Mr. Claude come with us? you ask.--We don't know,
You should know better than we. He talked of the Vatican marbles;
But I can't wholly believe that this was the actual reason,--
He was so ready before, when we asked him to come and escort us.
Certainly he is odd, my dear Miss Roper. To change so
Suddenly, just for a whim, was not quite fair to the party,--
Not quite right. I declare, I really almost am offended:
I, his great friend, as you say, have doubtless a title to be so.
Not that I greatly regret it, for dear Georgina distinctly
Wishes for nothing so much as to show her adroitness. But, oh, my
Pen will not write any more;--let us say nothing further about it.
* * * * * * * * * * * * * * * *
Yes, my dear Miss Roper, I certainly called him repulsive;
So I think him, but cannot be sure I have used the expression
Quite as your pupil should; yet he does most truly repel me.
Was it to you I made use of the word? or who was it told you?
Yes, repulsive; observe, it is but when he talks of ideas
That he is quite unaffected, and free, and expansive, and easy;
I could pronounce him simply a cold intellectual being.--
When does he make advances?--He thinks that women should woo him;
Yet, if a girl should do so, would be but alarmed and disgusted.
She that should love him must look for small love in return,--like the ivy
On the stone wall, must expect but a rigid and niggard support, and
E'en to get that must go searching all round with her humble embraces.

II. Claude to Eustace,--from Rome

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Amours de Voyage, Canto I

Over the great windy waters, and over the clear-crested summits,
Unto the sun and the sky, and unto the perfecter earth,
Come, let us go,--to a land wherein gods of the old time wandered,
Where every breath even now changes to ether divine.
Come, let us go; though withal a voice whisper, 'The world that we live in,
Whithersoever we turn, still is the same narrow crib;
'Tis but to prove limitation, and measure a cord, that we travel;
Let who would 'scape and be free go to his chamber and think;
'Tis but to change idle fancies for memories wilfully falser;
'Tis but to go and have been.'--Come, little bark! let us go.

I. Claude to Eustace.

Dear Eustatio, I write that you may write me an answer,
Or at the least to put us again en rapport with each other.
Rome disappoints me much,--St Peter's, perhaps, in especial;
Only the Arch of Titus and view from the Lateran please me:
This, however, perhaps is the weather, which truly is horrid.
Greece must be better, surely; and yet I am feeling so spiteful,
That I could travel to Athens, to Delphi, and Troy, and Mount Sinai,
Though but to see with my eyes that these are vanity also.
Rome disappoints me much; I hardly as yet understand it, but
Rubbishy seems the word that most exactly would suit it.
All the foolish destructions, and all the sillier savings,
All the incongruous things of past incompatible ages,
Seem to be treasured up here to make fools of present and future.
Would to Heaven the old Goths had made a cleaner sweep of it!
Would to Heaven some new ones would come and destroy these churches!
However, one can live in Rome as also in London.*
It is a blessing, no doubt, to be rid, at least for a time, of
All one's friends and relations,--yourself (forgive me!) included,--
All the assujettissement of having been what one has been,
What one thinks one is, or thinks that others suppose one;
Yet, in despite of all, we turn like fools to the English.
Vernon has been my fate; who is here the same that you knew him,--
Making the tour, it seems, with friends of the name of Trevellyn.
* The 1968 Oxford Edition, edited by A.L.P. Norrington,
includes a line immediately following this:
Rome is better than London, because it is other than London.

II. Claude to Eustace.

Rome disappoints me still; but I shrink and adapt myself to it.
Somehow a tyrannous sense of a superincumbent oppression
Still, wherever I go, accompanies ever, and makes me
Feel like a tree (shall I say?) buried under a ruin of brickwork.

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The Battle of Inkermann

'Twas in the year of 1854, and on the 5th November,
Which Britain will no doubt long remember,
When the Russians plotted to drive the British army into the sea,
But at the bayonet charge the British soon made them flee.

With fourteen hundred British, fifteen thousand Russians were driven back,
At half-past seven o'clock in the morning they made the attack,
But the Grenadiers and Scottish Fusilier Guards, seven hundred strong,
Moved rapidly and fearlessly all along.

And their rifles were levelled ready for a volley,
But the damp had silenced their fire which made the men feel melancholy,
But the Russians were hurled down the ravine in a disordered mass
At the charge of the bayonet-- an inspiring sight!-- nothing could it surpass.

General Cathcart thought he could strike a blow at an unbroken Russian line;
Oh! the scene was really very sublime,
Because hand to hand they fought with a free will,
And with one magnificent charge they hurled the Russians down the hill.

But while General Cathcart without any dread
Was collecting his scattered forces, he fell dead,
Pierced to the heart with a Russian ball,
And his men lamented sorely his downfall.

While the Duke of Cambridge with the colours of two Regiments of Guards
Presses forward, and no obstacle his courage retards,
And with him about one hundred men,
And to keep up their courage he was singing a hymn to them.

Then hand to hand they fought the Russians heroically,
Which was a most inspiring sight to see;
Captain Burnaby with thirteen Guardsmen fighting manfully,
And they drove the Russians down the hillside right speedily.

The French and Zouaves aided the British in the fight,
And they shot down and killed the Russians left and right,
And the Chasseurs also joined in the fight,
And the Russians fell back in great afright.

Then the Russians tried again and again
To drive the British from the slopes of Inkermann, but all in vain,
For the French and British beat them back without dismay,
Until at last the Russians had to give way.

And the French and British fought side by side
Until the Russians no longer the bayonet charge could abide,
And the Russians were literally scorched by the musketry fire,
And in a short time the Russians were forced to retire.

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Cafe Prague.

Cream coloured coffee
And hot buttered toast
August sunshine
A packet of cigarettes
Talks on love and life
Friends and strangers all together

Days of summer
Seated on outside chairs
Tears and laughter
Mixed in the air
Of the perfect day just us and them

Cafe pavements
The world at view
Paris, Rome and cafe Prague
Used coffee cups
And ashtrays too
Paris, Rome and cafe Prague

Trendy young girls
And the wannabe author
Auster, Adams and Mr. Salinger
Days of dreaming
The perfect film
In view for all to see

Hello, hello
So good to see you
Was it twelve?
Or maybe it was two
I’ll sit and wait
And think of you

Cafe pavements
For me and you
Pairs, Rome and cafe Prague
Dirty spoons and knives
And glasses too
Paris, Rome and cafe Prague
Teacups and Earl grey
And ice cream sundaes
Black and white life
In full technicolour
Light my cigarette
And I’ll listen all day

Sunshine days
Storm clouds - away
The table over there

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Une Nuit A Paris

Part one: one night in paris
Bonjour monsieur
Paris really welcomes you
Its the best room in the house
Its forty francs a night, alright.
Its crazy, it isnt worth a centime
Ill take it!
Merci monsieur
Rouged lips in the gaslight
A great view of the hall
Thats the way the croissant crumbles after all
Paris is only one step away
Les girls are out on bail
Tres bien theres love for sale
Oh my cheri, wish you were mine
And Ill show you a wonderful time
For the price of a cheap champagne
Ill show it you once again
One night in paris
Is like a year in any other place
One night in paris
Will wipe the smile off your pretty face
One girl in paris
Is like loving every woman
One night in paris
One night in paris
One night in paris
May be your last!!!
Part two: the same night in paris
Is he gonna buy?
You wanna little culture?
Is he gonna pay?
Maybe monsieur is into photographs, non?
Or is he gonna fall in love
The all american way?
I got a watch wiz a beautiful swiss movement
Is he gonna buy?
Forget the watch, Ill show you a good time!'
Is he gonna pay?
Le connoisseur, want something different?
Or is he gonna fall in love
The all american way?
Oh you know you aint no casanova
You cant even do the bossa nova
Or the tango or the samba!
Though you are so very charming
No you aint no casanova
Is he gonna buy?
Is he gonna pay?
Or is he gonna fall in love

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Raschi In Prague

Raschi of Troyes, the Moon of Israel,
The authoritative Talmudist, returned
From his wide wanderings under many skies,
To all the synagogues of the Orient,
Through Spain and Italy, the isles of Greece,
Beautiful, dolorous, sacred Palestine,
Dead, obelisked Egypt, floral, musk-breathed Persia,
Laughing with bloom, across the Caucasus,
The interminable sameness of bare steppes,
Through dark luxuriance of Bohemian woods,
And issuing on the broad, bright Moldau vale,
Entered the gates of Prague. Here, too, his fame,
Being winged, preceded him. His people swarmed
Like bees to gather the rich honey-dew
Of learning from his lips. Amazement filled
All eyes beholding him. No hoary sage,
He who had sat in Egypt at the feet
Of Moses ben-Maimuni, called him friend;
Raschi the scholiast, poet, and physician,
Who bore the ponderous Bible's storied wisdom,
The Mischna's tangled lore at tip of tongue,
Light as a garland on a lance, appeared
In the just-ripened glory of a man.
From his clear eye youth flamed magnificent;
Force, masked by grace, moved in his balanced frame;
An intellectual, virile beauty reigned
Dominant on domed brow, on fine, firm lips,
An eagle profile cut in gilded bronze,
Strong, delicate as a head upon a coin,
While, as an aureole crowns a burning lamp,
Above all beauty of the body and brain
Shone beauty of a soul benign with love.
Even as a tawny flock of huddled sheep,
Grazing each other's heels, urged by one will,
With bleat and baa following the wether's lead,
Or the wise shepherd, so o'er the Moldau bridge
Trotted the throng of yellow-caftaned Jews,
Chattering, hustling, shuffling. At their head
Marched Rabbi Jochanan ben-Eleazar,
High priest in Prague, oldest and most revered,
To greet the star of Israel. As a father
Yearns toward his son, so toward the noble Raschi
Leapt at first sight the patriarch's fresh old heart.
'My home be thine in Prague! Be thou my son,
Who have no offspring save one simple girl.
See, glorious youth, who dost renew the days
Of David and of Samuel, early graced
With God's anointing oil, how Israel
Delights to honor who hath honored him.'
Then Raschi, though he felt a ball of fire

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Jean Geanie

A small Jean Genie snuck off to the city
Strung out on lasers and slash back blazers
Ate all your razors while pulling the waiters
Talking bout Monroe and walking on Snow White
New York's a go-go and everything tastes nice
Poor little Greenie, woh ho
Get back home
The Jean Genie lives on his back
The Jean Genie loves chimney stacks
He's outrageous, he screams and he bawls
Jean Genie let yourself go!
Sits like a man but he smiles like a reptile
She love him, she love him but just for a short while
She'll scratch in the sand, won't let go his hand
He says he's a beautician and sells you nutrition
And keeps all your dead hair for making up underwear
Poor little Greenie, woh ho
The Jean Genie lives on his back
The Jean Genie loves chimney stacks
He's outrageous, he screams and he bawls
Jean Genie let yourself go oh
He's so simple minded he can't drive his module
He bites on the neon and sleeps in the capsule
Loves to be loved, loves to be loved
Woh ho
Woh ho
Aoo Jean Genie lives on his back
The Jean Genie loves chimney stacks
And he's outrageous, he screams and he bawls
The Jean Genie let yourself go! go
Go
Jean Genie lives on his back
Jean Genie loves chimney stacks
And he's outrageous, he screams and he bawls
Jean Genie let yourself go woh go
Go go

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Amours de Voyage, Canto V

There is a city, upbuilt on the quays of the turbulent Arno,
Under Fiesole's heights,--thither are we to return?
There is a city that fringes the curve of the inflowing waters,
Under the perilous hill fringes the beautiful bay,--
Parthenope, do they call thee?--the Siren, Neapolis, seated
Under Vesevus's hill,--are we receding to thee?--
Sicily, Greece, will invite, and the Orient;--or are we turn to
England, which may after all be for its children the best?

I. Mary Trevellyn, at Lucerne, to Miss Roper, at Florence.

So you are really free, and living in quiet at Florence;
That is delightful news; you travelled slowly and safely;
Mr. Claude got you out; took rooms at Florence before you;
Wrote from Milan to say so; had left directly for Milan,
Hoping to find us soon;--if he could, he would, you are certain.--
Dear Miss Roper, your letter has made me exceedingly happy.
You are quite sure, you say, he asked you about our intentions;
You had not heard as yet of Lucerne, but told him of Como.--
Well, perhaps he will come; however, I will not expect it.
Though you say you are sure,--if he can, he will, you are certain.
O my dear, many thanks from your ever affectionate Mary.

II. Claude to Eustace.

Florence.

Action will furnish belief,--but will that belief be the true one?
This is the point, you know. However, it doesn't much matter.
What one wants, I suppose, is to predetermine the action,
So as to make it entail, not a chance belief, but the true one.
Out of the question, you say; if a thing isn't wrong we may do it.
Ah! but this wrong, you see--but I do not know that it matters.
Eustace, the Ropers are gone, and no one can tell me about them.

Pisa.

Pisa, they say they think, and so I follow to Pisa,
Hither and thither inquiring. I weary of making inquiries.
I am ashamed, I declare, of asking people about it.--
Who are your friends? You said you had friends who would certainly know them.

Florence.

But it is idle, moping, and thinking, and trying to fix her
Image once more and more in, to write the whole perfect inscription

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Norma-Jean

Oh my gosh its August again!
And for all that are and were?
I think of one,
Orphan Angel,
Norma-Jean,
An Icon of one,
That became what,
The 1950's wanted,
Then died because,
Of,
Pressure and pain,
Of,
Fame and fortunes,

Now here it is August again,
The first week and the beginning,
The first week and the ending,
For,
Norma-Jean Mortensen,
Norma-Jean Baker,
Norma-Jean Dorherty,
Norma-Jean Di-Maggio,
Norma-Jean Miller,
Marilyn Monroe,

A week of celebrating her birth,
A week of remember her death,
A week of what and who she was,
A child born,
And orphaned off,
And what ended up,
A pawn in the idles game,
Of fame and fortune,
With scandel and ruination,
Her Birthday,
And Death Anniversary,
Each in the beginning of August,

Oh my gosh its August again!
And for all that are and were?
I think of one,
Orphan Angel,
Norma-Jean,
Now an Icon embossed,

When in the books,
Of one left to be,
And raised here and there,
Orphan Angel,
Norma-Jean,

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Blue Jean

Blue jean-i just met me a girl named blue jean
Blue jean-she got a camouflaged face and no money
Remember they always let you down when you need em
Oh, blue jean-is heaven any sweeter than blue jean
She got a police bike
She got a turned up nose
Sometimes I feel like
(oh, the whole human race)
Jazzin for blue jean
(oh, and when my blue jeans blue)
Blue jean can send me
(oh, somebody send me)
Somebody send me
(oh, somebody send me)
One day Im gonna write a poem in a letter
One day Im gonna get that faculty together
Remember like everybody has to wait in line
Blue jean-look out world you know Ive got mine
She got latin roots
She got everything
Sometimes I feel like
(oh, the whole human race)
Jazzin for blue jean
(oh, and when my blue jeans blue)
Blue jean can tempt me
(oh, somebody send me)
Somebody sent me
(oh, somebody send me)
Sometimes I feel like
(oh, the whole human race)
Jazzin for blue jean
(oh, and when my blue jeans blue)
Blue jean can tempt me
(oh, somebody send me)
Somebody sent me
(oh, somebody send me)
Somebody somebody
(oh, somebody send me)
Oh, somebody send me
(oh, somebody send me)

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Nazim Hikmet

Gioconda And Si-Ya-U

to the memory of my friend SI-YA-U,
whose head was cut off in Shanghai

A CLAIM

Renowned Leonardo's
world-famous
"La Gioconda"
has disappeared.
And in the space
vacated by the fugitive
a copy has been placed.

The poet inscribing
the present treatise
knows more than a little
about the fate
of the real Gioconda.
She fell in love
with a seductive
graceful youth:
a honey-tongued
almond-eyed Chinese
named SI-YA-U.
Gioconda ran off
after her lover;
Gioconda was burned
in a Chinese city.

I, Nazim Hikmet,
authority
on this matter,
thumbing my nose at friend and foe
five times a day,
undaunted,
claim
I can prove it;
if I can't,
I'll be ruined and banished
forever from the realm of poesy.

1928


Part One
Excerpts from Gioconda's Diary

15 March 1924: Paris, Louvre Museum

At last I am bored with the Louvre Museum.

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The Death Of Raschi

[Aaron Ben Mier 'loquitur.']

If I remember Raschi? An I live,
Grandson, to bless thy grandchild, I'll forget
Never that youth and what he did for Prague.
Aye, aye, I know! he slurred a certain verse
In such and such a prayer; omitted quite
To stand erect there where the ritual
Commands us rise and bow towards the East;
Therefore, the ingrates brand him heterodox,
Neglect his memory whose virtue saved
Each knave of us alive. Not I forget,
No more does God, who wrought a miracle
For his dear sake. The Passover was here.
Raschi, just wedded with the fair Rebekah,
Bode but the lapsing of the holy week
For homeward journey with his bride to France.
The sacred meal was spread. All sat at board
Within the house of Rabbi Jochanan:
The kind old priest; his noble, new-found son,
Whose name was wrung in every key of praise,
By every voice in Prague, from Duke to serf
(Save the vindictive bigot, Narzerad);
The beautiful young wife, whose cup of joy
Sparkled at brim; next her the vacant chair
Awaited the Messiah, who, unannounced,
In God's good time shall take his place with us.
Now when the Rabbi reached the verse where one
Shall rise from table, flinging wide the door,
To give the Prophet entrance, if so be
The glorious hour have sounded, Raschi rose,
Pale, grave, yet glad with great expectancy,
Crossed the hushed room, and, with a joyous smile
To greet the Saviour, opened the door.
A curse!
A cry, 'Revenged!' a thrust, a stifled moan,
The sheathing of a poniard-that was all!
In the dark vestibule a fleeing form,
Masked, gowned in black; and in the room of prayer,
Raschi, face downward on the stone-cold floor,
Bleeding his life out. Oh! what a cry was that
(Folk shuddered, hearing, roods off in the street)
Wherewith Rebekah rushed to raise her lord,
Kneeling beside him, striving in vain to quench
With turban, veil, torn shreds of gown, stained hands,
The black blood's sickening gush. He never spoke,
Never rewarded with one glance of life
The passion in her eyes. He met his end
Even as beneath the sickle the full ear
Bows to its death-so beautiful, silent, ripe.

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Grateful

[Wyclef Jean]
This is as real as it gets y'all
And it don't get no realer than this
This is as real as it gets y'all, huh
[Wyclef Jean]
Maybe my mother, coulda been my father
Perhaps it was my sister, probably my brother
Maybe the church, coulda been the street
Perhaps it was the guitar, or Jerry Wonder beats
Maybe the money when I didn't have a dime
Maybe a way out before committing crimes
Coulda been Lauryn, perhaps it was Pras
Probably the mirror looking dead in my eyes
Coulda been reggae, or the love of hip-hop
Maybe my fans at the show saying don't stop
Probably the struggle of all refugees
Maybe the sign how the diamonds bling-bling, ching-ching
Ring ring, there's a call from my wifey, whoo
Perhaps I gotta make it home but music keep calling me
And maybe it's all I know, whatever it is I'm grateful for being
[Wyclef Jean]
A man with a guitar, a dude from the streets
A cat with a song, a ReFugee MC
Wyclef Jean, a Fugee for life
A preacher's son, first one on the run
I'm grateful that I haven't been shot
Stopped by the cops and they didn't find a glock
W-Y-C-L-E-F, I'm grateful
[Wyclef Jean]
Coulda been a crack fiend with no place to go
Lord, oh mighty God, have mercy on my soul
Coulda been Pablo, king of Yayo
Or a pimp with a limp screaming we don't love them hoes
Oh no, God knows, perhaps I was chosen
A source of inspiration for the next generation
And maybe it's all I know, whatever it is I'm grateful for being
[Wyclef Jean]
A man with a guitar, a dude from the streets
A cat with a song, a ReFugee MC
Wyclef Jean, a Fugee for life
A preacher's son, first one on the run
I'm grateful that I haven't been shot (shot)
Stopped by the cops and they didn't find a glock (glock)
W-Y-C-L-E-F, I'm grateful
[Wyclef Jean]
Everybody sing along now
You can make it like I made it
Don't let anyone tell you different
When doors close another door will open
Many have called but my people are chosen

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Grateful

[Wyclef Jean]
This is as real as it gets y'all
And it don't get no realer than this
This is as real as it gets y'all, huh
[Wyclef Jean]
Maybe my mother, coulda been my father
Perhaps it was my sister, probably my brother
Maybe the church, coulda been the street
Perhaps it was the guitar, or Jerry Wonder beats
Maybe the money when I didn't have a dime
Maybe a way out before committing crimes
Coulda been Lauryn, perhaps it was Pras
Probably the mirror looking dead in my eyes
Coulda been reggae, or the love of hip-hop
Maybe my fans at the show saying don't stop
Probably the struggle of all refugees
Maybe the sign how the diamonds bling-bling, ching-ching
Ring ring, there's a call from my wifey, whoo
Perhaps I gotta make it home but music keep calling me
And maybe it's all I know, whatever it is I'm grateful for being
[Wyclef Jean]
A man with a guitar, a dude from the streets
A cat with a song, a ReFugee MC
Wyclef Jean, a Fugee for life
A preacher's son, first one on the run
I'm grateful that I haven't been shot
Stopped by the cops and they didn't find a glock
W-Y-C-L-E-F, I'm grateful
[Wyclef Jean]
Coulda been a crack fiend with no place to go
Lord, oh mighty God, have mercy on my soul
Coulda been Pablo, king of Yayo
Or a pimp with a limp screaming we don't love them hoes
Oh no, God knows, perhaps I was chosen
A source of inspiration for the next generation
And maybe it's all I know, whatever it is I'm grateful for being
[Wyclef Jean]
A man with a guitar, a dude from the streets
A cat with a song, a ReFugee MC
Wyclef Jean, a Fugee for life
A preacher's son, first one on the run
I'm grateful that I haven't been shot (shot)
Stopped by the cops and they didn't find a glock (glock)
W-Y-C-L-E-F, I'm grateful
[Wyclef Jean]
Everybody sing along now
You can make it like I made it
Don't let anyone tell you different
When doors close another door will open
Many have called but my people are chosen

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Amours de Voyage, Canto IV

Eastward, or Northward, or West? I wander and ask as I wander;
Weary, yet eager and sure, Where shall I come to my love?
Whitherward hasten to seek her? Ye daughters of Italy, tell me,
Graceful and tender and dark, is she consorting with you?
Thou that out-climbest the torrent, that tendest thy goats to the summit,
Call to me, child of the Alp, has she been seen on the heights?
Italy, farewell I bid thee! for whither she leads me, I follow.
Farewell the vineyard! for I, where I but guess her, must go;
Weariness welcome, and labour, wherever it be, if at last it
Bring me in mountain or plain into the sight of my love.

I. Claude to Eustace,--from Florence.

Gone from Florence; indeed! and that is truly provoking;--
Gone to Milan, it seems; then I go also to Milan.
Five days now departed; but they can travel but slowly;--
I quicker far; and I know, as it happens, the home they will go to.--
Why, what else should I do? Stay here and look at the pictures,
Statues and churches? Alack, I am sick of the statues and pictures!--
No, to Bologna, Parma, Piacenza, Lodi, and Milan,
Off go we to-night,--and the Venus go to the Devil!


II. Claude to Eustace,--from Bellaggio.

Gone to Como, they said; and I have posted to Como.
There was a letter left; but the cameriere had lost it.
Could it have been for me? They came, however, to Como,
And from Como went by the boat,--perhaps to the Splügen,--
Or to the Stelvio, say, and the Tyrol; also it might be
By Porlezza across to Lugano, and so to the Simplon
Possibly, or the St. Gothard,--or possibly, too, to Baveno,
Orta, Turin, and elsewhere. Indeed, I am greatly bewildered.

III. Claude to Eustace,--from Bellaggio.

I have been up the Splügen, and on the Stelvio also:
Neither of these can I find they have followed; in no one inn, and
This would be odd, have they written their names. I have been to Porlezza;
There they have not been seen, and therefore not at Lugano.
What shall I do? Go on through the Tyrol, Switzerland, Deutschland,
Seeking, an inverse Saul, a kingdom to find only asses?
There is a tide, at least, in the love affairs of mortals,
Which, when taken at flood, leads on to the happiest fortune,--

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I Am Your Doctor (feat. Wayne Wonder & Elephant Man)

Intro & Chorus: Wyclef Jean
I am your doctor (Yeah yeah yeah) heres the prescription (Girl!!!)
Two teaspoons of my friendship, a full cup of my love
(Yo Wayne Wonder, you ready to talk to the girls, lets go)
Verse 1: Wayne Wonder (Wyclef Jean)
I will be knockin by the time me come a four
Here comes the doctor baby worry no more
I will bring the remedy baby I will bring the cure
Give you what you want and absolutely I am sure
Take my hand Ill be your man
Let me take you to the sunshine island
I will be your therapy, let it be
You know you need my healing (Wait a minute!!!)
Chorus: Wyclef Jean
I am your doctor (Yeah yeah yeah) heres the prescription (Yeah yeah yeah)
Two teaspoons of my friendship, a full cup of my love
(Gimme some love, gimme some love)
And if your back is hurtin, turn around girl
See, Im your chiropractor (Wayne Wonder: La da dow da dow!!!)
Please!!! Lay on this sofa (Wayne Wonder: Oh na na na now!!!)
And let me message your back (Wayne Wonder: Your back)
So I can feel whats wrong (Girl whats wrong, girl whats wrong, girl whats wrong)
(Yo Wayne, talk to the girls man)
Verse 2: Wayne Wonder (Wyclef Jean)
If you got a problem and you wanna get it fixed
Send for the doctor with the medicine for your chest
Fill your prescription with the right mix
My kiss and I will say what kind of miracle is this
Take my hand Ill be your man
Let me take you to the sunshine island
I will be your therapy, let it be
You know you need my healing (Let me talk to them now)
Verse 3: Wyclef Jean
When you make it to the emergency room (Yeah)
Tell the nurse I said that she dont need no, coverage no, no no no
(Wayne Wonder: Oh na na na now)
Cause I been waitin to operate on you all night
So lay back, relax, feel my hands right through your hair
Chorus: Wyclef Jean
I am your doctor (Oh yeah yeah) heres the prescription
Two teaspoons of my friendship, a full cup of my love
(Wait a minute Elephant Man, talk to di gal dem)
Verse 4: Elephant Man (Wyclef Jean)
Dem call mi Dr. Love, ready fi di surgery gimme di gloves
Mouth to mouth respiration a weh she love
You mi thermometer test har and she hundred above
Give har di lovin and she melt like a fudge
Mi have di PHD, mi qualify mi have mi degree
Fi give she di remedy from a di therapy
Nuh waan see nuh night nurse so she come a mi

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