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Muscles are in a most intimate and peculiar sense the organs of the will.

quote by G. Stanley Hall
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The Believer's Principles : Chap. IV.

Faith and Sense Natural, compared and distinguished.

When Abram's body, Sarah's womb,
Were ripe for nothing but the tomb,
Exceeding old, and wholly dead,
Unlike to bear the promis'd seed:

Faith said, 'I shall an Isaac see;'
'No, no,' said Sense, 'it cannot be;'
Blind Reason, to augment the strife,
Adds, 'How can death engender life?'

My heart is like a rotten tomb,
More dead than ever Sarah's womb;
O! can the promis'd seed of grace
Spring forth from such a barren place?

Sense gazing but on flinty rocks,
My hope and expectation chokes:
But could I, skill'd in Abram's art,
O'erlook my dead and barren heart;

And build my hope on nothing less
That divine pow'r and faithfulness;
Soon would I find him raise up sons
To Abram, out of rocks and stones.

Faith acts as busy boatmen do,
Who backward look and forward row;
It looks intent to things unseen,
Thinks objects visible too mean.

Sense thinks it madness thus to steer,
And only trusts its eye and ear;
Into faith's boat dare thrust its oar,
And put it further from the shore.

Faith does alone the promise eye;
Sense won't believe unless it see;
Nor can it trust the divine guide,
Unless it have both wind and tide.

Faith thinks the promise sure and good;
Sense doth depend on likelihood;
Faith ev'n in storms believes the seers;
Sense calls all men, ev'n prophets, liars.

Faith uses means, but rests on none;
Sense sails when outward means are gone:

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poem by Ralph Erskine
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Muscles

(michael jackson)
She said she wants a man
To always understand
But thats alright for her
Still it aint enough for me
She said she wants a guy
To keep her satisfied
But thats alright for her
But it aint enough for me
Still, I dont care if hes young or old
(just make him beautiful)
I just want someone I can hold on to
I want muscles
All, all over his body
(make him strong enough from his head down to his toes)
I want muscles
All, all over his body
(make him strong enough from his head down to his toes)
They say they have to see
His real personality
But thats alright for them
Still it aint enough for me
I need what the eyes can see, ah
(his anatomy)
If thats alright for them
Still it aint enough for me
I dont care if hes young or old
Just make him beautiful
I just want some strong man to hold on to
I want muscles
All, all over his body
(make him strong enough from his head down to his toes)
I want muscles
All over his body
(make him strong enough from his head down to his toes)
Muscle man, I want to love you
In person, I want your body
Come with me, hiding the cascades
Let this be, weve got this thing made
Lost at sea, hide the desert
Stay with me, you wont regret it
Take this love, so deep to swim in
Come to me, and let the love in
She said she wants a man
To always understand
But thats alright for her
Still it aint enough for me
I dont care if hes young or old
(just make him beautiful)
I just want someone I can hold on to

[...] Read more

song performed by Diana Ross
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An Essay on Criticism

Part I

INTRODUCTION. That it is as great a fault to judge ill as to write ill, and a more dangerous one to the public. That a true Taste is as rare to be found as a true Genius. That most men are born with some Taste, but spoiled by false education. The multitude of Critics, and causes of them. That we are to study our own Taste, and know the limits of it. Nature the best guide of judgment. Improved by Art and rules, which are but methodized Nature. Rules derived from the practice of the ancient poets. That therefore the ancients are necessary to be studied by a Critic, particularly Homer and Virgil. Of licenses, and the use of them by the ancients. Reverence due to the ancients, and praise of them.

'Tis hard to say if greater want of skill
Appear in writing or in judging ill;
But of the two less dangerous is th'offence
To tire our patience than mislead our sense:
Some few in that, but numbers err in this;
Ten censure wrong for one who writes amiss;
A fool might once himself alone expose;
Now one in verse makes many more in prose.

'Tis with our judgments as our watches, none
Go just alike, yet each believes his own.
In Poets as true Genius is but rare,
True Taste as seldom is the Critic's share;
Both must alike from Heav'n derive their light,
These born to judge, as well as those to write.
Let such teach others who themselves excel,
And censure freely who have written well;
Authors are partial to their wit, 'tis true,
But are not Critics to their judgment too?

Yet if we look more closely, we shall find
Most have the seeds of judgment in their mind:
Nature affords at least a glimm'ring light;
The lines, tho' touch'd but faintly, are drawn right:
But as the slightest sketch, if justly traced,
Is by ill col'ring but the more disgraced,
So by false learning is good sense defaced:
Some are bewilder'd in the maze of schools,
And some made coxcombs Nature meant but fools:
In search of wit these lose their common sense,
And then turn Critics in their own defence:
Each burns alike, who can or cannot write,
Or with a rival's or an eunuch's spite.
All fools have still an itching to deride,
And fain would be upon the laughing side.
If Mævius scribble in Apollo's spite,
There are who judge still worse than he can write.

Some have at first for Wits, then Poets pass'd;
Turn'd Critics next, and prov'd plain Fools at last.
Some neither can for Wits nor Critics pass,
As heavy mules are neither horse nor ass.
Those half-learn'd witlings, numerous in our isle,
As half-form'd insects on the banks of Nile;
Unfinish'd things, one knows not what to call,

[...] Read more

poem by Alexander Pope
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It Makes More Sense

It makes more sense,
Stopping something not to start.
Yes it makes more sense,
Not to tear things all apart.
Or bring up filthy garbage,
Knowing it is just a farce.

It makes more sense,
To walk away than to be petty.
And it makes more sense,
To prevent a thumping headache.
And it makes more sense,
Not to argue with a fool.
Knowing this is something done,
Many fools love to do.

And it makes more sense,
Stopping something not to start.
Yes it makes more sense,
Not to tear things all apart.
Or bring up filthy garbage,
Knowing it is just a farce.
And it makes more sense,
Not to argue with a fool.
Knowing this is something done,
Fools love to do.

And it makes more sense,
To keep the peace with every neighbor.
And it makes more sense,
To chase all bitterness away.
And it makes more sense,
To say, 'You're right' than build a hate.
Knowing that tomorrow promises another day.

And it makes more sense,
To keep the peace with every neighbor.
And it makes more sense,
To chase all bitterness away.
And it makes more sense,
To say, 'You're right' than build a hate.
Knowing that tomorrow promises another day.

Yes it makes more sense,
To keep the peace with every neighbor.
And it makes more sense,
To say, 'You're right' than build a hate.
Knowing that tomorrow promises another day.
Yes it makes more sense,
To keep the peace with every neighbor.

[...] Read more

poem by Lawrence S. Pertillar
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I Love Sensual Women

I love sensual women and not passionate ones. A passionate woman closes her eyes, moans and shouts and the enjoyment of a passionate woman is blind.

A passionate woman writhes about, grabs you with her hands without looking where, clasps you, kisses you, even bites you and hurries to reach her climax as soon as she can. She has no time to display her sexual organs, no time to examine, touch with the hand and kiss your sexual organs, she is in such a hurry to slake her passion. Having slaked her passion, the passionate woman will fall asleep. The sexual organs of a passionate woman are dry. A passionate woman is always in some way or another mannish.

The sensual woman is always feminine.
Her contours are rounded and abundant.

The sensual woman rarely reaches a blind passion. She savours sexual enjoyment.
The sensual woman is always a woman and even in an unaroused state her sexual organs are moist. She has to wear a bandage on her sexual organs, so as not to soak them with moisture.

When she takes the bandage off in the evening, the bandage is so wet that it can be squeezed out.

Thanks to such an abundance of juices, the sexual organs of a sensual woman give off a slight, pleasant smell which increases strongly when the sensual woman is aroused. Then the juice from her sexual organs is secreted in a syrupy stream.

A sensual woman likes you to examine her sexual organs.

poem by Daniil Ivanovich Kharms
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The Rosciad

Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.

Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,

[...] Read more

poem by Charles Churchill
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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

[...] Read more

poem by Sir Francis Bacon
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Ive Been Thinking About You

- m. carey - d. cole - r. civils -
Uh baby
Weve known each other
For a long long time
But I never really noticed
All the magic in your eyes
Ive been around you
A thousand times before
And youve always been a friend to me
But now Im wanting more
I must have been so blind
I never realized
Youre the one thats right for me
All the while I couldnt see
And now I feel so strange
Ill never be the same
Going round and round in circles
And I dont know what to do
cause baby
Ive been thinking about you
In the most peculiar way
Ive been thinking about you
Its unbelievable to me
But suddenly I think
Im falling in love with you
Theres no explaining how I feel inside
Im going thru a transformation
Thats so hard for me to hide
I had a revelation that
Finally opened up my eyes
The one I spent a lifetime searching for
Was right here all the time
I was oblivious so very out of touch
All the while I couldnt see
Youre the one thats right for me
And now my world has changed
Ill never be the same
Going round and round in circles
And its all because of you
Sweet baby
Ive been thinking about you
In the most peculiar way
Ive been thinking about you
Its unbelievable to me
But suddenly I think
Im falling in love with you
Ive been thinking about you
In the most peculiar way
Ive been thinking about you
Its unbelievable to me

[...] Read more

song performed by Mariah Carey
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Leave That Noise On The Street

If you want your pains from you,
To go away to stay.
You've got to massage them down.
And give them attention needed.

Massage them done.
And those pains will go away.
If you've got someone who's with you,
And...
A believer!
If you've got someone who's with you,
And...
A believer!
If you've got someone who's with you,
And...
Not uptight.

If you want your pains from you,
To go away to stay...
You've got to massage them down slowly,
Everyday.

You've got to massage them down slowly...
Everyday.
You've got to massage them down slowly...
Without delay.

Muscles in your legs pain,
Everyday.
And the muscles on your back too!
Everyday.
Even the muscles in your neck pain,
Everyday.
Why don't you let me comfort you,
Every-day.
Why don't you let me comfort you,
Every-day.

Muscles in your legs pain,
Everyday.
And the muscles on your back too!
Everyday.
Even the muscles in your neck pain,
Everyday.
Why don't you let me comfort you,
Every-day.
Why don't you let me comfort you,
Every-day.
Why don't you let me comfort you,
Every-day.

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poem by Lawrence S. Pertillar
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The Ghost - Book IV

Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;

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poem by Charles Churchill
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Book II - Part 04 - Absence Of Secondary Qualities

Now come, this wisdom by my sweet toil sought
Look thou perceive, lest haply thou shouldst guess
That the white objects shining to thine eyes
Are gendered of white atoms, or the black
Of a black seed; or yet believe that aught
That's steeped in any hue should take its dye
From bits of matter tinct with hue the same.
For matter's bodies own no hue the least-
Or like to objects or, again, unlike.
But, if percase it seem to thee that mind
Itself can dart no influence of its own
Into these bodies, wide thou wand'rest off.
For since the blind-born, who have ne'er surveyed
The light of sun, yet recognise by touch
Things that from birth had ne'er a hue for them,
'Tis thine to know that bodies can be brought
No less unto the ken of our minds too,
Though yet those bodies with no dye be smeared.
Again, ourselves whatever in the dark
We touch, the same we do not find to be
Tinctured with any colour.
Now that here
I win the argument, I next will teach

Now, every colour changes, none except,
And every...
Which the primordials ought nowise to do.
Since an immutable somewhat must remain,
Lest all things utterly be brought to naught.
For change of anything from out its bounds
Means instant death of that which was before.
Wherefore be mindful not to stain with colour
The seeds of things, lest things return for thee
All utterly to naught.
But now, if seeds
Receive no property of colour, and yet
Be still endowed with variable forms
From which all kinds of colours they beget
And vary (by reason that ever it matters much
With, what seeds, and in what positions joined,
And what the motions that they give and get),
Forthwith most easily thou mayst devise
Why what was black of hue an hour ago
Can of a sudden like the marble gleam,-
As ocean, when the high winds have upheaved
Its level plains, is changed to hoary waves
Of marble whiteness: for, thou mayst declare,
That, when the thing we often see as black
Is in its matter then commixed anew,
Some atoms rearranged, and some withdrawn,

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poem by Lucretius
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I've Been Thinking About You

We've known each other
For a long long time
But I never really notcied
All the magic in your eyes
I've been around you
A thousand times before
And you've always been a friend to me
But now I'm wanting more

I must have been so blind
I never realized
You're the one that's right for me
All the while I couldn't see
And now I feel so strange
I'll never be the same
Going 'round and 'round in circles
And I don't know what to do
'Cause baby

I've been thinking about you
In the most peculiar way
I've been thinking about you
It's unbelievable to me
But suddenly I think
I'm falling in love with you

There's no explaining how I feel inside
I'm going through a transformation
That's so hard for me to hide
I had a revelation that
Finally opened my eyes
The one I spent a lifetime searching for
Was right here all the time
I was oblivious so very out of touch
All the while I couldn't see
You're the one that's right for me
And now my world has changed
I'll never be the same
Going 'round and 'round in circles
And it's all because of you
Sweet baby

I've been thinking about you
In the most peculiar way
I've been thinking about you
It's unbelievable to me
But suddenly I think
I'm falling in love with you

Don't you know

[...] Read more

song performed by Mariah Carey from Music Box
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Peculiar Situation

(clarke / hicks / nash)
We take walks in storms on rainy nights
When its cold I hold you close to me
When we dine you help me choose the wine
Its these things that mean so much to me
Aint this a peculiar situation
Were lovers but we dont make love
But when these things mean so much to us
Well, thats all right
I dont think your father is too rich
And I know your mother has good taste
And its not because youre beautiful
When youre busy you find time for me
Aint this a peculiar situation
Were lovers but we dont make love
But when these things mean so much to us
Well, thats all right
But when these things mean so much to us
Well, thats all right
You do well at things that interest you
When asked out you never turn away
If youre wrong you dont mind saying so
Not too proud to phone me when youre down
Aint this a peculiar situation
Were lovers but we dont make love
But when these things mean so much to us
Well, thats all right
Aint this a peculiar situation
Aint this a peculiar situation
Aint this a peculiar situation

song performed by Hollies
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Aint That Peculiar

By william robinson, warren moore, marvin tarplin and robert rodgers
You do me wrong and still Im crazy bout you
Stay away too long and I cant do without you
Every chance you get you seem to hurt me more and more
But each hurt just makes my love stronger than before
I know flowers grow through rain
But how can love grow through pain
Chorus:
Aint that peculiar
A peculiarity
Aint that peculiar baby
Peculiar as can be
You tell me lies that should be obvious to me
But Im in so much love with you baby that I dont want to see
That the things you do and say are designed to make me blue
Its a doggone shame my love for you makes all your lies seem true
If the truth makes love last longer
Why do lies make love stronger
Chorus:
Aint that peculiar
A peculiarity
Aint that peculiar baby
Peculiar as can be

song performed by Michael Mcdonald
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I Never Thought It Peculiar

By tommy boyce and bobby hart
I never thought it peculiar
That you never gave me a smile.
I wasnt socially suited
To make it worth your while.
Oh no and I never thought it peculiar
That my heart always beat like a drum.
Each time I would see you walk by me
You were as pretty as they come.
So I sent some flowers to your doorstep.
And wrote on the card I love you.
I dont know why but I do know that i
Had a feeling that you liked me too.
So I never thought it peculiar
When you stopped to ask me the time.
And I dont think its terribly peculiar
That now, little girl, you are mine.
So I sent some flowers to your doorstep.
And wrote on the card I love you.
I dont know why but I do know that i
Had a feeling that you liked me too.
So I never thought it peculiar
When you stopped to ask me the time.
And I dont think its terribly peculiar
That now, little girl, you are mine.
That now, little girl, you are mine.
That now, little girl, you are mine.

song performed by Monkees
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A Most Peculiar Man

He was A Most Peculiar Man.
That's what Mrs. Riordan said and she should know;
She lived upstairs from him
She said he was A Most Peculiar Man.
He was A Most Peculiar Man.
The lived all alone within a house,
Within a room, within himself,
A Most Peculiar Man.
He had no friends, he seldom spoke
And no one in turn ever spoke to him,
'Cause he wasn't friendly and he didn't care
And he wasn't like them.
Oh, no! he was A Most Peculiar Man.
He died last Saturday.
He turned on the gas and he went to sleep
With the windows closed so he'd never wake up
To his silent world and his tiny room;
And Mrs. Riordan says he has a brother somewhere
Who should be notified soon.
And all the people said, "What a shame that he's dead,
But wasn't he A Most Peculiar Man?

song performed by Paul Simon
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A Most Peculiar Man

He was a most peculiar man
That's what Mrs. Riordan says and she should know
She lived upstairs from him
She said he was a most peculiar man
He was a most peculiar man
He lived all alone within a house
Within a room, within himself
A most peculiar man
He had no friends, he seldom spoke
And no one in turn ever spoke to him
'Cause he wasn't friendly and he didn't care
And he wasn't like them
Oh no! He was a most peculiar man
He died last Saturday
He turned on the gas and he went to sleep
With the windows closed so he'd never wake up
To his silent world and his tiny room
And Mrs. Riordan says he has a brother somewhere
Who should be notified soon
And all the people said,
"What a shame that he's dead
But wasn't he a most peculiar man?

song performed by Simon & Garfunkel
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The Pleasures of Imagination: Book The Third

What wonder therefore, since the indearing ties
Of passion link the universal kind
Of man so close, what wonder if to search
This common nature through the various change
Of sex, and age, and fortune, and the frame
Of each peculiar, draw the busy mind
With unresisted charms? The spacious west,
And all the teeming regions of the south
Hold not a quarry, to the curious flight
Of knowledge, half so tempting or so fair,
As man to man. Nor only where the smiles
Of love invite; nor only where the applause
Of cordial honour turns the attentive eye
On virtue's graceful deeds. For since the course
Of things external acts in different ways
On human apprehensions, as the hand
Of nature temper'd to a different frame.
Peculiar minds; so haply where the powers
Of fancy neither lessen nor enlarge
The images of things, but paint in all
Their genuine hues, the features which they wore
In nature; there opinion will be true,
And action right. For action treads the path
In which opinion says he follows good,
Or flies from evil; and opinion gives
Report of good or evil, as the scene
Was drawn by fancy, lovely or deform'd:
Thus her report can never there be true
Where fancy cheats the intellectual eye,
With glaring colours and distorted lines.
Is there a man, who at the sound of death
Sees ghastly shapes of terror conjur'd up,
And black before him; nought but death-bed groans
And fearful prayers, and plunging from the brink
Of light and being, down the gloomy air,
An unknown depth? Alas! in such a mind,
If no bright forms of excellence attend
The image of his country; nor the pomp
Of sacred senates, nor the guardian voice
Of justice on her throne, nor aught that wakes
The conscious bosom with a patriot's flame;
Will not opinion tell him, that to die,
Or stand the hazard, is a greater ill
Than to betray his country? And in act
Will he not chuse to be a wretch and live?
Here vice begins then. From the inchanting cup
Which fancy holds to all, the unwary thirst
Of youth oft swallows a Circæan draught,
That sheds a baleful tincture o'er the eye
Of reason, till no longer he discerns,

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poem by Mark Akenside
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Moses

To grace those lines wch next appear to sight,
The Pencil shone with more abated light,
Yet still ye pencil shone, ye lines were fair,
& awfull Moses stands recorded there.
Lett his repleat with flames & praise divine
Lett his the first-rememberd Song be mine.
Then rise my thought, & in thy Prophet find
What Joy shoud warm thee for ye work designd.
To that great act which raisd his heart repair,
& find a portion of his Spirit there.

A Nation helpless & unarmd I view,
Whom strong revengefull troops of warr pursue,
Seas Stop their flight, their camp must prove their grave.
Ah what can Save them? God alone can save.
Gods wondrous voice proclaims his high command,
He bids their Leader wave the sacred wand,
& where the billows flowd they flow no more,
A road lyes naked & they march it o're.
Safe may the Sons of Jacob travell through,
But why will Hardend Ægypt venture too?
Vain in thy rage to think the waters flee,
& rise like walls on either hand for thee.
The night comes on the Season for surprize,
Yet fear not Israel God directs thine eyes,
A fiery cloud I see thine Angel ride,
His Chariot is thy light & he thy guide.
The day comes on & half thy succours fail,
Yet fear not Israel God will still prevail,
I see thine Angel from before thee go,
To make the wheeles of ventrous Ægypt slow,
His rolling cloud inwraps its beams of light,
& what supplyd thy day prolongs their night.
At length the dangers of the deep are run,
The Further brink is past, the bank is won,
The Leader turns to view the foes behind,
Then waves his solemn wand within the wind.
O Nation freed by wonders cease thy fear,
& stand & see the Lords salvation here.

Ye tempests now from ev'ry corner fly,
& wildly rage in all my fancyd Sky.
Roll on ye waters as ye rolld before,
Ye billows of my fancyd ocean roar,
Dash high, ride foaming, mingle all ye main.
Tis don—& Pharaoh cant afflict again.
The work the wondrous work of Freedomes don,
The winds abate, the clouds restore ye Sun,
The wreck appears, the threatning army drownd
Floats ore ye waves to strow the Sandy ground.

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poem by Thomas Parnell
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Gotham - Book II

How much mistaken are the men who think
That all who will, without restraint may drink,
May largely drink, e'en till their bowels burst,
Pleading no right but merely that of thirst,
At the pure waters of the living well,
Beside whose streams the Muses love to dwell!
Verse is with them a knack, an idle toy,
A rattle gilded o'er, on which a boy
May play untaught, whilst, without art or force,
Make it but jingle, music comes of course.
Little do such men know the toil, the pains,
The daily, nightly racking of the brains,
To range the thoughts, the matter to digest,
To cull fit phrases, and reject the rest;
To know the times when Humour on the cheek
Of Mirth may hold her sports; when Wit should speak,
And when be silent; when to use the powers
Of ornament, and how to place the flowers,
So that they neither give a tawdry glare,
'Nor waste their sweetness in the desert air;'
To form, (which few can do, and scarcely one,
One critic in an age, can find when done)
To form a plan, to strike a grand outline,
To fill it up, and make the picture shine
A full and perfect piece; to make coy Rhyme
Renounce her follies, and with Sense keep time;
To make proud Sense against her nature bend,
And wear the chains of Rhyme, yet call her friend.
Some fops there are, amongst the scribbling tribe,
Who make it all their business to describe,
No matter whether in or out of place;
Studious of finery, and fond of lace,
Alike they trim, as coxcomb Fancy brings,
The rags of beggars, and the robes of kings.
Let dull Propriety in state preside
O'er her dull children, Nature is their guide;
Wild Nature, who at random breaks the fence
Of those tame drudges, Judgment, Taste, and Sense,
Nor would forgive herself the mighty crime
Of keeping terms with Person, Place, and Time.
Let liquid gold emblaze the sun at noon,
With borrow'd beams let silver pale the moon;
Let surges hoarse lash the resounding shore,
Let streams meander, and let torrents roar;
Let them breed up the melancholy breeze,
To sigh with sighing, sob with sobbing trees;
Let vales embroidery wear; let flowers be tinged
With various tints; let clouds be laced or fringed,
They have their wish; like idle monarch boys,
Neglecting things of weight, they sigh for toys;

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poem by Charles Churchill
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