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Only the middle-aged have all their five senses in the keeping of their wits.

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In The Middle

Don't cross the street in the middle in the middle
In the middle in the middle in the middle of the block
Don't cross the street in the middle in the middle
In the middle in the middle in the middle of the block
Use your eyes to look up
Use your ears to hear
Walk up to the corner when the coast is clear
And wait
And wait
Until you see the light turn green
Don't cross the street in the middle in the middle
In the middle in the middle in the middle of the block
Don't cross the street in the middle in the middle
In the middle in the middle in the middle of the block
Don't cross the street in the middle in the middle
In the middle in the middle in the middle of the block
Use your eyes to look up
Use your ears to hear
Walk up to the corner when the coast is clear
And wait
And wait
Until you see the light turn green
Don't cross the street in the middle in the middle
In the middle in the middle in the middle of the block
Don't cross the street in the middle in the middle
In the middle in the middle in the middle of the block

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Testify

Come a little closer it's a feeling that I can't deny
I was weak, but I never thought I'd speak about the darker side
Is that a ten? I could repent on the side of the road
But, I kept on going yeah I headed for another load
I get up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground in the middle of the night
Oh, I testify
I was laid upon the grave by a preacher's hand I cannot lie
And, I forsake many vows I made to be with you tonight
Could you be the salvation cause I never felt like this before
And, could you lend me your hand because I'm falling back on the floor
I get up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground in the middle of the night
Oh, I testify
On a road outside of nowhere, in the middle of the night
Well I guess I hit rock bottom and the dawn was not in sight
And a Tempest made of fire, onset the sky aglow
And a sweet young thing called out my name
And this is how it goes, she says...
Choir:
"Go boy, can you hear them?
Are you falling through the cracks in your eyes?"
"Go boy, can you hear them?
Are you falling through the cracks in your eyes?"
"Go boy, can you hear them?
Are you falling through the cracks in your eyes?"
Meatloaf: And I got down on my knees
Choir :"Go boy, can you hear them?
Are you falling through the cracks in your eyes?"
"Go boy, can you hear them?
Are you falling through the cracks in your eyes?"
Meatloaf (over the top of the choirs last two repititions):
I get up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground and I'm falling back down
Up from the ground and I testify
I get up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground and I'm falling back down
Up from the ground and I testify
Meatloaf & Choir:
Up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground and I'm falling back down
Up from the ground and I testify
Up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground and I'm falling back down

[...] Read more

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William Blake

Tiriel

1

And Aged Tiriel. stood before the Gates of his beautiful palace
With Myratana. once the Queen of all the western plains
But now his eyes were darkned. & his wife fading in death
They stood before their once delightful palace. & thus the Voice
Of aged Tiriel. arose. that his sons might hear in their gates
Accursed race of Tiriel. behold your father
Come forth & look on her that bore you. come you accursed sons.
In my weak arms. I here have borne your dying mother
Come forth sons of the Curse come forth. see the death of Myratana
His sons ran from their gates. & saw their aged parents stand
And thus the eldest son of Tiriel raisd his mighty voice
Old man unworthy to be calld. the father of Tiriels race
For evry one of those thy wrinkles. each of those grey hairs
Are cruel as death. & as obdurate as the devouring pit
Why should thy sons care for thy curses thou accursed man
Were we not slaves till we rebeld. Who cares for Tiriels curse
His blessing was a cruel curse. His curse may be a blessing
He ceast the aged man raisd up his right hand to the heavens
His left supported Myratana shrinking in pangs of death
The orbs of his large eyes he opend. & thus his voice went forth
Serpents not sons. wreathing around the bones of Tiriel
Ye worms of death feasting upon your aged parents flesh
Listen & hear your mothers groans. No more accursed Sons
She bears. she groans not at the birth of Heuxos or Yuva
These are the groans of death ye serpents These are the groans of death
Nourishd with milk ye serpents. nourishd with mothers tears & cares
Look at my eyes blind as the orbless scull among the stones
Look at my bald head. Hark listen ye serpents listen
What Myratana. What my wife. O Soul O Spirit O fire
What Myratana. art thou dead. Look here ye serpents look
The serpents sprung from her own bowels have draind her dry as this[.]
Curse on your ruthless heads. for I will bury her even here
So saying he began to dig a grave with his aged hands
But Heuxos calld a son of Zazel. to dig their mother a grave
Old cruelty desist & let us dig a grave for thee
Thou hast refusd our charity thou hast refusd our food
Thou hast refusd our clothes our beds our houses for thy dwelling
Chusing to wander like a Son of Zazel in the rocks
Why dost thou curse. is not the curse now come upon your head
Was it not you enslavd the sons of Zazel. & they have cursd
And now you feel it. Dig a grave & let us bury our mother
There take the body. cursed sons. & may the heavens rain wrath
As thick as northern fogs. around your gates. to choke you up
That you may lie as now your mother lies. like dogs. cast out
The stink. of your dead carcases. annoying man & beast
Till your white bones are bleachd with age for a memorial.
No your remembrance shall perish. for when your carcases
Lie stinking on the earth. the buriers shall arise from the east

[...] Read more

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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

[...] Read more

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Keeping The Peace Leaves Me Desperate

Keeping the peace leaves me desperate..
When thinking my peace,
Might cease to be.
Yes...
Keeping the peace leaves me desperate.
Yes...
Keeping the peace leaves me desperate.

I don't want thoughts of an enemy,
Taking my peace away from me.
No...
Keeping the peace leaves me desperate.
Keeping the peace leaves me desperate.

Keeping the peace leaves me desperate..
When thinking my peace,
Might cease to be.
Yes...
Keeping the peace leaves me desperate.
Yes...
Keeping the peace leaves me desperate.

I don't want thoughts of an enemy,
Taking my peace away from me.
No...
Keeping the peace leaves me desperate.
Keeping the peace leaves me desperate.

I don't want thoughts of an enemy,
Taking my peace away from me.

Keeping the peace leaves me desperate.
Keeping the peace leaves me desperate.
Keeping the peace leaves me desperate.
Keeping the peace leaves me desperate.

Keeping the peace leaves me desperate..
When thinking my peace,
Might cease to be.

Keeping the peace leaves me desperate.
Keeping the peace leaves me desperate.
Keeping the peace leaves me desperate.
Keeping the peace leaves me desperate.

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Book IV - Part 03 - The Senses And Mental Pictures

Bodies that strike the eyes, awaking sight.
From certain things flow odours evermore,
As cold from rivers, heat from sun, and spray
From waves of ocean, eater-out of walls
Around the coasts. Nor ever cease to flit
The varied voices, sounds athrough the air.
Then too there comes into the mouth at times
The wet of a salt taste, when by the sea
We roam about; and so, whene'er we watch
The wormword being mixed, its bitter stings.
To such degree from all things is each thing
Borne streamingly along, and sent about
To every region round; and Nature grants
Nor rest nor respite of the onward flow,
Since 'tis incessantly we feeling have,
And all the time are suffered to descry
And smell all things at hand, and hear them sound.
Besides, since shape examined by our hands
Within the dark is known to be the same
As that by eyes perceived within the light
And lustrous day, both touch and sight must be
By one like cause aroused. So, if we test
A square and get its stimulus on us
Within the dark, within the light what square
Can fall upon our sight, except a square
That images the things? Wherefore it seems
The source of seeing is in images,
Nor without these can anything be viewed.

Now these same films I name are borne about
And tossed and scattered into regions all.
But since we do perceive alone through eyes,
It follows hence that whitherso we turn
Our sight, all things do strike against it there
With form and hue. And just how far from us
Each thing may be away, the image yields
To us the power to see and chance to tell:
For when 'tis sent, at once it shoves ahead
And drives along the air that's in the space
Betwixt it and our eyes. And thus this air
All glides athrough our eyeballs, and, as 'twere,
Brushes athrough our pupils and thuswise
Passes across. Therefore it comes we see
How far from us each thing may be away,
And the more air there be that's driven before,
And too the longer be the brushing breeze
Against our eyes, the farther off removed
Each thing is seen to be: forsooth, this work
With mightily swift order all goes on,
So that upon one instant we may see

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Alexander Pope

An Essay on Criticism

Part I

INTRODUCTION. That it is as great a fault to judge ill as to write ill, and a more dangerous one to the public. That a true Taste is as rare to be found as a true Genius. That most men are born with some Taste, but spoiled by false education. The multitude of Critics, and causes of them. That we are to study our own Taste, and know the limits of it. Nature the best guide of judgment. Improved by Art and rules, which are but methodized Nature. Rules derived from the practice of the ancient poets. That therefore the ancients are necessary to be studied by a Critic, particularly Homer and Virgil. Of licenses, and the use of them by the ancients. Reverence due to the ancients, and praise of them.


'Tis hard to say if greater want of skill
Appear in writing or in judging ill;
But of the two less dangerous is th'offence
To tire our patience than mislead our sense:
Some few in that, but numbers err in this;
Ten censure wrong for one who writes amiss;
A fool might once himself alone expose;
Now one in verse makes many more in prose.

'Tis with our judgments as our watches, none
Go just alike, yet each believes his own.
In Poets as true Genius is but rare,
True Taste as seldom is the Critic's share;
Both must alike from Heav'n derive their light,
These born to judge, as well as those to write.
Let such teach others who themselves excel,
And censure freely who have written well;
Authors are partial to their wit, 'tis true,
But are not Critics to their judgment too?

Yet if we look more closely, we shall find
Most have the seeds of judgment in their mind:
Nature affords at least a glimm'ring light;
The lines, tho' touch'd but faintly, are drawn right:
But as the slightest sketch, if justly traced,
Is by ill col'ring but the more disgraced,
So by false learning is good sense defaced:
Some are bewilder'd in the maze of schools,
And some made coxcombs Nature meant but fools:
In search of wit these lose their common sense,
And then turn Critics in their own defence:
Each burns alike, who can or cannot write,
Or with a rival's or an eunuch's spite.
All fools have still an itching to deride,
And fain would be upon the laughing side.
If Mævius scribble in Apollo's spite,
There are who judge still worse than he can write.

Some have at first for Wits, then Poets pass'd;
Turn'd Critics next, and prov'd plain Fools at last.
Some neither can for Wits nor Critics pass,
As heavy mules are neither horse nor ass.
Those half-learn'd witlings, numerous in our isle,
As half-form'd insects on the banks of Nile;
Unfinish'd things, one knows not what to call,

[...] Read more

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Restricted Area

High voltage in the air
No way to know its good or bad
Dont try to trick it down
Otherwise you could be dead
So just look out
It may be mean
Just cant be too afraid of this machine
A hole in the middle of the night
In the middle of the night
Restricted area
A hole in the middle of the night
Restricted area
Your brains been mesmerized
And in your mind this place is full of steel,
So full of steel
So shift to overdrive
Crash away the gang with the men from another space
So be aware
Just leave the scene
The worlds been metallized by this machine
A hole in the middle of the night
In the middle of the night
Restricted area
A hole in the middle of the night
Restricted area
A hole in the middle of the night
In the middle of the night
Restricted area
A hole in the middle of the night
In the middle of the night
Restricted area
A hole in the middle of the night
In the middle of the night
The worlds been metallized
A hole in the middle of the night
Restricted area
A hole in the middle of the night
In the middle of the night
Its a restricted area
Hold on - hold on - hold on
Your brains been mesmerized
A hole in the middle of the night
In the middle of the night
Youre heavy metallized
A hole in the middle of the night

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Middle Of The Night

By: jimmy buffett, michael utley, will jennings, art neville
1983
Middle of the night
Hold on till morning
We will see the light
Love is spawning
Middle of the night
Hold on forever
Well know when its right
All together
When will we listen
When will we ever learn
Read all about it
This tide has got to turn
Middle of the night
Hold on till morning
We will see the light
Love is spawning
Middle of the night
Hold on forever
Well know when its right
All together
Old folks and babys
Theyre crying in the storm
I tried to tell them
Soon theyll be safe and warm
Middle of the night
Hold on till morning
We will see the light
Love is spawning
Middle of the night
Hold on forever
Well know when its right
All together
Lord let us out of this hall full of mirrors
Make it all clearer
Dont let us fall
In the middle of the night
Middle of the night
New voices calling
Saying its alright
Im not falling
Middle of the night
Halfway till morning
Middle of my life
New days dawning
Middle of the night
Hold on till morning
We will see the light
Love is spawning

[...] Read more

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Man In The Middle

Did you see that man in the limousine
With a pretty blond, he is fifty and the girls only seventeen
But she doesnt care, and she never will
If hes ninety-five she dont give a damn
Just as long as he pays the bill
Did you see that man with a fat cigar
He just left his lunch with a belly full of lobster and caviar
He can choose the wine from a vintage year
He can drink champagne in his limousine
While the rest of us drink a beer
cause hes the man in the middle, never second fiddle
Just like a spider in a cobweb
Hard as a hammer, not the kind of boss you double-cross
cause hes the man in the middle, knows the way to diddle
Hes never bothered by his conscience
Deals with the devil, cause he wants to be
Man in the middle, the middle, the middle
In the middle (in the middle, in the middle...)
But you see that man made a big mistake
Even though hes got all his servants and a mansion beside a lake
And the money too, all that he can spend
He can buy the most, nearly anything
But he cant buy an honest friend
cause hes the man in the middle, never second fiddle
Just like a spider in a cobweb
Hard as a hammer, not the kind of boss you double-cross
cause hes the man in the middle, knows the way to diddle
Hes never bothered by his conscience
Deals with the devil, cause he wants to be
Man in the middle, the middle, the middle
In the middle (in the middle, in the middle...)

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In The Middle Of Nowhere

(buddy kaye / bea verdi)
Where does our love lie?
In the middle of nowhere
Will it soon pass me by?
In the middle of nowhere
Baby, wont you tell me
What am I to do?
Im in the middle of nowhere
Getting nowhere with you
Mmm, where did my heart land?
In the middle of nowhere
Where are the dreams I planned?
In the middle of nowhere
Listen to me baby
Listen to my plea
Im in the middle of nowhere
And its worrying me
Over and over again
You tell me you need my love
If what you say is true
Why cant we be together?
Over and over you tell me
Im all that youre thinking of
Baby you know that I love you
But I cant wait forever
Where does our love lie?
In the middle of nowhere
How can you let it die?
In the middle of nowhere
Are you gonna leave me?
Leave my heart astray
Im in the middle of nowhere
Come and show me the way
Over and over again
You tell me you need my love
Baby you know that I love you
But I cant wait forever
Where does our love lie?
In the middle of nowhere
How can you let it die?
In the middle of nowhere
Are you gonna leave me
And leave my heart astray
Im in the middle of nowhere
Come and show me the way
Hey, where does out love lie?
Come on now
Where does our love lie?
Right slap in the middle of nowhere
Right slap in the middle of nowhere

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Our House

Father wears his sunday best
Mothers tired she needs a rest
The kids are playing up downstairs
Sisters sighing in her sleep
Brothers got a date to keep
He cant hang around
Our house, in the middle of our street
Our house, in the middle of our ...
Our house it has a crowd
Theres always something happening
And its usually quite loud
Our mum shes so house-proud
Nothing ever slows her down
And a mess is not allowed
Our house, in the middle of our street
Our house, in the middle of our ...
Our house, in the middle of our street
Our house, in the middle of our ...
Something tells you that youve got to get away from it
Father gets up late for work
Mother has to iron his shirt
Then she sends the kids to school
Sees them off with a small kiss
Shes the one theyre going to miss
In lots of ways
Our house, in the middle of our street
Our house, in the middle of our ...
I remember way back then when everything was true and when
We would have such a very good time such a fine time
Such a happy time
And I remember how wed play simply waste the day away
Then wed say nothing would come between us two dreamers
Father wears his sunday best
Mothers tired she needs a rest
The kids are playing up downstairs
Sisters sighing in her sleep
Brothers got a date to keep
He cant hang around
Our house, in the middle of our street
Our house, in the middle of our street
Our house, in the middle of our street
Our house, in the middle of our ...
Our house, was our castle and our keep
Our house, in the middle of our street
Our house, that was where we used to sleep
Our house, in the middle of our street
Our house, in the middle of our street

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Keeping My Distance

(jimmy davis/tommy burroughs/don smith)
Im keeping my calandar open
Even if it takes me years
til you figure out what your plan is
You figure out all of your fears
I dont wanna know anything about her
Or what you feel like you have to defend
But Ive seen your situation
And the world she keeps you in
Im keeping my distance
Im keeping my distance
And Ill wait until my time is here
Im keeping my distance
Im keeping my distance
And Ill wait until you make it clear
If you dont want to rush it baby
Well then by all means dont
But Im gonna wait for the day when
When you see that its me you want
I can see, I can tell that you need me
You know that I need you too
So why on earth cant you ever let her go
Will you ever try anything new
Im keeping my distance
Im keeping my distance
And Ill wait until my time is here
Im keeping my distance
Im keeping my distance
And Ill wait until you make it clear
Where will you find the strength
I cant hold you against your will
You keep me at arms length
Im reaching out to hold you still, yeah, yeah, yeah
I can see that you need me
You know that I need you too
So why on earth cant you ever let her go
Will you ever try anything new
Im keeping my distance
Im keeping my distance
And Ill wait until my time is here
Im keeping my distance
Im keeping my distance

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I Love My Man

verse 1:
See I finally found me a good man
matter of fact he might be my future husband
yeah he really knows how to love me
and he can't get enough of me
oh yeah he's got class and good looks
by the way he's number one in my book
I prayed for a love and he appeared
no girl got a man like this here
chorus:
So I ain't gonna nag and I ain't gonna trip
I ain't gonna do any arguing
cause I love my man
and I plan on keeping him
so I'm not gonna accuse my man of lust
and I'm gonna trust him let me tell you why
cause I love my man
and I plan on keeping him
verse 2:
No the other guys just don't compare
to my man's good love honey i swear
he's got my back in the time of need
it's good to know that he's there for me
let me say all that he knows my heart
and it means it was love
at the very start when i saw him
with my girlfriends
so I knew I was keeping him
chorus:
So I ain't gonna nag and I ain't gonna trip
I ain't gonna do any arguing
cause I love my man
and I plan on keeping him
so I'm not gonna accuse my man of lust
and I'm gonna trust him let me tell you why
cause I love my man
and I plan on keeping him
So I ain't gonna nag and I ain't gonna trip
I ain't gonna do any arguing
cause I love my man
and I plan on keeping him
so I'm not gonna accuse my man of lust
and I'm gonna trust him let me tell you why
cause I love my man
and I plan on keeping him
bridge:
I know that he loves me and his love is pure
so I don't have a reason to be insecure
ooh, I, love my baby, baby
ooh, I, love my baby

[...] Read more

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Sitting In The Middle Of It

My heart feels like it's split open wide and bleeding.
As I'm sitting in the middle of it.

Nothing I had lived prepared me for what I had to see.
As I'm,
Sitting in the middle of it.

I do feel guilty.
I am no saint.
I am not trying to hide away,
What it is that I'm feeling.

I do feel guilty.
I am no saint.
I am not trying to hide away,
What it is that I'm feeling.

Sitting in the middle of it...
I am no saint.
I'm not trying to hide away,
What it is that I'm feeling.

Sitting in the middle of it...
I do feel guilty.
But I'll never hide away from you...
My feelings.

Sitting in the middle of it...
I do feel guilty.
But I'll never hide away from you...
My feelings.

Sitting in the middle of it...
I am no saint.
And I'll never hide from you...
My feelings.

And I'll,
Never hide from you...
My feelings.

And I'll,
Never hide from you...
My feelings.

Sitting in the middle of it.
Sitting in the middle of it,
And I'm...
Sitting in the middle of it.
Sitting in the middle of it,

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Master Blaster

Everyone's feeling pretty
It's hotter than july
Though the world's full of problems
They couldn't touch us even if they tried
From the park i hear rhythms
Marley's hot on the box
Tonight there will be a party
On the corner at the end of the block
Didn't know you
Would be jammin' until the break of dawn
I bet nobody ever told you that you
Would be jammin' until the break of dawn
You would be jammin' and jammin' and jammin', jam on
They want us to join their fighting
But our answer today
Is to let all our worries
Like the breeze through our fingers slip away
Peace has come to zimbabwe
Third world's right on the one
Now's the time for celebration
'cause we've only just begun
Didn't know that you
Would be jammin' until the break of dawn
Bet you nobody ever told you that you
Would be jammin' until the break of dawn
You would be jammin' and jammin' and jammin', jam on
Bet you nobody ever told you that you
(we're in the middle of the makin's of the master blaster jammin')
Would be jammin' until the break of dawn
I know nobody told you that you
(we're in the middle of the makin's of the master blaster jammin')
Would be jammin' until the break of dawn
We're jammin', jammin', jammin', jam on
You ask me am i happy
Well as matter of fact
I can say that i'm ecstatic
'cause we all just made a pact
We've agreed to get together
Joined as children in jah
When you're moving in the positive
Your destination is the brightest star
You didn't know that you
(we're in the middle of the makin's of the master blaster jammin')
Would be jammin' until the break of dawn
I bet you nobody ever told you that you
(we're in the middle of the makin's of the master blaster jammin')
Would be jammin' until the break of dawn
Oh, oh, oh, oh, oh, you
(we're in the middle of the makin's of the master blaster jammin')
Would be jammin' until the break of dawn

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Master Blaster (Dub)

Everyone's feeling pretty
It's hotter than July
Though the world's full of problems
They couldn't touch us even if they tried
From the park I hear rhythms
Marley's hot on the box
Tonight there will be a party
On the corner at the end of the block
Didn't know you
Would be jammin' until the break of dawn
I bet nobody ever told you that you
would be jammin' until the break of dawn
You would be jammin' and jammin' and jammin', jam on
They want us to join their fighting
But our answer today
Is to let all our worries
Like the breeze through our fingers slip away
Peace has come to Zimbabwe
Third World's right on the one
Now's the time for celebration
'Cause we've only just begun
Didn't know that you
Would be jammin' until the break of dawn
Bet you nobody ever told you that you
Would be jammin' until the break of dawn
You would be jammin' and jammin' and jammin', jam on
Bet you nobody ever told you that you
(We're in the middle of the makin's of the master blaster jammin')
Would be jammin' until the break of dawn
I know nobody told you that you
(We're in the middle of the makin's of the master blaster jammin')
Would be jammin' until the break of dawn
We're jammin', jammin', jammin', jam on
You ask me am I happy
Well as matter of fact
I can say that I'm ecstatic
'Cause we all just made a pact
We've agreed to get together
Joined as children in Jah
When you're moving in the positive
Your destination is the brightest star
You didn't know that you
(We're in the middle of the makin's of the master blaster jammin')
Would be jammin' until the break of dawn
I bet you nobody ever told you that you
(We're in the middle of the makin's of the master blaster jammin')
Would be jammin' until the break of dawn
Oh, Oh, Oh, Oh, Oh, you
(We're in the middle of the makin's of the master blaster jammin')
Would be jammin' until the break of dawn

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song performed by Stevie WonderReport problemRelated quotes
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In Silence No More

Aged 1
Aged 2
Aged 3
Aged 4
At 5 my life changed forever more,
Aged 6
Aged 7
Aged 8
Aged 9
By 10 he’d touched me a thousand times,
Aged 41
42
43
44
But now I’m not suffering in silence,
In silence anymore,
For now I’m chatting and talking,
Not crawling I’m walking,
Even though he’s still stalking,
I’m not suffering in silence,
Suffering in silence,
I’m not suffering in silence,
In silence no more.

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Berrathah

ARGUMENT.

Fingal, in his voyage to Lochlin, whither he had been invited by Starno, the father of Agandecca, touched at Berrathon an island of Scandinavia, where he was kindly entertained by Larthmor, the petty king of the place, who was a vassal of the supreme kings of Lochlin. The hospitality of Larthmor gained him Fingal's friendship, which that hero manifested, after the imprisonment of Larthmor by his own son, by sending Ossian and Toscar, the father of Malvina, so often mentioned, to rescue Larthmor, and to punish the unnatural behavior of Uthal. Uthal was handsome, and, by the ladies, much admired. Nina-thoma, the beautiful daughter of Tor-thoma, a neighboring prince, fell in love and fled with him. He proved inconstant; for another lady, whose name is not mentioned, gaining his affections, he confined Nina-thoma to a desert island, near the coast of Berrathon. She was relieved by Ossian, who, in company with Toscar, landing on Berrathon, defeated the forces of Uthal, and killed him in single combat. Nina-thoma, whose love not all the bad behavior of Uthal could erase, hearing of his death, died of grief. In the mean time Larthmor is restored, and Ossian and Toscar return in triumph to Fingal.

The poem opens with an elegy on the death of Malvina, the daughter of Toscar, and closes with the presages of Ossian's death.

BEND thy blue course, O stream! round the narrow plain of Lutha. Let the green woods hang over it, from their hills; the sun look on it at noon. The thistle is there on its rock, and shakes its beard to the wind. The flower hangs its heavy head, waving, at times, to the gale. "Why dost thou awake me, O gale?" it seems to say: "I am covered with the drops of heaven. The time of my fading is near, the blast that shall scatter my leaves. To-morrow shall the traveller come; he that saw me in my beauty shall come. His eyes will search the field, but they will not find me." So shall they search in vain for the voice of Cona, after it has failed in the field. The hunter shall come forth in the morning, and thee vote a of my harp shall not be heard. "Where is the son of car-borne Fingal?" The tear will be on his cheek! Then come thou, O Malvina! with all thy music, come! Lay Ossian in the plain of Lutha: let his tomb rise in the lovely field.

Malvina! where art thou, with thy songs; with the soft sound of thy steps? Son of Alpin, art thou near? where is the daughter of Toscar? "I passed, O son of Fingal, by Torlutha's mossy walls. The smoke of the hall was ceased. Silence was among the trees of the hill. The voice of the chase was over. I saw the daughters of the bow. I asked about Malvina, but they answered not. They turned their faces away: thin darkness covered their beauty. They were like stars, on a rainy hill, by night, each looking faintly through the mist!"

Pleasant be thy rest, O lovely beam! soon hast thou set on our hills! The steps of thy departure were stately, like the moon, on the blue-trembling wave. But thou hast left us in darkness, first of the maids of Lutha! We sit, at the rock, and there is no voice; no light but the meteor of fire! Soon hast thou set, O Malvina, daughter of generous Toscar! But thou risest, like the beam of the east, among the spirits of thy friends, where they sit, in their stormy halls, the chambers of the thunder! A cloud hovers over Cona. Its blue curling sides are high. The winds are beneath it, with their wings. Within it is the dwelling of Fingal. There the hero sits in darkness. His airy spear is in his hand. His shield, half covered with clouds, is like the darkened moon; when one half still remains in the wave, and the other looks sickly on the field!

His friends sit round the king, on mist! They hear the songs of Ullin; he strikes the half-viewless harp. He raises the feeble voice. The lesser heroes, with a thousand meteors, light the airy hall. Malvina rises in the midst: a blush is on her cheek. She beholds the unknown faces of her fathers. She turns aside her humid eyes. "An thou come so soon," said Fingal, "daughter of generous Toscar! Sadness dwells in the halls of Lutha. My aged son is sad! I hear the breeze of Cona, that was wont to lift thy heavy locks. It comes to the hall, but thou art not there. Its voice is mournful among the arms of thy fathers! Go, with thy rustling wing, O breeze! sigh on Malvina's tomb. It rises yonder beneath the rock, at the blue stream of Lutha. The maids are departed to their place. Thou alone, O breeze, mournest there!"

But who comes from the dusky west, supported on a cloud? A smile is on his gray, watery face. His locks of mist fly on wind. He bends forward on his airy spear. It is thy father, Malvina! "Why shinest thou, so soon, on our clouds," he says, "O lovely light of Lutha? But thou wert sad, my daughter. Thy friends had passed away. The sons of little men were in the hail. None remained of the heroes, but Ossian, king of spears!"

And dost thou remember Ossian, car-borne Toscar, son of Conloch? The battles of our youth were many. Our swords went together to the field. They saw us coming like two falling rocks. The sons of the stranger fled. "There come the warriors of Cona!" they said. "Their steps are in the paths of the flying!" Draw near, son of Alpin, to the song of the aged. The deeds of other times are in my soul. My memory beams on the days that are past: on the days of mighty Toscar, when our path was in the deep. Draw near, son of Alpin, to the last sound of the voice of Cona!

The king of Morven commanded. I raised my sails to the wind. Toscar, chief of Lutha, stood at my side: I rose on the dark-blue wave. Our course was to sea-surrounded Berrathon, the isle of many storms. There dwelt, with his locks of age, the stately strength of Larthmor. Larthmor, who spread the feast of shells to Fingal, when he went to Starno's halls, in the days of Agandecca. But when the chief was old, the pride of his son arose; the pride of fair-haired Uthal, the love of a thousand maids. He bound the aged Larthmor, and dwelt in his sounding halls!

Long pined the king in his cave, beside his rolling sea. Day did not come to his dwelling: nor the burning oak by night. But the wind of ocean was there, and the parting beam of the moon. The red star looked on the king, when it trembled on the western wave. Snitho came to Selma's hall; Snitho, the friend of Larthmor's youth. He told of the king of Berrathon: the wrath of Fingal arose. Thrice he assumed the spear, resolved to stretch his hand to Uthal. But the memory of his deeds rose before the king. He sent his son and Toscar. Our joy was great on the rolling sea. We often half unsheathed our swords. For never before had we fought alone, in battles of the spear.

Night came down on the ocean. The winds departed on their wings. Cold and pale is the moon. The red stars lift their heads on high. Our course is slow along the coast of Berrathon. The white waves tumble on the rocks. "What voice is that," said Toscar, "which comes between the sounds of the waves? It is soft hut mournful, like the voice of departed bards. But I behold a maid. She sits on the rock alone. Her head bends on her arms of snow. Her dark hair is in the wind. Hear, son of Fingal, her song; it is smooth as the gliding stream. We came to the silent bay, and heard the maid of night.

"How long will ye roll round me, blue-tumbling waters of ocean? My dwelling was not always in caves, nor beneath the whistling tree. The feast was spread in Tor-thoma's hall. My father delighted in my voice. The youths beheld me in the steps of my loveliness. They blessed the dark-haired Nina-thoma. It was then thou didst come, O Uthal! like the sun €4 heaven! The souls of the virgins are thine, son of generous Larthmor! But why dost thou leave me alone, in the midst of roaring waters? Was my soul dark with thy death? Did my while hand lift the sword? Why then hast thou left me alone, king of high Fin-thormo?"

The tear started from my eye, when I heard the voice of the maid. I stood before her in my arms. I spoke the words of peace! "Lovely dweller of the cave! what sigh is in thy breast? Shall Ossian lift his sword in thy presence, the destruction of thy foes? Daughter of Tor-thoma, rise! I have heard the words of thy grief. The race of Morven are around thee, who never injured the weak. Come to our dark bosomed ship, thou brighter than the setting moon! Our course is to the rocky Berrathon, to the echoing walls of Fin-thormo." She came in her beauty; she came with all her lovely steps. Silent joy brightened in her face; as when the shadows fly from the field of spring; the blue stream is rolling in brightness, and the green bush bends over its course!

The morning rose with its beams. We came to Rothma's bay. A boar rushed from the wood: my spear pierced his side, and he fell. I rejoiced over the blood. I foresaw my growing fame. But now the sound of Uthal's train came, from the high Fin-thormo. They spread over the heath to the chase of the boar. Himself comes slowly on, in the pride of his strength. He lifts two pointed spears. On his side is the hero's sword. Three youths carry his polished bows. The bounding of five dogs is before him. His heroes move on, at a distance, admiring the steps of the king. Stately was the son of Larthmor! but his soul was dark! Dark as the troubled face of the moon, when it foretells the storms.

We rose on the heath before the king. He stopped in the midst of his course. His heroes gathered around. A. gray-haired bard advanced. "Whence are the sons of the strangers?" began the bard of song. "The children of the unhappy come to Berrathon: to the sword of car-borne Uthal. He spreads no feast in his hall. The blood of strangers is on his streams. If from Selma's walls ye come, from the mossy walls of Fingal, choose three youths to go to your king to tell of the fall of his people. Perhaps the hero may come and pour his blood on Uthal's sword. So shall the fame of Fin-thormo arise; like the growing tree of the vale!"

"Never, will it rise, O bard!" I said, in the pride of my wrath. "He would shrink from the presence of Fingal, whose eyes are the flames of death. The son of Comhal comes, and kings vanish before him. They are rolled together, like mist, by the breath of his rage. Shall three tell to Fingal, that his people fell? Yes! they may tell it, bard! but his people shall fall with fame!"

I stood in the darkness of my strength. Toscar drew his sword at my side. The foe came on like a stream. The mingled sound of death arose. Man took man; shield met shield; steel mixed its beams with steel. Darts hiss through air. Spears ring on mails. Swords on broken bucklers bound. All the noise of an aged grove beneath the roaring wind, when a thousand ghosts break the trees by night, such was the din of arms! But Uthal fell beneath my sword. The sons of Berrathon fled. It was then I saw him in his beauty, and the tear hung in my eye! "Thou art fallen, young tree, I said, with all thy beauty round thee. Thou art fallen on thy plains, and the field is bare. The winds come from the desert! there is no sound in thy leaves! Lovely art thou in death, son of car-borne Larthmor"

Nina-thoma sat on the shore. She heard the sound of battle. She turned her red eyes on Lethmal, the gray-haired bard of Selma. He alone had remained on the coast with the daughter of Tor-thoma. "Son of the times of old!" she said, "I hear the noise of death. Thy friends have met with Uthal, and the chief is low! O that I had remained on the rock, enclosed with the tumbling waves? Then would my soul be sad, but his death would not reach my ear. Art thou fallen on the heath, O son of high Fin-thormo? Thou didst leave me on a rock, but my soul was full of thee. Son of high Fin-thormo! art thou fallen on thy heath?"

She rose pale in her tears. She saw the bloody shield of Uthal. She saw it in Ossian's hand. Her steps were distracted on the heath. She flew. She found him. She fell. Her soul came forth in a sigh. Her hair is spread on her face. My bursting tears descend. A tomb arose on the unhappy. My song of wo was heard. "Rest, hapless children of youth! Rest at the noise of that mossy stream! The virgins will see your tomb, at the chase, and turn away their weeping eyes. Your fame will be in song. The voice of the harp will be heard in your praise. The daughters of Selma shall hear it: your renown shall be in other lands. Rest, children of youth, at the noise of the mossy stream!"

Two days we remained on the coast. The heroes of Berrathon convened. We brought Larthmor to his halls. The feast of shells is spread. The joy of the aged was great. He looked to the arms of his fathers; the arms which he left in his hall, when the pride of Uthal rose. We were renowned before Larthmor. He blessed the chiefs of Morven. He knew not that his son was low, the stately strength of Uthal! They had told, that he had retired to the woods, with the tears of grief. They had told it, but he was silent in the tomb of Rothma's heath.

On the fourth day we raised our sails, to the roar of the northern wind. Larthmor came to the coast. His bards exalted the song. The joy of the king was great; he looked to Rothma's gloomy heath. He saw the tomb of his son. The memory of Uthal rose. "Who of my heroes," he said, "lies there? he seems to have been of the kings of men. Was he renowned in my halls before the pride of Uthal rose? Ye are silent, sons of Berrathon! is the king of heroes low? My heart melts for thee, O Uthal! though thy hand was against thy father. O that I had remained in the cave! that my son had dwelt in Fin-thormo! I might have heard the tread of his feet, when he went to the chase of the boar. I might have heard his voice on the blast of my cave. Then would my soul be glad; but now darkness dwells in my halls."

Such were my deeds, son of Alpin, when the arm of my youth was strong. Such the actions of Toscar, the car-borne son of Conloch. But Toscar is on his flying cloud. I am alone at Lutha. My voice is like the last sound of the wind, when it forsakes the woods. But Ossian shall not be long alone. He sees the mist that shall receive his ghost. He beholds the mist that shall form his robe, when he appears on his hills. The Sons of feeble men shall behold me, and admire the stature of the chiefs of old. They shall creep to their caves. They shall look to the sky with fear: for my steps shall be in the clouds. Darkness shall roll on my side.

Lead, son of Alpin, lead the aged to his woods. The winds begin to rise. The dark wave of the lake resounds. Bends there not a tree from Mora with its branches bare? It bends, son of Alpin, in the rustling blast. My harp hangs on a blasted branch. The sound of its strings is mournful. Does the wind touch thee, O harp, or is it some passing ghost? It is the hand of Malvina! Bring me the harp, son of Alpin. Another song shall rise. My soul shall depart in the sound. My fathers shall hear it in their airy hail. Their dim faces shall hang, with joy, from their clouds; and their hands receive their son. The aged oak bends over the stream. It sighs with all its moss. The withered fern whistles near, and mixes, as it waves, with Ossian's hair.

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Stranded At The Moonbase

A long way up in light-years,
Just a pinpoint in space,
In a century of planetary storms,
Stranded at the moonbase,
The air is getting low.
The air is getting low.
Looking out at the roof-window,
I've seen many strange things,
From shooting stars to Stars 'n' Stripes
Thought I'd caught a glimpse of golden wings.
The air is getting low,
The air is getting low,
The air is getting low,
The air is getting low.
I got the vision of a big white dove.
I've heard the creaking of the pearly gates above.
I'm wond'ring why the big white dove
Is keeping me waiting, keeping me waiting,
Keeping me waiting, keeping me waiting,
Keeping me waiting, keeping me waiting.
Looking way down below me,
The worlds are all awhirl-whirly.
Won't you come along beside?
This place waits for company.
The air is getting low.
The air is getting low.
I leave my limbs behind me.
As I'm being lifted
Out into the, into the
Spiritual boom-boom abyss.
The air is getting low.
The air is getting low.
The air is getting low.
The air is getting low.
I got the vision of a big white dove.
I've heard the creaking of the pearly gates above.
I'm wond'ring why the big white dove
Is keeping me waiting, keeping me waiting,
Keeping me waiting, keeping me waiting,
Keeping me waiting, keeping me waiting.

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