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Scratch a pessimist and you find often a defender of privilege.

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The Great Defender

Down at the arcade the defender is there
Down off of broadway he's there playing his games
It's very dangerous
Putting money down on robotron
Oh, i'm the great defender
And i really know just how to get along
Down at the arcade, down at the arcade
Down at the arcade, down at the arcade
Down at the arcade
Down at the arcade
Oh, i'm the great defender
And i really think i've got it made
A fistful of quarters, a fifty dollar stake
Life is a gamble on video tape
I called a disc jockey
To dedicate a song to blair
It's the temps. singing "i'll be there"
Down at the arcade, down at the arcade
Down at the arcade, down at the arcade
Down at the arcade
Down at the arcade
Oh, i'm the great defender
And i really think i've got it made
The president called to give me the news
I've been awarded the nobel price in rhythm and blues
And stevie wonder
Wants to record one of my songs
Oh, i'm the great defender
And i really know just how to get along
Oh, i'm the great defender, listen to my song
I really hope you like it, it isn't very long
It's rooted in the 50s
But its heart's in 1984
And if you really like it
Then i sing it for you once more
Down at the arcade, down at the arcade
Down at the arcade, down at the arcade
Down at the arcade
Down at the arcade
Oh, i'm the great defender
And i really think i've got it made
Down at the arcade, down at the arcade
Down at the arcade, down at the arcade
Down at the arcade
Down at the arcade
...

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Scratch My Back

(words & music by giant - baum - kaye)
One good turn deserves another
Be my love, Ill be your lover
Its all part of natures laws
If youll scratch my back then Ill scratch yours.
If youll scratch my back then Ill scratch your back
Like two peas in a pack, lets get rid of our itch together, hmm
Joy they say is in the giving
Come on give, make life worth living
Your welfare is my concern
Do a favour for me, Ill do one in return
If youll scratch my back then Ill scratch your back
Like two peas in a pack, lets get rid of our itch together, hmm
Scratch me now a little lower
What a feeling do it slower
Thats it, hmm youre getting hot
Well I gotta admit, you just hit the spot
If youll scratch my back then Ill scratch your back
Like two peas in a pack, lets get rid of our itch together, hmm
If youll scratch my back then Ill scratch your back

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

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Itch and Scratch

You’re just like an itch
that keeps coming back.
Every time I itch
I have to scratch, scratch, scratch.

Just like a train
on a railroad track
You go away today
and tomorrow come back.

Try taking an aeroplane
instead of a car,
then hop on a rocket
to a distant star.

You’re just like an itch
that keeps coming back.
Every time I itch
I have to scratch, scratch, scratch.

And just like an itch
you’ve got under my skin,
this is a situation
that I just can’t win.

Please give me a break
and get off my back.
Get out of here
and don’t come back.

You’re just like an itch
that keeps coming back.
Every time I itch
I have to scratch, scratch, scratch.

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Right before your eyes

I'm a defender of crimes
Right before your eyes
Voters let us all be hypnotized.

Be lead defenders of lies
As city bankers wink with a grin
Let us scratch and toil - cry

In a unheated bathtub
Numb, let us bathe cold to save.
Darn your pockets dear
But there's no money, here
Save the bones
Of an old Christmas turkey

Oh I'm a defender of crimes
Right before your eyes
Voters let us all be hypnotized.

Be lead defenders of lies
As city bankers wink with a grin
Let us scratch and toil - cry

In selfish solitude till we die
Baby don't you cry baby there's
A chance…? We'll buy a lottery ticket
And ride-out our last chance again
And maybe save our souls the pain.

What more can I say
When the bailiffs
Have more roots in our home today
Than us or the bird perched
In the broken bay-window here to stay
Because I've blown all our money away
On beer and scratch cards they'll say…

Oh I'm a defender of crimes
Right before your eyes
Voters let us all be hypnotized.

Be lead defenders of lies
As city bankers wink with a grin
Let us scratch and toil - cry
Jesus, tell me what's gone wrong…?

The saints preserve us;
Our time left won't be long
In selfish solitude let us die
In selfish solitude let us die

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Downtown Dirt

Down at the arcade the defender is there
Down off of Broadway he's there playing his games
It's very dangerous putting money down on Robotron
Oh, I'm the Great Defender
And I really know just how to get along
Down at the arcade
Oh, I'm the Great Defender
And I really think I've got it made
A fistful of quarters, a fifty dollar stake
Life is a gamble on Videotape
I called a disc jockey to dedicate a song to Blair
It's the 'Four Tops' singing 'I'll be there'
Down at the arcade
The president called to give me the news
I've been awarded the Nobel Price in rhythm and blues
And Stevie Wonder wants to record one of my songs
Oh, I'm the Great Defender
And I really know just how to get along
Oh, I'm the Great Defender, listen to my song
I really hope you like it, it isn't very long
It's rooted in the fifties but its heart's in 1984
And if you really like it
Then I sing it for you once more
Down at the arcade

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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

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XII. The Book and the Ring

Here were the end, had anything an end:
Thus, lit and launched, up and up roared and soared
A rocket, till the key o' the vault was reached,
And wide heaven held, a breathless minute-space,
In brilliant usurpature: thus caught spark,
Rushed to the height, and hung at full of fame
Over men's upturned faces, ghastly thence,
Our glaring Guido: now decline must be.
In its explosion, you have seen his act,
By my power—may-be, judged it by your own,—
Or composite as good orbs prove, or crammed
With worse ingredients than the Wormwood Star.
The act, over and ended, falls and fades:
What was once seen, grows what is now described,
Then talked of, told about, a tinge the less
In every fresh transmission; till it melts,
Trickles in silent orange or wan grey
Across our memory, dies and leaves all dark,
And presently we find the stars again.
Follow the main streaks, meditate the mode
Of brightness, how it hastes to blend with black!

After that February Twenty-Two,
Since our salvation, Sixteen-Ninety-Eight,
Of all reports that were, or may have been,
Concerning those the day killed or let live,
Four I count only. Take the first that comes.
A letter from a stranger, man of rank,
Venetian visitor at Rome,—who knows,
On what pretence of busy idleness?
Thus he begins on evening of that day.

"Here are we at our end of Carnival;
"Prodigious gaiety and monstrous mirth,
"And constant shift of entertaining show:
"With influx, from each quarter of the globe,
"Of strangers nowise wishful to be last
"I' the struggle for a good place presently
"When that befalls fate cannot long defer.
"The old Pope totters on the verge o' the grave:
"You see, Malpichi understood far more
"Than Tozzi how to treat the ailments: age,
"No question, renders these inveterate.
"Cardinal Spada, actual Minister,
"Is possible Pope; I wager on his head,
"Since those four entertainments of his niece
"Which set all Rome a-stare: Pope probably—
"Though Colloredo has his backers too,
"And San Cesario makes one doubt at times:
"Altieri will be Chamberlain at most.

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The Gnat Nebulae

Full pummelling fisticuffs
Stitch over stitch
In and out
Imperceptibly kaleidoscopic
Swirling from ear to ear
Sporadic
Thrumming mystical notes
Notes of whisper
Whisper in the ear
Now a bothered swish of clawing
Cleaving slipping fingers
Immalleable rolling universal ball

Microcosmic needle into
Macrocosmic wool all
Silently thudding kneading pulling
Sealing a sin all opened unforgiven
Eternally whispering to a few
And never really heard
Pummelling sewing the invisible centre
Round and round the darkless sun
Only the end that began

Only a scratch and a bother
What bother to scratch
For scratching bothers
Bothers a scratch

Scratch and not to bother
Scratch Scratch Scratch

Dedicated to J.C. Alldridge

(©: T. Wignesan - Paris,1957; from T. Wignesan. Tracks of a Tramp. Kuala Lumpur-Singapore: 1961; first pub. in 'Forum Academicum', University of Heidelberg,1957)

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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He Is

Doo doo doo doo doo
Doo doo doo doo doo
Oh, my, where do, how do I begin
To answer the question I know you been wonderin
Playin cool, i, cool, how could it all be true
These things, whos that and whats it to you
He is the mind objector, the heart protector
The soul defender of anything I fear
The baby conceiver, the make me believer
The joy bringer, the love giver
He is the dough increaser, the pleasure releaser
The hard knocks knower without the scars to show ya
The night school teacher, the good life preacher
The caretaker, the kiss craver
He is
All these words are only frostin on my cake
Feelings explain, dont do justice to how I feel
So alive, so in love for the first time
No way can I hide who am i
He is the mind objector, the heart protector
The soul defender of anything I fear
The baby conceiver, the make me believer
The joy bringer, the love giver
He is the dough increaser, the pleasure releaser
The hard knocks knower without the scars to show ya
The night school teacher, the good life preacher
The caretaker, the kiss craver
{he is} so {he is}, so {he is}
Everything, everything I want and I want it
{he is} so {he is}, so {he is}
And so much more than I thought it could be
{so right} so right {so right} girls, i
I gotta be the same for him {i gotta be the same for him}
For my baby
Oh...oh...yes, he is, oh, oh
I know exactly what he is
{he is, he is, he is}
My joy bringer
{he is, he is, he is}
He is the soul injector, the heart protector
The soul defender of anything I fear
The baby conceiver, the make me believer
The joy bringer, the love giver
He is the dough increaser, the pleasure releaser
The hard knocks knower without the scars to show ya
The night school teacher, the good life preacher
The caretaker, the kiss craver
He is make it alright to get you through the night
The soul defender of anything I fear
The pain remover, bad times undoer

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Find Out

Ive seen em doing battle
Ive heard in times of war
Still I keep on going
Though its different than before
Theyve been riding high
Up where the cold winds blow
Miles above that highway
Where the rest of us all go
To find out
You have to find out
Its good to find out
Before you open your mouth
Find out
Now dont you find out
You better find out
Before you fill in the blanks
Go find out what it takes
To make a boy break down and cry
Go find out his young mistake
Is a premature goodbye (its a privilege you can buy)
Find out
Where it goes
Find out
Faster roads
Find out
It never grows
Find out
For yourself
You never tried to find the time it takes
To work it out
Its not a waste to taste
The sweat it takes
To work it out
Work!
You dont need a battle
You dont need a war
You dont need any lessons
To find out whats in store
You been riding high
You felt the cold winds blow
Now get back on the highway
Where the others have to go
And find out
And maybe when you do
Youll even find out
You havent got a clue
Unless you find out
Its never like they say
Your gonna find out
Youll take it all the way

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Privilege

Isnt it strange that a gift could be an enemy
Isnt it weird that a privilege could feel like a chore
Maybe its me, but this life isnt going anywhere
Maybe if we looked hard enough we could find a back door
Find yourself a back door
I see you in line dragging your feet
You have my sympathy
The day you were born you were born free
That is your privilege
Isnt it strange that the man standing in front of me
Doesnt have a clue why hes waiting or what hes waiting for
Maybe its me but Im sick of wasting energy
Maybe if I look in my heart, I can find a back a door
Find yourself a back door
I see you in line dragging your feet
You have my sympathy
The day you were born you were born free
That is your
That is your privilege
Find yourself a back door
I see you in line dragging your feet
You have my sympathy
The day you were born you were born free
That is your privilege
I see you in line dragging your feet
You have my sympathy
The day you were born you were born free
That is your
That is your privilege

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Samuel Butler

Hudibras: Part 2 - Canto II

THE ARGUMENT

The Knight and Squire, in hot dispute,
Within an ace of falling out,
Are parted with a sudden fright
Of strange alarm, and stranger sight;
With which adventuring to stickle,
They're sent away in nasty pickle.

'Tis strange how some mens' tempers suit
(Like bawd and brandy) with dispute,
That for their own opinions stand last
Only to have them claw'd and canvast;
That keep their consciences in cases,
As fiddlers do their crowds and bases,
Ne'er to be us'd, but when they're bent
To play a fit for argument;
Make true and false, unjust and just,
Of no use but to be discust;
Dispute, and set a paradox
Like a straight boot upon the stocks,
And stretch it more unmercifully
Than HELMONT, MONTAIGN, WHITE, or TULLY,
So th' ancient Stoicks, in their porch,
With fierce dispute maintain'd their church;
Beat out their brains in fight and study,
To prove that Virtue is a Body;
That Bonum is an Animal,
Made good with stout polemic brawl;
in which some hundreds on the place
Were slain outright; and many a face
Retrench'd of nose, and eyes, and beard,
To maintain what their sect averr'd;
All which the Knight and Squire, in wrath,
Had like t' have suffered for their faith,
Each striving to make good his own,
As by the sequel shall be shown.

The Sun had long since, in the lap
Of THETIS, taken out his nap,
And, like a lobster boil'd, the morn
From black to red began to turn,
When HUDIBRAS, whom thoughts and aking,
'Twixt sleeping kept all night and waking,
Began to rub his drowsy eyes,
And from his couch prepar'd to rise,
Resolving to dispatch the deed
He vow'd to do with trusty speed.
But first, with knocking loud, and bawling,
He rouz'd the Squire, in truckle lolling;

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I. The Ring and the Book

Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.

Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.

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Where The River Flows

Music : rudolf schenker
Lyrics: klaus meine
Under suburban skies
Where life is bleeding
Where concrete skies are grey
Theres plenty of room for dreaming
I still keep coming here
Follow those traces
I travel back in time
Remember all those places
Feels like I never left
The houses still standing
Down by the river where
The dreams are never ending
You find me
You find me
You find me by the river
You find me
You find me
You find me where the river flows
Under the silent moon
This industrial city
Is heartland even though
Lifes been not that pretty
I still keep coming here
To that old river
To find my roots just where
The future lives forever
You find me
You find me
You find me by the river
You find me
You find me
You find me, you can find me
By the river where dreams will never die
By the river under suburban skies
You find me
You find me
You find me by the river
You find me
You find me
You find me where the river flows
By the river where dreams have never died
By the river I look through childrens eyes
You find me
You find me
You find me by the river
You find me
You find me
You find me where the river flows

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Kittens Got Claws

(coverdale/vandenberg)
Walking down the street
Youre the center of my universe
You got the world in your pocket,
My manhood in your purse
You aint a bad girl, honey,
No matter what the neighbours say,
Its just that you were those skin-tight dresses
With your g-string tuned to a
Sweet, sweet, child of the street
Heaven sent, youre an angel dressed in black,
Cool, stiletto strut, youre a drop jaw cardiac
Youre the genuine, feline, prettiest girl Ive ever seen,
With your thief of hearts smile
Youre a certified pleasure machine
Sweet, sweet, child of the street
Dressed to kill in diamonds and fur,
You get what you want
With your pussy cat purr
But, the kittens got claws,
Shell tear your heart out
The kittens got claws,
Shell scratch your back
The kittens got claws
Shell tease an please you
The kittens got claws,
Shes a heart attack
You treat me good,
Sometimes you treat me bad,
But, keep it up, honey,
Youre the best time Ive ever had
No matter what you put me through I must confess,
Oh, you got more style than a brand new xjs
Sweet, sweet, child of the street
Dressed to kill in diamonds and fur,
You get what you want
With your pussy cat purr
But, the kittens got claws,
Shell tear your heart out
The kittens got claws,
Shell scratch your back
The kittens got claws,
Shell tease an please you
The kittens got claws,
Shes a heart attack...
Walking down the street
Youre the center of my universe
You got the world in your pocket,
My manhood in your purse
I know you aint a bad girl, honey,

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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

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