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It's really important for the bass and the drums to somehow blend.

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The Drums of Battersea

They can’t hear in West o’ London, where the worst dine with the best—
Deaf to all save lies and laughter, they can’t hear in London West—
Tailored brutes and splendid harlots, and the parasites that be—
They can’t hear the warning thunder of the Drums of Battersea.
More drums! War drums!
Drums of Misery—
Beating from the hearts of men—the Drums of Battersea.
Where the hearses hurry ever, and where man lives like a beast,
They can feel the war-drums beating—men of Hell! and London East.
And the far-off foreign farmers, fighting fiercely to be free,
Found new courage in the echo of the Drums of Battersea.
More drums! War drums!
Beating for the free—
Beating on the hearts of men—the Drums of Battersea.

And the drummers! Ah! the drummers!—stern and haggard men are those
Standing grimly at their meetings; and their washed and mended clothes
Speak of worn-out wives behind them and of grinding poverty—
But the English of the English beat the Drums of Battersea!
More drums! War drums!
Drums of agony—
The big bruised heart of England’s in the Drums of Battersea.

Where in fields slave Englishwomen, Oh! the sound of drums is there:
I have heard it in the laughter of the nights of Leicester Square—
Sailing southward with the summer, London but a dream to me,
Still I feel the distant thunder of the Drums of Battersea!
More drums! War drums!
Drums of Liberty—
Rolling round the English world—the Drums of Battersea.

Oh! I heard them in the Queen’s Hall—aye! and London heard that night—
While we formed up round the leaders while they struck one blow for right!
And the old strength, that old fire, that I thought was dead in me,
Blazed up fiercely at the beating of the Drums of Battersea!
More drums! War drums!
They beat for victory—
When above the roar of Jingoes rolled the Drums of Battersea.

And where’er my feet may wander, and howe’er I lay my head,
I shall hear them while I’m dreaming—I shall hear them when I’m dead!
For they beat for men and women, beat for Christ, and you and me:
There is hope and there is terror in the Drums of Battersea!
More drums! War drums!
Drums of destiny—
There’s hope!—there’s hope for England in the Drums of Battersea.

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The Drums of Ages

Drums of all that’s right and wrong—of love and hate and scorn,
And the new-born baby hears them and it wails when it is born.
Drums of all that is to be, and all that has gone by,
And we hear them when we’re dreaming, and we hear them while we die.

Drums of martyred innocence and drums of driven guilt
Beating backward from the future when the first rude town was built;
Beating louder through the slave days and the dark and hungry nights,
While the hovels filled the valleys and the castles crowned the heights;
Beating louder while the mansions shifted east from miles of slums—
Don’t you hear them? Don’t you hear them? Don’t you hear the alley drums?

Drums of human sacrifice and drums of war at home—
While the Romans conquered nations they were beating loud in Rome.
Children heard them through the ages, mothers paused and glanced behind,
Madmen saw and heard the drummers, but the rest were deaf and blind.
Peasants starved on fields of plenty, workmen rotted in the slums—
Till the drummers came to Paris and the nations heard the drums.

Drums of hope and bursting hearts—the drums of Westward Ho!—
From the homes of generations and their native land they go.
’Groom and bride and grey-haired mother, bent old men who go alone—
Fleeing bitter persecution for the terrible unknown:
Seeking freedom, rest, or justice—and the peace that never comes—
And the wilderness was conquered when the pilgrims beat their drums.

Drums of Greed that followed fast where men had made the way,
Waking drums of stern rebellion when the exiles turned at bay,
Spreading death and desolation, breeding old-world hells anew,
Until England lost a nation for the blindness of a few.
Still the dirty Jewish talon reached from palaces and slums
Till a hundred thousand English died to stop the farmers’ drums.

Drums of tortured hearts o’ men—the drums that never ceased—
Throbbing through the British Empire from the heart of London East;
Growling louder still wherever, in the wake of those who lead,
Comes the murmur of the board-room and the stealthy steps of greed;
Growling through the Southern cities, murmuring in the Western gums,
Till the Empire falls to pieces at the beating of the drums!

Drums of all that’s right and wrong—of love and hate and scorn;
And the new-born baby hears them, and he wails when he is born.
Drums of all that is to be, and all that has gone by—
And we hear there when we’re dreaming, and we hear then while we die.

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No Good/start The Dance (Bad For You Mix)

Come on, who can, who can, can hear the bass drum?
Come on, who can, who can, can hear the bass drum?
Come on, who can, who can, can hear the bass drum?
Come on, who can, who can, can hear the bass drum?
You're no good for me,
I don't need nobody.
Don't need no-one,
That's no good for me.
You're no good for me,
I don't need nobody.
Don't need no-one,
That's no good for me.
You're no good for me,
I don't need nobody.
Don't need no-one,
That's no good for me.
You're no good for me,
I don't need nobody.
Don't need no-one,
That's no good for me.
You're no good for me,
I don't need nobody.
Don't need no-one,
That's no good for me.
You're no good for me,
I don't need nobody.
Don't need no-one,
That's no good for me.
You're no good for me,
I don't need nobody.
Don't need no-one,
That's no good for me.
You're no good for me,
I don't need nobody.
Don't need no-one,
That's no good for me.
Come on, who can, who can, can hear the bass drum?
Come on, who can, who can, can hear the bass drum?
Come on, who can, who can, can hear the bass drum?
Come on, who can, who can, can hear the bass drum?
Come on, who can, who can, can hear the bass drum?
Come on, who can, who can, can hear the bass drum?
You're no good for me,
I don't need nobody.
Don't need no-one,
That's no good for me.
You're no good for me,
I don't need nobody.
Don't need no-one,
That's no good for me.

[...] Read more

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England In Egypt

FROM the dusty jaded sunlight of the careless Cairo streets,
Through the open bedroom window where the pale blue held the
palms,
There came a sound of music, thrilling cries and rattling beats,
That startled me from slumber with a shock of sweet alarms
For beneath this rainless heaven with this music in my ears
I was born, and all my boyhood with its joy was glorified,
And for me the ranging Red-coats hold a passion of bright tears,
And the glancing of the bayonets lights a hell of savage pride.
So I leaped and ran, and looked,
And I stood, and listened there,
Till I heard the fifes and drums,
Till I heard the fifes and drums,
The fifes and drums of England
Thrilling all the alien air! —
And 'England, England, England,'
I heard the wild fifes cry,
'We are here to rob for England,
And to throttle liberty!'
And 'England, England, England,'
I heard the fierce drums roar,
'We are tools for pious swindlers
And brute bullies evermore!'
And the silent Arabs crowded, half-defiant, half-dismayed.
And the jaunty fifers fifing flung their challenge to the breeze,
And the drummers kneed their drums up as the reckless drumsticks
played,
And the Tommies all came trooping, tripping, slouching at their ease.
Ah Christ, the love I bore them for their brave hearts and strong
Ah! Christ, the hate that smote me for their stupid dull conceits —
I know not which was greater, as I watched their conquering bands
In the dusty jaded sunlight of the sullen Cairo streets.
And my dream of love and hate
Surged, and broke, and gathered there,
As I heard the fifes and drums,
As I heard the fifes and drums,
The fifes and drums of England
Thrilling all the alien air! —
And 'Tommy, Tommy, Tommy,'
I heard the wild fifes cry,
'Will you never know the England
For which men, not fools, should die?'
And 'Tommy, Tommy, Tommy,'
I heard the fierce drums roar,
'Will you always be a cut-throat
And a slave for evermore?'
No, I shall never see it with these weary death-dim eyes,
The hour of Retribution, the hour of Fate's desire,
When before the outraged millions, as at last — at last they rise,
The rogues and thieves of England are as stubble to the fire!

[...] Read more

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Boyz With Da Bass

Intro:(mysterious music)
Absolutely no one under 17 will be admitted without parent or certified adult guardian.
Theyll fry your brain. theyre sick as hell!
Jolly good fun.
Youll die dancin!
Dark, gliding shapes that glide every long inch ...
Buy em or die a thousand deaths!
Chorus:
Heyy!
2 live crew
Boys with the bass!
You better know it!
Verse 1: [fresh kid ice]
Thats right yall, you heard it cause we said it
And if you cant read in the magazines,
You read about who? you know the crew!
Fresh outta pac
And the first to put the bass on the 24-track
Some said it wouldnt work, some said it wouldnt last
In new york, they say that the tempos too fast
You disregarded, but the albums got charted
We put em in the stores and millions habe bought it
An underground sound, not liked by radio
You hear it in the cars and at the dicso
On the airwaves, we misbehave
Were too bold, too rugged in our nasty ways
From dirty minds come dirty rhymes
Were not gonna beg for your time
You dont play it? thats cool with me
But somehow, our bass still reaches the street
As long as we got it, you can get it
People want the bass, so some try to steal it
From behind our back, and not in our face
cause 2 live is the crew, the boys with the bass!
Chorus
Verse 2: [brother marquis]
Holdin out own in the south-east region
When you come to the bottom, pledge to our allegiance
Im glad to say that were the proud owners,
The rock-and-rollers, you cant us this over
The name of the game is supply and demand
We supply the bass while you demand our jams
We could not wait to bring our bass to you
Because in this game, you lag, you lose
See, we serve our bass raw, straight up and not false
This is the kind you dance to, and not on 8-ball
Plenty of bass, the beat, and the rhyme
That my homeboy mr. mixx carefully designed
Hittin hard as hell, and always droppin
Bass is the reason why you are rockin

[...] Read more

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Senlin: His Futile Preoccupations

1

I am a house, says Senlin, locked and darkened,
Sealed from the sun with wall and door and blind.
Summon me loudly, and you'll hear slow footsteps
Ring far and faint in the galleries of my mind.
You'll hear soft steps on an old and dusty stairway;
Peer darkly through some corner of a pane,
You'll see me with a faint light coming slowly,
Pausing above some gallery of the brain . . .

I am a city . . . In the blue light of evening
Wind wanders among my streets and makes them fair;
I am a room of rock . . . a maiden dances
Lifting her hands, tossing her golden hair.
She combs her hair, the room of rock is darkened,
She extends herself in me, and I am sleep.
It is my pride that starlight is above me;
I dream amid waves of air, my walls are deep.

I am a door . . . before me roils the darkness,
Behind me ring clear waves of sound and light.
Stand in the shadowy street outside, and listen--
The crying of violins assails the night . . .
My walls are deep, but the cries of music pierce them;
They shake with the sound of drums . . . yet it is strange
That I should know so little what means this music,
Hearing it always within me change and change.

Knock on the door,--and you shall have an answer.
Open the heavy walls to set me free,
And blow a horn to call me into the sunlight,--
And startled, then, what a strange thing you will see!
Nuns, murderers, and drunkards, saints and sinners,
Lover and dancing girl and sage and clown
Will laugh upon you, and you will find me nowhere.
I am a room, a house, a street, a town.

2

It is morning, Senlin says, and in the morning
When the light drips through the shutters like the dew,
I arise, I face the sunrise,
And do the things my fathers learned to do.
Stars in the purple dusk above the rooftops
Pale in a saffron mist and seem to die,
And I myself on a swiftly tilting planet
Stand before a glass and tie my tie.

Vine leaves tap my window,

[...] Read more

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Slap That Bass

Zoom zoom zoom zoom
The world is in a mess
With politics and taxes
And people grinding axes
Theres no happiness
Zoom zoom zoom zoom
Rhythm lead your ace
The future doesnt fret me
If I can only get me
Someone to slap that bass
Happiness is not a riddle
When Im listening to that
Big bass fiddle
Slap that bass
Slap it till its dizzy
Slap that bass
Keep the rhythm busy
Zoom zoom zoom
Misery, youve got to go
Slap that bass
Use it like a tonic
Slap that bass
Keep your philharmonic
Zoom zoom zoom
And the milk and honeyll flow
Dictators would be better off
If they zoom zoom now and then
Today, you can see that the happiest men
All got rhythm
In which case
If you want a bauble
Slap that bass
Slap away your trouble
Learn to zoom zoom zoom
Slap that bass
(bridge)
Dictators would be better off
If they zoom zoom now and then
Today, you can see that the happiest men
All got rhythm
In which case
If you want a bauble
Slap that bass
Slap away your trouble
Learn to zoom zoom zoom
Slap that bass
Zoom zoom zoom zoom
Zoom zoom zoom zoom
Zoom zoom zoom zoom

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Vengababes From Outer Space

Vengababes from outer space
Oh weh oh
Oh weh oh
Oh weh oh
Oh weh oh
Something specials in the air this evening
Everybodys looking at the sky
Messages that we have been receiving
Vengababes are here to take you high
Oh weh oh - its a cosmic celebration
Oh weh oh - vengababes are here to stay
Oh weh oh - get ready for the bass invasion
Oh weh oh - we are the
Vengababes from outer space
Here to save the human race
Happy face, just pump the bass
Gonna make this world a party place
Vengababes from outer space
Here to save the human race
Happy face, just pump the bass
Gonna make this world a party place
Now you know that we are taking over
And there is no need to be afraid
Just come and jump for fun, dont think it over
Everybody get up and celebrate
Oh weh oh - its a cosmic celebration
Oh weh oh - vengababes are here to stay
Oh weh oh - get ready for the bass invasion
Oh weh oh - we are the vengababes from outer space
Here to save the human race
Happy face, just pump the bass
Gonna make this world a party place
Vengababes from outer space
Here to save the human race
Happy face, just pump the bass
Gonna make this world a party place
Its a cosmic celebration!
Get ready for the bass invasion
Oh weh oh
Oh weh oh
Oh weh oh
Oh weh oh
We are the
Vengababes from outer space
Here to save the human race
Happy face, just pump the bass
Gonna make this world a party place
Vengababes from outer space
Here to save the human race
Happy face, just pump the bass

[...] Read more

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Charly

Little bit of bass
Little bit of raas
Charly says bass
Charly says raas
Bass, bass, little bit of bass, little bit of bass, little bit of raas
Little bit of bass, little bit of raas
Little bit of bass, little bit of raas
Little bit of bass, little bit of raas

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Johnny, I Hardly Knew Ye

WHILE going the road to sweet Athy,
Hurroo! hurroo!
While going the road to sweet Athy,
Hurroo! hurroo!
While going the road to sweet Athy,
A stick in my hand and a drop in my eye,
A doleful damsel I heard cry:
“Och, Johnny, I hardly knew ye!

“With drums and guns, and guns and drums,
The enemy nearly slew ye;
My darling dear, you look so queer,
Och, Johnny, I hardly knew ye!

“Where are your eyes that looked so mild?
Hurroo! hurroo!
Where are your eyes that looked so mild?
Hurroo! hurroo!
Where are your eyes that looked so mild,
When my poor heart you first beguiled?
Why did you run from me and the child?
Och, Johnny, I hardly knew ye!
With drums, etc.

“Where are the legs with which you run?
Hurroo! hurroo!
Where are thy legs with which you run?
Hurroo! hurroo!
Where are the legs with which you run
When first you went to carry a gun?
Indeed, your dancing days are done!
Och, Johnny, I hardly knew ye!
With drums, etc.

It grieved my heart to see you sail,
Hurroo! hurroo!
It grieved my heart to see you sail,
Hurroo! hurroo!
It grieved my heart to see you sail,
Though from my heart you took leg-bail;
Like a cod you’re doubled up head and tail,
Och, Johnny, I hardly knew ye!
With drums, etc.

“You haven’t an arm and you haven’t a leg,
Hurroo! hurroo!
You haven’t an arm and you haven’t a leg,
Hurroo! hurroo!
You haven’t an arm and you haven’t a leg,
You’re an eyeless, noseless, chickenless egg;

[...] Read more

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River Of Bass

To touch. to taste.
She flows like a river of bass vibration.
To touch. to taste.
She flows like a river of bass vibration.
Sweet water. sweet water.
To touch. to taste.
You flow like a river of bass vibration.
Sunshine surrounds me.
Showering above their greed.
Sunshine surrounds me.
Showering above the greed.
To touch. to taste.
You flow like river of bass vibration.
To touch. to taste.
You flow like a river of bass vibration.
Take me down.
To your river of sweet release.
Take me down.
To your river of sweet relief.
Everyone is sleeping.
This needle is release.
Sitting on a mountain.
Companies could see.
Listening to a whisper.
To touch. to taste.
You flow like a river of bass vibration.
What is in the thornbush.
A thornbush in my head.
Im a snowstorm. Im a shaker.
Sometimes I regret the things I say.
To touch. to taste.
She flows like a river of bass vibration.
Take me down.
To your river of sweet release.
Take me down.
To your river of sweet relief.
From chelsea to essex. every room.
In every sweet cocoon.
Chelsea to essex. in every room.
In every sweet cocoon.
Sometimes I feel her coming
From the other side of the world.
Sometimes I feel her coming
From the other side of the world.
To touch. to taste.
She flows like a river of bass vibration.

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Pump Up The Bass

Artist: dj jazzy jeff and the fresh prince
[fresh prince]
In the place to be
Dj jazzy jeff and yours truly the fresh prince
Ay jeff, do me a favor, give em just a lil touch of the bass
Not a lot, just a lil touch jeff
Word word
Ay jeff do me a favor man, jazz it up
Now bring it all back
Yo man now break it down and let me go for mine
When I first started out, jeff used to come to my house
Just as soon as school let out, he used to
Come to my crib, and you know what we did?
We bugged out like two little kids, word
Jeff on the wheels, and me on the m.i.c.
A better combination there could never be
So lets go back, for old times sake
Yo jeff! (what? ) pump up the bass!
I . like . my . music . loud!
The volume, pumpin, the kickdrum thumpin
The people jumpin, up out there seats
When this record comes on, you think somethings wrong
The bass is too strong
You dont have to check your record, its not defective
Its just the way we wanted it, pump it, get it?
We like it loud, strong like a magnum force
I am the lyricist, jeff is the rhythm source
This combination, is virtually omnipotent
That means invincible, you know, dominant
So dont you cross our path, just stay out our face
Or well knock you down, pump up the bass!
Yo jeff man, how bout a funky scratch
Now get funky with it
Now bring in the snare
Now break it down and bring it all back to me
Now pump up the bass!
Im hyped -- psyched up
And Im flowin, so come on lets go in
To the next segment, of this hip-hop fantasy
You say this cant be happening, why cant it be?
Its an equation, mathematically correct
Its jeff + prince, equals, hit records
Sounds too easy? word, I know it does
You wanna know why? well yo its cause
Me and jeff, oh, jeff and i, excuse me
Blend like kool-aid, and flow like an uzi
Thats why we cant be taken or broken or braken, whatever
And if you think we can, youre mistaken, were clever
Cause all we did to make this record a hit
Was turn down the treble, pump up the bass kit

[...] Read more

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If It's Love!

It's important that unshown love,
Comes directly shown from you.
To say it...
Doesn't make,
That-love-be-true!

It's important that unshown love,
Is a thing one wants to do...
Just to prove what is said,
Is absolutely true.

A hug,
And maybe a kiss.
A touch,
That has been missed.
A show of thoughtfulness...
Can go a very long distance.

A call,
Every once in a while...
Will go further than a mile.
If love is there to be shared...
Show someone they are cared for!
And doubts will come no more.

It's important that unshown love,
Comes directly shown from you.
To say it...
Doesn't make,
That-love-be-true!

It's important it's directly shown,
If it's love.
Yes!

It's important it's directly shown,
If it's love.
Yes!

It's important it's directly shown.
It's important it's directly shown.
It's important it's directly shown,
If it's love!

It shoos a boo-hooin'...
Known.

It's important it's directly shown.
It's important it's directly shown.
It's important it's directly shown,

[...] Read more

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Charley (Alley Cat Mix)

Charly says: Always tell your mummy
before you go off somewhere
OR
Charly says: Always tell your mummy
before you go off somewhere
Trip Into Drum & Bass version
Little bit of bass
Little bit of raas
Charly says bass
Charly says raas
Bass, bass, little bit of bass,
little bit of bass,
little bit of raas

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Sestina/Creation

When all supply was in the hands of Cause,
Effect was molten primal chaos, held
Within a universal cauldren, rest
Was given to consider what the blend
Would yield. What distillation might there come
When left to steep upon the flame of time?

What essence to be poured or spooned, when time
Had separated dross from grime; When Cause
Congealed Effect as form? What shape would come?
Omniscience knew the liqued luster held
Within an orbed mold to cool, would blend
A tear so pure, that Genesis could rest.

An orb within the plumbless steep, no rest
Was had as crystal creep began. In time
A metamorphic stress; a grinding blend
Of blasting heaves had splayed the plates to cause
The core to spill its viscous blaze. Not held,
A spew and fall of flaming rock had come.

As fluid land had ceased to flow, then come
Awaking, as purpose changed the rest
Of earth's most fragil face. Creation held
Expressive mind as conscious force, with time,
Embraced the law of Cosmic Will to cause
The 'Seeds of Season' to sprout forth and blend.

Profound, prestine, profusion was its blend
Of manifest raw beauty. Light had come,
Divine desire had found demension. Cause
Became the tangible of thought. The rest
Of thought, the fractured Self of God, In time,
As Souls, would pierce the veil of flesh then held.

Within the folded fist of night dawn held
Ignited eastern skies, until the blend
Of feathered morning light with time.
Through Holy Emulation, life would come
As reasoning pushed out, first breath, then rest,
Effect emerged as man, awakened Cause.


Creative Reason held the souls to come.
His law combined with Will, would blend the rest
Of mortal clay, with time, to temple Cause.

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Blend

blend, how did i ever use that word in my life?

blend with the people i work with, dissolve in their ordinariness
so i cannot be noticed anymore
i wear the same clothes, same brand and even same color to blend
with all of them, and so i am in, not a deviant, not an opposition
not a rebel but a supporter of their cause

blend with the crowd like cuts of carrots and apples and melons
in a blender and nothing is identifiable in that concoction
blend and blend and blend myself with the world and this universe
escape from my uniqueness betray my individuality

as all creeks and rivers all flow to the sea as one entity
away from loneliness, losing myself my thoughts

the I surrendering to the we, the coward one,
blending, and now there is no one, yet why this poetry apart from you?

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Sound Of Drums

I hear the sound of drums on a melody
I hear the sound of drums
Well, singing the names above in the city
Yeah, revolution for fun
I feel the time has come like a remody
I feel the time has come
Were shaking the spear of love in the city
Yeah, I hear the sound of drums
Yeah, can you feel the love for me, yeah yeah
I feel the time has come
I hear the sound of drums
I hear the sound of drums on a melody,
Calling me to return
Well, I laugh and catch the sun
cause its gonna be revolution for fun
Yeah, can you feel the love for me, yeah yeah
I feel the time has come
I hear the sound of drums..oh oohh...
Well, I feel the time has come with the melody
I see the golden one
Well, Im not the only one with the remedy
Im not the only one
I feel the time has come
I hear the sound of drums

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Ghetto Bass

Mr. Mixx:
Ghetto Style Dee-Jays!
{Don't touch that stereo!}
{Ghetto} {Bass}
Verse 1: Fresh Kid Ice
What's up, party people, we're back again
Bringin' you the message from some of our friends
They're the funkiest crew from the heart of the city
When the amps are on, they'll take no pity
'Cause Ghetto has the style that has the girls jockin'
When you talk about the system, all you say is "Rockin'!"
Others hear the name, then scream out loud
'Cause they are known to move the crowd
When you hear the sound, they'll stop and wonder
Then gaze upon the speaker, the wall of thunder
Standin' on the ground, 3 stories high
The deepest bass and the real fresh high
So step off your throne; they're on the loose
The DJ's from Miami with all the juice
So consider yourself warned; they're back on the case:
It's Luke Skyywalker and the Ghetto Style Bass!
{Ghetto} {Get up}
Verse 2: Brother Marquis
To some, "Ghetto" is a name; to others a tradition
In the city of boom, ther can never be an addition
Of any of the DJ's to rock the land
Like the ones from the city and the boys from Pac-Jam
Handsome Harry, you know the brother was strong
He ain't dared any man to get him wrong
L.A. Jay, this young brother doesn't play
He'll strong-arm any sucker who gets in his way
Baby Ced, Liberty City born and bred
Always known for the knowledge and sense of the head
Disco Gene, he's reunited with the team
He was gone for a while, but back in the swing of things
Amazing Chico, a king to his trade
Known as Bernie B. on 9-1-7 Bass
And G.I. Joe, who has the girls by the row
He always gets cased 'cause his game is gettin' slow
And last but not least, marvelous J.P.,
And we can't forget Cisco - we're glad you are free
So one day to your kids you will tell the story
Of how the Ghetto Style DJ's achieved their glory!
{Ghetto} {Bass}
{Look out everybody, 'cause they're in the place,
It's Luke Skyywalker and the Ghetto Bass

song performed by 2 Live CrewReport problemRelated quotes
Added by Lucian Velea
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Bettys Got A Bass Boat

(bernie nelson/craig wiseman)
Now betty was your average ordinary girl
Never wanted very much out of this world
Just an occasional dinner and twirl, from a regular guy
So betty sat up one lonely night
Trying to figure out what a man might like
Then like a bolt right out of the blue, she got herself a plan
Bettys got a bass boat, bettys got a truck, all of a sudden things are looking up
Shes the most popular girl in town, since she got a new camper and a huntin hound
Might be coincidental, oh you just might never know
Oh, but things sure got a lot better since betty got a bass boat
Now lately getting a date isnt all that hard
Theres a half a dozen bubbas fightin in the yard
She won em over with her southern charm, and a satellite dish
Now betty cant believe her popularity
Shes thinkin bout marketing her recipe
So ironic and the funny thing is, she never even liked to fish
Bettys got a bass boat, bettys got a truck, all of a sudden things are looking up
Shes the most popular girl in town, since she got a new camper and a huntin hound
Might be coincidental, oh you just might never know
Oh, but things sure got a lot better since betty got a bass boat
Shes got bowling shoes, she cant lose
Shes got those boys just blowin their fuse
Shes got a big screen, shes in the in scene
Theyre ever gonna make her strawberry queen
Bettys got a bass boat, bettys got a truck, all of a sudden things are looking up
Shes the most popular girl in town, since she got a new camper and a huntin hound
Might be coincidental, oh you just might never know
Oh, but things sure got a lot better since betty got a bass boat

song performed by Pam TillisReport problemRelated quotes
Added by Lucian Velea
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Heat It In The Kettle

Mix and blend before you can,
Feed me!
Heat it in the kettle then,
Feed me love!
Mix and blend before you can,
Feed me!
Heat it in the kettle then,
Feed me love!

Mix and blend before you can,
Put in the potatoes.
Mix and blend before you can,
Add the tomatoes.
Heat it in the kettle then...
Use chopped beef.
Or any kind of meat.

Take that homemade bread out of the oven.
Thickly slice.
Butter it nice.

Take that homemade bread out of the oven.
Thickly slice.
Butter it nice.

Mix and blend before you can,
Feed me!
Heat it in the kettle then,
Feed me love!

Take that homemade bread out of the oven.
Thickly slice.
Butter it nice.

Mix and blend before you can,
Put in the potatoes.
Add the tomatoes.
Use chopped beef.
Or any kind of meat.

Heat it in the kettle then
Heat it in the kettle then
Heat it in the kettle then...
Feed me love!

poem by Report problemRelated quotes
Added by Poetry Lover
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