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If die I must, let me die drinking in an Inn.

quote by Walter Map
Added by Lucian Velea
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Afrikaans: Sterregordels, Stilsonjare, Tydsbroekspypdinge, Haarsliert

Sterregordels

Cosmology in Afrikaans is an ode to joy, the
terms form sing-song strings with delightful
sounds “ewigbewegende elektron”
continuously spinning electron

“elektron in die hart van die atoomkorrel”
electron in the centre of the atom particle
- what a song!

“Triljoene Melkwegstelsels waaromheen ons
Melkweg elke tweehonderdmiljoenjaar
wentel – ‘n mallemeule van sterregordels…”

“Dobberende patrone, mesone en elektrone,
'n konfigurasie van konvekse novae”…

- these terms are singing to me!

A merry-go-round of star systems

Quotes from Adriaan Snyman “Die Messias Kode” (The Messiah Code) pp.9,10

Bombardement Van Frekwensies (English Explanation)

Waarmee sal ek hierdie leë oomblikke,
ankerloos, betekenisloos; aan die ewigheid
vasmaak - die gevoelsruimte in my hart

Is leeg, alle gevoel en denke het gesamentlik
in die donker duisternis van my brein ingeval
‘n laserbrein wat die hologramwêreld

Self moet konsituteer uit ‘n bombardement
van betekenislose frekwensies – maar
vandag is die ligstraalfokus uit

My pendulumgedagtes swaai ongefokus rond
die opgerolde, ingevoude ses-en-twintig of
meer dimensies van die virtuele werklikheid

Wil nie vir my oopgaan nie…

All thought and feeling fell into the black hole in my brain and the twenty-six or more rolled-up frequencies of reality does not want to open for me today…

Geloof In Liefde - Faith In Love

[...] Read more

poem by Margaret Alice
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Downhill and other Parodies - Christina ROSSETTI - Uphill

Yes, the clock ticks downhill all the way,
until the very end.
Will the day's journey take the whole long day?
From light to mo[u]rn, my friend.
But is there for the spring a resting-place,
a ring before the last dark hours begin,
may not time fleeting mask it from my face?
No second chance for sin.
Will timesharing ease the fears and fright?
Toc ticks till all’s in hock which went before.
May not Time’s knocks be reined in by insight?
There is no reign resistant to scythe sure.
Who may find comfort, travel-sore and weak?
Time echoes onwards though the soul’s struck dumb.
Will there be time for me and all who seek?
Come, come! - the tocsin ticks to each his sum.

(c) Jonathan Robin Parody Christina ROSSETTI - Uphill
15 October 2005

Uphill

Does the road wind up-hill all the way?
Yes, to the very end.
Will the day's journey take the whole long day?
From morn to night, my friend.
But is there for the night a resting-place?
A roof for when the slow dark hours begin.
May not the darkness hide it from my face?
You cannot miss that inn.
Shall I meet other wayfarers at night?
Those who have gone before.
Then must I knock, or call when just in sight?
They will not keep you standing at that door.
Shall I find comfort, travel-sore and weak?
Of labor you shall find the sum.
Will there be beds for me and all who seek?
Yea, beds for all who come.

Christina G ROSSETTI 1830_1894

Uphill Holiday

Will the long journey take the whole long day?
From morn to night, my friend.
And shall I have to stand the whole long way?
Of standing you shall have no end.

[...] Read more

poem by Jonathan Robin
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Das Schlauraffen Landt.

Ain gegent haist Schlauraffen land,
Den faulen leuten wol bekant,
Das ligt drey meyl hinder Weyhnachten.
Vnd welcher darein wölle trachten,
5
Der muß sich grosser ding vermessn
Vnd durch ein Berg mit Hirßbrey essn,
Der ist wol dreyer Meylen dick.
Als dann ist er im augenblick
Inn den selbing Schlauraffen Landt,
10
Da aller Reychthumb ist bekant.
Da sind die Heuser deckt mit Fladn,
Leckuchen die Haußthür vnd ladn,
Von Speckuchen Dielen vnd wend,
Die Tröm von Schweynen braten send.
15
Vmb yedes Hauß so ist ein Zaun,
Geflochten von Bratwürsten braun.
Von Maluasier so sindt die Brunnen,
Kommen eim selbs ins maul gerunnen.
Auff den Tannen wachssen Krapffen,
20
Wie hie zu Land die Tannzapffen.
Auff Fichten wachssen bachen schnittn.
Ayrpletz thut man von Pircken schüttn.
Wie Pfifferling wachssen die Fleckn,
Die Weyntrauben inn Dorenheckn.
25
Auff Weyden koppen Semel stehn,
Darunter Pech mit Milich gehn;
Die fallen dann inn Pach herab,
Das yederman zu essen hab.
Auch gehen die Visch inn den Lachn
30
Gsotten, Braten, Gsulzt vnd pachn
Vnd gehn bey dem gestat gar nahen,
Lassen sich mit den henden fahen.
Auch fliegen vmb (müget jr glaubn)
Gebraten Hüner, Genß vnd Taubn.
35
Wer sie nicht facht vnd ist so faul,
Dem fliegen sie.selbs in das maul.
Die Sew all Jar gar wol geratn,
Lauffen im Land vmb, sind gebratn.
Yede eyn Messer hat im rück
40
Darmit eyn yeder schneydt eyn stück
Und steckt das Messer wider dreyn.
Die Creutzkeß wachssen wie die steyn.

[...] Read more

poem by Hans Sachs
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Insomnia

Reading magazines and counting sheep to pass the time away
Hoping that tomorrows gonna bring a smile home again
Images of palm trees swaying in the wind on south beach
Takes me back to better days, summer days the everglades in june
My brain, my poor brain
My brain, my poor brain
Im drinking myself to sleep again, nightnurse pills to keep me sane
Drinking myself to sleep again, insomnia
Flying high in golden skies, Im flicking channels in my mind
Finding my utopia a different chapter in a book
Thinking back to younger days as I escape in coopers break
It takes me back to 84 the futures knocking at my door
My brain, my poor brain
My brain, my poor brain
Im drinking myself to sleep again, nightnurse pills to keep me sane
Drinking myself to sleep again, insomnia Im drinking myself to sleep again, nightnurse pills to keep me sane
Drinking myself to sleep again, insomnia
Turning off a switch inside me, leaving all the stress behind me
Flying over streams and houses, passing over the wye valley
It takes me back to 84 the futures knocking at my door
My brain, my poor brain
Im drinking myself to sleep again, nightnurse pills to keep me sane
Drinking myself to sleep again, insomnia Im drinking myself to sleep again, nightnurse pills to keep me sane
Drinking myself to sleep again, insomnia Im drinking myself to sleep again, nightnurse pills to keep me sane
Drinking myself to sleep again, insomnia.

song performed by Feeder
Added by Lucian Velea
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Living In Sin

I know you write me sexy letters, and you send your pictures for my wall
You found the hotel where Im stayin
And you built up the nerves and then you called
Chorus:
Im living in sin (at the holiday inn)
At the holiday inn, yeah (living in sin)
Im living in sin (at the holiday inn)
At the holiday inn (just living in sin)
You tell me, you want me to protect you, but sometimes my love can go too far
Deep in your heart you wanna love me, come closer, I know who you are
Chorus
Deep in your heart you wanna love me, come closer, I know who you are
I know who you are
(phonecall)
I know you write me sexy letters, but sometimes my love can go too far
Chorus
(living in sin) Im living in sin (holiday - at the holiday inn)
(living in sin) at the holiday inn, yeah (holiday - living in sin)
(living in sin) wont you open the door (holiday - at the holiday inn)
(living in sin) wont you come on (in) out (in) out
(repeats out)

song performed by Kiss
Added by Lucian Velea
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Part I

"That oblong book's the Album; hand it here!
Exactly! page on page of gratitude
For breakfast, dinner, supper, and the view!
I praise these poets: they leave margin-space;
Each stanza seems to gather skirts around,
And primly, trimly, keep the foot's confine,
Modest and maidlike; lubber prose o'er-sprawls
And straddling stops the path from left to right.
Since I want space to do my cipher-work,
Which poem spares a corner? What comes first?
'Hail, calm acclivity, salubrious spot!'
(Open the window, we burn daylight, boy!)
Or see—succincter beauty, brief and bold—
'If a fellow can dine On rumpsteaks and port wine,
He needs not despair Of dining well here—'
'Here!' I myself could find a better rhyme!
That bard's a Browning; he neglects the form:
But ah, the sense, ye gods, the weighty sense!
Still, I prefer this classic. Ay, throw wide!
I'll quench the bits of candle yet unburnt.
A minute's fresh air, then to cipher-work!
Three little columns hold the whole account:
Ecarté, after which Blind Hookey, then
Cutting-the-Pack, five hundred pounds the cut.
'Tis easy reckoning: I have lost, I think."

Two personages occupy this room
Shabby-genteel, that's parlor to the inn
Perched on a view-commanding eminence;
———— -Inn which may be a veritable house
Where somebody once lived and pleased good taste
Till tourists found his coign of vantage out,
And fingered blunt the individual mark
And vulgarized things comfortably smooth.
On a sprig-pattern-papered wall there brays
Complaint to sky Sir Edwin's dripping stag;
His couchant coast-guard creature corresponds;
They face the Huguenot and Light o' the World.
Grim o'er the mirror on the mantlepiece,
Varnished and coffined, Salmo ferox glares
—Possibly at the List of Wines which, framed
And glazed, hangs somewhat prominent on peg.

So much describes the stuffy little room—
Vulgar flat smooth respectability:
Not so the burst of landscape surging in,
Sunrise and all, as he who of the pair
Is, plain enough, the younger personage
Draws sharp the shrieking curtain, sends aloft
The sash, spreads wide and fastens back to wall

[...] Read more

poem by Robert Browning from The Inn Album (1875)
Added by Veronica Serbanoiu
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Cherry- Tree Inn

The rafters are open to sun, moon, and star,
Thistles and nettles grow high in the bar --
The chimneys are crumbling, the log fires are dead,
And green mosses spring from the hearthstone instead.
The voices are silent, the bustle and din,
For the railroad hath ruined the Cherry-tree Inn.

Save the glimmer of stars, or the moon's pallid streams,
And the sounds of the 'possums that camp on the beams,
The bar-room is dark and the stable is still,
For the coach comes no more over Cherry-tree Hill.
No riders push on through the darkness to win
The rest and the comfort of Cherry-tree Inn.

I drift from my theme, for my memory strays
To the carrying, digging, and bushranging days --
Far back to the seasons that I love the best,
When a stream of wild diggers rushed into the west,
But the `rushes' grew feeble, and sluggish, and thin,
Till scarcely a swagman passed Cherry-tree Inn.

Do you think, my old mate (if it's thinking you be),
Of the days when you tramped to the goldfields with me?
Do you think of the day of our thirty-mile tramp,
When never a fire could we light on the camp,
And, weary and footsore and drenched to the skin,
We tramped through the darkness to Cherry-tree Inn?

Then I had a sweetheart and you had a wife,
And Johnny was more to his mother than life;
But we solemnly swore, ere that evening was done,
That we'd never return till our fortunes were won.
Next morning to harvests of folly and sin
We tramped o'er the ranges from Cherry-tree Inn.

. . . . .

The years have gone over with many a change,
And there comes an old swagman from over the range,
And faint 'neath the weight of his rain-sodden load,
He suddenly thinks of the inn by the road.
He tramps through the darkness the shelter to win,
And reaches the ruins of Cherry-tree Inn.

poem by Henry Lawson
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The Ballad Of Ira Hayes

Gather round you people and a story I will tell
About a brave young indian you should remember well
From the tribe of pima indians, a proud and a peaceful band
They farmed the phoenix valley in arizona land
Down their ditches for a thousand years the sparkling water rushed
Till their white man stole their water rights and the running water hushed
Now iras folks were hungry and their farms wene crops of weeds
But when war came he volunteers and forgot, the white mans greed
Call him, drunken ira hayes, he wont answer anymore
Not the whiskey-drinking indian or the marine who went to war
Yes, call him, drunken ira hayes, he wont answer anymore
Not the whiskey-drinking indian or the marine who went to war.
They started up iwo jima hill, 250 men
But only 27 lived to walk back down that hill again
And when the fight was over and the old glory raised
One of the men who held it high was the indian ira hayes
Call him, drunken ira hayes, he wont answer anymore
Not the whiskey-drinking indian or the marine who went to war
Call him, drunken ira hayes, he wont answer anymore
Not the whiskey-drinking indian or the marine who went to war.
Now ira returned a hero, celebrated throughout the land
He was wined and speeched and honored, everybody shook his hand
But he was just a pima indian, no money crops, no chance
And at home nobody cared what ira had done and the wind did the indians
Dance
Call him, drunken ira hayes, he wont answer anymore
Not the whiskey-drinking indian or the marine who went to war
Call him, drunken ira hayes, he wont answer anymore
Not the whiskey-drinking indian or the marine who went to war.
And ira started drinking hard, jail was often his home
They let him raise the flag there and lower it like youd throw a dog a bone
He died drunk early one morning, alone in the land he had fought to save
Two inches of water in a lonely ditch was the grave for ira hayes
Call him, drunken ira hayes, he wont answer anymore
Not the whiskey-drinking indian or the marine who went to war
Yes, call him, drunken ira hayes, he wont answer anymore
Not the whiskey-drinking indian or the marine who went to war.
Yes, call him, drunken ira hayes, but his land is still as dry
And his ghost is lying thirsty in the ditch where ira died
Call him, drunken ira hayes, he wont answer anymore
Not the whiskey-drinking indian or the marine who went to war
Yes, call him, drunken ira hayes, he wont answer anymore
Not the whiskey-drinking indian or the marine who went to war.

song performed by Bob Dylan
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Stop Drinking

(Lightnin' Hopkins, additional lyrics by Van Morrison)
You gotta stop drinking that wine sonny boy
You gotta stop drinking that wine sonny boy
If you don't stop drinking that wine
It's gonna poison your mind
You gotta stop drinking that old wine sonny boy
You drink Champagne it's gonna be better for you
You drink Champagne it's gonna be better for you
Everybody's going out
Going out to enjoy
You gotta stop drinking that wine sonny boy
You drink whiskey just have a tiny wee drop
You drink whiskey just have a tiny wee drop
You drink whiskey have a tiny wee drop
'Cos you just don't know when to stop
You gotta stop drinking that wine sonny boy
You gotta stop, bop, bop, bop
Gotta stop, bop, bop, bop
You gotta stop drinking that wine sonny boy
Everybody else going out
Going out to enjoy
You gotta stop drinking that wine sonny boy
Gotta stop, bop, bop, bop, bop
You gotta stop
Stop drinking that old wine sonny boy
If you don't stop drinking that wine
It's gonna poison your mind
You gotta stop drinking that wine sonny boy

song performed by Van Morrison
Added by Lucian Velea
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Die Schwalbenhode

1.

weh unser guter kaspar ist tot
wer trägt nun die brennende fahne im zopf wer dreht die
kaffeemühle
wer lockt das idyllische reh
auf dem meer verwirrte er die schiffe mit dem wörtchen
parapluie und die winde nannte er bienenvater
weh weh weh unser guter kaspar ist tot heiliger bimbam
kaspar ist tot
die heufische klappern in den glocken wenn man seinen vornamen
ausspricht darum seufze ich weiter kaspar
kaspar kaspar
warum bist du ein stern geworden oder eine kette aus wasser
an einem heißen wirbelwind oder ein euter aus
schwarzem licht oder ein durchsichtiger Ziegel an der
stöhnenden trommel des felsigen wesens
jetzt vertrocknen unsere scheitel und sohlen und die feen
liegen halbverkohlt auf den scheiterhaufen

2.

jetzt donnert hinter der sonne
die schwarze kegelbahn und keiner zieht mehr die kompasse
und die räder der schiebkarren auf
wer ißt nun mit der ratte am einsamen tisch wer verjagt den
teufel wenn er die pferde verführen will wer erklärt uns
die monogramme in den sternen
seine büste wird die kamine aller wahrhaft edlen menschen
zieren doch das ist kein trost und schnupftabak für einen
totenkopf

3.

auf den wasserkanzeln bewegten die kaskadeure ihre
fähnchen wie figura 5 zeigt
die abenteurer mit falschen bärten und diamantenen hufen
bestiegen vermittels aufgeblasener walfischhäute
schneiend das podium
der große geisterlöwe harun al raschid sprich harung al radi
gähnte dreimal und zeigte seine vom rauchen schwarz
gewordenen zähne
die merzerisierten klapperschlangen wickelten sich von ihren
spulen mähten ihr getreide und verschlossen es in steine
aus dem saum des todes traten die augen der jungen sterne
nach der geißelung auf der sonnenbacke tanzten die hufe des
esels auf flaschenköpfen
die toten fielen wie flocken von den ledernen türmen
wieviel totengerippe drehten die räder der tore
als der wasserfall dreimal gekräht hatte erblich seine tapete bis

[...] Read more

poem by Jean Arp
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Im Drinking Again

(ry cooder & jim keltner)
Yes, its me and Im drinking again
Tell everybody Im drinking again
Doctor said itd kill me
But he didnt say when
Have mercy, Im drinking again
Yes, its me and Im drinking again
Id like to dry out but I doubt if I can
My baby said shed quit me but she didnt say when
cause Im drinking again
Working two jobs, tryin to get straight
Dont need the money, just want to lose weight
Gonna get you all the things that you lack
Diamond ring and a red cadillac
Came home drunk and pushed you around
Dont you quit me baby, dont you put me down
Ill never do it again
Ill never do it again
Ill never do it again
I promise this time
I came home last night about half past four
Whole neighborhood was rocking out on my floor
And my baby was working up under the sheet
With a teenage boy that lives down the street
I grabbed a bottle, he grabbed a gun
I heard somebody holler: shoot him fore he runs
And thats the reason why Im drinking again
Tell everybody Im drinking again
You cant lick em and you just cant win
Yes, its me and Im drinking again
Aint it enough to start you drinking again
We got to live in a world full of sin
Thank you jesus for what you have done
Im sick and tired tryin to be number one
Change my suit, change my shirt
Change what I dig and get out of the dirt
Ill never do it again
Ill never do it again
Im going to get back in my gin
Im drinking again

song performed by Ry Cooder
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Creep Inn

[intro]
Wheres the number
I need to call her
Here it is
Hope she there
She gotta be there
Come on, pick up the phone
[female] hello
[male] hello, whassup baby
[female] who is this
[male] you know who this is
Hey there, how you doin, how you been
Been a couple of weeks since I talked to you
Sorry that its taken me so long
To reach out to you
But Im wondering maybe, possibly, say it again
Maybe could we get together this weekend
I still remember the way you felt
The way you smelled and the sexy way you wore your hair
Girl, can you tell me are you available
Cuz if you dont mind, I wanna book you a flight
Meet me at the creep inn
We can spend the weekend
I got what youre seeking
We could start creepin
Just jump in your ride girl
Ill be there on time
Meet me at the creep inn
We can spend the weekend
I got what youre seeking
We could start creepin
Just jump in your ride girl
Ill be there on time, baby
I remember every detail about that night
Just you and i, bumpin in a suite back in july
And I remember at first you were afraid to try
Every little itty bitty thing that was on your mind
Now I got some new details that well share
I hope you care enough for me to go there
Interesting detail, that of you and i
Locked in a room by candle light
Youre flight lands at nine
Lets go for a
Meet me at the creep inn
We can spend the weekend
I got what youre seeking
We could start creepin
Just jump in your ride girl
Ill be there on time
Meet me at the creep inn

[...] Read more

song performed by Ideal
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Tarantella

Do you remember an Inn,
Miranda?
Do you remember an Inn?
And the tedding and the spreading
Of the straw for a bedding,
And the fleas that tease in the High Pyrenees,
And the wine that tasted of tar?
And the cheers and the jeers of the young muleteers
(Under the vine of the dark verandah)?

Do you remember an Inn, Miranda,
Do you remember an Inn?
And the cheers and the jeers of the young muleteeers
Who hadn't got a penny,
And who weren't paying any,
And the hammer at the doors and the din?
And the hip! hop! hap!
Of the clap
Of the hands to the twirl and the swirl
Of the girl gone chancing,
Glancing,
Dancing,
Backing and advancing,
Snapping of a clapper to the spin
Out and in --
And the ting, tong, tang, of the guitar.
Do you remember an Inn,
Miranda?
Do you remember an Inn?

Never more; Miranda,
Never more.
Only the high peaks hoar:
And Aragon a torrent at the door.
No sound
In the walls of the halls where falls
The tread
Of the feet of the dead to the ground
No sound:
But the boom
Of the far waterfall like doom.

poem by Hilaire Belloc (31 December 1929)
Added by anonym
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The highwayman

The wind was a torrent of darkness among the gusty trees.
The moon was a ghostly galleon tossed upon cloudy seas.
The road was a ribbon of moonlight over the purple moor,
And the highwayman came riding—
Riding—riding—
The highwayman came riding, up to the old inn-door.

He'd a French cocked-hat on his forehead, a bunch of lace at his chin,
A coat of the claret velvet, and breeches of brown doe-skin.
They fitted with never a wrinkle. His boots were up to the thigh.
And he rode with a jewelled twinkle,
His pistol butts a-twinkle,
His rapier hilt a-twinkle, under the jewelled sky.

Over the cobbles he clattered and clashed in the dark inn-yard.
He tapped with his whip on the shutters, but all was locked and barred.
He whistled a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter,
Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.

And dark in the dark old inn-yard a stable-wicket creaked
Where Tim the ostler listened. His face was white and peaked.
His eyes were hollows of madness, his hair like mouldy hay,
But he loved the landlord's daughter,
The landlord's red-lipped daughter.
Dumb as a dog he listened, and he heard the robber say—

"One kiss, my bonny sweetheart, I'm after a prize to-night,
But I shall be back with the yellow gold before the morning light;
Yet, if they press me sharply, and harry me through the day,
Then look for me by moonlight,
Watch for me by moonlight,
I'll come to thee by moonlight, though hell should bar the way."

He rose upright in the stirrups. He scarce could reach her hand,
But she loosened her hair in the casement. His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;
And he kissed its waves in the moonlight,
(O, sweet black waves in the moonlight!)
Then he tugged at his rein in the moonlight, and galloped away to the west.

PART TWO

He did not come in the dawning. He did not come at noon;
And out of the tawny sunset, before the rise of the moon,
When the road was a gypsy's ribbon, looping the purple moor,
A red-coat troop came marching—
Marching—marching—

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poem by Alfred Noyes
Added by Dan Costinaş
Comment! | Vote! | Copy! | In Romanian

V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Der mann im keller

How cool and fair this cellar where
My throne a dusky cask is;
To do no thing but just to sing
And drown the time my task is.
The cooper he's
Resolved to please,
And, answering to my winking,
He fills me up
Cup after cup
For drinking, drinking, drinking.

Begrudge me not
This cosy spot
In which I am reclining--
Why, who would burst
With envious thirst,
When he can live by wining.
A roseate hue seems to imbue
The world on which I'm blinking;
My fellow-men--I love them when
I'm drinking, drinking, drinking.

And yet I think, the more I drink,
It's more and more I pine for--
Oh, such as I (forever dry)
God made this land of Rhine for;
And there is bliss
In knowing this,
As to the floor I'm sinking:
I've wronged no man
And never can
While drinking, drinking, drinking.

poem by Eugene Field
Added by Poetry Lover
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Eternal Youth

I was travelling through a countryside
That I'd never seen before,
As it grew dark, the mountainsides
Loomed threatening, over my car,
The cloud hung low in a louring sky
And my headlights cut through the gloom,
Ahead on the twisting, bending road
I had hopes of a cosy room.

There wasn't a house or a farm out there,
The valley was threading down,
The deeper it went, the darker yet
With still no sign of a town,
I thought that I'd have to drive all night
And my eyes were growing dim,
When back in the trees, I saw a light
And a sign: ‘The Dew Drop Inn'.

I pulled at the bell for the Publican
And I heard a shuffle inside,
A shadow loomed, and the hinges creaked
And the door swung open wide,
A man so gaunt that his face was grey
And his sallow cheeks were thin,
Stood trembling in the doorway there
In the hall of the Dew Drop Inn! '

I followed him in, not saying a word,
He motioned me into the bar,
Then poured me a whiskey and water
While I stared at a glass topped jar,
It drew my gaze as I sipped my drink
For the contents bubbled and swirled,
And I said: ‘Just where is the Dew Drop Inn? '
He replied: ‘At the End of the World! '

His voice came bubbling out of his chest
Like the rasp of a rusty saw,
His hands were trembling, where they lay
And he kept his eyes on the door.
‘That jar, it changes its colours, look!
From red, through green and gold…'
He said: ‘They told me one sip from that
And a man would never grow old! '

I stared at him, and I saw him frown
With a tear at the edge of his eye,
This ancient man with the trembling hand
And I said: ‘Well, that was a lie! '
He shook his head and he turned to me

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poem by David Lewis Paget
Added by Poetry Lover
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Murder in 1654 - Broadsheet

Title: A true relation of a horrid MURDER committed upon the person of Thomas Kidderminster at the White Horse Inn in Chelmsford in the County of Essex in the month of April 1654

It was in the year of '54
Foul murder did occur
A traveller came to a Chelmsford inn
Then died in blood and gore
He only meant to rest one night
As to London he made his way
But he remained for many years more
While his ghost refused to lay

Tom Kidd had been to Huntingdon
Where family lands he'd sold
Weary he came to the White Horse Inn
With his cloak-bag full of gold
Travel-tired though Tom might be
His face it surely smiled
For the very next day he'd be at home
With his loving wife and child

The keeper, Sewell, who ran the inn
Tom knew from earlier time
Could not resist his scheming wife
Who'd hatched an awful crime
By sad mischance the landlord's wife
Saw gold bright in the light
And so it quickly came to pass
there was red blood in the night

The flash of golden sovereigns
had fired her evil greed
'Husband I will be the brains
And you will do the deed'
As Tom retired to bed that night
For the last time in his life
Between the sheets he dreamed sweet dreams
Of his children and his wife

His wife she waited patiently
But then she had great fears
For Tom never came as he said he would
There was silence for 13 years
All her enquiries drew a blank
Of Tom there was never a trace
Except unknown to those searching for him
Strange happenings in the place

The rooms upstairs were seldom quiet
A ghost prowled night and day
So the landlord and his wife took fright

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poem by Peter Fox
Added by Poetry Lover
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The Inn of Apollo

Have you supped at the Inn of Apollo,
While the last light fades from the West?
Has the Lord of the Sun, at the world's end,
Poured you his ripest and best?
O, there's wine in that Inn of Apollo;

Wine, mellow and deep as the sunset,
With mirth in it, singing as loud
As the skylark sings in a high wind,
High over a crisp white cloud.
Have you laughed in that Inn of Apollo?

Was the whole world molten in music
At once, by the heat of that wine?
Did the stars and the tides and your own heart
Dance with the heavenly Nine?
For they dance in that Inn of Apollo.

Was their poetry croaked by the sages,
Or born in a whisper of wings?
For the music that masters the ages,
Be sure, is the music that sings!
Yes, they sing in that Inn of Apollo.

poem by Alfred Noyes
Added by Poetry Lover
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