Latest quotes | Random quotes | Vote! | Latest comments | Add quote

It's sad - it's sad for us old enough to remember when directors ruled, and films were substantially better than they are today. But it's hard to argue with those kinds of grosses.

quote by Report problemRelated quotes
Added by Lucian Velea
Comment! | Vote! | Copy!

Share

Related quotes

Byron

Canto the Eleventh

I
When Bishop Berkeley said "there was no matter,"
And proved it -- 't was no matter what he said:
They say his system 't is in vain to batter,
Too subtle for the airiest human head;
And yet who can believe it? I would shatter
Gladly all matters down to stone or lead,
Or adamant, to find the world a spirit,
And wear my head, denying that I wear it.

II
What a sublime discovery 't was to make the
Universe universal egotism,
That all's ideal -- all ourselves! -- I'll stake the
World (be it what you will) that that's no schism.
Oh Doubt! -- if thou be'st Doubt, for which some take thee;
But which I doubt extremely -- thou sole prism
Of the Truth's rays, spoil not my draught of spirit!
Heaven's brandy, though our brain can hardly bear it.

III
For ever and anon comes Indigestion,
(Not the most "dainty Ariel") and perplexes
Our soarings with another sort of question:
And that which after all my spirit vexes,
Is, that I find no spot where man can rest eye on,
Without confusion of the sorts and sexes,
Of beings, stars, and this unriddled wonder,
The world, which at the worst's a glorious blunder --

IV
If it be chance; or if it be according
To the old text, still better: -- lest it should
Turn out so, we'll say nothing 'gainst the wording,
As several people think such hazards rude.
They're right; our days are too brief for affording
Space to dispute what no one ever could
Decide, and everybody one day will
Know very clearly -- or at least lie still.

V
And therefore will I leave off metaphysical
Discussion, which is neither here nor there:
If I agree that what is, is; then this I call
Being quite perspicuous and extremely fair;
The truth is, I've grown lately rather phthisical:
I don't know what the reason is -- the air
Perhaps; but as I suffer from the shocks
Of illness, I grow much more orthodox.

VI
The first attack at once proved the Divinity
(But that I never doubted, nor the Devil);
The next, the Virgin's mystical virginity;
The third, the usual Origin of Evil;
The fourth at once establish'd the whole Trinity
On so uncontrovertible a level,
That I devoutly wish'd the three were four,
On purpose to believe so much the more.

VII
To our Theme. -- The man who has stood on the Acropolis,
And look'd down over Attica; or he
Who has sail'd where picturesque Constantinople is,
Or seen Timbuctoo, or hath taken tea
In small-eyed China's crockery-ware metropolis,
Or sat amidst the bricks of Nineveh,
May not think much of London's first appearance --
But ask him what he thinks of it a year hence?

VIII
Don Juan had got out on Shooter's Hill;
Sunset the time, the place the same declivity
Which looks along that vale of good and ill
Where London streets ferment in full activity;
While every thing around was calm and still,
Except the creak of wheels, which on their pivot he
Heard, -- and that bee-like, bubbling, busy hum
Of cities, that boil over with their scum: --

IX
I say, Don Juan, wrapt in contemplation,
Walk'd on behind his carriage, o'er the summit,
And lost in wonder of so great a nation,
Gave way to 't, since he could not overcome it.
"And here," he cried, "is Freedom's chosen station;
Here peals the people's voice, nor can entomb it
Racks, prisons, inquisitions; resurrection
Awaits it, each new meeting or election.

X
"Here are chaste wives, pure lives; here people pay
But what they please; and if that things be dear,
'T is only that they love to throw away
Their cash, to show how much they have a-year.
Here laws are all inviolate; none lay
Traps for the traveller; every highway's clear:
Here" -- he was interrupted by a knife,
With, -- "Damn your eyes! your money or your life!" --

XI
These freeborn sounds proceeded from four pads
In ambush laid, who had perceived him loiter
Behind his carriage; and, like handy lads,
Had seized the lucky hour to reconnoitre,
In which the heedless gentleman who gads
Upon the road, unless he prove a fighter,
May find himself within that isle of riches
Exposed to lose his life as well as breeches.

XII
Juan, who did not understand a word
Of English, save their shibboleth, "God damn!"
And even that he had so rarely heard,
He sometimes thought 't was only their "Salam,"
Or "God be with you!" -- and 't is not absurd
To think so: for half English as I am
(To my misfortune), never can I say
I heard them wish "God with you," save that way; --

XIII
Juan yet quickly understood their gesture,
And being somewhat choleric and sudden,
Drew forth a pocket pistol from his vesture,
And fired it into one assailant's pudding --
Who fell, as rolls an ox o'er in his pasture,
And roar'd out, as he writhed his native mud in,
Unto his nearest follower or henchman,
"Oh Jack! I'm floor'd by that 'ere bloody Frenchman!"

XIV
On which Jack and his train set off at speed,
And Juan's suite, late scatter'd at a distance,
Came up, all marvelling at such a deed,
And offering, as usual, late assistance.
Juan, who saw the moon's late minion bleed
As if his veins would pour out his existence,
Stood calling out for bandages and lint,
And wish'd he had been less hasty with his flint.

XV
"Perhaps," thought he, "it is the country's wont
To welcome foreigners in this way: now
I recollect some innkeepers who don't
Differ, except in robbing with a bow,
In lieu of a bare blade and brazen front.
But what is to be done? I can't allow
The fellow to lie groaning on the road:
So take him up; I'll help you with the load."

XVI
But ere they could perform this pious duty,
The dying man cried, "Hold! I've got my gruel!
Oh for a glass of max! We've miss'd our booty;
Let me die where I am!" And as the fuel
Of life shrunk in his heart, and thick and sooty
The drops fell from his death-wound, and he drew ill
His breath, -- he from his swelling throat untied
A kerchief, crying, "Give Sal that!" -- and died.

XVII
The cravat stain'd with bloody drops fell down
Before Don Juan's feet: he could not tell
Exactly why it was before him thrown,
Nor what the meaning of the man's farewell.
Poor Tom was once a kiddy upon town,
A thorough varmint, and a real swell,
Full flash, all fancy, until fairly diddled,
His pockets first and then his body riddled.

XVIII
Don Juan, having done the best he could
In all the circumstances of the case,
As soon as "Crowner's quest" allow'd, pursued
His travels to the capital apace; --
Esteeming it a little hard he should
In twelve hours' time, and very little space,
Have been obliged to slay a freeborn native
In self-defence: this made him meditative.

XIX
He from the world had cut off a great man,
Who in his time had made heroic bustle.
Who in a row like Tom could lead the van,
Booze in the ken, or at the spellken hustle?
Who queer a flat? Who (spite of Bow Street's ban)
On the high toby-spice so flash the muzzle?
Who on a lark, with black-eyed Sal (his blowing),
So prime, so swell, so nutty, and so knowing?

XX
But Tom's no more -- and so no more of Tom.
Heroes must die; and by God's blessing 't is
Not long before the most of them go home.
Hail! Thamis, Hail! Upon thy verge it is
That Juan's chariot, rolling like a drum
In thunder, holds the way it can't well miss,
Through Kennington and all the other "tons,"
Which makes us wish ourselves in town at once; --

XXI
Through Groves, so call'd as being void of trees
(Like lucus from no light); through prospects named
Mount Pleasant, as containing nought to please,
Nor much to climb; through little boxes framed
Of bricks, to let the dust in at your ease,
With "To be let" upon their doors proclaim'd;
Through "Rows" most modestly call'd "Paradise,"
Which Eve might quit without much sacrifice; --

XXII
Through coaches, drays, choked turnpikes, and a whirl
Of wheels, and roar of voices, and confusion;
Here taverns wooing to a pint of "purl,"
There mails fast flying off like a delusion;
There barbers' blocks with periwigs in curl
In windows; here the lamplighter's infusion
Slowly distill'd into the glimmering glass
(For in those days we had not got to gas); --

XXIII
Through this, and much, and more, is the approach
Of travellers to mighty Babylon:
Whether they come by horse, or chaise, or coach,
With slight exceptions, all the ways seem one.
I could say more, but do not choose to encroach
Upon the Guide-book's privilege. The sun
Had set some time, and night was on the ridge
Of twilight, as the party cross'd the bridge, --

XXIV
That's rather fine. The gentle sound of Thamis --
Who vindicates a moment, too, his stream,
Though hardly heard through multifarious "damme's" --
The lamps of Westminster's more regular gleam,
The breadth of pavement, and yon shrine where fame is
A spectral resident -- whose pallid beam
In shape of moonshine hovers o'er the pile --
Make this a sacred part of Albion's isle.

XXV
The Druids' groves are gone -- so much the better:
Stone-Henge is not -- but what the devil is it? --
But Bedlam still exists with its sage fetter,
That madmen may not bite you on a visit;
The Bench too seats or suits full many a debtor;
The Mansion House too (though some people quiz it)
To me appears a stiff yet grand erection;
But then the Abbey's worth the whole collection.

XXVI
The line of lights, too, up to Charing Cross,
Pall Mall, and so forth, have a coruscation
Like gold as in comparison to dross,
Match'd with the Continent's illumination,
Whose cities Night by no means deigns to gloss.
The French were not yet a lamp-lighting nation,
And when they grew so -- on their new-found lantern,
Instead of wicks, they made a wicked man turn.

XXVII
A row of gentlemen along the streets
Suspended may illuminate mankind,
As also bonfires made of country seats;
But the old way is best for the purblind:
The other looks like phosphorus on sheets,
A sort of ignis fatuus to the mind,
Which, though 't is certain to perplex and frighten,
Must burn more mildly ere it can enlighten.

XXVIII
But London's so well lit, that if Diogenes
Could recommence to hunt his honest man,
And found him not amidst the various progenies
Of this enormous city's spreading span,
'T were not for want of lamps to aid his dodging his
Yet undiscover'd treasure. What I can,
I've done to find the same throughout life's journey,
But see the world is only one attorney.

XXIX
Over the stones still rattling up Pall Mall,
Through crowds and carriages, but waxing thinner
As thunder'd knockers broke the long seal'd spell
Of doors 'gainst duns, and to an early dinner
Admitted a small party as night fell, --
Don Juan, our young diplomatic sinner,
Pursued his path, and drove past some hotels,
St. James's Palace and St. James's "Hells."

XXX
They reach'd the hotel: forth stream'd from the front door
A tide of well-clad waiters, and around
The mob stood, and as usual several score
Of those pedestrian Paphians who abound
In decent London when the daylight's o'er;
Commodious but immoral, they are found
Useful, like Malthus, in promoting marriage. --
But Juan now is stepping from his carriage

XXXI
Into one of the sweetest of hotels,
Especially for foreigners -- and mostly
For those whom favour or whom fortune swells,
And cannot find a bill's small items costly.
There many an envoy either dwelt or dwells
(The den of many a diplomatic lost lie),
Until to some conspicuous square they pass,
And blazon o'er the door their names in brass.

XXXII
Juan, whose was a delicate commission,
Private, though publicly important, bore
No title to point out with due precision
The exact affair on which he was sent o'er.
'T was merely known, that on a secret mission
A foreigner of rank had graced our shore,
Young, handsome, and accomplish'd, who was said
(In whispers) to have turn'd his sovereign's head.

XXXIII
Some rumour also of some strange adventures
Had gone before him, and his wars and loves;
And as romantic heads are pretty painters,
And, above all, an Englishwoman's roves
Into the excursive, breaking the indentures
Of sober reason wheresoe'er it moves,
He found himself extremely in the fashion,
Which serves our thinking people for a passion.

XXXIV
I don't mean that they are passionless, but quite
The contrary; but then 't is in the head;
Yet as the consequences are as bright
As if they acted with the heart instead,
What after all can signify the site
Of ladies' lucubrations? So they lead
In safety to the place for which you start,
What matters if the road be head or heart?

XXXV
Juan presented in the proper place,
To proper placemen, every Russ credential;
And was received with all the due grimace
By those who govern in the mood potential,
Who, seeing a handsome stripling with smooth face,
Thought (what in state affairs is most essential)
That they as easily might do the youngster,
As hawks may pounce upon a woodland songster.

XXXVI
They err'd, as agéd men will do; but by
And by we'll talk of that; and if we don't,
'T will be because our notion is not high
Of politicians and their double front,
Who live by lies, yet dare not boldly lie: --
Now what I love in women is, they won't
Or can't do otherwise than lie, but do it
So well, the very truth seems falsehood to it.

XXXVII
And, after all, what is a lie? 'T is but
The truth in masquerade; and I defy
Historians, heroes, lawyers. priests, to put
A fact without some leaven of a lie.
The very shadow of true Truth would shut
Up annals, revelations, poesy,
And prophecy -- except it should be dated
Some years before the incidents related.

XXXVIII
Praised be all liars and all lies! Who now
Can tax my mild Muse with misanthropy?
She rings the world's "Te Deum," and her brow
Blushes for those who will not: -- but to sigh
Is idle; let us like most others bow,
Kiss hands, feet, any part of majesty,
After the good example of "Green Erin,"
Whose shamrock now seems rather worse for wearing.

XXXIX
Don Juan was presented, and his dress
And mien excited general admiration --
I don't know which was more admired or less:
One monstrous diamond drew much observation,
Which Catherine in a moment of "ivresse"
(In love or brandy's fervent fermentation)
Bestow'd upon him, as the public learn'd;
And, to say truth, it had been fairly earn'd.

XL
Besides the ministers and underlings,
Who must be courteous to the accredited
Diplomatists of rather wavering kings,
Until their royal riddle's fully read,
The very clerks, -- those somewhat dirty springs
Of office, or the house of office, fed
By foul corruption into streams, -- even they
Were hardly rude enough to earn their pay:

XLI
And insolence no doubt is what they are
Employ'd for, since it is their daily labour,
In the dear offices of peace or war;
And should you doubt, pray ask of your next neighbour,
When for a passport, or some other bar
To freedom, he applied (a grief and a bore),
If he found not his spawn of taxborn riches,
Like lap-dogs, the least civil sons of b-----s.

XLII
But Juan was received with much "empressement:" --
These phrases of refinement I must borrow
From our next neighbours' land, where, like a chessman,
There is a move set down for joy or sorrow
Not only in mere talking, but the press. Man
In islands is, it seems, downright and thorough,
More than on continents -- as if the sea
(See Billingsgate) made even the tongue more free.

XLIII
And yet the British "Damme"'s rather Attic:
Your continental oaths are but incontinent,
And turn on things which no aristocratic
Spirit would name, and therefore even I won't anent
This subject quote; as it would be schismatic
In politesse, and have a sound affronting in 't: --
But "Damme"'s quite ethereal, though too daring --
Platonic blasphemy, the soul of swearing.

XLIV
For downright rudeness, ye may stay at home;
For true or false politeness (and scarce that
Now) you may cross the blue deep and white foam --
The first the emblem (rarely though) of what
You leave behind, the next of much you come
To meet. However, 't is no time to chat
On general topics: poems must confine
Themselves to unity, like this of mine.

XLV
In the great world, -- which, being interpreted,
Meaneth the west or worst end of a city,
And about twice two thousand people bred
By no means to be very wise or witty,
But to sit up while others lie in bed,
And look down on the universe with pity, --
Juan, as an inveterate patrician,
Was well received by persons of condition.

XLVI
He was a bachelor, which is a matter
Of import both to virgin and to bride,
The former's hymeneal hopes to flatter;
And (should she not hold fast by love or pride)
'T is also of some moment to the latter:
A rib's a thorn in a wed gallant's side,
Requires decorum, and is apt to double
The horrid sin -- and what's still worse, the trouble.

XLVII
But Juan was a bachelor -- of arts,
And parts, and hearts: he danced and sung, and had
An air as sentimental as Mozart's
Softest of melodies; and could be sad
Or cheerful, without any "flaws or starts,"
Just at the proper time; and though a lad,
Had seen the world -- which is a curious sight,
And very much unlike what people write.

XLVIII
Fair virgins blush'd upon him; wedded dames
Bloom'd also in less transitory hues;
For both commodities dwell by the Thames,
The painting and the painted; youth, ceruse,
Against his heart preferr'd their usual claims,
Such as no gentleman can quite refuse:
Daughters admired his dress, and pious mothers
Inquired his income, and if he had brothers.

XLIX
The milliners who furnish "drapery Misses"
Throughout the season, upon speculation
Of payment ere the honey-moon's last kisses
Have waned into a crescent's coruscation,
Thought such an opportunity as this is,
Of a rich foreigner's initiation,
Not to be overlook'd -- and gave such credit,
That future bridegrooms swore, and sigh'd, and paid it.

L
The Blues, that tender tribe who sigh o'er sonnets,
And with the pages of the last Review
Line the interior of their heads or bonnets,
Advanced in all their azure's highest hue:
They talk'd bad French or Spanish, and upon its
Late authors ask'd him for a hint or two;
And which was softest, Russian or Castilian?
And whether in his travels he saw Ilion?

LI
Juan, who was a little superficial,
And not in literature a great Drawcansir,
Examined by this learnéd and especial
Jury of matrons, scarce knew what to answer:
His duties warlike, loving or official,
His steady application as a dancer,
Had kept him from the brink of Hippocrene,
Which now he found was blue instead of green.

LII
However, he replied at hazard, with
A modest confidence and calm assurance,
Which lent his learned lucubrations pith,
And pass'd for arguments of good endurance.
That prodigy, Miss Araminta Smith
(Who at sixteen translated "Hercules Furens"
Into as furious English), with her best look,
Set down his sayings in her common-place book.

LIII
Juan knew several languages -- as well
He might -- and brought them up with skill, in time
To save his fame with each accomplish'd belle,
Who still regretted that he did not rhyme.
There wanted but this requisite to swell
His qualities (with them) into sublime:
Lady Fitz-Frisky, and Miss Mævia Mannish,
Both long'd extremely to be sung in Spanish.

LIV
However, he did pretty well, and was
Admitted as an aspirant to all
The coteries, and, as in Banquo's glass,
At great assemblies or in parties small,
He saw ten thousand living authors pass,
That being about their average numeral;
Also the eighty "greatest living poets,"
As every paltry magazine can show its.

LV
In twice five years the "greatest living poet,"
Like to the champion in the fisty ring,
Is call'd on to support his claim, or show it,
Although 't is an imaginary thing.
Even I -- albeit I'm sure I did not know it,
Nor sought of foolscap subjects to be king --
Was reckon'd a considerable time,
The grand Napoleon of the realms of rhyme.

LVI
But Juan was my Moscow, and Faliero
My Leipsic, and my Mount Saint Jean seems Cain:
"La Belle Alliance" of dunces down at zero,
Now that the Lion's fall'n, may rise again:
But I will fall at least as fell my hero;
Nor reign at all, or as a monarch reign;
Or to some lonely isle of gaolers go,
With turncoat Southey for my turnkey Lowe.

LVII
Sir Walter reign'd before me; Moore and Campbell
Before and after; but now grown more holy,
The Muses upon Sion's hill must ramble
With poets almost clergymen, or wholly;
And Pegasus hath a psalmodic amble
Beneath the very Reverend Rowley Powley,
Who shoes the glorious animal with stilts,
A modern Ancient Pistol -- by the hilts?

LVIII
Still he excels that artificial hard
Labourer in the same vineyard, though the vine
Yields him but vinegar for his reward, --
That neutralised dull Dorus of the Nine;
That swarthy Sporus, neither man nor bard;
That ox of verse, who ploughs for every line: --
Cambyses' roaring Romans beat at least
The howling Hebrews of Cybele's priest. --

LIX
Then there's my gentle Euphues, who, they say,
Sets up for being a sort of moral me;
He'll find it rather difficult some day
To turn out both, or either, it may be.
Some persons think that Coleridge hath the sway;
And Wordsworth has supporters, two or three;
And that deep-mouth'd Boeotian "Savage Landor"
Has taken for a swan rogue Southey's gander.

LX
John Keats, who was kill'd off by one critique,
Just as he really promised something great,
If not intelligible, without Greek
Contrived to talk about the gods of late,
Much as they might have been supposed to speak.
Poor fellow! His was an untoward fate;
'T is strange the mind, that very fiery particle,
Should let itself be snuff'd out by an article.

LXI
The list grows long of live and dead pretenders
To that which none will gain -- or none will know
The conqueror at least; who, ere Time renders
His last award, will have the long grass grow
Above his burnt-out brain, and sapless cinders.
If I might augur, I should rate but low
Their chances; they're too numerous, like the thirty
Mock tyrants, when Rome's annals wax'd but dirty.

LXII
This is the literary lower empire,
Where the prætorian bands take up the matter; --
A "dreadful trade," like his who "gathers samphire,"
The insolent soldiery to soothe and flatter,
With the same feelings as you'd coax a vampire.
Now, were I once at home, and in good satire,
I'd try conclusions with those Janizaries,
And show them what an intellectual war is.

LXIII
I think I know a trick or two, would turn
Their flanks; -- but it is hardly worth my while
With such small gear to give myself concern:
Indeed I've not the necessary bile;
My natural temper's really aught but stern,
And even my Muse's worst reproof's a smile;
And then she drops a brief and modern curtsy,
And glides away, assured she never hurts ye.

LXIV
My Juan, whom I left in deadly peril
Amongst live poets and blue ladies, past
With some small profit through that field so sterile,
Being tired in time, and, neither least nor last,
Left it before he had been treated very ill;
And henceforth found himself more gaily class'd
Amongst the higher spirits of the day,
The sun's true son, no vapour, but a ray.

LXV
His morns he pass'd in business -- which, dissected,
Was like all business a laborious nothing
That leads to lassitude, the most infected
And Centaur Nessus garb of mortal clothing,
And on our sofas makes us lie dejected,
And talk in tender horrors of our loathing
All kinds of toil, save for our country's good --
Which grows no better, though 't is time it should.

LXVI
His afternoons he pass'd in visits, luncheons,
Lounging and boxing; and the twilight hour
In riding round those vegetable puncheons
Call'd "Parks," where there is neither fruit nor flower
Enough to gratify a bee's slight munchings;
But after all it is the only "bower"
(In Moore's phrase), where the fashionable fair
Can form a slight acquaintance with fresh air.

LXVII
Then dress, then dinner, then awakes the world!
Then glare the lamps, then whirl the wheels, then roar
Through street and square fast flashing chariots hurl'd
Like harness'd meteors; then along the floor
Chalk mimics painting; then festoons are twirl'd;
Then roll the brazen thunders of the door,
Which opens to the thousand happy few
An earthly paradise of "Or Molu."

LXVIII
There stands the noble hostess, nor shall sink
With the three-thousandth curtsy; there the waltz,
The only dance which teaches girls to think,
Makes one in love even with its very faults.
Saloon, room, hall, o'erflow beyond their brink,
And long the latest of arrivals halts,
'Midst royal dukes and dames condemn'd to climb,
And gain an inch of staircase at a time.

LXIX
Thrice happy he who, after a survey
Of the good company, can win a corner,
A door that's in or boudoir out of the way,
Where he may fix himself like small "Jack Horner,"
And let the Babel round run as it may,
And look on as a mourner, or a scorner,
Or an approver, or a mere spectator,
Yawning a little as the night grows later.

LXX
But this won't do, save by and by; and he
Who, like Don Juan, takes an active share,
Must steer with care through all that glittering sea
Of gems and plumes and pearls and silks, to where
He deems it is his proper place to be;
Dissolving in the waltz to some soft air,
Or proudlier prancing with mercurial skill
Where Science marshals forth her own quadrille.

LXXI
Or, if he dance not, but hath higher views
Upon an heiress or his neighbour's bride,
Let him take care that that which he pursues
Is not at once too palpably descried.
Full many an eager gentleman oft rues
His haste: impatience is a blundering guide,
Amongst a people famous for reflection,
Who like to play the fool with circumspection.

LXXII
But, if you can contrive, get next at supper;
Or, if forestalled, get opposite and ogle: --
Oh, ye ambrosial moments! always upper
In mind, a sort of sentimental bogle,
Which sits for ever upon memory's crupper,
The ghost of vanish'd pleasures once in vogue! Ill
Can tender souls relate the rise and fall
Of hopes and fears which shake a single ball.

LXXIII
But these precautionary hints can touch
Only the common run, who must pursue,
And watch, and ward; whose plans a word too much
Or little overturns; and not the few
Or many (for the number's sometimes such)
Whom a good mien, especially if new,
Or fame, or name, for wit, war, sense, or nonsense,
Permits whate'er they please, or did not long since.

LXXIV
Our hero, as a hero, young and handsome,
Noble, rich, celebrated, and a stranger,
Like other slaves of course must pay his ransom,
Before he can escape from so much danger
As will environ a conspicuous man. Some
Talk about poetry, and "rack and manger,"
And ugliness, disease, as toil and trouble; --
I wish they knew the life of a young noble.

LXXV
They are young, but know not youth -- it is anticipated;
Handsome but wasted, rich without a sou;
Their vigour in a thousand arms is dissipated;
Their cash comes from, their wealth goes to a Jew;
Both senates see their nightly votes participated
Between the tyrant's and the tribunes' crew;
And having voted, dined, drunk, gamed, and whored,
The family vault receives another lord.

LXXVI
"Where is the world?" cries Young, at eighty" -- "Where
The world in which a man was born?" Alas!
Where is the world of eight years past? 'T was there --
I look for it -- 't is gone, a globe of glass!
Crack'd, shiver'd, vanish'd, scarcely gazed on, ere
A silent change dissolves the glittering mass.
Statesmen, chiefs, orators, queens, patriots, kings,
And dandies, all are gone on the wind's wings.

LXXVII
Where is Napoleon the Grand? God knows.
Where little Castlereagh? The devil can tell:
Where Grattan, Curran, Sheridan, all those
Who bound the bar or senate in their spell?
Where is the unhappy Queen, with all her woes?
And where the Daughter, whom the Isles loved well?
Where are those martyr'd saints the Five per Cents?
And where -- oh, where the devil are the rents?

LXXVIII
Where's Brummel? Dish'd. Where's Long Pole Wellesley? Diddled.
Where's Whitbread? Romilly? Where's George the Third?
Where is his will? (That's not so soon unriddled.)
And where is "Fum" the Fourth, our "royal bird?"
Gone down, it seems, to Scotland to be fiddled
Unto by Sawney's violin, we have heard:
"Caw me, caw thee" -- for six months hath been hatching
This scene of royal itch and loyal scratching.

LXXIX
Where is Lord This? And where my Lady That?
The Honourable Mistresses and Misses?
Some laid aside like an old Opera hat,
Married, unmarried, and remarried (this is
An evolution oft performed of late).
Where are the Dublin shouts -- and London hisses?
Where are the Grenvilles? Turn'd as usual. Where
My friends the Whigs? Exactly where they were.

LXXX
Where are the Lady Carolines and Franceses?
Divorced or doing thereanent. Ye annals
So brilliant, where the list of routs and dances is, --
Thou Morning Post, sole record of the panels
Broken in carriages, and all the phantasies
Of fashion, -- say what streams now fill those channels?
Some die, some fly, some languish on the Continent,
Because the times have hardly left them one tenant.

LXXXI
Some who once set their caps at cautious dukes,
Have taken up at length with younger brothers:
Some heiresses have bit at sharpers' hooks:
Some maids have been made wives, some merely mothers;
Others have lost their fresh and fairy looks:
In short, the list of alterations bothers.
There's little strange in this, but something strange is
The unusual quickness of these common changes.

LXXXII
Talk not of seventy years as age; in seven
I have seen more changes, down from monarchs to
The humblest individual under heaven,
Than might suffice a moderate century through.
I knew that nought was lasting, but now even
Change grows too changeable, without being new:
Nought's permanent among the human race,
Except the Whigs not getting into place.

LXXXIII
I have seen Napoleon, who seem'd quite a Jupiter,
Shrink to a Saturn. I have seen a Duke
(No matter which) turn politician stupider,
If that can well be, than his wooden look.
But it is time that I should hoist my "blue Peter,"
And sail for a new theme: -- I have seen -- and shook
To see it -- the king hiss'd, and then caress'd;
But don't pretend to settle which was best.

LXXXIV
I have seen the Landholders without a rap --
I have seen Joanna Southcote -- I have seen --
The House of Commons turn'd to a tax-trap --
I have seen that sad affair of the late Queen --
I have seen crowns worn instead of a fool's cap --
I have seen a Congress doing all that's mean --
I have seen some nations like o'erloaded asses
Kick off their burthens, meaning the high classes.

LXXXV
I have seen small poets, and great prosers, and
Interminable -- not eternal -- speakers --
I have seen the funds at war with house and land --
I have seen the country gentlemen turn squeakers --
I have seen the people ridden o'er like sand
By slaves on horseback -- I have seen malt liquors
Exchanged for "thin potations" by John Bull --
I have seen john half detect himself a fool. --

LXXXVI
But "carpe diem," Juan, "carpe, carpe!"
To-morrow sees another race as gay
And transient, and devour'd by the same harpy.
"Life's a poor player," -- then "play out the play,
Ye villains!" above all keep a sharp eye
Much less on what you do than what you say:
Be hypocritical, be cautious, be
Not what you seem, but always what you see.

LXXXVII
But how shall I relate in other cantos
Of what befell our hero in the land,
Which 't is the common cry and lie to vaunt as
A moral country? But I hold my hand --
For I disdain to write an Atalantis;
But 't is as well at once to understand,
You are not a moral people, and you know it
Without the aid of too sincere a poet.

LXXXVIII
What Juan saw and underwent shall be
My topic, with of course the due restriction
Which is required by proper courtesy;
And recollect the work is only fiction,
And that I sing of neither mine nor me,
Though every scribe, in some slight turn of diction,
Will hint allusions never meant. Ne'er doubt
This -- when I speak, I don't hint, but speak out.

LXXXIX
Whether he married with the third or fourth
Offspring of some sage husband-hunting countess,
Or whether with some virgin of more worth
(I mean in Fortune's matrimonial bounties)
He took to regularly peopling Earth,
Of which your lawful awful wedlock fount is, --
Or whether he was taken in for damages,
For being too excursive in his homages, --

XC
Is yet within the unread events of time.
Thus far, go forth, thou lay, which I will back
Against the same given quantity of rhyme,
For being as much the subject of attack
As ever yet was any work sublime,
By those who love to say that white is black.
So much the better! -- I may stand alone,
But would not change my free thoughts for a throne.

poem by from Don Juan (1824)Report problemRelated quotes
Added by Veronica Serbanoiu
Comment! | Vote! | Copy!

Share
Byron

Don Juan: Canto the Eleventh

I
When Bishop Berkeley said "there was no matter,"
And proved it--'twas no matter what he sald:
They say his system 'tis in vain to batter,
Too subtle for the airiest human head;
And yet who can believe it! I would shatter
Gladly all matters down to stone or lead,
Or adamant, to find the World a spirit,
And wear my head, denying that I wear it.II
What a sublime discovery 'twas to make the
Universe universal egotism,
That all's ideal--all ourselves: I'll stake the
World (be it what you will) that that's no schism.
Oh Doubt!--if thou be'st Doubt, for which some take thee,
But which I doubt extremely--thou sole prism
Of the Truth's rays, spoil not my draught of spirit!
Heaven's brandy, though our brain can hardly bear it.III

For ever and anon comes Indigestion
(Not the most "dainty Ariel") and perplexes
Our soarings with another sort of question:
And that which after all my spirit vexes,
Is, that I find no spot where Man can rest eye on,
Without confusion of the sorts and sexes,
Of beings, stars, and this unriddled wonder,
The World, which at the worst's a glorious blunder--IV

If it be chance--or, if it be according
To the Old Text, still better: lest it should
Turn out so, we'll say nothing 'gainst the wording,
As several people think such hazards rude.
They're right; our days are too brief for affording
Space to dispute what no one ever could
Decide, and everybody one day will
Know very clearly--or at least lie still.V

And therefore will I leave off metaphysical
Discussion, which is neither here nor there:
If I agree that what is, is; then this I call
Being quite perspicuous and extremely fair.
The truth is, I've grown lately rather phthisical:
I don't know what the reason is--the air
Perhaps; but as I suffer from the shocks
Of illness, I grow much more orthodox.VI

The first attack at once prov'd the Divinity
(But that I never doubted, nor the Devil);
The next, the Virgin's mystical virginity;
The third, the usual Origin of Evil;
The fourth at once establish'd the whole Trinity
On so uncontrovertible a level,
That I devoutly wish'd the three were four--
On purpose to believe so much the more.VII

To our theme.--The man who has stood on the Acropolis,
And look'd down over Attica; or he
Who has sail'd where picturesque Constantinople is,
Or seen Timbuctoo, or hath taken tea
In small-ey'd China's crockery-ware metropolis,
Or sat amidst the bricks of Nineveh,
May not think much of London's first appearance--
But ask him what he thinks of it a year hence!VIII

Don Juan had got out on Shooter's Hill;
Sunset the time, the place the same declivity
Which looks along that vale of good and ill
Where London streets ferment in full activity,
While everything around was calm and still,
Except the creak of wheels, which on their pivot he
Heard, and that bee-like, bubbling, busy hum
Of cities, that boil over with their scum--IX

I say, Don Juan, wrapp'd in contemplation,
Walk'd on behind his carriage, o'er the summit,
And lost in wonder of so great a nation,
Gave way to't, since he could not overcome it.
"And here," he cried, "is Freedom's chosen station;
Here peals the People's voice nor can entomb it
Racks, prisons, inquisitions; resurrection
Awaits it, each new meeting or election.X

"Here are chaste wives, pure lives; her people pay
But what they please; and if that things be dear,
'Tis only that they love to throw away
Their cash, to show how much they have a-year.
Here laws are all inviolate; none lay
Traps for the traveller; every highway's clear;
Here"--he was interrupted by a knife,
With--"Damn your eyes! your money or your life!"XI

These free-born sounds proceeded from four pads
In ambush laid, who had perceiv'd him loiter
Behind his carriage; and, like handy lads,
Had seiz'd the lucky hour to reconnoitre,
In which the heedless gentleman who gads
Upon the road, unless he prove a fighter
May find himself within that isle of riches
Expos'd to lose his life as well as breeches.XII

Juan, who did not understand a word
Of English, save their shibboleth, "God damn!"
And even that he had so rarely heard,
He sometimes thought 'twas only their Salam,"
Or "God be with you!"--and 'tis not absurd
To think so, for half English as I am
(To my misfortune) never can I say
I heard them wish "God with you," save that way--XIII

Juan yet quickly understood their gesture,
And being somewhat choleric and sudden,
Drew forth a pocket pistol from his vesture,
And fired it into one assailant's pudding,
Who fell, as rolls an ox o'er in his pasture,
And roar'd out, as he writh'd his native mud in,
Unto his nearest follower or henchman,
"Oh Jack! I'm floor'd by that ere bloody Frenchman!"XIV


On which Jack and his train set off at speed,
And Juan's suite, late scatter'd at a distance,
Came up, all marvelling at such a deed,
And offering, as usual, late assistance.
Juan, who saw the moon's late minion bleed
As if his veins would pour out his existence,
Stood calling out for bandages and lint,
And wish'd he had been less hasty with his flint.XV


"Perhaps,"thought he,"it is the country's wont
To welcome foreigners in this way: now
I recollect some innkeepers who don't
Differ, except in robbing with a bow,
In lieu of a bare blade and brazen front.
But what is to be done? I can't allow
The fellow to lie groaning on the road:
So take him up, I'll help you with the load."XVI


But ere they could perform this pious duty,
The dying man cried, "Hold! I've got my gruel!
Oh! for a glass of max ! We've miss'd our booty--
Let me die where I am!" And as the fuel
Of life shrunk in his heart, and thick and sooty
The drops fell from his death-wound, and he drew ill
His breath, he from his swelling throat untied
A kerchief, crying "Give Sal that!"--and died.XVII


The cravat stain'd with bloody drops fell down
Before Don Juan's feet: he could not tell
Exactly why it was before him thrown,
Nor what the meaning of the man's farewell.
Poor Tom was once a kiddy upon town,
A thorough varmint, and a real swell,
Full flash, all fancy, until fairly diddled,
His pockets first and then his body riddled.XVIII


Don Juan, having done the best he could
In all the circumstances of the case,
As soon as "Crowner's 'quest" allow'd, pursu'd
His travels to the capital apace;
Esteeming it a little hard he should
In twelve hours' time, and very little space,
Have been oblig'd to slay a free-born native
In self-defence: this made him meditative.XIX


He from the world had cut off a great man,
Who in his time had made heroic bustle.
Who in a row like Tom could lead the van,
Booze in the ken, or at the spellken hustle?
Who queer a flat? Who (spite of Bowstreet's ban)
On the high toby-spice so flash the muzzle?
Who on a lark, with black-eyed Sal (his blowing),
So prime, so swell, so nutty, and so knowing?XX


But Tom's no more--and so no more of Tom.
Heroes must die; and by God's blessing 'tis
Not long before the most of them go home.
Hail! Thamis, hail! Upon thy verge it is
That Juan's chariot, rolling like a drum
In thunder, holds the way it can't well miss,
Through Kennington and all the other "tons,"
Which make us wish ourselves in town at once;XXI


Through Groves, so called as being void of trees,
(Like lucus from no light); through prospects nam'd
Mount Pleasant, as containing nought to please,
Nor much to climb; through little boxes fram'd
Of bricks, to let the dust in at your ease,
With "To be let," upon their doors proclaim'd;
Through "Rows" most modestly call'd "Paradise,"
Which Eve might quit without much sacrifice;XXII


Through coaches, drays, chok'd turnpikes, and a whirl
Of wheels, and roar of voices, and confusion;
Here taverns wooing to a pint of "purl,"
There mails fast flying off like a delusion;
There barbers' blocks with periwigs in curl
In windows; here the lamplighter's infusion
Slowly distill'd into the glimmering glass
(For in those days we had not got to gas);XXIII


Through this, and much, and more, is the approach
Of travellers to mighty Babylon:
Whether they come by horse, or chaise, or coach,
With slight exceptions, all the ways seem one.
I could say more, but do not choose to encroach
Upon the guide-book's privilege. The sun
Had set some time, and night was on the ridge
Of twilight, as the party cross'd the bridge.XXIV


That's rather fine, the gentle sound of Thamis--
Who vindicates a moment, too, his stream--
Though hardly heard through multifarious "damme's":
The lamps of Westminster's more regular gleam,
The breadth of pavement, and yon shrine where Fame is
A spectral resident--whose pallid beam
In shape of moonshine hovers o'er the pile--
Make this a sacred part of Albion's Isle.XXV


The Druid's groves are gone--so much the better:
Stonehenge is not--but what the devil is it?--
But Bedlam still exists with its sage fetter,
That madmen may not bite you on a visit;
The Bench too seats or suits full many a debtor;
The Mansion House too (though some people quiz it)
To me appears a stiff yet grand erection;
But then the Abbey's worth the whole collection.XXVI


The line of lights too, up to Charing Cross,
Pall Mall, and so forth, have a coruscation
Like gold as in comparison to dross,
Match'd with the Continent's illumination,
Whose cities Night by no means deigns to gloss.
The French were not yet a lamp-lighting nation,
And when they grew so--on their new-found lantern,
Instead of wicks, they made a wicked man turn.XXVII


A row of Gentlemen along the streets
Suspended may illuminate mankind,
As also bonfires made of country seats;
But the old way is best for the purblind:
The other looks like phosphorus on sheets,
A sort of [lang l]ignis fatuus[lang e] to the mind,
Which, though 'tis certain to perplex and frighten,
Must burn more mildly ere it can enlighten.XXVIII


But London's so well lit, that if Diogenes
Could recommence to hunt his honest man
And found him not amidst the various progenies
Of this enormous city's spreading spawn,
'Twere not for want of lamps to aid his dodging his
Yet undiscover'd treasure. What I can,
I've done to find the same throughout life's journey,
But see the World is only one attorney.XXIX


Over the stones still rattling, up Pall Mall,
Through crowds and carriages, but waxing thinner
As thunder'd knockers broke the long seal'd spell
Of doors 'gainst duns, and to an early dinner
Admitted a small party as night fell,
Don Juan, our young diplomatic sinner,
Pursu'd his path, and drove past some hotels,
St. James's Palace, and St. James's "Hells."XXX


They reach'd the hotel: forth stream'd from the front door
A tide of well-clad waiters, and around
The mob stood, and as usual several score
Of those pedestrian Paphians who abound
In decent London when the daylight's o'er;
Commodious but immoral, they are found
Useful, like Malthus, in promoting marriage:
But Juan now is stepping from his carriageXXXI


Into one of the sweetest of hotels,
Especially for foreigners--and mostly
For those whom favour or whom fortune swells,
And cannot find a bill's small items costly.
There many an envoy either dwelt or dwells
(The den of many a diplomatic lost lie),
Until to some conspicuous square they pass,
And blazon o'er the door their names in brass.XXXII


Juan, whose was a delicate commission,
Private, though publicly important, bore
No title to point out with due precision
The exact affair on which he was sent o'er.
'Twas merely known, that on a secret mission
A foreigner of rank had grac'd our shore,
Young, handsome and accomplish'd, who was said
(In whispers) to have turn'd his Sovereign's head.XXXIII


Some rumour also of some strange adventures
Had gone before him, and his wars and loves;
And as romantic heads are pretty painters,
And, above all, an Englishwoman's roves
Into the excursive, breaking the indentures
Of sober reason, wheresoe'er it moves,
He found himself extremely in the fashion,
Which serves our thinking people for a passion.XXXIV


I don't mean that they are passionless, but quite
The contrary; but then 'tis in the head;
Yet as the consequences are as bright
As if they acted with the heart instead,
What after all can signify the site
Of ladies' lucubrations? So they lead
In safety to the place for which you start,
What matters if the road be head or heart?XXXV


Juan presented in the proper place,
To proper placement, every Russ credential;
And was receiv'd with all the due grimace
By those who govern in the mood potential,
Who, seeing a handsome stripling with smooth face,
Thought (what in state affairs is most essential)
That they as easily might do the youngster,
As hawks may pounce upon a woodland songster.XXXVI


They err'd, as aged men will do; but by
And by we'll talk of that; and if we don't,
'T will be because our notion is not high
Of politicians and their double front,
Who live by lies, yet dare not boldly lie:
Now, what I love in women is, they won't
Or can't do otherwise than lie, but do it
So well, the very truth seems falsehood to it.XXXVII


And, after all, what is a lie? 'Tis but
The truth in masquerade; and I defy
Historians, heroes, lawyers, priests, to put
A fact without some leaven of a lie.
The very shadow of true Truth would shut
Up annals, revelations, poesy,
And prophecy--except it should be dated
Some years before the incidents related.XXXVIII


Prais'd be all liars and all lies! Who now
Can tax my mild Muse with misanthropy?
She rings the World's "Te Deum," and her brow
Blushes for those who will not: but to sigh
Is idle; let us like most others bow,
Kiss hands, feet, any part of Majesty,
After the good example of "Green Erin,"
Whose shamrock now seems rather worse for wearing.XXXIX


Don Juan was presented, and his dress
And mien excited general admiration;
I don't know which was more admir'd or less:
One monstrous diamond drew much observation,
Which Catherine in a moment of "ivresse"
(In love or brandy's fervent fermentation)
Bestow'd upon him, as the public learn'd;
And, to say truth, it had been fairly earn'd.XL


Besides the ministers and underlings,
Who must be courteous to the accredited
Diplomatists of rather wavering kings,
Until their royal riddle's fully read,
The very clerks--those somewhat dirty springs
Of Office, or the House of Office, fed
By foul corruption into streams--even they
Were hardly rude enough to earn their pay.XLI


And insolence no doubt is what they are
Employ'd for, since it is their daily labour,
In the dear offices of peace or war;
And should you doubt, pray ask of your next neighbour,
When for a passport, or some other bar
To freedom, he applied (a grief and a bore),
If he found not this spawn of tax-born riches,
Like lap-dogs, the least civil sons of b{-}{-}{-}{-}{-}s.XLII


But Juan was receiv'd with much "empressement" --
These phrases of refinement I must borrow
From our next neighbours' land, where, like a chessman,
There is a move set down for joy or sorrow,
Not only in mere talking, but the press. Man
In islands is, it seems, downright and thorough,
More than on continents--as if the sea
(See Billingsgate) made even the tongue more free.XLIII


And yet the British "Damme" 's rather Attic,
Your continental oaths are but incontinent,
And turn on things which no aristocratic
Spirit would name, and therefore even I won't anent
This subject quote; as it would be schismatic
In politesse, and have a sound affronting in 't;
But "Damme" 's quite ethereal, though too daring--
Platonic blasphemy, the soul of swearing.XLIV


For downright rudeness, ye may stay at home;
For true or false politeness (and scarce that
Now) you may cross the blue deep and white foam:
The first the emblem (rarely though) of what
You leave behind, the next of much you come
To meet. However, 'tis no time to chat
On general topics: poems must confine
Themselves to Unity, like this of mine.XLV


In the great world--which, being interpreted,
Meaneth the West or worst end of a city,
And about twice two thousand people bred
By no means to be very wise or witty,
But to sit up while others lie in bed,
And look down on the Universe with pity--
Juan, as an inveterate patrician,
Was well receiv'd by persons of condition.XLVI


He was a bachelor, which is a matter
Of import both to virgin and to bride,
The former's hymeneal hopes to flatter;
And (should she not hold fast by love or pride)
'Tis also of some momemt to the latter:
A rib's a thorn in a wed gallant's side,
Requires decorum, and is apt to double
The horrid sin--and what's still worse the trouble.XLVII


But Juan was a bachelor--of arts,
And parts, and hearts: he danc'd and sung, and had
An air as sentimental as Mozart's
Softest of melodies; and could be sad
Or cheerful, without any "flaws or starts,"
Just at the proper time; and though a lad,
Had seen the world--which is a curious sight,
And very much unlike what people write.XLVIII


Fair virgins blush'd upon him; wedded dames
Bloom'd also in less transitory hues;
For both commodities dwell by the Thames
The painting and the painted; Youth, Ceruse,
Against his heart preferr'd their usual claims,
Such as no gentleman can quite refuse;
Daughters admir'd his dress, and pious mothers
Inquir'd his income, and if he had brothers.XLIX


The milliners who furnish "drapery Misses"
Throughout the season, upon speculation
Of payment ere the Honeymoon's last kisses
Have wan'd into a crescent's coruscation,
Thought such an opportunity as this is,
Of a rich foreigner's initiation,
Not to be overlook'd--and gave such credit,
That future bridegrooms swore, and sigh'd, and paid it.L


The Blues, that tender tribe, who sigh o'er sonnets,
And with the pages of the last Review
Line the interior of their heads or bonnets,
Advanc'd in all their azure's highest hue:
They talk'd bad French or Spanish, and upon its
Late authors ask'd him for a hint or two;
And which was softest, Russian or Castilian?
And whether in his travels he saw Ilion?LI


Juan, who was a little superficial,
And not in literature a great Drawcansir,
Examin'd by this learned and especial
Jury of matrons, scarce knew what to answer:
His duties warlike, loving or official,
His steady application as a dancer,
Had kept him from the brink of Hippocrene,
Which now he found was blue instead of green.LII


However, he replied at hazard, with
A modest confidence and calm assurance,
Which lent his learned lucubrations pith,
And pass'd for arguments of good endurance.
That prodigy, Miss Araminta Smith
(Who at sixteen translated "Hercules Furens"
Into as furious English), with her best look,
Set down his sayings in her common-place book.LIII


Juan knew several languages--as well
He might--and brought them up with skill, in time
To save his fame with each accomplish'd belle,
Who still regretted that he did not rhyme.
There wanted but this requisite to swell
His qualities (with them) into sublime:
Lady Fitz-Frisky, and Miss M{ae}via Mannish,
Both long'd extremely to be sung in Spanish.LIV


However, he did pretty well, and was
Admitted as an aspirant to all
The coteries, and, as in Banquo's glass,
At great assemblies or in parties small,
He saw ten thousand living authors pass,
That being about their average numeral;
Also the eighty "greatest living poets,"
As every paltry magazine can show it's .LV


In twice five years the "greatest living poet,"
Like to the champion in the fisty ring,
Is call'd on to support his claim, or show it,
Although 'tis an imaginary thing,
Even I--albeit I'm sure I did not know it,
Nor sought of foolscap subjects to be king--
Was reckon'd, a considerable time,
The grand Napoleon of the realms of rhyme.LVI


But Juan was my Moscow, and Faliero
My Leipsic, and my Mont Saint Jean seem Cain:
"La Belle Alliance" of dunces down at zero,
Now that the Lion's fall'n, may rise again,
But I will fall at least as fell my hero;
Nor reign at all, or as a monarch reign;
Or to some lonely isle of jailors go,
With turncoat Southey for my turnkey Lowe.LVII


Sir Walter reign'd before me; Moore and Campbell
Before and after; but now grown more holy,
The Muses upon Sion's hill must ramble
With poets almost clergymen, or wholly;
And Pegasus has a psalmodic amble
Beneath the very Reverend Rowley Powley,
Who shoes the glorious animal with stilts,
A modern Ancient Pistol--"by the hilts!"LVIII


Still he excels that artificial hard
Labourer in the same vineyard, though the vine
Yields him but vinegar for his reward--
That neutralis'd dull Dorus of the Nine;
That swarthy Sporus, neither man nor bard;
That ox of verse, who ploughs for every line:
Cambyses' roaring Romans beat at least
The howling Hebrews of Cybele's priest.LIX


Then there's my gentle Euphues, who, they say,
Sets up for being a sort of moral me ;
He'll find it rather difficult some day
To turn out both, or either, it may be.
Some persons think that Coleridge hath the sway;
And Wordsworth has supporters, two or three;
And that deep-mouth'd Bœotian "Savage Landor"
Has taken for a swan rogue Southey's gander.LX


John Keats, who was kill'd off by one critique,
Just as he really promis'd something great,
If not intelligible, without Greek
Contriv'd to talk about the gods of late,
Much as they might have been suppos'd to speak.
Poor fellow! His was an untoward fate;
'Tis strange the mind, that very fiery particle,
Should let itself be snuff'd out by an article.LXI


The list grows long of live and dead pretenders
To that which none will gain--or none will know
The conqueror at least; who, ere Time renders
His last award, will have the long grass grow
Above his burnt-out brain, and sapless cinders.
If I might augur, I should rate but low
Their chances; they're too numerous, like the thirty
Mock tyrants, when Rome's annals wax'd but dirty.LXII


This is the literary lower empire,
Where the pr{ae}torian bands take up the matter;
A "dreadful trade," like his who "gathers samphire,"
The insolent soldiery to soothe and flatter,
With the same feelings as you'd coax a vampire,
Now, were I once at home, and in good satire,
I'd try conclusions with those Janizaries,
And show them what an intellectual war is.LXIII


I think I know a trick or two, would turn
Their flanks; but it is hardly worth my while,
With such small gear to give myself concern:
Indeed I've not the necessary bile;
My natural temper's really aught but stern,
And even my Muse's worst reproof's a smile;
And then she drops a brief and modern curtsy,
And glides away, assur'd she never hurts ye.LXIV


My Juan, whom I left in deadly peril
Amongst live poets and blue ladies, pass'd
With some small profit through that field so sterile,
Being tir'd in time, and, neither least nor last,
Left it before he had been treated very ill;
And henceforth found himself more gaily class'd
Amongst the higher spirits of the day,
The sun's true son, no vapour, but a ray.LXV


His morns he pass'd in business--which dissected,
Was, like all business, a laborious nothing
That leads to lassitude, the most infected
And Centaur-Nessus garb of mortal clothing,
And on our sofas makes us lie dejected,
And talk in tender horrors of our loathing
All kinds of toil, save for our country's good--
Which grows no better, though 'tis time it should.LXVI


His afternoons he pass'd in visits, luncheons,
Lounging and boxing; and the twilight hour
In riding round those vegetable puncheons
Call'd "Parks," where there is neither fruit nor flower
Enough to gratify a bee's slight munchings;
But after all it is the only "bower"
(In Moore's phrase) where the fashionable fair
Can form a slight acquaintance with fresh air.LXVII


Then dress, then dinner, then awakes the world!
Then glare the lamps, then whirl the wheels, then roar
Through street and square fast flashing chariots hurl'd
Like harness'd meteors; then along the floor
Chalk mimics painting; then festoons are twirl'd;
Then roll the brazen thunders of the door,
Which opens to the thousand happy few
An earthly Paradise of "Or Molu."LXVIII


There stands the noble hostess, nor shall sink
With the three-thousandth curtsy; there the waltz,
The only dance which teaches girls to think,
Makes one in love even with its very faults.
Saloon, room, hall, o'erflow beyond their brink,
And long the latest of arrivals halts,
'Midst royal dukes and dames condemn'd to climb,
And gain an inch of staircase at a time.LXIX


Thrice happy he who, after a survey
Of the good company, can win a corner,
A door that's in or boudoir out of the way,
Where he may fix himself like small "Jack Horner,"
And let the Babel round run as it may,
And look on as a mourner, or a scorner,
Or an approver, or a mere spectator,
Yawning a little as the night grows later.LXX


But this won't do, save by and by; and he
Who, like Don Juan, takes an active share
Must steer with care through all that glittering sea
Of gems and plumes and pearls and silks, to where
He deems it is his proper place to be;
Dissolving in the waltz to some soft air,
Or proudlier prancing with mercurial skill,
Where Science marshals forth her own quadrille.LXXI


Or, if he dance not, but hath higher views
Upon an heiress or his neighbour's bride,
Let him take care that that which he pursues
Is not at once too palpably descried.
Full many an eager gentleman oft rues
His haste; impatience is a blundering guide
Amongst a people famous for reflection,
Who like to play the fool with circumspection.LXXII


But, if you can contrive, get next at supper;
Or, if forestalled, get opposite and ogle:
Oh, ye ambrosial moments! always upper
In mind, a sort of sentimental bogle,
Which sits for ever upon Memory's crupper,
The ghost of vanish'd pleasures once in vogue! Ill
Can tender souls relate the rise and fall
Of hopes and fears which shake a single ball.LXXIII


But these precautionary hints can touch
Only the common run, who must pursue,
And watch and ward; whose plans a word too much
Or little overturns; and not the few
Or many (for the number's sometimes such)
Whom a good mien, especially if new,
Or fame, or name, for wit, war, sense or nonsense,
Permits whate'er they please, or did not long since.LXXIV


Our hero, as a hero young and handsome,
Noble, rich, celebrated, and a stranger,
Like other slaves of course must pay his ransom
Before he can escape from so much danger
As will environ a conspicuous man. Some
Talk about poetry, and "rack and manger,"
And ugliness, disease, as toil and trouble--
I wish they knew the life of a young noble.LXXV


They are young, but know not youth--it is anticipated;
Handsome but wasted, rich without a sou;
Their vigour in a thousand arms is dissipated;
Their cash comes from , their wealth goes to a Jew;
Both senates see their nightly votes participated
Between the tyrant's and the tribunes' crew;
And having voted, din'd, drunk, gam'd and whor'd,
The family vault receives another lord.LXXVI


"Where is the World," cries Young, "at eighty ? Where
The World in which a man was born?" Alas!
Where is the world of eight years past? 'Twas there --
I look for it--'tis gone, a Globe of Glass!
Crack'd, shiver'd, vanish'd, scarcely gaz'd on, ere
A silent change dissolves the glittering mass.
Statesmen, chiefs, orators, queens, patriots, kings,
And dandies--all are gone on the wind's wings.LXXVII


Where is Napoleon the Grand? God knows:
Where little Castlereagh? The devil can tell:
Where Grattan, Curran, Sheridan, all those
Who bound the Bar or Senate in their spell?
Where is the unhappy Queen, with all her woes?
And where the Daughter, whom the Isles lov'd well?
Where are those martyr'd saints the Five per Cents?
And where--oh, where the devil are the Rents?LXXVIII


Where's Brummell? Dish'd. Where's Long Pole Wellesley? Diddled.
Where's Whitbread? Romilly? Where's George the Third?
Where is his will? (That's not so soon unriddled.)
And where is "Fum" the Fourth, our "royal bird"?
Gone down, it seems, to Scotland to be fiddled
Unto by Sawney's violin, we have heard:
"Caw me, caw thee"--for six months hath been hatching
This scene of royal itch and loyal scratching.LXXIX


Where is Lord This? And where my Lady That?
The Honourable Mistresses and Misses?
Some laid aside like an old Opera hat,
Married, unmarried, and remarried (this is
An evolution oft perform'd of late).
Where are the Dublin shouts--and London hisses?
Where are the Grenvilles? Turn'd as usual. Where
My friends the Whigs? Exactly where they were.LXXX


Where are the Lady Carolines and Franceses?
Divorc'd or doing thereanent. Ye annals
So brilliant, where the list of routs and dances is,
Thou Morning Post, sole record of the panels
Broken in carriages, and all the phantasies
Of fashion, say what streams now fill those channels?
Some die, some fly, some languish on the Continent,
Because the times have hardly left them one tenant.LXXXI


Some who once set their caps at cautious dukes,
Have taken up at length with younger brothers:
Some heiresses have bit at sharpers' hooks:
Some maids have been made wives, some merely mothers:
Others have lost their fresh and fairy looks:
In short, the list of alterations bothers.
There's little strange in this, but something strange is
The unusual quickness of these common changes.LXXXII


Talk not of seventy years as age! in seven
I have seen more changes, down from monarchs to
The humblest individuals under heaven,
Than might suffice a moderate century through.
I knew that nought was lasting, but now even
Change grows too changeable, without being new:
Nought's permanent among the human race,
Except the Whigs not getting into place.LXXXIII


I have seen Napoleon, who seem'd quite a Jupiter,
Shrink to a Saturn. I have seen a Duke
(No matter which) turn politician stupider,
If that can well be, than his wooden look.
But it is time that I should hoist my "blue Peter,"
And sail for a new theme: I have seen--and shook
To see it--the King hiss'd, and then caress'd;
But don't pretend to settle which was best.LXXXIV


I have seen the Landholders without a rap--
I have seen Joanna Southcote--I have seen
The House of Commons turn'd to a taxtrap--
I have seen that sad affair of the late Queen--
I have seen crowns worn instead of a fool's cap--
I have seen a Congress doing all that's mean--
I have seen some nations, like o'erloaded asses,
Kick off their burthens--meaning the high classes.LXXXV


I have seen small poets, and great prosers, and
Interminable-- not eternal --speakers--
I have seen the funds at war with house and land--
I have seen the country gentlemen turn squeakers--
I have seen the people ridden o'er like sand
By slaves on horseback--I have seen malt liquors
Exchang'd for "thin potations" by John Bull--
I have seen John half detect himself a fool.LXXXVI


But "carpe diem," Juan, "carpe, carpe!"
To-morrow sees another race as gay
And transient, and devour'd by the same harpy.
"Life's a poor player"--then "play out the play,
Ye villains!" and above all keep a sharp eye
Much less on what you do than what you say:
Be hypocritical, be cautious, be
Not what you seem , but always what you see .LXXXVII


But how shall I relate in other cantos
Of what befell our hero in the land,
Which 'tis the common cry and lie to vaunt as
A moral country? But I hold my hand--
For I disdain to write an Atalantis;
But 'tis as well at once to understand,
You are not a moral people, and you know it,
Without the aid of too sincere a poet.LXXXVIII


What Juan saw and underwent shall be
My topic, with of course the due restriction
Which is requir'd by proper courtesy;
And recollect the work is only fiction,
And that I sing of neither mine nor me,
Though every scribe, in some slight turn of diction,
Will hint allusions never meant . Ne'er doubt
This --when I speak, I don't hint , but speak out .LXXXIX


Whether he married with the third or fourth
Offspring of some sage husband-hunting countess,
Or whether with some virgin of more worth
(I mean in Fortune's matrimonial bounties),
He took to regularly peopling Earth,
Of which your lawful, awful wedlock fount is--
Or whether he was taken in for damages,
For being too excursive in his homages--XC


Is yet within the unread events of time.
Thus far, go forth, thou Lay, which I will back
Against the same given quantity of rhyme,
For being as much the subject of attack
As ever yet was any work sublime,
By those who love to say that white is black.
So much the better!--I may stand alone,
But would not change my free thoughts for a throne.

poem by Report problemRelated quotes
Added by Poetry Lover
Comment! | Vote! | Copy!

Share

The House Of Dust: Part 02: 08: The Box With Silver Handles

Well,—it was two days after my husband died—
Two days! And the earth still raw above him.
And I was sweeping the carpet in their hall.
In number four—the room with the red wall-paper—
Some chorus girls and men were singing that song
'They'll soon be lighting candles
Round a box with silver handles'—and hearing them sing it
I started to cry. Just then he came along
And stopped on the stairs and turned and looked at me,
And took the cigar from his mouth and sort of smiled
And said, 'Say, what's the matter?' and then came down
Where I was leaning against the wall,
And touched my shoulder, and put his arm around me . . .
And I was so sad, thinking about it,—
Thinking that it was raining, and a cold night,
With Jim so unaccustomed to being dead,—
That I was happy to have him sympathize,
To feel his arm, and leaned against him and cried.
And before I knew it, he got me into a room
Where a table was set, and no one there,
And sat me down on a sofa, and held me close,
And talked to me, telling me not to cry,
That it was all right, he'd look after me,—
But not to cry, my eyes were getting red,
Which didn't make me pretty. And he was so nice,
That when he turned my face between his hands,
And looked at me, with those blue eyes of his,
And smiled, and leaned, and kissed me—
Somehow I couldn't tell him not to do it,
Somehow I didn't mind, I let him kiss me,
And closed my eyes! . . . Well, that was how it started.
For when my heart was eased with crying, and grief
Had passed and left me quiet, somehow it seemed
As if it wasn't honest to change my mind,
To send him away, or say I hadn't meant it
And, anyway, it seemed so hard to explain!
And so we sat and talked, not talking much,
But meaning as much in silence as in words,
There in that empty room with palms about us,
That private dining-room . . . And as we sat there
I felt my future changing, day by day,
With unknown streets opening left and right,
New streets with farther lights, new taller houses,
Doors swinging into hallways filled with light,
Half-opened luminous windows, with white curtains
Streaming out in the night, and sudden music,—
And thinking of this, and through it half remembering
A quick and horrible death, my husband's eyes,
The broken-plastered walls, my boy asleep,—
It seemed as if my brain would break in two.
My voice began to tremble . . . and when I stood,
And told him I must go, and said good-night—
I couldn't see the end. How would it end?
Would he return to-morrow? Or would he not?
And did I want him to—or would I rather
Look for another job?—He took my shoulders
Between his hands, and looked down into my eyes,
And smiled, and said good-night. If he had kissed me,
That would have—well, I don't know; but he didn't . .
And so I went downstairs, then, half elated,
Hoping to close the door before that party
In number four should sing that song again—
'They'll soon be lighting candles round a box with silver handles'—
And sure enough, I did. I faced the darkness.
And my eyes were filled with tears. And I was happy.

poem by Report problemRelated quotes
Added by Poetry Lover
Comment! | Vote! | Copy!

Share

Between The Rapids

The point is turned; the twilight shadow fills
The wheeling stream, the soft receding shore,
And on our ears from deep among the hills
Breaks now the rapid's sudden quickening roar.
Ah yet the same, or have they changed their face,
The fair green fields, and can it still be seen,
The white log cottage near the mountain's base,
So bright and quiet, so home-like and serene?
Ah, well I question, for as five years go,
How many blessings fall, and how much woe.

Aye there they are, nor have they changed their cheer,
The fields, the hut, the leafy mountain brows;
Across the lonely dusk again I hear
The loitering bells, the lowing of the cows,
The bleat of many sheep, the stilly rush
Of the low whispering river, and through all,
Soft human tongues that break the deepening hush
With faint-heard song or desultory call:
Oh comrades hold; the longest reach is past;
The stream runs swift, and we are flying fast.

The shore, the fields, the cottage just the same,
But how with them whose memory makes them sweet?
Oh if I called them, hailing name by name,
Would the same lifts the same old shouts repeat?
Have the rough years, so big with death and ill,
Gone lightly by and left them smiling yet?
Wild black-eyed Jeanne whose tongue was never still,
Old wrinkled Picaud, Pierre and pale Lisette,
The homely hearts that never cared to range,
While life's wide fields were filled with rush and change.

And where is Jacques, and where is Verginie?
I cannot tell; the fields are all a blur.
The lowing cows whose shapes I scarcely see,
Oh do they wait and do they call for her?
And is she changed, or is her heart still clear
As wind or morning, light as river foam?
Or have life's changes borne her far from here,
And far from rest, and far from help and home?
Ah comrades, soft, and let us rest awhile,
For arms grow tired with paddling many a mile.

The woods grow wild, and from the rising shore
The cool wind creeps, the faint wood odours steal;
Like ghosts down the rivers blackening floor
The misty fumes begin to creep and reel.
Once more I leave you, wandering toward the night,
Sweet home, sweet heart, that would have held me in;
Whither I go I know not, and the light
Is faint before, and rest is hard to win.
Ah sweet ye were and near to heaven's gate;
But youth is blind and wisdom comes too late.

Blacker and loftier grow the woods, and hark!
The freshening roar! The chute is near us now,
And dim the canyon grows, and inky dark
The water whispering from the birchen prow.
One long last look, and many a sad adieu,
While eyes can see and heart can feel you yet,
I leave sweet home and sweeter hearts to you,
A prayer for Picaud, one for pale Lisette,
A kiss for Pierre, my little Jacques, and thee,
A sigh for Jeanne, a sob for Verginie.

Oh, does she still remember? Is the dream
Now dead, or has she found another mate?
So near, so dear; and ah, so swift the stream;
Even now perhaps it were not yet too late.
But oh, what matter; for before the night
Has reached its middle, we have far to go:
Bend to your paddles, comrades; see, the light
Ebbs off apace; we must not linger so.
Aye thus it is! Heaven gleams and then is gone
Once, twice, it smiles, and still we wander on.

poem by Report problemRelated quotes
Added by Poetry Lover
Comment! | Vote! | Copy!

Share

The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

One, from his high bright window in a tower,
Leans out, as evening falls,
And sees the advancing curtain of the shower
Splashing its silver on roofs and walls:
Sees how, swift as a shadow, it crosses the city,
And murmurs beyond far walls to the sea,
Leaving a glimmer of water in the dark canyons,
And silver falling from eave and tree.

One, from his high bright window, looking down,
Peers like a dreamer over the rain-bright town,
And thinks its towers are like a dream.
The western windows flame in the sun's last flare,
Pale roofs begin to gleam.

Looking down from a window high in a wall
He sees us all;
Lifting our pallid faces towards the rain,
Searching the sky, and going our ways again,
Standing in doorways, waiting under the trees . . .
There, in the high bright window he dreams, and sees
What we are blind to,—we who mass and crowd
From wall to wall in the darkening of a cloud.

The gulls drift slowly above the city of towers,
Over the roofs to the darkening sea they fly;
Night falls swiftly on an evening of rain.
The yellow lamps wink one by one again.
The towers reach higher and blacker against the sky.


III.

One, where the pale sea foamed at the yellow sand,
With wave upon slowly shattering wave,
Turned to the city of towers as evening fell;
And slowly walked by the darkening road toward it;
And saw how the towers darkened against the sky;
And across the distance heard the toll of a bell.

Along the darkening road he hurried alone,
With his eyes cast down,
And thought how the streets were hoarse with a tide of people,
With clamor of voices, and numberless faces . . .
And it seemed to him, of a sudden, that he would drown
Here in the quiet of evening air,
These empty and voiceless places . . .
And he hurried towards the city, to enter there.

Along the darkening road, between tall trees
That made a sinister whisper, loudly he walked.
Behind him, sea-gulls dipped over long grey seas.
Before him, numberless lovers smiled and talked.
And death was observed with sudden cries,
And birth with laughter and pain.
And the trees grew taller and blacker against the skies
And night came down again.


IV.

Up high black walls, up sombre terraces,
Clinging like luminous birds to the sides of cliffs,
The yellow lights went climbing towards the sky.
From high black walls, gleaming vaguely with rain,
Each yellow light looked down like a golden eye.

They trembled from coign to coign, and tower to tower,
Along high terraces quicker than dream they flew.
And some of them steadily glowed, and some soon vanished,
And some strange shadows threw.

And behind them all the ghosts of thoughts went moving,
Restlessly moving in each lamplit room,
From chair to mirror, from mirror to fire;
From some, the light was scarcely more than a gloom:
From some, a dazzling desire.

And there was one, beneath black eaves, who thought,
Combing with lifted arms her golden hair,
Of the lover who hurried towards her through the night;
And there was one who dreamed of a sudden death
As she blew out her light.

And there was one who turned from clamoring streets,
And walked in lamplit gardens among black trees,
And looked at the windy sky,
And thought with terror how stones and roots would freeze
And birds in the dead boughs cry . . .

And she hurried back, as snow fell, mixed with rain,
To mingle among the crowds again,
To jostle beneath blue lamps along the street;
And lost herself in the warm bright coiling dream,
With a sound of murmuring voices and shuffling feet.

And one, from his high bright window looking down
On luminous chasms that cleft the basalt town,
Hearing a sea-like murmur rise,
Desired to leave his dream, descend from the tower,
And drown in waves of shouts and laughter and cries.


V.

The snow floats down upon us, mingled with rain . . .
It eddies around pale lilac lamps, and falls
Down golden-windowed walls.
We were all born of flesh, in a flare of pain,
We do not remember the red roots whence we rose,
But we know that we rose and walked, that after a while
We shall lie down again.

The snow floats down upon us, we turn, we turn,
Through gorges filled with light we sound and flow . . .
One is struck down and hurt, we crowd about him,
We bear him away, gaze after his listless body;
But whether he lives or dies we do not know.

One of us sings in the street, and we listen to him;
The words ring over us like vague bells of sorrow.
He sings of a house he lived in long ago.
It is strange; this house of dust was the house I lived in;
The house you lived in, the house that all of us know.
And coiling slowly about him, and laughing at him,
And throwing him pennies, we bear away
A mournful echo of other times and places,
And follow a dream . . . a dream that will not stay.

Down long broad flights of lamplit stairs we flow;
Noisy, in scattered waves, crowding and shouting;
In broken slow cascades.
The gardens extend before us . . . We spread out swiftly;
Trees are above us, and darkness. The canyon fades . . .

And we recall, with a gleaming stab of sadness,
Vaguely and incoherently, some dream
Of a world we came from, a world of sun-blue hills . . .
A black wood whispers around us, green eyes gleam;
Someone cries in the forest, and someone kills.

We flow to the east, to the white-lined shivering sea;
We reach to the west, where the whirling sun went down;
We close our eyes to music in bright cafees.
We diverge from clamorous streets to streets that are silent.
We loaf where the wind-spilled fountain plays.

And, growing tired, we turn aside at last,
Remember our secret selves, seek out our towers,
Lay weary hands on the banisters, and climb;
Climbing, each, to his little four-square dream
Of love or lust or beauty or death or crime.


VI.

Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.

The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.

Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .

. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .

Voices clear and silvery, voices of raindrops,—
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound. Each cries a secret.
I run among them, reach out vain hands, and drown.

'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'

'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'

'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead. It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again. And it was so.'


Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.

'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '

He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.

Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.

Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.

'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.

'I bound her to me in all soft ways,
I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.

'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us. He yields us our desire.

'No, do not stare so—he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this. I know. It was long ago . . .
He closes his eyes and drowns in death again.'

The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.


VII.

Midnight; bells toll, and along the cloud-high towers
The golden lights go out . . .
The yellow windows darken, the shades are drawn,
In thousands of rooms we sleep, we await the dawn,
We lie face down, we dream,
We cry aloud with terror, half rise, or seem
To stare at the ceiling or walls . . .
Midnight . . . the last of shattering bell-notes falls.
A rush of silence whirls over the cloud-high towers,
A vortex of soundless hours.

'The bells have just struck twelve: I should be sleeping.
But I cannot delay any longer to write and tell you.
The woman is dead.
She died—you know the way. Just as we planned.
Smiling, with open sunlit eyes.
Smiling upon the outstretched fatal hand . . .'

He folds his letter, steps softly down the stairs.
The doors are closed and silent. A gas-jet flares.
His shadow disturbs a shadow of balustrades.
The door swings shut behind. Night roars above him.
Into the night he fades.

Wind; wind; wind; carving the walls;
Blowing the water that gleams in the street;
Blowing the rain, the sleet.
In the dark alley, an old tree cracks and falls,
Oak-boughs moan in the haunted air;
Lamps blow down with a crash and tinkle of glass . . .
Darkness whistles . . . Wild hours pass . . .

And those whom sleep eludes lie wide-eyed, hearing
Above their heads a goblin night go by;
Children are waked, and cry,
The young girl hears the roar in her sleep, and dreams
That her lover is caught in a burning tower,
She clutches the pillow, she gasps for breath, she screams . . .
And then by degrees her breath grows quiet and slow,
She dreams of an evening, long ago:
Of colored lanterns balancing under trees,
Some of them softly catching afire;
And beneath the lanterns a motionless face she sees,
Golden with lamplight, smiling, serene . . .
The leaves are a pale and glittering green,
The sound of horns blows over the trampled grass,
Shadows of dancers pass . . .
The face smiles closer to hers, she tries to lean
Backward, away, the eyes burn close and strange,
The face is beginning to change,—
It is her lover, she no longer desires to resist,
She is held and kissed.
She closes her eyes, and melts in a seethe of flame . . .
With a smoking ghost of shame . . .

Wind, wind, wind . . . Wind in an enormous brain
Blowing dark thoughts like fallen leaves . . .
The wind shrieks, the wind grieves;
It dashes the leaves on walls, it whirls then again;
And the enormous sleeper vaguely and stupidly dreams
And desires to stir, to resist a ghost of pain.

One, whom the city imprisoned because of his cunning,
Who dreamed for years in a tower,
Seizes this hour
Of tumult and wind. He files through the rusted bar,
Leans his face to the rain, laughs up at the night,
Slides down the knotted sheet, swings over the wall,
To fall to the street with a cat-like fall,
Slinks round a quavering rim of windy light,
And at last is gone,
Leaving his empty cell for the pallor of dawn . . .

The mother whose child was buried to-day
Turns her face to the window; her face is grey;
And all her body is cold with the coldness of rain.
He would have grown as easily as a tree,
He would have spread a pleasure of shade above her,
He would have been his father again . . .
His growth was ended by a freezing invisible shadow.
She lies, and does not move, and is stabbed by the rain.

Wind, wind, wind; we toss and dream;
We dream we are clouds and stars, blown in a stream:
Windows rattle above our beds;
We reach vague-gesturing hands, we lift our heads,
Hear sounds far off,—and dream, with quivering breath,
Our curious separate ways through life and death.


VIII.

The white fog creeps from the cold sea over the city,
Over the pale grey tumbled towers,—
And settles among the roofs, the pale grey walls.
Along damp sinuous streets it crawls,
Curls like a dream among the motionless trees
And seems to freeze.

The fog slips ghostlike into a thousand rooms,
Whirls over sleeping faces,
Spins in an atomy dance round misty street lamps;
And blows in cloudy waves over open spaces . . .

And one from his high window, looking down,
Peers at the cloud-white town,
And thinks its island towers are like a dream . . .
It seems an enormous sleeper, within whose brain
Laborious shadows revolve and break and gleam.

PART II.


I.

The round red sun heaves darkly out of the sea.
The walls and towers are warmed and gleam.
Sounds go drowsily up from streets and wharves.
The city stirs like one that is half in dream.

And the mist flows up by dazzling walls and windows,
Where one by one we wake and rise.
We gaze at the pale grey lustrous sea a moment,
We rub the darkness from our eyes,

And face our thousand devious secret mornings . . .
And do not see how the pale mist, slowly ascending,
Shaped by the sun, shines like a white-robed dreamer
Compassionate over our towers bending.

There, like one who gazes into a crystal,
He broods upon our city with sombre eyes;
He sees our secret fears vaguely unfolding,
Sees cloudy symbols shape to rise.

Each gleaming point of light is like a seed
Dilating swiftly to coiling fires.
Each cloud becomes a rapidly dimming face,
Each hurrying face records its strange desires.

We descend our separate stairs toward the day,
Merge in the somnolent mass that fills the street,
Lift our eyes to the soft blue space of sky,
And walk by the well-known walls with accustomed feet.


II. THE FULFILLED DREAM

More towers must yet be built—more towers destroyed—
Great rocks hoisted in air;
And he must seek his bread in high pale sunlight
With gulls about him, and clouds just over his eyes . . .
And so he did not mention his dream of falling
But drank his coffee in silence, and heard in his ears
That horrible whistle of wind, and felt his breath
Sucked out of him, and saw the tower flash by
And the small tree swell beneath him . . .
He patted his boy on the head, and kissed his wife,
Looked quickly around the room, to remember it,—
And so went out . . . For once, he forgot his pail.

Something had changed—but it was not the street—
The street was just the same—it was himself.
Puddles flashed in the sun. In the pawn-shop door
The same old black cat winked green amber eyes;
The butcher stood by his window tying his apron;
The same men walked beside him, smoking pipes,
Reading the morning paper . . .

He would not yield, he thought, and walk more slowly,
As if he knew for certain he walked to death:
But with his usual pace,—deliberate, firm,
Looking about him calmly, watching the world,
Taking his ease . . . Yet, when he thought again
Of the same dream, now dreamed three separate times,
Always the same, and heard that whistling wind,
And saw the windows flashing upward past him,—
He slowed his pace a little, and thought with horror
How monstrously that small tree thrust to meet him! . . .
He slowed his pace a little and remembered his wife.

Was forty, then, too old for work like this?
Why should it be? He'd never been afraid—
His eye was sure, his hand was steady . . .
But dreams had meanings.
He walked more slowly, and looked along the roofs,
All built by men, and saw the pale blue sky;
And suddenly he was dizzy with looking at it,
It seemed to whirl and swim,
It seemed the color of terror, of speed, of death . . .
He lowered his eyes to the stones, he walked more slowly;
His thoughts were blown and scattered like leaves;
He thought of the pail . . . Why, then, was it forgotten?
Because he would not need it?

Then, just as he was grouping his thoughts again
About that drug-store corner, under an arc-lamp,
Where first he met the girl whom he would marry,—
That blue-eyed innocent girl, in a soft blouse,—
He waved his hand for signal, and up he went
In the dusty chute that hugged the wall;
Above the tree; from girdered floor to floor;
Above the flattening roofs, until the sea
Lay wide and waved before him . . . And then he stepped
Giddily out, from that security,
To the red rib of iron against the sky,
And walked along it, feeling it sing and tremble;
And looking down one instant, saw the tree
Just as he dreamed it was; and looked away,
And up again, feeling his blood go wild.

He gave the signal; the long girder swung
Closer to him, dropped clanging into place,
Almost pushing him off. Pneumatic hammers
Began their madhouse clatter, the white-hot rivets
Were tossed from below and deftly caught in pails;
He signalled again, and wiped his mouth, and thought
A place so high in the air should be more quiet.
The tree, far down below, teased at his eyes,
Teased at the corners of them, until he looked,
And felt his body go suddenly small and light;
Felt his brain float off like a dwindling vapor;
And heard a whistle of wind, and saw a tree
Come plunging up to him, and thought to himself,
'By God—I'm done for now, the dream was right . . .'


III. INTERLUDE

The warm sun dreams in the dust, the warm sun falls
On bright red roofs and walls;
The trees in the park exhale a ghost of rain;
We go from door to door in the streets again,
Talking, laughing, dreaming, turning our faces,
Recalling other times and places . . .
We crowd, not knowing why, around a gate,
We crowd together and wait,
A stretcher is carried out, voices are stilled,
The ambulance drives away.
We watch its roof flash by, hear someone say
'A man fell off the building and was killed—
Fell right into a barrel . . .' We turn again
Among the frightened eyes of white-faced men,
And go our separate ways, each bearing with him
A thing he tries, but vainly, to forget,—
A sickened crowd, a stretcher red and wet.

A hurdy-gurdy sings in the crowded street,
The golden notes skip over the sunlit stones,
Wings are upon our feet.
The sun seems warmer, the winding street more bright,
Sparrows come whirring down in a cloud of light.
We bear our dreams among us, bear them all,
Like hurdy-gurdy music they rise and fall,
Climb to beauty and die.
The wandering lover dreams of his lover's mouth,
And smiles at the hostile sky.
The broker smokes his pipe, and sees a fortune.
The murderer hears a cry.


IV. NIGHTMARE

'Draw three cards, and I will tell your future . . .
Draw three cards, and lay them down,
Rest your palms upon them, stare at the crystal,
And think of time . . . My father was a clown,
My mother was a gypsy out of Egypt;
And she was gotten with child in a strange way;
And I was born in a cold eclipse of the moon,
With the future in my eyes as clear as day.'

I sit before the gold-embroidered curtain
And think her face is like a wrinkled desert.
The crystal burns in lamplight beneath my eyes.
A dragon slowly coils on the scaly curtain.
Upon a scarlet cloth a white skull lies.

'Your hand is on the hand that holds three lilies.
You will live long, love many times.
I see a dark girl here who once betrayed you.
I see a shadow of secret crimes.

'There was a man who came intent to kill you,
And hid behind a door and waited for you;
There was a woman who smiled at you and lied.
There was a golden girl who loved you, begged you,
Crawled after you, and died.

'There is a ghost of murder in your blood—
Coming or past, I know not which.
And here is danger—a woman with sea-green eyes,
And white-skinned as a witch . . .'

The words hiss into me, like raindrops falling
On sleepy fire . . . She smiles a meaning smile.
Suspicion eats my brain; I ask a question;
Something is creeping at me, something vile;

And suddenly on the wall behind her head
I see a monstrous shadow strike and spread,
The lamp puffs out, a great blow crashes down.
I plunge through the curtain, run through dark to the street,
And hear swift steps retreat . . .

The shades are drawn, the door is locked behind me.
Behind the door I hear a hammer sounding.
I walk in a cloud of wonder; I am glad.
I mingle among the crowds; my heart is pounding;
You do not guess the adventure I have had! . . .

Yet you, too, all have had your dark adventures,
Your sudden adventures, or strange, or sweet . . .
My peril goes out from me, is blown among you.
We loiter, dreaming together, along the street.


V. RETROSPECT

Round white clouds roll slowly above the housetops,
Over the clear red roofs they flow and pass.
A flock of pigeons rises with blue wings flashing,
Rises with whistle of wings, hovers an instant,
And settles slowly again on the tarnished grass.

And one old man looks down from a dusty window
And sees the pigeons circling about the fountain
And desires once more to walk among those trees.
Lovers walk in the noontime by that fountain.
Pigeons dip their beaks to drink from the water.
And soon the pond must freeze.

The light wind blows to his ears a sound of laughter,
Young men shuffle their feet, loaf in the sunlight;
A girl's laugh rings like a silver bell.
But clearer than all these sounds is a sound he hears
More in his secret heart than in his ears,—
A hammer's steady crescendo, like a knell.
He hears the snarl of pineboards under the plane,
The rhythmic saw, and then the hammer again,—
Playing with delicate strokes that sombre scale . . .
And the fountain dwindles, the sunlight seems to pale.

Time is a dream, he thinks, a destroying dream;
It lays great cities in dust, it fills the seas;
It covers the face of beauty, and tumbles walls.
Where was the woman he loved? Where was his youth?
Where was the dream that burned his brain like fire?
Even a dream grows grey at last and falls.

He opened his book once more, beside the window,
And read the printed words upon that page.
The sunlight touched his hand; his eyes moved slowly,
The quiet words enchanted time and age.

'Death is never an ending, death is a change;
Death is beautiful, for death is strange;
Death is one dream out of another flowing;
Death is a chorded music, softly going
By sweet transition from key to richer key.
Death is a meeting place of sea and sea.'


VI. ADELE AND DAVIS

She turned her head on the pillow, and cried once more.
And drawing a shaken breath, and closing her eyes,
To shut out, if she could, this dingy room,
The wigs and costumes scattered around the floor,—
Yellows and greens in the dark,—she walked again
Those nightmare streets which she had walked so often . . .
Here, at a certain corner, under an arc-lamp,
Blown by a bitter wind, she stopped and looked
In through the brilliant windows of a drug-store,
And wondered if she dared to ask for poison:
But it was late, few customers were there,
The eyes of all the clerks would freeze upon her,
And she would wilt, and cry . . . Here, by the river,
She listened to the water slapping the wall,
And felt queer fascination in its blackness:
But it was cold, the little waves looked cruel,
The stars were keen, and a windy dash of spray
Struck her cheek, and withered her veins . . . And so
She dragged herself once more to home, and bed.

Paul hadn't guessed it yet—though twice, already,
She'd fainted—once, the first time, on the stage.
So she must tell him soon—or else—get out . . .
How could she say it? That was the hideous thing.
She'd rather die than say it! . . . and all the trouble,
Months when she couldn't earn a cent, and then,
If he refused to marry her . . . well, what?
She saw him laughing, making a foolish joke,
His grey eyes turning quickly; and the words
Fled from her tongue . . . She saw him sitting silent,
Brooding over his morning coffee, maybe,
And tried again . . . she bit her lips, and trembled,
And looked away, and said . . . 'Say Paul, boy,—listen—
There's something I must tell you . . . ' There she stopped,
Wondering what he'd say . . . What would he say?
'Spring it, kid! Don't look so serious!'
'But what I've got to say—IS—serious!'
Then she could see how, suddenly, he would sober,
His eyes would darken, he'd look so terrifying—
He always did—and what could she do but cry?
Perhaps, then, he would guess—perhaps he wouldn't.
And if he didn't, but asked her 'What's the matter?'—
She knew she'd never tell—just say she was sick . . .
And after that, when would she dare again?
And what would he do—even suppose she told him?

If it were Felix! If it were only Felix!—
She wouldn't mind so much. But as it was,
Bitterness choked her, she had half a mind
To pay out Felix for never having liked her,
By making people think that it was he . . .
She'd write a letter to someone, before she died,—
Just saying 'Felix did itand wouldn't marry.'
And then she'd die . . . But that was hard on Paul . . .
Paul would never forgive her—he'd never forgive her!
Sometimes she almost thought Paul really loved her . . .
She saw him look reproachfully at her coffin.

And then she closed her eyes and walked again
Those nightmare streets that she had walked so often:
Under an arc-lamp swinging in the wind
She stood, and stared in through a drug-store window,
Watching a clerk wrap up a little pill-box.
But it was late. No customers were there,—
Pitiless eyes would freeze her secret in her!
And then—what poison would she dare to ask for?
And if they asked her why, what would she say?


VII. TWO LOVERS: OVERTONES

Two lovers, here at the corner, by the steeple,
Two lovers blow together like music blowing:
And the crowd dissolves about them like a sea.
Recurring waves of sound break vaguely about them,
They drift from wall to wall, from tree to tree.
'Well, am I late?' Upward they look and laugh,
They look at the great clock's golden hands,
They laugh and talk, not knowing what they say:
Only, their words like music seem to play;
And seeming to walk, they tread strange sarabands.

'I brought you this . . . ' the soft words float like stars
Down the smooth heaven of her memory.
She stands again by a garden wall,
The peach tree is in bloom, pink blossoms fall,
Water sings from an opened tap, the bees
Glisten and murmur among the trees.
Someone calls from the house. She does not answer.
Backward she leans her head,
And dreamily smiles at the peach-tree leaves, wherethrough
She sees an infinite May sky spread
A vault profoundly blue.
The voice from the house fades far away,
The glistening leaves more vaguely ripple and sway . .
The tap is closed, the water ceases to hiss . . .
Silence . . . blue sky . . . and then, 'I brought you this . . . '
She turns again, and smiles . . . He does not know
She smiles from long ago . . .

She turns to him and smiles . . . Sunlight above him
Roars like a vast invisible sea,
Gold is beaten before him, shrill bells of silver;
He is released of weight, his body is free,
He lifts his arms to swim,
Dark years like sinister tides coil under him . . .
The lazy sea-waves crumble along the beach
With a whirring sound like wind in bells,
He lies outstretched on the yellow wind-worn sands
Reaching his lazy hands
Among the golden grains and sea-white shells . . .

'One white rose . . . or is it pink, to-day?'
They pause and smile, not caring what they say,
If only they may talk.
The crowd flows past them like dividing waters.
Dreaming they stand, dreaming they walk.

'Pink,—to-day!'—Face turns to dream-bright face,
Green leaves rise round them, sunshine settles upon them,
Water, in drops of silver, falls from the rose.
She smiles at a face that smiles through leaves from the mirror.
She breathes the fragrance; her dark eyes close . . .

Time is dissolved, it blows like a little dust:
Time, like a flurry of rain,
Patters and passes, starring the window-pane.
Once, long ago, one night,
She saw the lightning, with long blue quiver of light,
Ripping the darkness . . . and as she turned in terror
A soft face leaned above her, leaned softly down,
Softly around her a breath of roses was blown,
She sank in waves of quiet, she seemed to float
In a sea of silence . . . and soft steps grew remote . .

'Well, let us walk in the park . . . The sun is warm,
We'll sit on a bench and talk . . .' They turn and glide,
The crowd of faces wavers and breaks and flows.
'Look how the oak-tops turn to gold in the sunlight!
Look how the tower is changed and glows!'

Two lovers move in the crowd like a link of music,
We press upon them, we hold them, and let them pass;
A chord of music strikes us and straight we tremble;
We tremble like wind-blown grass.

What was this dream we had, a dream of music,
Music that rose from the opening earth like magic
And shook its beauty upon us and died away?
The long cold streets extend once more before us.
The red sun drops, the walls grow grey.


VIII. THE BOX WITH SILVER HANDLES

Well,—it was two days after my husband died—
Two days! And the earth still raw above him.
And I was sweeping the carpet in their hall.
In number four—the room with the red wall-paper—
Some chorus girls and men were singing that song
'They'll soon be lighting candles
Round a box with silver handles'—and hearing them sing it
I started to cry. Just then he came along
And stopped on the stairs and turned and looked at me,
And took the cigar from his mouth and sort of smiled
And said, 'Say, what's the matter?' and then came down
Where I was leaning against the wall,
And touched my shoulder, and put his arm around me . . .
And I was so sad, thinking about it,—
Thinking that it was raining, and a cold night,
With Jim so unaccustomed to being dead,—
That I was happy to have him sympathize,
To feel his arm, and leaned against him and cried.
And before I knew it, he got me into a room
Where a table was set, and no one there,
And sat me down on a sofa, and held me close,
And talked to me, telling me not to cry,
That it was all right, he'd look after me,—
But not to cry, my eyes were getting red,
Which didn't make me pretty. And he was so nice,
That when he turned my face between his hands,
And looked at me, with those blue eyes of his,
And smiled, and leaned, and kissed me—
Somehow I couldn't tell him not to do it,
Somehow I didn't mind, I let him kiss me,
And closed my eyes! . . . Well, that was how it started.
For when my heart was eased with crying, and grief
Had passed and left me quiet, somehow it seemed
As if it wasn't honest to change my mind,
To send him away, or say I hadn't meant it
And, anyway, it seemed so hard to explain!
And so we sat and talked, not talking much,
But meaning as much in silence as in words,
There in that empty room with palms about us,
That private dining-room . . . And as we sat there
I felt my future changing, day by day,
With unknown streets opening left and right,
New streets with farther lights, new taller houses,
Doors swinging into hallways filled with light,
Half-opened luminous windows, with white curtains
Streaming out in the night, and sudden music,—
And thinking of this, and through it half remembering
A quick and horrible death, my husband's eyes,
The broken-plastered walls, my boy asleep,—
It seemed as if my brain would break in two.
My voice began to tremble . . . and when I stood,
And told him I must go, and said good-night—
I couldn't see the end. How would it end?
Would he return to-morrow? Or would he not?
And did I want him to—or would I rather
Look for another job?—He took my shoulders
Between his hands, and looked down into my eyes,
And smiled, and said good-night. If he had kissed me,
That would have—well, I don't know; but he didn't . .
And so I went downstairs, then, half elated,
Hoping to close the door before that party
In number four should sing that song again—
'They'll soon be lighting candles round a box with silver handles'—
And sure enough, I did. I faced the darkness.
And my eyes were filled with tears. And I was happy.


IX. INTERLUDE

The days, the nights, flow one by one above us,
The hours go silently over our lifted faces,
We are like dreamers who walk beneath a sea.
Beneath high walls we flow in the sun together.
We sleep, we wake, we laugh, we pursue, we flee.

We sit at tables and sip our morning coffee,
We read the papers for tales of lust or crime.
The door swings shut behind the latest comer.
We set our watches, regard the time.

What have we done? I close my eyes, remember
The great machine whose sinister brain before me
Smote and smote with a rhythmic beat.
My hands have torn down walls, the stone and plaster.
I dropped great beams to the dusty street.

My eyes are worn with measuring cloths of purple,
And golden cloths, and wavering cloths, and pale.
I dream of a crowd of faces, white with menace.
Hands reach up to tear me. My brain will fail.

Here, where the walls go down beneath our picks,
These walls whose windows gap against the sky,
Atom by atom of flesh and brain and marble
Will build a glittering tower before we die . . .

The young boy whistles, hurrying down the street,
The young girl hums beneath her breath.
One goes out to beauty, and does not know it.
And one goes out to death.


X. SUDDEN DEATH

'Number four—the girl who died on the table—
The girl with golden hair—'
The purpling body lies on the polished marble.
We open the throat, and lay the thyroid bare . . .

One, who held the ether-cone, remembers
Her dark blue frightened eyes.
He heard the sharp breath quiver, and saw her breast
More hurriedly fall and rise.
Her hands made futile gestures, she turned her head
Fighting for breath; her cheeks were flushed to scarlet,—
And, suddenly, she lay dead.

And all the dreams that hurried along her veins
Came to the darkness of a sudden wall.
Confusion ran among them, they whirled and clamored,
They fell, they rose, they struck, they shouted,
Till at last a pallor of silence hushed them all.

What was her name? Where had she walked that morning?
Through what dark forest came her feet?
Along what sunlit walls, what peopled street?

Backward he dreamed along a chain of days,
He saw her go her strange and secret ways,
Waking and sleeping, noon and night.
She sat by a mirror, braiding her golden hair.
She read a story by candlelight.

Her shadow ran before her along the street,
She walked with rhythmic feet,
Turned a corner, descended a stair.
She bought a paper, held it to scan the headlines,
Smiled for a moment at sea-gulls high in sunlight,
And drew deep breaths of air.

Days passed, bright clouds of days. Nights passed. And music
Murmured within the walls of lighted windows.
She lifted her face to the light and danced.
The dancers wreathed and grouped in moving patterns,
Clustered, receded, streamed, advanced.

Her dress was purple, her slippers were golden,
Her eyes were blue; and a purple orchid
Opened its golden heart on her breast . . .
She leaned to the surly languor of lazy music,
Leaned on her partner's arm to rest.
The violins were weaving a weft of silver,
The horns were weaving a lustrous brede of gold,
And time was caught in a glistening pattern,
Time, too elusive to hold . . .

Shadows of leaves fell over her face,—and sunlight:
She turned her face away.
Nearer she moved to a crouching darkness
With every step and day.

Death, who at first had thought of her only an instant,
At a great distance, across the night,
Smiled from a window upon her, and followed her slowly
From purple light to light.

Once, in her dreams, he spoke out clearly, crying,
'I am the murderer, death.
I am the lover who keeps his appointment
At the doors of breath!'

She rose and stared at her own reflection,
Half dreading there to find
The dark-eyed ghost, waiting beside her,
Or reaching from behind
To lay pale hands upon her shoulders . . .
Or was this in her mind? . . .

She combed her hair. The sunlight glimmered
Along the tossing strands.
Was there a stillness in this hair,—
A quiet in these hands?

Death was a dream. It could not change these eyes,
Blow out their light, or turn this mouth to dust.
She combed her hair and sang. She would live forever.
Leaves flew past her window along a gust . . .
And graves were dug in the earth, and coffins passed,
And music ebbed with the ebbing hours.
And dreams went along her veins, and scattering clouds
Threw streaming shadows on walls and towers.


XI.

Snow falls. The sky is grey, and sullenly glares
With purple lights in the canyoned street.
The fiery sign on the dark tower wreathes and flares . . .
The trodden grass in the park is covered with white,
The streets grow silent beneath our feet . . .
The city dreams, it forgets its past to-night.

And one, from his high bright window looking down
Over the enchanted whiteness of the town,
Seeing through whirls of white the vague grey towers,
Desires like this to forget what will not pass,
The littered papers, the dust, the tarnished grass,
Grey death, stale ugliness, and sodden hours.
Deep in his heart old bells are beaten again,
Slurred bells of grief and pain,
Dull echoes of hideous times and poisonous places.
He desires to drown in a cold white peace of snow.
He desires to forget a million faces . . .

In one room breathes a woman who dies of hunger.
The clock ticks slowly and stops. And no one winds it.
In one room fade grey violets in a vase.
Snow flakes faintly hiss and melt on the window.
In one room, minute by minute, the flutist plays
The lamplit page of music, the tireless scales.
His hands are trembling, his short breath fails.

In one room, silently, lover looks upon lover,
And thinks the air is fire.
The drunkard swears and touches the harlot's heartstrings
With the sudden hand of desire.

And one goes late in the streets, and thinks of murder;
And one lies staring, and thinks of death.
And one, who has suffered, clenches her hands despairing,
And holds her breath . . .

Who are all these, who flow in the veins of the city,
Coil and revolve and dream,
Vanish or gleam?
Some mount up to the brain and flower in fire.
Some are destroyed; some die; some slowly stream.

And the new are born who desire to destroy the old;
And fires are kindled and quenched; and dreams are broken,
And walls flung down . . .
And the slow night whirls in snow over towers of dreamers,
And whiteness hushes the town.

PART III


I

As evening falls,
And the yellow lights leap one by one
Along high walls;
And along black streets that glisten as if with rain,
The muted city seems
Like one in a restless sleep, who lies and dreams
Of vague desires, and memories, and half-forgotten pain . . .
Along dark veins, like lights the quick dreams run,
Flash, are extinguished, flash again,
To mingle and glow at last in the enormous brain
And die away . . .
As evening falls,
A dream dissolves these insubstantial walls,—
A myriad secretly gliding lights lie bare . . .
The lovers rise, the harlot combs her hair,
The dead man's face grows blue in the dizzy lamplight,
The watchman climbs the stair . . .
The bank defaulter leers at a chaos of figures,
And runs among them, and is beaten down;
The sick man coughs and hears the chisels ringing;
The tired clown
Sees the enormous crowd, a million faces,
Motionless in their places,
Ready to laugh, and seize, and crush and tear . . .
The dancer smooths her hair,
Laces her golden slippers, and runs through the door
To dance once more,
Hearing swift music like an enchantment rise,
Feeling the praise of a thousand eyes.

As darkness falls
The walls grow luminous and warm, the walls
Tremble and glow with the lives within them moving,
Moving like music, secret and rich and warm.
How shall we live tonight? Where shall we turn?
To what new light or darkness yearn?
A thousand winding stairs lead down before us;
And one by one in myriads we descend
By lamplit flowered walls, long balustrades,
Through half-lit halls which reach no end.


II. THE SCREEN MAIDEN

You read—what is it, then that you are reading?
What music moves so silently in your mind?
Your bright hand turns the page.
I watch you from my window, unsuspected:
You move in an alien land, a silent age . . .

. . . The poet—what was his name—? Tokkei—Tokkei—
The poet walked alone in a cold late rain,
And thought his grief was like the crying of sea-birds;
For his lover was dead, he never would love again.

Rain in the dreams of the mind—rain forever—
Rain in the sky of the heart—rain in the willows—
But then he saw this face, this face like flame,
This quiet lady, this portrait by Hiroshigi;
And took it home with him; and with it came

What unexpected changes, subtle as weather!
The dark room, cold as rain,
Grew faintly fragrant, stirred with a stir of April,
Warmed its corners with light again,

And smoke of incense whirled about this portrait,
And the quiet lady there,
So young, so quietly smiling, with calm hands,
Seemed ready to loose her hair,

And smile, and lean from the picture, or say one word,
The word already clear,
Which seemed to rise like light between her eyelids . .
He held his breath to hear,

And smiled for shame, and drank a cup of wine,
And held a candle, and searched her face
Through all the little shadows, to see what secret
Might give so warm a grace . . .

Was it the quiet mouth, restrained a little?
The eyes, half-turned aside?
The jade ring on her wrist, still almost swinging? . . .
The secret was denied,

He chose his favorite pen and drew these verses,
And slept; and as he slept
A dream came into his heart, his lover entered,
And chided him, and wept.

And in the morning, waking, he remembered,
And thought the dream was strange.
Why did his darkened lover rise from the garden?
He turned, and felt a change,

As if a someone hidden smiled and watched him . . .
Yet there was only sunlight there.
Until he saw those young eyes, quietly smiling,
And held his breath to stare,

And could have sworn her cheek had turned—a little . . .
Had slightly turned away . . .
Sunlight dozed on the floor . . . He sat and wondered,
Nor left his room that day.

And that day, and for many days thereafter,
He sat alone, and thought
No lady had ever lived so beautiful
As Hiroshigi wrought . . .

Or if she lived, no matter in what country,
By what far river or hill or lonely sea,
He would look in every face until he found her . . .
There was no other as fair as she.

And before her quiet face he burned soft incense,
And brought her every day
Boughs of the peach, or almond, or snow-white cherry,
And somehow, she seemed to say,

That silent lady, young, and quietly smiling,
That she was happy there;
And sometimes, seeing this, he started to tremble,
And desired to touch her hair,

To lay his palm along her hand, touch faintly
With delicate finger-tips
The ghostly smile that seemed to hover and vanish
Upon her lips . . .

Until he knew he loved this quiet lady;
And night by night a dread
Leered at his dreams, for he knew that Hiroshigi
Was many centuries dead,—

And the lady, too, was dead, and all who knew her . .
Dead, and long turned to dust . . .
The thin moon waxed and waned, and left him paler,
The peach leaves flew in a gust,

And he would surely have died; but there one day
A wise man, white with age,
Stared at the portrait, and said, 'This Hiroshigi
Knew more than archimage,—

Cunningly drew the body, and called the spirit,
Till partly it entered there . . .
Sometimes, at death, it entered the portrait wholly . .
Do all I say with care,

And she you love may come to you when you call her . . . '
So then this ghost, Tokkei,
Ran in the sun, bought wine of a hundred merchants,
And alone at the end of day

Entered the darkening room, and faced the portrait,
And saw the quiet eyes
Gleaming and young in the dusk, and held the wine-cup,
And knelt, and did not rise,

And said, aloud, 'Lo-san, will you drink this wine?'
Said it three times aloud.
And at the third the faint blue smoke of incense
Rose to the walls in a cloud,

And the lips moved faintly, and the eyes, and the calm hands stirred;
And suddenly, with a sigh,
The quiet lady came slowly down from the portrait,
And stood, while worlds went by,

And lifted her young white hands and took the wine cup;
And the poet trembled, and said,
'Lo-san, will you stay forever?'—'Yes, I will stay.'—
'But what when I am dead?'

'When you are dead your spirit will find my spirit,
And then we shall die no more.'
Music came down upon them, and spring returning,
They remembered worlds before,

And years went over the earth, and over the sea,
And lovers were born and spoke and died,
But forever in sunlight went these two immortal,
Tokkei and the quiet bride . . .


III. HAUNTED CHAMBERS

The lamplit page is turned, the dream forgotten;
The music changes tone, you wake, remember
Deep worlds you lived before,—deep worlds hereafter
Of leaf on falling leaf, music on music,
Rain and sorrow and wind and dust and laughter.

Helen was late and Miriam came too soon.
Joseph was dead, his wife and children starving.
Elaine was married and soon to have a child.
You dreamed last night of fiddler-crabs with fiddles;
They played a buzzing melody, and you smiled.

To-morrow—what? And what of yesterday?
Through soundless labyrinths of dream you pass,
Through many doors to the one door of all.
Soon as it's opened we shall hear a music:
Or see a skeleton fall . . .

We walk with you. Where is it that you lead us?
We climb the muffled stairs beneath high lanterns.
We descend again. We grope through darkened cells.
You say: this darkness, here, will slowly kill me.
It creeps and weighs upon me . . . Is full of bells.

This is the thing remembered I would forget—
No matter where I go, how soft I tread,
This windy gesture menaces me with death.
Fatigue! it says, and points its finger at me;
Touches my throat and stops my breath.

My fans—my jewels—the portrait of my husband—
The torn certificate for my daughter's grave—
These are but mortal seconds in immortal time.
They brush me, fade away: like drops of water.
They signify no crime.

Let us retrace our steps: I have deceived you:
Nothing is here I could not frankly tell you:
No hint of guilt, or faithlessness, or threat.
Dreams—they are madness. Staring eyes—illusion.
Let us return, hear music, and forget . . .


IV. ILLICIT

Of what she said to me that night—no matter.
The strange thing came next day.
My brain was full of music—something she played me—;
I couldn't remember it all, but phrases of it
Wreathed and wreathed among faint memories,
Seeking for something, trying to tell me something,
Urging to restlessness: verging on grief.
I tried to play the tune, from memory,—
But memory failed: the chords and discords climbed
And found no resolution—only hung there,
And left me morbid . . . Where, then, had I heard it? . . .
What secret dusty chamber was it hinting?
'Dust', it said, 'dust . . . and dust . . . and sunlight . .
A cold clear April evening . . . snow, bedraggled,
Rain-worn snow, dappling the hideous grass . . .
And someone walking alone; and someone saying
That all must end, for the time had come to go . . . '
These were the phrases . . . but behind, beneath them
A greater shadow moved: and in this shadow
I stood and guessed . . . Was it the blue-eyed lady?
The one who always danced in golden slippers—
And had I danced with her,—upon this music?
Or was it further back—the unplumbed twilight
Of childhood?—No—much recenter than that.

You know, without my telling you, how sometimes
A word or name eludes you, and you seek it
Through running ghosts of shadow,—leaping at it,
Lying in wait for it to spring upon it,
Spreading faint snares for it of sense or sound:
Until, of a sudden, as if in a phantom forest,
You hear it, see it flash among the branches,
And scarcely knowing how, suddenly have it
Well, it was so I followed down this music,
Glimpsing a face in darkness, hearing a cry,
Remembering days forgotten, moods exhausted,
Corners in sunlight, puddles reflecting stars—;
Until, of a sudden, and least of all suspected,
The thing resolved itself: and I remembered
An April afternoon, eight years ago—
Or was it nine?—no matter—call it nine—
A room in which the last of sunlight faded;
A vase of violets, fragrance in white curtains;
And, she who played the same thing later, playing.

She played this tune. And in the middle of it
Abruptly broke it off, letting her hands
Fall in her lap. She sat there so a moment,
With shoulders drooped, then lifted up a rose,
One great white rose, wide opened like a lotos,
And pressed it to her cheek, and closed her eyes.

'You know—we've got to end this—Miriam loves you . . .
If she should ever know, or even guess it,—
What would she do?—Listen!—I'm not absurd . . .
I'm sure of it. If you had eyes, for women—
To understand them—which you've never had—
You'd know it too . . . ' So went this colloquy,
Half humorous, with undertones of pathos,
Half grave, half flippant . . . while her fingers, softly,
Felt for this tune, played it and let it fall,
Now note by singing note, now chord by chord,
Repeating phrases with a kind of pleasure . . .
Was it symbolic of the woman's weakness
That she could neither break it—nor conclude?
It paused . . . and wandered . . . paused again; while she,
Perplexed and tired, half told me I must go,—
Half asked me if I thought I ought to go . . .

Well, April passed with many other evenings,
Evenings like this, with later suns and warmer,
With violets always there, and fragrant curtains . . .
And she was right: and Miriam found it out . . .
And after that, when eight deep years had passed—
Or nine—we met once more,—by accident . . .
But was it just by accident, I wonder,
She played this tune?—Or what, then, was intended? . . .


V. MELODY IN A RESTAURANT

The cigarette-smoke loops and slides above us,
Dipping and swirling as the waiter passes;
You strike a match and stare upon the flame.
The tiny fire leaps in your eyes a moment,
And dwindles away as silently as it came.

This melody, you say, has certain voices—
They rise like nereids from a river, singing,
Lift white faces, and dive to darkness again.
Wherever you go you bear this river with you:
A leaf falls,—and it flows, and you have pain.

So says the tune to you—but what to me?
What to the waiter, as he pours your coffee,
The violinist who suavely draws his bow?
That man, who folds his paper, overhears it.
A thousand dreams revolve and fall and flow.

Some one there is who sees a virgin stepping
Down marble stairs to a deep tomb of roses:
At the last moment she lifts remembering eyes.
Green leaves blow down. The place is checked with shadows.
A long-drawn murmur of rain goes down the skies.
And oaks are stripped and bare, and smoke with lightning:
And clouds are blown and torn upon high forests,
And the great sea shakes its walls.
And then falls silence . . . And through long silence falls
This melody once more:
'Down endless stairs she goes, as once before.'

So says the tune to him—but what to me?
What are the worlds I see?
What shapes fantastic, terrible dreams? . . .
I go my secret way, down secret alleys;
My errand is not so simple as it seems.


VI. PORTRAIT OF ONE DEAD

This is the house. On one side there is darkness,
On one side there is light.
Into the darkness you may lift your lanterns—
O, any number—it will still be night.
And here are echoing stairs to lead you downward
To long sonorous halls.
And here is spring forever at these windows,
With roses on the walls.

This is her room. On one side there is music—
On one side not a sound.
At one step she could move from love to silence,
Feel myriad darkness coiling round.
And here are balconies from which she heard you,
Your steady footsteps on the stair.
And here the glass in which she saw your shadow
As she unbound her hair.

Here is the room—with ghostly walls dissolving—
The twilight room in which she called you 'lover';
And the floorless room in which she called you 'friend.'
So many times, in doubt, she ran between them!—
Through windy corridors of darkening end.

Here she could stand with one dim light above her
And hear far music, like a sea in caverns,
Murmur away at hollowed walls of stone.
And here, in a roofless room where it was raining,
She bore the patient sorrow of rain alone.

Your words were walls which suddenly froze around her.
Your words were windows,—large enough for moonlight,
Too small to let her through.
Your letters—fragrant cloisters faint with music.
The music that assuaged her there was you.

How many times she heard your step ascending
Yet never saw your face!
She heard them turn again, ring slowly fainter,
Till silence swept the place.
Why had you gone? . . . The door, perhaps, mistaken . . .
You would go elsewhere. The deep walls were shaken.

A certain rose-leaf—sent without intention—
Became, with time, a

poem by Report problemRelated quotes
Added by Poetry Lover
Comment! | Vote! | Copy!

Share
Kim Cattrall

The roles for women in theatre are much better than they are in film.

quote by Report problemRelated quotes
Added by Veronica Serbanoiu
Comment! | Vote! | Copy!

Share
John W. Gardner

If you have some respect for people as they are, you can be more effective in helping them to become better than they are.

quote by Report problemRelated quotes
Added by Lucian Velea
Comment! | Vote! | Copy!

Share

First, make yourself a reputation for being a creative genius. Second, surround yourself with partners who are better than you are. Third, leave them to go get on with it.

quote by Report problemRelated quotes
Added by Lucian Velea
Comment! | Vote! | Copy!

Share

If you're behind the times, they won't notice you. If you're right in tune with them, you're no better than they are, so they won't care much for you. Be just a little ahead of them.

quote by Report problemRelated quotes
Added by Lucian Velea
Comment! | Vote! | Copy!

Share

Friends

The sun of my life
Who is the reason why am I alive
They give me love
And are peaceful as dove

I love them a lot
Then it was a though
That they are sweet as honey
And will never leave me for money

They are the love of life
And will never leave me for the sake of their wife
They are none but my friends
Who, will be with me till my life's end

poem by Report problemRelated quotes
Added by Poetry Lover
Comment! | Vote! | Copy!

Share

Frustration (Life Poem)

Head throbs, I want results, I need results, today,
No dice, I want a gun, persuasion, for results, now,
Idiots all around, is it me or is it them, I wonder,
I see them dead, better than Red I think, but,
Why so hard I ask, always the same, pain again,
A voice inside says, that is why, I still get paid
Big bucks, to take this strain, and not complain,
I need a cat, to kick, humane, because it seems,
It will survive with nine lives, and I have only one.

poem by Report problemRelated quotes
Added by Poetry Lover
Comment! | Vote! | Copy!

Share

Grief at Christmas

Grief comes at Christmas as at any other time
But at Christmas grief is more poignant,
And can cast a spell of gloom
While some happy round the tree, feasting,
And enjoying the moment
Others have no room,
For happiness has fled out the window
The parcels wrapped in red
Are lying where Santa Claus left them
And the cards are left unread.

For people who lost folk at Christmas?
Time drags and heavily hangs.
Oh why did they die at Christmas?
Its so hard to understand

poem by Report problemRelated quotes
Added by Poetry Lover
Comment! | Vote! | Copy!

Share

Beautiful Bees

Bees be a buzzin a buzzin be the bee
but the only problem is there not buzzin in the fields.

Greed is the seed, the seed of which is greed
We've hurt the bees to meet our needs and treated them unfairly.

Money is the honey and the honey is the money.
They are slowly disappearing from all our interfering.

Stalling with the Pollen, the pollen that is stalling.
Please stop the pesticides and let it rest awhile.

Bees keep on buzzin, Keep on buzzin bees.
We need them for our future to build our family trees.

poem by Report problemRelated quotes
Added by Poetry Lover
Comment! | Vote! | Copy!

Share

Mistakes

Time is something we would all like to control;
with it, we could change the destinies of our lives.
We could go back to amend the mistakes we have made,
helping where we should have helped, but did not to our regret.
If we had the chance, would it make us better than we are today?
I doubt it very much, for we would never move forward.
We would still be learning,
or at least trying to learn from the first mistake we made.
Better, we move forward and learn to help others
not to make the same mistakes we made.

poem by Report problemRelated quotes
Added by Poetry Lover
Comment! | Vote! | Copy!

Share

Mandate To The Gales

beat with me beat with me til ive told you of
the western skies and how its there that lies
two maidens one with wrath and one with glee
call them day and night if you so please
but beat with me beat with me like the wind in trees
theyll curse you dylan with their fierce tears and
they have no time for blessings not these sisters
spinsters would apt them best for they take the souls
of living men and bite them scratch them til
they are nought but whispers in the wind
whispers in the wind my friends are
whispers in the wind
and the wind is wild, my friends, it's wild

poem by Report problemRelated quotes
Added by Poetry Lover
Comment! | Vote! | Copy!

Share

The Babe Bows Out 06-13-1948

The stands are full of cheering fans
As I wait to say goodbye.
My bat serves as a crutch for me
just weeks before I’ll die.

This day in June is cold and gray,
windy, overcast and bitter.
No warmth touches my wasted frame,
I’m a mere shadow of a hitter

The grandstands are abuzz with life
I shed a single tear.
I always was a man apart,
Larger than life, I hear.

My lusts and appetites were great-
more than a mortal man’s-.
but the syllogisms true
And that is all I am.

They do not know, they cannot know
about my hopes and fears.
They see just the fading icon
Of their own glory years.

poem by Report problemRelated quotes
Added by Poetry Lover
Comment! | Vote! | Copy!

Share

Wasted Space

It was okay when you were being ignored,
Wasn't it?
And easy for them to say what they wished.
Wasn't it?
Because they didn't realize you knew about this.

And if you did,
They didn't care.
That's how much they weren't aware of you.
Or who 'you' knew.
Or who 'they' knew could turn their lives to dodo!
But you then and still...
Have a life you like.

Today,
They've discovered you have ignored them.
In total peace of mind you have found.
In fact...
Some have realized 'you' have ignored 'them' first!
How 'dare' you do that?
You know how that gossip gets around?

Rumor has it,
You now believe you are better than they are.
But that's not it at all.
You have always thought of them,
As small town busy bodies.
With nothing but time on their hands,
And nothing in their minds but wasted space.

Not only have you ignored them...
You've erased them from significance.
And you have no patience for them to discover that at all.

poem by Report problemRelated quotes
Added by Poetry Lover
Comment! | Vote! | Copy!

Share

Slaves of Food

Thick red blood veins bath in anger
The stomach grumbles in idiotic anger
A taste of food and out springs laughter
Triumphant moods commence again after

And it can be argued
We are all but slaves of food
Digesting away between interludes
Without food the mind is wholly screwed

We consume and wear different costumes
With food for thought and food of all sorts
We eat for the heart until it sets us apart
While the crumbs are often sought by rats

The pleasure one feels after a congested meal
That inner gratifying satisfaction is cheap but real
Toast, eggs and beans and it is work and work
Fruits, wine and cakes and it is talk and talk
Coffee or tea and eyes are conspicuously awake
A turkey roast and sleep is suspiciously at stake

We are all but slaves of food
I conclude with fluctuating moods
There is food for romance
There is food for the fools
Enjoy, eat fast, food never lasts, rewind and preview
Hungry mouths elsewhere regularly wait for its rescue

Copyright 2009 - Sylvia Chidi

poem by Report problemRelated quotes
Added by Poetry Lover
Comment! | Vote! | Copy!

Share

Roll On Time, Roll On

Air -- "Roll on, Silver Moon."


Roll on time, roll on, as it always has done,
Since the time this world first begun;
It can never change my love that I gave a dear man,
Faithful friend, I gave my heart and hand.

CHORUS:

Roll on time, roll on, it can never turn back
To the time of my maiden days --
To the time of my youth it can never turn back
When I wandered with my love, bright and gay.

I was happy then as a girl could ever be,
And live on this earth here below --
I was happy as a lark and as busy as a bee,
For in fashion or in style I did not go.

My parents were poor and they could not dress me so,
For they had not got the money to spare,
And it may be better so, for I do not think fine clothes
Make a person any better than they are.

Some people are getting so they think a poor girl,
Though she be bright and intelligent and gay,
She must have nice clothes, or she is nothing in this world,
If she is not dressed in style every day.

Remember never to judge people by their clothes,
For our brave, noble Washington said,
"Honorable are rags, if a true heart they enclose,"
And I found it was the truth when I married.

poem by Report problemRelated quotes
Added by Poetry Lover
Comment! | Vote! | Copy!

Share

Giving Up All Attachment To Love

'Giving up all attachment to love.'

That doesn't make sense.

'Why...
You don't like it? '

It's a bit absurd to me.
When love makes the world go round.

'What are you talking about? '

You just said...
Giving up all attachment to love.

'Oh...
That has nothing to do with you.
I was just thinking of a title for a poem I am writing.'

I thought you and I were having a conversation?

'We are.
I'm just waiting for you to say something interesting.
And when you do...
I will participate.'

Why do I keep believing,
To me you will ever be a friend?

'I love it.
Thank you.
Listen to this...
Giving up all attachment to love.
Why do I keep believing,
To me you will ever be a friend...

Go on.'

I don't even know why I am here.
You are sick.
You know that?

'Where are you getting this from?
I love it.
Listen...

Giving up all attachment to love.
Why do I keep believing,
To me you will ever be a friend...
You are sick.
You know that? '

You really are.

'Stop it.
Is this your own stuff?
You should be a writer.
I am stealing this.
I don't care what you say.
It is magnificent.'

I'm leaving.

'Why? '

We were suppose to go out to dinner.

'Why didn't you remind me?
You think I'm suppose to remember everything? '

poem by Report problemRelated quotes
Added by Poetry Lover
Comment! | Vote! | Copy!

Share
 

Search


Recent searches | Top searches