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Testimony demands to be interpreted because of the dialectic of meaning and event that traverses it.

quote by Paul Ricoeur
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Event Of My Death

Event of my Death
As I Iay in the dawn of the hours waiting for my body to rest
I wonder what I will do in the event of my death….
In the event of my death most just think heaven or hell
No not me it doesn’t stop there…
In the event of my death my spirit will leave my body
My spirit will truly start living
In the event of my death I case my location,
Thinking about what led up to this…
In the event of my death I will visit all my loved ones…
My first visit will be to my king..
I will watch over him making him feel secure..
In the event of my death I will make my presence known
I will make them feel me in the heart and their surroundings…
In the event of my death I will travel…
I will hover over all the pyramids in Egypt,
I will explore all the places I’ve never been..
In the event of my death I will talk with my creator..
I will know all the answers…
Most of all In the Event of my death I will meet with my brother..
My brother and I will be together again…
In the Event of My death I will realize I’m really not dead..
In the Event of My death I will know that my spirit lives on..
I will know what living is all about…
In the Event of My death I will be immortal
I will be goddess a In the Event of My death...
I will be what I was born to be....
I will be free
I will be free of insecurities, free of poverty,
free of calamity, free of a broken heart,
Free of depression, free of negativity,
Free of racism, free of prejudice
I will be free In the Event of my Death
I will be all the things I was born to be...
I will be powerful, I will be beautiful, and I will be limitless
I will be a Goddess in the Event of my death...
Now what will you be....
Author: Templar Thomas

poem by Templar Thomas
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Art Consumes Flame Immortal Souls

What is the curse of no time
for any artist for all artists?

Art demands time
all consuming time

times of precise reflection
times of informative focus
times of intense productivity
times of perceptive clarity
times of felt vision testimony
times of account sensitivity
times of passion commentary
times of creative outpourings
times of artistic servitude

means art more demands
than a mere pound of flesh

art demands fibres of our being
art demands neurons identities
art demands touch sound stimuli
art demands light radiant souls
art demands devotes of the mind
art demands paid vision ransoms
art demands intense internal bleeding
art demands pain waltz symphonies
art demands epic universal certainties

art demands artists lifetime creations
art consumes flame immortal souls

poem by Terence George Craddock
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It Is Poetic And Prophetic

It is poetic and prophetic,
With some tongue in cheek stuff.
It is poetic and prophetic,
With some tongue in cheek stuff.
It is poetic and prophetic,
With some tongue in cheek stuff.
And...
This could be interpreted,
As comments from a cynic.

'I see the holes in shoes.'

And...
This could be interpreted,
As comments from a cynic.

'Those shoes have not been used.
Since many are afraid of walking.
But talk about nonsense,
They choose to do.'

It is poetic and prophetic,
With some tongue in cheek stuff.
It is poetic and prophetic,
With some tongue in cheek stuff.
It is poetic and prophetic,
With some tongue in cheek stuff.
And...
It could be interpreted,
As comments from a cynic.

'Lips flap flip flop so much.'

And...
This could be interpreted,
As comments from a cynic.

'Flipping lips lick ears to touch,
With venom spiced and nothing nice to say...
Yet quick to pick from empty pockets.'

It is poetic and prophetic,
With some tongue in cheek stuff.
It is poetic and prophetic,
With some tongue in cheek stuff.

'Woe goes the mogul to spend from thieving.
Wishing to steal more.
To take and not to give.
Or...

[...] Read more

poem by Lawrence S. Pertillar
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When There's A Meaning To A Pain

When there's a meaning to a pain,
It can make a better life.
It will enrich with understanding coming,
To pay attention to a need.

When there's a meaning to a pain,
Bitter lips shut tight.
And if it is mental and not physical...
Correct and get it right.

When there's a meaning to a pain,
There is something to be learned.
Either cross that bridge and forgive,
Or let the 'thing' burn.

When there's a meaning to a pain,
You can not let it ride.
Or let it burn you deep inside.
Correct,
And get it right.

When there's a meaning to a pain,
Bitter lips shut tight.
And if it is mental and not physical...
Correct,
And get it right.

When there's a meaning to a pain,
It can make a better life.
It will enrich with understanding coming,
To pay attention to a need.

When there's a meaning to a pain,
Someone is giving it a need.
And...
Allowing it to offer,
More attention to feed.
And,
More of attention than it needs!

When there's a meaning to a pain...
Refrain from giving it a name.
When there's a meaning to a pain...
Correct,
And get it right.
Don't let it burn inside.

When there's a meaning to a pain...
Refrain from giving it a name.
When there's a meaning to a pain...

[...] Read more

poem by Lawrence S. Pertillar
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However It's Interpreted

However it's interpreted,
It's what it is.
And there's no need to nitpick,
It's what it is.
Whoever wants to take a risk,
It's what it is.
It's what it is.
It's what it is!

However it gets twisted,
It's what it is.
And gossipying wont change it,
It's what it is.
Whomever may not like it,
It's what it is.
It's what it is.
It's what it isI

If we live we've got to pay,
It's what it is.
And paying dues no one escapes,
It's what it is.
However it's interpreted,
It's what it is.
It's what it is.
It's what it is!

However it's interpreted,
It's what it is.
And throwing fits makes little sense,
It's what it is.
It's what it is.
It's what it is.
And throwing fits makes little sense,
It's what it is.
However it's interpreted,
It's what it is.
It's what it is.
It's what it is!
However it's interpreted,
It's what it is!

poem by Lawrence S. Pertillar
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Picture-Writing

In those days said Hiawatha,
"Lo! how all things fade and perish!
From the memory of the old men
Pass away the great traditions,
The achievements of the warriors,
The adventures of the hunters,
All the wisdom of the Medas,
All the craft of the Wabenos,
All the marvellous dreams and visions
Of the Jossakeeds, the Prophets!
"Great men die and are forgotten,
Wise men speak; their words of wisdom
Perish in the ears that hear them,
Do not reach the generations
That, as yet unborn, are waiting
In the great, mysterious darkness
Of the speechless days that shall be!
"On the grave-posts of our fathers
Are no signs, no figures painted;
Who are in those graves we know not,
Only know they are our fathers.
Of what kith they are and kindred,
From what old, ancestral Totem,
Be it Eagle, Bear, or Beaver,
They descended, this we know not,
Only know they are our fathers.
"Face to face we speak together,
But we cannot speak when absent,
Cannot send our voices from us
To the friends that dwell afar off;
Cannot send a secret message,
But the bearer learns our secret,
May pervert it, may betray it,
May reveal it unto others."
Thus said Hiawatha, walking
In the solitary forest,
Pondering, musing in the forest,
On the welfare of his people.
From his pouch he took his colors,
Took his paints of different colors,
On the smooth bark of a birch-tree
Painted many shapes and figures,
Wonderful and mystic figures,
And each figure had a meaning,
Each some word or thought suggested.
Gitche Manito the Mighty,
He, the Master of Life, was painted
As an egg, with points projecting
To the four winds of the heavens.
Everywhere is the Great Spirit,

[...] Read more

poem by Henry Wadsworth Longfellow
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The Song Of Hiawatha XIV: Picture-Writing

In those days said Hiawatha,
'Lo! how all things fade and perish!
From the memory of the old men
Pass away the great traditions,
The achievements of the warriors,
The adventures of the hunters,
All the wisdom of the Medas,
All the craft of the Wabenos,
All the marvellous dreams and visions
Of the Jossakeeds, the Prophets!
'Great men die and are forgotten,
Wise men speak; their words of wisdom
Perish in the ears that hear them,
Do not reach the generations
That, as yet unborn, are waiting
In the great, mysterious darkness
Of the speechless days that shall be!
'On the grave-posts of our fathers
Are no signs, no figures painted;
Who are in those graves we know not,
Only know they are our fathers.
Of what kith they are and kindred,
From what old, ancestral Totem,
Be it Eagle, Bear, or Beaver,
They descended, this we know not,
Only know they are our fathers.
'Face to face we speak together,
But we cannot speak when absent,
Cannot send our voices from us
To the friends that dwell afar off;
Cannot send a secret message,
But the bearer learns our secret,
May pervert it, may betray it,
May reveal it unto others.'
Thus said Hiawatha, walking
In the solitary forest,
Pondering, musing in the forest,
On the welfare of his people.
From his pouch he took his colors,
Took his paints of different colors,
On the smooth bark of a birch-tree
Painted many shapes and figures,
Wonderful and mystic figures,
And each figure had a meaning,
Each some word or thought suggested.
Gitche Manito the Mighty,
He, the Master of Life, was painted
As an egg, with points projecting
To the four winds of the heavens.
Everywhere is the Great Spirit,

[...] Read more

poem by Henry Wadsworth Longfellow
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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Z. Comments

CRYSTAL GLOW

Madhur Veena Comment: Who is she? ? ? ? ? ? ? ? ? ? ? ....You write good!

Margaret Alice Comment: Beautiful, it stikes as heartfelt words and touches the heart, beautiful sentiments, sorry, I repeat myself, but I am delighted. Your poem is like the trinkets I collect to adorn my personal space, pure joy to read, wonderful! Only a beautiful mind can harbour such sentiments, you have a beautiful mind. I am glad you have found someone that inspires you to such heights and that you share it with us, you make the world a mroe wonderful place.

Margaret Alice Comment: Within the context set by the previous poem, “Cosmic Probe”, the description of a lover’s adoration for his beloved becomes a universal ode sung to the abstract values of love, joy and hope personified by light, colours, fragrance and beauty, qualities the poet assigns to his beloved, thus elevating her to the status of an uplifting force because she brings all these qualities to his attention. The poet recognises that these personified values brings him fulfilment and chose the image of a love relationship to illustrate how this comes about; thus a love poem becomes the vehicle to convey spiritual epiphany.

FRAGRANT JASMINE

Margaret Alice Comment: Your words seem to be directed to a divine entity, you seem to be addressing your adoration to a divinity, and it is wonderful to read of such sublime sentiments kindled in a human soul. Mankind is always lifted up by their vision and awareness of divinity, thank you for such pure, clear diction and sharing your awareness of the sublime with us, you have uplifted me so much by this vision you have created!

Margaret Alice Comment: The poet’s words seem to be directed to a divine entity, express adoration to a divinity who is the personification of wonderful qualities which awakens a sense of the sublime in the human soul. An uplifting vision and awareness of uplifting qualities of innocence represented by a beautiful person.

I WENT THERE TO BID HER ADIEU

Kente Lucy Comment: wow great writing, what a way to bid farewell

Margaret Alice Comment: Sensory experience is elevated by its symbolical meaning, your description of the scene shows two souls becoming one and your awareness of the importance of tempory experience as a symbol of the eternal duration of love and companionship - were temporary experience only valid for one moment in time, it would be a sad world, but once it is seen as a symbol of eternal things, it becomes enchanting.

I’M INCOMPLETE WITHOUT YOU

Margaret Alice Comment: You elevate the humnan experience of longing for love to a striving for sublimity in uniting with a beloved person, and this poem is stirring, your style of writing is effective, everything flows together perfectly.

Margaret Alice Comment:

'To a resplendent glow of celestial flow
And two split halves unite never to part.'

Reading your fluent poems is a delight, I have to tear myself away and return to the life of a drudge, but what a treasure trove of jewels you made for the weary soul who needs to contemplate higher ideals from time to time!

IN CELESTIAL WINGS

Margaret Alice Comment: When you describe how you are strengthened by your loved one, it is clear that your inner flame is so strong that you need not fear growing old, your spirit seems to become stronger, you manage to convey this impression by your striking poetry. It is a privilege to read your work.

Obed Dela Cruz Comment: wow.... i remembered will shakespeare.... nice poem!

Margaret Alice Comment: The poet has transcended the barriers of time and space by becoming an image of his beloved and being able to find peace in the joy he confers to his beloved.

'You transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.'

Margaret Alice Comment: You are my peace and solace, I know, I am, yours too; A mere flash of your thoughts Enlivens my tired soul And fills me with light, peace and solace, A giant in new world, I become, I rise to divine heights in celestial wings. How I desire to reciprocate To fill you with light and inner strength raise you to divine heights; I must cross over nd hold you in arms, light up your soul, Fill you with strength from my inner core, Wipe away your tears burst out in pure joy How I yearn to instill hope and confidence in you we never part And we shall wait, till time comes right. the flame in my soul always seeks you, you transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.

RAGING FIRE

[...] Read more

poem by Praveen Kumar
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Love, passion and lust

Love demands no right;
Love demands no weight;
Love demands no return.
A mother thus loves.

Passion demands hold;
Passion demands right;
Passion demands return.
A woman can translate it.

Lust finds no ethics;
Lust exudes no fear.
Lust demands no reason.
A man is adept of it.
2202.10.2000, Vijayavada

poem by Rm. Shanmugam Chettiar
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Verwoerd is Black

This poem is pregnant
with the black bloodshed of 1976.
This poem is constipated
with slavery of the poor.
This poem is the titanic of people’s hopes
sinking in the freezing ocean of democracy.
This poem is the enemy of the state,
‘cause, this poem bears testimony.
Don’t you know?
Verwoerd is black.

This poem is a hook that fishes
odd deeds buried behind black faces.
This poem is a mirror
that reflects odd unknown images
of stinking rich black men.
This poem is the voice of the angry dead.
This poem is a hammer to nail
in the brain of greedy politicians.
This poem is a database
of all black leaders.
This poem bears testimony.
Don’t you know?
Verwoerd is black.

This poem is for you
black man who spits
at the sight of a white man.
This poem is for you
white man who owns a savaged land
full of secret mass graves.
This poem is for you
black and white who hug and kiss
to please Madiba.
This poem is for you
the poor, who sing:
freedom has finally come.
This poem is for you, who know no truth,
‘cause, this poem bears testimony.
Don’t you know?
Verwoerd is black.

This poem is for you
my brother & sister who have lost taste
of your mother-tongue
in the multiracial Model C schools.
This poem is for you
black mama, who has configured her black being
‘cause black is barbaric.
This poem is the anger of hunger.

[...] Read more

poem by Mpho Ramaano
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The Hind And The Panther, A Poem In Three Parts : Part II.

“Dame,” said the Panther, “times are mended well,
Since late among the Philistines you fell.
The toils were pitched, a spacious tract of ground
With expert huntsmen was encompassed round;
The inclosure narrowed; the sagacious power
Of hounds and death drew nearer every hour.
'Tis true, the younger lion 'scaped the snare,
But all your priestly calves lay struggling there,
As sacrifices on their altars laid;
While you, their careful mother, wisely fled,
Not trusting destiny to save your head.
For, whate'er promises you have applied
To your unfailing Church, the surer side
Is four fair legs in danger to provide;
And whate'er tales of Peter's chair you tell,
Yet, saving reverence of the miracle,
The better luck was yours to 'scape so well.”
“As I remember,” said the sober Hind,
“Those toils were for your own dear self designed,
As well as me; and with the selfsame throw,
To catch the quarry and the vermin too,—
Forgive the slanderous tongues that called you so.
Howe'er you take it now, the common cry
Then ran you down for your rank loyalty.
Besides, in Popery they thought you nurst,
As evil tongues will ever speak the worst,
Because some forms, and ceremonies some
You kept, and stood in the main question dumb.
Dumb you were born indeed; but, thinking long,
The test, it seems, at last has loosed your tongue:
And to explain what your forefathers meant,
By real presence in the sacrament,
After long fencing pushed against a wall,
Your salvo comes, that he's not there at all:
There changed your faith, and what may change may fall.
Who can believe what varies every day,
Nor ever was, nor will be at a stay?”
“Tortures may force the tongue untruths to tell,
And I ne'er owned myself infallible,”
Replied the Panther: “grant such presence were,
Yet in your sense I never owned it there.
A real virtue we by faith receive,
And that we in the sacrament believe.”
“Then,” said the Hind, “as you the matter state,
Not only Jesuits can equivocate;
For real, as you now the word expound,
From solid substance dwindles to a sound.
Methinks, an Æsop's fable you repeat;
You know who took the shadow for the meat:
Your Church's substance thus you change at will,

[...] Read more

poem by John Dryden
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Faking Love And That's All

People think that love is easily made.
And if it's not to their taste,
Somewhere else they will play charades.
But this is not true love.

Some people think that if they shop in malls...
Someone on an escalator,
Will solve their love calls.
But this is not true love.

Some will debate it's over-rated,
The meaning of love.
Some overdo it to inflate it,
The meaning of love.
Some lay and fake it,
The meaning of love.
And,
Some-just-toss-it out of their way.

Some will debate it's over-rated,
The meaning of love.
Some overdo it to inflate it,
The meaning of love.
Some lay and fake it,
The meaning of love.
And,
Some-never-had-love meant to stay.

People think that love is easily made.
And if it's not to their taste,
Somewhere else they will play charades.
But this is not true love.

Some people think that if they shop in malls...
Someone on an escalator,
Will solve their love calls.
But this is not true love.

Some will debate it's over-rated,
The meaning of love.
Some overdo it to inflate it,
The meaning of love.
Some lay and fake it,
The meaning of love.
And,
Some-never-had-love meant to stay...

With one that was a lover.
A lover in love.
Making loving like no other,

[...] Read more

poem by Lawrence S. Pertillar
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The Cenci : A Tragedy In Five Acts

DRAMATIS PERSONÆ

Count Francesco Cenci.
Giacomo, his Son.
Bernardo, his Son.
Cardinal Camillo.
Orsino, a Prelate.
Savella, the Pope's Legate.
Olimpio, Assassin.
Marzio, Assassin.
Andrea, Servant to Cenci.
Nobles, Judges, Guards, Servants.
Lucretia, Wife of Cenci, and Step-mother of his children.
Beatrice, his Daughter.

The Scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.

ACT I

Scene I.
-An Apartment in the Cenci Palace.
Enter Count Cenci, and Cardinal Camillo.

Camillo.
That matter of the murder is hushed up
If you consent to yield his Holiness
Your fief that lies beyond the Pincian gate.-
It needed all my interest in the conclave
To bend him to this point: he said that you
Bought perilous impunity with your gold;
That crimes like yours if once or twice compounded
Enriched the Church, and respited from hell
An erring soul which might repent and live:-
But that the glory and the interest
Of the high throne he fills, little consist
With making it a daily mart of guilt
As manifold and hideous as the deeds
Which you scarce hide from men's revolted eyes.

Cenci.
The third of my possessions-let it go!
Ay, I once heard the nephew of the Pope
Had sent his architect to view the ground,
Meaning to build a villa on my vines
The next time I compounded with his uncle:
I little thought he should outwit me so!

[...] Read more

poem by Percy Bysshe Shelley
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XII. The Book and the Ring

Here were the end, had anything an end:
Thus, lit and launched, up and up roared and soared
A rocket, till the key o' the vault was reached,
And wide heaven held, a breathless minute-space,
In brilliant usurpature: thus caught spark,
Rushed to the height, and hung at full of fame
Over men's upturned faces, ghastly thence,
Our glaring Guido: now decline must be.
In its explosion, you have seen his act,
By my power—may-be, judged it by your own,—
Or composite as good orbs prove, or crammed
With worse ingredients than the Wormwood Star.
The act, over and ended, falls and fades:
What was once seen, grows what is now described,
Then talked of, told about, a tinge the less
In every fresh transmission; till it melts,
Trickles in silent orange or wan grey
Across our memory, dies and leaves all dark,
And presently we find the stars again.
Follow the main streaks, meditate the mode
Of brightness, how it hastes to blend with black!

After that February Twenty-Two,
Since our salvation, Sixteen-Ninety-Eight,
Of all reports that were, or may have been,
Concerning those the day killed or let live,
Four I count only. Take the first that comes.
A letter from a stranger, man of rank,
Venetian visitor at Rome,—who knows,
On what pretence of busy idleness?
Thus he begins on evening of that day.

"Here are we at our end of Carnival;
"Prodigious gaiety and monstrous mirth,
"And constant shift of entertaining show:
"With influx, from each quarter of the globe,
"Of strangers nowise wishful to be last
"I' the struggle for a good place presently
"When that befalls fate cannot long defer.
"The old Pope totters on the verge o' the grave:
"You see, Malpichi understood far more
"Than Tozzi how to treat the ailments: age,
"No question, renders these inveterate.
"Cardinal Spada, actual Minister,
"Is possible Pope; I wager on his head,
"Since those four entertainments of his niece
"Which set all Rome a-stare: Pope probably—
"Though Colloredo has his backers too,
"And San Cesario makes one doubt at times:
"Altieri will be Chamberlain at most.

[...] Read more

poem by Robert Browning from The Ring and the Book
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Ivory Tower

Here is the news
From my little hideaway
My sweet ivory tower
Ive sent you songs about so many things
Mighty moondogs skipping waves
Dolphins playing their lives away
Golden circus girls and pharaohs
Fallen angels, streetside romeos
Patricias park and anyway
Eternal youth and neverending summerdays
Lonely girls, music halls, the mysteries of love
In the event
That I dont return
Please take this message to understand
In the event...
I am a stranger
In a strange land
Welcome stranger, to the land of the free
Welcome, carol, to fantasy
Oh my god, I feel so alone
A million lightyears far from home
It seems to be a tragedy
How can I live in germany
Another house is burning down
Its time to face the cruel reality
This is a game no more
Desasters in the twentieth century
In the event that I dont return
Please, take this message to understand
In the event
In the event
Gold/1994

song performed by Alphaville
Added by Lucian Velea
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Lack Of Interest

What is in the minds of those,
Who believe they can organize an event...
A week or two before the event is to take place.
And then left to be disappointed,
By the lack of interest shown.

'I would love to participate,
With the giving of my time.
But calling me at midnight,
Two days before the event...
Expecting my excitement.
When you spent an entire year,
Procrastinating?

Thank you for your show of respect.
But at this hour,
I would like to get more rest.'

What is in the minds of those,
Who believe they can organize an event...
A week or two before the event is to take place.
And then left to be disappointed,
By the lack of interest shown.

With an advertising campaign,
Gone unknown.

~We didn't think you'd be that serious about it,
Since we are just throwing it together.
With a hope of its success.~

poem by Lawrence S. Pertillar
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Metamorphoses: Book The Thirteenth

THE chiefs were set; the soldiers crown'd the
field:
To these the master of the seven-fold shield
Upstarted fierce: and kindled with disdain.
Eager to speak, unable to contain
His boiling rage, he rowl'd his eyes around
The shore, and Graecian gallies hall'd a-ground.
The Then stretching out his hands, O Jove, he cry'd,
Speeches of Must then our cause before the fleet be try'd?
Ajax and And dares Ulysses for the prize contend,
Ulysses In sight of what he durst not once defend?
But basely fled that memorable day,
When I from Hector's hands redeem'd the flaming
prey.
So much 'tis safer at the noisie bar
With words to flourish, than ingage in war.
By diff'rent methods we maintain our right,
Nor am I made to talk, nor he to fight.
In bloody fields I labour to be great;
His arms are a smooth tongue, and soft deceit:
Nor need I speak my deeds, for those you see,
The sun, and day are witnesses for me.
Let him who fights unseen, relate his own,
And vouch the silent stars, and conscious moon.
Great is the prize demanded, I confess,
But such an abject rival makes it less;
That gift, those honours, he but hop'd to gain,
Can leave no room for Ajax to be vain:
Losing he wins, because his name will be
Ennobled by defeat, who durst contend with me.
Were my known valour question'd, yet my blood
Without that plea wou'd make my title good:
My sire was Telamon, whose arms, employ'd
With Hercules, these Trojan walls destroy'd;
And who before with Jason sent from Greece,
In the first ship brought home the golden fleece.
Great Telamon from Aeacus derives
His birth (th' inquisitor of guilty lives
In shades below; where Sisyphus, whose son
This thief is thought, rouls up the restless heavy
stone),
Just Aeacus, the king of Gods above
Begot: thus Ajax is the third from Jove.
Nor shou'd I seek advantage from my line,
Unless (Achilles) it was mix'd with thine:
As next of kin, Achilles' arms I claim;
This fellow wou'd ingraft a foreign name
Upon our stock, and the Sisyphian seed
By fraud, and theft asserts his father's breed:
Then must I lose these arms, because I came

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poem by Ovid
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Dignity Demands...

dignity demands...
i be who i am,
i stand for what i am,
and i do so with respect!
dignity demands...
i see others for who they are,
that i accept them for who they are,
and do so with respect!
dignity demands...
that i live freedom and equality,
bound by no man nor creed,
and that i live with respect.
dignity demands...
that i do this job,
of living and giving well...
knowing respect brings respect!
dignity demands...

poem by Eric Cockrell
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The Columbiad: Book III

The Argument

Actions of the Inca Capac. A general invasion of his dominions threatened by the mountain savages. Rocha, the Inca's son, sent with a few companions to offer terms of peace. His embassy. His adventure with the worshippers of the volcano. With those of the storm, on the Andes. Falls in with the savage armies. Character and speech of Zamor, their chief. Capture of Rocha and his companions. Sacrifice of the latter. Death song of Azonto. War dance. March of the savage armies down the mountains to Peru. Incan army meets them. Battle joins. Peruvians terrified by an eclipse of the sun, and routed. They fly to Cusco. Grief of Oella, supposing the darkness to be occasioned by the death of Rocha. Sun appears. Peruvians from the city wall discover Roch an altar in the savage camp. They march in haste out of the city and engage the savages. Exploits of Capac. Death of Zamor. Recovery of Rocha, and submission of the enemy.

Now twenty years these children of the skies
Beheld their gradual growing empire rise.
They ruled with rigid but with generous care,
Diffused their arts and sooth'd the rage of war,
Bade yon tall temple grace their favorite isle,
The mines unfold, the cultured valleys smile,
Those broad foundations bend their arches high,
And rear imperial Cusco to the sky;
Wealth, wisdom, force consolidate the reign
From the rude Andes to the western main.

But frequent inroads from the savage bands
Lead fire and slaughter o'er the labor'd lands;
They sack the temples, the gay fields deface,
And vow destruction to the Incan race.
The king, undaunted in defensive war,
Repels their hordes, and speeds their flight afar;
Stung with defeat, they range a wider wood,
And rouse fresh tribes for future fields of blood.

Where yon blue ridges hang their cliffs on high,
And suns infulminate the stormful sky,
The nations, temper'd to the turbid air,
Breathe deadly strife, and sigh for battle's blare;
Tis here they meditate, with one vast blow,
To crush the race that rules the plains below.
Capac with caution views the dark design,
Learns from all points what hostile myriads join.
And seeks in time by proffer'd leagues to gain
A bloodless victory, and enlarge his reign.

His eldest hope, young Rocha, at his call,
Resigns his charge within the temple wall;
In whom began, with reverend forms of awe,
The functions grave of priesthood and of law,

In early youth, ere yet the ripening sun
Had three short lustres o'er his childhood run,
The prince had learnt, beneath his father's hand,
The well-framed code that sway'd the sacred land;
With rites mysterious served the Power divine,
Prepared the altar and adorn'd the shrine,
Responsive hail'd, with still returning praise,
Each circling season that the God displays,

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poem by Joel Barlow
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