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We are none of us infallible not even the youngest of us.

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The Twa Sisters

There liv'd twa sisters in a bower,
Hey Edinbruch, how Edinbruch.
There liv'd twa sisters in a bower,
Stirling for aye:
The youngest o' them, O, she was a flower!
Bonny Sanct Johnstonne that stands upon Tay.

There came a squire frae the west,
Hey Edinbruch, how Edinbruch.
There cam a squire frae the west,
Stirling for aye:
He lo'ed them baith, but the youngest best,
Bonny Sanct Johnstonne that stands upon Tay.

He gied the eldest a gay gold ring,
Hey Edinbruch, how Edinbruch.
He gied the eldest a gay gold ring,
Stirling for aye:
But he lo'ed the youngest aboon a' thing,
Bonny Sanct Johnstonne that stands upon Tay.

'Oh sister, sister, will ye go to the sea?
Hey Edinbruch, how Edinbruch.
Oh sister, sister, will ye go to the sea?
Stirling for aye:
Our father's ships sail bonnilie,
Bonny Sanct Johnstonne that stands upon Tay.'

The youngest sat down upon a stane,
Hey Edinbruch, how Edinbruch.
The youngest sat down upon a stane,
Stirling for aye:
The eldest shot the youngest in,
Bonny Sanct Johnstonne that stands upon Tay.

'Oh sister, sister, lend me your hand,
Hey Edinbruch, how Edinbruch.
Oh, sister, sister, lend me your hand,
Stirling for aye:
And you shall hae my gouden fan,
Bonny Sanct Johnstonne that stands upon Tay.

'Oh, sister, sister, save my life,
Hey Edinbruch, how Edinbruch.
Oh sister, sister, save my life,
Stirling for aye:
And ye shall be the squire's wife,
Bonny Sweet Johnstonne that stands upon Tay.'

First she sank, and then she swam,

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Auld Maitland

There lived a king in southern land,
King Edward hight his name;
Unwordily he wore the crown,
Till fifty years were gane.

He had a sister's son o's ain,
Was large of blood and bane;
And afterward, when he came up,
Young Edward hight his name.

One day he came before the king,
And kneel'd low on his knee:
'A boon, a boon, my good uncle,
I crave to ask of thee!

'At our lang wars, in fair Scotland,
I fain ha'e wish'd to be,
If fifteen hundred waled wight men
You'll grant to ride with me.'

'Thou shall ha'e thae, thou shall ha'e mae;
I say it sickerlie;
And I myself, an auld gray man,
Array'd your host shall see.'

King Edward rade, King Edward ran--
I wish him dool and pyne!
Till he had fifteen hundred men
Assembled on the Tyne.

And thrice as many at Berwicke
Were all for battle bound,
[Who, marching forth with false Dunbar,
A ready welcome found.]

They lighted on the banks of Tweed,
And blew their coals sae het,
And fired the Merse and Teviotdale,
All in an evening late.

As they fared up o'er Lammermoor,
They burn'd baith up and down,
Until they came to a darksome house,
Some call it Leader-Town.

'Wha hauds this house?' young Edward cried,
'Or wha gi'est o'er to me?'
A gray-hair'd knight set up his head,
And crackit right crousely:

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The Twelve Dancing Princesses

If you danced from midnight
to six A.M. who would understand?

The runaway boy
who chucks it all
to live on the Boston Common
on speed and saltines,
pissing in the duck pond,
rapping with the street priest,
trading talk like blows,
another missing person,
would understand.

The paralytic's wife
who takes her love to town,
sitting on the bar stool,
downing stingers and peanuts,
singing 'That ole Ace down in the hole,'
would understand.

The passengers
from Boston to Paris
watching the movie with dawn
coming up like statues of honey,
having partaken of champagne and steak
while the world turned like a toy globe,
those murderers of the nightgown
would understand.

The amnesiac
who tunes into a new neighborhood,
having misplaced the past,
having thrown out someone else's
credit cards and monogrammed watch,
would understand.

The drunken poet
(a genius by daylight)
who places long-distance calls
at three A.M. and then lets you sit
holding the phone while he vomits
(he calls it 'The Night of the Long Knives')
getting his kicks out of the death call,
would understand.

The insomniac
listening to his heart
thumping like a June bug,
listening on his transistor
to Long John Nebel arguing from New York,

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Just Because I'm the Youngest

Just because i'm the youngest in my family...
Doesn't mean I can't do anything.
Doesn't mean i'm a spoiled brat.
Doesn't mean i'm a jerk.
Just because i'm the youngest in my family...
I'm not stuck up.
I'm not afraid to get hurt.
Just because i'm the youngest in my family...
Doesn't mean I can't be a tom'boy.
Doesn't mean I get what I want.
Just because i'm the youngest in my family~ let me be me.

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William Blake

Tiriel

1

And Aged Tiriel. stood before the Gates of his beautiful palace
With Myratana. once the Queen of all the western plains
But now his eyes were darkned. & his wife fading in death
They stood before their once delightful palace. & thus the Voice
Of aged Tiriel. arose. that his sons might hear in their gates
Accursed race of Tiriel. behold your father
Come forth & look on her that bore you. come you accursed sons.
In my weak arms. I here have borne your dying mother
Come forth sons of the Curse come forth. see the death of Myratana
His sons ran from their gates. & saw their aged parents stand
And thus the eldest son of Tiriel raisd his mighty voice
Old man unworthy to be calld. the father of Tiriels race
For evry one of those thy wrinkles. each of those grey hairs
Are cruel as death. & as obdurate as the devouring pit
Why should thy sons care for thy curses thou accursed man
Were we not slaves till we rebeld. Who cares for Tiriels curse
His blessing was a cruel curse. His curse may be a blessing
He ceast the aged man raisd up his right hand to the heavens
His left supported Myratana shrinking in pangs of death
The orbs of his large eyes he opend. & thus his voice went forth
Serpents not sons. wreathing around the bones of Tiriel
Ye worms of death feasting upon your aged parents flesh
Listen & hear your mothers groans. No more accursed Sons
She bears. she groans not at the birth of Heuxos or Yuva
These are the groans of death ye serpents These are the groans of death
Nourishd with milk ye serpents. nourishd with mothers tears & cares
Look at my eyes blind as the orbless scull among the stones
Look at my bald head. Hark listen ye serpents listen
What Myratana. What my wife. O Soul O Spirit O fire
What Myratana. art thou dead. Look here ye serpents look
The serpents sprung from her own bowels have draind her dry as this[.]
Curse on your ruthless heads. for I will bury her even here
So saying he began to dig a grave with his aged hands
But Heuxos calld a son of Zazel. to dig their mother a grave
Old cruelty desist & let us dig a grave for thee
Thou hast refusd our charity thou hast refusd our food
Thou hast refusd our clothes our beds our houses for thy dwelling
Chusing to wander like a Son of Zazel in the rocks
Why dost thou curse. is not the curse now come upon your head
Was it not you enslavd the sons of Zazel. & they have cursd
And now you feel it. Dig a grave & let us bury our mother
There take the body. cursed sons. & may the heavens rain wrath
As thick as northern fogs. around your gates. to choke you up
That you may lie as now your mother lies. like dogs. cast out
The stink. of your dead carcases. annoying man & beast
Till your white bones are bleachd with age for a memorial.
No your remembrance shall perish. for when your carcases
Lie stinking on the earth. the buriers shall arise from the east

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Rose The Red And White Lily

O Rose the Red and White Lilly,
Their mother dear was dead,
And their father married an ill woman,
Wishd them twa little guede.

Yet she had twa as fu fair sons
As eer brake manis bread,
And the tane of them loed her White Lilly,
And the tither lood Rose the Red.

O, biggit ha they a bigly bowr,
And strawn it oer wi san,
And there was mair mirth i the ladies' bowr
Than in a' their father's lan.

But out it spake their step-mother,
Wha stood a little foreby:
'I hope to live and play the prank
Sal gar your loud sang ly.'

She's calld upon her eldest son:
'Come here, my son, to me;
It fears me sair, my eldest son,
That ye maun sail the sea.'

'Gin it fear you sair, my mither dear,
Your bidding I maun dee;
But be never war to Rose the Red
Than ye ha been to me.'

'O had your tongue, my eldest son,
For sma sal be her part;
You'll nae get a kiss o her comely mouth
Gin your very fair heart should break.'

She's calld upon her youngest son:
'Come here, my son, to me;
It fears me sair, my youngest son,
That ye maun sail the sea.'

'Gin it fear you sair, my mither dear,
Your bidding I maun dee;
But be never war to White Lilly
Than ye ha been to me.'

'O haud your tongue, my youngest son,
For sma sall be her part;
You'll neer get a kiss o her comely mouth
Tho your very fair heart should break.'

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The Two Sisters

There was twa sisters in a bowr,
Edinburgh, Edinburgh
There was twa sisters in a bowr,
Stirling for ay
There was twa sisters in a bowr,
There came a knight to be their wooer.
Bonny Saint Johnston stands upon Tay.

He courted the eldest wi glove an ring,
But he lovd the youngest above a' thing.

He courted the eldest wi brotch an knife,
But lovd the youngest as his life.

The eldest she was vexed sair,
An much envi'd her sister fair.

Into her bowr she could not rest,
Wi grief an spite she almos brast.

Upon a morning fair an clear,
She cried upon her sister dear:

"O sister, come to yon sea stran,
An see our father's ships come to lan."

She's taen her by the milk-white han,
An led her down to yon sea stran.

The youngest stood upon a stane,
The eldest came an threw her in.

She tooke her by the middle sma,
An dashd her bonny back to the jaw.

"O sister, sister, tak my han,
An Ise mack you heir to a' my lan.

"O sister, sister, tak my middle,
An yes get my goud and my gouden girdle.

"O sister, sister, save my life,
An I swear Ise never be nae man's wife."

"Foul fa the han that I should tacke,
It twin'd me an my wardles make.

"Your cherry cheeks an yallow hair
Gars me gae maiden for evermair."

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Edith Wharton

Margaret Of Cortona

Fra Paolo, since they say the end is near,
And you of all men have the gentlest eyes,
Most like our father Francis; since you know
How I have toiled and prayed and scourged and striven,
Mothered the orphan, waked beside the sick,
Gone empty that mine enemy might eat,
Given bread for stones in famine years, and channelled
With vigilant knees the pavement of this cell,
Till I constrained the Christ upon the wall
To bend His thorn-crowned Head in mute forgiveness . . .
Three times He bowed it . . . (but the whole stands writ,
Sealed with the Bishop’s signet, as you know),
Once for each person of the Blessed Three—
A miracle that the whole town attests,
The very babes thrust forward for my blessing,
And either parish plotting for my bones—
Since this you know: sit near and bear with me.

I have lain here, these many empty days
I thought to pack with Credos and Hail Marys
So close that not a fear should force the door—
But still, between the blessed syllables
That taper up like blazing angel heads,
Praise over praise, to the Unutterable,
Strange questions clutch me, thrusting fiery arms,
As though, athwart the close-meshed litanies,
My dead should pluck at me from hell, with eyes
Alive in their obliterated faces! . . .
I have tried the saints’ names and our blessed Mother’s
Fra Paolo, I have tried them o’er and o’er,
And like a blade bent backward at first thrust
They yield and fail me—and the questions stay.
And so I thought, into some human heart,
Pure, and yet foot-worn with the tread of sin,
If only I might creep for sanctuary,
It might be that those eyes would let me rest. . .

Fra Paolo, listen. How should I forget
The day I saw him first? (You know the one.)
I had been laughing in the market-place
With others like me, I the youngest there,
Jostling about a pack of mountebanks
Like flies on carrion (I the youngest there!),
Till darkness fell; and while the other girls
Turned this way, that way, as perdition beckoned,
I, wondering what the night would bring, half hoping:
If not, this once, a child’s sleep in my garret,
At least enough to buy that two-pronged coral
The others covet ‘gainst the evil eye,
Since, after all, one sees that I’m the youngest

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George Meredith

The Three Maidens

There were three maidens met on the highway;
The sun was down, the night was late:
And two sang loud with the birds of May,
O the nightingale is merry with its mate.

Said they to the youngest, Why walk you there so still?
The land is dark, the night is late:
O, but the heart in my side is ill,
And the nightingale will languish for its mate.

Said they to the youngest, Of lovers there is store;
The moon mounts up, the night is late:
O, I shall look on man no more,
And the nightingale is dumb without its mate.

Said they to the youngest, Uncross your arms and sing;
The moon mounts high, the night is late:
O my dear lover can hear no thing,
And the nightingale sings only to its mate.

They slew him in revenge, and his true-love was his lure;
The moon is pale, the night is late:
His grave is shallow on the moor;
O the nightingale is dying for its mate.

His blood is on his breast, and the moss-roots at his hair;
The moon is chill, the night is late:
But I will lie beside him there:
O the nightingale is dying for its mate.

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Joseph’s Dreams and Reuben's Brethren [A Recital in Six Chapters]

CHAPTER I

I cannot blame old Israel yet,
For I am not a sage—
I shall not know until I get
The son of my old age.
The mysteries of this Vale of Tears
We will perchance explain
When we have lived a thousand years
And died and come again.

No doubt old Jacob acted mean
Towards his father’s son;
But other hands were none too clean,
When all is said and done.
There were some things that had to be
In those old days, ’tis true—
But with old Jacob’s history
This tale has nought to do.

(They had to keep the birth-rate up,
And populate the land—
They did it, too, by simple means
That we can’t understand.
The Patriarchs’ way of fixing things
Would make an awful row,
And Sarah’s plain, straightforward plan
Would never answer now.)
his is a tale of simple men
And one precocious boy—
A spoilt kid, and, as usual,
His father’s hope and joy
(It mostly is the way in which
The younger sons behave
That brings the old man’s grey hairs down
In sorrow to the grave.)

Old Jacob loved the whelp, and made,
While meaning to be kind,
A coat of many colours that
Would strike a nigger blind!
It struck the brethren green, ’twas said—
I’d take a pinch of salt
Their coats had coloured patches too—
But that was not their fault.

Young Joseph had a soft thing on,
And, humbugged from his birth,
You may depend he worked the thing
For all that it was worth.

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Henry Wadsworth Longfellow

Son Of The Evening Star, The

Can it be the sun descending
O'er the level plain of water?
Or the Red Swan floating, flying,
Wounded by the magic arrow,
Staining all the waves with crimson,
With the crimson of its life-blood,
Filling all the air with splendor,
With the splendor of its plumage?
Yes; it is the sun descending,
Sinking down into the water;
All the sky is stained with purple,
All the water flushed with crimson!
No; it is the Red Swan floating,
Diving down beneath the water;
To the sky its wings are lifted,
With its blood the waves are reddened!
Over it the Star of Evening
Melts and trembles through the purple,
Hangs suspended in the twilight.
No; it is a bead of wampum
On the robes of the Great Spirit
As he passes through the twilight,
Walks in silence through the heavens.
This with joy beheld Iagoo
And he said in haste: "Behold it!
See the sacred Star of Evening!
You shall hear a tale of wonder,
Hear the story of Osseo,
Son of the Evening Star, Osseo!
"Once, in days no more remembered,
Ages nearer the beginning,
When the heavens were closer to us,
And the Gods were more familiar,
In the North-land lived a hunter,
With ten young and comely daughters,
Tall and lithe as wands of willow;
Only Oweenee, the youngest,
She the wilful and the wayward,
She the silent, dreamy maiden,
Was the fairest of the sisters.
"All these women married warriors,
Married brave and haughty husbands;
Only Oweenee, the youngest,
Laughed and flouted all her lovers,
All her young and handsome suitors,
And then married old Osseo,
Old Osseo, poor and ugly,
Broken with age and weak with coughing,
Always coughing like a squirrel.
"Ah, but beautiful within him

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Henry Wadsworth Longfellow

The Son Of The Evening Star

Can it be the sun descending
O'er the level plain of water?
Or the Red Swan floating, flying,
Wounded by the magic arrow,
Staining all the waves with crimson,
With the crimson of its life-blood,
Filling all the air with splendor,
With the splendor of its plumage?
Yes; it is the sun descending,
Sinking down into the water;
All the sky is stained with purple,
All the water flushed with crimson!
No; it is the Red Swan floating,
Diving down beneath the water;
To the sky its wings are lifted,
With its blood the waves are reddened!
Over it the Star of Evening
Melts and trembles through the purple,
Hangs suspended in the twilight.
No; it is a bead of wampum
On the robes of the Great Spirit
As he passes through the twilight,
Walks in silence through the heavens.
This with joy beheld Iagoo
And he said in haste: "Behold it!
See the sacred Star of Evening!
You shall hear a tale of wonder,
Hear the story of Osseo,
Son of the Evening Star, Osseo!
"Once, in days no more remembered,
Ages nearer the beginning,
When the heavens were closer to us,
And the Gods were more familiar,
In the North-land lived a hunter,
With ten young and comely daughters,
Tall and lithe as wands of willow;
Only Oweenee, the youngest,
She the wilful and the wayward,
She the silent, dreamy maiden,
Was the fairest of the sisters.
"All these women married warriors,
Married brave and haughty husbands;
Only Oweenee, the youngest,
Laughed and flouted all her lovers,
All her young and handsome suitors,
And then married old Osseo,
Old Osseo, poor and ugly,
Broken with age and weak with coughing,
Always coughing like a squirrel.
"Ah, but beautiful within him

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The Prime of Life

OH, the strength of the toil of those twenty years, with father, and master, and men!
And the clearer brain of the business man, who has held his own for ten:
Oh, the glorious freedom from business fears, and the rest from domestic strife!
The past is dead, and the future assured, and I’m in the prime of life!

She bore me old, and they kept me old, and they worked me early and late;
I carried the loads of my selfish tribe, from seven to thirty eight:
I slaved with dad, in the dust and heat, that my brothers might enjoy—
But I rest to-day in the prime of life, and I’ll live and die a boy!

When the last crop failed, and the stock were gone, did the old man’s head go down?
No! he started business, on what was left, in the produce line in town.
They sent my brothers to boarding schools, when our way to the front we’d won—
They’d borrow, and borrow, but never had aught but contempt for the eldest son.

My brothers they went to the world away, and they left the home in strife.
They sowed wild oats in the pride of youth, and they pawned the prime of life.
They sowed too fast, and they sowed too far; and they came back one by one—
You couldn’t tell which is the eldest son and which is the youngest son.

Oh, I longed for a love that I could not claim, and a breath of the youth denied—
But I stuck to the store when the old man went, and the mater until she died:
With Job’s own sister and Satan’s aunt—good Lord! and the fiend’s own wife—
But I’m free of them now, it is no matter how, and I’m in the prime of life.

My brothers have turned respectable, and are steady as men can be:
The youngest and worst is a leading light—and he aims at reforming me!
But I lend and help, and I’ll fix them up, for I can’t but see with a sigh,
That the youngest, who left us a handsome boy, is an older man than I.

But it’s “Lord make us thankful” three times a day, before they eat their fill—
They can thank the Lord if they like, I say, but I reckon I pay the bill.
They feel independent, I’m glad to know, for if all I hear is true,
My brothers agree that I do no more than I have a right to do.

They’ll work in the store while I see the world, and I’ll let them share the till—
But I sail to-day, for a year away, to go wherever I will:
I sail with the woman who waited for me—old sweetheart; and brand new wife—
She is handsome and true, and she’s thirty-two—and I’m in the prime of life.

For Capetown, and London, and Norraway, for Germany, Holland, and France,
For Switzerland, Italy—anywhere—for Greece, and for Egypt a glance,
For India, China, and “strange Japan”, for the East with mystery rife—
I have made enough, and I have my love—and I’m in the prime of life!

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Henry Wadsworth Longfellow

The Song Of Hiawatha XII: The Son Of The Evening Star

Can it be the sun descending
O'er the level plain of water?
Or the Red Swan floating, flying,
Wounded by the magic arrow,
Staining all the waves with crimson,
With the crimson of its life-blood,
Filling all the air with splendor,
With the splendor of its plumage?
Yes; it is the sun descending,
Sinking down into the water;
All the sky is stained with purple,
All the water flushed with crimson!
No; it is the Red Swan floating,
Diving down beneath the water;
To the sky its wings are lifted,
With its blood the waves are reddened!
Over it the Star of Evening
Melts and trembles through the purple,
Hangs suspended in the twilight.
No; it is a bead of wampum
On the robes of the Great Spirit
As he passes through the twilight,
Walks in silence through the heavens.
This with joy beheld Iagoo
And he said in haste: 'Behold it!
See the sacred Star of Evening!
You shall hear a tale of wonder,
Hear the story of Osseo,
Son of the Evening Star, Osseo!
'Once, in days no more remembered,
Ages nearer the beginning,
When the heavens were closer to us,
And the Gods were more familiar,
In the North-land lived a hunter,
With ten young and comely daughters,
Tall and lithe as wands of willow;
Only Oweenee, the youngest,
She the wilful and the wayward,
She the silent, dreamy maiden,
Was the fairest of the sisters.
'All these women married warriors,
Married brave and haughty husbands;
Only Oweenee, the youngest,
Laughed and flouted all her lovers,
All her young and handsome suitors,
And then married old Osseo,
Old Osseo, poor and ugly,
Broken with age and weak with coughing,
Always coughing like a squirrel.
'Ah, but beautiful within him

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Opening Hymn

[Sung at the Opening of the Queensland National Society's Exhibition,
1876.]
While nations joining gifts
Their fanes of Art adorn,
Hear, Lord, the lowly voice that lifts
The song of the youngest-born.
The gifts of the youngest-born,
We spread them forth to Thee,—
What toil hath wrought, what skill hath taught,
What Freedom hath brought the free.

No storied name we vaunt,
Nor martial trophies raise;
No battle-riven banners flaunt
The triumphs of other days.
But triumphs of peaceful days
Adorn our jubilee:
Here toil and skill Thine ends fulfil,
With hands that from blood are free.

We pile the arms of Peace,
Her trophies manifold,
Her ploughshare swords, her shields of fleece,
Her armour of bloodless gold.
Our treasures of fleece and gold
We consecrate to Thee,
With choicest yield of fruitful field,
And spoil from the forest-tree.

We bless Thee for our land,
Broad streams and gladdening rills,
For flocks that roam on ev'ry hand,
For herds on a thousand hills.
From all its thousand hills
Our land doth call to Thee,
Still do Thou bless with happiness
This youngest of the free.

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The Exile’s Secret

YE that have faced the billows and the spray
Of good St. Botolph's island-studded bay,
As from the gliding bark your eye has scanned
The beaconed rocks, the wave-girt hills of sand,
Have ye not marked one elm-o'ershadowed isle,
Round as the dimple chased in beauty's smile,--
A stain of verdure on an azure field,
Set like a jewel in a battered shield?
Fixed in the narrow gorge of Ocean's path,
Peaceful it meets him in his hour of wrath;
When the mailed Titan, scourged by hissing gales,
Writhes in his glistening coat of clashing scales,
The storm-beat island spreads its tranquil green,
Calm as an emerald on an angry queen.
So fair when distant should be fairer near;
A boat shall waft us from the outstretched pier.
The breeze blows fresh; we reach the island's edge,
Our shallop rustling through the yielding sedge.
No welcome greets us on the desert isle;
Those elms, far-shadowing, hide no stately pile
Yet these green ridges mark an ancient road;
And to! the traces of a fair abode;
The long gray line that marks a garden-wall,
And heaps of fallen beams,--fire-branded all.

Who sees unmoved, a ruin at his feet,
The lowliest home where human hearts have beat?
Its hearthstone, shaded with the bistre stain
A century's showery torrents wash in vain;
Its starving orchard, where the thistle blows
And mossy trunks still mark the broken rows;
Its chimney-loving poplar, oftenest seen
Next an old roof, or where a roof has been;
Its knot-grass, plantain,--all the social weeds,
Man's mute companions, following where he leads;
Its dwarfed, pale flowers, that show their straggling heads,
Sown by the wind from grass-choked garden-beds;
Its woodbine, creeping where it used to climb;
Its roses, breathing of the olden time;
All the poor shows the curious idler sees,
As life's thin shadows waste by slow degrees,
Till naught remains, the saddening tale to tell,
Save home's last wrecks,--the cellar and the well?

And whose the home that strews in black decay
The one green-glowing island of the bay?
Some dark-browed pirate's, jealous of the fate
That seized the strangled wretch of 'Nix's Mate'?
Some forger's, skulking in a borrowed name,
Whom Tyburn's dangling halter yet may claim?

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Walt Whitman

The Centerarian's Story

GIVE me your hand, old Revolutionary;
The hill-top is nigh--but a few steps, (make room, gentlemen;)
Up the path you have follow'd me well, spite of your hundred and
extra years;
You can walk, old man, though your eyes are almost done;
Your faculties serve you, and presently I must have them serve me.

Rest, while I tell what the crowd around us means;
On the plain below, recruits are drilling and exercising;
There is the camp--one regiment departs to-morrow;
Do you hear the officers giving the orders?
Do you hear the clank of the muskets? 10

Why, what comes over you now, old man?
Why do you tremble, and clutch my hand so convulsively?
The troops are but drilling--they are yet surrounded with smiles;
Around them, at hand, the well-drest friends, and the women;
While splendid and warm the afternoon sun shines down;
Green the midsummer verdure, and fresh blows the dallying breeze,
O'er proud and peaceful cities, and arm of the sea between.
But drill and parade are over--they march back to quarters;
Only hear that approval of hands! hear what a clapping!

As wending, the crowds now part and disperse--but we, old man, 20
Not for nothing have I brought you hither--we must remain;
You to speak in your turn, and I to listen and tell.

THE CENTENARIAN.

When I clutch'd your hand, it was not with terror;
But suddenly, pouring about me here, on every side,
And below there where the boys were drilling, and up the slopes they
ran,
And where tents are pitch'd, and wherever you see, south and south-
east and south-west,
Over hills, across lowlands, and in the skirts of woods,
And along the shores, in mire (now fill'd over), came again, and
suddenly raged,
As eighty-five years agone, no mere parade receiv'd with applause of
friends,
But a battle, which I took part in myself--aye, long ago as it is, I
took part in it, 30
Walking then this hill-top, this same ground.

Aye, this is the ground;
My blind eyes, even as I speak, behold it re-peopled from graves;
The years recede, pavements and stately houses disappear;
Rude forts appear again, the old hoop'd guns are mounted;
I see the lines of rais'd earth stretching from river to bay;
I mark the vista of waters, I mark the uplands and slopes:

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Hildebrand And Hellelil

TRANSLATED FROM THE DANISH.


Hellelil sitteth in bower there,
None knows my grief but God alone,
And seweth at the seam so fair,
I never wail my sorrow to any other one.

But there whereas the gold should be
With silk upon the cloth sewed she.

Where she should sew with silken thread
The gold upon the cloth she laid.

So to the Queen the word came in
That Hellelil wild work doth win.

Then did the Queen do furs on her
And went to Hellelil the fair.

“O swiftly sewest thou, Hellelil,
Yet nought but mad is thy sewing still!”

“Well may my sewing be but mad
Such evil hap as I have had.

My father was good king and lord,
Knights fifteen served before his board.

He taught me sewing royally,
Twelve knights had watch and ward of me.

Well served eleven day by day,
To folly the twelfth did me bewray.

And this same was hight Hildebrand,
The King’s son of the English Land.

But in bower were we no sooner laid
Than the truth thereof to my father was said.

Then loud he cried o’er garth and hall:
‘Stand up, my men, and arm ye all!

‘Yea draw on mail and dally not,
Hard neck lord Hildebrand hath got!’

They stood by the door with glaive and spear;
‘Hildebrand rise and hasten here!’

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We are not final because we are infallible, but we are infallible only because we are final.

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Infallible

'Aidabella',
I have been too long in the rain!
So break down the walls and,
Take my love around to feel the difference.

Infallible truths,
Infallible proofs,
And like a new love;
But i am from the land of phones and,
I have no phone.

A new tomato,
A new potato,
A new creation!
Sow in tears and reap in joy.

Your zeal has stirred up the majority,
But he who sows sparingly will also reap sparingly!
And i am here to share my love with you.

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