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I still go to a Christian priory for retreats.

quote by Lionel Blue
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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

[...] Read more

poem by Gilbert Keith Chesterton
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University Of Central Florida Volleyball

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poem by Caasder Fronds
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Prejudice

IN yonder red-brick mansion, tight and square,
Just at the town's commencement, lives the mayor.
Some yards of shining gravel, fenced with box,
Lead to the painted portal--where one knocks :
There, in the left-hand parlour, all in state,
Sit he and she, on either side the grate.
But though their goods and chattels, sound and new,
Bespeak the owners very well to do,
His worship's wig and morning suit betray
Slight indications of an humbler day

That long, low shop, where still the name appears,
Some doors below, they kept for forty years :
And there, with various fortunes, smooth and rough,
They sold tobacco, coffee, tea, and snuff.
There labelled drawers display their spicy row--
Clove, mace, and nutmeg : from the ceiling low
Dangle long twelves and eights , and slender rush,
Mix'd with the varied forms of genus brush ;
Cask, firkin, bag, and barrel, crowd the floor,
And piles of country cheeses guard the door.
The frugal dames came in from far and near,
To buy their ounces and their quarterns here.
Hard was the toil, the profits slow to count,
And yet the mole-hill was at last a mount.
Those petty gains were hoarded day by day,
With little cost, for not a child had they ;
Till, long proceeding on the saving plan,
He found himself a warm, fore-handed man :
And being now arrived at life's decline,
Both he and she, they formed the bold design,
(Although it touched their prudence to the quick)
To turn their savings into stone and brick.
How many an ounce of tea and ounce of snuff,
There must have been consumed to make enough !

At length, with paint and paper, bright and gay,
The box was finished, and they went away.
But when their faces were no longer seen
Amongst the canisters of black and green ,
--Those well-known faces, all the country round--
'Twas said that had they levelled to the ground
The two old walnut trees before the door,
The customers would not have missed them more.
Now, like a pair of parrots in a cage,
They live, and civic honours crown their age :
Thrice, since the Whitsuntide they settled there,
Seven years ago, has he been chosen mayor ;
And now you'd scarcely know they were the same ;
Conscious he struts, of power, and wealth, and fame ;

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poem by Jane Taylor
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Annie Christian

Annie christian wanted to be number 1
But her kingdom never comes, thy will be done
She couldnt stand the glory, she would be 2nd to none
The way annie tells the story, shes his only son
Annie christian wanted to be a big star
So she moved to atlanta and she bought a blue car
She killed black children, and whats fair is fair
If u try and say ure crazy, everybody say electric chair
Electric chair
Annie christian, annie christ
Until ure crucified, Ill live my life in taxicabs
Annie christian, annie christ
Until ure crucified, Ill live my life in taxicabs
Annie christian was a whore always looking for some fun
Being good was such a bore, so she bought a gun
She killed john lennon, shot him down cold
She tried to kill reagan, everybody say gun control
Gun control
Annie christian, annie christ
Until ure crucified Ill live my life in taxicabs
Annie christian, annie christ
Until ure crucified Ill live my life in taxicabs
Liar liar liar! got ya in a jam
Put your head on the block, somebody say abscam
Abscam
Annie christian, annie christ
Until ure crucified Ill live my life in taxicabs
Annie christian, annie christ
Until ure crucified Ill live my life in taxicabs

song performed by Prince
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Canto the Fifth

I
When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.

II
I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain -- simple -- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.

III
The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.

IV
I have a passion for the name of "Mary,"
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad -- and let a tale grow cold,
Which must not be pathetically told.

V
The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.

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poem by Byron from Don Juan (1824)
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Don Juan: Canto The Fifth

When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.

I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain- simple- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.

The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.

I have a passion for the name of 'Mary,'
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad- and let a tale grow cold,
Which must not be pathetically told.

The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off 'the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There 's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.

'T was a raw day of Autumn's bleak beginning,
When nights are equal, but not so the days;
The Parcae then cut short the further spinning
Of seamen's fates, and the loud tempests raise
The waters, and repentance for past sinning

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poem by Byron
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The Legend Of St. Sophia Of Kioff

I.

[The Poet describes the city and spelling of Kiow, Kioff, or Kiova.]

A thousand years ago, or more,
A city filled with burghers stout,
And girt with ramparts round about,
Stood on the rocky Dnieper shore.
In armor bright, by day and night,
The sentries they paced to and fro.
Well guarded and walled was this town, and called
By different names, I'd have you to know;
For if you looks in the g'ography books,
In those dictionaries the name it varies,
And they write it off Kieff or Kioff, Kiova or Kiow.

II.

[Its buildings, public works, and ordinances, religious and civil.]

Thus guarded without by wall and redoubt,
Kiova within was a place of renown,
With more advantages than in those dark ages
Were commonly known to belong to a town.
There were places and squares, and each year four fairs,
And regular aldermen and regular lord-mayors;
And streets, and alleys, and a bishop's palace;
And a church with clocks for the orthodox—
With clocks and with spires, as religion desires;
And beadles to whip the bad little boys
Over their poor little corduroys,
In service-time, when they DIDN'T make a noise;
And a chapter and dean, and a cathedral-green
With ancient trees, underneath whose shades
Wandered nice young nursery-maids.

[The poet shows how a certain priest dwelt at Kioff, a godly
clergyman, and one that preached rare good sermons.]

Ding-dong, ding-dong, ding-ding-a-ring-ding,
The bells they made a merry merry ring,
From the tall tall steeple; and all the people
(Except the Jews) came and filled the pews—
Poles, Russians and Germans,
To hear the sermons
Which HYACINTH preached godly to those Germans and Poles,
For the safety of their souls.

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poem by William Makepeace Thackeray
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The Siege of Corinth

In the year since Jesus died for men,
Eighteen hundred years and ten,
We were a gallant company,
Riding o'er land, and sailing o'er sea
Oh ! but we went merrily !
We forded the river, and clomb the high hill,
Never our steeds for a day stood still;
Whether we lay in the cave or the shed,
Our sleep fell soft on the hardest bed:
Whether we couch'd in our rough capote,
On the rougher plank of our gliding boat.
Or stretch'd on the beach, or our saddles spread
As a pillow beneath the resting head,
Fresh we woke upon the morrow:
All our thoughts and words had scope,
We had health, and we had hope,
Toil and travel, but no sorrow.
We were of all tongues and creeds; ---
Some were those who counted beads,
Some of mosque, and some of church;
Yet through the wide world might ye search,
Nor find a motlier crew nor blither.
But some are dead, and some are gone,
And some are scatter'd and alone,
And some are rebels on the hills
That look along Epirus' valleys,
Where freedom still at moments rallies,
And pays in blood oppression's ills;
And some are in a far countree,
And some all restlessly at home;
But never more, oh ! never, we
Shall meet to revel and to roam.
But those hardy days flew cheerily !
And when they now fall drearily,
My thoughts, like swallows, skim the main,
And bear my spirit back again
Over the earth, and through the air,
A wild bird and a wanderer.
'Tis this that ever wakes my strain,
And oft, too oft, implores again
The few who may endure my lay,
To follow me so far away.
Stranger --- wilt thou follow now,
And sit with me on Acro-Corinth's brow?

I
Many a vanish'd year and age,
And tempest's breath, and battle's rage,
Have swept o'er Corinth; yet she stands,
A fortress form'd to Freedom's hands.

[...] Read more

poem by Byron (1816)
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Amours de Voyage, Canto I

Over the great windy waters, and over the clear-crested summits,
Unto the sun and the sky, and unto the perfecter earth,
Come, let us go,--to a land wherein gods of the old time wandered,
Where every breath even now changes to ether divine.
Come, let us go; though withal a voice whisper, 'The world that we live in,
Whithersoever we turn, still is the same narrow crib;
'Tis but to prove limitation, and measure a cord, that we travel;
Let who would 'scape and be free go to his chamber and think;
'Tis but to change idle fancies for memories wilfully falser;
'Tis but to go and have been.'--Come, little bark! let us go.

I. Claude to Eustace.

Dear Eustatio, I write that you may write me an answer,
Or at the least to put us again en rapport with each other.
Rome disappoints me much,--St Peter's, perhaps, in especial;
Only the Arch of Titus and view from the Lateran please me:
This, however, perhaps is the weather, which truly is horrid.
Greece must be better, surely; and yet I am feeling so spiteful,
That I could travel to Athens, to Delphi, and Troy, and Mount Sinai,
Though but to see with my eyes that these are vanity also.
Rome disappoints me much; I hardly as yet understand it, but
Rubbishy seems the word that most exactly would suit it.
All the foolish destructions, and all the sillier savings,
All the incongruous things of past incompatible ages,
Seem to be treasured up here to make fools of present and future.
Would to Heaven the old Goths had made a cleaner sweep of it!
Would to Heaven some new ones would come and destroy these churches!
However, one can live in Rome as also in London.*
It is a blessing, no doubt, to be rid, at least for a time, of
All one's friends and relations,--yourself (forgive me!) included,--
All the assujettissement of having been what one has been,
What one thinks one is, or thinks that others suppose one;
Yet, in despite of all, we turn like fools to the English.
Vernon has been my fate; who is here the same that you knew him,--
Making the tour, it seems, with friends of the name of Trevellyn.
* The 1968 Oxford Edition, edited by A.L.P. Norrington,
includes a line immediately following this:
Rome is better than London, because it is other than London.

II. Claude to Eustace.

Rome disappoints me still; but I shrink and adapt myself to it.
Somehow a tyrannous sense of a superincumbent oppression
Still, wherever I go, accompanies ever, and makes me
Feel like a tree (shall I say?) buried under a ruin of brickwork.

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poem by Arthur Hugh Clough
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My Christian Name

MY Christian name, my Christian name,
I never hear it now:
None have the right to utter it,
'T is lost, I scare know how.
My worldly name the world speaks loud;
Thank God for well-earned fame!

But silence sits at my cold hearth,--
I have no household name.

My Christian name, my Christian name,
It has an uncouth sound;
My mother chose it out of those
In Bible pages found:
Mother, whose accents made half sweet
What else I held in shame,
Dost thou remember up in heaven
My poor lost Christian name?

Brothers and sisters, mockers oft
Of the quaint name I bore,
Would I could leap back years, to hear
Ye shout it out once more!
One speaks it still, in written lines,
The last fraternal claim:
But the wide seas between us drown
Its sound--my Christian name.

I had a long dream once. Her voice
Might breathe the homely word,
And make it music--as love makes
Any name, said or heard.
O, dumb, dumb lips!--O, silent heart!
Though it is no ones' blame:
Now while I live I'll never hear
Her speak my Christian name.

God send her bliss, and send me rest!
If her white footsteps calm
Should track my bleeding feet, God make
To them each blood-drop balm!
Peace--peace. O mother, put thou forth
Thine elder, holier claim,
And the first word I hear in heaven
May be my Christian name.

poem by Dinah Maria Mulock Craik
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Easter-Day

HOW very hard it is to be
A Christian! Hard for you and me,
—Not the mere task of making real
That duty up to its ideal,
Effecting thus complete and whole,
A purpose or the human soul—
For that is always hard to do;
But hard, I mean, for me and you
To realise it, more or less,
With even the moderate success
Which commonly repays our strife
To carry out the aims of life.
“This aim is greater,” you may say,
“And so more arduous every way.”
—But the importance of the fruits
Still proves to man, in all pursuits,
Proportional encouragement.
“Then, what if it be God’s intent
“That labour to this one result
“Shall seem unduly difficult?”
—Ah, that’s a question in the dark—
And the sole thing that I remark
Upon the difficulty, this;
We do not see it where it is,
At the beginning of the race:
As we proceed, it shifts its place,
And where we looked for palms to fall,
We find the tug’s to come,—that’s all.

II.
At first you say, “The whole, or chief
“Of difficulties, is Belief.
“Could I believe once thoroughly,
“The rest were simple. What? Am I
“An idiot, do you think? A beast?
“Prove to me only that the least
“Command of God is God’s indeed,
“And what injunction shall I need
“To pay obedience? Death so nigh
“When time must end, eternity
“Begin,—and cannot I compute?
“Weigh loss and gain together? suit
“My actions to the balance drawn,
“And give my body to be sawn
“Asunder, hacked in pieces, tied
“To horses, stoned, burned, crucified,
“Like any martyr of the list?
“How gladly,—if I made acquist,
“Through the brief minutes’ fierce annoy,
“Of God’s eternity of joy.”

[...] Read more

poem by Robert Browning
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Twin State

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poem by Caasder Fronds
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Truth

Man, on the dubious waves of error toss'd,
His ship half founder'd, and his compass lost,
Sees, far as human optics may command,
A sleeping fog, and fancies it dry land;
Spreads all his canvas, every sinew plies;
Pants for it, aims at it, enters it, and dies!
Then farewell all self-satisfying schemes,
His well-built systems, philosophic dreams;
Deceitful views of future bliss, farewell!
He reads his sentence at the flames of hell.
Hard lot of man—to toil for the reward
Of virtue, and yet lose it! Wherefore hard?—
He that would win the race must guide his horse
Obedient to the customs of the course;
Else, though unequall’d to the goal he flies,
A meaner than himself shall gain the prize.
Grace leads the right way: if you choose the wrong,
Take it and perish; but restrain your tongue;
Charge not, with light sufficient and left free,
Your wilful suicide on God’s decree.
O how unlike the complex works of man,
Heav’n’s easy, artless, unencumber’d plan!
No meretricious graces to beguile,
No clustering ornaments to clog the pile;
From ostentation, as from weakness, free,
It stands like the cerulian arch we see,
Majestic in its own simplicity.
Inscribed above the portal, from afar
Conspicuous as the brightness of a star,
Legible only by the light they give,
Stand the soul-quickening words—believe, and live.
Too many, shock’d at what should charm them most,
Despise the plain direction, and are lost.
Heaven on such terms! (they cry with proud disdain)
Incredible, impossible, and vain!—
Rebel, because ‘tis easy to obey;
And scorn, for its own sake, the gracious way.
These are the sober, in whose cooler brains
Some thought of immortality remains;
The rest too busy or too gay to wait
On the sad theme, their everlasting state,
Sport for a day, and perish in a night;
The foam upon the waters not so light.
Who judged the Pharisee? What odious cause
Exposed him to the vengeance of the laws?
Had he seduced a virgin, wrong’d a friend,
Or stabb’d a man to serve some private end?
Was blasphemy his sin? Or did he stray
From the strict duties of the sacred day?
Sit long and late at the carousing board?

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poem by William Cowper
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The White Doe Of Rylstone, Or, The Fate Of The Nortons - Canto Sixth

WHY comes not Francis?--From the doleful City
He fled,--and, in his flight, could hear
The death-sounds of the Minster-bell:
That sullen stroke pronounced farewell
To Marmaduke, cut off from pity!
To Ambrose that! and then a knell
For him, the sweet half-opened Flower!
For all--all dying in one hour!
--Why comes not Francis? Thoughts of love
Should bear him to his Sister dear
With the fleet motion of a dove;
Yea, like a heavenly messenger
Of speediest wing, should he appear.
Why comes he not?--for westward fast
Along the plain of York he past;
Reckless of what impels or leads,
Unchecked he hurries on;--nor heeds
The sorrow, through the Villages,
Spread by triumphant cruelties
Of vengeful military force,
And punishment without remorse.
He marked not, heard not, as he fled
All but the suffering heart was dead
For him abandoned to blank awe,
To vacancy, and horror strong:
And the first object which he saw,
With conscious sight, as he swept along--
It was the Banner in his hand!
He felt--and made a sudden stand.
He looked about like one betrayed:
What hath he done? what promise made?
Oh weak, weak moment! to what end
Can such a vain oblation tend,
And he the Bearer?--Can he go
Carrying this instrument of woe,
And find, find anywhere, a right
To excuse him in his Country's sight?
No; will not all men deem the change
A downward course, perverse and strange?
Here is it;--but how? when? must she,
The unoffending Emily,
Again this piteous object see?
Such conflict long did he maintain,
Nor liberty nor rest could gain:
His own life into danger brought
By this sad burden--even that thought,
Exciting self-suspicion strong
Swayed the brave man to his wrong.
And how--unless it were the sense
Of all-disposing Providence,

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poem by William Wordsworth
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Gertrude of Wyoming

PART I

On Susquehanna's side, fair Wyoming!
Although the wild-flower on thy ruin'd wall,
And roofless homes, a sad remembrance bring,
Of what thy gentle people did befall;
Yet thou wert once the loveliest land of all
That see the Atlantic wave their morn restore.
Sweet land! may I thy lost delights recall,
And paint thy Gertrude in her bowers of yore,
Whose beauty was the love of Pennsylvania's shore!

Delightful Wyoming! beneath thy skies,
The happy shepherd swains had nought to do
But feed their flocks on green declivities,
Or skim perchance thy lake with light canoe,
From morn till evening's sweeter pastimes grew,
With timbrel, when beneath the forests brown,
Thy lovely maidens would the dance renew;
And aye those sunny mountains half-way down
Would echo flageolet from some romantic town.

Then, where of Indian hills the daylight takes
His leave, how might you the flamingo see
Disporting like a meteor on the lakes--
And playful squirrel on his nut-grown tree:
And every sound of life was full of glee,
From merry mock-bird's song, or hum of men;
While hearkening, fearing naught their revelry,
The wild deer arch'd his neck from glades, and then,
Unhunted, sought his woods and wilderness again.

And scarce had Wyoming of war or crime
Heard, but in transatlantic story rung,
For here the exile met from every clime,
And spoke in friendship every distant tongue:
Men from the blood of warring Europe sprung
Were but divided by the running brook;
And happy where no Rhenish trumpet sung,
On plains no sieging mine's volcano shook,
The blue-eyed German changed his sword to pruning-hook.

Nor far some Andalusian saraband
Would sound to many a native roundelay--
But who is he that yet a dearer land
Remembers, over hills and far away?
Green Albin! what though he no more survey
Thy ships at anchor on the quiet shore,
Thy pelloch's rolling from the mountain bay,
Thy lone sepulchral cairn upon the moor,

[...] Read more

poem by Thomas Campbell
Added by Veronica Serbanoiu
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The Troubadour. Canto 3

LAND of the olive and the vine,
The saint and soldier, sword and shrine!
How glorious to young RAYMOND'S eye
Swell'd thy bold heights, spread thy clear sky,
When first he paused upon the height
Where, gather'd, lay the Christian might.
Amid a chesnut wood were raised
Their white tents, and the red cross blazed
Meteor-like, with its crimson shine,
O'er many a standard's scutcheon'd line.

On the hill opposite there stood
The warriors of the Moorish blood,--
With their silver crescents gleaming,
And their horse-tail pennons streaming;
With cymbals and the clanging gong,
The muezzin's unchanging song,
The turbans that like rainbows shone,
The coursers' gay caparison,
As if another world had been
Where that small rivulet ran between.

And there was desperate strife next day:
The little vale below that lay
Was like a slaughter-pit, of green
Could not one single trace be seen;
The Moslem warrior stretch'd beside
The Christian chief by whom he died;
And by the broken falchion blade
The crooked scymeter was laid.

And gallantly had RAYMOND borne
The red cross through the field that morn,
When suddenly he saw a knight
Oppress'd by numbers in the fight:
Instant his ready spear was flung,
Instant amid the band he sprung;--
They fight, fly, fall,--and from the fray
He leads the wounded knight away!
Gently he gain'd his tent, and there
He left him to the leech's care;
Then sought the field of death anew,--
Little was there for knight to do.

That field was strewn with dead and dying;
And mark'd he there DE VALENCE lying
Upon the turbann'd heap, which told
How dearly had his life been sold.
And yet on his curl'd lip was worn
The impress of a soldier's scorn;

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poem by Letitia Elizabeth Landon
Added by Poetry Lover
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The Force Of Prayer, Or, The Founding Of Bolton, A Tradition

'What is good for a bootless bene?'
With these dark words begins my Tale;
And their meaning is, whence can comfort spring
When Prayer is of no avail?

'What is good for a bootless bene?'
The Falconer to the Lady said;
And she made answer 'ENDLESS SORROW!'
For she knew that her Son was dead.

She knew it by the Falconer's words,
And from the look of the Falconer's eye;
And from the love which was in her soul
For her youthful Romilly.

--Young Romilly through Barden woods
Is ranging high and low;
And holds a greyhound in a leash,
To let slip upon buck or doe.

The pair have reached that fearful chasm,
How tempting to bestride!
For lordly Wharf is there pent in
With rocks on either side.

This striding-place is called THE STRID,
A name which it took of yore:
A thousand years hath it borne that name,
And shall a thousand more.

And hither is young Romilly come,
And what may now forbid
That he, perhaps for the hundredth time,
Shall bound across THE STRID?

He sprang in glee,--for what cared he
That the river was strong, and the rocks were steep?--
But the greyhound in the leash hung back,
And checked him in his leap.

The Boy is in the arms of Wharf,
And strangled by a merciless force;
For never more was young Romilly seen
Till he rose a lifeless corse.

Now there is stillness in the vale,
And long, unspeaking, sorrow:
Wharf shall be to pitying hearts
A name more sad than Yarrow.

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poem by William Wordsworth
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The White Doe Of Rylstone, Or, The Fate Of The Nortons - Canto Fifth

HIGH on a point of rugged ground
Among the wastes of Rylstone Fell
Above the loftiest ridge or mound
Where foresters or shepherds dwell,
An edifice of warlike frame
Stands single--Norton Tower its name--
It fronts all quarters, and looks round
O'er path and road, and plain and dell,
Dark moor, and gleam of pool and stream,
Upon a prospect without bound.
The summit of this bold ascent--
Though bleak and bare, and seldom free
As Pendle-hill or Pennygent
From wind, or frost, or vapours wet--
Had often heard the sound of glee
When there the youthful Nortons met,
To practise games and archery:
How proud and happy they! the crowd
Of Lookers-on how pleased and proud!
And from the scorching noon-tide sun,
From showers, or when the prize was won,
They to the Tower withdrew, and there
Would mirth run round, with generous fare;
And the stern old Lord of Rylstone-hall
Was happiest, proudest, of them all!
But now, his Child, with anguish pale,
Upon the height walks to and fro;
'Tis well that she hath heard the tale,
Received the bitterness of woe:
For she 'had' hoped, had hoped and feared,
Such rights did feeble nature claim;
And oft her steps had hither steered,
Though not unconscious of self-blame;
For she her brother's charge revered,
His farewell words; and by the same,
Yea by her brother's very name,
Had, in her solitude, been cheered.
Beside the lonely watch-tower stood
That grey-haired Man of gentle blood,
Who with her Father had grown old
In friendship; rival hunters they,
And fellow warriors in their day;
To Rylstone he the tidings brought;
Then on this height the Maid had sought,
And, gently as he could, had told
The end of that dire Tragedy,
Which it had been his lot to see.
To him the Lady turned; 'You said
That Francis lives, 'he' is not dead?'
'Your noble brother hath been spared;

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poem by William Wordsworth
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The White Doe Of Rylstone, Or, The Fate Of The Nortons - Canto First

FROM Bolton's old monastic tower
The bells ring loud with gladsome power;
The sun shines bright; the fields are gay
With people in their best array
Of stole and doublet, hood and scarf,
Along the banks of crystal Wharf,
Through the Vale retired and lowly,
Trooping to that summons holy.
And, up among the moorlands, see
What sprinklings of blithe company!
Of lasses and of shepherd grooms,
That down the steep hills force their way,
Like cattle through the budded brooms;
Path, or no path, what care they?
And thus in joyous mood they hie
To Bolton's mouldering Priory.
What would they there?--Full fifty years
That sumptuous Pile, with all its peers,
Too harshly hath been doomed to taste
The bitterness of wrong and waste:
Its courts are ravaged; but the tower
Is standing with a voice of power,
That ancient voice which wont to call
To mass or some high festival;
And in the shattered fabric's heart
Remaineth one protected part;
A Chapel, like a wild-bird's nest,
Closely embowered and trimly drest;
And thither young and old repair,
This Sabbath-day, for praise and prayer.
Fast the churchyard fills;--anon
Look again, and they all are gone;
The cluster round the porch, and the folk
Who sate in the shade of the Prior's Oak!
And scarcely have they disappeared
Ere the prelusive hymn is heard:--
With one consent the people rejoice,
Filling the church with a lofty voice!
They sing a service which they feel:
For 'tis the sunrise now of zeal;
Of a pure faith the vernal prime--
In great Eliza's golden time.
A moment ends the fervent din,
And all is hushed, without and within;
For though the priest, more tranquilly,
Recites the holy liturgy,
The only voice which you can hear
Is the river murmuring near.
--When soft!--the dusky trees between,
And down the path through the open green,

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poem by William Wordsworth
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Every Christian Lion Hearted Man Will Show You

Oh solo Dominique
Oh solo Dominique
Oh solo Dominique
Oh solo Dominique

Take this in hand
Said he who stands
Behind the chair
A broken table there

Every Christian lion hearted man will show you
Every Christian lion hearted man will show you

Oh solo Dominique
Oh solo Dominique
Oh solo Dominique
Oh solo Dominique

Don't walk so tall
Before you crawl
For every child
Is thinking of something wild

Every Christian lion hearted man will show you
Every Christian lion hearted man will show you

Oh solo Dominique
Oh solo Dominique
Oh solo Dominique

Every Christian lion hearted man will show you
Every Christian lion hearted man will show you (will show you)

Oh solo Dominique
Oh solo Dominique
Oh solo Dominique

song performed by Bee Gees from Bee Gees 1st
Added by Lucian Velea
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