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All critics should be assassinated.

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Alexander Pope

An Essay on Criticism

Part I

INTRODUCTION. That it is as great a fault to judge ill as to write ill, and a more dangerous one to the public. That a true Taste is as rare to be found as a true Genius. That most men are born with some Taste, but spoiled by false education. The multitude of Critics, and causes of them. That we are to study our own Taste, and know the limits of it. Nature the best guide of judgment. Improved by Art and rules, which are but methodized Nature. Rules derived from the practice of the ancient poets. That therefore the ancients are necessary to be studied by a Critic, particularly Homer and Virgil. Of licenses, and the use of them by the ancients. Reverence due to the ancients, and praise of them.


'Tis hard to say if greater want of skill
Appear in writing or in judging ill;
But of the two less dangerous is th'offence
To tire our patience than mislead our sense:
Some few in that, but numbers err in this;
Ten censure wrong for one who writes amiss;
A fool might once himself alone expose;
Now one in verse makes many more in prose.

'Tis with our judgments as our watches, none
Go just alike, yet each believes his own.
In Poets as true Genius is but rare,
True Taste as seldom is the Critic's share;
Both must alike from Heav'n derive their light,
These born to judge, as well as those to write.
Let such teach others who themselves excel,
And censure freely who have written well;
Authors are partial to their wit, 'tis true,
But are not Critics to their judgment too?

Yet if we look more closely, we shall find
Most have the seeds of judgment in their mind:
Nature affords at least a glimm'ring light;
The lines, tho' touch'd but faintly, are drawn right:
But as the slightest sketch, if justly traced,
Is by ill col'ring but the more disgraced,
So by false learning is good sense defaced:
Some are bewilder'd in the maze of schools,
And some made coxcombs Nature meant but fools:
In search of wit these lose their common sense,
And then turn Critics in their own defence:
Each burns alike, who can or cannot write,
Or with a rival's or an eunuch's spite.
All fools have still an itching to deride,
And fain would be upon the laughing side.
If Mævius scribble in Apollo's spite,
There are who judge still worse than he can write.

Some have at first for Wits, then Poets pass'd;
Turn'd Critics next, and prov'd plain Fools at last.
Some neither can for Wits nor Critics pass,
As heavy mules are neither horse nor ass.
Those half-learn'd witlings, numerous in our isle,
As half-form'd insects on the banks of Nile;
Unfinish'd things, one knows not what to call,

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Byron

English Bards and Scotch Reviewers: A Satire

'I had rather be a kitten, and cry mew!
Than one of these same metre ballad-mongers'~Shakespeare

'Such shameless bards we have; and yet 'tis true,
There are as mad, abandon'd critics too,'~Pope.


Still must I hear? -- shall hoarse Fitzgerald bawl
His creaking couplets in a tavern hall,
And I not sing, lest, haply, Scotch reviews
Should dub me scribbler, and denounce my muse?
Prepare for rhyme -- I'll publish, right or wrong:
Fools are my theme, let satire be my song.

O nature's noblest gift -- my grey goose-quill!
Slave of my thoughts, obedient to my will,
Torn from thy parent bird to form a pen,
That mighty instrument of little men!
The pen! foredoom'd to aid the mental throes
Of brains that labour, big with verse or prose,
Though nymphs forsake, and critics may deride,
The lover's solace, and the author's pride.
What wits, what poets dost thou daily raise!
How frequent is thy use, how small thy praise!
Condemn'd at length to be forgotten quite,
With all the pages which 'twas thine to write.
But thou, at least, mine own especial pen!
Once laid aside, but now assumed again,
Our task complete, like Hamet's shall be free;
Though spurn'd by others, yet beloved by me:
Then let us soar today, no common theme,
No eastern vision, no distemper'd dream
Inspires -- our path, though full of thorns, is plain;
Smooth be the verse, and easy be the strain.

When Vice triumphant holds her sov'reign sway,
Obey'd by all who nought beside obey;
When Folly, frequent harbinger of crime,
Bedecks her cap with bells of every clime;
When knaves and fools combined o'er all prevail,
And weigh their justice in a golden scale;
E'en then the boldest start from public sneers,
Afraid of shame, unknown to other fears,
More darkly sin, by satire kept in awe,
And shrink from ridicule, though not from law.

Such is the force of wit! but not belong
To me the arrows of satiric song;
The royal vices of our age demand
A keener weapon, and a mightier hand.

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All The Critics Love U In New York

U can dance if U want 2
All the critics love U in New York
U don't have 2 keep the beat
They'll still think it's neat in New York

U can wear what U want 2
It doesn't matter in New York
U could cut off all your hair
I don't think they'd care in New York

All the critics love U in New York

Why U can play what U want 2
All the critics love U in New York
They won't say that U're naive
If U play what U believe in New York

Purple love-amour is all U're in it 4
But don't show it
The reason that U're cool
Is cuz U're from the old school and they know it

All the critics love U in New York

U can dance if U want 2
All the critics love U in New York
U can dance if U want 2
All the critics love U in New York

All the critics love U

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The Rosciad

Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.

Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,

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The critic

The status of critics has changed,

The most important critics were those who stood on street

corners

Full of gossip and finger wagging

Or the busty burly matrons whispering over washing lines

These critics were the slanderers

The little vipers who hung by the school gate

Some still do,

This time they sink a pint or two,

In the pub with a couple of pug nose friends

But there is a class of critics

That whitewash your pale white words

Austere and aloof from the proof,

Scrubbed clean and mean,

They murder sentiment

Mock fools without 'a scene'

Redefining the 'new' 'illiterattii, ' who never went to school'

These critics wear brogues.....? ?

Am I being cruel? [or just ironic? ]

The men drink whisky

The women a gin/ vodka and tonic!

Fifty years ago they would 'parade'

In a uniforn of tweed and plaid

Post public school

But some critics just thumbnail through

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This Picture

I hold an image of the ashtray girl
As the cigarette burns on my chest
I wrote a poem that described her world
That put my friendship to the test
And late at night
Whilst on all fours
She used to watch me kiss the floor
Whats wrong with this picture?
Whats wrong with this picture?
Farewell the ashtray girl
Forbidden snowflake
Beware this troubled world
Watch out for earthquakes
Goodbye to open sores
To broken centre floor
We know we miss her
We miss her picture
Sometimes its faded
Disintegrated
For fear of growing old
Sometimes its faded
Assassinated
For fear of growing old
Farewell the ashtray girl
Angelic fruitcake
Beware this troubled world
Control your intake
Goodbye to open sores
Goodbye and furthermore
We know we miss her
We miss her picture
Sometimes its faded
Disintegrated
For fear of growing old
Sometimes its faded
Assassinated
For fear of growing old
Hang on
Though we try
Its gone
Hang on
Though we try
Its gone
Sometimes its faded
Disintegrated
For fear of growing old
Sometimes its faded
Assassinated
For fear of growing old
Cant stop growing old...

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The Colour Bar

I
In twilight twentieth century
men I solemnly religiously revere
not one of sapiently reverend
top three is externally white I fear.
II
Mohatma Mohandas Karamchand Gandi.
Nelson Rolihlaha Mandela.
Martin Luther King. Their praise I sing.
III
Gandi lawyer statesman Indian nationalist leader
advocating ahimsa non-violent non-cooperation
Satyagraha truth and firmness a policy of passive
resistance to British rule advocated by Gandhi
defence of and by truth imprisoned many times
by South African and later British India authorities
assassinated by a Hindu nationalist in January 1948
never posthumously awarded the Nobel Peace Prize?
IV
Mandela lawyer black South African nationalist leader
imprisoned again from 1964 to 1990 for life on charges
of sabotage and plotting to overthrow white government
'The Black Pimpernel' during clashes with authorities
avered because of his ability to avoid South African police
using several disguises a favourite an invisible chauffeur
Mandela anti-apartheid struggle symbol of unity for
worldwide anti-apartheid racial equality movement
Mandela served 27 years in prison 46664 AIDS activist
against AIDS epidemic awarded Nobel Peace Prize in 1993.
V
King US Baptist minister black American civil rights leader
Montgomery, Alabama nonviolent bus boycott of 1955
during 382 days of boycott King was arrested his home
was bombed he was subjected to personal racist abuse
250,000 march organizer on Washington DC in 1963
to demand famous “I Have A Dream” speech racial equality
assaulted arrested twenty times awarded Nobel Peace Prize
in 1964 the year Nelson Mandela was sentenced to jail for life
assassinated on motel balcony Memphis Tennessee April 1968.
VI
Will next martyr be an Arab
a stylized western prejudged ambassador?
No an old loyal lion of Israel
who died attempting a Palestinian Israeli
intervening tightrope gap act
assassinated by an Israeli nationalist in 1995.
VII
Mahatma (‘Great Soul’)
a graphic symbol
used in ritual meditation

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Prove Critics Fools

No matter who does what,
Just do.
No matter who does what,
Just do.
No matter who does what,
Just do.
With a doing to be done...
To do.

And...
Deliver to the people to prove,
Critics fools.
Deliver to the people to prove,
Critics fools.
And deliver to the people to prove,
Critics fools.
Just deliver to the people to prove,
Critics fools.

No matter who does what,
Just do.
No matter who does what,
Just do.
No matter who does what,
Just do.
With a doing to be done...
To do.
With a doing to prove critics fools.

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The Apology

ADDRESSED TO THE CRITICAL REVIEWERS.

Tristitiam et Metus.--HORACE.

Laughs not the heart when giants, big with pride,
Assume the pompous port, the martial stride;
O'er arm Herculean heave the enormous shield,
Vast as a weaver's beam the javelin wield;
With the loud voice of thundering Jove defy,
And dare to single combat--what?--A fly!
And laugh we less when giant names, which shine
Establish'd, as it were, by right divine;
Critics, whom every captive art adores,
To whom glad Science pours forth all her stores;
Who high in letter'd reputation sit,
And hold, Astraea-like, the scales of wit,
With partial rage rush forth--oh! shame to tell!--
To crush a bard just bursting from the shell?
Great are his perils in this stormy time
Who rashly ventures on a sea of rhyme:
Around vast surges roll, winds envious blow,
And jealous rocks and quicksands lurk below:
Greatly his foes he dreads, but more his friends;
He hurts me most who lavishly commends.
Look through the world--in every other trade
The same employment's cause of kindness made,
At least appearance of good will creates,
And every fool puffs off the fool he hates:
Cobblers with cobblers smoke away the night,
And in the common cause e'en players unite;
Authors alone, with more than savage rage,
Unnatural war with brother authors wage.
The pride of Nature would as soon admit
Competitors in empire as in wit;
Onward they rush, at Fame's imperious call,
And, less than greatest, would not be at all.
Smit with the love of honour,--or the pence,--
O'errun with wit, and destitute of sense,
Should any novice in the rhyming trade
With lawless pen the realms of verse invade,
Forth from the court, where sceptred sages sit,
Abused with praise, and flatter'd into wit,
Where in lethargic majesty they reign,
And what they won by dulness, still maintain,
Legions of factious authors throng at once,
Fool beckons fool, and dunce awakens dunce.
To 'Hamilton's the ready lies repair--
Ne'er was lie made which was not welcome there--
Thence, on maturer judgment's anvil wrought,
The polish'd falsehood's into public brought.

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Critics?

Critics?
They do what they do best...
Undress those who create.
It is easier for them to probe,
Than appreciate.
It is a frustration of sorts,
To be boxed within boundaries.
Not knowing or understanding...
What the force behind creativity means,
Or where it begins...
With perceptions taught and conceived.
They have an awareness of it.
Or so some believe.
Although a conformity upon them visits.
But to comprehend what it is...
And why some have it and they don't,
Really makes them pissed.
Although an 'intelligence'
Once applied can hide this.
Is that why they delight in being critics?
As creators sweat to expand their wits,
Critics enjoy deploying...
A complete misunderstanding of it!
As they assist others like themselves...
Attempting to expand minds of limited demands.
Hoping this attachment,
Delivers to them someone's attention span.
And they get it!
That is why there is so many critics.

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May I Have Another Helping of Those Delicious Critics, Please?

What do I have to say,
To those who are my critics?

I have been aware of them,
Since I began taking my first steps.
Since my first breath taken...
Was done independently.

I've heard it said,
My lifetime of actions...
By them has been disapproved.
And things I do have been ego led.

It's believed what I do,
Is done to seek attention.
Even those things I do to cleanse,
In privacy...
I care not mention.

We all have talents,
And those gifts that are given.
How I use the ones I have...
Aren't from a critic's invention.

Or maybe because of the creation of 'them'.
Who knows?

Perhaps that's what has them upset.
And if they have time like that to waste...
Don't hesitate in delay to say,
I am just getting started.
And what I've given to them to nibble...
Is just a little taste.
From a baking not completed,
Yet imaginations rate!

They have no idea,
Of who I am!
Or the making of 'me'.
And-what-that-takes!
Since I'm the cooker who does the feeding...
I know who eats!
And those served,
That ate.

Those who choose to regurgitate...
Do it without my decision given to make!

What do I have to say,
To those who are my critics?

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Well Hello Mary Jo, Goodbye Heart

Senator Edward Kennedy is about to retire,
He has a book deal lined up eight million dollars.
He was one of three brothers,
-who stayed alive,
-politically and literally,
Both John and Bobby met their fate,
By the end of a gun,
Sirhan Sirhan,
And Oswald,
They were blamed for the actions,
-but there is someone,
By her death,
-had assassinated Edward’s potential presidential bid,
Mary Jo Kopechne died when the vehicle driven by Edward Kennedy,
Overturned off a bridge in Chappaquiddick.

She drowned, but it ten hours for Edward called the police,
Far from the 18 ½ minutes that were gone from the Nixon Watergate Tapes,
That later had the president resigned of the USA.
He had move his pieces on board,
get his ducks in line,
pay whoever,
He had to come up with type of lie to his wife,
Lie, Lie, the Kennedy’s you say?
NEVER! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !

Joe Kennedy, the patriarch of the clan,
-made a part his fortune as a “drug runner”,
The drug was alcohol but it was banned by prohibition,
That same drug was to be the downfall for would be President Edward Kennedy,
Joe Kennedy worked the mob;
-the union worked the mob in Chicago,
Chicago brought his son John to the White House,
John was assassinated almost mid-term,
Robert, ran for the office in 1968,
However, Sirhan cut his life short;
Sirhan had mob connections, no way! (? ?)
The mob wanted Bobby dead, because after all he sought them out with vengeance,
Surely Jack and Bobby were dead by no chance.

So was Marilyn Monroe,
- Frank Sinatra kept quiet,
and Peter Lawford kept quiet.
But Mary Jo crushed Eddie’s chance for the White House,
The mob did not have to get him.
Will this same story be told within Edward Kennedy’s memoirs?
I think not,
I predict that Edward will give the readers a different spin,
Because Edward will lie again, and again, and again, .....

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Elizabeth Barrett Browning

Fifth Book

AURORA LEIGH, be humble. Shall I hope
To speak my poems in mysterious tune
With man and nature,–with the lava-lymph
That trickles from successive galaxies
Still drop by drop adown the finger of God,
In still new worlds?–with summer-days in this,
That scarce dare breathe, they are so beautiful?–
With spring's delicious trouble in the ground
Tormented by the quickened blood of roots.
And softly pricked by golden crocus-sheaves
In token of the harvest-time of flowers?–
With winters and with autumns,–and beyond,
With the human heart's large seasons,–when it hopes
And fears, joys, grieves, and loves?–with all that strain
Of sexual passion, which devours the flesh
In a sacrament of souls? with mother's breasts,
Which, round the new made creatures hanging there,
Throb luminous and harmonious like pure spheres?–
With multitudinous life, and finally
With the great out-goings of ecstatic souls,
Who, in a rush of too long prisoned flame,
Their radiant faces upward, burn away
This dark of the body, issuing on a world
Beyond our mortal?–can I speak my verse
So plainly in tune to these things and the rest,
That men shall feel it catch them on the quick,
As having the same warrant over them
To hold and move them, if they will or no,
Alike imperious as the primal rhythm
Of that theurgic nature? I must fail,
Who fail at the beginning to hold and move
One man,–and he my cousin, and he my friend,
And he born tender, made intelligent,
Inclined to ponder the precipitous sides
Of difficult questions; yet, obtuse to me,–
Of me, incurious! likes me very well,
And wishes me a paradise of good,
Good looks, good means, and good digestion!–ay,
But otherwise evades me, puts me off
With kindness, with a tolerant gentleness,–
Too light a book for a grave man's reading! Go,
Aurora Leigh: be humble.
There it is;
We women are too apt to look to one,
Which proves a certain impotence in art.
We strain our natures at doing something great,
Far less because it's something great to do,
Than, haply, that we, so, commend ourselves
As being not small, and more appreciable
To some one friend. We must have mediators

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Of Pacchiarotto, and How He Worked in Distemper

I
Query: was ever a quainter
Crotchet than this of the painter
Giacomo Pacchiarotto
Who took "Reform" for his motto?

II
He, pupil of old Fungaio,
Is always confounded (heigho!)
With Pacchia, contemporaneous
No question, but how extraneous
In the grace of soul, the power
Of hand,—undoubted dower
Of Pacchia who decked (as we know,
My Kirkup!) San Bernardino,
Turning the small dark Oratory
To Siena's Art-laboratory,
As he made its straitness roomy
And glorified its gloomy,
With Bazzi and Beccafumi.
(Another heigho for Bazzi:
How people miscall him Razzi!)

III
This Painter was of opinion
Our earth should be his dominion
Whose Art could correct to pattern
What Nature had slurred—the slattern!
And since, beneath the heavens,
Things lay now at sixes and sevens,
Or, as he said, sopra-sotto—
Thought the painter Pacchiarotto
Things wanted reforming, therefore.
"Wanted it"—ay, but wherefore?
When earth held one so ready
As he to step forth, stand steady
In the middle of God's creation
And prove to demonstration
What the dark is, what the light is,
What the wrong is, what the right is,
What the ugly, what the beautiful,
What the restive, what the dutiful,
In Mankind profuse around him?
Man, devil as now he found him,
Would presently soar up angel
At the summons of such evangel,
And owe—what would Man not owe
To the painter Pacchiarotto?
Ay, look to thy laurels, Giotto!

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Gotham - Book II

How much mistaken are the men who think
That all who will, without restraint may drink,
May largely drink, e'en till their bowels burst,
Pleading no right but merely that of thirst,
At the pure waters of the living well,
Beside whose streams the Muses love to dwell!
Verse is with them a knack, an idle toy,
A rattle gilded o'er, on which a boy
May play untaught, whilst, without art or force,
Make it but jingle, music comes of course.
Little do such men know the toil, the pains,
The daily, nightly racking of the brains,
To range the thoughts, the matter to digest,
To cull fit phrases, and reject the rest;
To know the times when Humour on the cheek
Of Mirth may hold her sports; when Wit should speak,
And when be silent; when to use the powers
Of ornament, and how to place the flowers,
So that they neither give a tawdry glare,
'Nor waste their sweetness in the desert air;'
To form, (which few can do, and scarcely one,
One critic in an age, can find when done)
To form a plan, to strike a grand outline,
To fill it up, and make the picture shine
A full and perfect piece; to make coy Rhyme
Renounce her follies, and with Sense keep time;
To make proud Sense against her nature bend,
And wear the chains of Rhyme, yet call her friend.
Some fops there are, amongst the scribbling tribe,
Who make it all their business to describe,
No matter whether in or out of place;
Studious of finery, and fond of lace,
Alike they trim, as coxcomb Fancy brings,
The rags of beggars, and the robes of kings.
Let dull Propriety in state preside
O'er her dull children, Nature is their guide;
Wild Nature, who at random breaks the fence
Of those tame drudges, Judgment, Taste, and Sense,
Nor would forgive herself the mighty crime
Of keeping terms with Person, Place, and Time.
Let liquid gold emblaze the sun at noon,
With borrow'd beams let silver pale the moon;
Let surges hoarse lash the resounding shore,
Let streams meander, and let torrents roar;
Let them breed up the melancholy breeze,
To sigh with sighing, sob with sobbing trees;
Let vales embroidery wear; let flowers be tinged
With various tints; let clouds be laced or fringed,
They have their wish; like idle monarch boys,
Neglecting things of weight, they sigh for toys;

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To The Right Hon. Mr. Dodington

Long, Dodington, in debt, I long have sought
To ease the burden of my graceful thought:
And now a poet's gratitude you see:
Grant him two favours, and he'll ask for three:
For whose the present glory, or the gain?
You give protection, I a worthless strain.
You love and feel the poet's sacred flame,
And know the basis of a solid fame;
Though prone to like, yet cautious to commend,
You read with all the malice of a friend;
Nor favour my attempts that way alone,
But, more to raise my verse, conceal your own.
An ill-tim'd modesty! turn ages o'er,
When wanted Britain bright examples more?
Her learning, and her genius too, decays;
And dark and cold are her declining days;
As if men now were of another cast,
They meanly live on alms of ages past,
Men still are men; and they who boldly dare,
Shall triumph o'er the sons of cold despair;
Or, if they fail, they justly still take place
Of such who run in debt for their disgrace;
Who borrow much, then fairly make it known,
And damn it with improvements of their own.
We bring some new materials, and what's old
New cast with care, and in no borrow'd mould;
Late times the verse may read, if these refuse;
And from sour critics vindicate the Muse.
'Your work is long', the critics cry. 'Tis true,
And lengthens still, to take in fools like you:
Shorten my labour, if its length you blame:
For, grow but wise, you rob me of my game;
As haunted hags, who, while the dogs pursue,
Renounce their four legs, and start up on two.

Like the bold bird upon the banks of Nile
That picks the teeth of the dire crocodile,
Will I enjoy (dread feast!) the critic's rage,
And with the fell destroyer feed my page.
For what ambitious fools are more to blame,
Than those who thunder in the critic's name?
Good authors damn'd, have their revenge in this,
To see what wretches gain the praise they miss.

Balbutius, muffled in his sable cloak,
Like an old Druid from his hollow oak,
As ravens solemn, and as boding, cries,
'Ten thousand worlds for the three unities!'
Ye doctors sage, who through Parnassus teach,
Or quit the tub, or practise what you preach.

[...] Read more

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Scrutinized For Their Blemishes

It is easy for many to sit back and critique,
With a judging done of those tasks...
Others produce with a doing to complete.

And if some people are prolific,
From experiences live that dictate this...
The critics are quick,
To stampede out from nowhere it seems...
With criticsms prepared,
Not to uplift or encourage...
But instead,
Demean.

But when given the opportunity to highlight their gifts,
Critics often spew excuses...
As those under microscope,
Are scrutinized for their blemishes.

Although,
Even those who enjoy themselves as critics...
Have moments they don't admit but wish,
An attention given to be critiqued...
Would validate a reason to rid their insecurities,
With a purpose in their minds that solidified their existence.

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Artists teach critics what to think. Critics repeat what the artists teach them.

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Hyperbolic

The actor!
His greater mentor;
The actress!
Her greator mentor;
With critics and the hyperbolic of things,
But this satirical case is always seen around us.

Trained from oral history,
Trained from oral works,
And like the beauty of love plus the act of peace;
With critics and the hyerbolic of the things around us today,
But, my sweet mind will lead me on always.

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Room for improvement for Leslie

Critics express their point of view.
As they have every right to do
I will give credit where it’s due.
So I consider each review
as of potential benefit
Though I may not agree with it.
It may well be I can profit
by reading what my critics writ.
I treat all critiques just the same
accepting praise accepting blame.
All part and parcel of the game.
Improvement is my only aim.
So please feel free to state your view
You might well teach me something new.

13-Feb-09
http: // blog.myspace.com/poeticpiers

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