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Cole Porter had a worldwide reputation as a sophisticate and hedonist.

quote by Ethel Merman
Added by Lucian Velea
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The Tale of Gamelyn

Fitt 1

Lithes and listneth and harkeneth aright,
And ye shul here of a doughty knyght;
Sire John of Boundes was his name,
He coude of norture and of mochel game.
Thre sones the knyght had and with his body he wan,
The eldest was a moche schrewe and sone bygan.
His brether loved wel her fader and of hym were agast,
The eldest deserved his faders curs and had it atte last.
The good knight his fadere lyved so yore,
That deth was comen hym to and handled hym ful sore.
The good knyght cared sore sik ther he lay,
How his children shuld lyven after his day.
He had bene wide where but non husbonde he was,
Al the londe that he had it was purchas.
Fayn he wold it were dressed amonge hem alle,
That eche of hem had his parte as it myght falle.
Thoo sente he in to contrey after wise knyghtes
To helpen delen his londes and dressen hem to-rightes.
He sent hem word by letters thei shul hie blyve,
If thei wolle speke with hym whilst he was alyve.

Whan the knyghtes harden sik that he lay,
Had thei no rest neither nyght ne day,
Til thei come to hym ther he lay stille
On his dethes bedde to abide goddys wille.
Than seide the good knyght seke ther he lay,
'Lordes, I you warne for soth, without nay,
I may no lenger lyven here in this stounde;
For thorgh goddis wille deth droueth me to grounde.'
Ther nas noon of hem alle that herd hym aright,
That thei ne had routh of that ilk knyght,
And seide, 'Sir, for goddes love dismay you nought;
God may don boote of bale that is now ywrought.'
Than speke the good knyght sik ther he lay,
'Boote of bale God may sende I wote it is no nay;
But I beseche you knyghtes for the love of me,
Goth and dresseth my londes amonge my sones thre.
And for the love of God deleth not amyss,
And forgeteth not Gamelyne my yonge sone that is.
Taketh hede to that oon as wel as to that other;
Seelde ye seen eny hier helpen his brother.'

Thoo lete thei the knyght lyen that was not in hele,
And wenten into counselle his londes for to dele;
For to delen hem alle to on that was her thought.
And for Gamelyn was yongest he shuld have nought.
All the londe that ther was thei dalten it in two,
And lete Gamelyne the yonge without londe goo,

[...] Read more

poem by Anonymous Olde English
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Adam Bell, Clym of the Clough, and William of Cloudesly

Part the First

Mery it was in the grene forest
Amonge the leves grene,
Wheras men hunt east and west,
Wyth bowes and arrowes kene,

To ryse the dere out of theyr denne,
Suche sightes hath ofte bene sene,
As by thre yemen of the north countrey,
By them it is I meane.

The one of them hight Adam Bel,
The other Clym of the Clough,
The thyrd was William of Cloudesly,
An archer good ynough.

They were outlawed for venyson,
These yemen everychone;
They swore them brethren upon a day,
To Englyshe-wood for to gone.

Now lith and lysten, gentylmen,
That of myrthes loveth to here:
Two of them were single men,
The third had a wedded fere.

Wyllyam was the wedded man,
Muche more then was hys care:
He sayde to hys brethren upon a day,
To Carleile he would fare,

For to speke with fayre Alyce his wife,
And with hys chyldren thre.
'By my trouth,' sayde Adam Bel,
'Not by the counsell of me.

'For if ye go to Carleile, brother,
And from thys wylde wode wende,
If the justice may you take,
Your lyfe were at an ende.'

'If that I come not to-morrowe, brother,
By pryme to you agayne,
Truste you then that I am 'taken,'
Or else that I am slayne.'

He toke hys leave of hys brethren two,
And to Carleile he is gon;

[...] Read more

poem by Anonymous Olde English
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Hey Porter

(johnny cash)
(c) - (g) - (f)
(c) hey, porter, hey porter! would you tell me the (f) time?
(c) how much longer will it be til we cross that (g) mason dixon line? (c)
At daylight would you tell the engineer to slow it (f) down;
Or better still, just stop the train cause I (g) wanna look a (c) round.
Hey, porter! hey porter! what time did you say ?
How much longer will it be till I can see the light of day ?
When we hit dixie would ya tell the engineer to ring his bell;
And tell everybody that aint asleep to stand right up and yell.
Hey, porter! hey, porter! please, go on and get my bags for me,
I dont need nobody to tell me now that Im in tennessee.
Were not so far from home, you know, and its a-getting light outside
This old train is a-puffin smoke and I have to strain in my eyes
Hey porter! hey porter! please open up the door.
When they stop this train Im gonna get off first cause I cant wait no more.
Tell the engineer I say, thanks a lot. and I didnt mind the fare.
Im gonna set my feet on southern soil, Im gonna breathe the southern air.

song performed by Ry Cooder
Added by Lucian Velea
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At The Gate

THE monastery towers, as pure and fair
As virgin vows, reached up white hands to Heaven;
The walls, to guard the hidden heart of prayer,
Were strong as sin, and white as sin forgiven;
And there came holy men, by world's woe driven;
And all about the gold-green meadows lay
Flower-decked, like children dear that keep May-holiday.

'Here,' said the Abbot, 'let us spend our days,
Days sweetened by the lilies of pure prayer,
Hung with white garlands of the rose of praise;
And, lest the World should enter with her snare--
Enter and laugh and take us unaware
With her red rose, her purple and her gold--
Choose we a stranger's hand the porter's keys to hold.'

They chose a beggar from the world outside
To keep their worldward door for them, and he,
Filled with a humble and adoring pride,
Built up a wall of proud humility
Between the monastery's sanctity
And the poor, foolish, humble folk who came
To ask for love and care, in the dear Saviour's name.

For when the poor crept to the guarded gate
To ask for succour, when the tired asked rest,
When weary souls, bereft and desolate,
Craved comfort, when the murmur of the oppressed
Surged round the grove where prayer had made her nest,
The porter bade such take their griefs away,
And at some other door their bane and burden lay.

'For this,' he said, 'is the white house of prayer,
Where day and night the holy voices rise
Through the chill trouble of our earthly air,
And enter at the gate of Paradise.
Trample no more our flower-fields in such wise,
Nor crave the alms of our deep-laden bough;
The prayers of holy men are alms enough, I trow.'

So, seeing that no sick or sorrowing folk
Came ever to be healed or comforted,
The Abbot to his brothers gladly spoke:
'God has accepted our poor prayers,' he said;
'Over our land His answering smile is spread.
He has put forth His strong and loving hand,
And sorrow and sin and pain have ceased in all the land.

'So make we yet more rich our hymns of praise,
Warm we our prayers against our happy heart.

[...] Read more

poem by Edith Nesbit
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The Tower Beyond Tragedy

I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.

[...] Read more

poem by Robinson Jeffers
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Sweetness Of Sin

“We suddenly know what heaven we’re in”
is a line first conceived by Cole Porter;
it’s based on a line that he chose to down-water,
“We suddenly know the sweetness of sin.”

Don’t know why Cole Porter decided to alter
a line antinomially apt in its neatness,
foreswearing all heaven for sin and its sweetness
as sure as my middle name warns you I’m Walter.

One more for the road, as once sang Johnnie Mercer,
is great, and you’ll find that the road is much shorter
to sin than to heaven, a meter maid’s quarter
provides enough time if you are not averse, sir.

Beginning beguines is the first step to take
for heaven on earth, not by pouring cold water
on sin as on lyrics was done by Cole Porter
while betting on heaven–a dreadful mistake.

5/9/06

poem by Gershon Hepner
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Johnny Porter

(bobby ray appleberry/william cuomo)
Johnny porter was the oldest in his family
And I remember he was almost twenty one
Yknow I cant quite explain the situation
But he broke into his fathers truck and stole a gun
Mother running down the highway screaming
Johnny its too bad, oh its too and its bad
And its too bad
Well, his father wonders where he got the money
And he wonders if he got it right or wrong
Then johnny killed a man in pensacola, florida
And he caught a freight train and and took off on the run
Well, run, johnny, run
Theyre rolling right behind you
Run, johnny, run
You know theyre gonna find you
You come out late at night, cause youre running for your life
Hum, johnny porter
Johnny porter
Yeah, yeah, yeah
Well, its a shame the way you make your mother worry
And its hurts inside to sit and watch her cry
And it will be a long time before she knows the answer
But it wont be long before she will see ya die
Well, I was standing in my front door early this morning
So sad, when I heard my name was said
Johnny porter was no good than anybody
But I hate to see him throw his life away
Now, run, johnny, run
Theyre rolling right behind you
Run, johnny, run
You know theyre gonna find you
You come out late at night, cause youre running for your life
Well, johnny porter, johnny porter
Found him holed up in some dark and dirty building
Heard his mother begging, please, let johnny go!
Thats when john fired his pistol
As a warning and he said,
I was born to die by the gun
I was born to die by the gun
I was born to die by the gun

song performed by Ry Cooder
Added by Lucian Velea
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Maria Elena

(Bobby Ray Appleberry, William Cuomo)
Johnny Porter was the oldest in his family
And I remember he was almost twenty one
Y'know I can't quite explain the situation
But he broke into his father's truck and stole a gun
Mother running down the highway screaming
Johnny it's too bad, oh it's too and it's bad
And it's too bad
Well, his father wonders where he got the money
And he wonders if he got it right or wrong
Then Johnny killed a man in Pensacola, Florida
And he caught a freight train and and took off on the run
Well, run, Johnny, run
They're rolling right behind you
Run, Johnny, run
You know they're gonna find you
You come out late at night, 'cause you're running for your life
Hum, Johnny Porter
Johnny Porter
Yeah, yeah, yeah
Well, it's a shame the way you make your mother worry
And it's hurts inside to sit and watch her cry
And it will be a long time before she knows the answer
But it won't be long before she will see ya die
Well, I was standing in my front door early this morning
So sad, when I heard my name was said
Johnny Porter was no good than anybody
But I hate to see him throw his life away
Now, run, Johnny, run
They're rolling right behind you
Run, Johnny, run
You know they're gonna find you
You come out late at night, 'cause you're running for your life
Well, Johnny Porter, Johnny Porter
Found him holed up in some dark and dirty building
Heard his mother begging,

song performed by Ry Cooder
Added by Lucian Velea
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Malmaison

I

How the slates of the roof sparkle in the sun, over there, over there,
beyond the high wall! How quietly the Seine runs in loops and windings,
over there, over there, sliding through the green countryside! Like ships
of the line, stately with canvas, the tall clouds pass along the sky,
over the glittering roof, over the trees, over the looped and curving river.
A breeze quivers through the linden-trees. Roses bloom at Malmaison.
Roses! Roses! But the road is dusty. Already the Citoyenne Beauharnais
wearies of her walk. Her skin is chalked and powdered with dust,
she smells dust, and behind the wall are roses! Roses with
smooth open petals, poised above rippling leaves . . . Roses . . .
They have told her so. The Citoyenne Beauharnais shrugs her shoulders
and makes a little face. She must mend her pace if she would be back
in time for dinner. Roses indeed! The guillotine more likely.

The tiered clouds float over Malmaison, and the slate roof sparkles
in the sun.

II

Gallop! Gallop! The General brooks no delay. Make way, good people,
and scatter out of his path, you, and your hens, and your dogs,
and your children. The General is returned from Egypt, and is come
in a `caleche' and four to visit his new property. Throw open the gates,
you, Porter of Malmaison. Pull off your cap, my man, this is your master,
the husband of Madame. Faster! Faster! A jerk and a jingle
and they are arrived, he and she. Madame has red eyes. Fie! It is for joy
at her husband's return. Learn your place, Porter. A gentleman here
for two months? Fie! Fie, then! Since when have you taken to gossiping.
Madame may have a brother, I suppose. That -- all green, and red,
and glitter, with flesh as dark as ebony -- that is a slave; a bloodthirsty,
stabbing, slashing heathen, come from the hot countries to cure your tongue
of idle whispering.

A fine afternoon it is, with tall bright clouds sailing over the trees.

'Bonaparte, mon ami, the trees are golden like my star, the star I pinned
to your destiny when I married you. The gypsy, you remember her prophecy!
My dear friend, not here, the servants are watching; send them away,
and that flashing splendour, Roustan. Superb -- Imperial, but . . .
My dear, your arm is trembling; I faint to feel it touching me! No, no,
Bonaparte, not that -- spare me that -- did we not bury that last night!
You hurt me, my friend, you are so hot and strong. Not long, Dear,
no, thank God, not long.'

[...] Read more

poem by Amy Lowell
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Reputation

(brian spence)
(reputation) - (repeat x 12)
Theyre gonna want you
Theyre gonna love you
Theyre gonna make your dreams come true
They dont know the real you, but
Theyre gonna steal you, oh
Theyre gonna take my dreams away
Well you tried, you looked for a way
Of keeping your face, of keeping your face, oh, oh
(reputation)
You try and you try again
(isnt worth the patience)
You leave me to cry again
(who cares what theyre thinking? ) oh, oh
(who cares what theyre whispering? , whispering, whispering)
You know I wont blame you
And I wont defame you, oh
I wont name you in any court of law
Well you tried, you looked for a way
Of keeping your face, of keeping your face, oh, oh
(reputation)
You try and you try again
(isnt worth the patience)
You leave me to cry again
(who cares what theyre thinking? ) oh, oh
(who cares what theyre whispering? , whispering)
Theyre whispering
(reputation)
You try and you try again
(isnt worth the patience)
You leave me to cry again
(who cares what theyre thinking? ) baby
(who cares what theyre whispering? , whispering, whispering), ooh, ooh
You leave me to cry again
Well you tried
Baby, you looked for a way, oh
You dont want to change, but
You still change the same, oh
(reputation)
You try and you try again
(isnt worth the patience)
You leave me to cry again
(who cares what theyre thinking? ) oh, oh
(who cares what theyre whispering, whispering? )
Theyre whispering
(reputation)
You try and you try again
(isnt worth the patience)
You leave me to cry again

[...] Read more

song performed by Dusty Springfield
Added by Lucian Velea
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Old King Cole

In Tilbury Town did Old King Cole
A wise old age anticipate,
Desiring, with his pipe and bowl,
No Khan’s extravagant estate.
No crown annoyed his honest head,
No fiddlers three were called or needed;
For two disastrous heirs instead
Made music more than ever three did.

Bereft of her with whom his life
Was harmony without a flaw,
He took no other for a wife,
Nor sighed for any that he saw;
And if he doubted his two sons,
And heirs, Alexis and Evander,
He might have been as doubtful once
Of Robert Burns and Alexander.

Alexis, in his early youth,
Began to steal—from old and young.
Likewise Evander, and the truth
Was like a bad taste on his tongue.
Born thieves and liars, their affair
Seemed only to be tarred with evil—
The most insufferable pair
Of scamps that ever cheered the devil.

The world went on, their fame went on,
And they went on—from bad to worse;
Till, goaded hot with nothing done,
And each accoutred with a curse,
The friends of Old King Cole, by twos,
And fours, and sevens, and elevens,
Pronounced unalterable views
Of doings that were not of heaven’s.

And having learned again whereby
Their baleful zeal had come about,
King Cole met many a wrathful eye
So kindly that its wrath went out—
Or partly out. Say what they would,
He seemed the more to court their candor;
But never told what kind of good
Was in Alexis and Evander.

And Old King Cole, with many a puff
That haloed his urbanity,
Would smoke till he had smoked enough,
And listen most attentively.
He beamed as with an inward light

[...] Read more

poem by Edwin Arlington Robinson
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Pelang

Pelang! Pelang! Mon cher garçon,
I t'ink of you--t'ink of you night and day--
Don't mak' no difference, seems to me
De long long tam you're gone away.

* * * * *

De snow is deep on de Grande Montagne--
Lak tonder de rapide roar below--
De sam' kin' night, ma boy get los'
On beeg, beeg storm forty year ago.

An' I never was hear de win' blow hard,
An' de snow come sweesh on de window pane--
But ev'ryt'ing 'pear lak' it's yesterday
An' whole of ma troub' is come back again.

Ah me! I was foolish young girl den
It's only ma own plaisir I care,
An' w'en some dance or soirée come off
Dat's very sure t'ing you will see me dere.

Don't got too moche sense at all dat tam,
Run ev'ry place on de whole contree--
But I change beeg lot w'en Pelang come 'long
For I love him so well, kin' o' steady me.

An' he was de bes' boy on Coteau,
An' t'ink I am de bes' girl too for sure--
He's tole me dat, geev de ring also
Was say on de inside 'Je t'aime toujours.'

I geev heem some hair dat come off ma head,
I mak' de nice stocking for warm hees feet,
So ev'ryt'ing's feex, w'en de spring is come
For mak' mariée on de church toute suite.

'W'en de spring is come!' Ah I don't see dat,
Dough de year is pass as dey pass before,
An' de season come, an' de season go,
But our spring never was come no more.

* * * * *

It's on de fête of de jour de l'an,
An' de worl' outside is cole an' w'ite,
As I sit an' watch for mon cher Pelang
For he's promise come see me dis very night.

Bonhomme Peloquin dat is leev near us--

[...] Read more

poem by William Henry Drummond
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Researcher of poetry

‘Researcher of poetry’

To be or not to be that is the question
Am I a word junkie or a poetry equestrian?
Riding a rhyme changing the line
To make it look like it was mine

The good Lawrence Durrell was a wordy man
Little about poetry he did understand
Till a woman led him to the Promised Land
Now he’s one of the best in the land

Barrington had a duck-billed Platypus at trinity
With whom he shared a remarkable affinity
The Platypus made Barrington nervous
When he suggested they join the Diplomatic Service

John’s padre was an old sky pilot
Until they clipped his wings
He sits in his garden: writing poetry
Playing guitar, composing songs which he sings

Noel proved he was no coward
He proved he was the brave one
With mad dogs and Englishmen
He went out in the midday sun

Cole Porter said let’s do it let’s fall in love
I said Cole you have had to much porter
I really don’t fancy you, but, if you can wait
To get drunk: I might like a little porter

I did do some research to come up with this prose
I know you’re not happy, and what’s getting up your nose
I am not a researcher I will tell you for free
I may just be a thief of other people’s poetry

MICMAC

poem by Michael Micmac Mccrory
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Rossa Mela Della Sera

rosso il sole
una mela
E sbuccia laria della sera
Che sei sola come me
Lo so dagli occhi
Li porter con me sai
Quando vado via
Lamore che
Disfi e fai
Con le tue mani su di me
Quando vieni e quando vai
Lo so dagli occhi
Li porter con me sai
Quando vado via
Li porter con me sai
x farmi compagnia ye ye ye
Uh uh uh uh con me
Nel cuore e nellanima mia
Uh uh uh uh con me
Rossa mela della sera
Se fossi un lago dilagherei
E se potessi pioverei
Fino in fondo agli occhi tuoi
Come un cielo
Ti porter con me sai
Quando vado via
Ti porter con me sai
x farmi compagnia ye ye ye
Uh uh uh uh con me
Nel cuore e nellanima mia
Uh uh uh uh con me
Ovunque sei
Uh uh uh uh con me
Miele per lanima mia
Uh uh uh uh s con me
Rossa mela della sera
Tu tu tu tu tu
Tu tu tu tu tu
Tu tu tu tu tu
Tu tu tu tu tu
Rossa mela della sera

song performed by Zucchero
Added by Lucian Velea
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Young Bicham

In London city was Bicham born,
He longd strange countries for to see,
But he was taen by a savage Moor,
Who handld him right cruely.

For thro his shoulder he put a bore,
An thro the bore has pitten a tree,
And he's gard him draw the carts o wine,
Where horse and oxen had wont to be.

He's casten [him] in a dungeon deep,
Where he coud neither hear nor see;
He's shut him up in a prison strong,
An he's handld him right cruely.

O this Moor he had but ae daughter,
I wot her name was Shusy Pye;
She's doen her to the prison-house,
And she's calld young Bicham one word by.

'O hae ye ony lands or rents,
Or citys in your ain country,
Coud free you out of prison strong,
An coud maintain a lady free?'

O London city is my own,
An other citys twa or three,
Coud loose me out o prison strong,
An could maintain a lady free.'

O she has bribed her father's men
Wi meikle goud and white money,
She's gotten the key o the prison doors,
And she has set Young Bicham free.

She's gi'n him a loaf o good white bread,
But an a flask o Spanish wine,
An she bad him mind on the ladie's love
That sae kindly freed him out o pine.

'Go set your foot on good ship-board,
An haste you back to your ain country,
An before that seven years has an end,
Come back again, love, and marry me.'

It was long or seven years had an end
She longd fu sair her love to see;
She's set her foot on good ship-board,
An turnd her back on her ain country.

[...] Read more

poem by Andrew Lang
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Cassio: Reputation, reputation, reputation! Oh, I have lost my reputation! I have lost the immortal part of myself, and what remains is bestial. My reputation, Iago, my reputation!

classic line from Othello, Act II, Scene 3 by William Shakespeare (1603)
Added by Dan Costinaş
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King Estmere

Hearken to me, gentlemen,
Come and you shall heare;
He tell you of two of the boldest brethren,
That ever born y-were.

The tone of them as Adler yonge,
The tother was Kyng Estmere;
The were as bolde men in their deedes,
As any were, farr and neare.

As they were drinking ale and wine
Within Kyng Estmeres halle:
'When will ye marry a wyfe, brother,
A wyfe to gladd us all?'

Then bespake him Kyng Estmere,
And answered him hatilee
'I know not that ladye in any lande,
That is able to marry with mee.'

'Kyng Adland hath a daughter, brother,
Men call her bright and sheene;
If I were kyng here in your stead,
That ladye shold be queene.'

Sayes, 'Reade me, reade me, deare brother,
Throughout merry England,
Where we might find a messenger
Betweene us two to sende.'

Sayes, 'You shall ryde yourselfe, brother,
He beare you companee;
Many throughe fals messengers are deceived,
And I feare lest soe shold wee.'

Thus the renisht them to ryde
Of twoe good renisht steedes,
And when they came to Kyng Adlands halle,
Of red golde shone their weedes.

And when the came to Kyng Adlands halle
Before the goodlye yate,
Ther they found good Kyng Adland
Rearing himselfe theratt.

'Nowe Christ thee save, good Kyng Adland,
Nowe Christ thee save and see.'
Sayd, 'You be welcome, Kyng Estmere,
Right hartilye to mee.'

[...] Read more

poem by Anonymous Olde English
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Licence porter

Santosh licence porter
make people happy
wth his song and sairy sally.

Santosh licence porter
as great as Oobbamaa
by his stature
so far as service to
humanity concerned.

Santosh licence porter
is always at the station.
To visit again and again
he called me often.

Santosh licence porter
everybodys friend
everybodys son
As if in the station
he is the moon
he is the sun.

Come to the station
to meet Santosh
how Santosh is there
to enable passenger
to reach their destination.

Santosh is
Santosh and you find
in your village also
if you like to hear song
if you like to make friend
with monk.

poem by Gajanan Mishra
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Poem Read At The Dinner Given To The Author By The Medical Profession Of The City Of New York, April 12, 1883

HAVE I deserved your kindness? Nay, my friends,
While the fair banquet its illusion lends
Let me believe it, though the blood may rush
And to my cheek recall the maiden blush
That o'er it flamed with momentary blaze
When first I heard the honeyed words of praise;
Let me believe it while the roses wear
Their bloom unwithering in the heated air;
Too soon, too soon, their glowing leaves must fall,
The laughing echoes leave the silent hall,
Joy drop his garland, turn his empty cup,
And weary Labor take his burden up,
How weighs that burden they can tell alone
Whose dial marks no moment as their own.

Am I your creditor? Too well I know
How Friendship pays the debt it does not owe,
Shapes a poor semblance fondly to its mind,
Adds all the virtues that it fails to find,
Adorns with graces to its heart's content,
Borrows from love what nature never lent,
Till what with halo, jewels, gilding, paint,
The veriest sinner deems himself a saint.
Thus while you pay these honors as my due
I owe my value's larger part to you,
And in the tribute of the hour I see
Not what I am, but what I ought to be.

Friends of the Muse, to you of right belong
The first staid footsteps of my square-toed song;
Full well I know the strong heroic line
Has lost its fashion since I made it mine;
But there are tricks old singers will not learn,
And this grave measure still must serve my turn.
So the old bird resumes the selfsame note
His first young summer wakened in his throat;
The selfsame tune the old canary sings,
And all unchanged the bobolink's carol rings;
When the tired songsters of the day are still
The thrush repeats his long-remembered trill;
Age alters not the crow's persistent caw,
The Yankee's ' Haow,' the stammering Briton's 'Haw;'
And so the hand that takes the lyre for you
Plays the old tune on strings that once were new.

Nor let the rhymester of the hour deride
The straight - backed measure with its stately stride;
It gave the mighty voice of Dryden scope;
It sheathed the steel-bright epigrams of Pope;
In Goldsmith's verse it learned a sweeter strain;

[...] Read more

poem by Oliver Wendell Holmes
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Look At Me Now (feat. Mr Porter)

[Young Buck]
You Know, Growin Up In The Hood,
Goin Thru All Kinds Of Thangs, Ya Heard?
Some Of Its Good, Some Of Its Bad,
But The Things You Go Through In Life,
Make You Who You Are
Look At Me Now!
[Mr. Porter]
From The Day I Was Born, I've Been Hustle'n Strong
I Been Strugglin' Since A Child, Now Them Day's Is Gone
And Niggas Said I Wouldn't Do It, But I'm Proving 'Em Wrong
Now They Got They Hands Out Like I Owe Them Some
I Ain't Got Time For The Bickering, And Carrying On
It Aint Too Much Into Who I Don't Know
How Many Times Do I Have To Sit In And Grown
Im With Young BuckIts Feelin Enough To Know When You Niggas Is Hoes
[Young Buck]
I Still Remember Them Nights Under The Street Lights
Fiends Don't Give A Damn, They Want Who Got The Cheap Price
I'm Trying To Get Right, Get It And Go
You See People Is Dyin' Fast, And The Money Is Slow
We Used To Hang In Front Of The Store
Flag Down Cars To Be A Movie Star, Go Get A Glass Jar
Once You Cook It And Cut It Homie, Go Stand Out In Public
See The Work Sell's Itself, If Ya Got Enough Of It
Plenty Thugs Get Shot, But See Its All In The Game
Even I Took A Couple Of 'Em, But Still I Remain
I Aint Dippin From That Same Lead Project Figga'
I Done Went With No Lights, And No Water Nigga
And I'm Still Hood, That Mean I Still Cook
Get On The Block And Go Get Mine, Like You Should
How Can I Be Good? When Rappers Wanna Be Shuge'
Suroundin' Myself With Family, So I Can Sleep Good
[Mr. Porter]
From The Day I Was Born, I've Been Hustle'n Strong
I Been Strugglin' Since A Child, Now Them Day's Is Gone
And Niggas Said I Wouldn't Do It, But I'm Proving 'Em Wrong
Now They Got They Hands Out Like I Owe Them Some
I Ain't Got Time For The Bickering, And Carrying On
It Aint Too Much Into Who I Don't Know
How Many Times Do I Have To Sit In And Grown
Im With Young Buck
Its Feelin Enough To Know When You Niggas Is Hoes
[Young Buck]
I Would Light Me A Cancer Stick, Thinkin How Can I Get
My Momma Out The Bricks, And My Whole Click Legit
Lil Jimmy In The Fed's, Its Just Me And Some Ted's
We Cuttin Heads Doin Whatever To Buy A Lump Of Bread
The Hot Beat Faces, I Really Loved It
To Blow 50 G's, And Don't Think Nothing Of It

[...] Read more

song performed by Young Buck
Added by Lucian Velea
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