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Comedy always works best when it is mean-spirited.

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She Works Hard For The Money

She works hard for the money
so hard for it honey
she works hard for the money
so you better treat her right

She works hard for the money
so hard for it honey
she works hard for the money
so you better treat her right

Onetta there in the corner stand
and wonders where she is and
it's strange to her
some people seem to have everything

Nine a.m. on the hour hand
and she's waiting for the bell
and she's looking real pretty
just wait for her clientele

She works hard for the money
so hard for it honey
she works hard for the money
so you better treat her right

She works hard for the money
so hard for it honey
she works hard for the money
so you better treat her right

Twenty five years have
come and gone
and she' seen a lot of tears
of the ones who come in
they really seem to need her there

It's a sacrifice working day to day
for little money just tips for pay
But it's worth it all
just to hear them say that they care

She works hard for the money
so hard for it honey
she works hard for the money
so you better treat her right

She already knows
she's seen her bad times
she already knows
these are the good times

[...] Read more

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John Milton

Paradise Lost: Book 03

Hail, holy Light, offspring of Heaven firstborn,
Or of the Eternal coeternal beam
May I express thee unblam'd? since God is light,
And never but in unapproached light
Dwelt from eternity, dwelt then in thee
Bright effluence of bright essence increate.
Or hear"st thou rather pure ethereal stream,
Whose fountain who shall tell? before the sun,
Before the Heavens thou wert, and at the voice
Of God, as with a mantle, didst invest ***
The rising world of waters dark and deep,
Won from the void and formless infinite.
Thee I re-visit now with bolder wing,
Escap'd the Stygian pool, though long detain'd
In that obscure sojourn, while in my flight
Through utter and through middle darkness borne,
With other notes than to the Orphean lyre
I sung of Chaos and eternal Night;
Taught by the heavenly Muse to venture down
The dark descent, and up to re-ascend,
Though hard and rare: Thee I revisit safe,
And feel thy sovran vital lamp; but thou
Revisit'st not these eyes, that roll in vain
To find thy piercing ray, and find no dawn;
So thick a drop serene hath quench'd their orbs,
Or dim suffusion veil'd. Yet not the more
Cease I to wander, where the Muses haunt,
Clear spring, or shady grove, or sunny hill,
Smit with the love of sacred song; but chief
Thee, Sion, and the flowery brooks beneath,
That wash thy hallow'd feet, and warbling flow,
Nightly I visit: nor sometimes forget
So were I equall'd with them in renown,
Thy sovran command, that Man should find grace;
Blind Thamyris, and blind Maeonides,
And Tiresias, and Phineus, prophets old:
Then feed on thoughts, that voluntary move
Harmonious numbers; as the wakeful bird
Sings darkling, and in shadiest covert hid
Tunes her nocturnal note. Thus with the year
Seasons return; but not to me returns
Day, or the sweet approach of even or morn,
Or sight of vernal bloom, or summer's rose,
Or flocks, or herds, or human face divine;
But cloud instead, and ever-during dark
Surrounds me, from the cheerful ways of men
Cut off, and for the book of knowledge fair
Presented with a universal blank
Of nature's works to me expung'd and ras'd,
And wisdom at one entrance quite shut out.

[...] Read more

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Idea Track

Dear Hugh Miller
Ive thought it through for a while but it doesnt get any easier
And three months on in this bad design wont make it feel any easier
Your grave, its your grave
Dear Hugh Miller
Its four months now from when we started and nothing feels much easier.
I sit and stare in a cork tiled room and it doesnt get much easier.
Your grave, its your grave
Pretend it works a while, its transmitted live
Pretend it works a while (you dont try)
Pretend it works a while, its transmitted live
Pretend it works a while (dont try)
Dear Hugh Miller,
its four months now from when we started and nothing feels much easier.
I sit and stare in a cork tiled room and it doesnt get much easier.
Your grave, its your grave
Pretend it works a while, its transmitted live
Pretend it works a while (you dont try)
Pretend it works a while, its transmitted live
Pretend it works a while (dont try)
Your grave, its your grave
Pretend it works a while, its transmitted live
Pretend it works a while (you dont try)
Pretend it works a while, its transmitted live
Pretend it works a while (dont try)
I dont care if I dont have an idea track, its an idea track, its an idea
I dont care if I dont have an idea track, its an idea track, its an idea
Your grave, its your grave.

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Poor Paddy

[the pogues version]
-----------------------------------------
In eighteen hundred and forty-one
The corduroy breeches I put on
Me corduroy breeches I put on
To work upon the railway, the railway
Im weary of the railway
Poor paddy works on the railway
In eighteen hundred and forty-two
From hartlepool I moved to crewe
Found myself a job to do
A working on the railway
I was wearing corduroy breeches
Digging ditches, pulling switches
Dodging pitches, as I was
Working on the railway
In eighteen hundred and forty-three
I broke the shovel across me knee
I went to work for the company
On the leeds to selby railway
I was wearing corduroy breeches
Digging ditches, pulling switches
Dodging pitches, as I was
Working on the railway
In eighteen hundred and forty-four
I landed on the liverpool shore
My belly was empty me hands were raw
With working on the railway, the railway
Im sick to my guts of the railway
Poor paddy works on the railway
In eighteen hundred and forty-five
When daniel oconnell he was alive
When daniel oconnell he was alive
And working on the railway
I was wearing corduroy breeches
Digging ditches, pulling switches
Dodging pitches, as I was
Working on the railway
In eighteen hundred and forty-six
I changed my trade to carrying bricks
I changed my trade to carrying bricks
To work upon the railway
I was wearing corduroy breeches
Digging ditches, pulling switches
Dodging pitches, as I was
Working on the railway
In eighteen hundred and forty-seven
Poor paddy was thinking of going to heaven
The old bugger was thinking of going to heaven
To work upon the railway, the railway

[...] Read more

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Hannah More

Faith And Works. A Tale.

Good Dan and Jane were man and wife,
And lived a loving kind of life.
One point, however, they disputed
And each by turns his mate confuted.
'Twas Faith and Works, this knotty question,
They found not easy of digestion.
While Dan for Faith alone contended,
Jane equally Good Works defended.
'They are not Christians, sure, but Turks,
Who build on Faith and scoff at Works,'
Quoth Jane; while eager Dan replied,
'By none but Heathens Faith's denied.
I'll tell you, wife,' one day quoth Dan,
'A story of a right good man:
A Patriarch sage, of ancient days,
A man of Faith whom all must praise;
In his own country he possess'd
Whate'er can make a wise man blest,
His was the flock, the field, the spring,
In short, a little rural king.
Yet pleas'd he quits his native land,
By Faith in the Divine command.
God bade him go; and he, content,
Went forth, not knowing where he went:
He trusted in the promise made,
And, undisputing, straight obey'd.
The heavenly word he did not doubt,
But proved his Faith by going out.'
Jane answer'd with some little pride:
'I've an example on my side;
And though my tale be somewhat longer,
I trust you'll find it vastly stronger.
I'll tell you, Daniel, of a man,
The holiest since the world began
Who now God's favour is receiving,
For prompt
obeying
, not believing.
One only son this man possess'd,
In whom his righteous age was blest;
And more to mark the grace of heaven
This son by miracle was given.
And from this child, the word Divine,
Had promised an illustrious line.
When lo! at once a voice he hears,
Which sounds like thunder in his ears!
God says, 'Go sacrifice thy son!'
'This moment, Lord, it shall be done.'
He goes, and instantly prepares,
To slay this child of many pray'rs,

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What Do Good Works Do?

What will a good life do for you, when your earthly life is through?
All the good you proudly say, you’ve done for men along the way.
Good deeds by men can be good; however it must be understood,
That our works won’t take the place, of The Lord’s amazing Grace.
Good works friend play no part, of God’s true conversion of a heart.
Your good works may be in vain, if you do not embrace The Name,
The only name in Heaven raised, by which all men must be saved.

Will all your good works of the past, well into eternity forever last?
Or will they be buried along side, your earthly body that also died?
Are you ignoring God’s Love, working your way to Heaven above?
Forgetting what God has done, by sending His only begotten Son.
We’re not saved by good deeds, but by God’s work upon Calvary,
His finished work on the cross, through Jesus saves all those lost.
For it is His Grace that saves us, when in Christ we place our trust.

Was the good work in your life, done for the glory of Jesus Christ?
Good works won’t move the Lord, if Christ His Only Son is ignored.
Do your works match the price, paid on the cross by Jesus Christ?
When you accept Jesus Christ, God’s works will flow from your life,
Works prepared for all who believe, that will continue on in eternity.
When your works are of The Lord, you will inherit an eternal reward,
Don’t you want to see your works, turned by God into eternal perks?

(Copyright ©06/2006)

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Smoke, Mist and Nebulous Things

Tell me then your perceptions of the past
Tell me why hard facts are hard today
Facts tomorrow, then gone away
Do facts, then, rarely last?

Watching the march of time, the artefacts
The ruins they continue to dig up day by day
What remains of those wonderful beings
Who peopled our fables and myths
Smoke, mist and other nebulous things
Spirited them away

Tiptoe in history’s corridors
Crowns, coins and chariots
People, peasants, and simple folk
Just spirited clean away
Where do they lie now?
Unknowns jostling in history’s corridors.

Queens, courtesans, mothers of kings
Toys and things, necklaces and dreams
Smoke, mist and other nebulous things
Spirited them away
Tiptoe in history’s corridors
The modified history of the world
Domination, nomination, abomination

Smoke and mist and nebulous things
Have spirited everyone away.

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John Milton

Paradise Lost: Book 12

As one who in his journey bates at noon,
Though bent on speed; so here the Arch-Angel paused
Betwixt the world destroyed and world restored,
If Adam aught perhaps might interpose;
Then, with transition sweet, new speech resumes.
Thus thou hast seen one world begin, and end;
And Man, as from a second stock, proceed.
Much thou hast yet to see; but I perceive
Thy mortal sight to fail; objects divine
Must needs impair and weary human sense:
Henceforth what is to come I will relate;
Thou therefore give due audience, and attend.
This second source of Men, while yet but few,
And while the dread of judgement past remains
Fresh in their minds, fearing the Deity,
With some regard to what is just and right
Shall lead their lives, and multiply apace;
Labouring the soil, and reaping plenteous crop,
Corn, wine, and oil; and, from the herd or flock,
Oft sacrificing bullock, lamb, or kid,
With large wine-offerings poured, and sacred feast,
Shall spend their days in joy unblamed; and dwell
Long time in peace, by families and tribes,
Under paternal rule: till one shall rise
Of proud ambitious heart; who, not content
With fair equality, fraternal state,
Will arrogate dominion undeserved
Over his brethren, and quite dispossess
Concord and law of nature from the earth;
Hunting (and men not beasts shall be his game)
With war, and hostile snare, such as refuse
Subjection to his empire tyrannous:
A mighty hunter thence he shall be styled
Before the Lord; as in despite of Heaven,
Or from Heaven, claiming second sovranty;
And from rebellion shall derive his name,
Though of rebellion others he accuse.
He with a crew, whom like ambition joins
With him or under him to tyrannize,
Marching from Eden towards the west, shall find
The plain, wherein a black bituminous gurge
Boils out from under ground, the mouth of Hell:
Of brick, and of that stuff, they cast to build
A city and tower, whose top may reach to Heaven;
And get themselves a name; lest, far dispersed
In foreign lands, their memory be lost;
Regardless whether good or evil fame.
But God, who oft descends to visit men
Unseen, and through their habitations walks
To mark their doings, them beholding soon,

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John Milton

Paradise Lost: Book X

Thus they in lowliest plight repentant stood
Praying, for from the Mercie-seat above
Prevenient Grace descending had remov'd
The stonie from thir hearts, and made new flesh
Regenerat grow instead, that sighs now breath'd
Unutterable, which the Spirit of prayer
Inspir'd, and wing'd for Heav'n with speedier flight
Then loudest Oratorie: yet thir port
Not of mean suiters, nor important less
Seem'd thir Petition, then when th' ancient Pair
In Fables old, less ancient yet then these,
Deucalion and chaste Pyrrha to restore
The Race of Mankind drownd, before the Shrine
Of Themis stood devout. To Heav'n thir prayers
Flew up, nor missed the way, by envious windes
Blow'n vagabond or frustrate: in they passd
Dimentionless through Heav'nly dores; then clad
With incense, where the Golden Altar fum'd,
By thir great Intercessor, came in sight
Before the Fathers Throne: Them the glad Son
Presenting, thus to intercede began.
See Father, what first fruits on Earth are sprung
From thy implanted Grace in Man, these Sighs
And Prayers, which in this Golden Censer, mixt
With Incense, I thy Priest before thee bring,
Fruits of more pleasing savour from thy seed
Sow'n with contrition in his heart, then those
Which his own hand manuring all the Trees
Of Paradise could have produc't, ere fall'n
From innocence. Now therefore bend thine eare
To supplication, heare his sighs though mute;
Unskilful with what words to pray, let mee
Interpret for him, mee his Advocate
And propitiation, all his works on mee
Good or not good ingraft, my Merit those
Shall perfet, and for these my Death shall pay.
Accept me, and in mee from these receave
The smell of peace toward Mankinde, let him live
Before thee reconcil'd, at least his days
Numberd, though sad, till Death, his doom (which I
To mitigate thus plead, not to reverse)
To better life shall yeeld him, where with mee
All my redeemd may dwell in joy and bliss,
Made one with me as I with thee am one.
To whom the Father, without Cloud, serene.
All thy request for Man, accepted Son,
Obtain, all thy request was my Decree:
But longer in that Paradise to dwell,
The Law I gave to Nature him forbids:
Those pure immortal Elements that know

[...] Read more

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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

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William Cowper

Adam: A Sacred Drama. Act 1.

CHORUS OF ANGELS, Singing the Glory of God.

To Heaven's bright lyre let Iris be the bow,
Adapt the spheres for chords, for notes the stars;
Let new-born gales discriminate the bars,
Nor let old Time to measure times be slow.
Hence to new Music of the eternal Lyre
Add richer harmony and praise to praise;
For him who now his wondrous might displays,
And shows the Universe its awful Sire.
O Thou who ere the World or Heaven was made,
Didst in thyself, that World, that Heaven enjoy,
How does thy bounty all its powers employ;
What inexpressive good hast thou displayed!
O Thou of sovereign love almighty source,
Who knowest to make thy works thy love express,
Let pure devotion's fire the soul possess,
And give the heart and hand a kindred force.
Then shalt thou hear how, when the world began,
Thy life-producing voice gave myriads birth,
Called forth from nothing all in Heaven and Earth
Blessed in thy light Eagles in the Sun.

ACT I.
Scene I. -- God The Father. -- Chorus of Angels.

Raise from this dark abyss thy horrid visage,
O Lucifer! aggrieved by light so potent,
Shrink from the blaze of these refulgent planets
And pant beneath the rays of no fierce sun;
Read in the sacred volumes of the sky,
The mighty wonders of a hand divine.
Behold, thou frantic rebel,
How easy is the task,
To the great Sire of Worlds,
To raise his his empyrean seat sublime:
Lifting humility
Thither whence pride hath fallen.
From thence with bitter grief,
Inhabitant of fire, and mole of darkness,
Let the perverse behold,
Despairing his escape and my compassion,
His own perdition in another's good,
And Heaven now closed to him, to others opened;
And sighing from the bottom of his heart,
Let him in homage to my power exclaim,
Ah, this creative Sire,
(Wretch as I am) I see,
Hath need of nothing but himself alone
To re-establish all.

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Black Comedy

Sweet cunning eyes try to take from me
Youre too young, Im too wise, this is parody
A taste of what you like can be fatal sometimes
Arms that hold you tight but leave you cold, so cold
The stars in the sky are out of reach tonight
Tears fall like rain, wrong again, words wont make me right
cause I knew from the start you were wrong for me
Call it fate if you like or black comedy
Love, maybe lust, made me sweet sixteen
So my soul lost control, nothing in between
A taste of what you want can be brutal sometimes
Arms that hold you tight but leave you cold, so cold
The stars in the sky are out of reach tonight
Tears fall like rain, wrong again, words wont make me right
cause I knew from the start you were wrong for me
Call it fate if you like or black comedy
The stars in the sky are out of reach tonight
Tears fall like rain, wrong again, words wont make me right
cause I knew from the start you were wrong for me
Call it fate if you like or black comedy
The stars in the sky are out of reach tonight
Tears fall like rain, wrong again, words wont make me right
cause I knew from the start you were wrong for me
Call it fate if you like or black comedy
The stars in the sky are out of reach tonight
Tears fall like rain, wrong again, words wont make me right
cause I knew from the start you were wrong for me
Call it fate if you like or black comedy

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The Library

When the sad soul, by care and grief oppress'd,
Looks round the world, but looks in vain for rest;
When every object that appears in view
Partakes her gloom and seems dejected too;
Where shall affliction from itself retire?
Where fade away and placidly expire?
Alas! we fly to silent scenes in vain;
Care blasts the honours of the flow'ry plain:
Care veils in clouds the sun's meridian beam,
Sighs through the grove, and murmurs in the stream;
For when the soul is labouring in despair,
In vain the body breathes a purer air:
No storm-tost sailor sighs for slumbering seas,-
He dreads the tempest, but invokes the breeze;
On the smooth mirror of the deep resides
Reflected woe, and o'er unruffled tides
The ghost of every former danger glides.
Thus, in the calms of life, we only see
A steadier image of our misery;
But lively gales and gently clouded skies
Disperse the sad reflections as they rise;
And busy thoughts and little cares avail
To ease the mind, when rest and reason fail.
When the dull thought, by no designs employ'd,
Dwells on the past, or suffer'd or enjoy'd,
We bleed anew in every former grief,
And joys departed furnish no relief.
Not Hope herself, with all her flattering art,
Can cure this stubborn sickness of the heart:
The soul disdains each comfort she prepares,
And anxious searches for congenial cares;
Those lenient cares, which with our own combined,
By mix'd sensations ease th' afflicted mind,
And steal our grief away, and leave their own

behind;
A lighter grief! which feeling hearts endure
Without regret, nor e'en demand a cure.
But what strange art, what magic can dispose
The troubled mind to change its native woes?
Or lead us willing from ourselves, to see
Others more wretched, more undone than we?
This BOOKS can do;--nor this alone; they give
New views to life, and teach us how to live;
They soothe the grieved, the stubborn they

chastise,
Fools they admonish, and confirm the wise:
Their aid they yield to all: they never shun
The man of sorrow, nor the wretch undone:

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Tale XXI

The Learned Boy

An honest man was Farmer Jones, and true;
He did by all as all by him should do;
Grave, cautious, careful, fond of gain was he,
Yet famed for rustic hospitality:
Left with his children in a widow'd state,
The quiet man submitted to his fate;
Though prudent matrons waited for his call,
With cool forbearance he avoided all;
Though each profess'd a pure maternal joy,
By kind attention to his feeble boy;
And though a friendly Widow knew no rest,
Whilst neighbour Jones was lonely and distress'd;
Nay, though the maidens spoke in tender tone
Their hearts' concern to see him left alone,
Jones still persisted in that cheerless life,
As if 'twere sin to take a second wife.
Oh! 'tis a precious thing, when wives are dead,
To find such numbers who will serve instead;
And in whatever state a man be thrown,
'Tis that precisely they would wish their own;
Left the departed infants--then their joy
Is to sustain each lovely girl and boy:
Whatever calling his, whatever trade,
To that their chief attention has been paid;
His happy taste in all things they approve,
His friends they honour, and his food they love;
His wish for order, prudence in affairs,
An equal temper (thank their stars!), are theirs;
In fact, it seem'd to be a thing decreed,
And fix'd as fate, that marriage must succeed:
Yet some, like Jones, with stubborn hearts and

hard,
Can hear such claims and show them no regard.
Soon as our Farmer, like a general, found
By what strong foes he was encompass'd round,
Engage he dared not, and he could not fly,
But saw his hope in gentle parley lie;
With looks of kindness then, and trembling heart,
He met the foe, and art opposed to art.
Now spoke that foe insidious--gentle tones,
And gentle looks, assumed for Farmer Jones:
'Three girls,' the Widow cried, 'a lively three
To govern well--indeed it cannot be.'
'Yes,' he replied, 'it calls for pains and care:
But I must bear it.'--'Sir, you cannot bear;
Your son is weak, and asks a mother's eye:'
'That, my kind friend, a father's may supply.'

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John Milton

Paradise Lost: Book 09

No more of talk where God or Angel guest
With Man, as with his friend, familiar us'd,
To sit indulgent, and with him partake
Rural repast; permitting him the while
Venial discourse unblam'd. I now must change
Those notes to tragick; foul distrust, and breach
Disloyal on the part of Man, revolt,
And disobedience: on the part of Heaven
Now alienated, distance and distaste,
Anger and just rebuke, and judgement given,
That brought into this world a world of woe,
Sin and her shadow Death, and Misery
Death's harbinger: Sad talk!yet argument
Not less but more heroick than the wrath
Of stern Achilles on his foe pursued
Thrice fugitive about Troy wall; or rage
Of Turnus for Lavinia disespous'd;
Or Neptune's ire, or Juno's, that so long
Perplexed the Greek, and Cytherea's son:

If answerable style I can obtain
Of my celestial patroness, who deigns
Her nightly visitation unimplor'd,
And dictates to me slumbering; or inspires
Easy my unpremeditated verse:
Since first this subject for heroick song
Pleas'd me long choosing, and beginning late;
Not sedulous by nature to indite
Wars, hitherto the only argument
Heroick deem'd chief mastery to dissect
With long and tedious havock fabled knights
In battles feign'd; the better fortitude
Of patience and heroick martyrdom
Unsung; or to describe races and games,
Or tilting furniture, imblazon'd shields,
Impresses quaint, caparisons and steeds,
Bases and tinsel trappings, gorgeous knights
At joust and tournament; then marshall'd feast
Serv'd up in hall with sewers and seneshals;
The skill of artifice or office mean,
Not that which justly gives heroick name
To person, or to poem. Me, of these
Nor skill'd nor studious, higher argument
Remains; sufficient of itself to raise
That name, unless an age too late, or cold
Climate, or years, damp my intended wing
Depress'd; and much they may, if all be mine,
Not hers, who brings it nightly to my ear.
The sun was sunk, and after him the star
Of Hesperus, whose office is to bring

[...] Read more

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Cloudy Army* (2003)

Days like this are perfect to be outside.
There is no traffic from above.
There is activity going on somewhere.
Sometimes you can not see it.
This stuff does happen worldwide.

Nature being mean spirited,
Nature being sweet with love,
Nature being both simultaneously...

Suddenly without a care,
Boom! Clash! from afar...
They are coming...
You could even smell them.
Roaming on opposite sides thumping.
Humans of this planet are condemned.

Nature can be mean spirited...
Nature can be sweet with love...
Nature can be even both simultaneously...

They are meeting for the catastrophe.
The ground begins to help with lightning.
Rain attacks with kiss drops...for now.
There's a ricochet of light to a lonely tree.
All humans know is that this is only the begining.
They have collided forming one huge dirty cotton.
It has the area surrounded creating windy debris.
What ever it is, it has begun not knowing the end...

'Clash of the weather fronts your eyes,
reminisce how you miss(ed) the blue skies...'

If this is not enough,
though it's already rough,
what else are they getting from the ocean.

Nature can be mean spirited...
Nature can be sweet with love...
Nature can be even both simultaneously...

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I think that comedy really tells you how it is. The other thing about comedy is that - you don't even know if you're failing in drama, but you do know when you're failing in comedy. When you go to a comedy and you don't hear anybody laughing, you know that you've failed.

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South Shores Lake Worth

Hemp's South Shore Comedy night,
you could hear comedy, have drinks and a bite.
Sitting with Jim at a table in the back,
watching the comics yak and yak.
It was fun I have to say,
Jim and me did comedy starting at 8.
Jim was a deadpan comic so he worked his punchline
he had a laugh all the time.
He even sang a Johny Cash song,
it was "Ring of Fire" a joke about his
_____not his dong.
Now I went on stage after him with Razel so cold,
she would make fun of the audience, she was bold.
For Razel would make fun of anyone she was mad at,
she was blunt and obnoxious like a brat.
Now funny times with Jim was such a delight,
we had fun at Hemp's South Shore Comedy night.
Written By Suzae Chevalier on February 13,2012

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South Shores Lake Worth

Hemp's South Shore Comedy night,
you could hear comedy, have drinks and a bite.
Sitting with Jim at a table in the back,
watching the comics yak and yak.
It was fun I have to say,
Jim and me did comedy starting at 8.
Jim was a deadpan comic so he worked his punchline
he had a laugh all the time.
He even sang a Johny Cash song,
it was 'Ring of Fire' a joke about his
_____not his dong.
Now I went on stage after him with Razel so cold,
she would make fun of the audience, she was bold.
For Razel would make fun of anyone she was mad at,
she was blunt and obnoxious like a brat.
Now funny times with Jim was such a delight,
we had fun at Hemp's South Shore Comedy night.

Written By Suzae Chevalier on February 13,2012

www.suzae.com

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John Milton

Paradise Lost: Book 07

Descend from Heaven, Urania, by that name
If rightly thou art called, whose voice divine
Following, above the Olympian hill I soar,
Above the flight of Pegasean wing!
The meaning, not the name, I call: for thou
Nor of the Muses nine, nor on the top
Of old Olympus dwellest; but, heavenly-born,
Before the hills appeared, or fountain flowed,
Thou with eternal Wisdom didst converse,
Wisdom thy sister, and with her didst play
In presence of the Almighty Father, pleased
With thy celestial song. Up led by thee
Into the Heaven of Heavens I have presumed,
An earthly guest, and drawn empyreal air,
Thy tempering: with like safety guided down
Return me to my native element:
Lest from this flying steed unreined, (as once
Bellerophon, though from a lower clime,)
Dismounted, on the Aleian field I fall,
Erroneous there to wander, and forlorn.
Half yet remains unsung, but narrower bound
Within the visible diurnal sphere;
Standing on earth, not rapt above the pole,
More safe I sing with mortal voice, unchanged
To hoarse or mute, though fallen on evil days,
On evil days though fallen, and evil tongues;
In darkness, and with dangers compassed round,
And solitude; yet not alone, while thou
Visitest my slumbers nightly, or when morn
Purples the east: still govern thou my song,
Urania, and fit audience find, though few.
But drive far off the barbarous dissonance
Of Bacchus and his revellers, the race
Of that wild rout that tore the Thracian bard
In Rhodope, where woods and rocks had ears
To rapture, till the savage clamour drowned
Both harp and voice; nor could the Muse defend
Her son. So fail not thou, who thee implores:
For thou art heavenly, she an empty dream.
Say, Goddess, what ensued when Raphael,
The affable Arch-Angel, had forewarned
Adam, by dire example, to beware
Apostasy, by what befel in Heaven
To those apostates; lest the like befall
In Paradise to Adam or his race,
Charged not to touch the interdicted tree,
If they transgress, and slight that sole command,
So easily obeyed amid the choice
Of all tastes else to please their appetite,
Though wandering. He, with his consorted Eve,

[...] Read more

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