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Historian: an unsuccessful novelist.

quote by H.L. Mencken
Added by Lucian Velea
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School Boy Heart

[transcribed by chris w]
School boy heart
By: jimmy buffett & matt betton
1996
I got a school boy heart, a novelist eye
Stout sailors legs and a license to fly
I came with nomad feet and some wandering toes
That walk up my longboard and hang off the nose
I suppose
The need to focus never arose
So something like a swiss army knife
Thats my life
Frankenstein had nothing on this body of mine
The villagers still flockin to see, to see me
Breaking free, breaking free
Cause I got a school boy heart, a novelist eye
Stout sailors legs and a license to fly
I got a bartenders ear and beachcombers style
Piratical nerve and a vaudevillian style
I suspect I died in some cosmic shipwreck
With all hands spread all over the deck
What the heck
Then some kind of obscene and unscrupulous mind
Began to pick up what he could find
Added ice, shook me twice, rolled the dice
Now I got a school boy heart, a novelist eye
A sailors legs and a license to fly
I got a native tongue from way down south
It sits in the cheek of my gulf coastal mouth
I got a school boy heart, a novelist eye
Stout sailors legs and a license to fly
I came with nomad feet and some wandering toes
That glide up my longboard and hang off the nose
[in case theres any interest, right before banana wind, jimmy sez
Meetcha at the end meetcha at the end.]

song performed by Jimmy Buffett
Added by Lucian Velea
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The novelist and the poet

the difference between
the poet and the novelist

the former invites you
straight into his world
a canvas that takes
words for paint
humour for techniques
realism for images

the novelist
on the other hand
flatters you with
his intelligence
but takes the liberty
to hide behind
each of his creation/character
hard it would be to
find the man in
the maze of his words
you would gain more
hunting for him in town

the novelist is a
calculative trader
seizing any idea that could
help him sell his words

the humble poet though has
to sniff out his real self, his own god-instilled rhythm,
to let us share his adventures, colours, dreams

the novelist craft words for money
the poet craft words - to find himself and shares it with those -
who wish to find their own selves

poem by John Tiong Chunghoo
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Sigmund Freud was a novelist with a scientific background. He just didn't know he was a novelist. All those damn psychiatrists after him, they didn't know he was a novelist either.

quote by John Irving
Added by Lucian Velea
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The Chronicle Of The Drum

Part I.

At Paris, hard by the Maine barriers,
Whoever will choose to repair,
Midst a dozen of wooden-legged warriors
May haply fall in with old Pierre.
On the sunshiny bench of a tavern
He sits and he prates of old wars,
And moistens his pipe of tobacco
With a drink that is named after Mars.

The beer makes his tongue run the quicker,
And as long as his tap never fails,
Thus over his favorite liquor
Old Peter will tell his old tales.
Says he, 'In my life's ninety summers
Strange changes and chances I've seen,—
So here's to all gentlemen drummers
That ever have thump'd on a skin.

'Brought up in the art military
For four generations we are;
My ancestors drumm'd for King Harry,
The Huguenot lad of Navarre.
And as each man in life has his station
According as Fortune may fix,
While Conde was waving the baton,
My grandsire was trolling the sticks.

'Ah! those were the days for commanders!
What glories my grandfather won,
Ere bigots, and lackeys, and panders
The fortunes of France had undone!
In Germany, Flanders, and Holland,—
What foeman resisted us then?
No; my grandsire was ever victorious,
My grandsire and Monsieur Turenne.

'He died: and our noble battalions
The jade fickle Fortune forsook;
And at Blenheim, in spite of our valiance,
The victory lay with Malbrook.
The news it was brought to King Louis;
Corbleu! how his Majesty swore
When he heard they had taken my grandsire:
And twelve thousand gentlemen more.

'At Namur, Ramillies, and Malplaquet
Were we posted, on plain or in trench:
Malbrook only need to attack it

[...] Read more

poem by William Makepeace Thackeray
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The Task: Book II. -- The Time-Piece

Oh for a lodge in some vast wilderness,
Some boundless contiguity of shade,
Where rumour of oppression and deceit,
Of unsuccessful or successful war
Might never reach me more! My ear is pained,
My soul is sick with every day's report
Of wrong and outrage with which earth is filled.
There is no flesh in man's obdurate heart,
It does not feel for man. The natural bond
Of brotherhood is severed as the flax
That falls asunder at the touch of fire.
He finds his fellow guilty of a skin
Not coloured like his own, and having power
To enforce the wrong, for such a worthy cause
Dooms and devotes him as his lawful prey.
Lands intersected by a narrow frith
Abhor each other. Mountains interposed,
Make enemies of nations who had else
Like kindred drops been mingled into one.
Thus man devotes his brother, and destroys;
And worse than all, and most to be deplored
As human nature's broadest, foulest blot,
Chains him, and tasks him, and exacts his sweat
With stripes, that mercy with a bleeding heart
Weeps when she sees inflicted on a beast.
Then what is man? And what man seeing this,
And having human feelings, does not blush
And hang his head, to think himself a man?
I would not have a slave to till my ground,
To carry me, to fan me while I sleep,
And tremble when I wake, for all the wealth
That sinews bought and sold have ever earned.
No: dear as freedom is, and in my heart's
Just estimation prized above all price,
I had much rather be myself the slave
And wear the bonds, than fasten them on him.
We have no slaves at home. - Then why abroad?
And they themselves, once ferried o'er the wave
That parts us, are emancipate and loosed.
Slaves cannot breathe in England; if their lungs
Receive our air, that moment they are free,
They touch our country and their shackles fall.
That's noble, and bespeaks a nation proud
And jealous of the blessing. Spread it then,
And let it circulate through every vein
Of all your empire! that where Britain's power
Is felt, mankind may feel her mercy too.

Sure there is need of social intercourse,
Benevolence and peace and mutual aid

[...] Read more

poem by William Cowper
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If you are a novelist of a certain type of temperament, then what you really want to do is re-invent the world. God wasn't too bad a novelist, except he was a Realist.

quote by John Barth
Added by Lucian Velea
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L'Homme Moyen Sensuel

‘Tis of my country that I would endite,
In hope to set some misconceptions right.
My country? I love it well, and those good fellows
Who, since their wit's unknown, escape the gallows.
But you stuffed coats who're neither tepid nor distinctly boreal,
Pimping, conceited, placid, editorial,
Could I but speak as 'twere in the 'Restoration'
I would articulate your perdamnation.
This year perforce I must with circumspection
For Mencken states somewhere, in this connection:
‘It is a moral nation we infest.'
Despite such reins and checks I'll do my best,
An art! You all respect the arts, from that infant tick
Who's now the editor of The Altantic,
From Comstock's self, down to the meanest resident,
Till up again, right up, we reach the president,
Who shows his taste in his ambassadors:
A novelist, a publisher, to pay old scores,
A novelist, a publisher and a preacher,
That's sent to Holland, a most particular feature,
Henry Van Dyke, who thinks to charm the Muse you pack her in
A sort of stinking deliquescent saccharine.
The constitution of our land, O Socrates,
Was made to incubate such mediocrities,
These and a state in books that's grown perennial
And antedates the Philadelphia centennial.
Still I'd respect you more if you could bury
Mabie, and Lyman Abbot and George Woodberry,
For minds so wholly founded upon quotations
Are not the best of pulse for infant nations.
Dulness herself, that abject spirit, chortles
To see your forty self-baptized immortals,
And holds her sides where swelling laughter cracks 'em
Before the 6Ars Poetica' of Hiram Maxim.
All one can say of this refining medium
Is cZut! Cinque lettres!' a banished gallic idiom,
Their doddering ignorance is waxed so notable
'Tis time that it was capped with something quotable.

Here Radway grew, the fruit of pantosocracy,
The very fairest flower of their gynocracy.
Radway ? My hero, for it will be more inspiring
If I set forth a bawdy plot like Byron
Than if I treat the nation as a whole.
Radway grew up. These forces shaped his soul;
These, and yet God, and Dr. Parkhurst's god, the N.Y. Journal
(Which pays him more per week than The Supernal).
These and another godlet of that day, your day
(You feed a hen on grease, perhaps she'll lay
The sterile egg that is still eatable:

[...] Read more

poem by Ezra Pound
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Creativity Can't Make Up For Depression

Creativity cannot make up for depression
which it attempts to cure,
it can’t replace it with the kind of supersession
that made spurious lure
of Christianity when it induced some Jews
to make up for their loss
of their identity, condemned, they thought, to lose
unless they chose the cross.
No, creativity provides a transient high,
and then becomes a wraith,
for those who’re so depressed they find they cannot fly,
because they’ve lost their faith
in their ability to reproduce success,
which if it is not con-
stantly repeated is a letter whose address
appears to be, “Dear John.”

Inspired by an article (“In Praise of the Crack-U: A novelist peers through darkness to find glittering gems in writing and art”) , by the South African-born novelist Jeanette Winterson, lesbian lover of Julian Barnes’s widow, Pat Kavanagh, in the October 17,2009 WSJ (A report about her lesbian relations includes the information: Blessed with good looks that led many to compare her to Katharine Hepburn, she secured a nonspeaking part in Under Milk Wood. “I never got paid, but I did get to snog Richard Burton, ” she said) . Winterson writes:
The stories are well known; Vincent Van Gogh cut off his ear and went mad. Sylvia Plath gassed herself. Anne Sexton committed suicide. Emily Dickinson was manic-depressive. Virginia Woolf worked through alternating bouts of madness and depression for most of her life. The mad, bad and dangerous wild boys of high art and popular culture make great copy—whether it's Caravaggio on the run for murder after one of his rages, or Allen Ginsberg, naked and drunk, howling through Manhattan. The women—Plath, Frida Kahlo, Maria Callas, Janis Joplin—imploding like dark stars, are the stuff of obsession…. Longing is painful. Every work of art is an attempt to bring into being the object of loss. The pictures, the music, the poems and the performances are an intense engagement with loss. While one is in the act of making, one is not in loss, and one has meaning. The fierce crashes that happen to many creative people when a piece of work is done (read Hemingway on this) come out of the sense that however good the work, it has not answered the loss. The strange thing about creative work is that it can have enormous value for others while its maker is left ravaged. The ancient Greeks understood this as the price of an encounter with a god—the divine forces enter the human and use him or her as an instrument, only to be ultimately destroyed. But I do not believe that creativity is destructive or divine. I believe it is the part of us that gives shape and voice to our innermost reality. This is frightening. Encounters with the real, in particular what we really feel, are something we generally try to avoid. Art mediates the encounter, allowing us to get nearer to our longing and our loss, to risk more, to dare more. Yet for the maker, the exposure is not mediated; it is total and terrifying. That is why so many creative people cut themselves off from their own experience, using drugs or drink or sex or shipwreck to avoid absolute exposure to the pain of creativity. When Whitman turned to face his dark angel, to wrestle with himself, he was acknowledging his own loss, his own longing, his own unstaunched wound.

10/18/09

poem by Gershon Hepner
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The novelist must look on humanity without partiality or prejudice. His sympathy, like that of the historian, must be unbounded, and untainted by sect or party.

quote by Goldwin Smith
Added by Lucian Velea
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Both the historian and the novelist view history as the struggle of a tiny minority, able and determined to make judgments, which is up against a vast and densely packed majority of the blind, who are led by their instincts and unable to think for themselves.

quote by Lion Feuchtwanger
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Prologue To Faulkener

A TRAGEDY BY WILLIAM GODWIN, 1807.

An author who has given you all delight
Furnished the tale our stage presents to-night.
Some of our earliest tears he taught to steal
Down our young cheeks, and forced us first to feel.
To solitary shores whole years confined,
Who has not read how pensive Crusoe pined?
Who, now grown old, that did not once admire
His goat, his parrot, his uncouth attire,
The stick, due-notched, that told each tedious day
That in the lonely island wore away?
Who has not shuddered, where he stands aghast
At sight of human footsteps in the waste?
Or joyed not, when his trembling hands unbind
Thee, Friday, gentlest of the savage kind?

The genius who conceived that magic tale
Was skilled by native pathos to prevail.
His stories, though rough-drawn and framed in haste,
Had that which pleased our homely grandsires' taste.

His was a various pen, that freely roved
Into all subjects, was in most approved.
Whate'er the theme, his ready Muse obeyed-
Love, courtship, politics, religion, trade-
Gifted alike to shine in every sphere,
Novelist, historian, poet, pamphleteer.

In some blest interval of party-strife,
He drew a striking sketch from private life,
Whose moving scenes of intricate distress
We try to-night in a dramatic dress:
A real story of domestic woe,
That asks no aid from music, verse, or show,
But trusts to truth, to Nature, and Defoe.

poem by Charles Lamb
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I am not trying to be a historian and a dramatist; I'm a dramatist, a dramatic historian, or one who does a dramatic interpretation of history.

quote by Oliver Stone
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I'm not an historian and I'm not wanting to write about how I perceive the social change over the century as a historian, but as somebody who's walked through it and whose life has been dictated by it too, as all our lives are.

quote by Penelope Lively
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Poem For The Two Hundred And Fiftieth Anniversary Of The Founding Of Harvard College

TWICE had the mellowing sun of autumn crowned
The hundredth circle of his yearly round,
When, as we meet to-day, our fathers met:
That joyous gathering who can e'er forget,
When Harvard's nurslings, scattered far and wide,
Through mart and village, lake's and ocean's side,
Came, with one impulse, one fraternal throng,
And crowned the hours with banquet, speech, and song?

Once more revived in fancy's magic glass,
I see in state the long procession pass
Tall, courtly, leader as by right divine,
Winthrop, our Winthrop, rules the marshalled line,
Still seen in front, as on that far-off day
His ribboned baton showed the column's way.
Not all are gone who marched in manly pride
And waved their truncheons at their leader's side;
Gray, Lowell, Dixwell, who his empire shared,
These to be with us envious Time has spared.

Few are the faces, so familiar then,
Our eyes still meet amid the haunts of men;
Scarce one of all the living gathered there,
Whose unthinned locks betrayed a silver hair,
Greets us to-day, and yet we seem the same
As our own sires and grandsires, save in name.
There are the patriarchs, looking vaguely round
For classmates' faces, hardly known if found;
See the cold brow that rules the busy mart;
Close at its side the pallid son of art,
Whose purchased skill with borrowed meaning clothes,
And stolen hues, the smirking face he loathes.
Here is the patient scholar; in his looks
You read the titles of his learned books;
What classic lore those spidery crow's-feet speak!
What problems figure on that wrinkled cheek!
For never thought but left its stiffened trace,
Its fossil footprint, on the plastic face,
As the swift record of a raindrop stands,
Fixed on the tablet of the hardening sands.
On every face as on the written page
Each year renews the autograph of age;
One trait alone may wasting years defy,--
The fire still lingering in the poet's eye,
While Hope, the siren, sings her sweetest strain,--
_Non omnis moriar_ is its proud refrain.

Sadly we gaze upon the vacant chair;
He who should claim its honors is not there,--
Otis, whose lips the listening crowd enthrall

[...] Read more

poem by Oliver Wendell Holmes
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Tom May's Death

As one put drunk into the Packet-boat,
Tom May was hurry'd hence and did not know't.
But was amaz'd on the Elysian side,
And with an Eye uncertain, gazing wide,
Could not determine in what place he was,
For whence in Stevens ally Trees or Grass.
Nor where the Popes head, nor the Mitre lay,
Signs by which still he found and lost his way.
At last while doubtfully he all compares,
He saw near hand, as he imagin'd Ares.
Such did he seem for corpulence and port,
But 'twas a man much of another sort;
'Twas Ben that in the dusky Laurel shade
Amongst the Chorus of old Poets laid,
Sounding of ancient Heroes, such as were
The Subjects Safety, and the Rebel's Fear.
But how a double headed Vulture Eats,
Brutus and Cassius the Peoples cheats.
But seeing May he varied streight his song,
Gently to signifie that he was wrong.
Cups more then civil of Emilthian wine,
I sing (said he) and the Pharsalian Sign,
Where the Historian of the Common-wealth
In his own Bowels sheath'd the conquering health.
By this May to himself and them was come,
He found he was tranflated, and by whom.
Yet then with foot as stumbling as his tongue
Prest for his place among the Learned throng.
But Ben, who knew not neither foe nor friend,
Sworn Enemy to all that do pretend,
Rose more then ever he was seen severe,
Shook his gray locks, and his own Bayes did tear
At this intrusion. Then with Laurel wand,
The awful Sign of his supream command.
At whose dread Whisk Virgil himself does quake,
And Horace patiently its stroke does take,
As he crowds in he whipt him ore the pate
Like Pembroke at the Masque, and then did rate.
Far from these blessed shades tread back agen
Most servil' wit, and Mercenary Pen.
Polydore, Lucan, Allan, Vandale, Goth,
Malignant Poet and Historian both.
Go seek the novice Statesmen, and obtrude
On them some Romane cast similitude,
Tell them of Liberty, the Stories fine,
Until you all grow Consuls in your wine.
Or thou Dictator of the glass bestow
On him the Cato, this the Cicero.
Transferring old Rome hither in your talk,
As Bethlem's House did to Loretto walk.

[...] Read more

poem by Andrew Marvell
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Celebrity Status

The thirst for Celebrity Status.

Is there a doctor in the house, no it’s only me and I’m chef and I have
burned my hand frying fish. Once I was asked by a stewardess if I was
a doctor, one of her charges had taken ill. I was flattered and took my
ladle and pots out. What is his profession, I asked, he is an historian,
I made him an ancient omelet; the historian recovered. In Milan a call
to the audience: Is there a tenor in the house, our tenor has expired,
no one put a hand up; I did and killed the Figaro drivel once and for all.
Once train conductor let me wave a green flag and blow the whistle,
the train left without me, which was a pain, my wife and suit cases were
onboard. It was a slow train to Porto, took a taxi to the next station and
boarded the train as my wife left having had enough of my quest for
recognition. It is all about fame if you lack it you are fucked, reduced
to writing poetry no one reads in humble internet sites, in the hope of
reaching a reader who is as lonely as you are.

poem by Oskar Hansen
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The successful revolutionary is a statesman, the unsuccessful one a criminal.

quote by Erich Fromm
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Envy is the consuming desire to have everybody else as unsuccessful as you are.

Frederick Buechner in Wishful Thinking (1973)
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Nothing in the world will take away persistence. Talent will not; nothing is more common than an unsuccessful man with talent. Genius will not; unrewarded genius is almost a proverb. Education will not; the world is full of educated derelicts. Persistence and determination alone are omnipotent.

quote by Calvin Coolidge
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Successful men are defined by thier actions;
Unsuccessful men are defined by actions not taken.

quote by Tom Rose
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