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It is the perennial youthfulness of mathematics itself which marks it off with a disconcerting immortality from the other sciences.

quote by E.T. Bell
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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

[...] Read more

poem by Sir Francis Bacon
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Lady Nina

(fish, steve rothery, mark kelly, pete trewavas, ian mosley)
You pick out your credit cards and check into the night
A dozen tequilas and youre feeling all right
So you swim to the disco, out of your depth jaded gigolo
Your lucky charms are tarnished so you leave alone
But theres one place left to go before the taxi home
After all youve made your marks
One night youll play elizabeth taylor
The next night youre marilyn monroe
Forever kissing frogs that think theyre princes
Oh, lady nina, where did all the romance go?
Your little sister babysits, your husband picks you up at six
The make-up hides the bruises and the tears so they never show
cos your beauty is the only thing youve ever owned
Its the only way youve ever known to make your marks
You made your marks, you made your marks
We believe its for real
Ich liebe dich, liebst du mich
Lady nina, Id love to take you home with me
But I love my wife and I love my family
Ive got a good job, responsibilities
And I need to keep respect from society
I know youll never act with me, I know that youre in love with me
So how do I compare to the sailors of the ships of the night?
Was I all right?
Did you come tonight, lady nina?
You made your marks, you made your marks
Ebony flowers pinned to a velvet cushion in a red light
And edith piaf sings a lullaby for the night
Just making marks, just making marks
Just making marks, just making marks
You made your marks
Ebony flowers pinned to a velvet cushion in a red light
And edith piaf sings a lullaby for the night
Just making marks, just making marks
You made your marks
And you made your mark
Just making marks
And you made your mark
Just making marks

song performed by Marillion
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Voyage around the Square Root of Minus One

I often heard
that while the sciences concern themselves
with objective truths
the arts deal with subjective phenomena.

Many years ago I held the same view,
but later came to the conclusion
that this is just a well-combed popular myth.

It is an untenable credo
because the sharp separation
of the arts and sciences is a rigid
and arbitrary mandate, full of holes.

Although all subjects have their specificities,
at the same time they also share
many common traits with each other.

There is art in science and science in art.

Artists, for example,
apply geometry to represent
a three dimensional scene in a painting,
which is a two dimensional surface.

By using ‘objective' geometrical perspective,
Renaissance artists, among them Alberti,
Brunelleschi, Uccello, Leonardo and Dürer,
developed in Europe the ‘subjective' illusion
of perceptual realism.

Later, in the Dutch Republic of the 17th century,
Johannes Vermeer applied expensive pigments
to the canvas and conducted
pioneering research in optics that enhanced
the supreme quality of his work,
imbuing his paintings with sublime,
otherworldly light.

In the 19th century
the Romantic painter John Constable
prepared detailed studies
of the landscape and weather conditions
of England, before transcribing them
into images of stunning accuracy and grace.

Following the closing of the Weimar Bauhaus
by the Nazis in 1933, the artist Josef Albers
moved to the USA, where he worked at
Black Mountain College and at Yale University.

[...] Read more

poem by Paul Hartal
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World Falls

Im coming home with a stone
Strapped onto my back
Im coming home with a burning hope
Turning all my blues to black
Im looking for a sacred hand
To carve into my stone
A ghost of comfort
Angels breath
To keep this life inside my chest
This world falls on me
Hopes of immortality
Everywhere I turn
All the beauty just keeps shaking me
Now I woke up in the middle of a dream
Scared the world was too much for me
Sejarez said, dont let go
Just plant the seeds and watch them grow
Ive slept in rainy canyon lands
Cold drenched to my skin
I always wake to find a face
To calm these troubled lands
Ah this world falls on me
With dreams of immortality
Everywhere I turn
All the beauty just keeps shaking me
Now Im running
To the end of the earth
And Im swimming
To the edge of the sea
And Im laughing
Im under a starry sky
This world was meant for me
Dont bury me
Carry me
I wish I was a nomad
An indian or a saint
The edge of death would disappear
Leave me nothing left to taint
I wish I was a nomad
An indian or a saint
Give me walking shoes
Feathered arms
And a key to heavens gate
Ah this world falls on me
Dreams of immortality
Everywhere I turn
All the beauty just keeps shaking me
Im running
(this world falls on me)
To the end of the earth

[...] Read more

song performed by Indigo Girls
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Songs of Education

I. HISTORY

Form 991785, Sub-Section D

The Roman threw us a road, a road,
And sighed and strolled away:
The Saxon gave us a raid, a raid,
A raid that came to stay;
The Dane went west, but the Dane confessed
That he went a bit too far;
And we all became, by another name,
The Imperial race we are.

The Imperial race, the inscrutable race,
The invincible race we are.

Though Sussex hills are bare, are bare,
And Sussex weald is wide,
From Chichester to Chester
Men saw the Norman ride;
He threw his sword in the air and sang
To a sort of a light guitar;
It was all the same, for we all became
The identical nobs we are.

The identical nobs, individual nobs,
Unmistakable nobs we are.

The people lived on the land, the land,
They pottered about and prayed;
They built a cathedral here and there
Or went on a small crusade:
Till the bones of Becket were bundled out
For the fun of a fat White Czar,
And we all became, in spoil and flame,
The intelligent lot we are.

The intelligent lot, the intuitive lot,
The infallible lot we are.

O Warwick woods are green, are green,
But Warwick trees can fall:
And Birmingham grew so big, so big,
And Stratford stayed so small.
Till the hooter howled to the morning lark
That sang to the morning star:
And we all became, in freedom's name,
The fortunate chaps we are.

The fortunate chaps, felicitous chaps,

[...] Read more

poem by Gilbert Keith Chesterton
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A Spring

(not the season)

A spring
A perennial source of inspiration
about it
we have loads and loads of information
and that
we have as our scriptures
to depict that
we have made our sculptures
we call all these.....
our rich heritages from our ancestors

WHERE IS THAT SPRING....
A PERRENIAL SOURCE OF INSPIRATION

Have we lost sight of it due to our pride?
A spring could'nt be encaptured
A spring could'nt be stored
The scriptures and sculptures were reservoires....
born out of this spring
Just a pride about those....
would'nt bring back the spring.
The scriptures and sculptures are not an ' over ' thing
it was just a ' beginning ' thing
This spring can neither have a beginning nor ending
it is a perennial thing.

WHERE IS THAT SPRING.....
A PERENNIAL SORCE OF INSPIRATION

How do we find this spring
It's just not a common thing
to be found by one and be used by all
Do we need a ' DIVINER ' to divine this spring?

THE DIVINITY IN 'YOU'
HAS TO DIVINE THIS PERENNIAL SPRING ' IN YOU'
' FOR YOU '

poem by Samanyan Lakshminarayanan
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What affected me most profoundly was the realization that the sciences of cryptography and mathematics are very elegant, pure sciences. I found that the ends for which these pure sciences are used are less elegant.

quote by James Sanborn
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May not music be described as the mathematics of the sense, mathematics as music of the reason? The musician feels mathematics, the mathematician thinks music: music the dream, mathematics the working life.

quote by James Joseph Sylvester
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The Delights of Mathematics

It seems a hundred years or more
Since I, with note-book, ink and pen,
In cap and gown, first trod the floor
Which I have often trod since then;
Yet well do I remember when
With fifty other fond fanatics,
I sought delights beyond my ken,
The deep delights of Mathematics.

I knew that two and two made four,
I felt that five times two were ten,
But, as for all profounder lore,
The robin redbreast or the wren,
The sparrow, whether cock or hen,
Knew quite as much about Quadratics,
Was less confused by x and n,
The deep delights of Mathematics.

The Asses' Bridge I passed not o'er,
I floundered in the noisome fen
Which lies behind it and before;
I wandered in the gloomy glen
Where Surds and Factors have their den.
But when I saw the pit of Statics,
I said Good-bye, Farewell, Amen!
The deep delights of Mathematics.

O Bejants! blessed, beardless men,
Who strive with Euclid in your attics,
For worlds I would not taste again
The deep delights of Mathematics.

poem by Robert Fuller Murray
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Spleen (II)

J'ai plus de souvenirs que si j'avais mille ans.

Un gros meuble à tiroirs encombré de bilans,
De vers, de billets doux, de procès, de romances,
Avec de lourds cheveux roulés dans des quittances,
Cache moins de secrets que mon triste cerveau.
C'est une pyramide, un immense caveau,
Qui contient plus de morts que la fosse commune.
— Je suis un cimetière abhorré de la lune,
Où comme des remords se traînent de longs vers
Qui s'acharnent toujours sur mes morts les plus chers.
Je suis un vieux boudoir plein de roses fanées,
Où gît tout un fouillis de modes surannées,
Où les pastels plaintifs et les pâles Boucher
Seuls, respirent l'odeur d'un flacon débouché.

Rien n'égale en longueur les boiteuses journées,
Quand sous les lourds flocons des neigeuses années
L'ennui, fruit de la morne incuriosité,
Prend les proportions de l'immortalité.
— Désormais tu n'es plus, ô matière vivante!
Qu'un granit entouré d'une vague épouvante,
Assoupi dans le fond d'un Sahara brumeux;
Un vieux sphinx ignoré du monde insoucieux,
Oublié sur la carte, et dont l'humeur farouche
Ne chante qu'aux rayons du soleil qui se couche.

---------------------------------- -------------------------------------------------

Spleen

I have more memories than if I'd lived a thousand years.

A heavy chest of drawers cluttered with balance-sheets,
Processes, love-letters, verses, ballads,
And heavy locks of hair enveloped in receipts,
Hides fewer secrets than my gloomy brain.
It is a pyramid, a vast burial vault
Which contains more corpses than potter's field.
— I am a cemetery abhorred by the moon,
In which long worms crawl like remorse
And constantly harass my dearest dead.
I am an old boudoir full of withered roses,
Where lies a whole litter of old-fashioned dresses,
Where the plaintive pastels and the pale Bouchers,
Alone, breathe in the fragrance from an opened phial.

Nothing is so long as those limping days,
When under the heavy flakes of snowy years
Ennui, the fruit of dismal apathy,

[...] Read more

poem by Charles Baudelaire
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Canto the Fourth

I.

I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter’s wand:
A thousand years their cloudy wings expand
Around me, and a dying glory smiles
O’er the far times when many a subject land
Looked to the wingèd Lion’s marble piles,
Where Venice sate in state, throned on her hundred isles!

II.

She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Poured in her lap all gems in sparkling showers.
In purple was she robed, and of her feast
Monarchs partook, and deemed their dignity increased.

III.

In Venice, Tasso’s echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone - but beauty still is here.
States fall, arts fade - but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!

IV.

But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city’s vanished sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away -
The keystones of the arch! though all were o’er,
For us repeopled were the solitary shore.

V.

[...] Read more

poem by Byron from Childe Harold's Pilgrimage (1818)
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The Higher Mathematics

Twice one is two,
Twice two is four,
But twice two is ninety-six if you know the way to score.
Half of two is one,
Half of four is two,
But half of four is forty per cent. if your name is Montagu:
For everything else is on the square
If done by the best quadratics;
And nothing is low in High Finance
Or the Higher Mathematics.

A straight line is straight
And a square mile is flat:
But you learn in trigonometrics a trick worth two of that.
Two straight lines
Can't enclose a Space,
But they can enclose a Corner to support the Chosen Race:
For you never know what Dynamics do
With the lower truths of Statics;
And half of two is a touring car
In the Higher Mathematics.

There is a place apart
Beyond the solar ray,
Where parallel straight lines can meet in an unofficial way.
There is a room that holds
The examiner or his clerks,
Where you can square the circle or the man that gives the marks.
Where you hide in the cellar and then look down
On the poets that live in the attics;
For the whole of the house is upside down
In the Higher Mathematics.

poem by G.K. Chesterton from Songs of Education
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Yesterday, To-day, and For Ever: Book IV. - The Creation of Angels and of Men

O tears, ye rivulets that flow profuse
Forth from the fountains of perennial love,
Love, sympathy, and sorrow, those pure springs
Welling in secret up from lower depths
Than couch beneath the everlasting hills:
Ye showers that from the cloud of mercy fall
In drops of tender grief, - you I invoke,
For in your gentleness there lies a spell
Mightier than arms or bolted chains of iron.
When floating by the reedy banks of Nile
A babe of more than human beauty wept,
Were not the innocent dews upon its cheeks
A link in God's great counsels? Who knows not
The loves of David and young Jonathan,
When in unwitting rivalry of hearts
The son of Jesse won a nobler wreath
Than garlands pluck'd in war and dipp'd in blood?
And haply she, who wash'd her Saviour's feet
With the soft silent rain of penitence,
And wiped them with her tangled tresses, gave
A costlier sacrifice than Solomon,
What time he slew myriads of sheep and kine,
And pour'd upon the brazen altar forth
Rivers of fragrant oil. In Peter's woe,
Bitterly weeping in the darken'd street,
Love veils his fall. The traitor shed no tear.
But Magdalene's gushing grief is fresh
In memory of us all, as when it drench'd
The cold stone of the sepulchre. Paul wept,
And by the droppings of his heart subdued
Strong men by all his massive arguments
Unvanquish'd. And the loved Evangelist
Wept, though in heaven, that none in heaven were found
Worthy to loose the Apocalyptic seals.
No holy tear is lost. None idly sinks
As water in the barren sand: for God,
Let David witness, puts his children's tears
Into His cruse and writes them in His book; -
David, that sweetest lyrist, not the less
Sweet that his plaintive pleading tones ofttimes
Are tremulous with grief. For he and all
God's nightingales have ever learn'd to sing,
Pressing their bosom on some secret thorn.
In the world's morning it was thus: and, since
The evening shadows fell athwart mankind,
Thus hath it always been. Blind and bereft,
The minstrel of an Eden lost explored
Things all invisible to mortal eyes.
And he, who touch'd with a true poet's hand
The harp of prophecy, himself had learn'd

[...] Read more

poem by Edward Henry Bickersteth
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Temporary Secretary

Mister Marks Can You Find For Me
Someone Strong And Sweet Fitting On My Knee
She Can Keep Her Job If She Gets It Wrong
Ah, But Mister Marks I Won't Need Her Long
All I Need Is Help For A Little While
We Can Take Dictation And Learn To Smile
And A Temporary Secretary Is What I Need For To Do The Job
I Need A
Temporary Secretary, Temporary Secretary
Temporary Secretary, Temporary Secretary
Mister Marks Could You Send Her Quick
'Cause My Regular Has Been Getting Sick
I Need A
Temporary Secretary, Temporary Secretary
Mister Marks I Can Pay Her Well
If She Comes Along And Can Stay A Spell
I Will Promise Now That I'll Treat Her Right
And Will Rarely Keep Her 'Til Late At Night
I Need A ..
She Can Be A Belly Dancer
I Don't Need A Need Romancer
She Can Be A Diplomat
But I Don't Need A Girl Like That
She Can Be A Neurosurgeon
If She's Doin' Nothing' Urgent
What I Need's A Temporary, Temporary Secretary
I Need A, I Need A
Temporary Secretary. Temporary Secretary
Temporary Secretary, Temporary Secretary
Temporary Secretary, Temporary Secretary
Now Mister Marks When I Send Her Back
Will You Please Make Sure She Stays On The Right Track
Spoken: Well I Know How Hard It Is For Young Girls These Days In The Face Of Everything To Stay On
The Right Track
What I Need's A Temporary, Temporary Secretary
Temporary Secretary I Need A
Temporary Secretary, Temporary Secretary,
Temporary Secretary I Need A
Temporary Secretary. Temporary Secretary,
Temporary Secretary.

song performed by Paul McCartney
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Woodmanship

My worthy Lord, I pray you wonder not
To see your woodman shoot so oft awry,
Nor that he stands amazèd like a sot,
And lets the harmless deer unhurt go by.
Or if he strike a doe which is but carren,
Laugh not good Lord, but favor such a fault,
Take will in worth, he would fain hit the barren,
But though his heart be good, his hap is naught.
And therefore now I crave your Lordship's leave,
To tell you plain what is the cause of this.
First, if it please your honor to perceive
What makes your woodman shoot so oft amiss.
Believe me, Lord, the case is nothing strange:
He shoots awry almost at every mark,
His eyes have been so usèd for to range,
That now God knows they be both dim and dark.
For proof he bears the note of folly now,
Who shot sometimes to hit Philosophy,
And ask you why? forsooth I make avow,
Because his wanton wits went all awry.
Next that, he shot to be a man of law,
And spent some time with learnèd Littleton,
Yet in the end he provèd but a daw,
For law was dark and he had quickly done.
Then could he wish Fitzherbert such a brain
As Tully had, to write the law by art,
So that with pleasure, or with little pain,
He might perhaps have caught a truant's part.
But all too late, he most misliked the thing
Which most might help to guide his arrow straight;
He winkèd wrong, and so let slip the string,
Which cast him wide, for all his quaint conceit.
From thence he shot to catch a courtly grace,
And thought even there to weild the world at will,
But, out alas, he much mistook the place,
And shot awry at every rover still,
The blazing baits which draw the gazing eye
Unfeathered there his first affectiön;
No wonder then although he shot awry,
Wanting the feathers of discretiön.
Yet more than them, the marks of dignity
He much mistook, and shot the wronger way,
Thinking the purse of prodigality
Had been best mean to purchase such a prey.
He thought the flattering face which fleereth still,
Had been full fraught with all fidelity,
And that such words as courtiers use at will
Could not have varied from the verity.
But when his bonnet buttonèd with gold,
His comely cap beguarded all with gay,

[...] Read more

poem by George Gascoigne
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The Believer's Jointure : Chapter II.

Containing the Marks and Characters of the Believer in Christ; together with some further privileges and grounds of comfort to the Saints.

Sect. I.

Doubting Believers called to examine, by marks drawn from their love to Him and his presence, their view of his glory, and their being emptied of Self-Righteousness, &c.

Good news! but, says the drooping bride,
Ah! what's all this to me?
Thou doubt'st thy right, when shadows hide
Thy Husband's face from thee.

Though sin and guilt thy spirit faints,
And trembling fears thy fate;
But harbour not thy groundless plaints,
Thy Husband's advent wait.

Thou sobb'st, 'O were I sure he's mine,
This would give glad'ning ease;'
And say'st, Though wants and woes combine,
Thy Husband would thee please.

But up and down, and seldom clear,
Inclos'd with hellish routs;
Yet yield thou not, nor foster fear:
Thy Husband hates thy doubts.

Thy cries and tears may slighted seem,
And barr'd from present ease;
Yet blame thyself, but never dream
Thy Husband's ill to please.

Thy jealous unbelieving heart
Still droops, and knows not why;
Then prove thyself to ease thy smart,
Thy Husband bids the try.

The following questions put to the
As scripture-marks, may tell
And shew, what'er thy failings be,
Thy Husband loves thee well.

MARKS.

Art thou content when he's away?
Can earth allay thy pants?
If conscience witness, won't it say,
Thy Husband's all thou wants?

[...] Read more

poem by Ralph Erskine
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L’Invention

O fils du Mincius, je te salue, ô toi
Par qui le dieu des arts fut roi du peuple-roi!
Et vous, à qui jadis, pour créer l'harmonie,
L'Attique et l'onde Égée, et la belle Ionie,
Donnèrent un ciel pur, les plaisirs, la beauté,
Des moeurs simples, des lois, la paix, la liberté,
Un langage sonore aux douceurs souveraines,
Le plus beau qui soit né sur des lèvres humaines!
Nul âge ne verra pâlir vos saints lauriers,
Car vos pas inventeurs ouvrirent les sentiers;
Et du temple des arts que la gloire environne
Vos mains ont élevé la première colonne.
A nous tous aujourd'hui, vos faibles nourrissons,
Votre exemple a dicté d'importantes leçons.
Il nous dit que nos mains, pour vous être fidèles,
Y doivent élever des colonnes nouvelles.
L'esclave imitateur naît et s'évanouit;
La nuit vient, le corps reste, et son ombre s'enfuit.

Ce n'est qu'aux inventeurs que la vie est promise.
Nous voyons les enfants de la fière Tamise,
De toute servitude ennemis indomptés;
Mieux qu'eux, par votre exemple, à vous vaincre excités,
Osons; de votre gloire éclatante et durable
Essayons d'épuiser la source inépuisable.
Mais inventer n'est pas, en un brusque abandon,
Blesser la vérité, le bon sens, la raison;
Ce n'est pas entasser, sans dessein et sans forme,
Des membres ennemis en un colosse énorme;
Ce n'est pas, élevant des poissons dans les airs,
A l'aile des vautours ouvrir le sein des mers;
Ce n'est pas sur le front d'une nymphe brillante
Hérisser d'un lion la crinière sanglante:
Délires insensés! fantômes monstrueux!
Et d'un cerveau malsain rêves tumultueux!
Ces transports déréglés, vagabonde manie,
Sont l'accès de la fièvre et non pas du génie;
D'Ormus et d'Ariman ce sont les noirs combats,
Où, partout confondus, la vie et le trépas,
Les ténèbres, le jour, la forme et la matière,
Luttent sans être unis; mais l'esprit de lumière
Fait naître en ce chaos la concorde et le jour:
D'éléments divisés il reconnaît l'amour,
Les rappelle; et partout, en d'heureux intervalles,
Sépare et met en paix les semences rivales.
Ainsi donc, dans les arts, l'inventeur est celui
Qui peint ce que chacun put sentir comme lui;
Qui, fouillant des objets les plus sombres retraites,
Étale et fait briller leurs richesses secrètes;
Qui, par des noeuds certains, imprévus et nouveaux,

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poem by Andre Marie de Chenier
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"CONSONANTIST PSYCHOLOGY", PERIOD 1938-1939 - Dr. Ștefan Odobleja (1902-1978), publishes in 2 volumes "Consonantist Psychology", 1938 and 1939, at the Publishing House "Maloine", Paris, in French, totaling over 800 of pages), in which he establishes general laws, which he applies both to the sciences of inert nature and to the sciences of the living world, psychology and economic and social phenomena. "Consonantal psychology has revealed the importance of dual, binary and dichotomous mechanisms both in psychology and beyond, in all sciences. He suggested and applied as another essential for the mechanization of thought, along with circularity. Instead of logic based on 3, he proposed and sketched a logic based on 2. " says Dr. Stefan Odobleja. Thus, he came to define the 9 universal laws, among them being the law of reversibility / vicious circle, feedback. The 2 volumes represent the concepts and studies for a new science: Cybernetics.

Marin Vlada in ROINFO Romanian Informatics 2018-2022
Added by Marin Vlada
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The informatics/computer science re-establishes not only the unity between the pure and the applied mathematical sciences, the concrete technique and the concrete mathematics, but also that between the natural sciences, the human being and the society. It restores the concepts of the abstract and the formal and makes peace between arts and science not only in the scientist' conscience, but in their philosophy as well.

quote by Grigore Moisil (1970)
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Birth of death

Birth of death
(Stream of consciousness poetry)

This is a well thinking thought
How to control
A robot
Before inventing,
How do you cherish
The success of poetry
Before composing,
This is a well thinking thought
Of the immortality
To give the meaning
The state of being
As the creator
Can not create
The enemy of
Immortality,
Which He Himself is,
Death
Is the success
Of the game plan
Before the game
Was invented
But loophole lies
The immortality
Does not have life.
What's the pleasure
Of being an entity
Of immortality
Without taste
Of life and death!
(He Himself knows)

poem by Abdul Wahab
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