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Into the soul of every student I would have instilled the patriotic fervor of Patrick Henry.

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Henry And Emma. A Poem.

Upon the Model of The Nut-Brown Maid. To Cloe.


Thou, to whose eyes I bend, at whose command
(Though low my voice, though artless be my hand.
I take the sprightly reed, and sing and play,
Careless of what the censuring world may say;
Bright Cloe! object of my constant vow,
Wilt thou a while unbend thy serious brow?
Wilt thou with pleasure hear thy lover's strains,
And with one heavenly smile o'erpay his pains?
No longer shall the Nut-brown Maid be old,
Though since her youth three hundred years have roll'd:
At thy desire she shall again be raised,
And her reviving charms in lasting verse be praised.

No longer man of woman shall complain,
That he may love and not be loved again;
That we in vain the fickle sex pursue,
Who change the constant lover for the new.
Whatever has been writ, whatever said
Henceforth shall in my verse refuted stand,
Be said to winds, or writ upon the sand:
And while my notes to future times proclaim
Unconquer'd love and ever-during flame,
O, fairest of the sex, be thou my muse;
Deign on my work thy influence to diffuse:
Let me partake the blessings I rehearse,
And grant me love, the just reward of verse.

As beauty's potent queen with every grace
That once was Emma's has adorn'd thy face,
And as her son has to my bosom dealt
That constant flame which faithful Henry felt,
O let the story with thy life agree,
Let men once more the bright example see;
What Emma was to him be thou to me:
Nor send me by thy frown from her I love,
Distant and sad, a banish'd man to rove:
But, oh! with pity long entreated crown
My pains and hopes: and when thou say'st that one
Of all mankind thou lovest, oh! think on me alone.

Where beauteous Isis and her husband Thame
With mingled waves for ever flow the same,
In times of yore an ancient baron lived,
Great gifts bestowed, and great respect received.

When dreadful Edward, with successful care
Led his free Britons to the Gallic war,

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Narrative [ My Perspective ]

Patrick Jonathan Derilus
Mr. Filie
Period 6/7
Poetry

My Perspective

Patrick Jonathan Derilus is a young boy trying to turn his life around by defeating the demons that continue to destroy him….His life is somewhat different from how society sees everything else….
Feeling as if he is a cursed child …Cursed as if he is forever trapped in a cold cell…”Understanding” reality and how things happen is one of the things that attempts to get the best out of him and ironically it is succeeding…
But Patrick tries to look on the bright side of things and persists to becoming the best of the best…but there are spawns in which the devil created that prevents the young warrior from doing so…
“Depression”, “Doubt” and “Self Confidence” are some of the demons capable of easily annihilating Patrick…addressing these entity’s…Patrick is half way through this mile run..
But not aware of what goes on in his Penetrable temple, Destruction carries on to running amuck..
Patrick can hardly make it through the day when these Demons try to pursue him…Blood is spilled, but the low class warrior is still persistently consistent…
The only things that keep him alive are “Hope”, “Faith”, and the little confidence he has left…Inside the doors of the devil, as a New Jack; Patrick was clueless on how and why he reacts to things a certain way…Also to the way he is to this very day…Feeling like he was being controlled by a puppet master, he foolishly is put into one of Satan’s traps..As years went by, Patrick slowly began to picking up things in his mind and how it worked…
He learned on how to adapt and respond to these subliminal messages… but in time, Satan is able to quickly counteract on anything Patrick optimistically attempted to do. Leaving him with loopholes that would destroy Patrick from the inside…”WHY DOES MY MOOD AND PERSONALITY CONTINUE TO FLUCTUATE…? ” Patrick asks himself. So many questions asked but none of them answered… Satan has Patrick right where he wants him. “If I can’t rid of Patrick any other way, I can only destroy him mentally in which Patrick is easily fooled” Satan says.
Once internally defeated, pessimistic venoms leak into the sanctum of Patrick’s temple and slowly it is melting...”WHY ME? ! ” Patrick asks. Having the ability to even think for himself, Patrick wonders if he shall continue to fight off these Demons or become feasted upon…”Words coming from another voice will not be able to help me” Patrick says. Solutions being formed in his mind are to making the evil Entity’s disappear for good by finding an antidote to purifying Patrick’s mind…
But believing they are “antidotes” is too good to be true…Satan has created a loophole for everything in order to rid of Patrick anyway he can… Then realizing Patrick is seemingly hopeless on what to do for himself to Destroy Satan, He comes to the conclusion that Satan cannot destroy what does not exist… “WHEN MY SHACKLES OF DEPRESSION ARE BROKEN, I SHALL FIND TRUE HAPPINESS” Patrick sadly says. But he does not believe he shall rid of himself… He believes he shall continue to fight this everlasting war with Satan until these Demons are extinguished from the inside...Until he is Mentally Strong and is at peace with his mind…Patrick has vowed to attempting to destroy “Depression”, “Doubt” and “Negativity” in order to becoming the Man that he intends to be…Trying to recover from his internal scars.

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Henry Wadsworth Longfellow

The Golden Legend: IV. The Road To Hirschau

PRINCE HENRY _and_ ELSIE, _with their attendants, on
horseback._

_Elsie._ Onward and onward the highway runs
to the distant city, impatiently bearing
Tidings of human joy and disaster, of love and of
hate, of doing and daring!

_Prince Henry._ This life of ours is a wild aeolian
harp of many a joyous strain,
But under them all there runs a loud perpetual wail,
as of souls in pain.

_Elsie._ Faith alone can interpret life, and the heart
that aches and bleeds with the stigma
Of pain, alone bears the likeness of Christ, and can
comprehend its dark enigma.

_Prince Henry._ Man is selfish, and seeketh pleasure
with little care of what may betide;
Else why am I travelling here beside thee, a demon
that rides by an angel's side?

_Elsie._ All the hedges are white with dust, and
the great dog under the creaking wain
Hangs his head in the lazy heat, while onward the
horses toil and strain

_Prince Henry._ Now they stop at the wayside inn,
and the wagoner laughs with the landlord's daughter,
While out of the dripping trough the horses distend
their leathern sides with water.

_Elsie._ All through life there are wayside inns,
where man may refresh his soul with love;
Even the lowest may quench his thirst at rivulets fed
by springs from above.

_Prince Henry._ Yonder, where rises the cross of
stone, our journey along the highway ends,
And over the fields, by a bridle path, down into the
broad green valley descends.

_Elsie._ I am not sorry to leave behind the beaten
road with its dust and heat;
The air will be sweeter far, and the turf will be softer
under our horses' feet.

(_They turn down a green lane._)

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Henry Wadsworth Longfellow

The Golden Legend: II. A Farm In The Odenwald

A garden; morning;_ PRINCE HENRY _seated, with a
book_. ELSIE, _at a distance, gathering flowers._

_Prince Henry (reading)._ One morning, all alone,
Out of his convent of gray stone,
Into the forest older, darker, grayer,
His lips moving as if in prayer,
His head sunken upon his breast
As in a dream of rest,
Walked the Monk Felix. All about
The broad, sweet sunshine lay without,
Filling the summer air;
And within the woodlands as he trod,
The twilight was like the Truce of God
With worldly woe and care;
Under him lay the golden moss;
And above him the boughs of hemlock-tree
Waved, and made the sign of the cross,
And whispered their Benedicites;
And from the ground
Rose an odor sweet and fragrant
Of the wild flowers and the vagrant
Vines that wandered,
Seeking the sunshine, round and round.
These he heeded not, but pondered
On the volume in his hand,
A volume of Saint Augustine;
Wherein he read of the unseen
Splendors of God's great town
In the unknown land,
And, with his eyes cast down
In humility, he said:
'I believe, O God,
What herein I have read,
But alas! I do not understand!'

And lo! he heard
The sudden singing of a bird,
A snow-white bird, that from a cloud
Dropped down,
And among the branches brown
Sat singing
So sweet, and clear, and loud,
It seemed a thousand harp strings ringing.
And the Monk Felix closed his book,
And long, long,
With rapturous look,
He listened to the song,
And hardly breathed or stirred,
Until he saw, as in a vision,

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Henry Wadsworth Longfellow

The Golden Legend: VI. The School Of Salerno

A traveling Scholastic affixing his Theses to the gate
of the College.

_Scholastic._ There, that is my gauntlet, my banner, my shield,
Hung up as a challenge to all the field!
One hundred and twenty-five propositions,
Which I will maintain with the sword of the tongue
Against all disputants, old and young.
Let us see if doctors or dialecticians
Will dare to dispute my definitions,
Or attack any one of my learned theses.
Here stand I; the end shall be as God pleases.
I think I have proved, by profound research
The error of all those doctrines so vicious
Of the old Areopagite Dionysius,
That are making such terrible work in the churches,
By Michael the Stammerer sent from the East,
And done into Latin by that Scottish beast,
Erigena Johannes, who dares to maintain,
In the face of the truth, the error infernal,
That the universe is and must be eternal;
At first laying down, as a fact fundamental,
That nothing with God can be accidental;
Then asserting that God before the creation
Could not have existed, because it is plain
That, had he existed, he would have created;
Which is begging the question that should be debated,
And moveth me less to anger than laughter.
All nature, he holds, is a respiration
Of the Spirit of God, who, in breathing, hereafter
Will inhale it into his bosom again,
So that nothing but God alone will remain.
And therein he contradicteth himself;
For he opens the whole discussion by stating,
That God can only exist in creating.
That question I think I have laid on the shelf!

(_He goes out. Two Doctors come in disputing, and
followed by pupils._)

_Doctor Serafino._ I, with the Doctor Seraphic, maintain,
That a word which is only conceived in the brain
Is a type of eternal Generation;
The spoken word is the Incarnation.

_Doctor Cherubino._ What do I care for the Doctor Seraphic,
With all his wordy chaffer and traffic?

_Doctor Serafino._ You make but a paltry show of resistance;
Universals have no real existence!

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Please, Mrs. Henry

Well, i've already had two beers
I'm ready for the broom
Please, missus henry, won't you
Take me to my room?
I'm a good ol' boy
But i've been sniffin' too many eggs
Talkin' to too many people
Drinkin' too many kegs
Please, missus henry, missus henry, please!
Please, missus henry, missus henry, please!
I'm down on my knees
An' i ain't got a dime
Well, i'm groanin' in a hallway
Pretty soon i'll be mad
Please, missus henry, won't you
Take me to your dad?
I can drink like a fish
I can crawl like a snake
I can bite like a turkey
I can slam like a drake
Please, missus henry, missus henry, please!
Please, missus henry, missus henry, please!
I'm down on my knees
An' i ain't got a dime
Now, don't crowd me, lady
Or i'll fill up your shoe
I'm a sweet bourbon daddy
An' tonight i am blue
I'm a thousand years old
And i'm a generous bomb
I'm t-boned and punctured
But i'm known to be calm
Please, missus henry, missus henry, please!
Please, missus henry, missus henry, please!
I'm down on my knees
An' i ain't got a dime
Now, i'm startin' to drain
My stool's gonna squeak
If i walk too much farther
My crane's gonna leak
Look, missus henry
There's only so much i can do
Why don't you look my way
An' pump me a few?
Please, missus henry, missus henry, please!
Please, missus henry, missus henry, please!
I'm down on my knees
An' i ain't got a dime

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Henry Wadsworth Longfellow

The Golden Legend: V. A Covered Bridge At Lucerne

_Prince Henry_. God's blessing on the architects who build
The bridges o'er swift rivers and abysses
Before impassable to human feet,
No less than on the builders of cathedrals,
Whose massive walls are bridges thrown across
The dark and terrible abyss of Death.
Well has the name of Pontifex been given
Unto the Church's head, as the chief builder
And architect of the invisible bridge
That leads from earth to heaven.

_Elsie_ How dark it grows!
What are these paintings on the walls around us?

_Prince Henry_ The Dance Macaber!

_Elsie_ What?

_Prince Henry_ The Dance of Death!
All that go to and fro must look upon it,
Mindful of what they shall be, while beneath,
Among the wooden piles, the turbulent river
Rushes, impetuous as the river of life,
With dimpling eddies, ever green and bright,
Save where the shadow of this bridge falls on it.

_Elsie._ O, yes! I see it now!

_Prince Henry_ The grim musician
Leads all men through the mazes of that dance,
To different sounds in different measures moving;
Sometimes he plays a lute, sometimes a drum,
To tempt or terrify.

_Elsie_ What is this picture?

_Prince Henry_ It is a young man singing to a nun,
Who kneels at her devotions, but in kneeling
Turns round to look at him, and Death, meanwhile,
Is putting out the candles on the altar!

_Elsie_ Ah, what a pity 't is that she should listen
to such songs, when in her orisons
She might have heard in heaven the angels singing!

_Prince Henry_ Here he has stolen a jester's cap and bells,
And dances with the Queen.

_Elsie_ A foolish jest!

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William Butler Yeats

Narrative And Dramatic The Wanderings Of Oisin

BOOK I

S. Patrick. You who are bent, and bald, and blind,
With a heavy heart and a wandering mind,
Have known three centuries, poets sing,
Of dalliance with a demon thing.

Oisin. Sad to remember, sick with years,
The swift innumerable spears,
The horsemen with their floating hair,
And bowls of barley, honey, and wine,
Those merry couples dancing in tune,
And the white body that lay by mine;
But the tale, though words be lighter than air.
Must live to be old like the wandering moon.

Caoilte, and Conan, and Finn were there,
When we followed a deer with our baying hounds.
With Bran, Sceolan, and Lomair,
And passing the Firbolgs' burial-motmds,
Came to the cairn-heaped grassy hill
Where passionate Maeve is stony-still;
And found On the dove-grey edge of the sea
A pearl-pale, high-born lady, who rode
On a horse with bridle of findrinny;
And like a sunset were her lips,
A stormy sunset on doomed ships;
A citron colour gloomed in her hair,

But down to her feet white vesture flowed,
And with the glimmering crimson glowed
Of many a figured embroidery;
And it was bound with a pearl-pale shell
That wavered like the summer streams,
As her soft bosom rose and fell.

S. Patrick. You are still wrecked among heathen dreams.

Oisin. 'Why do you wind no horn?' she said
'And every hero droop his head?
The hornless deer is not more sad
That many a peaceful moment had,
More sleek than any granary mouse,
In his own leafy forest house
Among the waving fields of fern:
The hunting of heroes should be glad.'

'O pleasant woman,' answered Finn,
'We think on Oscar's pencilled urn,
And on the heroes lying slain

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Byron

Canto the Sixteenth

I
The antique Persians taught three useful things,
To draw the bow, to ride, and speak the truth.
This was the mode of Cyrus, best of kings --
A mode adopted since by modern youth.
Bows have they, generally with two strings;
Horses they ride without remorse or ruth;
At speaking truth perhaps they are less clever,
But draw the long bow better now than ever.

II
The cause of this effect, or this defect, --
"For this effect defective comes by cause," --
Is what I have not leisure to inspect;
But this I must say in my own applause,
Of all the Muses that I recollect,
Whate'er may be her follies or her flaws
In some things, mine's beyond all contradiction
The most sincere that ever dealt in fiction.

III
And as she treats all things, and ne'er retreats
From any thing, this epic will contain
A wilderness of the most rare conceits,
Which you might elsewhere hope to find in vain.
'T is true there be some bitters with the sweets,
Yet mix'd so slightly, that you can't complain,
But wonder they so few are, since my tale is
"De rebus cunctis et quibusdam aliis."

IV
But of all truths which she has told, the most
True is that which she is about to tell.
I said it was a story of a ghost --
What then? I only know it so befell.
Have you explored the limits of the coast,
Where all the dwellers of the earth must dwell?
'T is time to strike such puny doubters dumb as
The sceptics who would not believe Columbus.

V
Some people would impose now with authority,
Turpin's or Monmouth Geoffry's Chronicle;
Men whose historical superiority
Is always greatest at a miracle.
But Saint Augustine has the great priority,
Who bids all men believe the impossible,
Because 't is so. Who nibble, scribble, quibble, he
Quiets at once with "quia impossibile."

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Byron

Don Juan: Canto The Sixteenth

The antique Persians taught three useful things,
To draw the bow, to ride, and speak the truth.
This was the mode of Cyrus, best of kings--
A mode adopted since by modern youth.
Bows have they, generally with two strings;
Horses they ride without remorse or ruth;
At speaking truth perhaps they are less clever,
But draw the long bow better now than ever.

The cause of this effect, or this defect,--
'For this effect defective comes by cause,'--
Is what I have not leisure to inspect;
But this I must say in my own applause,
Of all the Muses that I recollect,
Whate'er may be her follies or her flaws
In some things, mine's beyond all contradiction
The most sincere that ever dealt in fiction.

And as she treats all things, and ne'er retreats
From any thing, this epic will contain
A wilderness of the most rare conceits,
Which you might elsewhere hope to find in vain.
'Tis true there be some bitters with the sweets,
Yet mix'd so slightly, that you can't complain,
But wonder they so few are, since my tale is
'De rebus cunctis et quibusdam aliis.'

But of all truths which she has told, the most
True is that which she is about to tell.
I said it was a story of a ghost--
What then? I only know it so befell.
Have you explored the limits of the coast,
Where all the dwellers of the earth must dwell?
'Tis time to strike such puny doubters dumb as
The sceptics who would not believe Columbus.

Some people would impose now with authority,
Turpin's or Monmouth Geoffry's Chronicle;
Men whose historical superiority
Is always greatest at a miracle.
But Saint Augustine has the great priority,
Who bids all men believe the impossible,
Because 'tis so. Who nibble, scribble, quibble, he
Quiets at once with 'quia impossibile.'

And therefore, mortals, cavil not at all;
Believe:--if 'tis improbable you must,
And if it is impossible, you shall:
'Tis always best to take things upon trust.
I do not speak profanely, to recall

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Henry Wadsworth Longfellow

The Golden Legend: Prologue & 1.

THE SPIRE OF STRASBURG CATHEDRAL.

Night and storm. LUCIFER, with the Powers of the
Air, trying to tear down the Cross.

_Lucifer._ HASTEN! hasten!
O ye spirits!
From its station drag the ponderous
Cross of iron, that to mock us
Is uplifted high in air!

_Voices._ O, we cannot!
For around it
All the Saints and Guardian Angels
Throng in legions to protect it;
They defeat us everywhere!

_The Bells._ Laudo Deum verum
Plebem voco!
Congrego clerum!

_Lucifer._ Lower! lower!
Hover downward!
Seize the loud, vociferous bells, and
Clashing, clanging, to the pavement
Hurl them from their windy tower!

_Voices._ All thy thunders
Here are harmless!
For these bells have been anointed,
And baptized with holy water!
They defy our utmost power.

_The Bells. Defunctos ploro!
Pestem fugo!
Festa decoro!

_Lucifer._ Shake the casements!
Break the painted
Panes that flame with gold and crimson!
Scatter them like leaves of Autumn,
Swept away before the blast!

_Voices._ O, we cannot!
The Archangel
Michael flames from every window,
With the sword of fire that drove us
Headlong, out of heaven, aghast!

_The Bells._ Funera plango!

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The Great Hunger

I
Clay is the word and clay is the flesh
Where the potato-gatherers like mechanised scarecrows move
Along the side-fall of the hill - Maguire and his men.
If we watch them an hour is there anything we can prove
Of life as it is broken-backed over the Book
Of Death? Here crows gabble over worms and frogs
And the gulls like old newspapers are blown clear of the hedges, luckily.
Is there some light of imagination in these wet clods?
Or why do we stand here shivering?
Which of these men
Loved the light and the queen
Too long virgin? Yesterday was summer. Who was it promised marriage to himself
Before apples were hung from the ceilings for Hallowe'en?
We will wait and watch the tragedy to the last curtain,
Till the last soul passively like a bag of wet clay
Rolls down the side of the hill, diverted by the angles
Where the plough missed or a spade stands, straitening the way.
A dog lying on a torn jacket under a heeled-up cart,
A horse nosing along the posied headland, trailing
A rusty plough. Three heads hanging between wide-apart legs.
October playing a symphony on a slack wire paling.
Maguire watches the drills flattened out
And the flints that lit a candle for him on a June altar
Flameless. The drills slipped by and the days slipped by
And he trembled his head away and ran free from the world's halter,
And thought himself wiser than any man in the townland
When he laughed over pints of porter
Of how he came free from every net spread
In the gaps of experience. He shook a knowing head
And pretended to his soul
That children are tedious in hurrying fields of April
Where men are spanning across wide furrows.
Lost in the passion that never needs a wife
The pricks that pricked were the pointed pins of harrows.
Children scream so loud that the crows could bring
The seed of an acre away with crow-rude jeers.
Patrick Maguire, he called his dog and he flung a stone in the air
And hallooed the birds away that were the birds of the years.
Turn over the weedy clods and tease out the tangled skeins.
What is he looking for there?
He thinks it is a potato, but we know better
Than his mud-gloved fingers probe in this insensitive hair.
'Move forward the basket and balance it steady
In this hollow. Pull down the shafts of that cart, Joe,
And straddle the horse,' Maguire calls.
'The wind's over Brannagan's, now that means rain.
Graip up some withered stalks and see that no potato falls
Over the tail-board going down the ruckety pass -
And that's a job we'll have to do in December,

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Henry Wadsworth Longfellow

The Golden Legend: III. A Street In Strasburg

Night.
PRINCE HENRY _wandering alone, wrapped in a cloak._

_Prince Henry._ Still is the night. The sound of feet
Has died away from the empty street,
And like an artisan, bending down
His head on his anvil, the dark town
Sleeps, with a slumber deep and sweet.
Sleepless and restless, I alone,
In the dusk and damp of these wails of stone,
Wander and weep in my remorse!

_Crier of the dead (ringing a bell)._ Wake! wake!
All ye that sleep!
Pray for the Dead!
Pray for the Dead!

_Prince Henry._ Hark! with what accents loud and hoarse
This warder on the walls of death
Sends forth the challenge of his breath!
I see the dead that sleep in the grave!
They rise up and their garments wave,
Dimly and spectral, as they rise,
With the light of another world in their eyes!

_Crier of the dead._ Wake! wake!
All ye that sleep!
Pray for the Dead!
Pray for the Dead!

_Prince Henry._ Why for the dead, who are at rest?
Pray for the living, in whose breast
The struggle between right and wrong
Is raging terrible and strong,
As when good angels war with devils!
This is the Master of the Revels,
Who, at Life's flowing feast, proposes
The health of absent friends, and pledges,
Not in bright goblets crowned with roses,
And tinkling as we touch their edges,
But with his dismal, tinkling bell,
That mocks and mimics their funeral knell!

_Crier of the dead._ Wake! wake!
All ye that sleep!
Pray for the Dead!
Pray for the Dead!

_Prince Henry._ Wake not, beloved! be thy sleep
Silent as night is, and as deep!

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Walter Henry Hagan

Walter, walter henry
I say walter henry hagan
You done gone and broke my heart
Walter, walter henry
You know that I believed you
When you swore wed never part
Well you said you had to have me
And well you dang well did
You took me from my country home
When I was just a kid
And you took me off to boston
Put a baby on my knee
Left me to dangle-dingle
So far from tennessee
Now patrick might have been one
But you aint been no saint
But a good ole irish boy
They say well always have this drink
And you just wont stop chasin
All those other woman around
A ramblin and agamblin
Throwin irish whiskey down
Walter, walter henry
Walter henry hagan
You dont listen when I call
Walter, walter henry
Of all the men Ive ever loved
I loved you best of all
Oh play one for ol walter henry boys
Walter, walter henry
Walter henry hagan
You done left your mark on me
Walter, walter henry
If you ever sober up
Im waitin back in tennessee
If you ever sober up
Im waitin back in tennessee
Walter, walter henry
Yoddle-le-ee-hee
Yoddle-le-ee-hee
Walter henry hagan
You done left your mark on me

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Dont Ya Tell Henry

Dont ya tell henry,
Apples got your fly.
I went down to the river on a saturday morn,
A-lookin around just to see whos born.
I found a little chicken down on his knees,
I went up and yelled to him,
Please, please, please!
He said, dont ya tell henry,
Dont ya tell henry,
Dont ya tell henry,
Apples got your fly.
I went down to the corner at a-half past ten,
Is lookin around, I wouldnt say when.
I looked down low, I looked above,
And who did I see but the one I love.
She said, dont ya tell henry,
Dont ya tell henry,
Dont ya tell henry,
Apples got your fly.
Now, I went down to the beanery at half past twelve,
A-lookin around just to see myself.
I spotted a horse and a donkey, too,
I looked for a cow and I saw me a few.
They said, dont ya tell henry,
Dont ya tell henry,
Dont ya tell henry,
Apples got your fly.
Now, I went down to the pumphouse the other night,
A-lookin around, it was outa sight.
I looked high and low for that big ol tree,
I did go upstairs but I didnt see nobody but me.
I said, dont ya tell henry,
Dont ya tell henry,
Dont ya tell henry,
Apples got your fly.

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A Case Of The Demon Drink

How many times have we heard
alcohol called the demon drink,
many.many times I suppose,
but there is no such thing as the demon drink.
Now when Jesus turned water into wine,
I’m sure that he didn’t put any demons in it
just to spice it up.

The demon drink as it is called
originated with the Temperance Movement.
Astonishing enough the movement was not started
by a woman, but was formed by a man.
What I am about to tell you
is the untold story about its origins.

It all started in the early 1800’s
with Henry Whittle and his wife Gertrude.
Now Henry was a boozer
who could lay the drink down
with the best of them.

One night he got carried away
on a sea of alcohol.
He went so far that
he wasn’t sure just where he lived.
He left his friends at the bar
and off he staggered.
He found the street where he lived
and staggered down it.

What house did he live at he wasn’t really sure.
All he knew was his Gertrude
always left the door unlocked for him.
He began to try the doors one by one,
when one opened
he quickly stumbled in.

He climbed the stairs as quietly as he could,
shucking his clothes as he went.
Until finally all that he had on
was his red long johns and his boots.
He tiptoed along to the bedroom
where he could hear Gertrude snoring.

Moving inside he climbed into bed.
What Henry didn’t know
he was in the wrong house.
The house belonged to Pierre the lumberjack,
and when he climbed into bed,
he climbed in bed it was with Pierre.

[...] Read more

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Love and Honor

Sed neque Medorum silvae, ditissima terra
Nec pulcher Ganges, atque auro turbidus Haemus,
Laudibus Angligenum certent; non Bactra, nec Indi,
Totaque thuriferis Panchaia pinguis arenis.

Imitation.

Yet let not Median woods, (abundant track!)
Nor Ganges fair, nor Haemus, miser-like,
Proud of his hoarded gold, presume to vie
With Britain's boast and praise; nor Persian Bactra,
Nor India's coasts, nor all Panchaia's sands,
Rich, and exulting in their lofty towers.

____

Let the green olive glad Hesperian shores;
Her tawny citron, and her orange groves,
These let Iberia boast; but if in vain,
To win the stranger plant's diffusive smile,
The Briton labours, yet our native minds,
Our constant bosoms, these the dazzled world
May view with envy; these Iberian dames
Survey with fix'd esteem and fond desire.
Hapless Elvira! thy disastrous fate
May well this truth explain, nor ill adorn
The British lyre; then chiefly, if the Muse,
Nor vain, nor partial, from the simple guise
Of ancient record catch the pensive lay,
And in less grovelling accents give to Fame.
Elvira! loveliest maid! the Iberian realm
Could boast no purer breast, no sprightlier mind,
No race more splendent, and no form so fair.
Such was the chance of war, this peerless maid,
In life's luxuriant bloom, enrich'd the spoil
Of British victors, victory's noblest pride!
She, she alone, amid the wailful train
Of captive maids, assign'd to Henry's care,
Lord of her life, her fortune, and her fame!
He, generous youth! with no penurious hand,
The tedious moments, that unjoyous roll
Where Freedom's cheerful radiance shines no more,
Essay'd to soften; conscious of the pang
That Beauty feels, to waste its fleeting hours
In some dim fort, by foreign rule restrain'd,
Far from the haunts of men, or eye of day!
Sometimes, to cheat her bosom of its cares,
Her kind protector number'd o'er the toils
Himself had worn; the frowns of angry seas,
Or hostile rage, or faithless friend, more fell

[...] Read more

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William Butler Yeats

The Wanderings of Oisin: Book I

S. Patrick. You who are bent, and bald, and blind,
With a heavy heart and a wandering mind,
Have known three centuries, poets sing,
Of dalliance with a demon thing.

Oisin. Sad to remember, sick with years,
The swift innumerable spears,
The horsemen with their floating hair,
And bowls of barley, honey, and wine,
Those merry couples dancing in tune,
And the white body that lay by mine;
But the tale, though words be lighter than air.
Must live to be old like the wandering moon.

Caoilte, and Conan, and Finn were there,
When we followed a deer with our baying hounds.
With Bran, Sceolan, and Lomair,
And passing the Firbolgs' burial-motmds,
Came to the cairn-heaped grassy hill
Where passionate Maeve is stony-still;
And found On the dove-grey edge of the sea
A pearl-pale, high-born lady, who rode
On a horse with bridle of findrinny;
And like a sunset were her lips,
A stormy sunset on doomed ships;
A citron colour gloomed in her hair,

But down to her feet white vesture flowed,
And with the glimmering crimson glowed
Of many a figured embroidery;
And it was bound with a pearl-pale shell
That wavered like the summer streams,
As her soft bosom rose and fell.

S. Patrick. You are still wrecked among heathen dreams.

Oisin. 'Why do you wind no horn?' she said
'And every hero droop his head?
The hornless deer is not more sad
That many a peaceful moment had,
More sleek than any granary mouse,
In his own leafy forest house
Among the waving fields of fern:
The hunting of heroes should be glad.'

'O pleasant woman,' answered Finn,
'We think on Oscar's pencilled urn,
And on the heroes lying slain
On Gabhra's raven-covered plain;
But where are your noble kith and kin,

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The Hero of Rorke's Drift

Twas at the camp of Rorke's Drift, and at tea-time,
And busily engaged in culinary operations was a private of the line;
But suddenly he paused, for he heard a clattering din,
When instantly two men on horseback drew rein beside him.

"News from the front!" said one, "Awful news!" said the other,
"Of which, we are afraid, will put us to great bother,
For the black Zulus are coming, and for our blood doth thirst,"
"And the force is cut up to pieces!" shouted the first.

"We're dead beat," said both, "but we've got to go on,"
And on they rode both, looking very woebegone;
Then Henry Hook put all thought of cooking out of his mind,
For he was surrounded with danger on every side he did find.

He was a private of the South Wales Borderers, Henry Hook,
Also a brave soldier, and an hospital cook;
A soldier of the Queen, who was always ready to obey,
And willing to serve God by night and day.

Then away to the Camp he ran, with his mind all in a shiver,
Shouting, "The force is cut up, sir, on the other side of the river!"
Which caused the officer in command with fear to quiver,
When Henry Hook the news to him did deliver.

Then Henry Hook saluted, and immediately retired,
And with courage undaunted his soul was fired,
And the cry rang out wildly, "The Zulus are coming!"
Then the alarm drums were instantly set a-drumming.

Then "Fall in! Fall in!" the commanders did cry,
And the men mustered out, ready to do and to die,
As British soldiers are always ready to do,
But, alas, on this occasion their numbers were but few.

They were only eighty in number, that brave British band,
And brave Lieutenant Broomhead did them command;
He gave orders to erect barricades without delay,
"It's the only plan I can see, men, to drive four thousand savages away."

Then the mealie bags and biscuit boxes were brought out,
And the breastwork was made quickly without fear or doubt,
And barely was it finished when some one cried in dismay,
"There's the Zulus coming just about twelve hundred yards away."

Methinks I see the noble hero, Henry Hook,
Because like a destroying angel he did look,
As he stood at the hospital entrance defending the patients there,
Bayoneting the Zulus, while their cries rent the air,
As they strove hard the hospital to enter in,

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Student Demonstration Time

Starting out with berkeley free speech
And later on at peoples park
The winds of change fanned into flames
Student demonstrations spark
Down to isla vista where police felt so harassed
They called the special riot squad of the l. a. county sheriff
Well theres a riot going on
Theres a riot going on
Theres a riot going on
Student demonstration time
The violence spread down south to where jackson state brothers
Learned not to say nasty things about southern policemens mothers
Nothing much was said about it and really next to nothing done
The pen is mightier than the sword, but no match for a gun
Well theres a riot going on
Theres a riot going on
Well theres a riot going on
cause its student demonstration time
America was stunned on may 4, 1970
When rally turned to riot up at kent state university
They said the students scared the guard
Though the troops were battle dressed
Four martyrs earned a new degree
The bachelor of bullets
I know were all fed up with useless wars and racial strife
But next time theres a riot, well, you best stay out of sight
Well theres a riot going on
Theres a riot going on
Well theres a riot going on
Student demonstration time
Stay away when theres a riot going on
Student demonstration
Stay away when theres a riot going on
Student demonstration
Stay away when theres a riot going on
Student demonstration
Stay away when theres a riot going on
Its student demonstration
Stay away when theres a riot going on
Student demonstration
Stay away when theres a riot going on
Student demonstration
Stay away when theres a riot going on
Its student demonstration
Stay away when theres a riot going on
Student demonstration

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