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I want to be the first lady to land a quadruple jump in competition. As I grow older, I know that my skating style will develop and mature.

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My First Lady

The First Lady

We studied together
Up to the middle school level
In an infamous board high school
As closely sitting classmates

I had some peculiar
Interest in her
And half of the time
Only staring at her

She always stood first
But, I didn't envy at her
When she was found to be sad or upset
It instantly tuned me to her line of distress

Under the influence of movies that time
I threw some poetic verses at her
She was so generous and tactful indeed
To bury those things ‘as private' with her

On transfer, she moved out to a distant centre
Never to be seen again since decades together
I am still keeping her facsimile inside
As the 'FIRST LADY' to have disturbed my softest senses.

Louis Santhana

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The First Break Song

The first break I got after I did overtime
At work this year
because I felt that I deserved a break
Even though I work long hours

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The First Time

Sadly, you cannot recapture
the magic of the first time
no matter how hard you try.
The bliss you felt the first time
remains a fragment in our memories.
Return to recreate them
can never recapture
those moments again.
They will always remain elusive
inheriting our memories and our dreams.
They are doors that are closed
never to reopen again.


(13 July 2011)

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The First Time You Denied My Touch

The first time you denied my touch...
I knew it was getting closer to over,
For us.
The first time you denied my touch...
Our relationship had ran out of 'fizz'.
What did it?

Did you know I was just expecting sex without love?
Then when I'm done,
I'm gone?

You knew that!
You had to.
I was taking you for granted,
And this you knew!

The first time you denied my touch...
It was me.
Not you.
And I knew it too well!

The first time you denied my touch.
I felt an ache slowly creeping up inside,
Of me.
I tried to breathe soft and slow,
So you wouldn't know it.

The first time you denied my touch.
My tears came to fall.
And that was not easy....
Faking a rest,
After a grueling crawl.

'Thank you.
But no...
I am not preparing for the Olympics.
I'm just laying here to meditate on the ground,
For a moment.'

The first time you denied my touch.
Love was not there to respond.

The first time you denied my touch,
I knew you felt it too inside...
I was gone!
And I knew it then,
I had been gone too long!

Too long for you to deny me,
Of what's mine!

'EXCUSE ME?
Repeat that! '

The first time you denied my touch...
I knew it was getting closer to over,
For us.
The first time you denied my touch...
Our relationship had ran out of 'fizz'.
What did it?

Did you know I was just expecting sex without love?
Then when I'm done,
I'm gone?

'That's not what you said.
But you're getting to the point.
I'm in the bed and going to sleep.
What you do with your needs,
That's up to you.'

We just need time to get our booty better!

'EXCUSE ME?
Repeat that! '

The first time you denied my touch,
I knew you felt it too inside...
I was gone!
And I knew it then,
I had been gone too long!

Too long for you to deny me,
Of what's mine!

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AN ELEGY Upon the most Incomparable K. Charles the First

Call for amazed thoughts, a wounded sense
And bleeding Hearts at our Intelligence.
Call for that Trump of Death the Mandrakes Groan
Which kills the Hearers: This befits alone
Our Story which through times vast Kalendar
Must stand without Example or Repair.
What spowts of melting Clowds what endless springs
Powr'd in the Oceans lapp for offerings
Shall feed the hungry torrent of our grief
Too mighty for expression or belief?
Though all those moistures which the brain attracts
Ran from our eyes like gushing Cataracts,
Or our sad accents could out-tongue the Cryes
Which did from mournful Hadadrimmon rise
Since that remembrance of Josiah slain
In our King's murther is reviv'd again.
O pardon me that but from Holy Writ
Our losse allowes no Parallel to it:
Nor call it bold presumption that I dare
Charles with the best of Judah's Kings compare:
The vertues of whose life did I prefer
The Text acquits me for no Flatterer.
For He like David perfect in his trust,
Was never stayn'd like Him, with Blood or Lust.
One who with Solomon in Judgement try'd,
Was quick to comprehend, Wise to decide,
(That even his Judges stood amaz'd to hear
A more transcendent Moover in their Sphear)
Though more Religious: for when doting Love
A while made Solomon Apostate proove
Charles nev'r endur'd the Truth which he profest
To be unfixt by Bosome interest.
Bold as Jehosaphat, yet forc'd to Fight,
And for his own, no unconcerned Right.
Should I recount His constant time of Pray'r
Each rising Morn and Ev'ning Regular
You'ld say his practice preach'd They ought not Eat
Who by devotion first not earn'd their Meat.
Thus Hezekiah He exceeds in Zeal,
Though not (like him) So facile to reveal
The Treasures of Gods House, or His own Heart
To be supplanted by some forcin art.
And that he might in fame with Joash share
When he the ruin'd Temple did repair,
His cost on Paules late ragged Fabrick spent
Must (if no other) be His Monument.
From this Survey the Kingdom may conclude
His Merits, and her Losses Magnitude.
Nor think he flatters or blasphemes, who tells
That Charls exceeds Judea's Parallels,
In whom all Vertues we concentred see
Which 'mongst the best of them divided be.
O weak built Glories! which those Tempests feel
To force you from your firmest bases reel,
What from the stroaks of Chance shall you secure,
When Rocks of Innocence are so unsure?
When the World's only mirror slaughter'd lies,
Envies and Treasons bleeding sacrifize?
As if His stock of Goodnesse could become
No Kalendar, but that of Martyrdom.
See now ye cursed Mountebanks of State,
Who have Eight years for Reformation sate;
You who dire Alva's Counsels did transfer
To Act his Scenes on England's Theater;
You who did pawn your Selves in Publick Faith
To slave the Kingdome by your Pride and Wrath;
Call the whole World to witnesse now, how just,
How well you are responsive to your trust,
How to your King the promise you perform,
With Fasts, and Sermons, and long Prayers sworn,
That you intended Peace and Truth to bring
To make your Charls Europes most Glorious King.
Did you for this Lift up your Hands on high,
To Kill the King, and pluck down Monarchy?
These are the Fruits by your vvild Faction sown,
Which not Imputed are, but Born your own.
For though you wisely seem to wash your Hands,
The Guilt on every Vote and Order stands.
So that convinc'd from all you did before,
Justice must lay the Murther at your Door.
Mark if the Body does not Bleed anew,
In any Circumstance approach'd by You,
From whose each motion we might plain descry
The black Ostents of this late Tragedy.
For when the King through Storms in Scotland bred
To his Great Councel for his shelter fled,
When in that meeting every Error gain'd
Redresses sooner granted, than Complain'd:
Not all those frank Concessions or Amends
Did suit the then too Powerfull Faction's ends,
No Acts of Grace at present would Content,
Nor Promise of Triennial Parl'ament,
Till by a formal Law the King had past
This Session should at Your pleasure last.
So having got the Bitt, and that 'twas known
No power could dissolve You but Your own,
Your gracelesse Junto make such use of this,
As once was practis'd by Semiramis;
Who striving by a subtile Sute to prove
The largenesse of her Husbands Trust and Love,
Did from the much abused King obtain
That for three dayes She might sole Empresse reign:
Before which time expir'd, the bloody Wife
Depriv'd her Lord both of his Crown and Life.
There needs no Comment when your deeds apply
The Demonstration of her Treachery.
Which to effect by Absolon's foul wile
You of the Peoples Heart your Prince beguile;
Urging what Eases they might reap by it
Did you their Legislative Judges sit.
How did you fawn upon, and Court the Rout,
Whose Clamour carry'd your whole Plot about?
How did you thank Seditious men that came
To bring Petitions which your selves did frame?
And lest they wanted Hands to set them on,
You lead the way by throwing the first stone.
For in that Libel after Midnight born,
Wherewith your Faction labour'd till the Morn,
That famous Lye, you a Remonstrance name;
Were not Reproaches your malitious aim?
Was not the King's dishonour your intent
By Slanders to traduce his Government?
All which your spightful Cunning did contrive
Men must receive through your false Perspective,
In which the smallest Spots improved were,
And every Mote a Mountain did appear.
Thus Cæsar by th'ungrateful Senate found
His Life assaulted through his Honor's Wound.
And now to make Him hopelesse to resist,
You guide His Sword by Vote, which as you list
Must Strike or Spare (for so you did enforce
His Hand against His Reason to divorce
Brave Strafford's Life) then wring it quite away
By your usurping Each Militia:
Then seize His Magazines, of which possest
You turn the Weapons 'gainst their Master's Breast.
This done, th'unkennell'd crew of Lawless men
Led down by Watkins, Pennington, and Ven,
Did with confused noise the Court invade;
Then all Dissenters in Both Houses Bay'd.
At which the King amaz'd is forc'd to flye,
The whilst your Mouth's laid on maintain the Cry.
The Royal Game dislodg'd and under Chase,
Your hot Pursute dogs Him from place to place:
Not Saul with greater fury or disdain
Did flying David from Jeshimon's plain
Unto the barren Wildernesse pursue,
Than Cours'd and Hunted is the King by you.
The Mountain Partridge or the Chased Roe
Might now for Emblemes of His Fortune go.
And since all other May-games of the Town
(Save those your selves should make) were Voted down,
The Clam'rous Pu'pit Hollaes in resort,
Inviting men to your King-catching Sport.
Where as the Foyl grows cold you mend the Sent
By crying Privilege of Parliament,
Whose fair Pretensions the first sparkles are,
Which by your breath blown up enflame the War,
And Ireland (bleeding by design) the Stale
Wherewith for Men and Mony you prevail.
Yet doubting that Imposture could not last,
When all the Kingdoms Mines of Treasure waste,
You now tear down Religion's sacred Hedge
To carry on the Work by Sacriledge;
Reputing it Rebellions fittest Pay
To take both God's and Cesar's dues away.
The tenor of which execrable Vote
Your over-active Zelots so promote,
That neither Tomb nor Temple could escape,
Nor Dead nor Living your Licentious Rape.
Statues and Grave-stones o're men buried
Rob'd of their Brass, the Coffins of their Led;
Not the Seventh Henry's gilt and curious Skreen,
Nor those which 'mongst our Rarities were seen,
The Chests wherein the Saxon Monarchs lay,
But must be basely sold or thrown away.
May in succeeding times forgotten be
Those bold Examples of Impiety,
Which were the Ages wonder and discourse,
You have Their greatest ills improv'd by worse.
No more be mention'd Dionysius Theft,
Who of their Gold the Heathen Shrines bereft;
For who with Yours His Robberies confer,
Must him repute a petty Pilferer.
Nor Julian's Scoff, who when he view'd the State
Of Antioch's Church, the Ornaments and Plate,
Cry'd, Meaner Vessels would serve turn, or None
Might well become the birth of Mary's Sonn
Nor how that spightfull Atheist did in scorn
Pisse on God's Table, which so oft had born
The hallow'd Elements his death present:
Nor he that fould it with his Excrement,
Then turn'd the Cloth unto that act of shame,
Which without trembling Christians should not name.
Nor John of Leyden, who the pillag'd Quires
Employ'd in Munster for his own attires;
His pranks by Hazlerig exceeded be,
A wretch more wicked and as mad as he,
Who once in triumph led his Sumpter Moil
Proudly bedecked with the Altar's spoil.
Nor at Bizantium's sack how Mahomet
In St. Sophia's Church his Horses set.
Nor how Belshazzar at his drunken Feasts
Carows'd in holy Vessels to his Guests:
Nor he that did the Books and Anthems tear,
Which in the daily Stations used were.
These were poor Essayes of imperfect Crimes,
Fit for beginners in unlearned times,
Siz'd onely for that dull Meridian
Which knew no Jesuit nor Puritan,
(Before whose fatal Birth were no such things
As Doctrines to Depose and Murther Kings.)
But since Your prudent care Enacted well,
That there should be no King in Israel,
England must write such Annals of Your Reign
Which all Records of elder mischiefs stain.
Churches unbuilt by order, others burn'd;
Whilst Pauls and Lincoln are to Stables turn'd;
And at God's Table you might Horses see
By (those more Beasts) their Riders manger'd be.
Some Kitchins and some Slaughter-houses made,
Communion-boards and Cloths for Dressers laid:
Some turn'd to loathsome Gaols, so by you brought
Unto the Curse of Baal's House, a Draught.
The Common-Prayers with the Bibles torn,
The Coaps in Antick Moorish-Dances worn,
And sometimes for the wearers greater mock,
The Surplice is converted to a Frock.
Some bringing Dogs the Sacrament revile,
Some with Copronimus the Font defile.
O God! canst Thou these prophanations like?
If not, why is thy Thunder slow to strike
The cursed Authors? who dare think that Thou
Dost, when not punish them, their acts allow.
All which outragious Crimes, though your pretence
Would fasten on the Soldiers insolence,
We must believe that what by them was done
Came licens'd forth by your probation.
For, as your selves with Athaliah's Brood
In strong contention for precedence stood,
You robb'd Two Royall Chapels of their Plate,
Which Kings and Queens to God did dedicate;
Then by a Vote more sordid than the Stealth,
Melt down and Coin it for the Common-wealth;
That is, give't up to the devouring jaws
Of your great Idol Bell, new styl'd The Cause.
And though this Monster you did well devise
To feed by Plunder, Taxes, Loans, Excise;
(All which Provisions You the People tell
Scarce serve to diet Your Pantagruel.)
We no strew'd Ashes need to trace the Cheat,
Who plainly see what Mouthes the Messes eat.
Brave Reformation! and a through one too,
Which to enrich Your selves must All undo.
Pray tell us (those that can) What fruits have grown
From all Your Seeds in Blood and Treasure sown?
What would you mend? when Your Projected State
Doth from the Best in Form degenerate?
Or why should You (of All) attempt the Cure,
Whose Facts nor Gospels Test nor Laws endure?
But like unwholsome Exhalations met
From Your Conjunction onely Plagues beget,
And in Your Circle, as Imposthumes fill
Which by their venome the whole Body kill;
For never had You Pow'r but to Destroy,
Nor Will, but where You Conquer'd to Enjoy.
This was Your Master-prize, who did intend
To make both Churhch and Kingdom's prey Your End.
'Gainst which the King (plac'd in the Gap) did strive
By His (till then unquestion'd) Negative,
Which finding You lack'd Reason to perswade,
Your Arguments are into Weapons made;
So to compell him by main force to yield,
You had a Formed Army in the Field
Before his Reared Standard could invite
Ten men upon his Righteous Cause to fight.
Yet ere those raised Forces did advance,
Your malice struck him dead by Ordinance,
When your Commissions the whole Kingdom swept
With Blood and Slaughter, Not the King Except.
Now hardned in Revolt, You next proceed
By Pacts to strengthen each Rebellious Deed,
New Oaths, and Vows, and Covenants advance,
All contradicting your Allegiance,
Whose Sacred knot you plainly did unty,
When you with Essex swore to Live and Die.
These were your Calves in Bethel and in Dan,
Which Jeroboam's Treason stablish can,
Who by strange Pacts and Altars did seduce
The People to their Laws and and King's abuse;
All which but serve like Soibboleth to try
Those who pronounc'd not your Conspiracy;
That when your other Trains defective are,
Forc'd Oaths might bring Refusers to the Snare.
And lest those men your Counsels did pervert,
Might when your Fraud was seen the Cause desert,
A fierce Decree is through the Kingdom sent,
Which made it Death for any to Repent.
What strange Dilemmaes doth Rebellion make?
'Tis mortal to Deny, or to Partake:
Some Hang who would not aid your Traiterous Act,
Others engag'd are Hang'd if they Retract.
So Witches who their Contracts have unsworn,
By their own Devils are in pieces torn.
Thus still the rageing Tempest higher grows,
Which in Extreams the Kings Resolving throws.
The face of Ruine every where appears,
And Acts of Outrage multiply our fears;
Whilst blind Ambition by Successes fed
Hath You beyond the bound of Subjects led,
Who tasting once the sweet of Regal Sway,
Resolved now no longer to obey.
For Presbyterian pride contests as high
As doth the Popedom for Supremacy.
Needs must you with unskilful Phaeton
Aspire to guide the Chariot of the Sun,
Though your ill-govern'd height with lightning be
Thrown headlong from his burning Axle-tree.
You will no more Petition or Debate,
But your desire in Propositions state,
Which by such Rules and Ties the King confine,
They in effect are Summons to Resign.
Therefore your War is manag'd with such sleight,
'Twas seen you more prevail'd by Purse than Might;
And those you could not purchase to your will,
You brib'd with sums of mony to sit still.
The King by this time hopelesse here of Peace,
Or to procure His wasted Peoples ease,
Which He in frequent Messages had try'd,
By you as oft as shamelesly deny'd;
Wearied by faithlesse Friends and restlesse Foes,
To certain hazard doth His Life Expose:
When through your Quarters in a mean disguise
He to His Country-men for succour flies,
Who met a brave occasion then to save
Their Native King from His untimely Grave:
Had he from them such fair reception gain'd,
Wherewith ev'n Achish David entertain'd.
But Faith to Him or hospitable Laws
In your Confederate Union were no Clause,
Which back to you their Rendred Master sends
To tell how He was us'd among his friends.
Far be it from my thoughts by this black Line
To measure all within that Warlick Clime;
The still admir'd Montross some Numbers lead
In his brave steps of Loyalty to tread.
I onely tax a furious Party There,
Who with our Native Pests Enleagued were.
Then 'twas you follow'd Him with Hue and Cry,
Made Midnight Searches in Each Liberty,
Voting it death to all without Reprieve,
Who should their Master Harbor or Relieve.
Ev'n in pure pitty of both Nations Fame,
I wish that Act in Story had no name.
When all your Mutual Stipulations are
Converted at Newcastle to a Fair,
Where (like His Lord) the King the Mart is made,
Bought with Your Mony, and by Them Betraid;
For both are guilty, They that did Contract,
And You that did the fatal Bargain Act.
Which who by equal Reason shall peruse,
Must yet conclude, They had the best Excuse:
For doubtlesse They (Good men) had never sold,
But that you tempted Them with English Gold;
And 'tis no wonder if with such a Sum
Our Brethrens frailty might be overcome.
What though hereafter it may prove Their Lot
To be compared with Iscariot?
Yet will the World perceive which was most wise,
And who the Nobler Traitor by the Price;
For though 'tis true Both did Themselves undo,
They made the better Bargain of the Two,
Which all may reckon who can difference
Two hundred thousand Pounds from Thirty Pence.
However something is in Justice due,
Which may be spoken in defence of You;
For in your Masters Purchase you gave more,
Than all your Jewish kindred paid before.
And had you wisely us'd what then you bought,
Your Act might be a Loyal Ransom thought,
To free from Bonds your Captive Soverain,
Restoring Him to his lost Crown again.
But You had other plots, you busie hate
Ply'd all advantage on His fallen State,
And shew'd You did not come to bring Him Bayl,
But to remove Him to a stricter Gaol,
To Holmby first, whence taken from His Bed,
He by an Army was in triumph led;
Till on pretence of safety Cromwel's wile
Had juggel'd Him into the Fatal Isle,
Where Hammond for his Jaylor is decreed,
And Murderous Rolf as Lieger-Hangman fee'd,
Who in one fatal Knot Two Counsels tye,
He must by Poison or by Pistol Die.
Here now deny'd all Comforts due to Life,
His Friends, His Children, and His Peerlesse Wife;
From Carisbrook He oft but vainly sends,
And though first Wrong'd, seeks to make you Amends;
For this He sues, and by His restlesse Pen
Importunes Your deaf Ears to Treat agen.
Whilst the proud Faction scorning to go lesse,
Return those Trait'rous Votes of Non Address,
Which follow'd were by th'Armies thundring
To Act without and quite against the King.
Yet when that Clowd remov'd, and the clear Light,
Drawn from His weighty Reasons, gave You sight
Of Your own dangers, had not Their Intents
Retarded been by some crosse Accidents;
Which for a while with fortunate Suspense
Check'd or diverted Their swoln Insolence:
When the whole Kingdom for a Treaty cry'd,
Which gave such credit to Your falling side,
That you Recall'd those Votes, and God once more
Your Power to save the Kingdom did restore,
Remember how Your peevish Treators sate,
Not to make Peace, but to prolong Debate;
How You that precious time at first delay'd,
And what ill use of Your advantage made,
As if from Your foul hands God had decreed
Nothing but War and Mischief should succeed.
For when by easie Grants the Kings Assent
Did your desires in greater things prevent,
When He did yield faster than You intreat,
And more than Modesty dares well repeat;
Yet not content with this, without all sense,
Or of His Honor or His Conscience,
Still you prest on, till you too late descry'd,
'Twas now lesse safe to stay than be deny'd.
For like a Flood broke loose the Armed Rout,
Then Shut Him closer up, And Shut You out,
Who by just vengeance are since Worryed
By those Hand-wolves You for His Ruine bred.
Thus like Two Smoaking Firebrands, You and They
Have in this Smother choak'd the Kingdom's Day.
And as you rais'd Them first, must share the Guilt,
With all the Blood in those Distractions spilt.
For though with Sampson's Foxes backward turn'd,
(When he Philistia's fruitful Harvest burn'd)
The face of your opinions stands averse,
All your Conclusions but one fire disperse;
And every Line which carries your Designes,
In the same Centre of Confusion joyns.
Though then the Independents end the Work,
'Tis known they took their Platform from the Kirk;
Though Pilate Bradshaw with his pack of Jews
God's High Vice-gerent at the Bar accuse,
They but reviv'd the Evidence and Charge
Your poys'nous Declarations laid at large;
Though they condemn'd or made his Life their Spoil,
You were the Setters forc'd him to the Toil:
For you whose fatal hand the Warrant writ,
The Prisoner did for Execution fit.
And if their Ax invade the Regal Throat,
Remember you first murther'd Him by Vote.
Thus They receive Your Tennis at the bound,
Take off that Head which you had first Un-crown'd;
Which shews the Texture of our Mischiefs Clew,
If ravel'd to the Top, begins in You,
Who have forever stain'd the brave Intents
And Credit of our English Parliaments:
And in this One caus'd greater Ills, and more,
Than all of theirs did Good that went before.
Yet have you kept your word against Your will,
Your King is Great indeed and Glorious still,
And you have made Him so. We must impute
That Lustre which His Sufferings contribute
To your preposterous Wisdoms, who have done
All your good Deeds by Contradiction:
For as to work His Peace you rais'd this Strife,
And often Shot at Him to Save His Life;
As you took from Him to Encrease His wealth,
And kept Him Pris'ner to secure His Health:
So in revenge of your dissembled Spight,
In this last Wrong you did Him greatest Right,
And (cross to all you meant) by Plucking down
Lifted Him up to His Eternal Crown.
With This encircled in that radiant Sphear,
Where Thy black Murtherers must ne'r appear,
Thou from th'enthroned Martyrs Blood-stain'd Line,
Dost in thy Vertues bright Example shine.
And when Thy darted Beam from the moist Sky
Nightly salutes Thy grieving Peoples Eye,
Thou like some Warning Light rais'd by our fears,
Shalt both provoke and still supply our Tears:
Til the Great Prophet wak'd from his long sleep
Again bids Sion for Josiah weep:
That all Successions by a firm Decree
May teach Their Children to lament for Thee.
Beyond these mournful Rites there is no Art
Or Cost can Thee preserve. Thy better Part
Lives in despight of Death, and will endure
Kept safe in Thy unpattern'd Portraicture:
Which though in Paper drawn by thine own Hand,
Shall longer than Corinthian-Marble stand,
Or Iron Sculptures: There Thy matchlesse Pen
Speaks Thee the Best of Kings as Best of Men:
Be this Thy Epitaph: for This alone
Deserves to carry Thy Inscription.
And 'tis but modest Truth: so may I thrive)
As not to please the Best of Thine Alive,
Of flatter my dead Master, here would I
Pay my last Duty in a Gloriovs Ly)
In that Admired Piece the world may read
Thy Vertues and Misfortunes Storied;
Which bear such curious Mixture, men must doubt
Whether Thou Wiser wert or more Devout.
There live Blest Relick of a Saint-like mind,
With Honors endlesse, as Thy Peace Enshrin'd.
Whilst we, divided by that Bloody Clowd,
Whose purple Mists Thy Murther'd Body shrowd,
Here stay behind at gaze: Apt for Thy sake
Unruly murmurs now 'gainst Heav'n to make,
Which binds us to Live well, yet gives no Fense
To guard her dearest Sons from Violence.
But He whose Trump proclaims, Revenge is Mine,
Bids us our Sorrow by our Hope confine,
And reconcile our Reason to our Faith,
Which in Thy Ruine such Concussions hath,
It dares Conclude, God does not keep His Word
If Zimri die in Peace that slew his Lord.

From my sad Retirement March 11. 1648. CaroLVs stVart reX angLIæ seCVre CoesVs VIta CessIt trICessIMo IanVarII.

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The Pleasures of Imagination: Book The First

With what attractive charms this goodly frame
Of nature touches the consenting hearts
Of mortal men; and what the pleasing stores
Which beauteous imitation thence derives
To deck the poet's, or the painter's toil;
My verse unfolds. Attend, ye gentle powers
Of musical delight! and while i sing
Your gifts, your honours, dance around my strain.
Thou, smiling queen of every tuneful breast,
Indulgent Fancy! from the fruitful banks
Of Avon, whence thy rosy fingers cull
Fresh flowers and dews to sprinkle on the turf
Where Shakespeare lies, be present: and with thee
Let Fiction come, upon her vagrant wings
Wafting ten thousand colours through the air,
Which, by the glances of her magic eye,
She blends and shifts at will, through countless forms,
Her wild creation. Goddess of the lyre,
Which rules the accents of the moving sphere,
Wilt thou, eternal Harmony! descend
And join this festive train? for with thee comes
The guide, the guardian of their lovely sports,
Majestic Truth; and where Truth deigns to come,
Her sister Liberty will not be far.
Be present all ye Genii, who conduct
The wandering footsteps of the youthful bard,
New to your springs and shades: who touch his ear
With finer sounds: who heighten to his eye
The bloom of nature, and before him turn
The gayest, happiest attitude of things.

Oft have the laws of each poetic strain
The critic-verse imploy'd; yet still unsung
Lay this prime subject, though importing most
A poet's name: for fruitless is the attempt,
By dull obedience and by creeping toil
Obscure to conquer the severe ascent
Of high Parnassus. Nature's kindling breath
Must fire the chosen genius; nature's hand
Must string his nerves, and imp his eagle-wings
Impatient of the painful steep, to soar
High as the summit; there to breathe at large
Æthereal air: with bards and sages old,
Immortal sons of praise. These flattering scenes
To this neglected labour court my song;
Yet not unconscious what a doubtful task
To paint the finest features of the mind,
And to most subtile and mysterious things
Give colour, strength, and motion. But the love
Of nature and the muses bids explore,
Through secret paths erewhile untrod by man,
The fair poetic region, to detect
Untasted springs, to drink inspiring draughts,
And shade my temples with unfading flowers
Cull'd from the laureate vale's profound recess,
Where never poet gain'd a wreath before.

From heaven my strains begin; from heaven descends
The flame of genius to the human breast,
And love and beauty, and poetic joy
And inspiration. Ere the radiant sun
Sprang from the east, or 'mid the vault of night
The moon suspended her serener lamp;
Ere mountains, woods, or streams adorn'd the globe,
Or wisdom taught the sons of men her lore;
Then liv'd the almighty One: then, deep-retir'd
In his unfathom'd essence, view'd the forms,
The forms eternal of created things;
The radiant sun, the moon's nocturnal lamp,
The mountains, woods and streams, the rowling globe,
And wisdom's mien celestial. From the first
Of days, on them his love divine he fix'd,
His admiration: till in time compleat,
What he admir'd and lov'd, his vital smile
Unfolded into being. Hence the breath
Of life informing each organic frame,
Hence the green earth, and wild resounding waves;
Hence light and shade alternate; warmth and cold;
And clear autumnal skies and vernal showers,
And all the fair variety of things.

But not alike to every mortal eye
Is this great scene unveil'd. For since the claims
Of social life, to different labours urge
The active powers of man; with wise intent
The hand of nature on peculiar minds
Imprints a different byass, and to each
Decrees its province in the common toil.
To some she taught the fabric of the sphere,
The changeful moon, the circuit of the stars,
The golden zones of heaven: to some she gave
To weigh the moment of eternal things,
Of time, and space, and fate's unbroken chain,
And will's quick impulse: others by the hand
She led o'er vales and mountains, to explore
What healing virtue swells the tender veins
Of herbs and flowers; or what the beams of morn
Draw forth, distilling from the clifted rind
In balmy tears. . But some, to higher hopes
Were destin'd; some within a finer mould
She wrought, and temper'd with a purer flame.
To these the sire omnipotent unfolds
The world's harmonious volume, there to read
The transcript of himself. On every part
They trace the bright impressions of his hand:
In earth or air, the meadow's purple stores,
The moon's mild radiance, or the virgin's form
Blooming with rosy smiles, they see portray'd
That uncreated beauty, which delights
The mind supreme. They also feel her charms,
Enamour'd; they partake the eternal joy.

For as old Memnon's image, long renown'd
By fabling Nilus, to the quivering touch
Of Titan's ray, with each repulsive string
Consenting, sounded through the warbling air
Unbidden strains; even so did nature's hand
To certain species of external things,
Attune the finer organs of the mind:
So the glad impulse of congenial powers,
Or of sweet sound, or fair proportion'd form,
The grace of motion, or the bloom of light,
Thrills through imagination's tender frame,
From nerve to nerve: all naked and alive
They catch the spreading rays: till now the soul
At length discloses every tuneful spring,
To that harmonious movement from without
Responsive. Then the inexpressive strain
Diffuses its inchantment: fancy dreams
Of sacred fountains and Elysian groves,
And vales of bliss: the intellectual power
Bends from his awful throne a wondering ear,
And smiles: the passions, gently sooth'd away,
Sink to divine repose, and love and joy
Alone are waking; love and joy, serene
As airs that fan the summer. O! attend,
Whoe'er thou art, whom these delights can touch,
Whose candid bosom the refining love
Of nature warms, o! listen to my song;
And i will guide thee to her favourite walks,
And teach thy solitude her voice to hear,
And point her loveliest features to thy view.

Know then, whate'er of nature's pregnant stores,
Whate'er of mimic art's reflected forms
With love and admiration thus inflame
The powers of fancy, her delighted sons
To three illustrious orders have referr'd;
Three sister-graces, whom the painter's hand,
The poet's tongue confesses; the sublime,
The wonderful, the fair. I see them dawn!
I see the radiant visions, where they rise,
More lovely than when Lucifer displays
His beaming forehead through the gates of morn,
To lead the train of Phœbus and the spring.

Say, why was man so eminently rais'd
Amid the vast creation; why ordain'd
Through life and death to dart his piercing eye,
With thoughts beyond the limit of his frame;
But that the omnipotent might send him forth
In sight of mortal and immortal powers,
As on a boundless theatre, to run
The great career of justice; to exalt
His generous aim to all diviner deeds;
To chase each partial purpose from his breast;
And through the mists of passion and of sense,
And through the tossing tide of chance and pain,
To hold his course unfaultering, while the voice
Of truth and virtue, up the steep ascent
Of nature, calls him to his high reward,
The applauding smile of heaven? Else wherefore burns
In mortal bosoms this unquenched hope,
That breathes from day to day sublimer things,
And mocks possession? wherefore darts the mind,
With such resistless ardour to embrace
Majestic forms; impatient to be free,
Spurning the gross controul of wilful might;
Proud of the strong contention of her toils;
Proud to be daring? Who but rather turns
To heaven's broad fire his unconstrained view,
Than to the glimmering of a waxen flame?
Who that, from Alpine heights, his labouring eye
Shoots round the wide horizon, to survey
Nilus or Ganges rowling his bright wave
Through mountains, plains, through empires black with shade
And continents of sand; will turn his gaze
To mark the windings of a scanty rill
That murmurs at his feet? The high-born soul
Disdains to rest her heaven-aspiring wing
Beneath its native quarry. Tir'd of earth
And this diurnal scene, she springs aloft
Through fields of air; pursues the flying storm;
Rides on the vollied lightning through the heavens;
Or, yok'd with whirlwinds and the northern blast,
Sweeps the long tract of day. Then high she soars
The blue profound, and hovering round the sun
Beholds him pouring the redundant stream
Of light; beholds his unrelenting sway
Bend the reluctant planets to absolve
The fated rounds of time. Thence far effus'd
She darts her swiftness up the long career
Of devious comets; through its burning signs
Exulting measures the perennial wheel
Of nature, and looks back on all the stars,
Whose blended light, as with a milky zone,
Invests the orient. Now amaz'd she views
The empyreal waste, where happy spirits hold,
Beyond this concave heaven, their calm abode;
And fields of radiance, whose unfading light
Has travell'd the profound six thousand years,
Nor yet arrives in sight of mortal things.
Even on the barriers of the world untir'd
She meditates the eternal depth below;
Till half recoiling, down the headlong steep
She plunges; soon o'erwhelm'd and swallow'd up
In that immense of being. There her hopes
Rest at the sated goal. For from the birth
Of mortal man, the sovran maker said,
That not in humble nor in brief delight,
Not in the fading echoes of renown,
Power's purple robes, nor pleasure's flowery lap,
The soul should find enjoyment: but from these
Turning disdainful to an equal good,
Through all the ascent of things inlarge her view,
Till every bound at length should disappear,
And infinite perfection close the scene.

Call now to mind what high capacious powers
Lie folded up in man; how far beyond
The praise of mortals, may the eternal growth
Of nature to perfection half divine,
Expand the blooming soul? What pity then
Should sloth's unkindly fogs depress to earth
Her tender blossom; choak the streams of life,
And blast her spring! Far otherwise design'd
Almighty wisdom; nature's happy cares
The obedient heart far otherwise incline.
Witness the sprightly joy when aught unknown
Strikes the quick sense, and wakes each active power
To brisker measures: witness the neglect
Of all familiar prospects, though beheld
With transport once; the fond attentive gaze
Of young astonishment; the sober zeal
Of age, commenting on prodigious things.
For such the bounteous providence of heaven,
In every breast implanting this desire
Of objects new and strange, to urge us on
With unremitted labour to pursue
Those sacred stores that wait the ripening soul,
In Truth's exhaustless bosom. What need words
To paint its power? For this the daring youth
Breaks from his weeping mother's anxious arms,
In foreign climes to rove: the pensive sage,
Heedless of sleep, or midnight's harmful damp,
Hangs o'er the sickly taper; and untir'd
The virgin follows, with inchanted step,
The mazes of some wild and wondrous tale,
From morn to eve; unmindful of her form,
Unmindful of the happy dress that stole
The wishes of the youth, when every maid
With envy pin'd. Hence, finally, by night
The village-matron, round the blazing hearth,
Suspends the infant-audience with her tales,
Breathing astonishment! of witching rhimes,
And evil spirits; of the death-bed call
Of him who robb'd the widow, and devour'd
The orphan's portion; of unquiet souls
Risen from the grave to ease the heavy guilt
Of deeds in life conceal'd; of shapes that walk
At dead of night, and clank their chains, and wave
The torch of hell around the murderer's bed.
At every solemn pause the croud recoil
Gazing each other speechless, and congeal'd
With shivering sighs: till eager for the event,
Around the beldame all arrect they hang,
Each trembling heart with grateful terrors quell'd.

But lo! disclos'd in all her smiling pomp,
Where Beauty onward moving claims the verse
Her charms inspire: the freely-flowing verse
In thy immortal praise, o form divine,
Smooths her mellifluent stream. Thee, Beauty, thee
The regal dome, and thy enlivening ray
The mossy roofs adore: thou, better sun!
For ever beamest on the enchanted heart
Love, and harmonious wonder, and delight
Poetic. Brightest progeny of heaven!
How shall i trace thy features? where select
The roseate hues to emulate thy bloom?
Haste then, my song, through nature's wide expanse,
Haste then, and gather all her comeliest wealth,
Whate'er bright spoils the florid earth contains,
Whate'er the waters, or the liquid air,
To deck thy lovely labour. Wilt thou fly
With laughing Autumn to the Atlantic isles,
And range with him the Hesperian field, and see
Where'er his fingers touch the fruitful grove,
The branches shoot with gold; where'er his step
Marks the glad soil, the tender clusters grow
With purple ripeness, and invest each hill
As with the blushes of an evening sky?
Or wilt thou rather stoop thy vagrant plume,
Where gliding through his daughter's honour'd shades,
The smooth Penéus from his glassy flood
Reflects purpureal Tempe's pleasant scene?
Fair Tempe! haunt belov'd of sylvan powers,
Of Nymphs and Fauns; where in the golden age
They play'd in secret on the shady brink
With ancient Pan: while round their choral steps
Young Hours and genial Gales with constant hand
Shower'd blossoms, odours, shower'd ambrosial dews,
And spring's Elysian bloom. Her flowery store
To thee nor Tempe shall refuse; nor watch
Of winged Hydra guard Hesperian fruits
From thy free spoil. O bear then, unreprov'd,
Thy smiling treasures to the green recess
Where young Dione stays. With sweetest airs
Intice her sorth to lend her angel-form
For Beauty's honour'd image. Hither turn
Thy graceful footsteps; hither, gentle maid,
Incline thy polish'd forehead: let thy eyes
Effuse the mildness of their azure dawn;
And may the fanning breezes waft aside
Thy radiant locks: disclosing, as it bends
With airy softness from the marble neck,
The cheek fair-blooming, and the rosy lip,
Where winning smiles and pleasures sweet as love,
With sanctity and wisdom, tempering blend
Their soft allurement. Then the pleasing force
Of nature, and her kind parental care
Worthier i'd sing: then all the enamour'd youth,
With each admiring virgin, to my lyre
Should throng attentive, while i point on high
Where Beauty's living image, like the morn
That wakes in Zephyr's arms the blushing May,
Moves onward; or as Venus, when she stood
Effulgent on the pearly car, and smil'd,
Fresh from the deep, and conscious of her form,
To see the Tritons tune their vocal shells,
And each cœrulean sister of the flood
With loud acclaim attend her o'er the waves,
To seek the Idalian bower. Ye smiling band
Of youths and virgins, who through all the maze
Of young desire with rival-steps pursue
This charm of beauty; if the pleasing toil
Can yield a moment's respite, hither turn
Your favourable ear, and trust my words.
I do not mean to wake the gloomy form
Of Superstition dress'd in Wisdom's garb,
To damp your tender hopes; i do not mean
To bid the jealous thunderer fire the heavens,
Or shapes infernal rend the groaning earth
To fright you from your joys, my cheerful song
With better omens calls you to the field,
Pleas'd with your generous ardour in the chace,
And warm like you. Then tell me, for ye know,
Does beauty ever deign to dwell where health
And active use are strangers? Is her charm
Confess'd in aught, whose most peculiar ends
Are lame and fruitless? Or did nature mean
This pleasing call the herald of a lye;
To hide the shame of discord and disease,
And catch with fair hypocrisy the heart
Of idle faith? O no! with better cares
The indulgent mother, conscious how infirm
Her offspring tread the paths of good and ill,
By this illustrious image, in each kind
Still most illustrious where the object holds
Its native powers most perfect, she by this
Illumes the headstrong impulse of desire,
And sanctifies his choice. The generous glebe
Whose bosom smiles with verdure, the clear tract
Of streams delicious to the thirsty soul,
The bloom of nectar'd fruitage ripe to sense,
And every charm of animated things,
Are only pledges of a state sincere,
The integrity and order of their frame,
When all is well within, and every end
Accomplish'd. Thus was beauty sent from heaven,
The lovely ministress of truth and good
In this dark world: for truth and good are one,
And beauty dwells in them, and they in her,
With like participation. Wherefore then,
O sons of earth! would ye dissolve the tye?
O wherefore, with a rash impetuous aim,
Seek ye those flowery joys with which the hand
Of lavish fancy paints each flattering scene
Where beauty seems to dwell, nor once inquire
Where is the sanction of eternal truth,
Or where the seal of undeceitful good,
To save your search from folly! Wanting these,
Lo! beauty withers in your void embrace,
And with the glittering of an idiot's toy
Did fancy mock your vows. Nor let the gleam
Of youthful hope that shines upon your hearts,
Be chill'd or clouded at this awful task,
To learn the lore of undeceitful good,
And truth eternal. Though the poisonous charms
Of baleful superstition guide the feet
Of servile numbers, through a dreary way
To their abode, through desarts, thorns and mire;
And leave the wretched pilgrim all forlorn
To muse at last, amid the ghostly gloom
Of graves, and hoary vaults, and cloister'd cells;
To walk with spectres through the midnight shade,
And to the screaming owl's accursed song
Attune the dreadful workings of his heart;
Yet be not ye dismay'd. A gentler star
Your lovely search illumines. From the grove
Where wisdom talk'd with her Athenian sons,
Could my ambitious hand intwine a wreath
Of Plato's olive with the Mantuan bay,
Then should my powerful verse at once dispell
Those monkish horrors: then in light divine
Disclose the Elysian prospect, where the steps
Of those whom nature charms, through blooming walks,
Through fragrant mountains and poetic streams,
Amid the train of sages, heroes, bards,
Led by their winged Genius and the choir
Of laurell'd science and harmonious art,
Proceed exulting to the eternal shrine,
Where truth conspicuous with her sister-twins,
The undivided partners of her sway,
With good and beauty reigns. O let not us,
Lull'd by luxurious pleasure's languid strain,
Or crouching to the frowns of bigot-rage,
O let us not a moment pause to join
That godlike band. And if the gracious power
Who first awaken'd my untutor'd song,
Will to my invocation breathe anew
The tuneful spirit; then through all our paths,
Ne'er shall the sound of this devoted lyre
Be wanting; whether on the rosy mead,
When summer smiles, to warn the melting heart
Of luxury's allurement; whether firm
Against the torrent and the stubborn hill
To urge bold virtue's unremitted nerve,
And wake the strong divinity of soul
That conquers chance and fate; or whether struck
For sounds of triumph, to proclaim her toils
Upon the lofty summit, round her brow
To twine the wreath of incorruptive praise;
To trace her hallow'd light through future worlds,
And bless heaven's image in the heart of man.

Thus with a faithful aim have we presum'd,
Adventurous, to delineate nature's form;
Whether in vast, majestic pomp array'd,
Or drest for pleasing wonder, or serene
In beauty's rosy smile. It now remains,
Through various being's fair-proportion'd scale,
To trace the rising lustre of her charms,
From their first twilight, shining forth at length
To full meridian splendour. Of degree
The least and lowliest, in the effusive warmth
Of colours mingling with a random blaze,
Doth beauty dwell. Then higher in the line
And variation of determin'd shape,
Where truth's eternal measures mark the bound
Of circle, cube, or sphere. The third ascent
Unites this varied symmetry of parts
With colour's bland allurement; as the pearl
Shines in the concave of its azure bed,
And painted shells indent their speckled wreath.
Then more attractive rise the blooming forms
Through which the breath of nature has infus'd
Her genial power to draw with pregnant veins
Nutritious moisture from the bounteous earth,
In fruit and seed prolific: thus the flowers
Their purple honours with the spring resume;
And such the stately tree which autumn bends
With blushing treasures. But more lovely still
Is nature's charm, where to the full consent
Of complicated members, to the bloom
Of colour, and the vital change of growth,
Life's holy flame and piercing sense are given,
And active motion speaks the temper'd soul:
So moves the bird of Juno; so the steed
With rival ardour beats the dusty plain,
And faithful dogs with eager airs of joy
Salute their fellows. Thus doth beauty dwell
There most conspicuous, even in outward shape,
Where dawns the high expression of a mind:
By steps conducting our inraptur'd search
To that eternal origin, whose power,
Through all the unbounded symmetry of things,
Like rays effulging from the parent sun,
This endless mixture of her charms diffus'd.
Mind, mind alone, (bear witness, earth and heaven!)
The living fountains in itself contains
Of beauteous and sublime: here hand in hand,
Sit paramount the Graces; here inthron'd,
Cœlestial Venus, with divinest airs,
Invites the soul to never-fading joy.
Look then abroad through nature, to the range
Of planets, suns, and adamantine spheres
Wheeling unshaken through the void immense;
And speak, o man! does this capacious scene
With half that kindling majesty dilate
Thy strong conception, as when Brutus rose
Refulgent from the stroke of Cæsar's fate,
Amid the croud of patriots; and his arm
Aloft extending, like eternal Jove
When guilt brings down the thunder, call'd aloud
On Tully's name, and shook his crimson steel,
And bade the father of his country, hail!
For lo! the tyrant prostrate on the dust,
And Rome again is free! Is aught so fair
In all the dewy landscapes of the spring,
In the bright eye of Hesper or the morn,
In nature's fairest forms, is aught so fair
As virtuous friendship? as the candid blush
Of him who strives with fortune to be just?
The graceful tear that streams for others woes?
Or the mild majesty of private life,
Where peace with ever-blooming olive crowns
The gate; where honour's liberal hands effuse
Unenvied treasures, and the snowy wings
Of innocence and love protect the scene?
Once more search, undismay'd, the dark profound
Where nature works in secret; view the beds
Of mineral treasure, and the eternal vault
That bounds the hoary ocean; trace the forms
Of atoms moving with incessant change
Their elemental round; behold the seeds
Of being, and the energy of life
Kindling the mass with ever-active flame:
Then to the secrets of the working mind
Attentive turn; from dim oblivion call
Her fleet, ideal band; and bid them, go!
Break through time's barrier, and o'ertake the hour
That saw the heavens created: then declare
If aught were found in those external scenes
To move thy wonder now. For what are all
The forms which brute, unconscious matter wears,
Greatness of bulk, or symmetry of parts?
Not reaching to the heart, soon feeble grows
The superficial impulse; dull their charms,
And satiate soon, and pall the languid eye.
Not so the moral species, nor the powers
Of genius and design; the ambitious mind
There sees herself: by these congenial forms
Touch'd and awaken'd, with intenser act
She bends each nerve, and meditates well-pleas'd
Her features in the mirror. For of all
The inhabitants of earth, to man alone
Creative wisdom gave to lift his eye
To truth's eternal measures; thence to frame
The sacred laws of action and of will,
Discerning justice from unequal deeds,
And temperance from folly. But beyond
This energy of truth, whose dictates bind
Assenting reason, the benignant sire,
To deck the honour'd paths of just and good,
Has added bright imagination's rays:
Where virtue, rising from the awful depth
Of truth's mysterious bosom, doth forsake
The unadorn'd condition of her birth;
And dress'd by fancy in ten thousand hues,
Assumes a various feature, to attract,
With charms responsive to each gazer's eye,
The hearts of men. Amid his rural walk,
The ingenuous youth, whom solitude inspires
With purest wishes, from the pensive shade
Beholds her moving, like a virgin-muse
That wakes her lyre to some indulgent theme
Of harmony and wonder: while among
The herd of servile minds, her strenuous form
Indignant flashes on the patriot's eye,
And through the rolls of memory appeals
To ancient honour, or in act serene,
Yet watchful, raises the majestic sword
Of public power, from dark ambition's reach
To guard the sacred volume of the laws.

Genius of ancient Greece! whose faithful steps
Well-pleas'd i follow through the sacred paths
Of nature and of science; nurse divine
Of all heroic deeds and fair desires!
O! let the breath of thy extended praise
Inspire my kindling bosom to the height
Of this untempted theme. Nor be my thoughts
Presumptuous counted, if amid the calm
That sooths this vernal evening into smiles,
I steal impatient from the sordid haunts
Of strife and low ambition, to attend
Thy sacred presence in the sylvan shade,
By their malignant footsteps ne'er profan'd.
Descend, propitious! to my favour'd eye;
Such in thy mien, thy warm, exalted air,
As when the Persian tyrant, foil'd and stung
With shame and desperation, gnash'd his teeth
To see thee rend the pageants of his throne;
And at the lightning of thy lifted spear
Crouch'd like a slave. Bring all thy martial spoils,
Thy palms, thy laurels, thy triumphal songs,
Thy smiling band of arts, thy godlike sires
Of civil wisdom, thy heroic youth
Warm from the schools of glory. Guide my way
walk, the green retreats
Of Academus, and the thymy vale,
Where oft inchanted with Socratic sounds,
Ilissus pure devolv'd his tuneful stream
In gentler murmurs. From the blooming store
Of these auspicious fields, may i unblam'd
Transplant some living blossoms to adorn
My native clime: while far above the flight
Of fancy's plume aspiring, i unlock
The springs of ancient wisdom; while i join
Thy name, thrice honour'd! with the immortal praise
Of nature, while to my compatriot youth
I point the high example of thy sons,
And tune to Attic themes the British lyre.

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We Grew Up So Fast (Free Verse)

We Grew Up So Fast

My love do you remember
When we were in school
You were the debutant
And I was the fool
You were in the in crowd
I an outcast
But when we would talk
I wanted it to last
Oh how times have changed
We grew up so fast
Things are not so simple
As they were in the past
I knew I loved you
From the first day we met
One day we’ll be together
This is a sure bet
Until that day dawns
I will be here alone
Longing for your companionship
Without talking on phones

Edwin Tanguma © 12/10/2011

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Rose Lachrymose Didn’t know that rose how big in the tower of tears She blossomed to me Stopped in the middle of the sky the rose thought I made a house of longing open for gentle

Rose Lachrymose

Didn’t know that rose how big in the tower of tears
She blossomed to me
Stopped in the middle of the sky the rose thought
I made a house of longing open for gentleness’
With secret doors for dreams
Didn’t that rose know that into her house doubles live
And to whom she opens doors
And inside like a blind man she touches me with a scent
While she was often finding me lost from myself
And asking me if she had to keep any longer
I was watching through those hard tears
Like in a swirl unreachable between rocks and deaf
In the beginning and in the end of my time
And how you were looking at me with two eyes
While in the zenith of all myI“ like one I was awakening
And red of love in the middle of the sky you were blossoming
Did that rose know that God is showing to us the way
To give her life with words
And with unlimited love and with no doubt to share her
O, did that rose know that what we lost long ago
Will come there where it’s supposed to be and to someone who will be able
To free her scent from the sky

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Only A Man

Music :rudolf schenker
Lyrics:klaus meine, herman rarebell
Well you know it is hard
Being a long time apart
But its you that I love, dont you see
And when I go away
You say, please stay okay
I want you to stay only with me
Well you know it is hard
All these girls are so smart
And they see me all over the place
Well they phone me at night
Ask me out for a bite
I can see all the lust in their face
All these chicks really know
That next day I will go
And they will never see me again
So when Im back home
And we both are alone
I can feel all you love and your pain
Woman, Im only a man
Do the best that I can as you know
Woman, Im only a man
Do the best that I can as you know
Now you know how I feel
Nothing is real
Well its hard to say no
When youve done a good show
And they all want you to celebrate
Well I try to refuse
Try to make some excuse
But at this point its mostly too late
Yeah, I start feeling good
And I get in the mood
I guess, youll know what I mean
These chicks all around
Its so hard to keep count
Its like a schizophrenic dream
Woman, Im only a man
Do the best that I can as you know
Woman, Im only a man
Do the best that I can as you know
Now you know how I feel
Nothing is real
Well you know it is hard
Being a long time apart
But its you that I love, dont you see
And when I go away
You say, please stay okay
I want you to stay only with me
Well you know it is hard
All these girls are so smart
And they see me all over the place
Well they phone me at night
Ask me out for a bite
I can see all the lust in their face
Woman, Im only a man
Do the best that I can as you know
Woman, Im only a man
Do the best that I can as you know
Now you know how I feel
Nothing is real
Woman, Im only a man
Do the best that I can as you know
Woman, Im only a man
Do the best that I can as you know
Now you know how I feel
Nothing is real

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The Poet And The Lonely Lady

one summer a poet writes about
true love
and happiness
and this lonely lady
chances upon the lines of this poet

and she has tasted the sweetness
of happiness that love can bring

she loves every word in the poem
feels the ecstasy of every line
and every night
she says she cannot sleep
thinking, feeling,
wanting to be lost and be held in
his arms

she decides to love
the poet
ultimately
she travels to the place stated in his address
hoping to see him
so she will finally know
his love that touches her
in the bottom
of her heart

only to find out
it is sad
that the address does not exist
and the poet does not live there
and does not even
exist
perhaps only in the imagination
of those who want to love
and be loved

she is so sad she jumps into
a conclusion that love is a
lie
that the poet is a
liar

since then, she stops reading the poems
of that poet
(or any other poet)
who never dies
because he for once never ever lived
in the first place

except the poem
perhaps
which to date still convinces lonely ladies to live and believe
to love and be loved

that which defines
what love is
where love is found

and find it somehow in the arms of one
who is real, like it is alive, like it is true
to the one beside her
who touches her
with his
warm hands
who melts
her in his eyes

because
even unwritten by any poet

this love is still so beautiful....

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Byron

Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

VI
Most epic poets plunge "in medias res"
(Horace makes this the heroic turnpike road),
And then your hero tells, whene'er you please,
What went before—by way of episode,
While seated after dinner at his ease,
Beside his mistress in some soft abode,
Palace, or garden, paradise, or cavern,
Which serves the happy couple for a tavern.

VII
That is the usual method, but not mine—
My way is to begin with the beginning;
The regularity of my design
Forbids all wandering as the worst of sinning,
And therefore I shall open with a line
(Although it cost me half an hour in spinning)
Narrating somewhat of Don Juan's father,
And also of his mother, if you'd rather.

VIII
In Seville was he born, a pleasant city,
Famous for oranges and women—he
Who has not seen it will be much to pity,
So says the proverb—and I quite agree;
Of all the Spanish towns is none more pretty,
Cadiz perhaps—but that you soon may see;
Don Juan's parents lived beside the river,
A noble stream, and call'd the Guadalquivir.

IX
His father's name was Jóse—Don, of course,—
A true Hidalgo, free from every stain
Of Moor or Hebrew blood, he traced his source
Through the most Gothic gentlemen of Spain;
A better cavalier ne'er mounted horse,
Or, being mounted, e'er got down again,
Than Jóse, who begot our hero, who
Begot—but that's to come—Well, to renew:

X
His mother was a learnéd lady, famed
For every branch of every science known
In every Christian language ever named,
With virtues equall'd by her wit alone,
She made the cleverest people quite ashamed,
And even the good with inward envy groan,
Finding themselves so very much exceeded
In their own way by all the things that she did.

XI
Her memory was a mine: she knew by heart
All Calderon and greater part of Lopé,
So that if any actor miss'd his part
She could have served him for the prompter's copy;
For her Feinagle's were an useless art,
And he himself obliged to shut up shop—he
Could never make a memory so fine as
That which adorn'd the brain of Donna Inez.

XII
Her favourite science was the mathematical,
Her noblest virtue was her magnanimity,
Her wit (she sometimes tried at wit) was Attic all,
Her serious sayings darken'd to sublimity;
In short, in all things she was fairly what I call
A prodigy—her morning dress was dimity,
Her evening silk, or, in the summer, muslin,
And other stuffs, with which I won't stay puzzling.

XIII
She knew the Latin—that is, "the Lord's prayer,"
And Greek—the alphabet—I'm nearly sure;
She read some French romances here and there,
Although her mode of speaking was not pure;
For native Spanish she had no great care,
At least her conversation was obscure;
Her thoughts were theorems, her words a problem,
As if she deem'd that mystery would ennoble 'em.

XIV
She liked the English and the Hebrew tongue,
And said there was analogy between 'em;
She proved it somehow out of sacred song,
But I must leave the proofs to those who've seen 'em;
But this I heard her say, and can't be wrong
And all may think which way their judgments lean 'em,
"'T is strange—the Hebrew noun which means 'I am,'
The English always used to govern d—n."

XV
Some women use their tongues—she look'd a lecture,
Each eye a sermon, and her brow a homily,
An all-in-all sufficient self-director,
Like the lamented late Sir Samuel Romilly,
The Law's expounder, and the State's corrector,
Whose suicide was almost an anomaly—
One sad example more, that "All is vanity"
(The jury brought their verdict in "Insanity").

XVI
In short, she was a walking calculation,
Miss Edgeworth's novels stepping from their covers,
Or Mrs. Trimmer's books on education,
Or "Coelebs' Wife" set out in quest of lovers,
Morality's prim personification,
In which not Envy's self a flaw discovers;
To others' share let "female errors fall,"
For she had not even one—the worst of all.

XVII
Oh! she was perfect past all parallel—
Of any modern female saint's comparison;
So far above the cunning powers of hell,
Her guardian angel had given up his garrison;
Even her minutest motions went as well
As those of the best time-piece made by Harrison:
In virtues nothing earthly could surpass her,
Save thine "incomparable oil," Macassar!

XVIII
Perfect she was, but as perfection is
Insipid in this naughty world of ours,
Where our first parents never learn'd to kiss
Till they were exiled from their earlier bowers,
Where all was peace, and innocence, and bliss
(I wonder how they got through the twelve hours),
Don Jóse, like a lineal son of Eve,
Went plucking various fruit without her leave.

XIX
He was a mortal of the careless kind,
With no great love for learning, or the learn'd,
Who chose to go where'er he had a mind,
And never dream'd his lady was concern'd;
The world, as usual, wickedly inclined
To see a kingdom or a house o'erturn'd,
Whisper'd he had a mistress, some said two—
But for domestic quarrels one will do.

XX
Now Donna Inez had, with all her merit,
A great opinion of her own good qualities;
Neglect, indeed, requires a saint to bear it,
And such, indeed, she was in her moralities;
But then she had a devil of a spirit,
And sometimes mix'd up fancies with realities,
And let few opportunities escape
Of getting her liege lord into a scrape.

XXI
This was an easy matter with a man
Oft in the wrong, and never on his guard;
And even the wisest, do the best they can,
Have moments, hours, and days, so unprepared,
That you might "brain them with their lady's fan;"
And sometimes ladies hit exceeding hard,
And fans turn into falchions in fair hands,
And why and wherefore no one understands.

XXII
'T is pity learnéd virgins ever wed
With persons of no sort of education,
Or gentlemen, who, though well born and bred,
Grow tired of scientific conversation:
I don't choose to say much upon this head,
I'm a plain man, and in a single station,
But—Oh! ye lords of ladies intellectual,
Inform us truly, have they not hen-peck'd you all?

XXIII
Don Jóse and his lady quarrell'd—why,
Not any of the many could divine,
Though several thousand people chose to try,
'T was surely no concern of theirs nor mine;
I loathe that low vice—curiosity;
But if there's anything in which I shine,
'T is in arranging all my friends' affairs,
Not having of my own domestic cares.

XXIV
And so I interfered, and with the best
Intentions, but their treatment was not kind;
I think the foolish people were possess'd,
For neither of them could I ever find,
Although their porter afterwards confess'd—
But that's no matter, and the worst's behind,
For little Juan o'er me threw, down stairs,
A pail of housemaid's water unawares.

XXV
A little curly-headed, good-for-nothing,
And mischief-making monkey from his birth;
His parents ne'er agreed except in doting
Upon the most unquiet imp on earth;
Instead of quarrelling, had they been but both in
Their senses, they'd have sent young master forth
To school, or had him soundly whipp'd at home,
To teach him manners for the time to come.

XXVI
Don Jóse and the Donna Inez led
For some time an unhappy sort of life,
Wishing each other, not divorced, but dead;
They lived respectably as man and wife,
Their conduct was exceedingly well-bred,
And gave no outward signs of inward strife,
Until at length the smother'd fire broke out,
And put the business past all kind of doubt.

XXVII
For Inez call'd some druggists and physicians,
And tried to prove her loving lord was mad;
But as he had some lucid intermissions,
She next decided he was only bad;
Yet when they ask'd her for her depositions,
No sort of explanation could be had,
Save that her duty both to man and God
Required this conduct—which seem'd very odd.

XXVIII
She kept a journal, where his faults were noted,
And open'd certain trunks of books and letters,
All which might, if occasion served, be quoted;
And then she had all Seville for abettors,
Besides her good old grandmother (who doted);
The hearers of her case became repeaters,
Then advocates, inquisitors, and judges,
Some for amusement, others for old grudges.

XXIX
And then this best and weakest woman bore
With such serenity her husband's woes,
Just as the Spartan ladies did of yore,
Who saw their spouses kill'd, and nobly chose
Never to say a word about them more—
Calmly she heard each calumny that rose,
And saw his agonies with such sublimity,
That all the world exclaim'd, "What magnanimity!"

XXX
No doubt this patience, when the world is damning us,
Is philosophic in our former friends;
'T is also pleasant to be deem'd magnanimous,
The more so in obtaining our own ends;
And what the lawyers call a "malus animus"
Conduct like this by no means comprehends;
Revenge in person's certainly no virtue,
But then 't is not my fault, if others hurt you.

XXXI
And if your quarrels should rip up old stories,
And help them with a lie or two additional,
I'm not to blame, as you well know—no more is
Any one else—they were become traditional;
Besides, their resurrection aids our glories
By contrast, which is what we just were wishing all:
And science profits by this resurrection—
Dead scandals form good subjects for dissection.

XXXII
Their friends had tried at reconciliation,
Then their relations, who made matters worse.
('T were hard to tell upon a like occasion
To whom it may be best to have recourse—
I can't say much for friend or yet relation):
The lawyers did their utmost for divorce,
But scarce a fee was paid on either side
Before, unluckily, Don Jóse died.

XXXIII
He died: and most unluckily, because,
According to all hints I could collect
From counsel learnéd in those kinds of laws
(Although their talk's obscure and circumspect),
His death contrived to spoil a charming cause;
A thousand pities also with respect
To public feeling, which on this occasion
Was manifested in a great sensation.

XXXIV
But, ah! he died; and buried with him lay
The public feeling and the lawyers' fees:
His house was sold, his servants sent away,
A Jew took one of his two mistresses,
A priest the other—at least so they say:
I ask'd the doctors after his disease—
He died of the slow fever call'd the tertian,
And left his widow to her own aversion.

XXXV
Yet Jóse was an honourable man,
That I must say who knew him very well;
Therefore his frailties I'll no further scan
Indeed there were not many more to tell;
And if his passions now and then outran
Discretion, and were not so peaceable
As Numa's (who was also named Pompilius),
He had been ill brought up, and was born bilious.

XXXVI
Whate'er might be his worthlessness or worth,
Poor fellow! he had many things to wound him.
Let's own—since it can do no good on earth—
It was a trying moment that which found him
Standing alone beside his desolate hearth,
Where all his household gods lay shiver'd round him:
No choice was left his feelings or his pride,
Save death or Doctors' Commons- so he died.

XXXVII
Dying intestate, Juan was sole heir
To a chancery suit, and messuages, and lands,
Which, with a long minority and care,
Promised to turn out well in proper hands:
Inez became sole guardian, which was fair,
And answer'd but to nature's just demands;
An only son left with an only mother
Is brought up much more wisely than another.

XXXVIII
Sagest of women, even of widows, she
Resolved that Juan should be quite a paragon,
And worthy of the noblest pedigree
(His sire was of Castile, his dam from Aragon):
Then for accomplishments of chivalry,
In case our lord the king should go to war again,
He learn'd the arts of riding, fencing, gunnery,
And how to scale a fortress—or a nunnery.

XXXIX
But that which Donna Inez most desired,
And saw into herself each day before all
The learnéd tutors whom for him she hired,
Was, that his breeding should be strictly moral;
Much into all his studies she inquired,
And so they were submitted first to her, all,
Arts, sciences, no branch was made a mystery
To Juan's eyes, excepting natural history.

XL
The languages, especially the dead,
The sciences, and most of all the abstruse,
The arts, at least all such as could be said
To be the most remote from common use,
In all these he was much and deeply read;
But not a page of any thing that's loose,
Or hints continuation of the species,
Was ever suffer'd, lest he should grow vicious.

XLI
His classic studies made a little puzzle,
Because of filthy loves of gods and goddesses,
Who in the earlier ages raised a bustle,
But never put on pantaloons or bodices;
His reverend tutors had at times a tussle,
And for their AEneids, Iliads, and Odysseys,
Were forced to make an odd sort of apology,
For Donna Inez dreaded the Mythology.

XLII
Ovid's a rake, as half his verses show him,
Anacreon's morals are a still worse sample,
Catullus scarcely has a decent poem,
I don't think Sappho's Ode a good example,
Although Longinus tells us there is no hymn
Where the sublime soars forth on wings more ample:
But Virgil's songs are pure, except that horrid one
Beginning with "Formosum Pastor Corydon."

XLIII
Lucretius' irreligion is too strong,
For early stomachs, to prove wholesome food;
I can't help thinking Juvenal was wrong,
Although no doubt his real intent was good,
For speaking out so plainly in his song,
So much indeed as to be downright rude;
And then what proper person can be partial
To all those nauseous epigrams of Martial?

XLIV
Juan was taught from out the best edition,
Expurgated by learnéd men, who place
Judiciously, from out the schoolboy's vision,
The grosser parts; but, fearful to deface
Too much their modest bard by this omission,
And pitying sore his mutilated case,
They only add them all in an appendix,
Which saves, in fact, the trouble of an index;

XLV
For there we have them all "at one fell swoop,"
Instead of being scatter'd through the Pages;
They stand forth marshall'd in a handsome troop,
To meet the ingenuous youth of future ages,
Till some less rigid editor shall stoop
To call them back into their separate cages,
Instead of standing staring all together,
Like garden gods—and not so decent either.

XLVI
The Missal too (it was the family Missal)
Was ornamented in a sort of way
Which ancient mass-books often are, and this all
Kinds of grotesques illumined; and how they,
Who saw those figures on the margin kiss all,
Could turn their optics to the text and pray,
Is more than I know—But Don Juan's mother
Kept this herself, and gave her son another.

XLVII
Sermons he read, and lectures he endured,
And homilies, and lives of all the saints;
To Jerome and to Chrysostom inured,
He did not take such studies for restraints;
But how faith is acquired, and then ensured,
So well not one of the aforesaid paints
As Saint Augustine in his fine Confessions,
Which make the reader envy his transgressions.

XLVIII
This, too, was a seal'd book to little Juan—
I can't but say that his mamma was right,
If such an education was the true one.
She scarcely trusted him from out her sight;
Her maids were old, and if she took a new one,
You might be sure she was a perfect fright;
She did this during even her husband's life—
I recommend as much to every wife.

XLIX
Young Juan wax'd in goodliness and grace;
At six a charming child, and at eleven
With all the promise of as fine a face
As e'er to man's maturer growth was given:
He studied steadily, and grew apace,
And seem'd, at least, in the right road to heaven,
For half his days were pass'd at church, the other
Between his tutors, confessor, and mother.

L
At six, I said, he was a charming child,
At twelve he was a fine, but quiet boy;
Although in infancy a little wild,
They tamed him down amongst them: to destroy
His natural spirit not in vain they toil'd,
At least it seem'd so; and his mother's joy
Was to declare how sage, and still, and steady,
Her young philosopher was grown already.

LI
I had my doubts, perhaps I have them still,
But what I say is neither here nor there:
I knew his father well, and have some skill
In character—but it would not be fair
From sire to son to augur good or ill:
He and his wife were an ill-sorted pair—
But scandal's my aversion—I protest
Against all evil speaking, even in jest.

LII
For my part I say nothing—nothing—but
This I will say—my reasons are my own—
That if I had an only son to put
To school (as God be praised that I have none),
'T is not with Donna Inez I would shut
Him up to learn his catechism alone,
No—no—I'd send him out betimes to college,
For there it was I pick'd up my own knowledge.

LIII
For there one learns—'t is not for me to boast,
Though I acquired—but I pass over that,
As well as all the Greek I since have lost:
I say that there's the place—but Verbum sat.
I think I pick'd up too, as well as most,
Knowledge of matters—but no matter what—
I never married—but, I think, I know
That sons should not be educated so.

LIV
Young Juan now was sixteen years of age,
Tall, handsome, slender, but well knit: he seem'd
Active, though not so sprightly, as a page;
And everybody but his mother deem'd
Him almost man; but she flew in a rage
And bit her lips (for else she might have scream'd)
If any said so, for to be precocious
Was in her eyes a thing the most atrocious.

LV
Amongst her numerous acquaintance, all
Selected for discretion and devotion,
There was the Donna Julia, whom to call
Pretty were but to give a feeble notion
Of many charms in her as natural
As sweetness to the flower, or salt to ocean,
Her zone to Venus, or his bow to Cupid
(But this last simile is trite and stupid).

LVI
The darkness of her Oriental eye
Accorded with her Moorish origin
(Her blood was not all Spanish, by the by;
In Spain, you know, this is a sort of sin);
When proud Granada fell, and, forced to fly,
Boabdil wept, of Donna Julia's kin
Some went to Africa, some stay'd in Spain,
Her great-great-grandmamma chose to remain.

LVII
She married (I forget the pedigree)
With an Hidalgo, who transmitted down
His blood less noble than such blood should be;
At such alliances his sires would frown,
In that point so precise in each degree
That they bred in and in, as might be shown,
Marrying their cousins—nay, their aunts, and nieces,
Which always spoils the breed, if it increases.

LVIII
This heathenish cross restored the breed again,
Ruin'd its blood, but much improved its flesh;
For from a root the ugliest in Old Spain
Sprung up a branch as beautiful as fresh;
The sons no more were short, the daughters plain:
But there's a rumour which I fain would hush,
'T is said that Donna Julia's grandmamma
Produced her Don more heirs at love than law.

LIX
However this might be, the race went on
Improving still through every generation,
Until it centred in an only son,
Who left an only daughter; my narration
May have suggested that this single one
Could be but Julia (whom on this occasion
I shall have much to speak about), and she
Was married, charming, chaste, and twenty-three.

LX
Her eye (I'm very fond of handsome eyes)
Was large and dark, suppressing half its fire
Until she spoke, then through its soft disguise
Flash'd an expression more of pride than ire,
And love than either; and there would arise
A something in them which was not desire,
But would have been, perhaps, but for the soul
Which struggled through and chasten'd down the whole.

LXI
Her glossy hair was cluster'd o'er a brow
Bright with intelligence, and fair, and smooth;
Her eyebrow's shape was like th' aerial bow,
Her cheek all purple with the beam of youth,
Mounting at times to a transparent glow,
As if her veins ran lightning; she, in sooth,
Possess'd an air and grace by no means common:
Her stature tall—I hate a dumpy woman.

LXII
Wedded she was some years, and to a man
Of fifty, and such husbands are in plenty;
And yet, I think, instead of such a one
'T were better to have two of five-and-twenty,
Especially in countries near the sun:
And now I think on 't, "mi vien in mente",
Ladies even of the most uneasy virtue
Prefer a spouse whose age is short of thirty.

LXIII
'T is a sad thing, I cannot choose but say,
And all the fault of that indecent sun,
Who cannot leave alone our helpless clay,
But will keep baking, broiling, burning on,
That howsoever people fast and pray,
The flesh is frail, and so the soul undone:
What men call gallantry, and gods adultery,
Is much more common where the climate's sultry.

LXIV
Happy the nations of the moral North!
Where all is virtue, and the winter season
Sends sin, without a rag on, shivering forth
('T was snow that brought St. Anthony to reason);
Where juries cast up what a wife is worth,
By laying whate'er sum in mulct they please on
The lover, who must pay a handsome price,
Because it is a marketable vice.

LXV
Alfonso was the name of Julia's lord,
A man well looking for his years, and who
Was neither much beloved nor yet abhorr'd:
They lived together, as most people do,
Suffering each other's foibles by accord,
And not exactly either one or two;
Yet he was jealous, though he did not show it,
For jealousy dislikes the world to know it.

LXVI
Julia was—yet I never could see why—
With Donna Inez quite a favourite friend;
Between their tastes there was small sympathy,
For not a line had Julia ever penn'd:
Some people whisper but no doubt they lie,
For malice still imputes some private end)
That Inez had, ere Don Alfonso's marriage,
Forgot with him her very prudent carriage;

LXVII
And that still keeping up the old connection,
Which time had lately render'd much more chaste,
She took his lady also in affection,
And certainly this course was much the best:
She flatter'd Julia with her sage protection,
And complimented Don Alfonso's taste;
And if she could not (who can?) silence scandal,
At least she left it a more slender handle.

LXVIII
I can't tell whether Julia saw the affair
With other people's eyes, or if her own
Discoveries made, but none could be aware
Of this, at least no symptom e'er was shown;
Perhaps she did not know, or did not care,
Indifferent from the first or callous grown:
I'm really puzzled what to think or say,
She kept her counsel in so close a way.

LXIX
Juan she saw, and, as a pretty child,
Caress'd him often—such a thing might be
Quite innocently done, and harmless styled,
When she had twenty years, and thirteen he;
But I am not so sure I should have smiled
When he was sixteen, Julia twenty-three;
These few short years make wondrous alterations,
Particularly amongst sun-burnt nations.

LXX
Whate'er the cause might be, they had become
Changed; for the dame grew distant, the youth shy,
Their looks cast down, their greetings almost dumb,
And much embarrassment in either eye;
There surely will be little doubt with some
That Donna Julia knew the reason why,
But as for Juan, he had no more notion
Than he who never saw the sea of ocean.

LXXI
Yet Julia's very coldness still was kind,
And tremulously gentle her small hand
Withdrew itself from his, but left behind
A little pressure, thrilling, and so bland
And slight, so very slight, that to the mind
'T was but a doubt; but ne'er magician's wand
Wrought change with all Armida's fairy art
Like what this light touch left on Juan's heart.

LXXII
And if she met him, though she smiled no more,
She look'd a sadness sweeter than her smile,
As if her heart had deeper thoughts in store
She must not own, but cherish'd more the while
For that compression in its burning core;
Even innocence itself has many a wile,
And will not dare to trust itself with truth,
And love is taught hypocrisy from youth.

LXXIII
But passion most dissembles, yet betrays
Even by its darkness; as the blackest sky
Foretells the heaviest tempest, it displays
Its workings through the vainly guarded eye,
And in whatever aspect it arrays
Itself, 't is still the same hypocrisy;
Coldness or anger, even disdain or hate,
Are masks it often wears, and still too late.

LXXIV
Then there were sighs, the deeper for suppression,
And stolen glances, sweeter for the theft,
And burning blushes, though for no transgression,
Tremblings when met, and restlessness when left;
All these are little preludes to possession,
Of which young passion cannot be bereft,
And merely tend to show how greatly love is
Embarrass'd at first starting with a novice.

LXXV
Poor Julia's heart was in an awkward state;
She felt it going, and resolved to make
The noblest efforts for herself and mate,
For honour's, pride's, religion's, virtue's sake;
Her resolutions were most truly great,
And almost might have made a Tarquin quake:
She pray'd the Virgin Mary for her grace,
As being the best judge of a lady's case.

LXXVI
She vow'd she never would see Juan more,
And next day paid a visit to his mother,
And look'd extremely at the opening door,
Which, by the Virgin's grace, let in another;
Grateful she was, and yet a little sore—
Again it opens, it can be no other,
'T is surely Juan now—No! I'm afraid
That night the Virgin was no further pray'd.

LXXVII
She now determined that a virtuous woman
Should rather face and overcome temptation,
That flight was base and dastardly, and no man
Should ever give her heart the least sensation;
That is to say, a thought beyond the common
Preference, that we must feel upon occasion
For people who are pleasanter than others,
But then they only seem so many brothers.

LXXVIII
And even if by chance—and who can tell?
The devil's so very sly—she should discover
That all within was not so very well,
And, if still free, that such or such a lover
Might please perhaps, a virtuous wife can quell
Such thoughts, and be the better when they're over;
And if the man should ask, 't is but denial:
I recommend young ladies to make trial.

LXXIX
And then there are such things as love divine,
Bright and immaculate, unmix'd and pure,
Such as the angels think so very fine,
And matrons who would be no less secure,
Platonic, perfect, "just such love as mine;"
Thus Julia said—and thought so, to be sure;
And so I'd have her think, were I the man
On whom her reveries celestial ran.

LXXX
Such love is innocent, and may exist
Between young persons without any danger.
A hand may first, and then a lip be kist;
For my part, to such doings I'm a stranger,
But hear these freedoms form the utmost list
Of all o'er which such love may be a ranger:
If people go beyond, 't is quite a crime,
But not my fault—I tell them all in time.

LXXXI
Love, then, but love within its proper limits,
Was Julia's innocent determination
In young Don Juan's favour, and to him its
Exertion might be useful on occasion;
And, lighted at too pure a shrine to dim its
Ethereal lustre, with what sweet persuasion
He might be taught, by love and her together—
I really don't know what, nor Julia either.

LXXXII
Fraught with this fine intention, and well fenced
In mail of proof—her purity of soul—
She, for the future of her strength convinced.
And that her honour was a rock, or mole,
Exceeding sagely from that hour dispensed
With any kind of troublesome control;
But whether Julia to the task was equal
Is that which must be mention'd in the sequel.

LXXXIII
Her plan she deem'd both innocent and feasible,
And, surely, with a stripling of sixteen
Not scandal's fangs could fix on much that's seizable,
Or if they did so, satisfied to mean
Nothing but what was good, her breast was peaceable—
A quiet conscience makes one so serene!
Christians have burnt each other, quite persuaded
That all the Apostles would have done as they did.

LXXXIV
And if in the mean time her husband died,
But Heaven forbid that such a thought should cross
Her brain, though in a dream! (and then she sigh'd)
Never could she survive that common loss;
But just suppose that moment should betide,
I only say suppose it—inter nos.
(This should be entre nous, for Julia thought
In French, but then the rhyme would go for naught.)

LXXXV
I only say suppose this supposition:
Juan being then grown up to man's estate
Would fully suit a widow of condition,
Even seven years hence it would not be too late;
And in the interim (to pursue this vision)
The mischief, after all, could not be great,
For he would learn the rudiments of love,
I mean the seraph way of those above.

LXXXVI
So much for Julia. Now we'll turn to Juan.
Poor little fellow! he had no idea
Of his own case, and never hit the true one;
In feelings quick as Ovid's Miss Medea,
He puzzled over what he found a new one,
But not as yet imagined it could be
Thing quite in course, and not at all alarming,
Which, with a little patience, might grow charming.

LXXXVII
Silent and pensive, idle, restless, slow,
His home deserted for the lonely wood,
Tormented with a wound he could not know,
His, like all deep grief, plunged in solitude:
I'm fond myself of solitude or so,
But then, I beg it may be understood,
By solitude I mean a sultan's, not
A hermit's, with a haram for a grot.

LXXXVIII
"Oh Love! in such a wilderness as this,
Where transport and security entwine,
Here is the empire of thy perfect bliss,
And here thou art a god indeed divine."
The bard I quote from does not sing amiss,
With the exception of the second line,
For that same twining "transport and security"
Are twisted to a phrase of some obscurity.

LXXXIX
The poet meant, no doubt, and thus appeals
To the good sense and senses of mankind,
The very thing which every body feels,
As all have found on trial, or may find,
That no one likes to be disturb'd at meals
Or love.—I won't say more about "entwined"
Or "transport," as we knew all that before,
But beg'security' will bolt the door.

XC
Young Juan wander'd by the glassy brooks,
Thinking unutterable things; he threw
Himself at length within the leafy nooks
Where the wild branch of the cork forest grew;
There poets find materials for their books,
And every now and then we read them through,
So that their plan and prosody are eligible,
Unless, like Wordsworth, they prove unintelligible.

XCI
He, Juan (and not Wordsworth), so pursued
His self-communion with his own high soul,
Until his mighty heart, in its great mood,
Had mitigated part, though not the whole
Of its disease; he did the best he could
With things not very subject to control,
And turn'd, without perceiving his condition,
Like Coleridge, into a metaphysician.

XCII
He thought about himself, and the whole earth
Of man the wonderful, and of the stars,
And how the deuce they ever could have birth;
And then he thought of earthquakes, and of wars,
How many miles the moon might have in girth,
Of air-balloons, and of the many bars
To perfect knowledge of the boundless skies;—
And then he thought of Donna Julia's eyes.

XCIII
In thoughts like these true wisdom may discern
Longings sublime, and aspirations high,
Which some are born with, but the most part learn
To plague themselves withal, they know not why:
'T was strange that one so young should thus concern
His brain about the action of the sky;
If you think 't was philosophy that this did,
I can't help thinking puberty assisted.

XCIV
He pored upon the leaves, and on the flowers,
And heard a voice in all the winds; and then
He thought of wood-nymphs and immortal bowers,
And how the goddesses came down to men:
He miss'd the pathway, he forgot the hours,
And when he look'd upon his watch again,
He found how much old Time had been a winner—
He also found that he had lost his dinner.

XCV
Sometimes he turn'd to gaze upon his book,
Boscan, or Garcilasso;—by the wind
Even as the page is rustled while we look,
So by the poesy of his own mind
Over the mystic leaf his soul was shook,
As if 't were one whereon magicians bind
Their spells, and give them to the passing gale,
According to some good old woman's tale.

XCVI
Thus would he while his lonely hours away
Dissatisfied, nor knowing what he wanted;
Nor glowing reverie, nor poet's lay,
Could yield his spirit that for which it panted,
A bosom whereon he his head might lay,
And hear the heart beat with the love it granted,
With—several other things, which I forget,
Or which, at least, I need not mention yet.

XCVII
Those lonely walks, and lengthening reveries,
Could not escape the gentle Julia's eyes;
She saw that Juan was not at his ease;
But that which chiefly may, and must surprise,
Is, that the Donna Inez did not tease
Her only son with question or surmise:
Whether it was she did not see, or would not,
Or, like all very clever people, could not.

XCVIII
This may seem strange, but yet 't is very common;
For instance—gentlemen, whose ladies take
Leave to o'erstep the written rights of woman,
And break the—Which commandment is 't they break?
(I have forgot the number, and think no man
Should rashly quote, for fear of a mistake.)
I say, when these same gentlemen are jealous,
They make some blunder, which their ladies tell us.

XCIX
A real husband always is suspicious,
But still no less suspects in the wrong place,
Jealous of some one who had no such wishes,
Or pandering blindly to his own disgrace,
By harbouring some dear friend extremely vicious;
The last indeed's infallibly the case:
And when the spouse and friend are gone off wholly,
He wonders at their vice, and not his folly.

C
Thus parents also are at times short-sighted;
Though watchful as the lynx, they ne'er discover,
The while the wicked world beholds delighted,
Young Hopeful's mistress, or Miss Fanny's lover,
Till some confounded escapade has blighted
The plan of twenty years, and all is over;
And then the mother cries, the father swears,
And wonders why the devil he got heirs.

CI
But Inez was so anxious, and so clear
Of sight, that I must think, on this occasion,
She had some other motive much more near
For leaving Juan to this new temptation;
But what that motive was, I sha'n't say here;
Perhaps to finish Juan's education,
Perhaps to open Don Alfonso's eyes,
In case he thought his wife too great a prize.

CII
It was upon a day, a summer's day;—
Summer's indeed a very dangerous season,
And so is spring about the end of May;
The sun, no doubt, is the prevailing reason;
But whatsoe'er the cause is, one may say,
And stand convicted of more truth than treason,
That there are months which nature grows more merry in,—
March has its hares, and May must have its heroine.

CIII
'T was on a summer's day—the sixth of June:—
I like to be particular in dates,
Not only of the age, and year, but moon;
They are a sort of post-house, where the Fates
Change horses, making history change its tune,
Then spur away o'er empires and o'er states,
Leaving at last not much besides chronology,
Excepting the post-obits of theology.

CIV
'T was on the sixth of June, about the hour
Of half-past six—perhaps still nearer seven—
When Julia sate within as pretty a bower
As e'er held houri in that heathenish heaven
Described by Mahomet, and Anacreon Moore,
To whom the lyre and laurels have been given,
With all the trophies of triumphant song—
He won them well, and may he wear them long!

CV
She sate, but not alone; I know not well
How this same interview had taken place,
And even if I knew, I should not tell—
People should hold their tongues in any case;
No matter how or why the thing befell,
But there were she and Juan, face to face—
When two such faces are so, 't would be wise,
But very difficult, to shut their eyes.

CVI
How beautiful she look'd! her conscious heart
Glow'd in her cheek, and yet she felt no wrong.
Oh Love! how perfect is thy mystic art,
Strengthening the weak, and trampling on the strong,
How self-deceitful is the sagest part
Of mortals whom thy lure hath led along-
The precipice she stood on was immense,
So was her creed in her own innocence.

CVII
She thought of her own strength, and Juan's youth,
And of the folly of all prudish fears,
Victorious virtue, and domestic truth,
And then of Don Alfonso's fifty years:
I wish these last had not occurr'd, in sooth,
Because that number rarely much endears,
And through all climes, the snowy and the sunny,
Sounds ill in love, whate'er it may in money.

CVIII
When people say, "I've told you fifty times,"
They mean to scold, and very often do;
When poets say, "I've written fifty rhymes,"
They make you dread that they'll recite them too;
In gangs of fifty, thieves commit their crimes;
At fifty love for love is rare, 't is true,
But then, no doubt, it equally as true is,
A good deal may be bought for fifty Louis.

CIX
Julia had honour, virtue, truth, and love,
For Don Alfonso; and she inly swore,
By all the vows below to powers above,
She never would disgrace the ring she wore,
Nor leave a wish which wisdom might reprove;
And while she ponder'd this, besides much more,
One hand on Juan's carelessly was thrown,
Quite by mistake—she thought it was her own;

CX
Unconsciously she lean'd upon the other,
Which play'd within the tangles of her hair:
And to contend with thoughts she could not smother
She seem'd by the distraction of her air.
'T was surely very wrong in Juan's mother
To leave together this imprudent pair,
She who for many years had watch'd her son so—
I'm very certain mine would not have done so.

CXI
The hand which still held Juan's, by degrees
Gently, but palpably confirm'd its grasp,
As if it said, "Detain me, if you please;"
Yet there's no doubt she only meant to clasp
His fingers with a pure Platonic squeeze:
She would have shrunk as from a toad, or asp,
Had she imagined such a thing could rouse
A feeling dangerous to a prudent spouse.

CXII
I cannot know what Juan thought of this,
But what he did, is much what you would do;
His young lip thank'd it with a grateful kiss,
And then, abash'd at its own joy, withdrew
In deep despair, lest he had done amiss,—
Love is so very timid when 't is new:
She blush'd, and frown'd not, but she strove to speak,
And held her tongue, her voice was grown so weak.

CXIII
The sun set, and up rose the yellow moon:
The devil's in the moon for mischief; they
Who call'd her CHASTE, methinks, began too soon
Their nomenclature; there is not a day,
The longest, not the twenty-first of June,
Sees half the business in a wicked way
On which three single hours of moonshine smile—
And then she looks so modest all the while.

CXIV
There is a dangerous silence in that hour,
A stillness, which leaves room for the full soul
To open all itself, without the power
Of calling wholly back its self-control;
The silver light which, hallowing tree and tower,
Sheds beauty and deep softness o'er the whole,
Breathes also to the heart, and o'er it throws
A loving languor, which is not repose.

CXV
And Julia sate with Juan, half embraced
And half retiring from the glowing arm,
Which trembled like the bosom where 't was placed;
Yet still she must have thought there was no harm,
Or else 't were easy to withdraw her waist;
But then the situation had its charm,
And then—— God knows what next—I can't go on;
I'm almost sorry that I e'er begun.

CXVI
Oh Plato! Plato! you have paved the way,
With your confounded fantasies, to more
Immoral conduct by the fancied sway
Your system feigns o'er the controulless core
Of human hearts, than all the long array
Of poets and romancers:—You're a bore,
A charlatan, a coxcomb—and have been,
At best, no better than a go-between.

CXVII
And Julia's voice was lost, except in sighs,
Until too late for useful conversation;
The tears were gushing from her gentle eyes,
I wish indeed they had not had occasion,
But who, alas! can love, and then be wise?
Not that remorse did not oppose temptation;
A little still she strove, and much repented
And whispering "I will ne'er consent"—consented.

CXVIII
'T is said that Xerxes offer'd a reward
To those who could invent him a new pleasure:
Methinks the requisition's rather hard,
And must have cost his majesty a treasure:
For my part, I'm a moderate-minded bard,
Fond of a little love (which I call leisure);
I care not for new pleasures, as the old
Are quite enough for me, so they but hold.

CXIX
Oh Pleasure! you are indeed a pleasant thing,
Although one must be damn'd for you, no doubt:
I make a resolution every spring
Of reformation, ere the year run out,
But somehow, this my vestal vow takes wing,
Yet still, I trust it may be kept throughout:
I'm very sorry, very much ashamed,
And mean, next winter, to be quite reclaim'd.

CXX
Here my chaste Muse a liberty must take—
Start not! still chaster reader—she'll be nice hence—
Forward, and there is no great cause to quake;
This liberty is a poetic licence,
Which some irregularity may make
In the design, and as I have a high sense
Of Aristotle and the Rules, 't is fit
To beg his pardon when I err a bit.

CXXI
This licence is to hope the reader will
Suppose from June the sixth (the fatal day,
Without whose epoch my poetic skill
For want of facts would all be thrown away),
But keeping Julia and Don Juan still
In sight, that several months have pass'd; we'll say
'T was in November, but I'm not so sure
About the day—the era's more obscure.

CXXII
We'll talk of that anon.—'T is sweet to hear
At midnight on the blue and moonlit deep
The song and oar of Adria's gondolier,
By distance mellow'd, o'er the waters sweep;
'T is sweet to see the evening star appear;
'T is sweet to listen as the night-winds creep
From leaf to leaf; 't is sweet to view on high
The rainbow, based on ocean, span the sky.

CXXIII
'T is sweet to hear the watch-dog's honest bark
Bay deep-mouth'd welcome as we draw near home;
'T is sweet to know there is an eye will mark
Our coming, and look brighter when we come;
'T is sweet to be awaken'd by the lark,
Or lull'd by falling waters; sweet the hum
Of bees, the voice of girls, the song of birds,
The lisp of children, and their earliest words.

CXXIV
Sweet is the vintage, when the showering grapes
In Bacchanal profusion reel to earth,
Purple and gushing: sweet are our escapes
From civic revelry to rural mirth;
Sweet to the miser are his glittering heaps,
Sweet to the father is his first-born's birth,
Sweet is revenge—especially to women,
Pillage to soldiers, prize-money to seamen.

CXXV
Sweet is a legacy, and passing sweet
The unexpected death of some old lady
Or gentleman of seventy years complete,
Who've made "us youth" wait too—too long already
For an estate, or cash, or country seat,
Still breaking, but with stamina so steady
That all the Israelites are fit to mob its
Next owner for their double-damn'd post-obits.

CXXVI
'T is sweet to win, no matter how, one's laurels,
By blood or ink; 't is sweet to put an end
To strife; 't is sometimes sweet to have our quarrels,
Particularly with a tiresome friend:
Sweet is old wine in bottles, ale in barrels;
Dear is the helpless creature we defend
Against the world; and dear the schoolboy spot
We ne'er forget, though there we are forgot.

CXXVII
But sweeter still than this, than these, than all,
Is first and passionate love—it stands alone,
Like Adam's recollection of his fall;
The tree of knowledge has been pluck'd—all's known—
And life yields nothing further to recall
Worthy of this ambrosial sin, so shown,
No doubt in fable, as the unforgiven
Fire which Prometheus filch'd for us from heaven.

CXXVIII
Man's a strange animal, and makes strange use
Of his own nature, and the various arts,
And likes particularly to produce
Some new experiment to show his parts;
This is the age of oddities let loose,
Where different talents find their different marts;
You'd best begin with truth, and when you've lost your
Labour, there's a sure market for imposture.

CXXIX
What opposite discoveries we have seen!
(Signs of true genius, and of empty pockets.)
One makes new noses, one a guillotine,
One breaks your bones, one sets them in their sockets;
But vaccination certainly has been
A kind antithesis to Congreve's rockets,
With which the Doctor paid off an old pox,
By borrowing a new one from an ox.

CXXX
Bread has been made (indifferent) from potatoes;
And galvanism has set some corpses grinning,
But has not answer'd like the apparatus
Of the Humane Society's beginning
By which men are unsuffocated gratis:
What wondrous new machines have late been spinning!
I said the small-pox has gone out of late;
Perhaps it may be follow'd by the great.

CXXXI
'T is said the great came from America;
Perhaps it may set out on its return,—
The population there so spreads, they say
'T is grown high time to thin it in its turn,
With war, or plague, or famine, any way,
So that civilisation they may learn;
And which in ravage the more loathsome evil is—
Their real lues, or our pseudo-syphilis?

CXXXII
This is the patent-age of new inventions
For killing bodies, and for saving souls,
All propagated with the best intentions;
Sir Humphry Davy's lantern, by which coals
Are safely mined for in the mode he mentions,
Tombuctoo travels, voyages to the Poles,
Are ways to benefit mankind, as true,
Perhaps, as shooting them at Waterloo.

CXXXIII
Man's a phenomenon, one knows not what,
And wonderful beyond all wondrous measure;
'T is pity though, in this sublime world, that
Pleasure's a sin, and sometimes sin's a pleasure;
Few mortals know what end they would be at,
But whether glory, power, or love, or treasure,
The path is through perplexing ways, and when
The goal is gain'd, we die, you knowand then—

CXXXIV
What then?—I do not know, no more do you—
And so good night.—Return we to our story:
'T was in November, when fine days are few,
And the far mountains wax a little hoary,
And clap a white cape on their mantles blue;
And the sea dashes round the promontory,
And the loud breaker boils against the rock,
And sober suns must set at five o'clock.

CXXXV
'T was, as the watchmen say, a cloudy night;
No moon, no stars, the wind was low or loud
By gusts, and many a sparkling hearth was bright
With the piled wood, round which the family crowd;
There's something cheerful in that sort of light,
Even as a summer sky's without a cloud:
I'm fond of fire, and crickets, and all that,
A lobster salad, and champagne, and chat.

CXXXVI
'T was midnight—Donna Julia was in bed,
Sleeping, most probably,—when at her door
Arose a clatter might awake the dead,
If they had never been awoke before,
And that they have been so we all have read,
And are to be so, at the least, once more;—
The door was fasten'd, but with voice and fist
First knocks were heard, then "Madam—Madam—hist!

CXXXVII
"For God's sake, Madam—Madam—here's my master,
With more than half the city at his back—
Was ever heard of such a curst disaster!
'T is not my fault—I kept good watch—Alack!
Do pray undo the bolt a little faster—
They're on the stair just now, and in a crack
Will all be here; perhaps he yet may fly—
Surely the window's not so very high!"

CXXXVIII
By this time Don Alfonso was arrived,
With torches, friends, and servants in great number;
The major part of them had long been wived,
And therefore paused not to disturb the slumber
Of any wicked woman, who contrived
By stealth her husband's temples to encumber:
Examples of this kind are so contagious,
Were one not punish'd, all would be outrageous.

CXXXIX
I can't tell how, or why, or what suspicion
Could enter into Don Alfonso's head;
But for a cavalier of his condition
It surely was exceedingly ill-bred,
Without a word of previous admonition,
To hold a levee round his lady's bed,
And summon lackeys, arm'd with fire and sword,
To prove himself the thing he most abhorr'd.

CXL
Poor Donna Julia, starting as from sleep
(Mind—that I do not say—she had not slept),
Began at once to scream, and yawn, and weep;
Her maid Antonia, who was an adept,
Contrived to fling the bed-clothes in a heap,
As if she had just now from out them crept:
I can't tell why she should take all this trouble
To prove her mistress had been sleeping double.

CXLI
But Julia mistress, and Antonia maid,
Appear'd like two poor harmless women, who
Of goblins, but still more of men afraid,
Had thought one man might be deterr'd by two,
And therefore side by side were gently laid,
Until the hours of absence should run through,
And truant husband should return, and say,
"My dear, I was the first who came away."

CXLII
Now Julia found at length a voice, and cried,
"In heaven's name, Don Alfonso, what d' ye mean?
Has madness seized you? would that I had died
Ere such a monster's victim I had been!
What may this midnight violence betide,
A sudden fit of drunkenness or spleen?
Dare you suspect me, whom the thought would kill?
Search, then, the room!"—Alfonso said, "I will."

CXLIII
He search'd, they search'd, and rummaged everywhere,
Closet and clothes' press, chest and window-seat,
And found much linen, lace, and several pair
Of stockings, slippers, brushes, combs, complete,
With other articles of ladies fair,
To keep them beautiful, or leave them neat:
Arras they prick'd and curtains with their swords,
And wounded several shutters, and some boards.

CXLIV
Under the bed they search'd, and there they found—
No matter what—it was not that they sought;
They open'd windows, gazing if the ground
Had signs or footmarks, but the earth said nought;
And then they stared each other's faces round:
'T is odd, not one of all these seekers thought,
And seems to me almost a sort of blunder,
Of looking in the bed as well as under.

CXLV
During this inquisition, Julia's tongue
Was not asleep—"Yes, search and search," she cried,
"Insult on insult heap, and wrong on wrong!
It was for this that I became a bride!
For this in silence I have suffer'd long
A husband like Alfonso at my side;
But now I'll bear no more, nor here remain,
If there be law or lawyers in all Spain.

CXLVI
"Yes, Don Alfonso! husband now no more,
If ever you indeed deserved the name,
Is 't worthy of your years?—you have threescore—
Fifty, or sixty, it is all the same—
Is 't wise or fitting, causeless to explore
For facts against a virtuous woman's fame?
Ungrateful, perjured, barbarous Don Alfonso,
How dare you think your lady would go on so?

CXLVII
"Is it for this I have disdain'd to hold
The common privileges of my sex?
That I have chosen a confessor so old
And deaf, that any other it would vex,
And never once he has had cause to scold,
But found my very innocence perplex
So much, he always doubted I was married—
How sorry you will be when I've miscarried!

CXLVIII
"Was it for this that no Cortejo e'er
I yet have chosen from out the youth of Seville?
Is it for this I scarce went anywhere,
Except to bull-fights, mass, play, rout, and revel?
Is it for this, whate'er my suitors were,
I favor'd none—nay, was almost uncivil?
Is it for this that General Count O'Reilly,
Who took Algiers, declares I used him vilely?

CXLIX
"Did not the Italian Musico Cazzani
Sing at my heart six months at least in vain?
Did not his countryman, Count Corniani,
Call me the only virtuous wife in Spain?
Were there not also Russians, English, many?
The Count Strongstroganoff I put in pain,
And Lord Mount Coffeehouse, the Irish peer,
Who kill'd himself for love (with wine) last year.

CL
"Have I not had two bishops at my feet,
The Duke of Ichar, and Don Fernan Nunez?
And is it thus a faithful wife you treat?
I wonder in what quarter now the moon is:
I praise your vast forbearance not to beat
Me also, since the time so opportune is—
Oh, valiant man! with sword drawn and cock'd trigger,
Now, tell me, don't you cut a pretty figure?

CLI
"Was it for this you took your sudden journey.
Under pretence of business indispensable
With that sublime of rascals your attorney,
Whom I see standing there, and looking sensible
Of having play'd the fool? though both I spurn, he
Deserves the worst, his conduct's less defensible,
Because, no doubt, 't was for his dirty fee,
And not from any love to you nor me.

CLII
"If he comes here to take a deposition,
By all means let the gentleman proceed;
You've made the apartment in a fit condition:
There's pen and ink for you, sir, when you need—
Let every thing be noted with precision,
I would not you for nothing should be fee'd—
But, as my maid's undrest, pray turn your spies out."
"Oh!" sobb'd Antonia, "I could tear their eyes out."

CLIII
"There is the closet, there the toilet, there
The antechamber—search them under, over;
There is the sofa, there the great arm-chair,
The chimney—which would really hold a lover.
I wish to sleep, and beg you will take care
And make no further noise, till you discover
The secret cavern of this lurking treasure—
And when 't is found, let me, too, have that pleasure.

CLIV
"And now, Hidalgo! now that you have thrown
Doubt upon me, confusion over all,
Pray have the courtesy to make it known
Who is the man you search for? how d' ye call
Him? what's his lineage? let him but be shown—
I hope he's young and handsome—is he tall?
Tell me—and be assured, that since you stain
My honour thus, it shall not be in vain.

CLV
"At least, perhaps, he has not sixty years,
At that age he would be too old for slaughter,
Or for so young a husband's jealous fears
(Antonia! let me have a glass of water).
I am ashamed of having shed these tears,
They are unworthy of my father's daughter;
My mother dream'd not in my natal hour
That I should fall into a monster's power.

CLVI
"Perhaps 't is of Antonia you are jealous,
You saw that she was sleeping by my side
When you broke in upon us with your fellows:
Look where you please—we've nothing, sir, to hide;
Only another time, I trust, you'll tell us,
Or for the sake of decency abide
A moment at the door, that we may be
Drest to receive so much good company.

CLVII
"And now, sir, I have done, and say no more;
The little I have said may serve to show
The guileless heart in silence may grieve o'er
The wrongs to whose exposure it is slow:
I leave you to your conscience as before,
'T will one day ask you why you used me so?
God grant you feel not then the bitterest grief!—
Antonia! where's my pocket-handkerchief?"

CLVIII
She ceased, and turn'd upon her pillow; pale
She lay, her dark eyes flashing through their tears,
Like skies that rain and lighten; as a veil,
Waved and o'ershading her wan cheek, appears
Her streaming hair; the black curls strive, but fail,
To hide the glossy shoulder, which uprears
Its snow through all;—her soft lips lie apart,
And louder than her breathing beats her heart.

CLIX
The Senhor Don Alfonso stood confused;
Antonia bustled round the ransack'd room,
And, turning up her nose, with looks abused
Her master and his myrmidons, of whom
Not one, except the attorney, was amused;
He, like Achates, faithful to the tomb,
So there were quarrels, cared not for the cause,
Knowing they must be settled by the laws.

CLX
With prying snub-nose, and small eyes, he stood,
Following Antonia's motions here and there,
With much suspicion in his attitude;
For reputations he had little care;
So that a suit or action were made good,
Small pity had he for the young and fair,
And ne'er believed in negatives, till these
Were proved by competent false witnesses.

CLXI
But Don Alfonso stood with downcast looks,
And, truth to say, he made a foolish figure;
When, after searching in five hundred nooks,
And treating a young wife with so much rigour,
He gain'd no point, except some self-rebukes,
Added to those his lady with such vigour
Had pour'd upon him for the last half-hour,
Quick, thick, and heavy—as a thunder-shower.

CLXII
At first he tried to hammer an excuse,
To which the sole reply was tears and sobs,
And indications of hysterics, whose
Prologue is always certain throes, and throbs,
Gasps, and whatever else the owners choose:
Alfonso saw his wife, and thought of Job's;
He saw too, in perspective, her relations,
And then he tried to muster all his patience.

CLXIII
He stood in act to speak, or rather stammer,
But sage Antonia cut him short before
The anvil of his speech received the hammer,
With "Pray, sir, leave the room, and say no more,
Or madam dies."—Alfonso mutter'd, "D—n her,"
But nothing else, the time of words was o'er;
He cast a rueful look or two, and did,
He knew not wherefore, that which he was bid.

CLXIV
With him retired his "posse comitatus,"
The attorney last, who linger'd near the door
Reluctantly, still tarrying there as late as
Antonia let him—not a little sore
At this most strange and unexplain'd "hiatus"
In Don Alfonso's facts, which just now wore
An awkward look; as he revolved the case,
The door was fasten'd in his legal face.

CLXV
No sooner was it bolted, than—Oh shame!
Oh sin! Oh sorrow! and oh womankind!
How can you do such things and keep your fame,
Unless this world, and t' other too, be blind?
Nothing so dear as an unfilch'd good name!
But to proceed—for there is more behind:
With much heartfelt reluctance be it said,
Young Juan slipp'd half-smother'd, from the bed.

CLXVI
He had been hid—I don't pretend to say
How, nor can I indeed describe the where—
Young, slender, and pack'd easily, he lay,
No doubt, in little compass, round or square;
But pity him I neither must nor may
His suffocation by that pretty pair;
'T were better, sure, to die so, than be shut
With maudlin Clarence in his Malmsey butt.

CLXVII
And, secondly, I pity not, because
He had no business to commit a sin,
Forbid by heavenly, fined by human laws,
At least 't was rather early to begin;
But at sixteen the conscience rarely gnaws
So much as when we call our old debts in
At sixty years, and draw the accompts of evil,
And find a deuced balance with the devil.

CLXVIII
Of his position I can give no notion:
'T is written in the Hebrew Chronicle,
How the physicians, leaving pill and potion,
Prescribed, by way of blister, a young belle,
When old King David's blood grew dull in motion,
And that the medicine answer'd very well;
Perhaps 't was in a different way applied,
For David lived, but Juan nearly died.

CLXIX
What's to be done? Alfonso will be back
The moment he has sent his fools away.
Antonia's skill was put upon the rack,
But no device could be brought into play—
And how to parry the renew'd attack?
Besides, it wanted but few hours of day:
Antonia puzzled; Julia did not speak,
But press'd her bloodless lip to Juan's cheek.

CLXX
He turn'd his lip to hers, and with his hand
Call'd back the tangles of her wandering hair;
Even then their love they could not all command,
And half forgot their danger and despair:
Antonia's patience now was at a stand—
"Come, come, 't is no time now for fooling there,"
She whisper'd, in great wrath—"I must deposit
This pretty gentleman within the closet:

CLXXI
"Pray, keep your nonsense for some luckier night—
Who can have put my master in this mood?
What will become on 't—I'm in such a fright,
The devil's in the urchin, and no good—
Is this a time for giggling? this a plight?
Why, don't you know that it may end in blood?
You'll lose your life, and I shall lose my place,
My mistress all, for that half-girlish face.

CLXXII
"Had it but been for a stout cavalier
Of twenty-five or thirty (come, make haste)—
But for a child, what piece of work is here!
I really, madam, wonder at your taste
(Come, sir, get in)—my master must be near:
There, for the present, at the least, he's fast,
And if we can but till the morning keep
Our counsel—(Juan, mind, you must not sleep)."

CLXXIII
Now, Don Alfonso entering, but alone,
Closed the oration of the trusty maid:
She loiter'd, and he told her to be gone,
An order somewhat sullenly obey'd;
However, present remedy was none,
And no great good seem'd answer'd if she stay'd:
Regarding both with slow and sidelong view,
She snuff'd the candle, curtsied, and withdrew.

CLXXIV
Alfonso paused a minute—then begun
Some strange excuses for his late proceeding;
He would not justify what he had done,
To say the best, it was extreme ill-breeding;
But there were ample reasons for it, none
Of which he specified in this his pleading:
His speech was a fine sample, on the whole,
Of rhetoric, which the learn'd call "rigmarole."

CLXXV
Julia said nought; though all the while there rose
A ready answer, which at once enables
A matron, who her husband's foible knows,
By a few timely words to turn the tables,
Which, if it does not silence, still must pose,—
Even if it should comprise a pack of fables;
'T is to retort with firmness, and when he
Suspects with one, do you reproach with three.

CLXXVI
Julia, in fact, had tolerable grounds,—
Alfonso's loves with Inez were well known,
But whether 't was that one's own guilt confounds—
But that can't be, as has been often shown,
A lady with apologies abounds;—
It might be that her silence sprang alone
From delicacy to Don Juan's ear,
To whom she knew his mother's fame was dear.

CLXXVII
There might be one more motive, which makes two;
Alfonso ne'er to Juan had alluded,—
Mention'd his jealousy but never who
Had been the happy lover, he concluded,
Conceal'd amongst his premises; 't is true,
His mind the more o'er this its mystery brooded;
To speak of Inez now were, one may say,
Like throwing Juan in Alfonso's way.

CLXXVIII
A hint, in tender cases, is enough;
Silence is best, besides there is a tact—
(That modern phrase appears to me sad stuff,
But it will serve to keep my verse compact)—
Which keeps, when push'd by questions rather rough,
A lady always distant from the fact:
The charming creatures lie with such a grace,
There's nothing so becoming to the face.

CLXXIX
They blush, and we believe them; at least I
Have always done so; 't is of no great use,
In any case, attempting a reply,
For then their eloquence grows quite profuse;
And when at length they 're out of breath, they sigh,
And cast their languid eyes down, and let loose
A tear or two, and then we make it up;
And then—and then—and then—sit down and sup.

CLXXX
Alfonso closed his speech, and begg'd her pardon,
Which Julia half withheld, and then half granted,
And laid conditions he thought very hard on,
Denying several little things he wanted:
He stood like Adam lingering near his garden,
With useless penitence perplex'd and haunted,
Beseeching she no further would refuse,
When, lo! he stumbled o'er a pair of shoes.

CLXXXI
A pair of shoes!—what then? not much, if they
Are such as fit with ladies' feet, but these
(No one can tell how much I grieve to say)
Were masculine; to see them, and to seize,
Was but a moment's act.—Ah! well-a-day!
My teeth begin to chatter, my veins freeze—
Alfonso first examined well their fashion,
And then flew out into another passion.

CLXXXII
He left the room for his relinquish'd sword,
And Julia instant to the closet flew.
"Fly, Juan, fly! for heaven's sake—not a word—
The door is open—you may yet slip through
The passage you so often have explored—
Here is the garden-key—Fly—fly—Adieu!
Haste—haste! I hear Alfonso's hurrying feet—
Day has not broke—there's no one in the street:"

CLXXXIII
None can say that this was not good advice,
The only mischief was, it came too late;
Of all experience 't is the usual price,
A sort of income-tax laid on by fate:
Juan had reach'd the room-door in a trice,
And might have done so by the garden-gate,
But met Alfonso in his dressing-gown,
Who threaten'd death—so Juan knock'd him down.

CLXXXIV
Dire was the scuffle, and out went the light;
Antonia cried out "Rape!" and Julia "Fire!"
But not a servant stirr'd to aid the fight.
Alfonso, pommell'd to his heart's desire,
Swore lustily he'd be revenged this night;
And Juan, too, blasphemed an octave higher;
His blood was up: though young, he was a Tartar,
And not at all disposed to prove a martyr.

CLXXXV
Alfonso's sword had dropp'd ere he could draw it,
And they continued battling hand to hand,
For Juan very luckily ne'er saw it;
His temper not being under great command,
If at that moment he had chanced to claw it,
Alfonso's days had not been in the land
Much longer.—Think of husbands', lovers' lives!
And how ye may be doubly widows—wives!

CLXXXVI
Alfonso grappled to detain the foe,
And Juan throttled him to get away,
And blood ('t was from the nose) began to flow;
At last, as they more faintly wrestling lay,
Juan contrived to give an awkward blow,
And then his only garment quite gave way;
He fled, like Joseph, leaving it; but there,
I doubt, all likeness ends between the pair.

CLXXXVII
Lights came at length, and men, and maids, who found
An awkward spectacle their eyes before;
Antonia in hysterics, Julia swoon'd,
Alfonso leaning, breathless, by the door;
Some half-torn drapery scatter'd on the ground,
Some blood, and several footsteps, but no more:
Juan the gate gain'd, turn'd the key about,
And liking not the inside, lock'd the out.

CLXXXVIII
Here ends this canto.—Need I sing, or say,
How Juan naked, favour'd by the night,
Who favours what she should not, found his way,
And reach'd his home in an unseemly plight?
The pleasant scandal which arose next day,
The nine days' wonder which was brought to light,
And how Alfonso sued for a divorce,
Were in the English newspapers, of course.

CLXXXIX
If you would like to see the whole proceedings,
The depositions, and the cause at full,
The names of all the witnesses, the pleadings
Of counsel to nonsuit, or to annul,
There's more than one edition, and the readings
Are various, but they none of them are dull;
The best is that in short-hand ta'en by Gurney,
Who to Madrid on purpose made a journey.

CXC
But Donna Inez, to divert the train
Of one of the most circulating scandals
That had for centuries been known in Spain,
At least since the retirement of the Vandals,
First vow'd (and never had she vow'd in vain)
To Virgin Mary several pounds of candles;
And then, by the advice of some old ladies,
She sent her son to be shipp'd off from Cadiz.

CXCI
She had resolved that he should travel through
All European climes, by land or sea,
To mend his former morals, and get new,
Especially in France and Italy
(At least this is the thing most people do).
Julia was sent into a convent: she
Grieved, but, perhaps, her feelings may be better
Shown in the following copy of her Letter:—

CXCII
"They tell me 't is decided; you depart:
'T is wise—'t is well, but not the less a pain;
I have no further claim on your young heart,
Mine is the victim, and would be again;
To love too much has been the only art
I used;—I write in haste, and if a stain
Be on this sheet, 't is not what it appears;
My eyeballs burn and throb, but have no tears.

CXCIII
"I loved, I love you, for this love have lost
State, station, heaven, mankind's, my own esteem,
And yet can not regret what it hath cost,
So dear is still the memory of that dream;
Yet, if I name my guilt, 't is not to boast,
None can deem harshlier of me than I deem:
I trace this scrawl because I cannot rest—
I've nothing to reproach, or to request.

CXCIV
"Man's love is of man's life a thing apart,
'T is woman's whole existence; man may range
The court, camp, church, the vessel, and the mart;
Sword, gown, gain, glory, offer in exchange
Pride, fame, ambition, to fill up his heart,
And few there are whom these cannot estrange;
Men have all these resources, we but one,
To love again, and be again undone.

CXCV
"You will proceed in pleasure, and in pride,
Beloved and loving many; all is o'er
For me on earth, except some years to hide
My shame and sorrow deep in my heart's core;
These I could bear, but cannot cast aside
The passion which still rages as before—
And so farewell—forgive me, love me—No,
That word is idle now—but let it go.

CXCVI
"My breast has been all weakness, is so yet;
But still I think I can collect my mind;
My blood still rushes where my spirit's set,
As roll the waves before the settled wind;
My heart is feminine, nor can forget—
To all, except one image, madly blind;
So shakes the needle, and so stands the pole,
As vibrates my fond heart to my fix'd soul.

CXCVII
"I have no more to say, but linger still,
And dare not set my seal upon this sheet,
And yet I may as well the task fulfil,
My misery can scarce be more complete:
I had not lived till now, could sorrow kill;
Death shuns the wretch who fain the blow would meet,
And I must even survive this last adieu,
And bear with life, to love and pray for you!"

CXCVIII
This note was written upon gilt-edged paper
With a neat little crow-quill, slight and new:
Her small white hand could hardly reach the taper,
It trembled as magnetic needles do,
And yet she did not let one tear escape her;
The seal a sun-flower; "Elle vous suit partout,"
The motto cut upon a white cornelian;
The wax was superfine, its hue vermilion.

CXCIX
This was Don Juan's earliest scrape; but whether
I shall proceed with his adventures is
Dependent on the public altogether;
We'll see, however, what they say to this:
Their favour in an author's cap's a feather,
And no great mischief's done by their caprice;
And if their approbation we experience,
Perhaps they'll have some more about a year hence.

CC
My poem's epic, and is meant to be
Divided in twelve books; each book containing,
With love, and war, a heavy gale at sea,
A list of ships, and captains, and kings reigning,
New characters; the episodes are three:
A panoramic view of hell's in training,
After the style of Virgil and of Homer,
So that my name of Epic's no misnomer.

CCI
All these things will be specified in time,
With strict regard to Aristotle's rules,
The Vade Mecum of the true sublime,
Which makes so many poets, and some fools:
Prose poets like blank-verse, I'm fond of rhyme,
Good workmen never quarrel with their tools;
I've got new mythological machinery,
And very handsome supernatural scenery.

CCII
There's only one slight difference between
Me and my epic brethren gone before,
And here the advantage is my own, I ween
(Not that I have not several merits more,
But this will more peculiarly be seen);
They so embellish, that 't is quite a bore
Their labyrinth of fables to thread through,
Whereas this story's actually true.

CCIII
If any person doubt it, I appeal
To history, tradition, and to facts,
To newspapers, whose truth all know and feel,
To plays in five, and operas in three acts;
All these confirm my statement a good deal,
But that which more completely faith exacts
Is that myself, and several now in Seville,
Saw Juan's last elopement with the devil.

CCIV
If ever I should condescend to prose,
I'll write poetical commandments, which
Shall supersede beyond all doubt all those
That went before; in these I shall enrich
My text with many things that no one knows,
And carry precept to the highest pitch:
I'll call the work "Longinus o'er a Bottle,
Or, Every Poet his own Aristotle."

CCV
Thou shalt believe in Milton, Dryden, Pope;
Thou shalt not set up Wordsworth, Coleridge, Southey;
Because the first is crazed beyond all hope,
The second drunk, the third so quaint and mouthy:
With Crabbe it may be difficult to cope,
And Campbell's Hippocrene is somewhat drouthy:
Thou shalt not steal from Samuel Rogers, nor
Commit—flirtation with the muse of Moore.

CCVI
Thou shalt not covet Mr. Sotheby's Muse,
His Pegasus, nor anything that's his;
Thou shalt not bear false witness like "the Blues"
(There's one, at least, is very fond of this);
Thou shalt not write, in short, but what I choose:
This is true criticism, and you may kiss—
Exactly as you please, or not,—the rod;
But if you don't, I'll lay it on, by G-d!

CCVII
If any person should presume to assert
This story is not moral, first, I pray,
That they will not cry out before they're hurt,
Then that they'll read it o'er again, and say
(But, doubtless, nobody will be so pert)
That this is not a moral tale, though gay;
Besides, in Canto Twelfth, I mean to show
The very place where wicked people go.

CCVIII
If, after all, there should be some so blind
To their own good this warning to despise,
Led by some tortuosity of mind,
Not to believe my verse and their own eyes,
And cry that they "the moral cannot find,"
I tell him, if a clergyman, he lies;
Should captains the remark, or critics, make,
They also lie too—under a mistake.

CCIX
The public approbation I expect,
And beg they'll take my word about the moral,
Which I with their amusement will connect
(So children cutting teeth receive a coral);
Meantime, they'll doubtless please to recollect
My epical pretensions to the laurel:
For fear some prudish readers should grow skittish,
I've bribed my grandmother's review—the British.

CCX
I sent it in a letter to the Editor,
Who thank'd me duly by return of post—
I'm for a handsome article his creditor;
Yet, if my gentle Muse he please to roast,
And break a promise after having made it her,
Denying the receipt of what it cost,
And smear his page with gall instead of honey,
All I can say is—that he had the money.

CCXI
I think that with this holy new alliance
I may ensure the public, and defy
All other magazines of art or science,
Daily, or monthly, or three monthly; I
Have not essay'd to multiply their clients,
Because they tell me 't were in vain to try,
And that the Edinburgh Review and Quarterly
Treat a dissenting author very martyrly.

CCXII
"Non ego hoc ferrem calida juventâ
Consule Planco," Horace said, and so
Say I; by which quotation there is meant a
Hint that some six or seven good years ago
(Long ere I dreamt of dating from the Brenta)
I was most ready to return a blow,
And would not brook at all this sort of thing
In my hot youth—when George the Third was King.

CCXIII
But now at thirty years my hair is grey
(I wonder what it will be like at forty?
I thought of a peruke the other day)—
My heart is not much greener; and, in short, I
Have squander'd my whole summer while 't was May,
And feel no more the spirit to retort; I
Have spent my life, both interest and principal,
And deem not, what I deem'd, my soul invincible.

CCXIV
No more—no more—Oh! never more on me
The freshness of the heart can fall like dew,
Which out of all the lovely things we see
Extracts emotions beautiful and new,
Hived in our bosoms like the bag o' the bee:
Think'st thou the honey with those objects grew?
Alas! 't was not in them, but in thy power
To double even the sweetness of a flower.

CCXV
No more—no more—Oh! never more, my heart,
Canst thou be my sole world, my universe!
Once all in all, but now a thing apart,
Thou canst not be my blessing or my curse:
The illusion's gone for ever, and thou art
Insensible, I trust, but none the worse,
And in thy stead I've got a deal of judgment,
Though heaven knows how it ever found a lodgment.

CCXVI
My days of love are over; me no more
The charms of maid, wife, and still less of widow,
Can make the fool of which they made before,—
In short, I must not lead the life I did do;
The credulous hope of mutual minds is o'er,
The copious use of claret is forbid too,
So for a good old-gentlemanly vice,
I think I must take up with avarice.

CCXVII
Ambition was my idol, which was broken
Before the shrines of Sorrow, and of Pleasure;
And the two last have left me many a token
O'er which reflection may be made at leisure:
Now, like Friar Bacon's brazen head, I've spoken,
"Time is, Time was, Time's past:"—a chymic treasure
Is glittering youth, which I have spent betimes—
My heart in passion, and my head on rhymes.

CCXVIII
What is the end of Fame? 't is but to fill
A certain portion of uncertain paper:
Some liken it to climbing up a hill,
Whose summit, like all hills, is lost in vapour;
For this men write, speak, preach, and heroes kill,
And bards burn what they call their "midnight taper,"
To have, when the original is dust,
A name, a wretched picture, and worse bust.

CCXIX
What are the hopes of man? Old Egypt's King
Cheops erected the first pyramid
And largest, thinking it was just the thing
To keep his memory whole, and mummy hid;
But somebody or other rummaging,
Burglariously broke his coffin's lid:
Let not a monument give you or me hopes,
Since not a pinch of dust remains of Cheops.

CCXX
But I being fond of true philosophy,
Say very often to myself, "Alas!
All things that have been born were born to die,
And flesh (which Death mows down to hay) is grass;
You've pass'd your youth not so unpleasantly,
And if you had it o'er again—'t would pass—
So thank your stars that matters are no worse,
And read your Bible, sir, and mind your purse."

CCXXI
But for the present, gentle reader! and
Still gentler purchaser! the bard—that's I
Must, with permission, shake you by the hand,
And so "Your humble servant, and good-b'ye!"
We meet again, if we should understand
Each other; and if not, I shall not try
Your patience further than by this short sample—
'T were well if others follow'd my example.

CCXXII
"Go, little book, from this my solitude!
I cast thee on the waters—go thy ways!
And if, as I believe, thy vein be good,
The world will find thee after many days."
When Southey's read, and Wordsworth understood,
I can't help putting in my claim to praise—
The four first rhymes are Southey's every line:
For God's sake, reader! take them not for mine.

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First Lady

Hello my little butterfly in my room,
What message do you have for me as at now?
For your beautiful colours reminds me of yester years,
And like the little First Lady closer to me next door.
The beginning of your puberty is now known to us and,
You will be taken care of by the ladies at the Ladies Island;
For the rules of this life lies between the green holes and the red holes,
So do give glory to your Father who is in the heavens!

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Outside the first spring rain is falling

Outside the first spring rain is falling
while it is still piercing winter
and there are flowers already blossoming,
sparrows singing cheerfully in a group,

rejoicing already about the magic that spring brings
and in my heart there is love that wants to flower for you,
a feeling that pierces the separation
and around me new life is emerging

and speedy I want to take you in my arms,
show you the beauty of my garden, the beauty of my love,
piercing the chilly cold,
bringing life to that which is still frozen.

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For The First Time

Written by: lenny kravitz
I want to fall in love again
For the first time
Makes me kind of wonder if youre still mine
I want to press your lips on mine
For the first time
Makes me kind of wonder if youre still mine
Love is something
You cant get in a five and dime
And love is the question of more time
And love is something
Thats really hard to find
Love makes a strong man
Get down on his knees in the crowd
Just lay your hand
On mine
Yeah, for the first time
Makes me kind of wonder if youre still mine
And I wonder if youll ever really be mine

song performed by Lenny KravitzReport problemRelated quotes
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Hillary Clinton Poem - Hard Luck First Lady

hard luck madam first lady
the way the polls go

it is easier to be first lady
than Mr President

the world is singing another
tune to the White House

hard luck madam first lady
the way the polls go

the votes are out but you've
made no headway

the votes are out but you've
not made any headway

shall we just call it a day
or go into another day
to see the votes go away

the race will soon be up
and they are going to call us up

the race will soon be up
and they are going to call us up

to declare us null and void
to declare us null and void

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From the first moment that I saw you

From the first moment that I saw you,
you are constantly in my thoughts,
while your image lingers with me
as if you stick to my soul like burr-weed,
or like a virus from which I cannot be escape,
are bounded to me spirit to spirit,
leaving a impression in all my body and senses
as if it had been divinely destined to be so.
From the first time that I loved you
I am caught in my humanity
while I know that without you my life is meaningless
and no other woman I even want to be aware of;
without you in my life I am lost
and all of my days are meaningless.

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Today Is The First Day Of The Rest Of My Life

This song was first released on the rhymes and reasons album. it is the only album it has been released on.
Today is the first day
Of the rest of my life
I wake as a child
To see the world begin
On monarch queens
And birthday wonderings
Want to put on faces
Walk in the wet and cold
And look forward to my growing old
To grow old is to change
To change is to be new
To be new is to be young again
I barely remember when
My memories are stolen by the moming
Blotted out by the suns hypnotic eye
Today is the first day
Of the rest of my life
I wake as a child
To see the world begin
On monarch queens
And birthday wondenngs
Want to put on faces
Words and music by p & v garvey

song performed by John DenverReport problemRelated quotes
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The White Lady Loves You More

Keep your things in a place meant to hide
But I know theyre there somewhere
And I know thats where youll go tonight
Ill be thrown over just like before
The white lady loves you more
Need a metal man just to pick up your feet
Its a long time since you cared enough for me to even be discrete
I know what this metal is for
The white lady loves you more
Im looking at a hand full of broken plans
And Im tired of playing it down
You just want her to do anything for you
There aint nothing that you wont allow
You wake up in the middle of the night
From a dream you wont remember flashing on like a cops light
You say shes waiting and I know what for
The white lady loves you more
The white lady

song performed by Elliott SmithReport problemRelated quotes
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The First Poem by The First Poet

i'm intrigued by the ur-poem
by allan j saywell
entitled grunt
which is
the first poem
by the first poet:
grunt

how do we know he was a poet
saywell he say so
but think about how
it happened

one day Grunt
for that was his name
listened
to himself saying grunt
and thought
that's quite a nice sound
if I say it carefully
it's got a sorta music to it

so he spent the rest of the day
giving it a swing
and a ring
and a dingadingding

his First Lady
(Laura)
liked it and smiled
and said
Grunty dear
although as a man
you're gorilla-dust and
although you still walk like a bush
that's music to my big ears
poets sure know
how to please a girl
and she gave him a big wet lippy kiss

the rest is pre-history

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Love In The First Degree

Words and music by jim hurt and tim dubois
I once thopught of love as a prison a place I didnt want to be.
So long ago I made a decision to be footloose and fancy free.
But you cam I was so tempted to gamble on love just one time.
I never thought I would get caught.
It seemed liek the perfect crime.
Chorus:
Baby, you left me defneseless.
Ive only got one plea.
Lock me away inside of your love and throw away the key.
Im guilty of love in the first degree.
I thought it would be so simple, like a thousand times before.
Id take what I wanted and just walk away, but I never made it to the door.
Now babe, Im not beggin for mercy.
Go ahead and throw the book at me.
If lovin yous a crime, I know that Im as guilty as a man can be.
Chorus
Oh yeah. oh yeah.
Chorus
Oh yeah. love in the first degree.
Love in the first degree.
Love in the first degree.

song performed by AlabamaReport problemRelated quotes
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