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Hard writing makes easy reading.

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Hard work makes easy reading or, at least, easier reading.

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Hard Times Comes Easy

R.sambora
Its amazing
We go through changes
When times get crazy
Its up and down,its hot and cold
These complications
Just keep on coming
These aint no running
When it comes to life thats how it goes
round and round we go
Sometimes it feels like
Were on a roller coaster ride
Baby dont you know
It could eat up
If you try and keep it all inside
Seems like hard times come easy
We do a lot of hangin on these days
But the heart finds a reason
And love always seems to find a way
Even if it hurts
Even if it hurts us baby
Theres gonna be thunder
Theres gonna be rain
Theres gonna be those times
We both get caught up in the pain
The realization
Keeps sinkin in
The way you make it
Is learn to take it on the chin
round and round we go
Its just another day
With trouble knockin at your door
Baby dont you know
We can work it out
cause we always seem to find a cure
Seems like hard times come easy
We do a lot of hangin on these days
But the heart finds a reason
And love always seems to find a way
Even if it hurts
Even if it hurts us baby
round and round we go
Sometimes it feels like
Were on a roller coaster ride
Baby dont you know
Well keep holdin on
Through the changes that we feel inside
Seems like hard times come easy
We do a lot of hangin on these days
But the heart finds a reason
And love always seems to find a way
Hard times come easy babe

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Byron

Beppo, A Venetian Story

I.
'Tis known, at least it should be, that throughout
All countries of the Catholic persuasion,
Some weeks before Shrove Tuesday comes about,
The People take their fill of recreation,
And buy repentance, ere they grow devout,
However high their rank, or low their station,
With fiddling, feasting, dancing, drinking, masking,
And other things which may be had for asking.

II.
The moment Night with dusky mantle covers
The skies (and the more duskily the better),
The Time--less liked by husbands than by lovers--
Begins, and Prudery flings aside her fetter,
And Gaiety on restless tiptoe hovers,
Giggling with all the Gallants who beset her;
And there are Songs and quavers, roaring, humming,
Guitars, and every other sort of strumming.

III.
And there are dresses, splendid but fantastical,
Masks of all times and nations, Turks and Jews,
And Harlequins and Clowns, with feats gymnastical,
Greeks, Romans, Yankee-doodles, and Hindoos;
All kinds of dress, except the ecclesiastical,
All people, as their fancies hit, may choose,
But no one in these parts may quiz the Clergy,--
Therefore take heed, ye Freethinkers! I charge ye.

IV.
You'd better walk about begirt with briars,
Instead of Coat and smallclothes, than put on
A single stitch reflecting upon Friars,
Although you swore it only was in fun;
They'd haul you o'er the coals, and stir the fires
Of Phlegethon with every mother's son,
Nor say one Mass to cool the Caldron's bubble
That boil'd your bones--unless you paid them double.

V.
But saving this, you may put on whate'er
You like by way of doublet, cape, or cloak,
Such as in Monmouth Street, or in Rag Fair,
Would rig you out in Seriousness or Joke;
And even in Italy such places are
With prettier name in softer accents spoke,
For, bating Covent Garden, I can hit on
No place that's called 'Piazza' in Great Britain.

VI.
This feast is named the Carnival, which being
Interpreted implies 'Farewell to Flesh':
So call'd, because the name and thing agreeing,
Through Lent they live on fish, both salt and fresh.
But why they usher Lent with so much glee in
Is more than I can tell, although I guess
'Tis as we take a glass with friends at parting
In the Stage-Coach or Packet, just at starting.

VII.
And thus they bid farewell to Carnal dishes,
And solid meats, and highly spiced ragouts,
To live for forty days on ill-dress’d fishes,
Because they have no sauces to their stews--
A thing which causes many 'poohs' and 'pishes,'
And several oaths (which would not suit the Muse)
From travellers accustom'd from a boy
To eat their Salmon, at the least, with Soy;

VIII.
And therefore humbly I would recommend
'The Curious in Fish-Sauce,' before they cross
The Sea, to bid their Cook, or wife, or friend,
Walk or ride to the Strand, and buy in gross
(Or if set out beforehand these may send
By any means least liable to loss)
Ketchup, Soy, Chili-Vinegar, and Harvey,
Or, by the Lord! a Lent will well nigh starve ye.

IX.
That is to say, if your Religion's Roman,
And you at Rome would do as Romans do,
According to the proverb,--although No man
If foreign is obliged to fast, and you--
If Protestant, or sickly--or a woman--
Would rather dine in sin on a ragout--
Dine and be d____d! I don't mean to be coarse,
But that's the penalty, to say no worse.

X.
Of all the places where the Carnival
Was most facetious in the days of yore,
For dance, and song, and serenade, and ball,
And Masque, and Mime, and Mystery, and more
Than I have time to tell now, or at all,
Venice the bell from every city bore,
And at the moment when I fix my story,
That Sea-born City was in all her Glory.

XI.
They've pretty faces yet, those same Venetians,
Black eyes, arch'd brows, and sweet expressions still,
Such as of old were copied from the Grecians,
In ancient Arts by Moderns mimick'd ill;
And like so many Venuses of Titian's
(The best's at Florence--see it, if ye will),
They look when leaning over the Balcony;
Or stepp'd from out a picture by Giorgione,--

XII.
Whose tints are Truth and Beauty at their best;
And when you to Manfrini's palace go,
That Picture (howsoever fine the rest)
Is loveliest to my mind of all the show;
It may perhaps be also to your Zest,
And that's the cause I rhyme upon it so:
'Tis but a portrait of his Son and Wife
And Self; but such a Woman! Love in life!

XIII.
Love in full life and length, not Love ideal,
No, nor ideal Beauty, that fine name,
But something better still, so very real,
That the sweet Model must have been the same;
A thing that you would purchase, beg, or steal,
Were't not impossible, besides a shame;
The face recalls some face, as 'twere with pain,
You once have seen, but ne'er will see again.

XIV.
One of those forms which flit by us, when we
Are young, and fix our eyes on every face;
And, oh! the Loveliness at times we see
In momentary gliding, the soft grace,
The Youth, the Bloom, the Beauty which agree
In many a nameless being we retrace,
Whose course and home we knew not, nor shall know,
Like the lost Pleiad seen no more below.

XV.
I said that like a picture by Giorgione
Venetian women were, and so they are,
Particularly seen from a balcony
(For Beauty's sometimes best set off afar)
And there, just like a heroine of Goldoni,
They peep from out the blind, or o'er the bar;
And truth to say they're mostly very pretty,
And rather like to show it, more's the Pity!

XVI.
For glances beget ogles, ogles sighs,
Sighs wishes, wishes words, and words a letter,
Which flies on wings of light-heel'd Mercuries,
Who do such things because they know no better;
And then, God knows! what Mischief may arise,
When Love links two young people in one fetter:
Vile assignations, and adulterous beds,
Elopements, broken vows, and hearts, and heads.

XVII.
Shakespeare described the Sex in Desdemona
As very fair, but yet suspect in fame,
And to this day from Venice to Verona
Such matters may be probably the same,
Except that since those times was never known a
Husband whom mere Suspicion could inflame
To suffocate a wife no more than twenty,
Because she had a 'Cavalier Servente.'

XVIII.
Their jealousy (if they are ever jealous)
Is of a fair complexion altogether,
Not like that sooty devil of Othello's,
Which smothers women in a bed of feather,
But worthier of these much more jolly fellows,
When weary of the matrimonial tether
His head for such a wife no mortal bothers,
But takes at once another, or another's.

XIX.
Didst ever see a Gondola? For fear
You should not, I'll describe it you exactly:
'Tis a long cover'd boat that's common here,
Carved at the prow, built lightly, but compactly,
Row'd by two rowers, each call'd 'Gondolier,'
It glides along the water looking blackly,
Just like a Coffin clapt in a Canoe,
Where none can make out what you say or do.

XX.
And up and down the long Canals they go,
And under the Rialto shoot along
By night and day, all paces, swift or slow,
And round the theatres, a sable throng,
They wait in their dusk livery of woe,--
But not to them do woeful things belong,
For sometimes they contain a deal of fun,
Like Mourning Coaches when the funeral’s done.

XXI.
But to my story.--'Twas some years ago,
It may be thirty, forty, more or less,
The Carnival was at its height, and so
Were all kinds of Buffoonery and dress;
A Certain Lady went to see the show,
Her real name I know not, nor can guess,
And so we'll call her Laura, if you please,
Because it slips into my verse with ease.

XXII.
She was not old, nor young, nor at the years
Which certain people call a 'certain Age,'
Which yet the most uncertain age appears,
Because I never heard, nor could engage
A person yet by prayers, or bribes, or tears,
To name, define by speech, or write on page,
The period meant precisely by that word,--
Which surely is exceedingly absurd.

XXIII.
Laura was blooming still, had made the best
Of Time, and Time return'd the compliment,
And treated her genteelly, so that, 'drest,
She look'd extremely well where'er she went;
A pretty woman is a welcome guest,
And Laura's brow a frown had rarely bent;
Indeed, she shone all Smiles, and seem'd to flatter
Mankind with her black eyes for looking at her.

XXIV.
She was a married woman; 'tis convenient,
Because in Christian countries 'tis a rule
To view their little slips with eyes more lenient;
Whereas if single ladies play the fool
(Unless within the period intervenient
A well-timed wedding makes the scandal cool),
I don't know how they ever can get over it,
Except they manage never to discover it.

XXV.
Her husband sail'd upon the Adriatic,
And made some voyages, too, in other seas,
And when he lay in Quarantine for Pratique
(A forty days' precaution 'gainst disease),
His wife would mount, at times, her highest attic,
For thence she could discern the ship with ease;
He was a Merchant trading to Aleppo,
His name Giuseppe--call'd more briefly, Beppo.

XXVI.
He was a man as dusky as a Spaniard,
Sunburnt with travel, yet a portly figure;
Though colour'd, as it were, within a tan-yard,
He was a person both of sense and vigour--
A better Seaman never yet did man yard;
And She, although her manners show'd no rigour,
Was deem'd a woman of the strictest principle,
So much as to be thought almost invincible.

XXVII.
But several years elapsed since they had met;
Some people thought the ship was lost, and some
That he had somehow blunder'd into debt,
And did not like the thought of steering home;
And there were several offer'd any bet,
Or that he would, or that he would not come,
For Most Men (till by losing render'd sager)
Will back their own opinions with a wager.

XXVIII.
'Tis said that their last parting was pathetic,
As partings often are, or ought to be,
And their presentiment was quite prophetic,
That they should never more each other see,
(A sort of morbid feeling, half poetic,
Which I have known occur in two or three)
When kneeling on the shore upon her sad knee
He left this Adriatic Ariadne.

XXIX.
And Laura waited long, and wept a little,
And thought of wearing weeds, as well she might;
She almost lost all appetite for victual,
And could not sleep with ease along at night;
She deem'd the window-frames and shutters brittle
Against a daring House-breaker or Sprite,
And so She thought it prudent to connect her.
With a Vice-husband, chiefly to protect her.

XXX.
She chose, (and what is there they will not choose,
If only you will but oppose their choice?)
Till Beppo should return from his long cruise,
And bid once more her faithful heart rejoice,
A Man some women like, and yet abuse--
A Coxcomb was he by the public voice;
A Count of wealth, they said, as well as quality,
And (in his pleasures) of great liberality.

XXXI.
And then he was A Count, and then he knew
Music, and dancing, fiddling, French and Tuscan;
The last not easy, be it known to you.
For few Italians speak the right Etruscan.
He was a Critic upon Operas, too,
And knew all niceties of the sock and buskin;
And no Venetian audience could endure a
Song, scene, or air, when he cried 'Seccatura!'

XXXII.
His 'Bravo' was decisive—for that sound
Hush'd 'Academie' sigh'd in silent awe;
The fiddlers trembled as he look'd around,
For fear of some false note's detected flaw;
The 'Prima Donna's' tuneful heart would bound,
Dreading the deep damnation of his 'Bah!'
Soprano, Basso, even the Contra-Alto,
Wish'd him five fathom under the Rialto.

XXXIII.
He patronised the Improvisatori,
Nay, could himself extemporise some stanzas;
Wrote rhymes, sang songs, could also tell a story,
Sold pictures, and was skilful in the dance as
Italians can be--though in this their glory
Must surely yield the palm to that which France has;
In short, he was a perfect Cavaliero,
And to his very Valet seem'd a Hero.

XXXIV.
Then he was faithful too, as well as amorous;
So that no sort of female could complain--
Although they're now and then a little clamourous,
He never put the pretty souls in pain;
His heart was one of those which most enamour us,
Wax to receive, and Marble to retain:
He was a lover of the good old School,
Who still become more constant as they cool.

XXXV.
No wonder such accomplishments should turn
A female head, however sage and steady--
With scarce a hope that Beppo could return,
In law he was almost as good as dead, he
Nor sent, nor wrote, nor show'd the least concern,
And she had waited several years already;
And really if a Man won't let us know
That he's alive, he's dead, or should be so.

XXXVI.
Besides, within the Alps, to every woman,
(Although, God knows! it is a grievous sin)
'Tis, I may say, permitted to have two men;
I can't tell who first brought the custom in,
But 'Cavalier Serventes' are quite common,
And no one notices nor cares a pin;
And we may call this (not to say the worst)
A Second Marriage which corrupts the First.

XXXVII.
The word was formerly a 'Cicisbeo,'
But that is now grown vulgar and indecent;
The Spaniards call the person a 'Cortejo,'
For the same Mode subsists in Spain, though recent;
In short, it reaches from the Po to Teio,
And may perhaps at last be o'er the Sea sent;
But Heaven preserve Old England from such courses!
Or what becomes of damage and divorces?

XXXVIII.
However, I still think, with all due deference
To the fair single part of the Creation,
That married ladies should preserve the preference
In tête-à-tête or general conversation--
And this I say without peculiar reference
To England, France, or any other nation--
Because they know the world, and are at ease,
And being natural, naturally please.

XXXIX.
'Tis true, your budding Miss is very charming,
But shy and awkward at first coming out,
So much alarm'd, that she is quite alarming,
All Giggle, Blush--half Pertness, and half-Pout--
And glancing at Mamma, for fear there's harm in
What you, she, it, or they, may be about;
The nursery still lisps out in all they utter--
Besides, they always smell of Bread and Butter.

XL.
But 'Cavalier Servente' is the phrase
Used in politest circles to express
This supernumary slave, who stays
Close to the lady as a part of dress--
Her word the only law which he obeys.
His is no Sinecure, as you may guess;
Coach, Servants, Gondola, he goes to call,
And carries fan and tippet, gloves and shawl.

XLI.
With all its sinful doings, I must say,
That Italy's a pleasant place to me,
Who love to see the Sun shine every day,
And vines (not nail’d to walls) from tree to tree
Festoon'd, much like the back Scene of a play,
Or Melodrame, which people flock to see
When the first act is ended by a dance
In Vineyards copied from the South of France.

XLII.
I like on Autumn evenings to ride out,
Without being forced to bid my Groom be sure
My Cloak is round his middle strapp'd about,
Because the skies are not the most secure;
I know too that, if stopp'd upon my route
Where the green alleys windingly allure,
Reeling with grapes red waggons choke the way--
In England 'twould be dung, dust, or a dray.

XLIII.
I also like to dine on Becaficas,
To see the Sun set, sure he'll rise tomorrow,
Not through a misty morning twinkling weak as
A drunken man's dead eye in maudlin sorrow,
But with all Heaven t' himself; the Day will break as
Beauteous as cloudless, nor be forced to borrow
That sort of farthing candlelight which glimmers
Where reeking London's smoky Caldron simmers.

XLIV.
I love the language, that soft bastard Latin,
Which melts like kisses from a female mouth,
And sounds as if it should be writ on satin,
With syllables which breathe of the sweet South,
And gentle liquids gliding all so pat in
That not a single accent seems uncouth--
Like our harsh Northern whistling, grunting guttural,
Which we're obliged to hiss, and spit, and sputter all.

XLV.
I like the women too (Forgive my folly!)
From the rich peasant cheek of ruddy bronze,
And large black eyes that flash on you a volley
Of rays that say a thousand things at once,
To the high Dama's brow, more melancholy,
But clear, and with a wild and liquid Glance,
Heart on her lips, and Soul within her eyes,
Soft as her clime, and Sunny as her skies.

XLVI.
Eve of the land which still is Paradise!
Italian Beauty! didst thou not inspire
Raphael, who died in thy embrace, and vies
With all we know of Heaven, or can desire
In what he hath bequeath'd us?--in what guise,
Though flashing from the fervour of the Lyre,
Would Words describe thy past and present Glow,
While yet Canova can create below?

XLVII.
'England! with all thy faults I love thee still!'
I said at Calais, and have not forgot it;
I like to speak and lucubrate my fill;
I like the Government (but that is not it);
I like the freedom of the press and quill;
I like the Hapeas Corpus (when we've got it);
I like a parliamentary debate,
Particularly when 'tis not too late;

XLVIII.
I like the taxes, when they're not too many;
I like a sea-coal fire, when not too dear;
I like a beef-steak, too, as well as any;
Have no objection to a pot of beer;
I like the weather--when it is not rainy--
That is, I like two months of every Year;
And so God save the Regent, Church, and King!
Which means that I like all and every thing.

XLIX.
Our standing Army, and disbanded Seamen,
Poor's rate, Reform, my own, the nation's debt,
Our little Riots just to show we're free men,
Our trifling Bankruptcies in the Gazette,
Our cloudy Climate, and our chilly Women;
All these I can forgive, and those forget,
And greatly venerate our recent glories,
And wish they were not owing to the Tories.

L.
But to my tale of Laura--for I find
Digression is a sin, that by degrees
Becomes exceeding tedious to my mind,
And, therefore, may the reader too displease--
The gentle reader--who may wax unkind,
And caring little for the Author’s ease,
Insist on knowing what he means, a hard
And hapless situation for a Bard.

LI.
Oh that I had the art of easy writing
What should be easy reading! could I scale
Parnassus, where the Muses sit inditing
Those pretty poems never known to fail!
How quickly would I print (the world delighting)
A Grecian, Syrian, or Assyrian tale;
And sell you, mix'd with Western sentimentalism,
Some samples of the finest Orientalism.

LII.
But I am but a nameless sort of person
(A broken Dandy lately on my travels)
And take for Rhyme, to hook my rambling Verse on,
The first that Walker's Lexicon unravels,
And when I can't find that, I put a worse on,
Not caring as I ought for Critics' cavils;
I've half a mind to tumble down to prose,
But Verse is more in fashion--so here goes!

LIII.
The Count and Laura made their new arrangement,
Which lasted, as Arrangements sometimes do,
For half a dozen years without estrangement;
They had their little differences, too;
Those jealous whiffs, which never any change meant;
In such affairs there probably are few
Who have not had this pouting sort of squabble,
From Sinners of high station to the Rabble.

LIV.
But, on the whole, they were a happy pair,
As happy as unlawful love could make them;
The Gentleman was fond, the Lady fair,
Their chains so slight 'twas not worth while to break them;
The World beheld them with indulgent air;
The Pious only wish'd 'the Devil take them!'
He took them not; he very often waits,
And leaves old Sinners to be young ones’ baits.

LV.
But they were young; Oh! what without our youth
Would Love be! What would youth be without love!
Youth lends it joy, and sweetness, vigour, truth,
Heart, soul, and all that seems as from above;
But, languishing with years, it grows uncouth--
One of few things Experience don't improve,
Which is perhaps the reason why old fellows
Are always so preposterously jealous.

LVI.
It was the Carnival, as I have said
Some six and thirty stanzas back, and so
Laura the usual preparations made,
Which you do when your mind's made up to go
To-night to Mrs. Boehm's Masquerade,
Spectator, or Partaker in the show;
The only difference known between the cases
Is here, we have six weeks of 'varnish'd faces.'

LVII.
Laura, when dress'd, was (as I sang before)
A pretty woman as was ever seen,
Fresh as the Angel o'er a new Inn door,
Or frontispiece of a new Magazine,
With all the Fashions which the last month wore,
Colour'd, and silver paper leaved between
That and the title-page, for fear the Press
Should soil with parts of speech the parts of dress.

LVIII.
They went to the Ridotto;--'tis a hall
Where people dance, and sup, and dance again--
Its proper name perhaps were a masqued Ball,
But that’s of no importance to my strain;
'Tis (on a smaller scale) like our Vauxhall,
Excepting that it can't be spoilt by Rain;
The company is 'mix'd' (the phrase I quote is
As much as saying they're below your Notice).

LIX.
For a 'mix'd company' implies that, save
Yourself and friends and half a hundred more
Whom you may bow to without looking grave,
The rest are but a vulgar set--the Bore
Of public places, where they basely brave
The fashionable stare of twenty score
Of well-bred persons call'd 'The World'--but I,
Although I know them, really don't know why.

LX.
This is the case in England, at least was
During the dynasty of Dandies, now
Perchance succeeded by some other class
Of imitated Imitators :-- how
Irreparably soon decline, alas!
The Demagogues of fashion; all below
Is frail; how easily the World is lost
By Love, or War, and now and then by Frost!

LXI.
Crush'd was Napoleon by the northern Thor,
Who knock’d his army down with icy hammer,
Stopp'd by the Elements, like a Whaler, or
A blundering Novice in his new French grammar;
Good cause had he to doubt the chance of War,
And as for Fortune--but I dare not d___n her,
Because, were I to ponder to Infinity,
The more I should believe in her Divinity.

LXII.
She rules the present, past, and all to be yet;
She gives us luck in lotteries, love, and marriage;
I cannot say that she’s done much for me yet,
Not that I mean her bounties to disparage--
We've not yet closed accounts--and we shall see yet
How much she'll make amends for past miscarriage.
Meantime the Goddess I'll no more importune,
Unless to thank her when she's made my fortune.

LXIII.
To turn--and to return, the Devil take it!
This Story slips for ever through my fingers,
Because, just as the Stanza likes to make it,
It needs must be, and so it rather lingers:
This form of verse began, I can't well break it,
But must keep time and tune like public Singers;
But if I once get through my present measure,
I'll take another when I'm at leisure.

LXIV.
They went to the Ridotto ('tis a place
To which I mean to go myself to-morrow,
Just to divert my thoughts a little space,
Because I’m rather hippish, and may borrow
Some spirits, guessing at what kind of face
May lurk beneath each mask; and as my sorrow
Slackens its pace sometimes, I'll make or find
Something shall leave it half an hour behind).

LXV.
Now Laura moves along the joyous crowd--
Smiles in her eyes, and simpers on her lips--
To some she whispers, others speaks aloud;
To some she curtsies, and to some she dips,
Complains of warmth and, this complaint avow'd,
Her lover brings the Lemonade she sips;
She then surveys, condemns, but pities still
Her dearest friends for being dress'd so ill.

LXVI.
One has false curls, another too much paint,
A third--where did She buy that frightful turban?
A fourth's so pale she fears she's going to faint,
A fifth's look's vulgar, dowdyish, and suburban,
A sixth's white silk has got a yellow taint,
A seventh's thin Muslin surely will be her bane,
And lo! an eighth appears--'I'll see no more!'
For fear, like Banquo's kings, they reach a score.

LXVII.
Meantime, while she was thus at others gazing,
Others were leveling their looks at her;
She heard the Men's half-whisper'd mode of praising,
And, till ’twas done, determined not to stir;
The women only thought it quite amazing
That, at her time of Life, so many were
Admirers still--but Men are so debased,
Those brazen creatures always suit their taste.

LXVIII.
For my part now, I ne'er could understand
Why naughty Women--but I won’t discuss
A thing which is a Scandal to the land;
I only don't see why it should be thus;
And if I were but in a gown and band--
Just to entitle me to make a fuss--
I'd preach on this till Wilberforce and Romilly
Should quote in their next speeches from my homily.

LXIX.
While Laura thus was seen, and seeing, smiling,
Talking, she knew not why, and cared not what,
So that her female friends, with envy broiling,
Beheld her airs and triumph, and all that,
And well-dress'd males still kept before her filing,
And passing bow'd and mingled with her chat;
More than the rest, one person seem'd to stare
With pertinacity that's rather rare.

LXX.
He was a Turk, the colour of mahogany;
And Laura saw him, and at first was glad,
Because the Turks so much admire Phylogyny,
Although their usage of their wives is sad;
'Tis said they use no better than a dog any
Poor woman, whom they purchase like a pad;
They have a number, though they ne'er exhibit 'em,
Four Wives by law, and Concubines 'ad libitum.'

LXXI.
They lock them up, and veil and guard them daily;
They scarcely can behold their male relations,
So that their moments do not pass so gaily
As is supposed the case with Northern nations;
Confinement, too, must make them look quite palely;
And as the Turks abhor long conversations,
Their days are either pass'd in doing nothing,
Or bathing, nursing, making love, and clothing.

LXXII.
They cannot read--and so don't lisp in Criticism;
Nor write--and so they don't affect the Muse;
Were never caught in epigram or witticism,
Have no romances, sermons, plays, reviews--
In harams Learning soon would make a pretty schism!
But luckily these beauties are no 'Blues;'
No bustling Botherbys have they to show 'em
'That charming passage in the last new poem!'

LXXIII.
No solemn Antique gentleman of rhyme,
Who, having angled all his life for Fame
And getting but a nibble at a time,
Still fussily keeps fishing on, the same
Small 'Triton of the Minnows,' the sublime
Of mediocrity, the furious tame,
The echo’s Echo, usher of the School
Of female Wits, boy bards--in short, a fool!

LXXIV.
A stalking Oracle of awful phrase,
The approving 'Good!' (By no means GOOD in law)
Humming like flies around the newest blaze,
The bluest of Bluebottles you e'er saw,
Teasing with blame, excruciating with praise,
Gorging the little fame he gets all raw,
Translating tongues he knows not even by letter,
And sweating plays so middling, bad were better.

LXXV.
One hates an Author that's all Author, fellows
In foolscap uniforms turn'd up with ink,
So very anxious, clever, fine, and jealous,
One don't know what to say to them, or think,
Unless to puff them with a pair of Bellows;
Of Coxcombry's worst Coxcombs e'en the pink
Are preferable to these shreds of paper,
These unquench'd snufflings of the midnight taper.

LXXVI.
Of these same we see several, and of others,
Men of the World, who know the world like men,
Scott, Rogers, Moore, and all the better brothers
Who think of something else besides the pen;
But for the Children of the 'Mighty Mother's'--
The would-be Wits, and can’t-be Gentlemen--
I leave them to their daily 'Tea is ready,'
Smug Coterie, and Literary Lady.

LXXVII.
The poor dear Mussulwomen whom I mention
Have none of these instructive, pleasant people,
And One would seem to them a new Invention,
Unknown as bells within a Turkish steeple;
I think 'twould almost be worth while to pension
(Though best-sown projects very often reap ill)
A Missionary Author, just to preach
Our Christian usage of the parts of Speech.

LXXVIII.
No Chemistry for them unfolds her gases,
No Metaphysics are let loose in lectures,
No Circulating Library amasses
Religious novels, moral tales, and strictures
Upon the living manners, as they pass us;
No Exhibition glares with annual pictures;
They stare not on the Stars from out their Attics,
Nor deal (thank God for that!) in Mathematics.

LXXIX.
Why I thank God for that is no great matter;
I have my reasons, you no doubt suppose,
And as perhaps they would not highly flatter,
I'll keep them for my life (to come) in prose;
I fear I have a little turn for Satire,
And yet, methinks, the older that one grows
Inclines us more to laugh than scold, though Laughter
Leaves us no doubly serious shortly after.

LXXX.
Oh, mirth and innocence! Oh, milk and water!
Ye happy mixtures of more happy days!
In these sad centuries of sin and slaughter,
Abominable Man no more allays
His thirst with such pure beverage. No matter,
I love you both, and both shall have my praise;
Oh, for old Saturn's reign of sugar-candy!
Meantime I drink to your return in Brandy.

LXXXI.
Our Laura's Turk still kept his eyes upon her,
Less in the Mussulman than Christian way,
Which seems to say, 'Madam, I do you honour,
And while I please to stare, you'll please to stay!'
Could staring win a woman, this had won her,
But Laura could not thus be led astray;
She had stood fire too long and well, is boggle
Even at this Stranger's most outlandish Ogle.

LXXXII.
The Morning now was on the point of breaking,
A turn of time at which I would advise
Ladies who have been dancing, or partaking
In any other kind of Exercise,
To make their preparations for forsaking
The Ball-room ere the Sun begins to rise,
Because when once the lamps and candles fail,
His Blushes make them look a little pale.

LXXXIII.
I've seen some balls and revels in my time,
And stay'd them over for some silly reason;
And then I look'd (I hope it was no crime)
To see what lady best stood out the Season;
And though I've seen some thousands in their prime,
Lovely and pleasing, and who still may please on,
I never saw but One (the stars withdrawn)
Whose bloom could, after dancing, dare the dawn.

LXXXIV.
The name of this Aurora I'll not mention,
Although I might, for She was nought to me
More than that patent work of God's invention,
A charming woman, whom we like to see;
But writing names would merit reprehension,
Yet if you like to find out this fair She,
At the next London or Parisian ball
You still may mark her cheek, out-blooming all.

LXXXV.
Laura, who knew it would not do at all
To meet the daylight after seven hours' sitting
Among three thousand people at a ball,
To make her curtsy thought it right and fitting;
The Count was at her elbow with her shawl,
And they the room were on the point of quitting,
When lo! those cursed gondoliers had got
Just in the very place where they should not.

LXXXVI.
In this they're like our Coachmen, and the cause
Is much the same--the Crowd, and pulling, hauling--
With blasphemies enough to break their jaws--
They make a never-intermitted bawling.
At home, our Bow Street Gem'men keep the laws,
And here a Sentry stands within your calling;
But for all that, there is a deal of swearing,
And nauseous words past mentioning or bearing.

LXXXVII.
The Count and Laura found their boat at last,
And homeward floated o'er the silent tied,
Discussing all the dances gone and past;
The Dancers and their dresses, too, beside.
Some little Scandals eke; but all aghast
(As to their palace-stairs the rowers glide)
Sate Laura by the side of her Adorer,
When lo! the Mussulman was there before her!

LXXXVIII.
'Sir!' said the Count, with brow exceeding grave,
'Your unexpected presence here will make
It necessary for myself to crave
Its import--but perhaps 'tis a mistake.
I hope it is so, and at once to waive
All compliment--I hope so for your sake;
You understand my meaning, or you shall.'
'Sir' (quoth the Turk), ''tis no mistake at all:

LXXXIX.
'That Lady is my Wife!' Much wonder paints
The Lady's changing cheek, as well it might,
But where an Englishwoman sometimes faints,
Italian females don't do so outright;
They only call a little on their Saints,
And then come to themselves, almost or quite,
Which saves much hartshorn, salts, and sprinkling faces,
And cutting stays, as usual in such cases.

XC.
She said—what could she say? why, not a word:
But the Count courteously invited in
The Stranger, much appeased by what he heard;
'Such things perhaps we'd best discuss within,'
Said he, 'don't let us make ourselves absurd
In public, by a Scene, nor raise a din,
For then the chief and only satisfaction
Will be much quizzing on the whole transaction.'

XCI.
They enter'd, and for coffee call'd; it came,
A beverage for Turks and Christians both,
Although the way they make it's not the same.
Now Laura, much recover'd, or less loth
To speak, cries 'Beppo! what's your Pagan name?
Bless me! your beard is of amazing growth!
And how came you to keep away so long?
Are you not sensible 'twas very wrong?

XCII.
'And are you really, truly, now a Turk?
With any other women did you wive?
Is't true they use their fingers for a fork?
Well, that's the prettiest Shawl--as I'm alive!
You'll give it me? They say you eat no pork.
And how so many years did you contrive
To--Bless me! did I ever? No, I never
Saw a man grown so yellow! How’s your liver?

XCIII.
'Beppo! that beard of yours becomes you not;
It shall be shaved before you're a day older;
Why do you wear it? Oh! I had forgot--
Pray don't you think the weather here is colder?
How do I look? You shan't stir from this spot
In that queer dress, for fear that some beholder
Should find you out, and make the story known.
How short your hair is! Lord! how grey it’s grown!'

XCIV.
What answer Beppo made to these demands
Is more than I know. He was cast away
About where Troy stood once, and Nothing stands;
Became a Slave of course, and for his pay
Had bread and bastinadoes, till some bands
Of pirates landing in a neighbouring bay,
He join'd the rogues and prosper’d, and became
A Renegado of indifferent fame.

XCV.
But he grew rich, and with his riches grew so
Keen the desire to see his home again,
He thought himself in duty bound to do so,
And not be always thieving on the Main;
Lonely he felt at times as Robin Crusoe,
And so he hired a vessel come from Spain,
Bound for Corfu: she was a fine polacca,
Mann'd with twelve hands, and laden with tobacco.

XCVI.
Himself, and much (Heaven knows how gotten!) Cash,
He then embark'd, with risk of life and limb,
And got clear off, although the attempt was rash.
He said that Providence protected him;
For my part, I say nothing--lest we clash
In our opinions--well, the Ship was trim,
Set sail, and kept her reckoning fairly on,
Except three days of calm when off Cape Bonn.

XCVII.
They reach'd the Island, he transferr'd his lading
And self and live stock to another bottom,
And pass'd for a true Turkey-Merchant, trading
With goods of various names--but I've forgot 'em.
However, he got off by this evading,
Or else the people would perhaps have shot him;
And thus at Venice landed to reclaim
His wife, religion, house, and Christian name.

XCVIII.
His Wife received, the Patriarch re-baptised him
(He made the Church a present, by the way);
He then threw off the Garments which disguised him
And borrow'd the Count's small clothes for a day:
His friends the more for his long absence prized him,
Finding he'd wherewithal to make them gay,
With dinners--where he oft became the laugh of them;
For stories--but I don’t believe the half of them.

XCIX.
Whate'er his Youth had suffer'd, his old Age
With wealth and talking made him some amends;
Though Laura sometimes put him in a rage,
I've heard the Count and He were always friends.
My pen is at the bottom of a page,
Which being finish'd, here the story ends;
'Tis to be wish'd it had been sooner done,
But Stories somehow lengthen when begun.

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Beppo

I.
'Tis known, at least it should be, that throughout
All countries of the Catholic persuasion,
Some weeks before Shrove Tuesday comes about,
The people take their fill of recreation,
And buy repentance, ere they grow devout,
However high their rank, or low their station,
With fiddling, feasting, dancing, drinking, masking,
And other things which may be had for asking.

II.
The moment night with dusky mantle covers
The skies (and the more duskily the better),
The time less liked by husbands than by lovers
Begins, and prudery flings aside her fetter;
And gaiety on restless tiptoe hovers,
Giggling with all the gallants who beset her;
And there are songs and quavers, roaring, humming,
Guitars, and every other sort of strumming.

III.
And there are dresses splendid, but fantastical,
Masks of all times and nations, Turks and Jews,
And harlequins and clowns, with feats gymnastical,
Greeks, Romans, Yankee-doodles, and Hindoos;
All kinds of dress, except the ecclesiastical,
All people, as their fancies hit, may choose,
But no one in these parts may quiz the clergy, —
Therefore take heed, ye Freethinkers! I charge ye.

IV.
You'd better walk about begirt with briars,
Instead of coat and smallclothes, than put on
A single stitch reflecting upon friars,
Although you swore it only was in fun;
They'd haul you o'er the coals, and stir the fires
Of Phlegethon with every mother's son,
Nor say one mass to cool the caldron's bubble
That boil'd your bones, unless you paid them double.

V.
But saving this, you may put on whate'er
You like by way of doublet, cape, or cloak.
Such as in Monmouth-street, or in Rag Fair,
Would rig you out in seriousness or joke;
And even in Italy such places are,
With prettier name in softer accents spoke,
For, bating Covent Garden, I can hit on
No place that's called "Piazza" in Great Britain.

VI.
This feast is named the Carnival, which being
Interpreted, implies "farewell to flesh:"
So call'd, because the name and thing agreeing,
Through Lent they live on fish, both salt and fresh.
But why they usher Lent with so much glee in,
Is more than I can tell, although I guess
'Tis as we take a glass with friends at parting,
In the stage-coach or packet, just at starting,

VII.
And thus they bid farewell to carnal dishes,
And solid meats, and highly spiced ragouts,
To live for forty days on ill-dress'd fishes,
Because they have no sauces to their stews;
A thing which causes many "poohs" and "pishes,"
And several oaths (which would not suit the Muse),
From travellers accustom'd from a boy
To eat their salmon, at the least, with soy;

VIII.
And therefore humbly I would recommend
"The curious in fish-sauce," before they cross
The sea, to bid their cook, or wife, or friend,
Walk or ride to the Strand, and buy in gross
(Or if set out beforehand, these may send
By any means least liable to loss)
Ketchup, Soy, Chili-vinegar, and Harvey,
Or by the Lord! a Lent will well nigh starve ye;

IX.
That is to say, if your religion's Roman,
And you at Rome would do as Romans do,
According to the proverb, — although no man
If foreign, is obliged to fast; and you
If Protestant, or sickly, or a woman,
Would rather dine in sin on a ragout —
Dine and be d—d! I don't mean to be coarse,
But that's the penalty, to say no worse.

X.
Of all the places where the Carnival
Was most facetious in the days of yore,
For dance, and song, and serenade, and ball,
And masque, and mime, and mystery, and more
Than I have time to tell now, or at all,
Venice the bell from every city bore, —
And at the moment when I fix my story,
That sea-born city was in all her glory.

XI.
They've pretty faces yet, those same Venetians,
Black-eyes, arch'd brows, and sweet expressions still;
Such as of old were copied from the Grecians,
In ancient arts by moderns mimick'd ill;
And like so many Venuses of Titian's
(The best's at Florence — see it, if ye will),
They look when leaning over the balcony,
Or stepp'd from out a picture by Giorgione,

XII.
Whose tints are truth and beauty at their best;
And when you to Manfrini's palace go,
That picture (howsoever fine the rest)
Is loveliest to my mind of all the show;
It may perhaps be also to your zest,
And that's the cause I rhyme upon it so:
'Tis but a portrait of his son, and wife,
And self; but such a woman! love in life!

XIII.
Love in full life and length, not love ideal,
No, nor ideal beauty, that fine name,
But something better still, so very real,
That the sweet model must have been the same;
A thing that you would purchase, beg, or steal,
Were 't not impossible, besides a shame:
The face recalls some face, as't were with pain,
You once have seen, but ne'er will see again.

XIV.
One of those forms which flit by us, when we
Are young, and fix our eyes on every face;
And, oh! the loveliness at times we see
In momentary gliding, the soft grace,
The youth, the bloom, the beauty which agree,
In many a nameless being we retrace,
whose course, and home we knew not, nor shall know,
Like the lost Pleiad seen no more below.

XV.
I said that like a picture by Giorgione
Venetian women were, and so they are,
Particularly seen from a balcony
(For beauty's sometimes best set off afar),
And there, just like a heroine of Goldoni,
They peep from out the blind, or o'er the bar;
And truth to say, they're mostly very pretty,
And rather like to show it, more's the pity!

XVI.
For glances beget ogles, ogles sighs,
Sighs wishes, wishes words, and words a letter,
Which flies on wings of light-heel'd Mercuries,
Who do such things because they know no better;
And then, God knows what mischief may arise,
When love links two young people in one fetter,
Vile assignations, and adulterous beds,
Elopements, broken vows, and hearts, and heads.

XVII.
Shakespeare described the sex in Desdemona
As very fair, but yet suspect in fame,
And to this day from Venice to Verona
Such matters may be probably the same,
Except that since those times was never known a
Husband whom mere suspicion could inflame
To suffocate a wife no more than twenty,
Because she had a "cavalier servente."

XVIII.
Their jealousy (if they are ever jealous)
Is of a fair complexion altogether,
Not like that sooty devil of Othello's,
Which smothers women in a bed of feather,
But worthier of these much more jolly fellows,
When weary of the matrimonial tether
His head for such a wife no mortal bothers,
But takes at once another, or another's.

XIX.
Didst ever see a Gondola? For fear
You should not, I'll describe it you exactly:
"Tis a long cover'd boat that's common here,
Carved at the prow, build lightly, but compactly,
Row'd by two rowers, each call'd "Gondolier,"
It glides along the water looking blackly,
Just like a coffin clapt in a canoe,
Where none can make out what you say or do.

XX.
And up and down the long canals they go,
And under the Rialto shoot along,
By night and day, all paces, swift or slow,
And round the theatres, a sable throng,
They wait in their dusk livery of woe, —
But not to them do woeful things belong,
For sometimes they contain a deal of fun,
Like mourning coaches when the funeral's done.

XXI.
But to my story. — 'Twas some years ago,
It may be thirty, forty, more or less,
The Carnival was at its height, and so
Were all kinds of buffoonery and dress;
A certain lady went to see the show,
Her real name I know not, nor can guess,
And so we'll call her Laura, if you please,
Because it slips into my verse with ease.

XXII.
She was not old, nor young, nor at the years
Which certain people call a "certain age,"
Which yet the most uncertain age appears,
Because I never heard, nor could engage
A person yet by prayers, or bribes, or tears,
To name, define by speech, or write on page,
The period meant precisely by that word, —
Which surely is exceedingly absurd.

XXIII.
Laura was blooming still, had made the best
Of time, and time return'd the compliment,
She look'd extremely well where'er she went;
A pretty woman is a welcome guest,
And Laura's brow a frown had rarely bent;
Indeed, she shone all smiles, and seem'd to flatter
Mankind with her black eyes for looking at her.

XXIV.
She was a married woman; 'tis convenient,
Because in Christian countries 'tis a rule
To view their little slips with eyes more lenient;
Whereas if single ladies play the fool
(Unless within the period intervenient
A well-times wedding makes the scandal cool),
I don't know how they ever can get over it,
Except they manage never to discover it.

XXV.
Her husband sail'd upon the Adriatic,
And made some voyages, too, in other seas,
And when he lay in quarantine for pratique
(A forty days' precaution 'gainst disease),
His wife would mount, at times, her highest attic,
For thence she could discern the ship with ease;
He was a merchant trading to Aleppo,
His name Giuseppe, call'd more briefly, Beppo.

XXVI.
He was a man as dusky as a Spaniard,
Sunburnt with travel, yet a portly figure;
Though colour'd, as it were, within a tan-yard,
He was a person both of sense and vigour —
A better seaman never yet did man yard;
And she, although her manners show'd no rigour,
Was deem'd a woman of the strictest principle,
So much as to be thought almost invincible.

XXVII.
But several years elapsed since they had met;
Some people thought the ship was lost, and some
That he had somehow blunder'd into debt,
And did not like the thought of steering home;
And there were several offer'd any bet,
Or that he would, or that he would not come;
For most men (till by losing render'd sager)
Will back their own opinions with a wager.

XXVIII.
'Tis said that their last parting was pathetic,
As partings often are, or ought to be,
And their presentiment was quite prophetic,
That they should never more each other see,
(A sort of morbid feeling, half poetic,
Which I have known occur in two or three,)
When kneeling on the shore upon her sad knee
He left this Adriatic Ariadne.

XXIX.
And Laura waited long, and wept a little,
And thought of wearing weeds, as well she might;
She almost lost all appetite for victual,
And could not sleep with ease along at night;
She deem'd the window-frames and shutters brittle
Against a daring housebreaker or sprite,
And so she thought it prudent to connect her.
With a vice-husband, chiefly to protect her.

XXX.
She chose, (and what is there they will not choose,
If only you will but oppose their choice?)
Till Beppo should return from his long cruise,
And bid once more her faithful heart rejoice,
A man some women like, and yet abuse —
A coxcomb was he by the public voice;
A Count of wealth, they said, as well as quality,
And in his pleasures of great liberality.

XXXI.
And then he was A Count, and then he knew
Music, and dancing, fiddling, French and Tuscan;
The last not easy, be it known to you.
For few Italians speak the right Etruscan.
He was a critic upon operas, too,
And knew all niceties of the sock and buskin;
And no Venetian audience could endure a
Song, scene, or air, when he cried "seccatura!"

XXXII.
His "bravo" was decisive, for that sound
Hush'd "Academie" sigh'd in silent awe;
The fiddlers trembled as he look'd around,
For fear of some false note's detected flaw;
The "prima donna's" tuneful heart would bound,
Dreading the deep damnation of his "bah!"
Soprano, basso, even the contra-alto,
Wish'd him five fathom under the Rialto.

XXXIII.
He patronised the Improvisatori,
Nay, could himself extemporise some stanzas,
Wrote rhymes, sang songs, could also tell a story,
Sold pictures, and was skilful in the dance as
Italians can be, though in this their glory
Must surely yield the palm to that which France has;
In short, he was a perfect cavaliero,
And to his very valet seem'd a hero.

XXIV.
Then he was faithful too, as well as amorous;
So that no sort of female could complain,
Although they're now and then a little clamourous,
He never put the pretty souls in pain;
His heart was one of those which most enamour us,
Wax to receive, and marble to retain:
He was a lover of the good old school,
Who still become more constant as they cool.

XXXV.
No wonder such accomplishments should turn
A female head, however sage and steady —
With scarce a hope that Beppo could return,
In law he was almost as good as dead, he
Nor sent, nor wrote, nor show'd the least concern,
And she had waited several years already;
And really if a man won't let us know
That he's alive, he's dead, or should be so.

XXXVI.
Besides, within the Alps, to every woman,
(Although, God knows, it is a grievous sin,)
'Tis, I may say, permitted to have two men;
I can't tell who first brought the custom in,
But "Cavalier Serventes" are quite common,
And no one notices nor cares a pin;
And we may call this (not to say the worst)
A second marriage which corrupts the first.

XXXVII.
The word was formerly a "Cicisbeo,"
But that is now grown vulgar and indecent;
The Spaniards call the person a "Cortejo,"
For the same mode subsists in Spain, though recent;
In short, it reaches from the Po to Teio,
And may perhaps at last be o'er the sea sent:
But Heaven preserve Old England from such courses!
Or what becomes of damage and divorces?

XXXVIII.
However, I still think, with all due deference
To the fair single part of the creation,
That married ladies should preserve the preference
In tête-à-tête or general conversation —
And this I say without peculiar reference
To England, France, or any other nation —
Because they know the world, and are at ease,
And being natural, naturally please.

XXXIX.
"Tis true, your budding Miss is very charming,
But shy and awkward at first coming out,
So much alarm'd, that she is quite alarming,
All Giggle, Blush; half Pertness, and half-Pout;
And glancing at Mamma, for fear there's harm in
What you, she, it, or they, may be about,
The nursery still lisps out in all they utter —
Besides, they always smell of bread and butter.

XL.
But "Cavalier Servente" is the phrase
Used in politest circles to express
This supernumerary slave, who stays
Close to the lady as a part of dress,
Her word the only law which he obeys.
His is no sinecure, as you may guess;
Coach, servants, gondola, he goes to call,
And carries fan and tippet, gloves and shawl.

XLI.
With all its sinful doings, I must say,
That Italy's a pleasant place to me,
Who love to see the Sun shine every day,
And vines (not nail'd to walls) from tree to tree
Festoon'd, much like the back scene of a play,
Or melodrame, which people flock to see,
When the first act is ended by a dance
In vineyards copied from the south of France.

XLII.
I like on Autumn evenings to ride out,
Without being forced to bid my groom be sure
My cloak is round his middle strapp'd about,
Because the skies are not the most secure;
I know too that, if stopp'd upon my route,
Where the green alleys windingly allure,
Reeling with grapes red waggons choke the way, —
In England 't would be dung, dust, or a dray.

XLIII.
I also like to dine on becaficas,
To see the Sun set, sure he'll rise tomorrow,
Not through a misty morning twinkling weak as
A drunken man's dead eye in maudlin sorrow,
But with all Heaven t'himself; the day will break as
Beauteous as cloudless, nor be forced to borrow
That sort of farthing candlelight which glimmers
Where reeking London's smoky caldron simmers.

XLIV.
I love the language, that soft bastard Latin,
Which melts like kisses from a female mouth,
And sounds as if it should be writ on satin,
With syllables which breathe of the sweet South,
And gentle liquids gliding all so pat in,
That not a single accent seems uncouth,
Like our harsh northern whistling, grunting guttural,
Which we're obliged to hiss, and spit, and sputter all.

XLV.
I like the women too (forgive my folly),
From the rich peasant cheek of ruddy bronze,
And large black eyes that flash on you a volley
Of rays that say a thousand things at once,
To the high dama's brow, more melancholy,
But clear, and with a wild and liquid glance,
Heart on her lips, and soul within her eyes,
Soft as her clime, and sunny as her skies.

XLVI.
Eve of the land which still is Paradise!
Italian beauty! didst thou not inspire
Raphael, who died in thy embrace, and vies
With all we know of Heaven, or can desire,
In what he hath bequeath'd us? — in what guise,
Though flashing from the fervour of the lyre,
Would words describe thy past and present glow,
While yet Canova can create below?

XLVII.
"England! with all thy faults I love thee still,"
I said at Calais, and have not forgot it;
I like to speak and lucubrate my fill;
I like the government (but that is not it);
I like the freedom of the press and quill;
I like the Hapeas Corpus (when we've got it);
I like a parliamentary debate,
Particularly when 'tis not too late;

XLVIII.
I like the taxes, when they're not too many;
I like a seacoal fire, when not too dear;
I like a beef-steak, too, as well as any;
Have no objection to a pot of beer;
I like the weather, when it is not rainy,
That is, I like two months of every year,
And so God save the Regent, Church, and King!
Which means that I like all and everything.

XLIX.
Our standing army, and disbanded seamen,
Poor's rate, Reform, my own, the nation's debt,
Our little riots just to show we are free men,
Our trifling bankruptcies in the Gazette,
Our cloudy climate, and our chilly women,
All these I can forgive, and those forget,
And greatly venerate our recent glories,
And wish they were not owing to the Tories.

L.
But to my tale of Laura, — for I find
Digression is a sin, that by degrees
Becomes exceeding tedious to my mind,
And, therefore, may the reader too displease —
The gentle reader, who may wax unkind,
And caring little for the author's ease,
Insist on knowing what he means, a hard
And hapless situation for a bard.

LI.
Oh that I had the art of easy writing
What should be easy reading! could I scale
Parnassus, where the Muses sit inditing
Those pretty poems never known to fail,
How quickly would I print (the world delighting)
A Grecian, Syrian, or Assyrian tale;
And sell you, mix'd with western sentimentalism,
Some samples of the finest Orientalism!

LII.
But I am but a nameless sort of person,
(A broken Dandy lately on my travels)
And take for rhyme, to hook my rambling verse on,
The first that Walker's Lexicon unravels,
And when I can't find that, I put a worse on,
Not caring as I ought for critics' cavils;
I've half a mind to tumble down to prose,
But verse is more in fashion — so here goes.

LIII.
The Count and Laura made their new arrangement,
Which lasted, as arrangements sometimes do,
For half a dozen years without estrangement;
They had their little differences, too;
Those jealous whiffs, which never any change meant;
In such affairs there probably are few
Who have not had this pouting sort of squabble,
From sinners of high station to the rabble.

LIV.
But on the whole, they were a happy pair,
As happy as unlawful love could make them;
The gentleman was fond, the lady fair,
Their chains so slight, 'twas not worth while to break them;
The world beheld them with indulgent air;
The pious only wish'd "the devil take them!"
He took them not; he very often waits,
And leaves old sinners to be young ones' baits.

LV.
But they were young: Oh! what without our youth
Would love be! What would youth be without love!
Youth lends it joy, and sweetness, vigour, truth,
Heart, soul, and all that seems as from above;
But, languishing with years, it grows uncouth —
One of few things experience don't improve,
Which is, perhaps, the reason why old fellows
Are always so preposterously jealous.

LVI.
It was the Carnival, as I have said
Some six and thirty stanzas back, and so
Laura the usual preparations made,
Which you do when your mind's made up to go
To-night to Mrs. Boehm's masquerade,
Spectator, or partaker in the show;
The only difference known between the cases
Is — here, we have six weeks of "varnish'd faces."

LVII.
Laura, when dress'd, was (as I sang before)
A pretty woman as was ever seen,
Fresh as the Angel o'er a new inn door,
Or frontispiece of a new Magazine,
With all the fashions which the last month wore,
Colour'd, and silver paper leaved between
That and the title-page, for fear the press
Should soil with parts of speech the parts of dress.

LVIII.
They went to the Ridotto; — 'tis a hall
Where people dance, and sup, and dance again;
Its proper name, perhaps, were a masqued ball,
But that's of no importance to my strain;
'Tis (on a smaller scale) like our Vauxhall,
Excepting that it can't be spoilt by rain;
The company is "mix'd" (the phrase I quote is
As much as saying they're below your notice);

LIX.
For a "mix'd company" implies that, save
Yourself and friends, and half a hundred more,
Whom you may bow to without looking grave,
The rest are but a vulgar set, the bore
Of public places, where they basely brave
The fashionable stare of twenty score
Of well-bred persons, call'd "The World;" but I,
Although I know them, really don't know why.

LX.
This is the case in England; at least was
During the dynasty of Dandies, now
Perchance succeeded by some other class
Of imitated imitators: — how
Irreparably soon decline, alas!
The demagogues of fashion: all below
Is frail; how easily the world is lost
By love, or war, and now and then by frost!

LXI.
Crush'd was Napoleon by the northern Thor,
Who knock'd his army down with icy hammer,
Stopp'd by the elements, like a whaler, or
A blundering novice in his new French grammar;
Good cause had he to doubt the chance of war,
And as for Fortune — but I dare not d—n her,
Because, were I to ponder to infinity,
The more I should believe in her divinity.

LXII.
She rules the present, past, and all to be yet,
She gives us luck in lotteries, love, and marriage;
I cannot say that she's done much for me yet;
Not that I mean her bounties to disparage,
We've not yet closed accounts, and we shall see yet;
How much she'll make amends for past miscarriage.
Meantime the Goddess I'll no more importune,
Unless to thank her when she's made my fortune.

LXIII.
To turn, — and return; — the devil take it!
This story slips for ever through my fingers,
Because, just as the stanza likes to make it,
It needs must be, and so it rather lingers:
This form of verse began, I can't well break it,
But must keep time and tune like public singers;
But if I once get through my present measure,
I'll take another when I'm at leisure.

LXIV.
They went to the Ridotto ('tis a place
To which I mean to go myself to-morrow,
Just to divert my thoughts a little space,
Because I'm rather hippish, and may borrow,
Some spirits, guessing at what kind of face
May lurk beneath each mask; and as my sorrow
Slackens its pace sometimes, I'll make, or find,
Something shall leave it half an hour behind).

LXV.
Now Laura moves along the joyous crowd,
Smiles in her eyes, and simpers on her lips;
To some she whispers, others speaks aloud;
To some she curtsies, and to some she dips,
Complains of warmth, and this complaint avow'd,
Her lover brings the lemonade, she sips;
She then surveys, condemns, but pities still
Her dearest friends for being dress'd so ill.

LXVI.
One has false curls, another too much paint,
A third — where did she buy that frightful turban?
A fourth's so pale she fears she's going to faint,
A fifth's look's vulgar, dowdyish, and suburban,
A sixth's white silk has got a yellow taint,
A seventh's thin muslin surely will be her bane,
And lo! an eighth appears, — "I'll see no more!"
For fear, like Banquo's kings, they reach a score.

LXVII.
Meantime, while she was thus at others gazing,
Others were leveling their looks at her;
She heard the men's half-whisper'd mode of praising,
And, till 'twas done, determined not to stir;
The women only thought it quite amazing
That, at her time of life, so many were
Admirers still, — but men are so debased,
Those brazen creatures always suit their taste.

LXVIII.
For my part, now, I ne'er could understand
Why naughty women — but I won't discuss
A thing which is a scandal to the land,
I only don't see why it should be thus;
And if I were but in a gown and band,
Just to entitle me to make a fuss,
I'd preach on this till Wilberforce and Romilly
Should quote in their next speeches from my homily.

LXIX.
While Laura thus was seen, and seeing, smiling,
Talking, she knew not why, and cared not what,
So that her female friends, with envy broiling,
Beheld her airs and triumph, and all that;
And well-dress'd males still kept before her filing,
And passing bow'd and mingled with her chat;
More than the rest one person seem'd to stare
With pertinacity that's rather rare.

LXX.
He was a Turk, the colour of mahogany;
And Laura saw him, and at first was glad,
Because the Turks so much admire phylogyny,
Although their usage of their wives is sad;
'Tis said they use no better than a dog any
Poor woman, whom they purchase like a pad;
They have a number, though the ne'er exhibit 'em,
Four wives by law, and concubines: ad libitum."

LXXI.
They lock them up, and veil, and guard them daily,
They scarcely can behold their male relations,
So that their moments do not pass so gaily
As is supposed the case with northern nations;
Confinement, too, must make them look quite palely;
And as the Turks abhor long conversations,
Their days are either pass'd in doing nothing,
Or bathing, nursing, making love, and clothing.

LXXII.
They cannot read, and so don't lisp in criticism;
Nor write, and so they don't affect the muse;
Were never caught in epigram or witticism,
Have no romances, sermons, plays, reviews, —
In harams learning soon would make a pretty schism,
But luckily these beauties are no "Blues;"
No bustling Botherbys have they to show 'em
"That charming passage in the last new poem;"

LXXIII.
No solemn, antique gentleman of rhyme,
Who having angled all his life for fame,
And getting but a nibble at a time,
Still fussily keeps fishing on, the same
Small "Triton of the minnows," the sublime
Of mediocrity, the furious tame,
The echo's echo, usher of the school
Of female wits, boy bards — in short, a fool!

LXXIV.
A stalking oracle of awful phrase
The approving "Good!" (By no means good in law,)
Humming like flies around the newest blaze,
The bluest of bluebottles you e'er saw,
Teasing with blame, excruciating with praise,
Gorging the little fame he gets all raw,
Translating tongues he knows not even by letter,
And sweating plays so middling, bad were better.

LXXV.
One hates an author that's all author, fellows
In foolscap uniforms turn'd up with ink,
So very anxious, clever, fine, and jealous,
One do'nt know what to say to them, or think,
Unless to puff them with a pair of bellows;
Of coxcombry's worst coxcombs e'en the pink
Are preferable to these shreds of paper,
These unquench'd snufflings of the midnight taper.

LXXVI.
Of these same we see several, and of others,
Men of the world, who know the world like men,
Scott, Rogers, Moore, and all the better brothers,
Who think of something else besides the pen;
But for the children of the "mighty mother's,"
The would-be wits, and can't-be gentlemen,
I leave them to their daily "tea is ready,"
Smug coterie, and literary lady.

LXXVII.
The poor dear Mussulwomen whom I mention
Have none of these instructive pleasant people,
And one would seem to them a new invention,
Unknown as bells within a Turkish steeple;
I think 't would almost be worth while to pension
(though best-sown projects ver often reap ill)
A missionary author, just to preach
Our Christian usage of the parts of speech.

LXXVIII.
No chemistry for them unfolds her gases,
No metaphysics are let loose in lectures,
No circulating library amasses
Religious novels, moral tales, and strictures
Upon the living manners, as they pass us;
No exhibition glares with annual pictures;
They stare not on the stars from out their attics,
Nor deal (thank God for that!) in mathematics.

LXXIX.
Why I thank God for that is no great matter,
I have my reasons, you no doubt suppose,
And as, perhaps, they would not highly flatter,
I'll keep them for my life (to come) in prose;
I fear I have a little turn for satire,
And yet methinks the older that one grows
Inclines us more to laugh than scold, though laughter
Leaves us no doubly serious shortly after.

LXXX.
Oh, mirth and innocence! Oh, milk and water!
Ye happy mixtures of more happy days!
In these sad centuries of sin and slaughter,
Abominable Man no more allays
His thirst with such pure beverage. No matter,
I love you both, and both shall have my praise;
Oh, for old Saturn's reign of sugar-candy! —
Meantime I drink to your return in brandy.

LXXXI.
Our Laura's Turk still kept his eyes upon her,
Less in the Mussulman than Christian way,
Which seems to say, "Madam, I do you honour,
And while I please to stare, you'll please to stay!"
Could staring win a woman, this had won her,
But Laura could not thus be led astray;
She had stood fire too long and well, is boggle
Even at this stranger's most outlandish ogle.

LXXXII.
The morning now was on the point of breaking
A turn of time at which I would advise
Ladies who have been dancing, or partaking
In any other kind of exercise,
To make their preparations for forsaking
The ball-room ere the sun begins to rise,
Because when once the lamps and candles fail,
His blushes make them look a little pale.

LXXXIII.
I've seen some balls and revels in my time,
And stay'd them over for some silly reason,
And then I look'd (I hope it was no crime)
To see what lady best stood out the season,
And though I've seen some thousands in their prime,
Lovely and pleasing, and who still may please on,
I never saw but one (the stars withdrawn)
Whose bloom could after dancing dare the dawn.

LXXXIV.
The name of this Aurora I'll not mention,
Although I might, for she was nought to me
More than that patent work of God's invention,
A charming woman, whom we like to see;
But writing names would merit reprehension,
Yet if you like to find out this fair she,
At the next London or Parisian ball
You still may mark her cheek out-blooming all.

LXXXV.
Laura, who knew it would not do at all
To meet the daylight after seven hours' sitting
Among three thousand people at a ball,
To make her curtsy thought it right and fitting;
The Count was at her elbow with her shawl,
And they the room were on the point of quitting,
When lo! those cursed gondoliers had got
Just in the very place where they should not.

LXXXVI.
In this they're like our coachmen, and the cause
Is much the same — the crowd, and pulling, hauling,
With blasphemies enough to break their jaws,
They make a never intermitted bawling.
At home, our Bow-street gemmen keep the laws,
And here a sentry stands within your calling;
But for all that, there is a deal of swearing,
And nauseous words past mentioning or bearing.

LXXXVII.
The Count and Laura found their boat at last,
And homeward floated o'er the silent tied,
Discussing all the dances gone and past;
The dancers and their dresses, too, beside;
Some little scandals eke; but all aghast
(As to their palace-stairs the rowers glide)
Sate Laura by the side of her Adorer,
When lo! the Mussulman was there before her.

LXXXVIII.
"Sir," said the Count, with brow exceeding grave,
"Your unexpected presence here will make
It necessary for myself to crave
Its import? But perhaps 'tis a mistake;
I hope it is so; and, at once to waive
All compliment, I hope so for your sake;
You understand my meaning, or you shall,"
"Sir" (quoth the Turk), "'tis no mistake at all:

LXXXIX.
"That lady is my wife!" Much wonder paints
The lady's changing cheek, as well it might;
But where an Englishwoman sometimes faints,
Italian females don't do so outright;
They only call a little on their saints,
And then come to themselves, almost or quite;
Which saves much hartshorn, salts, and sprinkling faces,
And cutting stays, as usual in such cases.

XC.
She said, — what could she say? Why, not a word:
But the Count courteously invited in
The stranger, much appeased by what he heard:
"Such things, perhaps, we'd best discuss within,"
Said he; "don't let us make ourselves absurd
In public, by a scene, nor raise a din,
For then the chief and only satisfaction
Will be much quizzing on the whole transaction."

XCI.
They enter'd, and for coffee call'd — it came,
A beverage for Turks and Christians both,
Although the way they make it's not the same.
Now Laura, much recover'd, or less loth
To speak, cries "Beppo! what's your pagan name?
Bless me! your beard is of amazing growth!
And how came you to keep away so long?
Are you not sensible 't was very wrong?

XCII.
"And are you really, truly, now a Turk?
With any other women did you wive?
Is 't true they use their fingers for a fork?
Well, that's the prettiest shawl — as I'm alive!
You'll give it me? They say you eat no pork.
And how so many years did you contrive
To — Bless me! did I ever? No, I never
Saw a man grown so yellow! How's your liver?

XCIII.
"Beppo! that beard of yours becomes you not;
It shall be shaved before you're a day older:
Why do you wear it? Oh! I had forgot —
Pray don't you think the weather here is colder?
How do I look? You shan't stir from this spot
In that queer dress, for fear that some beholder
Should find you out, and make the story known.
How short your hair is! Lord! how grey it's grown!"

XCIV.
What answer Beppo made to these demands
Is more than I know. He was cast away
About where Troy stood once, and nothing stands;
Became a slave of course, and for his pay
Had bread and bastinadoes, till some bands
Of pirates landing in a neighbouring bay,
He join'd the rogues and prosper'd, and became
A renegado of indifferent fame.

XCV.
But he grew rich, and with his riches grew so
Keen the desire to see his home again,
He thought himself in duty bound to do so,
And not be always thieving on the main;
Lonely he felt, at times, as Robin Crusoe,
And so he hired a vessel come from Spain,
Bound for Corfu: she was a fine polacca,
Mann'd with twelve hands, and laden with tobacco.

XCVI.
Himself, and much (Heaven knows how gotten!) cash,
He then embark'd, with risk of life and limb
And got clear off, although the attempt was rash;
He said that Providence protected him —
For my part, I say nothing — lest we clash
In our opinions: — well, the ship was trim,
Set sail, and kept her reckoning fairly on,
Except three days of calm when off Cape Bonn.

XCVII.
They reach'd the island, he transferr'd his lading
And self and live stock to another bottom,
And pass'd for a true Turkey-merchant, trading
With goods of various names, but I've forgot'em.
However, he got off by this evading,
Or else the people would perhaps have shot him;
And thus at Venice landed to reclaim
His wife, religion, house, and Christian name.

XCVIII.
His wife received, the patriarch re-baptised him
(He made the church a present, by the way);
He then threw off the garments which disguised him,
And borrow'd the Count's small clothes for a day:
His friends the more for his long absence prized him,
Finding he'd wherewithal to make them gay,
With dinners, where he oft became the laugh of them,
For stories — but I don't believe the half of them.

XCIX.
Whate'er his youth had suffer'd, his old age
With wealth and talking made him some amends;
Though Laura sometimes put him in a rage,
I've heard the Count and he were always friends.
My pen is at the bottom of a page,
Which being finish'd, here the story ends;
'Tis to be wish'd it had been sooner done,
But stories somehow lengthen when begun.

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Easy reading is damn hard writing.

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Not hard nor easy..if not impossible - rumba dance variation

Easy to cry
Why so
Hard to die.


Easy to expect
Not
Hard to respect.


Easy to dream
Quite
Hard to scream.


Easy heart to defend
How
love can be
forced
to 'The end'.


...not impossible,
if not impossible
... possible? ! ? ...

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Old Habits Die Hard

(graham lyle / terry britten)
Its my decision
You look my way
With innocent expression
Just as if to say
It would be easy
The mood is right
Forget for just one moment
Who we are tonight
I start
To weaken the musics strong
My conscience speaks, I know its wrong
Give it up
Remember what you said
This kind of loving doesnt happen everyday
Give it up
Thats the way it starts
Discover old habits die hard
Temptation makes a fool out of us all
I made my mind up
It had to end
So why this indecision?
When youre close again
Oh, the thoughts appealing
I cant deny
With those old memories stealing
Back across my mind
I thought by now that the flame had gone
I realise that Im still holding on
Give it up
Remember what you said
This kind of loving doesnt happen everyday, no
Give it up
Thats the way it starts
Discover old habits die hard
Temptation makes a fool out of us all, ooh, ooh, ooh
Ill just keep holding on
Its easier said than done
(old habits die hard)
Give it up
Remember what you said
This kind of loving doesnt happen everyday, no
Give it up
Thats the way it starts
Discover old habits die hard
Give it up
Remember what you said
This kind of loving doesnt happen everyday, no
Give it up
Thats the way it starts
Discover old habits die hard
Give it up
Remember what you said
This kind of loving doesnt happen everyday
Give it up
Thats the way it starts
Discover old habits die hard

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At The

DECEMBER 15, 1874

I SUPPOSE it's myself that you're making allusion to
And bringing the sense of dismay and confusion to.
Of course some must speak,--they are always selected to,
But pray what's the reason that I am expected to?
I'm not fond of wasting my breath as those fellows do;
That want to be blowing forever as bellows do;
Their legs are uneasy, but why will you jog any
That long to stay quiet beneath the mahogany?

Why, why call me up with your battery of flatteries?
You say 'He writes poetry,'--that 's what the matter is
'It costs him no trouble--a pen full of ink or two
And the poem is done in the time of a wink or two;
As for thoughts--never mind--take the ones that lie uppermost,
And the rhymes used by Milton and Byron and Tupper most;
The lines come so easy! at one end he jingles 'em,
At the other with capital letters he shingles 'em,--
Why, the thing writes itself, and before he's half done with it
He hates to stop writing, he has such good fun with it!'

Ah, that is the way in which simple ones go about
And draw a fine picture of things they don't know about!
We all know a kitten, but come to a catamount
The beast is a stranger when grown up to that amount,
(A stranger we rather prefer should n't visit us,
A _felis_ whose advent is far from felicitous.)
The boy who can boast that his trap has just got a mouse
Must n't draw it and write underneath 'hippopotamus';
Or say unveraciously, 'This is an elephant,'--
Don't think, let me beg, these examples irrelevant,--
What they mean is just this--that a thing to be painted well
Should always be something with which we're acquainted well.

You call on your victim for 'things he has plenty of,--
Those copies of verses no doubt at least twenty of;
His desk is crammed full, for he always keeps writing 'em
And reading to friends as his way of delighting 'em!'
I tell you this writing of verses means business,--
It makes the brain whirl in a vortex of dizziness
You think they are scrawled in the languor of laziness--
I tell you they're squeezed by a spasm of craziness,
A fit half as bad as the staggering vertigos
That seize a poor fellow and down in the dirt he goes!

And therefore it chimes with the word's etytology
That the sons of Apollo are great on apology,
For the writing of verse is a struggle mysterious
And the gayest of rhymes is a matter that's serious.
For myself, I'm relied on by friends in extremities,
And I don't mind so much if a comfort to them it is;
'T is a pleasure to please, and the straw that can tickle us
Is a source of enjoyment though slightly ridiculous.

I am up for a--something--and since I 've begun with it,
I must give you a toast now before I have done with it.
Let me pump at my wits as they pumped the Cochituate
That moistened--it may be--the very last bit you ate:
Success to our publishers, authors and editors
To our debtors good luck,--pleasant dreams to our creditors;
May the monthly grow yearly, till all we are groping for
Has reached the fulfilment we're all of us hoping for;
Till the bore through the tunnel--it makes me let off a sigh
To think it may possibly ruin my prophecy--
Has been punned on so often 't will never provoke again
One mild adolescent to make the old joke again;
Till abstinent, all-go-to-meeting society
Has forgotten the sense of the word inebriety;
Till the work that poor Hannah and Bridget and Phillis do
The humanized, civilized female gorillas do;
Till the roughs, as we call them, grown loving and dutiful,
Shall worship the true and the pure and the beautiful,
And, preying no longer as tiger and vulture do,
All read the 'Atlantic' as persons of culture do!

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Elizabeth Barrett Browning

Third Book

'TO-DAY thou girdest up thy loins thyself,
And goest where thou wouldest: presently
Others shall gird thee,' said the Lord, 'to go
Where thou would'st not.' He spoke to Peter thus,
To signify the death which he should die
When crucified head downwards.
If He spoke
To Peter then, He speaks to us the same;
The word suits many different martyrdoms,
And signifies a multiform of death,
Although we scarcely die apostles, we,
And have mislaid the keys of heaven and earth.

For tis not in mere death that men die most;
And, after our first girding of the loins
In youth's fine linen and fair broidery,
To run up hill and meet the rising sun,
We are apt to sit tired, patient as a fool,
While others gird us with the violent bands
Of social figments, feints, and formalisms,
Reversing our straight nature, lifting up
Our base needs, keeping down our lofty thoughts,
Head downward on the cross-sticks of the world.
Yet He can pluck us from the shameful cross.
God, set our feet low and our forehead high,
And show us how a man was made to walk!

Leave the lamp, Susan, and go up to bed.
The room does very well; I have to write
Beyond the stroke of midnight. Get away;
Your steps, for ever buzzing in the room,
Tease me like gnats. Ah, letters! throw them down
At once, as I must have them, to be sure,
Whether I bid you never bring me such
At such an hour, or bid you. No excuse.
You choose to bring them, as I choose perhaps
To throw them in the fire. Now, get to bed,
And dream, if possible, I am not cross.

Why what a pettish, petty thing I grow,–
A mere, mere woman,–a mere flaccid nerve,-
A kerchief left out all night in the rain,
Turned soft so,–overtasked and overstrained
And overlived in this close London life!
And yet I should be stronger.
Never burn
Your letters, poor Aurora! for they stare
With red seals from the table, saying each,
'Here's something that you know not.' Out alas,
'Tis scarcely that the world's more good and wise
Or even straighter and more consequent
Since yesterday at this time–yet, again,
If but one angel spoke from Ararat,
I should be very sorry not to hear:
So open all the letters! let me read.
Blanche Ord, the writer in the 'Lady's Fan,'
Requests my judgment on . . that, afterwards.
Kate Ward desires the model of my cloak,
And signs, 'Elisha to you.' Pringle Sharpe
Presents his work on 'Social Conduct,' . . craves
A little money for his pressing debts . .
From me, who scarce have money for my needs,–
Art's fiery chariot which we journey in
Being apt to singe our singing-robes to holes,
Although you ask me for my cloak, Kate Ward!
Here's Rudgely knows it,–editor and scribe–
He's 'forced to marry where his heart is not,
Because the purse lacks where he lost his heart.'
Ah,–lost it because no one picked it up!
That's really loss! (and passable impudence.)
My critic Hammond flatters prettily,
And wants another volume like the last.
My critic Belfair wants another book
Entirely different, which will sell, (and live?)
A striking book, yet not a startling book,
The public blames originalities.
(You must not pump spring-water unawares
Upon a gracious public, full of nerves–)
Good things, not subtle, new yet orthodox,
As easy reading as the dog-eared page
That's fingered by said public, fifty years,
Since first taught spelling by its grandmother,
And yet a revelation in some sort:
That's hard, my critic, Belfair! So–what next?
My critic Stokes objects to abstract thoughts;
'Call a man, John, a woman, Joan,' says he,
'And do not prate so of humanities:'
Whereat I call my critic, simply Stokes.
My critic Jobson recommends more mirth,
Because a cheerful genius suits the times,
And all true poets laugh unquenchably
Like Shakspeare and the gods. That's very hard,
The gods may laugh, and Shakspeare; Dante smiled
With such a needy heart on two pale lips,
We cry, 'Weep rather, Dante.' Poems are
Men, if true poems: and who dares exclaim
At any man's door, 'Here, 'tis probable
The thunder fell last week, and killed a wife,
And scared a sickly husband–what of that?
Get up, be merry, shout, and clap your hands,
Because a cheerful genius suits the times–'?
None says so to the man,–and why indeed
Should any to the poem? A ninth seal;
The apocalypse is drawing to a close.
Ha,–this from Vincent Carrington,–'Dear friend,
I want good counsel. Will you lend me wings
To raise me to the subject, in a sketch
I'll bring to-morrow–may I? at eleven?
A poet's only born to turn to use;
So save you! for the world . . and Carrington.'

'(Writ after.) Have you heard of Romney Leigh,
Beyond what's said of him in newspapers,
His phalansteries there, his speeches here,
His pamphlets, pleas, and statements, everywhere?
He dropped me long ago; but no one drops
A golden apple–though, indeed, one day,
You hinted that, but jested. Well, at least,
You know Lord Howe, who sees him . . whom he sees,
And you see, and I hate to see,–for Howe
Stands high upon the brink of theories,
Observes the swimmers, and cries 'Very fine,'
But keeps dry linen equally,–unlike
That gallant breaster, Romney. Strange it is,
Such sudden madness, seizing a young man,
To make earth over again,–while I'm content
To make the pictures. Let me bring the sketch.
A tiptoe Danae, overbold and hot:
Both arms a-flame to meet her wishing Jove
Halfway, and burn him faster down; the face
And breasts upturned and straining, the loose locks
All glowing with the anticipated gold.
Or here's another on the self-same theme.
She lies here–flat upon her prison-floor,
The long hair swathed about her to the heel,
Like wet sea-weed. You dimly see her through
The glittering haze of that prodigious rain,
Half blotted out of nature by a love
As heavy as fate. I'll bring you either sketch.
I think, myself, the second indicates
More passion. '
Surely. Self is put away,
And calm with abdication. She is Jove,
And no more Danae–greater thus. Perhaps
The painter symbolises unawares
Two states of the recipient artist-soul;
One, forward, personal, wanting reverence,
Because aspiring only. We'll be calm,
And know that, when indeed our Joves come down.
We all turn stiller than we have ever been.

Kind Vincent Carrington. I'll let him come.
He talks of Florence,–and may say a word
Of something as it chanced seven years ago,–
A hedgehog in the path, or a lame bird,
In those green country walks, in that good time,
When certainly I was so miserable . .
I seem to have missed a blessing ever since.

The music soars within the little lark,
And the lark soars. It is not thus with men.
We do not make our places with our strains,–
Content, while they rise, to remain behind,
Alone on earth instead of so in heaven.
No matter–I bear on my broken tale.

When Romney Leigh and I had parted thus,
I took a chamber up three flights of stairs
Not far from being as steep as some larks climb,
And, in a certain house in Kensington,
Three years I lived and worked. Get leave to work
In this world,–'tis the best you get at all;
For God, in cursing, gives us better gifts
Than men in benediction. God says, 'Sweat
For foreheads;' men say 'crowns;' and so we are crowned,
Ay, gashed by some tormenting circle of steel
Which snaps with a secret spring. Get work; get work;
Be sure 'tis better than what you work to get.

So, happy and unafraid of solitude,
I worked the short days out,–and watched the sun
On lurid morns or monstrous afternoons,
Like some Druidic idol's fiery brass,
With fixed unflickering outline of dead heat,
In which the blood of wretches pent inside
Seemed oozing forth to incarnadine the air,–
Push out through fog with his dilated disk,
And startle the slant roofs and chimney-pots
With splashes of fierce colour. Or I saw
Fog only, the great tawny weltering fog,
Involve the passive city, strangle it
Alive, and draw it off into the void,
Spires, bridges, streets, and squares, as if a sponge
Had wiped out London,–or as noon and night
Had clapped together and utterly struck out
The intermediate time, undoing themselves
In the act. Your city poets see such things,
Not despicable. Mountains of the south,
When, drunk and mad with elemental wines,
They rend the seamless mist and stand up bare,
Make fewer singers, haply. No one sings,
Descending Sinai; on Parnassus mount,
You take a mule to climb, and not a muse,
Except in fable and figure: forests chant
Their anthems to themselves, and leave you dumb.
But sit in London, at the day's decline,
And view the city perish in the mist
Like Pharaoh's armaments in the deep Red Sea,–
The chariots, horsemen, footmen, all the host,
Sucked down and choked to silence–then, surprised
By a sudden sense of vision and of tune,
You feel as conquerors though you did not fight,
And you and Israel's other singing girls,
Ay, Miriam with them, sing the song you choose.

I worked with patience which means almost power
I did some excellent things indifferently,
Some bad things excellently. Both were praised,
The latter loudest. And by such a time
That I myself had set them down as sins
Scarce worth the price of sackcloth, week by week,
Arrived some letter through the sedulous post,
Like these I've read, and yet dissimilar,
With pretty maiden seals,–initials twined
Of lilies, or a heart marked Emily,
(Convicting Emily of being all heart);
Or rarer tokens from young bachelors,
Who wrote from college (with the same goosequill,
Suppose, they had been just plucked of) and a snatch
From Horace, 'Collegisse juvat,' set
Upon the first page. Many a letter signed
Or unsigned, showing the writers at eighteen
Had lived too long, though every muse should help
The daylight, holding candles,–compliments,
To smile or sigh at. Such could pass with me
No more than coins from Moscow circulate
At Paris. Would ten rubles buy a tag
Of ribbon on the boulevard, worth a sou?
I smiled that all this youth should love me,–sighed
That such a love could scarcely raise them up
To love what was more worthy than myself;
Then sighed again, again, less generously,
To think the very love they lavished so,
Proved me inferior. The strong loved me not,
And he . . my cousin Romney . . did not write.
I felt the silent finger of his scorn
Prick every bubble of my frivolous fame
As my breath blew it, and resolve it back
To the air it came from. Oh, I justified
The measure he had taken of my height:
The thing was plain–he was not wrong a line;
I played at art, made thrusts with a toy-sword,
Amused the lads and maidens.
Came a sigh
Deep, hoarse with resolution,–I would work
To better ends, or play in earnest. 'Heavens,
I think I should be almost popular
If this went on!'–I ripped my verses up,
And found no blood upon the rapier's point:
The heart in them was just an embryo's heart,
Which never yet had beat, that it should die:
Just gasps of make-believe galvanic life;
Mere tones, inorganised to any tune.

And yet I felt it in me where it burnt,
Like those hot fire-seeds of creation held
In Jove's clenched palm before the worlds were sown;
But I–I was not Juno even! my hand
Was shut in weak convulsion, woman's ill,
And when I yearned to loose a finger–lo,
The nerve revolted. 'Tis the same even now:
This hand may never, haply, open large,
Before the spark is quenched, or the palm charred,
To prove the power not else than by the pain.

It burns, it burnt–my whole life burnt with it,
And light, not sunlight and not torchlight, flashed
My steps out through the slow and difficult road.
I had grown distrustful of too forward Springs,
The season's books in drear significance
Of morals, dropping round me. Lively books?
The ash has livelier verdure than the yew;
And yet the yew's green longer, and alone
Found worthy of the holy Christmas time.
We'll plant more yews if possible, albeit
We plant the graveyards with them.
Day and night
I worked my rhythmic thought, and furrowed up
Both watch and slumber with long lines of life
Which did not suit their season. The rose fell
From either cheek, my eyes globed luminous
Through orbits of blue shadow, and my pulse
Would shudder along the purple-veined wrist
Like a shot bird. Youth's stern, set face to face
With youth's ideal: and when people came
And said, 'You work too much, you are looking ill,'
I smiled for pity of them who pitied me,
And thought I should be better soon perhaps
For those ill looks. Observe–' I,' means in youth
Just I . . the conscious and eternal soul
With all its ends,–and not the outside life,
The parcel-man, the doublet of the flesh,
The so much liver, lung, integument,
Which make the sum of 'I' hereafter, when
World-talkers talk of doing well or ill.
I prosper, if I gain a step, although
A nail then pierced my foot: although my brain
Embracing any truth, froze paralysed,
I prosper. I but change my instrument;
I break the spade off, digging deep for gold,
And catch the mattock up.
I worked on, on.
Through all the bristling fence of nights and days
Which hedges time in from the eternities,
I struggled, . . never stopped to note the stakes
Which hurt me in my course. The midnight oil
Would stink sometimes; there came some vulgar needs:
I had to live, that therefore I might work.
And, being but poor, I was constrained, for life,
To work with one hand for the booksellers,
While working with the other for myself
And art. You swim with feet as well as hands
Or make small way. I apprehended this,–
In England, no one lives by verse that lives;
And, apprehending, I resolved by prose
To make a space to sphere my living verse.
I wrote for cyclopædias, magazines,
And weekly papers, holding up my name
To keep it from the mud. I learnt the use
Of the editorial 'we' in a review,
As courtly ladies the fine trick of trains,
And swept it grandly through the open doors
As if one could not pass through doors at all
Save so encumbered. I wrote tales beside,
Carved many an article on cherry-stones
To suit light readers,–something in the lines
Revealing, it was said, the mallet-hand,
But that, I'll never vouch for. What you do
For bread, will taste of common grain, not grapes,
Although you have a vineyard in Champagne,–
Much less in Nephelococcygia,
As mine was, peradventure.
Having bread
For just so many days, just breathing room
For body and verse, I stood up straight and worked
My veritable work. And as the soul
Which grows within a child, makes the child grow,–
Or as the fiery sap, the touch from God,
Careering through a tree, dilates the bark,
And roughs with scale and knob, before it strikes
The summer foliage out in a green flame–
So life, in deepening with me, deepened all
The course I took, the work I did. Indeed,
The academic law convinced of sin;
The critics cried out on the falling off
Regretting the first manner. But I felt
My heart's life throbbing in my verse to show
It lived, it also–certes incomplete,
Disordered with all Adam in the blood,
But even its very tumours, warts, and wens,
Still organised by, and implying life.

A lady called upon me on such a day.
She had the low voice of your English dames,
Unused, it seems, to need rise half a note
To catch attention,–and their quiet mood,
As if they lived too high above the earth
For that to put them out in anything:
So gentle, because verily so proud;
So wary and afeared of hurting you,
By no means that you are not really vile,
But that they would not touch you with their foot
To push you to your place; so self-possessed
Yet gracious and conciliating, it takes
An effort in their presence to speak truth:
You know the sort of woman,–brilliant stuff,
And out of nature. 'Lady Waldemar.'
She said her name quite simply, as if it meant
Not much indeed, but something,–took my hands,
And smiled, as if her smile could help my case,
And dropped her eyes on me, and let them melt.
'Is this,' she said, 'the Muse?'
'No sibyl even,'
I answered, 'since she fails to guess the cause
Which taxed you with this visit, madam.'
'Good,'
She said, 'I like to be sincere at once;
Perhaps, if I had found a literal Muse,
The visit might have taxed me. As it is,
You wear your blue so chiefly in your eyes,
My fair Aurora, in a frank good way,
It comforts me entirely for your fame,
As well as for the trouble of my ascent
To this Olympus. '
There, a silver laugh
Ran rippling through her quickened little breaths
The steep stair somewhat justified.
'But still
Your ladyship has left me curious why
You dared the risk of finding the said Muse?'

'Ah,–keep me, notwithstanding, to the point
Like any pedant. Is the blue in eyes
As awful as in stockings, after all,
I wonder, that you'd have my business out
Before I breathe–exact the epic plunge
In spite of gasps? Well, naturally you think
I've come here, as the lion-hunters go
To deserts, to secure you, with a trap
For exhibition in my drawing-rooms
On zoologic soirées? Not in the least.
Roar softly at me; I am frivolous,
I dare say; I have played at lions, too
Like other women of my class,–but now
I meet my lion simply as Androcles
Met his . . when at his mercy.'
So, she bent
Her head, as queens may mock,–then lifting up
Her eyelids with a real grave queenly look,
Which ruled, and would not spare, not even herself,
'I think you have a cousin:–Romney Leigh.'

'You bring a word from him? '–my eyes leapt up
To the very height of hers,– 'a word from him? '

'I bring a word about him, actually.
But first,'–she pressed me with her urgent eyes–
'You do not love him,–you?'
'You're frank at least
In putting questions, madam,' I replied.
'I love my cousin cousinly–no more.'

'I guessed as much. I'm ready to be frank
In answering also, if you'll question me,
Or even with something less. You stand outside,
You artist women, of the common sex;
You share not with us, and exceed us so
Perhaps by what you're mulcted in, your hearts
Being starved to make your heads: so run the old
Traditions of you. I can therefore speak,
Without the natural shame which creatures feel
When speaking on their level, to their like.
There's many a papist she, would rather die
Than own to her maid she put a ribbon on
To catch the indifferent eye of such a man,–
Who yet would count adulteries on her beads
At holy Mary's shrine, and never blush;
Because the saints are so far off, we lose
All modesty before them. Thus, to-day.
'Tis I, love Romney Leigh.'
'Forbear,' I cried.
'If here's no muse, still less is any saint;
Nor even a friend, that Lady Waldemar
Should make confessions' . .
'That's unkindly said.
If no friend, what forbids to make a friend
To join to our confession ere we have done?
I love your cousin. If it seems unwise
To say so, it's still foolisher (we're frank)
To feel so. My first husband left me young,
And pretty enough, so please you, and rich enough,
To keep my booth in May-fair with the rest
To happy issues. There are marquises
Would serve seven years to call me wife, I know:
And, after seven, I might consider it,
For there's some comfort in a marquisate
When all's said,–yes, but after the seven years;
I, now, love Romney. You put up your lip,
So like a Leigh! so like him!–Pardon me,
I am well aware I do not derogate
In loving Romney Leigh. The name is good,
The means are excellent; but the man, the man–
Heaven help us both,–I am near as mad as he
In loving such an one.'
She slowly wrung
Her heavy ringlets till they touched her smile,
As reasonably sorry for herself;
And thus continued,–
'Of a truth, Miss Leigh,
I have not, without a struggle, come to this.
I took a master in the German tongue,
I gamed a little, went to Paris twice;
But, after all, this love! . . . you eat of love,
And do as vile a thing as if you ate
Of garlic–which, whatever else you eat,
Tastes uniformly acrid, till your peach
Reminds you of your onion! Am I coarse?
Well, love's coarse, nature's coarse–ah there's the rub!
We fair fine ladies, who park out our lives
From common sheep-paths, cannot help the crows
From flying over,–we're as natural still
As Blowsalinda. Drape us perfectly
In Lyons' velvet,–we are not, for that,
Lay-figures, like you! we have hearts within,
Warm, live, improvident, indecent hearts,
As ready for distracted ends and acts
As any distressed sempstress of them all
That Romney groans and toils for. We catch love
And other fevers, in the vulgar way.
Love will not be outwitted by our wit,
Nor outrun by our equipages:–mine
Persisted, spite of efforts. All my cards
Turned up but Romney Leigh; my German stopped
At germane Wertherism; my Paris rounds
Returned me from the Champs Elysées just
A ghost, and sighing like Dido's. I came home
Uncured,–convicted rather to myself
Of being in love . . in love! That's coarse you'll say
I'm talking garlic.'
Coldly I replied.
'Apologise for atheism, not love!
For, me, I do believe in love, and God.
I know my cousin: Lady Waldemar
I know not: yet I say as much as this–
Whoever loves him, let her not excuse
But cleanse herself; that, loving such a man,
She may not do it with such unworthy love
He cannot stoop and take it.'
'That is said
Austerely, like a youthful prophetess,
Who knits her brows across her pretty eyes
To keep them back from following the grey flight
Of doves between the temple-columns. Dear,
Be kinder with me. Let us two be friends.
I'm a mere woman–the more weak perhaps
Through being so proud; you're better; as for him,
He's best. Indeed he builds his goodness up
So high, it topples down to the other side,
And makes a sort of badness; there's the worst
I have to say against your cousin's best!
And so be mild, Aurora, with my worst,
For his sake, if not mine.'
'I own myself
Incredulous of confidence like this
Availing him or you.'
'I, worthy of him?
In your sense I am not so–let it pass.
And yet I save him if I marry him;
Let that pass too.'
'Pass, pass, we play police
Upon my cousin's life, to indicate
What may or may not pass?' I cried. 'He knows
what's worthy of him; the choice remains with him;
And what he chooses, act or wife, I think
I shall not call unworthy, I, for one.'
'Tis somewhat rashly said,' she answered slow.
Now let's talk reason, though we talk of love.
Your cousin Romney Leigh's a monster! there,
The word's out fairly; let me prove the fact.
We'll take, say, that most perfect of antiques,
They call the Genius of the Vatican,
Which seems too beauteous to endure itself
In this mixed world, and fasten it for once
Upon the torso of the Drunken Fawn,
(Who might limp surely, if he did not dance,)
Instead of Buonarroti's mask: what then?
We show the sort of monster Romney is,
With god-like virtue and heroic aims
Subjoined to limping possibilities
Of mismade human nature. Grant the man
Twice godlike, twice heroic,–still he limps,
And here's the point we come to.'
'Pardon me,
But, Lady Waldemar, the point's the thing
We never come to.'
'Caustic, insolent
At need! I like you'–(there, she took my hands)
'And now my lioness, help Androcles,
For all your roaring. Help me! for myself
I would not say so–but for him. He limps
So certainly, he'll fall into the pit
A week hence,–so I lose him–so he is lost!
And when he's fairly married, he a Leigh,
To a girl of doubtful life, undoubtful birth,
Starved out in London, till her coarse-grained hands
Are whiter than her morals,–you, for one,
May call his choice most worthy.'
'Married! lost!
He, . . . Romney!'
'Ah, you're moved at last,' she said.
'These monsters, set out in the open sun,
Of course throw monstrous shadows: those who think
Awry, will scarce act straightly. Who but he?
And who but you can wonder? He has been mad,
The whole world knows, since first, a nominal man,
He soured the proctors, tried the gownsmen's wits,
With equal scorn of triangles and wine,
And took no honours, yet was honourable.
They'll tell you he lost count of Homer's ships
In Melbourne's poor-bills, Ashley's factory bills,–
Ignored the Aspasia we all dared to praise,
For other women, dear, we could not name
Because we're decent. Well, he had some right
On his side probably; men always have,
Who go absurdly wrong. The living boor
Who brews your ale, exceeds in vital worth
Dead Caesar who 'stops bungholes' in the cask;
And also, to do good is excellent,
For persons of his income, even to boors:
I sympathise with all such things. But he
Went mad upon them . . madder and more mad,
From college times to these,–as, going down hill,
The faster still, the farther! you must know
Your Leigh by heart; he has sown his black young curls
With bleaching cares of half a million men
Already. If you do not starve, or sin,
You're nothing to him. Pay the income-tax,
And break your heart upon't . . . he'll scarce be touched;
But come upon the parish, qualified
For the parish stocks, and Romney will be there
To call you brother, sister, or perhaps
A tenderer name still. Had I any chance
With Mister Leigh, who am Lady Waldemar,
And never committed felony?'
'You speak
Too bitterly,' I said, 'for the literal truth.'

'The truth is bitter. Here's a man who looks
For ever on the ground! you must be low;
Or else a pictured ceiling overhead,
Good painting thrown away. For me, I've done
What women may, (we're somewhat limited,
We modest women) but I've done my best.
–How men are perjured when they swear our eyes
Have meaning in them! they're just blue or brown,–
They just can drop their lids a little. In fact,
Mine did more, for I read half Fourier through,
Proudhon, Considerant, and Louis Blanc
With various other of his socialists;
And if I had been a fathom less in love,
Had cured myself with gaping. As it was,
I quoted from them prettily enough,
Perhaps, to make them sound half rational
To a saner man than he, whene'er we talked,
(For which I dodged occasion)–learnt by heart
His speeches in the Commons and elsewhere
Upon the social question; heaped reports
Of wicked women and penitentiaries,
On all my tables, with a place for Sue;
And gave my name to swell subscription-lists
Toward keeping up the sun at nights in heaven,
And other possible ends. All things I did,
Except the impossible . . such as wearing gowns
Provided by the Ten Hours' movement! there,
I stopped–we must stop somewhere. He, meanwhile,
Unmoved as the Indian tortoise 'neath the world
Let all that noise go on upon his back;
He would not disconcert or throw me out;
'Twas well to see a woman of my class
With such a dawn of conscience. For the heart,
Made firewood for his sake, and flaming up
To his very face . . he warmed his feet at it:
But deigned to let my carriage stop him short
In park or street,–he leaning on the door
With news of the committee which sate last
On pickpockets at suck.'

'You jest–you jest.'

'As martyrs jest, dear (if you read their lives),
Upon the axe which kills them. When all's done
By me, . . for him–you'll ask him presently
The color of my hair–he cannot tell,
Or answers 'dark' at random,–while, be sure,
He's absolute on the figure, five or ten,
Of my last subscription. Is it bearable,
And I a woman?'
'Is it reparable,
Though I were a man?'
'I know not. That's to prove.
But, first, this shameful marriage?'
'Ay?' I cried.
'Then really there's a marriage.'
'Yesterday
I held him fast upon it. 'Mister Leigh,'
Said I, 'shut up a thing, it makes more noise.
'The boiling town keeps secrets ill; I've known
'Yours since last week. Forgive my knowledge so:
'You feel I'm not the woman of the world
'The world thinks; you have borne with me before
'And used me in your noble work, our work,
'And now you shall not cast me off because
'You're at the difficult point, the join. 'Tis true
'Even if I can scarce admit the cogency
'Of such a marriage . . where you do not love
'(Except the class), yet marry and throw your name
'Down to the gutter, for a fire-escape
'To future generation! it's sublime,
'A great example,–a true Genesis
'Of the opening social era. But take heed;
'This virtuous act must have a patent weight,
'Or loses half its virtue. Make it tell,
'Interpret it, and set it in the light,
'And do not muffle it in a winter-cloak
'As a vulgar bit of shame,–as if, at best,
'A Leigh had made a misalliance and blushed
'A Howard should know it.' Then, I pressed him more–
'He would not choose,' I said, 'that even his kin, . .
'Aurora Leigh, even . . should conceive his act
'Less sacrifice, more appetite.' At which
He grew so pale, dear, . . to the lips, I knew
I had touched him. 'Do you know her,' he inquired,
'My cousin Aurora?' 'Yes,' I said, and lied
(But truly we all know you by your books),
And so I offered to come straight to you,
Explain the subject, justify the cause,
And take you with me to Saint Margaret's Court
To see this miracle, this Marian Erle,
This drover's daughter (she's not pretty, he swears),
Upon whose finger, exquisitely pricked
By a hundred needles, we're to hang the tie
'Twixt class and class in England,–thus indeed
By such a presence, yours and mine, to lift
The match up from the doubtful place. At once
He thanked me, sighing, . . murmured to himself
'She'll do it perhaps; she's noble,'–thanked me, twice,
And promised, as my guerdon, to put off
His marriage for a month.'
I answered then.
'I understand your drift imperfectly.
You wish to lead me to my cousin's betrothed,
To touch her hand if worthy, and hold her hand
If feeble, thus to justify his match.
So be it then. But how this serves your ends,
And how the strange confession of your love
Serves this, I have to learn–I cannot see.'

She knit her restless forehead. 'Then, despite,
Aurora, that most radiant morning name,
You're dull as any London afternoon.
I wanted time,–and gained it,–wanted you,
And gain you! You will come and see the girl
In whose most prodigal eyes, the lineal pearl
And pride of all your lofty race of Leighs
Is destined to solution. Authorised
By sight and knowledge, then, you'll speak your mind,
And prove to Romney, in your brilliant way,
He'll wrong the people and posterity
(Say such a thing is bad for you and me,
And you fail utterly), by concluding thus
An execrable marriage. Break it up.
Disroot it–peradventure, presently,
We'll plant a better fortune in its place.
Be good to me, Aurora, scorn me less
For saying the thing I should not. Well I know
I should not. I have kept, as others have,
The iron rule of womanly reserve
In lip and life, till now: I wept a week
Before I came here.'–Ending, she was pale;
The last words, haughtily said, were tremulous.
This palfrey pranced in harness, arched her neck,
And, only by the foam upon the bit,
You saw she champed against it.
Then I rose.
'I love love: truth's no cleaner thing than love.
I comprehend a love so fiery hot
It burns its natural veil of august shame,
And stands sublimely in the nude, as chaste
As Medicean Venus. But I know,
A love that burns through veils will burn through masks
And shrivel up treachery. What, love and lie!
Nay–go to the opera! your love's curable.'

'I love and lie!' she said–'I lie, forsooth?'
And beat her taper foot upon the floor,
And smiled against the shoe,–'You're hard, Miss Leigh,
Unversed in current phrases.–Bowling-greens
Of poets are fresher than the world's highways:
Forgive me that I rashly blew the dust
Which dims our hedges even, in your eyes,
And vexed you so much. You find, probably,
No evil in this marriage,–rather good
Of innocence, to pastoralise in song:
You'll give the bond your signature, perhaps,
Beneath the lady's work,–indifferent
That Romney chose a wife, could write her name,
In witnessing he loved her.'
'Loved!' I cried;
'Who tells you that he wants a wife to love?
He gets a horse to use, not love, I think:
There's work for wives as well,–and after, straw,
When men are liberal. For myself, you err
Supposing power in me to break this match.
I could not do it, to save Romney's life,
And would not, to save mine.'
'You take it so,'
She said, 'farewell then. Write your books in peace,
As far as may be for some secret stir
Now obvious to me,–for, most obviously,
In coming hither I mistook the way.'
Whereat she touched my hand and bent her head,
And floated from me like a silent cloud
That leaves the sense of thunder.
I drew breath,
As hard as in a sick-room. After all,
This woman breaks her social system up
For love, so counted–the love possible
To such,–and lilies are still lilies, pulled
By smutty hands, though spotted from their white;
And thus she is better, haply, of her kind,
Than Romney Leigh, who lives by diagrams,
And crosses out the spontaneities
Of all his individual, personal life
With formal universals. As if man
Were set upon a high stool at a desk,
To keep God's books for Him, in red and black,
And feel by millions! What, if even God
Were chiefly God by living out Himself
To an individualism of the Infinite,
Eterne, intense, profuse,–still throwing up
The golden spray of multitudinous worlds
In measure to the proclive weight and rush
Of his inner nature,–the spontaneous love
Still proof and outflow of spontaneous life?
Then live, Aurora!
Two hours afterward,
Within Saint Margaret's Court I stood alone,
Close-veiled. A sick child, from an ague-fit,
Whose wasted right hand gambled 'gainst his left
With an old brass button, in a blot of sun,
Jeered weakly at me as I passed across
The uneven pavement; while a woman, rouged
Upon the angular cheek-bones, kerchief torn,
Thin dangling locks, and flat lascivious mouth,
Cursed at a window, both ways, in and out,
By turns some bed-rid creature and myself,–
'Lie still there, mother! liker the dead dog
You'll be to-morrow. What, we pick our way,
Fine madam, with those damnable small feet!
We cover up our face from doing good,
As if it were our purse! What brings you here,
My lady? is't to find my gentleman
Who visits his tame pigeon in the eaves?
Our cholera catch you with its cramps and spasms,
And tumble up your good clothes, veil and all,
And turn your whiteness dead-blue.' I looked up;
I think I could have walked through hell that day,
And never flinched. 'The dear Christ comfort you,'
I said, 'you must have been most miserable
To be so cruel,'–and I emptied out
My purse upon the stones: when, as I had cast
The last charm in the cauldron, the whole court
Went boiling, bubbling up, from all its doors
And windows, with a hideous wail of laughs
And roar of oaths, and blows perhaps . . I passed
Too quickly for distinguishing . . and pushed
A little side-door hanging on a hinge,
And plunged into the dark, and groped and climbed
The long, steep, narrow stair 'twixt broken rail
And mildewed wall that let the plaster drop
To startle me in the blackness. Still, up, up!
So high lived Romney's bride. I paused at last
Before a low door in the roof, and knocked;
There came an answer like a hurried dove–
'So soon! can that be Mister Leigh? so soon?'
And, as I entered, an ineffable face
Met mine upon the threshold. 'Oh, not you,
Not you!' . . the dropping of the voice implied;
'Then, if not you, for me not any one.'
I looked her in the eyes, and held her hands,
And said 'I am his cousin,–Romney Leigh's;
And here I'm come to see my cousin too.'
She touched me with her face and with her voice,
This daughter of the people. Such soft flowers
From such rough roots? The people, under there,
Can sin so, curse so, look so, smell so . . . faugh!
Yet have such daughters!
Nowise beautiful
Was Marian Erle. She was not white nor brown,
But could look either, like a mist that changed
According to being shone on more or less:
The hair, too, ran its opulence of curls
In doubt 'twixt dark and bright, nor left you clear
To name the color. Too much hair perhaps
(I'll name a fault here) for so small a head,
Which seemed to droop on that side and on this,
As a full-blown rose uneasy with its weight,
Though not a breath should trouble it. Again,
The dimple in the cheek had better gone
With redder, fuller rounds; and somewhat large
The mouth was, though the milky little teeth
Dissolved it to so infantile a smile!
For soon it smiled at me; the eyes smiled too,
But 'twas as if remembering they had wept,
And knowing they should, some day, weep again.

We talked. She told me all her story out,
Which I'll re-tell with fuller utterance,
As coloured and confirmed in aftertimes
By others, and herself too. Marian Erle
Was born upon the ledge of Malvern Hill,
To eastward, in a hut, built up at night,
To evade the landlord's eye, of mud and turf,
Still liable, if once he looked that way,
To being straight levelled, scattered by his foot,
Like any other anthill. Born, I say;
God sent her to his world, commissioned right,
Her human testimonials fully signed,
Not scant in soul–complete in lineaments;
But others had to swindle her a place
To wail in when she had come. No place for her,
By man's law! born an outlaw, was this babe;
Her first cry in our strange and strangling air,
When cast in spasms out by the shuddering womb,
Was wrong against the social code,–forced wrong.
What business had the baby to cry there?

I tell her story and grow passionate.
She, Marian, did not tell it so, but used
Meek words that made no wonder of herself
For being so sad a creature. 'Mister Leigh
Considered truly that such things should change.
They will, in heaven–but meantime, on the earth,
There's none can like a nettle as a pink,
Except himself. We're nettles, some of us,
And give offence by the act of springing up;
And, if we leave the damp side of the wall,
The hoes, of course, are on us.' So she said.
Her father earned his life by random jobs
Despised by steadier workmen–keeping swine
On commons, picking hops, or hurrying on
The harvest at wet seasons,–or, at need,
Assisting the Welsh drovers, when a drove
Of startled horses plunged into the mist
Below the mountain-road, and sowed the wind
With wandering neighings. In between the gaps
Of such irregular work, he drank and slept,
And cursed his wife because, the pence being out,
She could not buy more drink. At which she turned,
(The worm), and beat her baby in revenge
For her own broken heart. There's not a crime
But takes its proper change out still in crime
If once rung on the counter of this world:
Let sinners look to it.
Yet the outcast child,
For whom the very mother's face forewent
The mother's special patience, lived and grew;
Learnt early to cry low, and walk alone,
With that pathetic vacillating roll
Of the infant body on the uncertain feet,
(The earth being felt unstable ground so soon)
At which most women's arms unclose at once
With irrepressive instinct. Thus, at three,
This poor weaned kid would run off from the fold,
This babe would steal off from the mother's chair,
And, creeping through the golden walls of gorse,
Would find some keyhole toward the secrecy
Of Heaven's high blue, and, nestling down, peer out–
Oh, not to catch the angels at their games,
She had never heard of angels, but to gaze
She knew not why, to see she knew not what,
A-hungering outward from the barren earth
For something like a joy. She liked, she said,
To dazzle black her sight against the sky,
For then, it seemed, some grand blind Love came down,
And groped her out, and clasped her with a kiss;
She learnt God that way, and was beat for it
Whenever she went home,–yet came again,
As surely as the trapped hare, getting free,
Returns to his form. This grand blind Love, she said,
This skyey father and mother both in one,
Instructed her and civilised her more
Than even the Sunday-school did afterward,
To which a lady sent her to learn books
And sit upon a long bench in a row
With other children. Well, she laughed sometimes
To see them laugh and laugh, and moil their texts;
But ofter she was sorrowful with noise,
And wondered if their mothers beat them hard
That ever they should laugh so. There was one
She loved indeed,–Rose Bell, a seven years' child,
So pretty and clever, who read syllables
When Marian was at letters; she would laugh
At nothing–hold your finger up, she laughed,
Then shook her curls down on her eyes and mouth
To hide her make-mirth from the schoolmaster.
And Rose's pelting glee, as frank as rain
On cherry-blossoms, brightened Marian too,
To see another merry whom she loved.
She whispered once (the children side by side,
With mutual arms entwined about their necks)
'Your mother lets you laugh so?' 'Ay,' said Rose,
'She lets me. She was dug into the ground
Six years since, I being but a yearling wean.
Such mothers let us play and lose our time,
And never scold nor beat us! Don't you wish
You had one like that?' There, Marian, breaking off
Looked suddenly in my face. 'Poor Rose,' said she,
'I heard her laugh last night in Oxford Street.
I'd pour out half my blood to stop that laugh,–
Poor Rose, poor Rose!' said Marian.
She resumed.
It tried her, when she had learnt at Sunday-school
What God was, what he wanted from us all,
And how, in choosing sin, we vexed the Christ,
To go straight home and hear her father pull
The name down on us from the thunder-shelf,
Then drink away his soul into the dark
From seeing judgment. Father, mother, home,
Were God and heaven reversed to her: the more
She knew of Right, the more she guessed their wrong:
Her price paid down for knowledge, was to know
The vileness of her kindred: through her heart,
Her filial and tormented heart, henceforth
They struck their blows at virtue. Oh, 'tis hard
To learn you have a father up in heaven
By a gathering certain sense of being, on earth,
Still worse than orphaned: 'tis too heavy a grief,
The having to thank God for such a joy!

And so passed Marian's life from year to year.
Her parents took her with them when they tramped,
Dodged lanes and heaths, frequented towns and fairs,
And once went farther and saw Manchester,
And once the sea, that blue end of the world,
That fair scroll-finis of a wicked book,–
And twice a prison, back at intervals,
Returning to the hills. Hills draw like heaven,
And stronger sometimes, holding out their hands
To pull you from the vile flats up to them;
And though, perhaps, these strollers still strolled back,
As sheep do, simply that they knew the way,
They certainly felt bettered unawares
Emerging from the social smut of towns
To wipe their feet clean on the mountain turf.
In which long wanderings, Marian lived and learned,
Endured and learned. The people on the roads
Would stop and ask her how her eyes outgrew
Her cheeks, and if she meant to lodge the birds
In all that hair; and then they lifted her,
The miller in his cart, a mile or twain,
The butcher's boy on horseback. Often, too,
The pedlar stopped, and tapped her on the head
With absolute forefinger, brown and ringed,
And asked if peradventure she could read:
And when she answered 'ay,' would toss her down
Some stray odd volume from his heavy pack,
A Thomson's Seasons, mulcted of the Spring,
Or half a play of Shakespeare's, torn across:
(She had to guess the bottom of a page
By just the top sometimes,–as difficult,
As, sitting on the moon, to guess the earth!),
Or else a sheaf of leaves (for that small Ruth's
Small gleanings) torn out from the heart of books,
From Churchyard Elegies and Edens Lost,
From Burns, and Bunyan, Selkirk, and Tom Jones.
'Twas somewhat hard to keep the things distinct,
And oft the jangling influence jarred the child
Like looking at a sunset full of grace
Through a pothouse window while the drunken oaths
Went on behind her; but she weeded out
Her book-leaves, threw away the leaves that hurt,
(First tore them small, that none should find a word),
And made a nosegay of the sweet and good
To fold within her breast, and pore upon
At broken moments of the noontide glare,
When leave was given her to untie her cloak
And rest upon the dusty roadside bank
From the highway's dust. Or oft, the journey done,
Some city friend would lead her by the hand
To hear a lecture at an institute.
And thus she had grown, this Marian Erle of ours,
To no book-learning,–she was ignorant
Of authors,–not in earshot of the things
Out-spoken o'er the heads of common men,
By men who are uncommon,–but within
The cadenced hum of such, and capable
Of catching from the fringes of the wind
Some fragmentary phrases, here and there,
Of that fine music,–which, being carried in
To her soul, had reproduced itself afresh
In finer motions of the lips and lids.

She said, in speaking of it, 'If a flower
Were thrown you out of heaven at intervals,
You'd soon attain to a trick of looking up,–
And so with her.' She counted me her years,
Till I felt old; and then she counted me
Her sorrowful pleasures, till I felt ashamed.
She told me she was almost glad and calm
On such and such a season; sate and sewed,
With no one to break up her crystal thoughts:
While rhymes from lovely poems span around
Their ringing circles of ecstatic tune,
Beneath the moistened finger of the Hour.
Her parents called her a strange, sickly child,
Not good for much, and given to sulk and stare,
And smile into the hedges and the clouds,
And tremble if one shook her from her fit
By any blow, or word even. Out-door jobs
Went ill with her; and household quiet work
She was not born to. Had they kept the north,
They might have had their pennyworth out of her
Like other parents, in the factories;
(Your children work for you, not you for them,
Or else they better had been choked with air
The first breath drawn;) but, in this tramping life,
Was nothing to be done with such a child,
But tramp and tramp. And yet she knitted hose
Not ill, and was not dull at needlework;
And all the country people gave her pence
For darning stockings past their natural age,
And patching petticoats from old to new,
And other light work done for thrifty wives.

One day, said Marian–the sun shone that day–
Her mother had been badly beat, and felt
The bruises sore about her wretched soul
(That must have been): she came in suddenly,
And snatching, in a sort of breathless rage,
Her daughter's headgear comb, let down the hair
Upon her, like a sudden waterfall,
Then drew her drenched and passive, by the arm,
Outside the hut they lived in. When the child
Could clear her blinded face from all that stream
Of tresses . . there, a man stood, with beasts' eyes
That seemed as they would swallow her alive,
Complete in body and spirit, hair and all,–
With burning stertorous breath that hurt her cheek,
He breathed so near. The mother held her tight,
Saying hard between her teeth–'Why wench, why wench,
The squire speaks to you now–the squire's too good,
He means to set you up and comfort us.
Be mannerly at least.' The child turned round
And looked up piteous in the mother's face
(Be sure that mother's death-bed will not want
Another devil to damn, than such a look),
'Oh, mother!' then, with desperate glance to heaven,
'Good, free me from my mother,' she shrieked out,
'These mothers are too dreadful.' And, with force
As passionate as fear, she tore her hands,
Like lilies from the rocks, from hers and his,
And sprang down, bounded headlong down the steep,
Away from both–away, if possible,
As far as God,–away! They yelled at her,
As famished hounds at a hare. She heard them yell;
She felt her name hiss after her from the hills,
Like shot from guns. On, on. And now she had cast
The voices off with the uplands. On. Mad fear
Was running in her feet and killing the ground;
The white roads curled as if she burnt them up,
The green fields melted, wayside trees fell back
To make room for her. Then her head grew vexed;
Trees, fields, turned on her and ran after her;
She heard the quick pants of the hills behind,
Their keen air pricked her neck. She had lost her feet,
Could run no more, yet somehow went as fast,–
The horizon, red, 'twixt steeples in the east
So sucked her forward, forward, while her heart
Kept swelling, swelling, till it swelled so big
It seemed to fill her body; then it burst,
And overflowed the world and swamped the light,
'And now I am dead and safe,' thought Marian Erle–
She had dropped, she had fainted.
When the sense returned,
The night had passed–not life's night. She was 'ware
Of heavy tumbling motions, creaking wheels,
The driver shouting to the lazy team
That swung their rankling bells against her brain,
While, through the waggon's coverture and chinks,
The cruel yellow morning pecked at her
Alive or dead, upon the straw inside,–
At which her soul ached back into the dark
And prayed, 'no more of that.' A waggoner
Had found her in a ditch beneath the moon,
As white as moonshine, save for the oozing blood.
At first he thought her dead; but when he had wiped
The mouth and heard it sigh, he raised her up,
And laid her in his waggon in the straw,
And so conveyed her to the distant town
To which his business called himself, and left
That heap of misery at the hospital.

She stirred;–the place seemed new and strange as death.
The white strait bed, with others strait and white,
Like graves dug side by side, at measured lengths,
And quiet people walking in and out
With wonderful low voices and soft steps,
And apparitional equal care for each,
Astonished her with order, silence, law:
And when a gentle hand held out a cup,
She took it, as you do at sacrament,
Half awed, half melted,–not being used, indeed,
To so much love as makes the form of love
And courtesy of manners. Delicate drinks
And rare white bread, to which some dying eyes
Were turned in observation. O my God,
How sick we must be, ere we make men just!
I think it frets the saints in heaven to see
How many Desolate creatures on the earth
Have learnt the simple dues of fellowship
And social comfort, in a hospital,
As Marian did. She lay there, stunned, half tranced,
And wished, at intervals of growing sense,
She might be sicker yet, if sickness made
The world so marvellous kind, the air so hushed,
And all her wake-time quiet as a sleep;
For now she understood, (as such things were)
How sickness ended very oft in heaven,
Among the unspoken raptures. Yet more sick,
And surelier happy. Then she dropped her lids,
And, folding up her hands as flowers at night,
Would lose no moment of the blessed time.

She lay and seethed in fever many weeks;
But youth was strong and overcame the test;
Revolted soul and flesh were reconciled
And fetched back to the necessary day
And daylight duties. She could creep about
The long bare rooms, and stare out drearily
From any narrow window on the street,
Till some one, who had nursed her as a friend,
Said coldly to her, as an enemy,
'She had leave to go next week, being well enough,'
While only her heart ached. 'Go next week,' thought she,
'Next week! how would it be with her next week,
Let out into that terrible street alone
Among the pushing people, . . to go . . where?'

One day, the last before the dreaded last,
Among the convalescents, like herself
Prepared to go next morning, she sate dumb,
And heard half absently the women talk,
How one was famished for her baby's cheeks–
'The little wretch would know her! a year old,
And lively, like his father!' one was keen
To get to work, and fill some clamorous mouths;
And one was tender for her dear goodman
Who had missed her sorely,–and one, querulous . .
'Would pay those scandalous neighbours who had dared
To talk about her as already dead,'–
And one was proud . . 'and if her sweetheart Luke
Had left her for a ruddier face than hers,
(The gossip would be seen through at a glance)
Sweet riddance of such sweethearts–let him hang!
'Twere good to have been as sick for such an end.'

And while they talked, and Marian felt the worse
For having missed the worst of all their wrongs,
A visitor was ushered through the wards
And paused among the talkers. 'When he looked,
It was as if he spoke, and when he spoke
He sang perhaps,' said Marian; 'could she tell?
She only knew' (so much she had chronicled,
As seraphs might, the making of the sun)
'That he who came and spake was Romney Leigh,
And then, and there, she saw and heard him first.'
And when it was her turn to have the face
Upon her,–all those buzzing pallid lips
Being satisfied with comfort–when he changed
To Marian, saying, 'And you? You're going, where?'–
She, moveless as a worm beneath a stone
Which some one's stumbling foot has spurned aside,
Writhed suddenly, astonished with the light,
And breaking into sobs cried, 'Where I go?
None asked me till this moment. Can I say
Where I go? When it has not seemed worth while
To God himself, who thinks of every one,
To think of me, and fix where I shall go?'

'So young,' he gently asked her, 'you have lost
Your father and your mother?'
'Both' she said,
'Both lost! My father was burnt up with gin
Or ever I sucked milk, and so is lost.
My mother sold me to a man last month,
And so my mother's lost, 'tis manifest.
And I, who fled from her for miles and miles,
As if I had caught sight of the fires of hell
Through some wild gap, (she was my mother, sir)
It seems I shall be lost too, presently,
And so we end, all three of us.'
'Poor child!'
He said,–with such a pity in his voice,
It soothed her more than her own tears,–'poor child!
'Tis simple that betrayal by mother's love
Should bring despair of God's too. Yet be taught
He's better to us than many mothers are,
And children cannot wander beyond reach
Of the sweep of his white raiment. Touch and hold'
And if you weep still, weep where John was laid
While Jesus loved him.'
'She could say the words,'
She told me, 'exactly as he uttered them
A year back, . . since in any doubt or dark,
They came out like the stars, and shone on her
With just their comfort. Common words, perhaps;
The ministers in church might say the same;
But he, he made the church with what he spoke,–
The difference was the miracle,' said she.

Then catching up her smile to ravishment,
She added quickly, 'I repeat his words,
But not his tones: can any one repeat
The music of an organ, out of church?
And when he said 'poor child,' I shut my eyes
To feel how tenderly his voice broke through,
As the ointment-box broke on the Holy feet
To let out the rich medicative nard.'

She told me how he had raised and rescued her
With reverent pity, as, in touching grief,
He touched the wounds of Christ,–and made her feel
More self-respecting. Hope, he called, belief
In God,–work, worship . . therefore let us pray!
And thus, to snatch her soul from atheism,
And keep it stainless from her mother's face,
He sent her to a famous sempstress-house
Far off in London, there to work and hope.

With that they parted. She kept sight of Heaven,
But not of Romney. He had good to do
To others: through the days and through the nights,
She sewed and sewed and sewed. She drooped sometimes,
And wondered, while, along the tawny light,
She struck the new thread into her needle's eye,
How people without mothers on the hills,
Could choose the town to live in!–then she drew
The stitch, and mused how Romney's face would look,
And if 'twere likely he'd remember hers,
When they two had their meeting after death.

poem by from Aurora Leigh (1856)Report problemRelated quotes
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Procrastination makes easy things hard, hard things harder.

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Love

Love is a passion
Love is a potion
Love is a poison
Love is easy but
Love is leave to hard
Love is hard

Love makes me deep feeling to heart
Love makes me laugh
Love makes me cry
Love makes me stand
Love makes me fall

Love is all of the above
but love is also
but love is understandable
unstable in my soul

So why can't love
why does not love to his 'Honey'
just be easy
to handle...

but sometime not to be
easy to handle the love

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Feeling of Life

Hot like the sun,
Cold like Antarctica,
Loud like a concert,
Quite like a mouse,
Sour like Air heads,
Salty like peanuts,
Scary like a haunted house,
Calm like reading,
Weird like a mystery,
Normal like television,
Sweet like a mom,
Mean like a hurricane,
Gross like bugs,
Cool like shopping,
Hard like math,
Easy like the easy button,
Fun like a rollercoaster,
Boring like detention,
Hurts like a bully,
Happy like a bunny,
Sad like 'The Notebook',
Lovely like Paris,
These are the feeling of life.

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Hard Head

(j watson)
If you play with fire
Then youre gonna get burned
When you were a baby
It was the first thing you learned
Said youre always wantin
Something you aint got now
When the weather gets cold
Then you want it hot now
Said a hard head
Makes a soft spot now
Yes it does baby, whoo, yeah yeah
If you violate speed laws
You do it at your own risk now
The first thing in the morning
Youre on the missing list now
If youre gonna drink now
Then you better not drive
Or else one of them sports cars
Might tan your hide
I said a hard head
Makes a soft spot now
Yeah yeah yeah
I said a hard head
Makes a soft spot now
Makes a soft spot now
Makes a soft spot now

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Back To The People

I wasnt very happy when you let me down
Still Ive made my own decision
Im gonna get back to the people , put my faith around
Back with the people , get up off the ground
Livin life was easy when you were by my side
Now youre gone , its too much effort
Now Im gonna get back to the people , put my faith around
When youre back with the people , nothing brings you down
Im gonna get back with the people , put my faith around
When youre back with the people , nothing brings you down
Using what Ive learned and living what I preach
Makes the hard thing very easy
Now Im gonna get back to the people , put my faith around
When youre back with the people ,nothing brings you down
Im gonna get back to the people , put my faith around
When youre back with the people , nothing brings you down
Im gonna get back to the people , put my faith around
When youre back with the people, nothing brings you down (fade)

song performed by Bee GeesReport problemRelated quotes
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Easy Driver

Easy driver, shes a wicked rider
Shes smooth and shes skinny and shes probably mean
Easy driver, pull up beside her, roll down the window on this fine machine
Chorus:
(ooh ooh ooh) dont turn away, (ooh ooh ooh) just give me a sign
(ooh ooh ooh) dont be afraid, (ooh ooh) love is so hard to find
Easy driver, get on up beside her, she dont drive like she knows the way
Easy driver, roads getting wider
Theres room to run and she might skate away
Come on back, baby what you say
Chorus
One lane away from love, the story of my life
Could I be good enough for your lonely avenue tonight
Its a lonely avenue tonight
Chorus
Easy driver, shes a wicked rider
Shes smooth and shes skinny and shes probably mean
Easy driver, get on up beside her, roll down the window on this fine machine
Easy driver, oh oh oh oh, easy driver, easy driver, easy driver (easy driver)
Easy driver, easy driver, easy driver, easy driver

song performed by Kenny LogginsReport problemRelated quotes
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Mustapha

Oh, wearisome condition of humanity,
Born under one law, to another bound;
Vainly begot, and yet forbidden vanity,
Created sick, commanded to be sound.
What meaneth nature by these diverse laws?
Passion and reason self-division cause.
It is the mark or majesty of power
To make offences that it may forgive;
Nature herself doth her own self deflower,
To hate those errors she herself doth give.
For how should man think that he may not do,
If nature did not fail and punish too?
Tyrant to others, to herself unjust,
Only commands things difficult and hard,
Forbids us all things which it knows is lust,
Makes easy pains, unpossible reward.
If nature did not take delight in blood,
She would have made more easy ways to good.
We that are bound by vows and by promotion,
With pomp of holy sacrifice and rites,
To teach belief in good and still devotion,
To preach of heaven's wonders and delights:
Yet when each of us in his own heart looks
He finds the God there far unlike his books.

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0338 Just couldn't hack it

A hard writing I had of it;
the words clumsy, the sense banal...

escaping from rhyme isn't easy;
half a lifetime to work up to it
then like skirt length, that's it,
the line's short this season,
and rhyme is, so, like, so last year...

(and must be insincere
if you have to work at it
or even want to)

so there I was in the
midst of getting the
hang of cutting the line at the
best place for the
sense, to avoid the
artificial on the
one hand and the
banal on the
other -the
art that conceals the
art -

and scenting euphony, when suddenly -
a crash - and in there lumbered - 'woodenly'...

I twigged instantly that it wouldn't
go without a struggle;
and called in Suddenly for questioning -
had they some sort of pact in the recesses of my mind -
kissin' cousins, blood brothers, partners in rhyme?

Suddenly denied this vigorously -
never been asked such a question before,
wouldn't want to associate etc.;
a word only used by theatre critics...

So I sighed and threw out my neatly chopped prose,
spontaneity, jokes, and anything goes;
and returned to meaningful old-fashioned verse
so woodenly crafted - well, poets have done worse.

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Not only right

You have not only right but a say
To shape the destiny and clear way
That might come on to face
Allow he opportunity to find and trace

It is holy bond and I respect
The sincerity in your act
The way in which you ask
That makes easy my task

It goes without saying
You were all along praying
There is no much denying
And absolutely no intention of defying

You are in top most of my mind
That nothing else you can find
All along you were considerate and kind
How can I be so rude and unkind?

As you surrendered
The clouds had thundered
The sky had wondered
Many thought over it and pondered

You did not think of any adultery
You never thought of any misery
You did not seem to have any worry
Less any idea of feeling slight sorry

I keep emotions very live
As you come in dream and make it alive
All these years I had striven very hard
That you may maintain and keep your word

I take your hands in hand and reassure
That our life is safe and fully secured
That we may never be separated
As the feeling and love and inter related

I wish the same as token gesture
You have convinced me and made it sure
There remains no cause to feel confused
As there is no make it refused

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Caring daring writing makes more sense...

For some its simply stated
for some the truth is abated
by rhyme and the language of the rose
such people prefer prose
for those
who are different who appreciate the art of poetry
are the ones who understand this
if you are the latter make sure you dont miss
your chance reading one thing has changed me
my life given up willingly
and now what comes out
surely not the same boy hurt and the one who has begun to pout
simply from the pain
all of this in vain
nay i say i say that this is something this is the reason
to not take my cross and follow thats treason
i wont just sit here and wait
having faith and doing nothing thats something i hate
its time to save
and even if it is all for naught
maybe just being a little too brave
but i repeat all for naught.... what has become of my life my purpose am i caught
i honestly think that if nothing comes of this no one gets saved
then at least i helped someone in my life
touched a life
even one rife
with pain
maybe one like mine just on the edge about to wain
i know i've done something
to the two i've hopefully left my mark
I say its time to let shine
dont keep it to yourself and say its mine
lets go out into the world dont take my word for it
i Challenge my two friends Savannah and Dillan be truth seekers.....
Find it, whoever loses his life he shall find it
Does that mean i have to die?
actually yes i must die to my flesh
is that painful..... hardly i have a certain joy no one can take
if this has changed you or moved you dont tell me unless you must
for my sake
thank God if these are simply my words may you tell me and may i grieve.

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