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Gustav Mahler

You must renounce all superficiality, all convention, all vanity and delusion.

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Vanity Kills

Have you heard the latest? (you love you)
Have you seen who just walked in (vain vain vain vain)
(uh huh, you love you) right over there
Shes so vain vain vain vain
Vain vain vain vain
Im glad youve found someone who loves you
But sad to say that someone is you
And now perhaps youll both be happy
Guess that makes two just you and you
Someone who cares so much about you
But does that someone have to be you
Bom bom bom bom bom bom bom bom yeah
Bom bom bom bom bom bom bom bom yeah
Vanity kills, it dont pay bills
Vanity kills, you love you
Vanity kills, it dont pay bills
Vanity kills, it kills
So glad I found you glancing in the mirror
Gazing deeply at loves patron saint
Admire the frame, survey the scenery
Or are you just inspecting the paint
Temptations strong modestys so weak
High on yourself humble you aint
Bom bom bom bom bom bom bom bom yeah
Bom bom bom bom bom bom bom bom yeah
Vanity kills, it dont pay bills
Vanity kills, you love you
Vanity kills, it dont pay bills
Vanity kills, you love you
Vanity kills, it dont pay bills (no way)
Vanity kills, you love you
Vanity kills, it dont pay bills
Vanity kills, it kills
So vain, vain vain vain
You love you (yeah)
Give it, give it us, give it us
So vain, so vain, so vain
Vanity kills, it dont pay bills
Vanity kills, you love you
Vanity kills, it dont pay bills
Vanity kills, you love you
Vanity kills, it dont pay bills
Vanity kills, you love you
Vanity kills, if the blast dont get you
Then the fallout will
You love you

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Weary Of The World, And With Heaven Most Dear

Farewell, world, farewell
As thrall here I’m weary and no more will dwell,
The manifold burdens that on me have lain,
I wrest them now from me and do them disdain,
I wrench myself free, though am wearied withal:
’Tis vanity all,
’Tis vanity all.

And what everywhere
Does this world embellish with visage so fair?
’Tis all merely shadows and baubles of glass,
’Tis all merely bubbles and clattering brass,
’Tis all but thin ice, filth and mischief withal:
’Tis vanity all,
’Tis vanity all.

My years what are they?
That furtively dwindle and sidle away?
And what are my worries? My thought-troubled mind?
My joy or my sorrow? My fancies so blind?
And what do my work, moil and toil all recall?
’Tis vanity all,
’Tis vanity all.

Oh riches and gold,
You false earthly idol so bright to behold,
You are though among the deceits the world brings
That wax, wane and alter with all other things.
You are but vain glory whate’er may befall:
’Tis vanity all,
’Tis vanity all.

Ah, honour – ’tis what?
Your crowns and your laurels proclaim what you’re not,
And envy consumes you and sits on your back,
You lack peace of mind and are prone to attack!
You stumble where others contrive not to fall:
’Tis vanity all,
’Tis vanity all.

Ah, favour and grace
That mist-like enfold us, are gone without trace.
You fickle infl ator that puffs up the mind,
You thousand-eyed creature that e’en so are blind,
When viewed ’gainst the sun one can see that you pall:
’Tis vanity all,
’Tis vanity all.

Ah, friendship and trust,
That veers vanes to happiness with every gust!

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Driven By Delusion

Driven by delusion?
Where did you get that conclusion?

We heard that and chose it to ignore.
Since we know how we arrived.
And persistence did it.
Most times with the pedal pushed to the floor.
With a confidence to approach,
And knock on many doors.

Driven by delusion?

Delusion might have taken the credit.
But we did not sit in stifled reminiscing!
With champagne sipping on caviar dreams!
Are you kidding?
Not one of us tried to find that time.
If you knew how precious to us time means?

Driven by delusion?

We do admit there had been some wishes.
But all of us are aware of this...
A good work ethic could not be dismissed.
And delusion came along for the ride.
Delusion had nothing to do with our drive!
Not a thing to do with this...
Not one bit!

And,
Let me say this...
'IF' you believe any of this was driven by delusion,
You obviously have been fantasized by 'bling'
And not by substance.

Since substance requires one to take control,
With an experience to be behind the wheel!
And none of us has acquired a taste for substitutes.
To waste and use as an excuse.
Choosing to lead.
And not be the ones who followed.

'And,
Just 'who' are the 'we' you refer to? '

Oh...
Apologies!
I always refer to myself in third person!
Especially if the task 'appears' to be more than I can handle!
With 'that' on my mind.

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Ella Wheeler Wilcox

Vanity Fair

In Vanity Fair, as we bow and smile,
As we talk of the opera after the weather,
As we chat of fashion and fad and style,
We know we are playing a part together.
You know that the mirth she wears, she borrows;
She knows you laugh but to hide your sorrows;
We know that under the silks and laces,
And back of beautiful, beaming faces,
Lie secret trouble and grim despair,
In Vanity Fair.


In Vanity Fair, on dress parade,
Our colors look bright and our swords are gleaming;
But many a uniform's worn and frayed,
And most of the weapons, despite their seeming.
Are dull and blunted and badly battered,
And close inspection will show how tattered
And stained are the banners that float above us.
Our comrades hate, while they swear to love us;
And robed like Pleasure walks gaunt-eyed Care,
In Vanity Fair.


In Vanity Fair, as we strive for place,
As we rush and jostle and crowd and hurry,
We know the goal is not worth the race-
We know the prize is not worth the worry;
That all our gain means loss for another;
That in fighting for self we wound each other;
That the crown of success weighs hard and presse
The brow of the victor with thorns-not caresses;
That honors are empty and worthless to wear,
In Vanity Fair.


But in Vanity Fair, as we pass along,
We meet strong hearts that are worth the knowing;
'Mong poor paste jewels that deck the throng,
We see a solitaire sometimes glowing.
We find grand souls under robes of fashion,
'Neath light demeanors hide strength and passion;
And fair fine honor and Godlike resistance.
In halls of pleasure may have existence;
And we find pure altars and shrines of prayer,
In Vanity Fair.

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The Bald Eagle Has Broken The Geneva Convention

Only a monster could observe
naked suffering of concentration
extermination camps and not thank
God for liberation closing of this crime.

A crime inditing systematic political indifference
to a horrific crime perpetrated against humanity.


Only a monster could observe
calculated humiliation human rights
abuses torture violation of international
law Geneva Conventions and not pray closure.

International law for humanitarian treatment of
victims of war as 90% in Guantanamo proved to be.


Fact! The Geneva Convention agreements of 1949
negotiated in the aftermath of World War II updated
the terms of the first three treaties and added a fourth.

Fact! Articles defined the basic rights of those captured
during a military conflict, establishing protections for
the wounded, and addressing protections for civilians.

“The treaties of 1949 were ratified, in whole or with
reservations, by 194 countries” including the USA Mr Bush.


Placing Guantanamo outside the United States to avoid
violating American laws, while deliberately violating
international law, and Geneva Conventions, sends a strong

message to the free world; spelling out meaning of Bush
new world order, and foolish contempt of world opinion.
Arrogant is a word, reserved for illegal, fuel war in Iraq.


When deliberately targeting infrastructure, hospitals
electricity water schools, non-military targets, a word
for the wise. This does not win hearts and minds, but

individuals; communities, governments, nations
globally, observe infrastructure is deliberately
destroyed; selection fixed to suppress control demoralize.

Soon such policies Guantanamo abuses
are compared to a few little sentences
Mr Bush Pentagon staff should have read.

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Easter-Day

HOW very hard it is to be
A Christian! Hard for you and me,
—Not the mere task of making real
That duty up to its ideal,
Effecting thus complete and whole,
A purpose or the human soul—
For that is always hard to do;
But hard, I mean, for me and you
To realise it, more or less,
With even the moderate success
Which commonly repays our strife
To carry out the aims of life.
“This aim is greater,” you may say,
And so more arduous every way.”
—But the importance of the fruits
Still proves to man, in all pursuits,
Proportional encouragement.
“Then, what if it be God’s intent
“That labour to this one result
“Shall seem unduly difficult?”
—Ah, that’s a question in the dark—
And the sole thing that I remark
Upon the difficulty, this;
We do not see it where it is,
At the beginning of the race:
As we proceed, it shifts its place,
And where we looked for palms to fall,
We find the tug’s to come,—that’s all.

II.
At first you say, “The whole, or chief
“Of difficulties, is Belief.
“Could I believe once thoroughly,
“The rest were simple. What? Am I
“An idiot, do you think? A beast?
“Prove to me only that the least
“Command of God is God’s indeed,
And what injunction shall I need
“To pay obedience? Death so nigh
“When time must end, eternity
“Begin,—and cannot I compute?
“Weigh loss and gain together? suit
“My actions to the balance drawn,
And give my body to be sawn
“Asunder, hacked in pieces, tied
“To horses, stoned, burned, crucified,
“Like any martyr of the list?
“How gladly,—if I made acquist,
“Through the brief minutes’ fierce annoy,
“Of God’s eternity of joy.”

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Conference of the Birds

'Attar began The Conference of the Birds (Mantiq al-tair) with an invocation praising the holy Creator in which he suggested that one must live a hundred lives to know oneself; but you must know God by the deity, not by yourself, for God opens the way, not human wisdom. 'Attar believed that God is beyond all human knowledge. The soul will manifest itself when the body is laid aside. One cannot gain spiritual knowledge without dying to all things. When the birds assemble, they wonder why they have no king. The Hoopoe presents herself as a messenger from the invisible world with knowledge of God and the secrets of creation. She recommends Simurgh as their true king, saying that one of his feathers fell on China.

The Nightingale says that the love of the Rose satisfies him, and the journey is beyond his strength; but the Hoopoe warns against being a slave of passing love that interferes with seeking self-perfection. The Parrot longs for immortality, and the Hoopoe encourages the Peacock to choose the whole. The Duck is too content with water to seek the Simurgh. The Hoopoe advises the Partridge that gems are just colored stones and that love of them hardens the heart; she should seek the real jewel of sound quality. The Humay is distracted by ambition, and the Owl loves only the treasure he has found. The Hoopoe reprimands the Sparrow for taking pride in humility and recommends struggling bravely with oneself. She states that the different birds are just shadows of the Simurgh. If they succeed, they will not be God; but they will be immersed in God. If they look in their hearts, they will see the divine image. All appearances are just the shadow of the Simurgh. Those loving truly do not think about their own lives and sacrifice their desires. Those grounded in love renounce faith and religion as well as unbelief. One must hear with the ear of the mind and the heart.

A total of 22 birds speak to the Hoopoe or ask questions about the journey. Short anecdotes are told to illustrate the Hoopoe's points. The Hoopoe says that it is better to lose your life than to languish miserably. The Hoopoe says,

So long as we do not die to ourselves,
and so long as we identify with someone or something,
we shall never be free.
The spiritual way is not for those wrapped up in exterior life.5

You will enjoy happiness if you succeed in withdrawing from attachment to the world. Whoever is merciful even to the merciless is favored by the compassionate. It is better to agree to differ than to quarrel. The Hoopoe warns the sixth bird against the dog of desire that runs ahead. Each vain desire becomes a demon, and yielding to each one begets a hundred others. The world is a prison under the devil, and one should have no truck with its master. The Hoopoe also says that if you let no one benefit from your gold, you will not profit either; but by the smallest gift to the poor you both benefit. She says,

Good fortune will come to you only as you give.
If you cannot renounce life completely,
you can at least free yourself
from the love of riches and honors.6

A pupil becomes afraid in facing a choice between two roads, but a shaikh advises getting rid of fear so that either road will be good. The Hoopoe tells the eighth bird that only if death ceases to exercise power over creatures would it be wise to remain content in a golden palace. The ninth bird is told that sensual love is a game inspired by passing beauty that is fleeting. The Hoopoe asks what is uglier than a body made of flesh and bones. It is better to seek the hidden beauty of the invisible world. An anecdote about Jesus yields the following lesson:

Strive to discover the mystery before life is taken from you.
If while living you fail to find yourself, to know yourself,
how will you be able to understand
the secret of your existence when you die?7

The Hoopoe advises the eleventh bird that giving yourself over to pride or self-pity will disturb you. Since the world passes, pass it by, for whoever becomes identified with transient things has no part in the lasting things. The suffering endured is made glorious and is a treasure for the seer, for blessings will come if you make efforts on the path. The fifteenth bird is told that justice is salvation, and the just are saved from errors. Being just is better than a life of worship. Justice exercised in secret is even better than liberality; but justice professed openly may lead to hypocrisy. A story of two drunks teaches that we see faults because we do not love. When we understand real love, the faults of those near us appear as good qualities. When you see the ugliness of your own faults, you will not bother so much with the faults of others.

The journey of the birds takes them through the seven valleys of the quest, love, understanding, independence and detachment, unity, astonishment, and finally poverty and nothingness. In the valley of the quest one undergoes a hundred difficulties and trials. After one has been tested and become free, one learns in the valley of love that love has nothing to do with reason. The valley of understanding teaches that knowledge is temporary, but understanding endures. Overcoming faults and weaknesses brings the seeker closer to the goal. In the valley of independence and detachment one has no desire to possess nor any wish to discover. To cross this difficult valley one must be roused from apathy to renounce inner and outer attachments so that one can become self-sufficient. In the valley of unity the Hoopoe announces that although you may see many beings, in reality there is only one, which is complete in its unity. As long as you are separate, good and evil will arise; but when you lose yourself in the divine essence, they will be transcended by love. When unity is achieved, one forgets all and forgets oneself in the valley of astonishment and bewilderment.

The Hoopoe declares that the last valley of deprivation and death is almost impossible to describe. In the immensity of the divine ocean the pattern of the present world and the future world dissolves. As you realize that the individual self does not really exist, the drop becomes part of the great ocean forever in peace. The analogy of moths seeking the flame is used. Out of thousands of birds only thirty reach the end of the journey. When the light of lights is manifested and they are in peace, they become aware that the Simurgh is them. They begin a new life in the Simurgh and contemplate the inner world. Simurgh, it turns out, means thirty birds; but if forty or fifty had arrived, it would be the same. By annihilating themselves gloriously in the Simurgh they find themselves in joy, learn the secrets, and receive immortality. So long as you do not realize your nothingness and do not renounce your self-pride, vanity, and self-love, you will not reach the heights of immortality. 'Attar concluded the epilog with the admonition that if you wish to find the ocean of your soul, then die to all your old life and then keep silent.

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The Minstrel; Or, The Progress Of Genius : Book I.

I.
Ah! who can tell how hard it is to climb
The steep where Fame's proud temple shines afar!
Ah! who can tell how many a soul sublime
Hath felt the influence of malignant star,
And wag'd with Fortune an eternal war!
Check'd by the scoff of Pride, by Envy's frown,
And Poverty's unconquerable bar,
In life's low vale remote hath pin'd alone
Then dropt into the grave, unpitied and unknown!

II.
And yet, the languor of inglorious days
Not equally oppressive is to all.
Him, who ne'er listen'd to the voice of praise,
The silence of neglect can ne'er appal.
There are, who, deaf to mad Ambition's call,
Would shrink to hear th' obstreperous trump of Fame;
Supremely blest, if to their portion fall
Health, competence, and peace. Nor higher aim
Had he, whose simple tale these artless lines proclaim.

III.
This sapient age disclaims all classic lore;
Else I should here in cunning phrase display,
How forth The Minstrel far'd in days of yore,
Right glad of heart, though homely in array;
His waving locks and beard all hoary grey:
And, from his bending shoulder, decent hung
His harp, the sole companion of his way,
Which to the whistling wind responsive rung:
And ever as he went some merry lay he sung.

IV.
Fret not yourselves, ye silken sons of pride,
That a poor Wanderer should inspire my strain.
The Muses Fortune's fickle smile deride,
Nor ever bow the knee in Mammon's fane;
For their delights are with the village-train,
Whom Nature's laws engage, and Nature's charms:
They hate the sensual, and scorn the vain;
The parasite their influence never warms,
Nor him whose sordid soul the love of wealth alarms.

V.
Though richest hues the peacock's plumes adorn,
Yet horror screams from his discordant throat.
Rise, sons of harmony, and hail the morn,
While warbling larks on russet pinions float;
Or seek at noon the woodland scene remote,

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Double Ballade on the Nothingness of Things

The big teetotum twirls,
And epochs wax and wane
As chance subsides or swirls;
But of the loss and gain
The sum is always plain.
Read on the mighty pall,
The weed of funeral
That covers praise and blame,
The -isms and the -anities,
Magnificence and shame:--
"O Vanity of Vanities!"

The Fates are subtle girls!
They give us chaff for grain.
And Time, the Thunderer, hurls,
Like bolted death, disdain
At all that heart and brain
Conceive, or great or small,
Upon this earthly ball.
Would you be knight and dame?
Or woo the sweet humanities?
Or illustrate a name?
O Vanity of Vanities!

We sound the sea for pearls,
Or drown them in a drain;
We flute it with the merles,
Or tug and sweat and strain;
We grovel, or we reign;
We saunter, or we brawl;
We search the stars for Fame,
Or sink her subterranities;
The legend's still the same:--
"O Vanity of Vanities!"

Here at the wine one birls,
There some one clanks a chain.
The flag that this man furls
That man to float is fain.
Pleasure gives place to pain:
These in the kennel crawl,
While others take the wall.
She has a glorious aim,
He lives for the inanities.
What come of every claim?
O Vanity of Vanities!

Alike are clods and earls.
For sot, and seer, and swain,
For emperors and for churls,

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The City of Dreadful Night

Per me si va nella citta dolente.

--Dante

Poi di tanto adoprar, di tanti moti
D'ogni celeste, ogni terrena cosa,
Girando senza posa,
Per tornar sempre la donde son mosse;
Uso alcuno, alcun frutto
Indovinar non so.

Sola nel mondo eterna, a cui si volve
Ogni creata cosa,
In te, morte, si posa
Nostra ignuda natura;
Lieta no, ma sicura
Dell' antico dolor . . .
Pero ch' esser beato
Nega ai mortali e nega a' morti il fato.

--Leopardi

PROEM

Lo, thus, as prostrate, "In the dust I write
My heart's deep languor and my soul's sad tears."
Yet why evoke the spectres of black night
To blot the sunshine of exultant years?
Why disinter dead faith from mouldering hidden?
Why break the seals of mute despair unbidden,
And wail life's discords into careless ears?

Because a cold rage seizes one at whiles
To show the bitter old and wrinkled truth
Stripped naked of all vesture that beguiles,
False dreams, false hopes, false masks and modes of youth;
Because it gives some sense of power and passion
In helpless innocence to try to fashion
Our woe in living words howe'er uncouth.

Surely I write not for the hopeful young,
Or those who deem their happiness of worth,
Or such as pasture and grow fat among
The shows of life and feel nor doubt nor dearth,
Or pious spirits with a God above them
To sanctify and glorify and love them,
Or sages who foresee a heaven on earth.

For none of these I write, and none of these
Could read the writing if they deigned to try;

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Renouncing

I renounce all evil
and yet it's here.
I renounce all fools
and yet it's clear
that fools can't detect
the evil they see.
Their eyes are closed.
They just let it be.

I renounce all hate
and yet it persists.
I renounce all haters
and yet they co-exist
with all of the lovers
that observe the good.
Their eyes don't close
the way they should.

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Christina Georgina Rossetti

A Testimony

I said of laughter: it is vain.
Of mirth I said: what profits it?
Therefore I found a book, and writ
Therein how ease and also pain,
How health and sickness, every one
Is vanity beneath the sun.

Man walks in a vain shadow; he
Disquieteth himself in vain.
The things that were shall be again;
The rivers do not fill the sea,
But turn back to their secret source;
The winds too turn upon their course.

Our treasures moth and rust corrupt,
Or thieves break through and steal, or they
Make themselves wings and fly away.
One man made merry as he supped,
Nor guessed how when that night grew dim,
His soul would be required of him.

We build our houses on the sand
Comely withoutside and within;
But when the winds and rains begin
To beat on them, they cannot stand;
They perish, quickly overthrown,
Loose from the very basement stone.

All things are vanity, I said:
Yea vanity of vanities.
The rich man dies; and the poor dies:
The worm feeds sweetly on the dead.
Whate'er thou lackest, keep this trust:
All in the end shall have but dust.

The one inheritance, which best
And worst alike shall find and share:
The wicked cease from troubling there,
And there the weary are at rest;
There all the wisdom of the wise
Is vanity of vanities.

Man flourishes as a green leaf,
And as a leaf doth pass away;
Or as a shade that cannot stay,
And leaves no track, his course is brief:
Yet doth man hope and fear and plan
Till he is dead:—oh foolish man!

Our eyes cannot be satisfied

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On Anne Allen

The wind blew keenly from the Western sea,
And drove the dead leaves slanting from the tree--
Vanity of vanities, the Preacher saith--
Heaping them up before her Father's door
When I saw her whom I shall see no more--
We cannot bribe thee, Death.

She went abroad the falling leaves among,
She saw the merry season fade, and sung--
Vanity of vanities the Preacher saith--
Freely she wandered in the leafless wood,
And said that all was fresh, and fair, and good--
She knew thee not, O Death.

She bound her shining hair across her brow,
She went into the garden fading now;
Vanity of vanities the Preacher saith--
And if one sighed to think that it was sere,
She smiled to think that it would bloom next year!
She feared thee not, O Death.

Blooming she came back to the cheerful room
With all the fairer flowers yet in bloom--
Vanity of vanities the Preacher saith--
A fragrant knot for each of us she tied,
And placed the fairest at her Father's side--
She cannot charm thee, Death.

Her pleasant smile spread sunshine upon all;
We heard her sweet clear laughter in the Hall--
Vanity of vanities the Preacher saith--
We heard her sometimes after evening prayer,
As she went singing softly up the stair--
No voice can charm thee, Death.

Where is the pleasant smile, the laughter kind,
That made sweet music of the winter wind?
Vanity of vanities the Preacher saith--
Idly they gaze upon her empty place,
Her kiss hath faded from her Father's face--
She is with thee, O Death.

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Anchorless and Engulfed

Two who each other barely knew -
though both drew down delinquency
some streets apart, are past, and few
shall etch sketch wretched memory.
Two travelled on lines parallel
while wheeled real reel of history,
banned reel ran out span's tocsin bell
tolled once to tell eternity

‘Bonjour, ma mie, je t'aime, adieu! '
The mocking bird of Destiny
nests but a moment. All falls through
before each earth-bound entity
grasp pain's pain glass a second, spell
life's sensitivity to see
things in perspective ere Death's knell
engulfs hopes in Styx misery.

Confined upon Earth's ark our zoo
builds up its bars too readily.
Why all the fuss and bother to
paint rosy hues enticingly
when threescore ten years pass pell-mell,
too few attain vain century,
and those that do weak souls would sell
for one more week's dichotomy.

Upon Life's cruise a motley crew
free choice demands, yet few feel free,
awash with superstitious spew,
how few refuse to bend the knee?
The ‘finger writes' and then farewell!
A door to which there is no key
was ever veiled when curtains fell,
'and then no more of thee and me.'

'Time out! ' Reflection's hard to chew
in context where modernity
accelerates change [st]range most rue,
soon redefines autonomy,
confines empowerment to brew
disinformation debility,
losing second thoughts' review
of truth till last breath's verity
renders verdict curlicue
on humankind's inanity.

Climate out of kilter new
climactic catastrophe
prepares, ice-melt sends shockwaves through

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The Night Will Soon Be Lost

THE NIGHT WILL SOON BE LOST

The night will soon be lost
Another night of so many already gone
Who knows how many left?
I have seen far more nights
Than I will ever see again
Mostly it’s done
I have some nights left
But not so many
That I should waste it wholly
On frivolity
I’ll try now
To write a poem down
So this night
Will not have been wholly in vain
But who knows
Vanity of vanity of vanity
Perhaps for all nights and all poems- vanity
I am writing this poem down nonetheless
It flows as if it knows it has real life within it
I don’t know now how long this night will last
Or how many nights I have left
I have written a poem
Will G-d save it as if it were not vanity to vanity?
I do not know.

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What Does It Take For Reality To Be Embraced?

What is it that goes on in the minds of those,
Who choose an agenda...
To defeat the ones they have historically opposed?
By the telling of lies and demeaning them,
With stereotypical jokes that seem to continue with no end?
Those old jokes told,
That have rusted against their peeling picket fences.

Delusion!

A delusion kept that their inept perceptions,
Will stay effective with sustained false depth.
And their ability to squeeze the economy,
To have those on their knees and pleading...
With a begging of them to forgive them of 'sins'.
As if they have been annointed as 'chosen' deities.
Worshipped by those suppressed as they believe.

What goes on in the minds of those,
Who choose an agenda...
To defeat the ones they have historically opposed,
By the telling of lies and demeaning them...
With stereotypical jokes?

Delusion!

And what awakens to stun the ones,
To snap out of their spells they've kept so well?

Reality!

And what does it take for reality to be embraced?

A truth that survives that no one can deny.
Once superficiality diminishes from those whose eyes,
Have been cleared and freed from all deceptions.
With trauma to face as a reception!
After inspecting their standards once valued demolished.

'Say what you will.
But a winning was not done with a mandate! '

I agree.
However...
Few losers are heard cheering,
Because they 'almost' defeated that which was opposed.
Or observed snuggling together...
With smiles a mile wide and gratified with eyes closed.

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Quatrains Of Life

What has my youth been that I love it thus,
Sad youth, to all but one grown tedious,
Stale as the news which last week wearied us,
Or a tired actor's tale told to an empty house?

What did it bring me that I loved it, even
With joy before it and that dream of Heaven,
Boyhood's first rapture of requited bliss,
What did it give? What ever has it given?

'Let me recount the value of my days,
Call up each witness, mete out blame and praise,
Set life itself before me as it was,
And--for I love it--list to what it says.

Oh, I will judge it fairly. Each old pleasure
Shared with dead lips shall stand a separate treasure.
Each untold grief, which now seems lesser pain,
Shall here be weighed and argued of at leisure.

I will not mark mere follies. These would make
The count too large and in the telling take
More tears than I can spare from seemlier themes
To cure its laughter when my heart should ache.

Only the griefs which are essential things,
The bitter fruit which all experience brings;
Nor only of crossed pleasures, but the creed
Men learn who deal with nations and with kings.

All shall be counted fairly, griefs and joys,
Solely distinguishing 'twixt mirth and noise,
The thing which was and that which falsely seemed,
Pleasure and vanity, man's bliss and boy's.

So I shall learn the reason of my trust
In this poor life, these particles of dust
Made sentient for a little while with tears,
Till the great ``may--be'' ends for me in ``must.''

My childhood? Ah, my childhood! What of it
Stripped of all fancy, bare of all conceit?
Where is the infancy the poets sang?
Which was the true and which the counterfeit?

I see it now, alas, with eyes unsealed,
That age of innocence too well revealed.
The flowers I gathered--for I gathered flowers--
Were not more vain than I in that far field.

[...] Read more

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

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The Castle Of Indolence

The castle hight of Indolence,
And its false luxury;
Where for a little time, alas!
We lived right jollily.

O mortal man, who livest here by toil,
Do not complain of this thy hard estate;
That like an emmet thou must ever moil,
Is a sad sentence of an ancient date:
And, certes, there is for it reason great;
For, though sometimes it makes thee weep and wail,
And curse thy star, and early drudge and late;
Withouten that would come a heavier bale,
Loose life, unruly passions, and diseases pale.
In lowly dale, fast by a river's side,
With woody hill o'er hill encompass'd round,
A most enchanting wizard did abide,
Than whom a fiend more fell is no where found.
It was, I ween, a lovely spot of ground;
And there a season atween June and May,
Half prankt with spring, with summer half imbrown'd,
A listless climate made, where, sooth to say,
No living wight could work, ne cared even for play.
Was nought around but images of rest:
Sleep-soothing groves, and quiet lawns between;
And flowery beds that slumbrous influence kest,
From poppies breathed; and beds of pleasant green,
Where never yet was creeping creature seen.
Meantime, unnumber'd glittering streamlets play'd,
And hurled every where their waters sheen;
That, as they bicker'd through the sunny glade,
Though restless still themselves, a lulling murmur made.
Join'd to the prattle of the purling rills
Were heard the lowing herds along the vale,
And flocks loud bleating from the distant hills,
And vacant shepherds piping in the dale:
And, now and then, sweet Philomel would wail,
Or stock-doves plain amid the forest deep,
That drowsy rustled to the sighing gale;
And still a coil the grasshopper did keep;
Yet all these sounds yblent inclined all to sleep.
Full in the passage of the vale, above,
A sable, silent, solemn forest stood;
Where nought but shadowy forms was seen to move,
As Idless fancied in her dreaming mood:
And up the hills, on either side, a wood
Of blackening pines, aye waving to and fro,
Sent forth a sleepy horror through the blood;
And where this valley winded out, below,
The murmuring main was heard, and scarcely heard, to flow.

[...] Read more

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Have pride and vanity

Service and sacrifice can be the base
For your pride and not your caste or creed.
Have pride that you have helped someone rise
And not that you have conquered someone.
Pride is that one feels about oneself high.

Show vanity for your simplicity;
Show not vanity for your affluence.
Show vanity for your affinity;
Show not vanity for your elegance.
Vanity is that one shows oneself high.
11.07.208

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