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Old houses mended, Cost little less than new before they re ended.

quote by Colley Cibber
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Mr. Me

Once a boy named mister me bemoaned a great regret
I've floundered in the misty sea, but can't abide its mystery
I wound up sad, you bet
So onward go and edward ho into the bounding main
Enjoy the show look out below but mind the misty sea
Or end up sad like mister me
He ended up sad
He ended up sad
He ended up really, really, really sad
He ended up sad
He ended up sad
He ended up really, really, really sad
So take the hand of mister me and mister, make him glad
To swim the mister misty sea and cease the mister mystery
That mister, made him sad
He ended up sad
He ended up sad
He ended up really, really, really sad
He ended up sad
He ended up sad
He ended up really, really, really sad
He ended up sad
He ended up sad
He ended up really, really, really sad
He ended up sad
He ended up sad
He ended up really, really, really sad

song performed by They Might Be Giants
Added by Lucian Velea
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The Destroying Angel

I dreamt a dream the other night
That an Angel appeared to me, clothed in white.
Oh! it was a beautiful sight,
Such as filled my heart with delight.

And in her hand she held a flaming brand,
Which she waved above her head most grand;
And on me she glared with love-beaming eyes,
Then she commanded me from my bed to arise.

And in a sweet voice she said, "You must follow me,
And in a short time you shall see
The destruction of all the public-houses in the city,
Which is, my friend, the God of Heaven's decree."

Then from my bed in fear I arose,
And quickly donned on my clothes;
And when that was done she said, " Follow me
Direct to the High Street, fearlessly."

So with the beautiful Angel away I did go,
And when we arrived at the High Street, Oh! what a show,
I suppose there were about five thousand men there,
All vowing vengeance against the publicans, I do declare.

Then the Angel cried with a solemn voice aloud
To that vast end Godly assembled crowd,
"Gentlemen belonging the fair City of Dundee,
Remember I have been sent here by God to warn ye.

"That by God's decree ye must take up arms and follow me
And wreck all the public-houses in this fair City,
Because God cannot countenance such dens of iniquity.
Therefore, friends of God, come, follow me.

"Because God has said there's no use preaching against strong drink,
Therefore, by taking up arms against it, God does think,
That is the only and the effectual cure
To banish it from the land, He is quite sure.

"Besides, it has been denounced in Dundee for fifty years
By the friends of Temperance, while oft they have shed tears.
Therefore, God thinks there's no use denouncing it any longer,
Because the more that's said against it seemingly it grows stronger."

And while the Angel was thus addressing the people,
The Devil seemed to be standing on the Townhouse Steeple,
Foaming at the mouth with rage, and seemingly much annoyed,
And kicking the Steeple because the public-houses wore going to be destroyed.

[...] Read more

poem by William Topaz McGonagall
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I Just Don't Have The Heart

Love had ended
Can't be mended
All along the line
I've been true to you
Even though for some time
I knew we were through
I was feeling
That love had ended
Can't be mended
But i can't bear to see you cry
The feeling's gone
It's been missing too long
But i just don't have the heart
I just don't have the heart to tell you
It's such a shame
That it's ended this way
But i just don't have the heart
I just don't have the heart to tell you
There'll be no goodbyes
There are no words to say
When you realise
That i'm far away
You'll be hurting
Like i've been hurting
The truth was burning
But i just can't say goodbye
The feeling's gone
It's been missing too long
But i just don't have the heart
I just don't have the heart to tell you
It's such a shame
That it's ended this way
But i just don't have the heart
I just don't have the heart to tell you
Ooh but i just don't have the heart
I just don't have the heart to tell you
If i stopped to think about
The good times that we shared
I could fool myself believing
That somehow love, love was still there
Ooh (love, love, love, love, love had ended)
(love, love, love, love, love had ended)
I was feeling
That love had ended
Can't be mended
But i can't bear to see you cry
(repeat chorus)

song performed by Cliff Richard
Added by Lucian Velea
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Just Dont Have The Heart

Love had ended
Cant be mended
All along the line
Ive been true to you
Even though for some time
I knew we were through
I was feeling
That love had ended
Cant be mended
But I cant bear to see you cry
The feelings gone
Its been missing too long
But I just dont have the heart
I just dont have the heart to tell you
Its such a shame
That its ended this way
But I just dont have the heart
I just dont have the heart to tell you
Therell be no goodbyes
There are no words to say
When you realise
That Im far away
Youll be hurting
Like Ive been hurting
The truth was burning
But I just cant say goodbye
The feelings gone
Its been missing too long
But I just dont have the heart
I just dont have the heart to tell you
Its such a shame
That its ended this way
But I just dont have the heart
I just dont have the heart to tell you
Ooh but I just dont have the heart
I just dont have the heart to tell you
If I stopped to think about
The good times that we shared
I could fool myself believing
That somehow love, love was still there
Ooh (love, love, love, love, love had ended)
(love, love, love, love, love had ended)
I was feeling
That love had ended
Cant be mended
But I cant bear to see you cry
(repeat chorus)

song performed by Cliff Richard
Added by Lucian Velea
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Once Lonely Now Mended

A lonely heart is not something new;
A lonely heart contains only blues.

A lonely heart grows until old;
A lonely heart never unfolds.

A lonely heart is ready for doom;
A lonely heart keeps the mood gloom.

A lonely heart will never heal;
A lonely heart is like a bad card deal.

A mended heart is like one of no other;
A mended heart can be noticed by a lover.

A mended heart won’t take anymore pain;
A mended heart will shine like a flame.

A mended heart pumps love with a flow;
A mended heart beats and never lets’ go.

poem by Michael Vanderkooi
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Empty Old Houses

Empty Old Houses

Empty old houses can talk…
But one must know how to listen…
to hear them

Empty old houses have stories…
But one must be eager to listen…
to hear them

Empty old houses can suffer..
But one must have empathy …
To feel it

Empty old houses can feel pain
But one must be able to bear it …
To feel it

Empty old houses have memories
But one must believe … that they have…
To share them

Empty old houses contain people’s lives
But one must believe…that they do…
To share them

Empty old houses can seem dead and deserted
But one must know that they’re not..
To know them

Empty old houses can teem with life’s pleasures
But one must walk through
to sense the aura of life

Empty old houses abound in life’s treasures
But one cannot help but…
To admire them

poem by David Whalen
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A Man

I am a man as a man I've been told
Bacon is brought to the house in this mold
Born of your bellies I yearn for the cord
Years I have groveled repentance ignored

And I have been blamed
And I have repented
I'm working my way toward our union mended

I am man who has grown from a son
Been crucified by enraged women
I am son who was raised by such men
I'm often reminded of the fools I'm among

And I have been shamed
And I have relented
I'm working my way toward our union mended
And I have been shamed
And I have repented
I'm working my way toward our union mended

we don't fare well with endless reprimands
we don't do well with a life served as a sentence
this won't work well if you're hell bent on your offence
I am a man who understands your resistance

I am a man who still does what he can
to dispel our archaic reputation
I am a man who has heard all he can
cuz I don't fare well with endless punishment

Cuz I have been blamed and I have repented
I'm working my way toward our union mended
And we have been blamed and we have repented
I'm working my way toward our union mended

song performed by Alanis Morissette from Under Rug Swept
Added by Lucian Velea
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White Houses

Crashed on the floor when i moved in
This little bungalow with some strange new friends
Stayed up too late, and I'm too thin
We promise each other it's till the end
Now we're spinning empty bottles, it's the fives of us
With pretty-eyed boys girls die to trust
I can't resist the day oh no i can't resist the day
And Jenny screams out and it's no pose
'Cause when she dances she goes and goes
Beer through the nose on an inside joke
And I'm so excited I haven't spoken
And she's so pretty and she's so sure
Maybe I'm more clever than a girl like her
The summer's all in bloom
The summer's ending soon
It's all right
And it's nice not to be so alone
But I hold on to secrets in white houses
Maybe I'm a little bit over my head
I come undone at the things he said
He's so funny in his bright red shirt
we were all in love and we all got hurt
I sneak into his car's cracked leather seat
The smell of gasoline in the summer heat
Boy we're going way too fast
It's all too sweet to last...
It's alright and i put myself in his hands
but i hold on to secrets in White Houses
Love or something ignites in my veins
and i pray it never fades in white houses
My first time
Hard to explain
Rush of blood, oh
And a little bit of pain
On a cloudy day
It's more common than you think
He's my first mistake
Maybe you were all faster than me
We gave each other up so easily
These silly little wounds will never mend
I feel so far from where I've been
So I go and I will not be back here again
I'm gone as the day is fading on white houses
I lie, put my injuries all in the dust
In my heart is the 5 of us in white houses
And you, maybe you'll remember me
What I gave is yours to keep
In white houses
In white houses
In white houses.

song performed by Vanessa Carlton
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Hudibras: Part 1 - Canto I

THE ARGUMENT

Sir Hudibras his passing worth,
The manner how he sallied forth;
His arms and equipage are shown;
His horse's virtues, and his own.
Th' adventure of the bear and fiddle
Is sung, but breaks off in the middle.

When civil dudgeon a first grew high,
And men fell out they knew not why?
When hard words, jealousies, and fears,
Set folks together by the ears,
And made them fight, like mad or drunk,
For Dame Religion, as for punk;
Whose honesty they all durst swear for,
Though not a man of them knew wherefore:
When Gospel-Trumpeter, surrounded
With long-ear'd rout, to battle sounded,
And pulpit, drum ecclesiastick,
Was beat with fist, instead of a stick;
Then did Sir Knight abandon dwelling,
And out he rode a colonelling.
A wight he was, whose very sight wou'd
Entitle him Mirror of Knighthood;
That never bent his stubborn knee
To any thing but Chivalry;
Nor put up blow, but that which laid
Right worshipful on shoulder-blade;
Chief of domestic knights and errant,
Either for cartel or for warrant;
Great on the bench, great in the saddle,
That could as well bind o'er, as swaddle;
Mighty he was at both of these,
And styl'd of war, as well as peace.
(So some rats, of amphibious nature,
Are either for the land or water).
But here our authors make a doubt
Whether he were more wise, or stout:
Some hold the one, and some the other;
But howsoe'er they make a pother,
The diff'rence was so small, his brain
Outweigh'd his rage but half a grain;
Which made some take him for a tool
That knaves do work with, call'd a fool,
And offer to lay wagers that
As MONTAIGNE, playing with his cat,
Complains she thought him but an ass,
Much more she wou'd Sir HUDIBRAS;

[...] Read more

poem by Samuel Butler
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Sing Of The Banner At Day-Break

POET.

O A new song, a free song,
Flapping, flapping, flapping, flapping, by sounds, by voices clearer,
By the wind's voice and that of the drum,
By the banner's voice, and child's voice, and sea's voice, and
father's voice,
Low on the ground and high in the air,
On the ground where father and child stand,
In the upward air where their eyes turn,
Where the banner at day-break is flapping.

Words! book-words! what are you?
Words no more, for hearken and see, 10
My song is there in the open air--and I must sing,
With the banner and pennant a-flapping.

I'll weave the chord and twine in,
Man's desire and babe's desire--I'll twine them in, I'll put in life;
I'll put the bayonet's flashing point--I'll let bullets and slugs
whizz;
(As one carrying a symbol and menace, far into the future,
Crying with trumpet voice, Arouse and beware! Beware and arouse!)
I'll pour the verse with streams of blood, full of volition, full of
joy;
Then loosen, launch forth, to go and compete,
With the banner and pennant a-flapping. 20

PENNANT.

Come up here, bard, bard;
Come up here, soul, soul;
Come up here, dear little child,
To fly in the clouds and winds with me, and play with the measureless
light.

CHILD.

Father, what is that in the sky beckoning to me with long finger?
And what does it say to me all the while?

FATHER.

Nothing, my babe, you see in the sky;
And nothing at all to you it says. But look you, my babe,
Look at these dazzling things in the houses, and see you the money-
shops opening;
And see you the vehicles preparing to crawl along the streets with
goods: 10
These! ah, these! how valued and toil'd for, these!

[...] Read more

poem by Walt Whitman
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THE COST...by Talile Ali

V1
ALWAYS AVOIDED FAME
AFRAID TO PAY THE COST
LOSS OF FAMILY
FRIEND'S WHO ALL ARE LOST

THERE IS NO DENYING
THE NEED TO SERVE IS STRONG
THE COST OF SERVICE EXPENSIVE
THAT'S NOT TO SAY IT'S WRONG

CHORUS
BUT IT'S THE COST
IT'S THE COST
GOTTA PAY THE PIPER
OR ELSE YOU'LL BE TOSSED
IT'S THE COST

V2
LOVE IS PLAIN AND SIMPLE
HEART IS STRONG AND TRUE
EPIPHANIES ARE FLOWING
WANT TO SHARE WITH YOU

SO I WRITE AND PERFORM
AND YOU SEE MY NEED
TO DO THIS HERE SERVICE
FOR EVERYONE'S THAT'S PLEASED

JAM FOR 24 BARS

CHORUS
BUT IT'S THE COST
IT'S THE COST
GOTTA PAY THE PIPER
OR ELSE YOU'LL BE TOSSED
IT'S THE COST

FADE OUT

poem by Talile Ali
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Through the eyes of a Field Coronet (Epic)

Introduction

In the kaki coloured tent in Umbilo he writes
his life’s story while women, children and babies are dying,
slowly but surely are obliterated, he see how his nation is suffering
while the events are notched into his mind.

Lying even heavier on him is the treason
of some other Afrikaners who for own gain
have delivered him, to imprisonment in this place of hatred
and thoughts go through him to write a book.

Prologue

The Afrikaner nation sprouted
from Dutchmen,
who fought decades without defeat
against the super power Spain

mixed with French Huguenots
who left their homes and belongings,
with the revocation of the Edict of Nantes.
Associate this then with the fact

that these people fought formidable
for seven generations
against every onslaught that they got
from savages en wild animals

becoming marksmen, riding
and taming wild horses
with one bullet per day
to hunt a wild antelope,

who migrated right across the country
over hills in mass protest
and then you have
the most formidable adversary
and then let them fight

in a natural wilderness
where the hunter,
the sniper and horseman excels
and any enemy is at a lost.

Let them then also be patriotic
into their souls,
believe in and read
out of the word of God

[...] Read more

poem by Gert Strydom
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The Fyftene Loyes Of Maryage

Somer passed/and wynter well begone
The dayes shorte/the darke nyghtes longe
Haue taken season/and brynghtnes of the sonne
Is lytell sene/and small byrdes songe
Seldon is herde/in feldes or wodes ronge
All strength and ventue/of trees and herbes sote
Dyscendynge be/from croppe in to the rote

And euery creature by course of kynde
For socoure draweth to that countre and place
Where for a tyme/they may purchace and fynde
Conforte and rest/abydynge after grace
That clere Appolo with bryghtnes of his face
Wyll sende/whan lusty ver shall come to towne
And gyue the grounde/of grene a goodly gowne

And Flora goddesse bothe of whyte and grene
Her mantell large/ouer all the erthe shall sprede
Shewynge her selfe/apparayled lyke a quene
As well in feldes/wodes/as in mede
Hauynge so ryche a croune vpon her hede
The whiche of floures/shall be so fayre and bryght
That all the worlde/shall take therof a lyght

So now it is/of late I was desyred
Out of the trenche to drawe a lytell boke
Of .xv. Ioyes/of whiche though I were hyred
I can not tell/and yet I vndertoke
This entrepryse/with a full pyteous loke
Remembrynge well/the case that stode in
Lyuynge in hope/this wynter to begyn

Some Ioyes to fynde that be in maryage
For in my youth/yet neuer acquayntaunce
Had of them but now in myn olde aege
I trust my selfe/to forther and auaunce
If that in me/there lacke no suffysaunce
Whiche may dyspleasyr/clerely set a parte
I wante but all/that longeth to that arte

yet wyll I speke/though I may do no more
Fully purposynge/in all these Ioyes to trete
Accordynge to my purpose made to fore
All be it so/I can not well forgete
The payne/trauayle/besynes and hete

[...] Read more

poem by Anonymous Olde English
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Book VI - Part 02 - Great Meteorological Phenomena, Etc

And so in first place, then
With thunder are shaken the blue deeps of heaven,
Because the ethereal clouds, scudding aloft,
Together clash, what time 'gainst one another
The winds are battling. For never a sound there come
From out the serene regions of the sky;
But wheresoever in a host more dense
The clouds foregather, thence more often comes
A crash with mighty rumbling. And, again,
Clouds cannot be of so condensed a frame
As stones and timbers, nor again so fine
As mists and flying smoke; for then perforce
They'd either fall, borne down by their brute weight,
Like stones, or, like the smoke, they'd powerless be
To keep their mass, or to retain within
Frore snows and storms of hail. And they give forth
O'er skiey levels of the spreading world
A sound on high, as linen-awning, stretched
O'er mighty theatres, gives forth at times
A cracking roar, when much 'tis beaten about
Betwixt the poles and cross-beams. Sometimes, too,
Asunder rent by wanton gusts, it raves
And imitates the tearing sound of sheets
Of paper- even this kind of noise thou mayst
In thunder hear- or sound as when winds whirl
With lashings and do buffet about in air
A hanging cloth and flying paper-sheets.
For sometimes, too, it chances that the clouds
Cannot together crash head-on, but rather
Move side-wise and with motions contrary
Graze each the other's body without speed,
From whence that dry sound grateth on our ears,
So long drawn-out, until the clouds have passed
From out their close positions.
And, again,
In following wise all things seem oft to quake
At shock of heavy thunder, and mightiest walls
Of the wide reaches of the upper world
There on the instant to have sprung apart,
Riven asunder, what time a gathered blast
Of the fierce hurricane hath all at once
Twisted its way into a mass of clouds,
And, there enclosed, ever more and more
Compelleth by its spinning whirl the cloud
To grow all hollow with a thickened crust
Surrounding; for thereafter, when the force
And the keen onset of the wind have weakened
That crust, lo, then the cloud, to-split in twain,
Gives forth a hideous crash with bang and boom.
No marvel this; since oft a bladder small,

[...] Read more

poem by Lucretius
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No Panties

ft. Tweet and Missy

[Tweet (Chorus):]
No panties comeing off
my love is gonna cost
cause ain't no way
that you gonna get up
in this for free

[Missy:]
NEW TRINA

[Trina:]
Look boo what da deal
you got my cash for you up in here
I know you be packing the steel
but I can't give you brains
and get my lipstick smeared
look playa don't be grabing my braids
you got some cash then I'm easily
persuade this ass thats all it
takes see I can last all night
and all day Miss Trina zem zema
had a Bema I got me a Benz and some rims
tinted windows and some tens
I tell you time again I fine enough
to even take your mens look a here
slim I swear the South Beach let me
speak for you touch me you gonna treat
and put some sandtins on my feet
take me to the beach
now I'm a show you a real freak
oww

[Tweet (Chorus):]
No panties comeing off
my love is gonna cost
cause ain't no way
that you gonna get up
in this for free
No panties comeing off
my love is gonna cost
cause ain't no way
that you gonna get up
in this for free

[Missy:]
NEW TRINA

[Trina:]

[...] Read more

song performed by Trina from Diamond Princess
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Cost-benefit analysis

Any government economic project
Should involve cost-benefit analysis
Before implementation.

Calculation of cost must involve
Market survey cost, establishment cost, labor cost
Production cost, marketing cost and so forth.

Calculation of benefit must include
Financial benefit, social benefit
Political benefit and so on.

The governments should take into account
Whether there is skilled manpower
In the country to run the project or not?

They should also consider
The possibility of change
Of technology to be used
In near future in other countries.

Thus the viability of the project
Can be justified before implementation
In order to avoid wastage of money and time.

poem by Asif Andalib
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Malmaison

I

How the slates of the roof sparkle in the sun, over there, over there,
beyond the high wall! How quietly the Seine runs in loops and windings,
over there, over there, sliding through the green countryside! Like ships
of the line, stately with canvas, the tall clouds pass along the sky,
over the glittering roof, over the trees, over the looped and curving river.
A breeze quivers through the linden-trees. Roses bloom at Malmaison.
Roses! Roses! But the road is dusty. Already the Citoyenne Beauharnais
wearies of her walk. Her skin is chalked and powdered with dust,
she smells dust, and behind the wall are roses! Roses with
smooth open petals, poised above rippling leaves . . . Roses . . .
They have told her so. The Citoyenne Beauharnais shrugs her shoulders
and makes a little face. She must mend her pace if she would be back
in time for dinner. Roses indeed! The guillotine more likely.

The tiered clouds float over Malmaison, and the slate roof sparkles
in the sun.

II

Gallop! Gallop! The General brooks no delay. Make way, good people,
and scatter out of his path, you, and your hens, and your dogs,
and your children. The General is returned from Egypt, and is come
in a `caleche' and four to visit his new property. Throw open the gates,
you, Porter of Malmaison. Pull off your cap, my man, this is your master,
the husband of Madame. Faster! Faster! A jerk and a jingle
and they are arrived, he and she. Madame has red eyes. Fie! It is for joy
at her husband's return. Learn your place, Porter. A gentleman here
for two months? Fie! Fie, then! Since when have you taken to gossiping.
Madame may have a brother, I suppose. That -- all green, and red,
and glitter, with flesh as dark as ebony -- that is a slave; a bloodthirsty,
stabbing, slashing heathen, come from the hot countries to cure your tongue
of idle whispering.

A fine afternoon it is, with tall bright clouds sailing over the trees.

'Bonaparte, mon ami, the trees are golden like my star, the star I pinned
to your destiny when I married you. The gypsy, you remember her prophecy!
My dear friend, not here, the servants are watching; send them away,
and that flashing splendour, Roustan. Superb -- Imperial, but . . .
My dear, your arm is trembling; I faint to feel it touching me! No, no,
Bonaparte, not that -- spare me that -- did we not bury that last night!
You hurt me, my friend, you are so hot and strong. Not long, Dear,
no, thank God, not long.'

[...] Read more

poem by Amy Lowell
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Saturday

I'm good to go
And I'm going nowhere fast
It could be worse
It could be taking you there with me
I'm good to go
But it looks like I'm still on my own
I'm good to go
For something golden
Though the motions I've been going through have failed
And I'm coasting on potential towards the wall
At a 100 miles an hour
When I say
Two more weeks
My foot is in the door (yeah)
I can't sleep
In the wake of Saturday (Saturday)
Saturday
When these open doors were open-ended
Saturday
When these open doors were open-ended
Pete and I attacked
And lost the story
Oh we promised them decisions
The mass of youthful innocence
And I read about the afterlife
But I never really lived more than an hour (more than an hour)
When I say
Two more weeks
My foot is in the door (yeah)
I can't sleep
In the wake of Saturday (Saturday)
Saturday
When these open doors were open-ended
Saturday
When these open doors were open-ended
And I read about the afterlife
But I never really lived
And I read about the afterlife
But I never really lived
Two more weeks
My foot is in the door
Me and Pete
In the wake of Saturday
Saturday
When these open doors were open-ended
Saturday
When these open doors were open-ended
Saturday
Saturday

song performed by Fall Out Boy
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Paradise Lost: Book 02

High on a throne of royal state, which far
Outshone the wealth or Ormus and of Ind,
Or where the gorgeous East with richest hand
Showers on her kings barbaric pearl and gold,
Satan exalted sat, by merit raised
To that bad eminence; and, from despair
Thus high uplifted beyond hope, aspires
Beyond thus high, insatiate to pursue
Vain war with Heaven; and, by success untaught,
His proud imaginations thus displayed:--
"Powers and Dominions, Deities of Heaven!--
For, since no deep within her gulf can hold
Immortal vigour, though oppressed and fallen,
I give not Heaven for lost: from this descent
Celestial Virtues rising will appear
More glorious and more dread than from no fall,
And trust themselves to fear no second fate!--
Me though just right, and the fixed laws of Heaven,
Did first create your leader--next, free choice
With what besides in council or in fight
Hath been achieved of merit--yet this loss,
Thus far at least recovered, hath much more
Established in a safe, unenvied throne,
Yielded with full consent. The happier state
In Heaven, which follows dignity, might draw
Envy from each inferior; but who here
Will envy whom the highest place exposes
Foremost to stand against the Thunderer's aim
Your bulwark, and condemns to greatest share
Of endless pain? Where there is, then, no good
For which to strive, no strife can grow up there
From faction: for none sure will claim in Hell
Precedence; none whose portion is so small
Of present pain that with ambitious mind
Will covet more! With this advantage, then,
To union, and firm faith, and firm accord,
More than can be in Heaven, we now return
To claim our just inheritance of old,
Surer to prosper than prosperity
Could have assured us; and by what best way,
Whether of open war or covert guile,
We now debate. Who can advise may speak."
He ceased; and next him Moloch, sceptred king,
Stood up--the strongest and the fiercest Spirit
That fought in Heaven, now fiercer by despair.
His trust was with th' Eternal to be deemed
Equal in strength, and rather than be less
Cared not to be at all; with that care lost
Went all his fear: of God, or Hell, or worse,
He recked not, and these words thereafter spake:--

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poem by John Milton
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The Great Adventure Of Max Breuck

1

A yellow band of light upon the street
Pours from an open door, and makes a wide
Pathway of bright gold across a sheet
Of calm and liquid moonshine. From inside
Come shouts and streams of laughter, and a snatch
Of song, soon drowned and lost again in mirth,
The clip of tankards on a table top,
And stir of booted heels. Against the patch
Of candle-light a shadow falls, its girth
Proclaims the host himself, and master of his shop.

2

This is the tavern of one Hilverdink,
Jan Hilverdink, whose wines are much esteemed.
Within his cellar men can have to drink
The rarest cordials old monks ever schemed
To coax from pulpy grapes, and with nice art
Improve and spice their virgin juiciness.
Here froths the amber beer of many a brew,
Crowning each pewter tankard with as smart
A cap as ever in his wantonness
Winter set glittering on top of an old yew.

3

Tall candles stand upon the table, where
Are twisted glasses, ruby-sparked with wine,
Clarets and ports. Those topaz bumpers were
Drained from slim, long-necked bottles of the Rhine.
The centre of the board is piled with pipes,
Slender and clean, the still unbaptized clay
Awaits its burning fate. Behind, the vault
Stretches from dim to dark, a groping way
Bordered by casks and puncheons, whose brass stripes
And bands gleam dully still, beyond the gay tumult.

4

'For good old Master Hilverdink, a toast!'
Clamoured a youth with tassels on his boots.
'Bring out your oldest brandy for a boast,
From that small barrel in the very roots
Of your deep cellar, man. Why here is Max!
Ho! Welcome, Max, you're scarcely here in time.

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poem by Amy Lowell
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