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However, the sciences of society and of history retained their old subservient relation to metaphysics for a long time - well into the eighteenth century.

quote by Wilhelm Dilthey
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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

[...] Read more

poem by Sir Francis Bacon
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A Map Of Culture

Culture

Contents

What is Culture?

The Importance of Culture

Culture Varies

Culture is Critical

The Sociobiology Debate

Values, Norms, and Social Control

Signs and Symbols

Language

Terms and Definitions

Approaches to the Study of Culture

Are We Prisoners of Our Culture?

What is Culture?

I prefer the definition used by Ian Robertson: 'all the shared products of society: material and nonmaterial' (Our text defines it in somewhat more ponderous terms- 'The totality of learned, socially transmitted behavior. It includes ideas, values, and customs (as well as the sailboats, comic books, and birth control devices) of groups of people' (p.32) .

Back to Contents

[...] Read more

poem by Nyein Way
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

poem by Robert Browning (1871)
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In The 21st Century

When the river runs dry, what will we say
Na na na na na na na na hey hey
In the 21st century
Oh when the river runs dry, what will we do
Na na na na na na na na oh-hoo
In the 21st century
When the river runs dry, what will we wear
Na na na na na na na na where?
To the 21st century
Now some people sing, some people say
Na na na na na na na na hey hey
Get up off your knees and pray
Pray that the earth dont tire, of the way that were puttin her down
Hope that the universe dont say Im still expanding but your time is up
Some people sing, some people sigh
Na na na na na na na na why?
Why cant we live in peace
Some people sing, some people say
Na na na na na na na na hey hey
In the 21st century
Hope that the earth dont tire, of the way that were puttin her down
Hope the universe dont say - stop spinning around
Hope the world dont say that weve got no place to go
Hope the universe dont say Ill be expanding for a while, you? no!
In the 21st century
In the 21st century
In the 21st century
In the 21st century
In the 21st century
21st century
21st century
21st century
21st century
21st century
In the 21st century
21st century
When the river runs dry, what will we say
Na na na na na na na na hey hey
21st century
The 21st century
The 21st century
The 21st century
Oh when the river runs dry, what will we do
Na na na na na na na na oh-hoo

song performed by Men Without Hats
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Voyage around the Square Root of Minus One

I often heard
that while the sciences concern themselves
with objective truths
the arts deal with subjective phenomena.

Many years ago I held the same view,
but later came to the conclusion
that this is just a well-combed popular myth.

It is an untenable credo
because the sharp separation
of the arts and sciences is a rigid
and arbitrary mandate, full of holes.

Although all subjects have their specificities,
at the same time they also share
many common traits with each other.

There is art in science and science in art.

Artists, for example,
apply geometry to represent
a three dimensional scene in a painting,
which is a two dimensional surface.

By using ‘objective' geometrical perspective,
Renaissance artists, among them Alberti,
Brunelleschi, Uccello, Leonardo and Dürer,
developed in Europe the ‘subjective' illusion
of perceptual realism.

Later, in the Dutch Republic of the 17th century,
Johannes Vermeer applied expensive pigments
to the canvas and conducted
pioneering research in optics that enhanced
the supreme quality of his work,
imbuing his paintings with sublime,
otherworldly light.

In the 19th century
the Romantic painter John Constable
prepared detailed studies
of the landscape and weather conditions
of England, before transcribing them
into images of stunning accuracy and grace.

Following the closing of the Weimar Bauhaus
by the Nazis in 1933, the artist Josef Albers
moved to the USA, where he worked at
Black Mountain College and at Yale University.

[...] Read more

poem by Paul Hartal
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21st Century War

another little lethal step
another little blatant threat
another political point to score
it’s a 21st century war

Standing here right on the brink
ain't gonna be the first to blink
so absolutely deadly sure
in a 21st century war

no one is innocent don’t pass the blame
don’t dare to shout “not in my name”
wherever you’re going from wherever you came
we’re all players in this deadly game

you can close your eyes but you cannot sleep
got a whirlwind storm to reap
now it’s right at your front door
it’s 21st century war

don’t hope for peace too late for that
come dance the two step tit for tat
now everybody takes the floor
it’s a 21st century war

don’t come crying don’t look sad
you can wish it ain’t so till it drives you mad
it ain’t too good but it ain’t all bad
just count the blessings that you’ve had

one step up two steps back
defend your right to massive attack
might is right in international law
it’s a 21st century war

how hard is it? what’s to learn
people we kill will kill in return
no one is safe anywhere anymore
it’s a 21st century war

get the gear and display the brand
get your head deep in the shifting sand
no need to listen with a gun in your hand
it’s the only language that they understand

no room for doubt no margin of error
who can you trust in the war on terror
say goodbye to the freedoms you’re fighting for
it’s a 21st century war

[...] Read more

poem by Tim Casswell
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Anchorless and Engulfed

Two who each other barely knew -
though both drew down delinquency
some streets apart, are past, and few
shall etch sketch wretched memory.
Two travelled on lines parallel
while wheeled real reel of history,
banned reel ran out span's tocsin bell
tolled once to tell eternity

‘Bonjour, ma mie, je t'aime, adieu! '
The mocking bird of Destiny
nests but a moment. All falls through
before each earth-bound entity
grasp pain's pain glass a second, spell
life's sensitivity to see
things in perspective ere Death's knell
engulfs hopes in Styx misery.

Confined upon Earth's ark our zoo
builds up its bars too readily.
Why all the fuss and bother to
paint rosy hues enticingly
when threescore ten years pass pell-mell,
too few attain vain century,
and those that do weak souls would sell
for one more week's dichotomy.

Upon Life's cruise a motley crew
free choice demands, yet few feel free,
awash with superstitious spew,
how few refuse to bend the knee?
The ‘finger writes' and then farewell!
A door to which there is no key
was ever veiled when curtains fell,
'and then no more of thee and me.'

'Time out! ' Reflection's hard to chew
in context where modernity
accelerates change [st]range most rue,
soon redefines autonomy,
confines empowerment to brew
disinformation debility,
losing second thoughts' review
of truth till last breath's verity
renders verdict curlicue
on humankind's inanity.

Climate out of kilter new
climactic catastrophe
prepares, ice-melt sends shockwaves through

[...] Read more

poem by Jonathan Robin
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Tom Zart's 52 Best Of The Rest America At War Poems

SONS AND DAUGHTERS OF WORLD WAR III

The White House
Washington
Tom Zart's Poems

March 16,2007
Ms. Lillian Cauldwell
President and Chief Executive Officer
Passionate Internet Voices Radio
Ann Arbor Michigan

Dear Lillian:
Number 41 passed on the CDs from Tom Zart. Thank you for thinking of me. I am thankful for your efforts to honor our brave military personnel and their families. America owes these courageous men and women a debt of gratitude, and I am honored to be the commander in chief of the greatest force for freedom in the history of the world.
Best Wishes.

Sincerely,

George W. Bush

SONS AND DAUGHTERS OF WORLD WAR III

Our sons and daughters serve in harm's way
To defend our way of life.
Some are students, some grandparents
Many a husband or wife.

They face great odds without complaint
Gambling life and limb for little pay.
So far away from all they love
Fight our soldiers for whom we pray.

The plotters and planners of America's doom
Pledge to murder and maim all they can.
From early childhood they are taught
To kill is to become a man.

They exploit their young as weapons of choice
Teaching in heaven, virgins will await.
Destroying lives along with their own
To learn of their falsehoods too late.

The fearful cry we must submit
And find a way to soothe them.
Where defenders worry if we stand down
The future for America is grim.

[...] Read more

poem by Tom Zart
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Seasonable Retour-Knell

SEASONABLE RETOUR KNELL
Variations on a theme...
SEASONABLE ROUND ROBIN ROLE REVERSALS

Author notes

A mirrored Retourne may not only be read either from first line to last or from last to first as seen in the mirrors, but also by inverting the first and second phrase of each line, either rhyming AAAA or ABAB for each verse. thus the number of variations could be multiplied several times.- two variations on the theme have been included here but could have been extended as in SEASONABLE ROUND ROBIN ROLE REVERSALS robi03_0069_robi03_0000

In respect of SEASONABLE ROUND ROBIN ROLE REVERSALS
This composition has sought to explore linguistic potential. Notes and the initial version are placed before rather than after the poem.
Six variations on a theme have been selected out of a significant number of mathematical possibilities using THE SAME TEXT and a reverse mirror for each version. Mirrors repeat the seasons with the lines in reverse order.

For the second roll the first four syllables of each line are reversed, and sense is retained both in the normal order of seasons and the reversed order as well... The 3rd and 4th variations offer ABAB rhyme schemes retaining the original text. The 5th and 6th variations modify the text into rhyming couplets.

Given the linguistical structure of this symphonic composition the score could be read in inversing each and every line and each and every hemistitch. There are minor punctuation differences between versions.

One could probably attain sonnet status for each of the four seasons and through partioning in 3 groups of 4 syllables extend the possibilites ad vitam.

Seasonable Round Robin Roll Reversals
robi03_0069_robi03_0000 QXX_DNZ
Seasonable Retour-Knell
robi03_0070_robi03_0069 QXX_NXX
26 March 1975 rewritten 20070123
lllllllllllllllllllllllllllllllllllll lllllllllllllllllll
For previous version see below
_______________________________________
SPRING SUMMER

Life is at ease Young lovers long
Land under plough; To hold their dear;
Whispering trees, Dewdrops among,
Answering cow. Bold, know no fear.

Blossom, the bees, Life full of song,
Burgeoning bough; Cloudless and clear;
Soft-scented breeze, Days fair and long,
Spring warms life now. Summer sends cheer.

AUTUMN WINTER

Each leaf decays, Harvested sheaves
Each life must bow; And honeyed hives;
Our salad days Trees stripped of leaves,
Are ending now. Jack Frost has knives.

Fruit heavy lays Time, Prince of thieves,
Bending the bough, - Onward he drives,

[...] Read more

poem by Jonathan Robin
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Century City

Sometimes I wanna leave you
Sometimes I wanna go
Right back where I came from
Back where I belong
But it never lasts for too long
Always goes away
Well I s till dont look for reasons
Thats much too hard these days
Why worry about the rain?
Why worry about the problem?
Honey century citys got everything covered
Well your mama gave you lovin
Mama held you near
Baby mam a cant do nothin
Honey mama just aint here
And you can pretend all you want to
But that wont work no more
No you cant run back to daddy
Yeah you tried that once before
Why worry about your father?
Why worry about your mother?
Honey century citys got everything covered
Were gonna live in century city
Go ahead and give in, century city
Like modern men, modern girls
Were gonna live in the modern world
Were gonna live in century city
Go ahead and give in, century city
Like modern men, modern girls
Were gonna live in the modern world
Sometimes I get discouraged
Sometimes I feel so down
Sometimes I get so worried
But I dont know what about
But it w orks out in the long run
Always goes away
And Ive come now to accept it
As a reoccurring phase
Dont worry about the rain
Dont worry about the problem
Honey century citys got everything covered
Were gonna live in century city
Were gonna live in century city
Were gonna live in century city
Were gonna live in century city

song performed by Tom Petty
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Low Society

A judge a dentist or physician
In this low society
Trade ambition for position
In this low society
Have you heard its in the stars
Next july we collide with mars
Have you heard it in the bars
In this low society
No more pay and lots of leisure
In this low society
Low society
Im just doing what I can
In this low society
But Im an incidental man
In this low society
I give away what others sell
The secrets yours so never tell
cos if you do youll go to hell
Low society
Side by side and always tired
All for one and no-one hired
All thats left is love inspired
Low society
And when the party is complete
And youre still standing on your feet
The taste of victory is sweet
Low society
And darling dont forget
In this low society
To turn off your t.v. set
In this low society
The most important thing at all
In this low society
Is not to stand too tall
In this low society
In this world that never learns
I can see rome as it burns
All the passion and the power
Turns to ash within an hour
No more play and no more pleasure
In this low society

song performed by Heaven 17
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The History Of Tomorrow

I want to tell you the history of tomorrow
It’s the history of how our leaders fulfilled a promise of light
By dumping us in the dark with pits everywhere

I want to tell you the history of tomorrow
It’s the history of how our leaders fulfilled a promise of food
By asking us to chop several fire-woods to heat up a pot full of stones

I want to tell you the history of tomorrow
It’s the history of how our leaders fulfilled a promise of job creation
By making us slaves on our own soil

I want to tell you the history of tomorrow
It’s the history of how our leaders fulfilled a promise of education
By dumping us in dilapidated buildings without teachers

I want to tell you the history of tomorrow
It’s the history of how our leaders fulfilled a promise of accountability
By looting our treasury and asking us for yet another term in office

I want to tell you the history of tomorrow
It’s the history of how our leaders fulfilled a promise of safety
By leaving pot holes large enough to swallow countless accident victims on our roads

I want to tell you the history of tomorrow
It’s the history of how our bows and arrows
Would secure our future

I want to tell you the history of tomorrow
It’s the history of a country, a country with countless heroes
It’s the history of a country, a country with countless robbers
Robbers with fame
Robbers without shame
Robbers that we would roast with flame

© Adegbenro Adekunle Jacob

Tomorrow’s history is today. All world leaders must make real democracy work. They must be selfless. We must not wait until there is horror and terror before we learn. Nigerian leaders must shun CORRUPTION.

poem by Adegbenro Adekunle
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20 Century Boy

Friends say its fine, friends say its good
Everybody says its just like robin hood
I move like a rat, talk like a cat, sting like a bee
Babe Im gonna be your man
And its plain to see you were meant for me, yeah
Im your toy your twentieth century boy
Friends says its fine, friends says its good
Everybody says its just like robin hood
Fly like a plane, drive like a car, hold out your hand
Babe Im gonna be your man
And its plain to see you were meant for me, yeah
Im your boy your twentieth century toy
Twentieth century boy
I wanna be your toy
Twentieth century boy
I wanna be your toy
Twentieth century boy
I wanna be your toy
Twentieth century boy
I wanna be your toy
Friends say its fine, friends say its good
Everybody says its just like rock n roll
I move like a cat, talk like a rat, sting like a bee
Babe Im gonna be your man
And its plain to see you were meant for me, yeah
Im your toy your twentieth century boy
Twentieth century boy
I wanna be your toy
Twentieth century boy
I wanna be your toy
Twentieth century boy
I wanna be your toy
Twentieth century boy
I wanna be your toy

song performed by Placebo
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Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

[...] Read more

poem by Byron from Don Juan (1824)
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A Time To Feel Forlorn and Reconstruct What's Torn

There's a designated time in the universe for everything:

A time to limit, a time to expand.
A time to rise, time to lower and lend a hand.

A time to maintain, a time to abandon.
A time to develop, a time to rest at random.

A time to communicate, a time for silence.
A time to kiss your enemy, a time to concede wins.

A time to spite, a time to please.
A time for respite, a time to tease.

A time to process, a time to confess.
A time to do more. A time to do less.

A time to dominate. A time to captivate.
A time to plunge. A time to resurface straight.

A time to maximise. A time to minimise.
A time to diminish. A time to optimise.

A time to sacrifice. time to insist on rights.
A time to be selfish. A time to be concerned about plights.

A time to be big. A time to be small.
A time to care for a special one. A time to love all.

A time to add dimension. A time to simplify.
A time to advocate egalitarianism.
A time to exult.
A time to default.
A time to be accepting of imperfect humanism.

A time to enhance. A time to simplify.
A time to criticise. A time to dignify.

A time to produce. A time to use.
A time to relent. A time to refuse.

A time to demand. A time to give.
A time to die. a time to live.

A time to survive. A time to admit defeat.
A time to lie. A time to walk on your feet.

A time to compete. A time to not.
A time to remember. A time to concede you forgot.

[...] Read more

poem by Hercolena Oliver
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Twentieth Century

Oh, the Twentieth Century wasn't all that bad
It was a time like no one else has ever had
We learned to drive, we learned to fly
We sent a man into the sky
When he walked on the moon, we were so glad
Yeah, the Twentieth Century wasn't all that bad
Yeah, the Twentieth Century was quite a ride
We had to learn to see the other side
We had demonstrations and liberations
Great depressions and good vibrations
And doors that once were closed were opened wide
Oh, the Twentieth Century was quite a ride
We had movin' pictures and radio
And Broadway, country, rock and roll
In 1900, who'd a bet we'd all be surfing on the internet
Yeah, the Twentieth Century was a heck of a show
We all had our fifteen minutes, don't you know
Assembly lines, celebrities,
the spotlight shined on you and me
And everybody got a standin' O
Yeah, the Twentieth Century was a heck of a show
From blocks of ice to air condition
Telegraph to television
In 1900, who'd a known we all wind up
with pocket phones
The Twentieth Century wasn't all that long
Just a hundred years has come and gone
We can't go back even if we try
So I'll just smile and wave goodbye
To see it leavin' makes me kinda sad
It was a time like no one else has ever had
Oh, the Twentieth Century wasn't all that bad
The Twentieth Century
Bye-bye
The Twentieth Century
Goodbye

song performed by Alabama
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Canto the Twelfth

I
Of all the barbarous middle ages, that
Which is most barbarous is the middle age
Of man; it is -- I really scarce know what;
But when we hover between fool and sage,
And don't know justly what we would be at --
A period something like a printed page,
Black letter upon foolscap, while our hair
Grows grizzled, and we are not what we were; --

II
Too old for youth, -- too young, at thirty-five,
To herd with boys, or hoard with good threescore, --
I wonder people should be left alive;
But since they are, that epoch is a bore:
Love lingers still, although 't were late to wive;
And as for other love, the illusion's o'er;
And money, that most pure imagination,
Gleams only through the dawn of its creation.

III
O Gold! Why call we misers miserable?
Theirs is the pleasure that can never pall;
Theirs is the best bower anchor, the chain cable
Which holds fast other pleasures great and small.
Ye who but see the saving man at table,
And scorn his temperate board, as none at all,
And wonder how the wealthy can be sparing,
Know not what visions spring from each cheese-paring.

IV
Love or lust makes man sick, and wine much sicker;
Ambition rends, and gaming gains a loss;
But making money, slowly first, then quicker,
And adding still a little through each cross
(Which will come over things), beats love or liquor,
The gamester's counter, or the statesman's dross.
O Gold! I still prefer thee unto paper,
Which makes bank credit like a bank of vapour.

V
Who hold the balance of the world? Who reign
O'er congress, whether royalist or liberal?
Who rouse the shirtless patriots of Spain? [*]
(That make old Europe's journals squeak and gibber all.)
Who keep the world, both old and new, in pain
Or pleasure? Who make politics run glibber all?
The shade of Buonaparte's noble daring? --
Jew Rothschild, and his fellow-Christian, Baring.

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poem by Byron from Don Juan (1824)
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Liberation Seeker

The following poem is the translation of my hindi poem Mumukhshu from the book Sab Rang
.--0-

Twentieth century
at the fag end of life
standing & waiting
to turn into history
still in two minds
thinking what to say
and to gift
twenty-first century
on its birthday.

Nuclear holocaust & nuclear proliferation?
warning on depletion of ozone?
class and color struggle?
devalued or hollow speeches
on environmental degradation?
or
the human race
which has lost its sense
in the murky world of
separatism, terrorism & extremism
playing into the hand of cancer, AIDS and drugs
yet wearing a mask of humanity and concern
weeping for fellow human beings.

Suddenly
twentieth century smiled
an aura surrounded it
springing new hope
why? why?
after all why?
twenty-first century be birthed by it
why it shouldn’t allow 21st century
to stand on it own foundation
let 21st century build itself de-novo
without the crutches of 20th century.

So without notice
20th century found solace into oblivion
into time and history
allowing 21st century to emerge
with a new dawn
liberation seeker
waiting to liberate itself
from its previous deeds
------------.
Copyright 2010 Tribhawan Kaul

poem by Tribhawan Kaul
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Narrative And Dramatic The Wanderings Of Oisin

BOOK I

S. Patrick. You who are bent, and bald, and blind,
With a heavy heart and a wandering mind,
Have known three centuries, poets sing,
Of dalliance with a demon thing.

Oisin. Sad to remember, sick with years,
The swift innumerable spears,
The horsemen with their floating hair,
And bowls of barley, honey, and wine,
Those merry couples dancing in tune,
And the white body that lay by mine;
But the tale, though words be lighter than air.
Must live to be old like the wandering moon.

Caoilte, and Conan, and Finn were there,
When we followed a deer with our baying hounds.
With Bran, Sceolan, and Lomair,
And passing the Firbolgs' burial-motmds,
Came to the cairn-heaped grassy hill
Where passionate Maeve is stony-still;
And found On the dove-grey edge of the sea
A pearl-pale, high-born lady, who rode
On a horse with bridle of findrinny;
And like a sunset were her lips,
A stormy sunset on doomed ships;
A citron colour gloomed in her hair,

But down to her feet white vesture flowed,
And with the glimmering crimson glowed
Of many a figured embroidery;
And it was bound with a pearl-pale shell
That wavered like the summer streams,
As her soft bosom rose and fell.

S. Patrick. You are still wrecked among heathen dreams.

Oisin. 'Why do you wind no horn?' she said
'And every hero droop his head?
The hornless deer is not more sad
That many a peaceful moment had,
More sleek than any granary mouse,
In his own leafy forest house
Among the waving fields of fern:
The hunting of heroes should be glad.'

'O pleasant woman,' answered Finn,
'We think on Oscar's pencilled urn,
And on the heroes lying slain

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poem by William Butler Yeats
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Canto the Third

I
Hail, Muse! et cetera.—We left Juan sleeping,
Pillow'd upon a fair and happy breast,
And watch'd by eyes that never yet knew weeping,
And loved by a young heart, too deeply blest
To feel the poison through her spirit creeping,
Or know who rested there, a foe to rest,
Had soil'd the current of her sinless years,
And turn'd her pure heart's purest blood to tears!

II
Oh, Love! what is it in this world of ours
Which makes it fatal to be loved? Ah, why
With cypress branches hast thou wreathed thy bowers,
And made thy best interpreter a sigh?
As those who dote on odours pluck the flowers,
And place them on their breast—but place to die—
Thus the frail beings we would fondly cherish
Are laid within our bosoms but to perish.

III
In her first passion woman loves her lover,
In all the others all she loves is love,
Which grows a habit she can ne'er get over,
And fits her loosely—like an easy glove,
As you may find, whene'er you like to prove her:
One man alone at first her heart can move;
She then prefers him in the plural number,
Not finding that the additions much encumber.

IV
I know not if the fault be men's or theirs;
But one thing's pretty sure; a woman planted
(Unless at once she plunge for life in prayers)
After a decent time must be gallanted;
Although, no doubt, her first of love affairs
Is that to which her heart is wholly granted;
Yet there are some, they say, who have had none,
But those who have ne'er end with only one.

V
'T is melancholy, and a fearful sign
Of human frailty, folly, also crime,
That love and marriage rarely can combine,
Although they both are born in the same clime;
Marriage from love, like vinegar from wine—
A sad, sour, sober beverage—by time
Is sharpen'd from its high celestial flavour
Down to a very homely household savour.

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poem by Byron from Don Juan (1824)
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