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Obviously, I did a couple of things right on the old casting couch.

quote by Jason Bateman
Added by Lucian Velea
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Aauch the casting couch!

1
auuchh! the casting couch
on this couch the industry girls will slouch
ahh! to get work no doubt you will have to get on the couch
the industry girls they will weep
to get a role they will have to sleep

2
auuchh! the casting couch
this is a fact have no doubt
if you want to make it in this industry you will have to slouch on the couch
sona tho padey ga
tabhi ja kar tho tu hiroine banney ga
pehele tu director ki sunney ga tabh ja kar tu kuchh banney ga

3
auuchh! the casting couch
this is the way this industry functions
sonney key bina yanha kuch nahi hota
par soo kar bhi yanhan kabhi kabhi kuch nahi hota

4
auuchh! the casting couch
i am a young struggling actress
have no doubut i will not sleep on no couch
mujey actress banana hei tho banao
nahi tho tum bhaad mein jaao

5
auuchh! the casting couch
directors, producers all stand in the line
pounceing over me like wolves pouncing on a lamb
weather i make it or not they don't give a damn
i refuse to be a part of this sham

6
auuch! the casting couch
jab ladki degi tabhi tho ja kar uski casting hogi
darling henione banna hei tho sona tho padega
nahi tho que mein khada rehna padey ga

7
auuch! the casting couch............................................ .......................

poem by Anuj Tikku
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Casting My Spell On You

A johnson/e johnson
I took a black cat, (a cave bat) threw em in a pot pot, pot pot pot pot
I took a green snake, (a blue snake), tied em in a knot knot, knot knot knot knot
I took the dogs paw, (a calves jaw) hung em on the line line, line line line line
I took a horse hair, (a green bear) made a crazy sign sign, sign sign sign sign
Im casting my spell on you, casting my spell on you, casting my spell on you
Youll never never be untrue, yeah yeah yeah, yeah yeah yeah,yeah yeah yeah, yeah yeah yeah
I took a ghost too, an old shoe, put em in the ground ground, ground ground ground ground
I took and old dish, a dried fish, made a crazy sound sound, sound sound sound sound
I took in a goose egg, a frog leg, put em in a sack sack, sack sack sack sack
I got a hindu, (a tattoo) a genie on my back back, back back back back
Im casting my spell on you, casting my spell on you, casting my spell on you
Youll never never be untrue, yeah yeah yeah, yeah yeah yeah,yeah yeah yeah, yeah yeah yeah
I took a black cat, (a cave bat) threw em in a pot pot, pot pot pot pot
I took a green snake, (a blue snake), tied em in a knot knot, knot knot knot knot
I took the dogs paw, (a calves jaw) hung em on the line line, line line line line
I took a horse hair, (a green bear) made a crazy sign sign, sign sign sign sign
Im casting my spell on you, casting my spell on you, casting my spell on you,youll never never be untrue,
Casting my spell on you, casting my spell on you, casting my spell on you, youll never never be untrue,

song performed by Roy Orbison
Added by Lucian Velea
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Polyhymnia

[Polyhymnia: Describing, The honourable Triumph at Tylt,
before her Maiestie, on the 17. of Nouember, last past,
being the first day of the three and thirtith yeare of
her Highnesse raigne. With Sir Henrie Lea, his resignation
of honour at Tylt, to her Maiestie, and receiued by the right
honourable, the Earle of Cumberland.]

[Polyhimnia. Entituled, with all dutie to the Right
Honourable, Lord Compton of Compton.]

Therefore, when thirtie two were come and gone,
Years of her raigne, daies of her countries peace,
Elizabeth great Empresse of the world,
Britanias Atlas, Star of Englands globe,
That swaies the massie scepter of her land,
And holdes the royall raynes of Albion:
Began the gladsome sunnie day to shine,
That drawes in length date of her golden raigne:
And thirtie three shee numbreth in her throne:
That long in happinesse and peace (I pray)
May number manie to these thirtie three.
Wherefore it fares as whilom and of yore,
In armour bright and sheene, faire Englands knights
In honour of their peerelesse Soueraigne:
High Maistresse of their seruice, thoughtes and liues
Make to the Tyltamaine: and trumpets sound,
And princelie Coursers neigh, and champ the byt,
When all addrest for deeds of high deuoyre,
Preace to the sacred presence of their Prince.

The 1. couple. Sir Henrie Lea. The Earle of Cumberland.

Mightie in Armes, mounted on puissant horse,
Knight of the Crown in rich imbroderie,
And costlie faire Caparison charg'd with Crownes,
Oreshadowed with a withered running Vine,
As who would say, My spring of youth is past:
In Corslet gylt of curious workmanship,
Sir Henry Lea, redoubted man at Armes.
Leades in the troopes, whom woorthie Cumberland
Thrice noble Earle, aucutred as became
So greate a Warriour and so good a Knight.
Encountred first, yclad in coate of steele,
And plumes and pendants al as white as Swanne,
And speare in rest, right readie to performe
What long'd vnto the honour of the place.
Together went these Champions, horse and man,
Thundring along the Tylt, that at the shocke

[...] Read more

poem by George Peele
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Casting A Spell

LA'-LA-E/LA-LA'-E'
Oi
Maria mondou me dizer
Maria mondou me dizer
Nao (eu) quero falar com voce
Oi
She's just testing her wings and if you give in to her, you'll be just another feather in her cap-she'll drop you in a flash.
She's casting a spell, she's casting a spell, well if she's casting a spell, I can castone as well.
So I said. "No, no, no, I ain't falling for this!
This girl is built to tease; she's only testing the efficiency of her kiss."
She's casting a spell.
Well, if she's casting a spell; I can cast one as well.
She wants to check out how you check out on her test-bed:
Will you get in her book or will you go right to her head?
She's casting a spell.
Well, if she's casting a spell; I can cast one as well.
And so, I cast it right back on her, don't you know my luck; she fell under the influence and then the thunder struck.
Now we're casting a spell, we're casting a spell-you can cast one as well!

song performed by Robert Palmer
Added by Lucian Velea
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II. Half-Rome

What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)

Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,

[...] Read more

poem by Robert Browning from The Ring and the Book
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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Book the Second

Thou hearest the Nightingale begin the Song of Spring.
The Lark sitting upon his earthly bed, just as the morn
Apears, listens silent; then springing from the waving Corn-field loud
He leads the Choir of Day! trill, thrill, thrill, trill,
Mounting upon the wings of light into the great Expanse,
Reechoing against the lovely blue & shining heavenly Shell.
His little throat labours with inspiration; every feather
On throat & breast & wings vibrates with the effluence Divine.
All Nature listens silent to him, & the awful Sun
Stands still upon the Mountain looking on this little Bird
With eyes of soft humility & wonder, love & awe.
Then loud from their green covert all the Birds begin their Song:
The Thrush, the Linnet & the Goldfinch, Robin & the Wren
Awake the Sun from his sweet reverie upon the Mountain;
The Nightingale again assays his song, & thro’ the day
And thro’ the night warbles luxuriant, every Bird of Song
Attending his loud harmony with admiration & love.
This is a Vision of the lamentation of Beulah over Ololon.

Thou perceivest the Flowers put forth their precious Odours,
And none can tell how form so small a center comes such sweets,
Forgetting that within that Center Eternity expends
Its ever during doors that Og & Anak fiercely guard.
First, e’er the morning breaks, joy opens in the flowery bosoms,
Joy even to tears, which the
Sun rising dries; first the Wild Thyme
And Meadow-sweet, downy & soft, waving among the reeds,
Light springing on the air, lead the sweet Dance: they wake
The Honeysuckle sleeping on the Oak; the flaunting beauty
Revels along upon the wind; the White-thorn, lovely May,
Opens her many lovely eyes; listening the Rose still sleeps –
None dare to wake her; soon she bursts her crimson curtain’d bed
And comes forth in the majesty of beauty; every Flower,
The Pink, the Jessamine, the Wall-flower, the Carnation,
The Jonquil, the mild Lilly opes her heavens; every Tree
And Flower & Herb soon fill the air with an innumberable Dance,
Yet all in order sweet & lovely. Men are sick with Love.
Such is a Vision of the Lamentation of Beulah over Ololon.
And Milton oft sat upon the Couch of Death, & oft conversed
In vision & dream beatific with the Seven Angels of the Presence:
‘I have turned my back upon these Heavens builded on cruelty.
My Spectre still wandering thro’ them follows my Emanation;
He hunts her footsteps thro’ the snow & the wintry hail & rain.
The idiot Reasoner laughs at the Man of Imagination,
And from laughter proceeds o murder by undervaluing calumny.’
Then Hillel, who is Lucifer, replied over the Couch of Death,
And thus the Seven angels instructed him, & thus they converse:
‘We are not Individuals but States, Combinations of Individuals.
We were Angels of the Divine Presence, & were Druids in Annandale,
Compell’d to combine into Form by Satan, the Spectre of Albion,

[...] Read more

poem by William Blake from Milton (1810)
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Shadow Hawk episode 3

[Angela’s House] Tuesday Nov 25 9: 23 am
[Angela and her mom are conversating in living room with Sam lying on couch unconscience]
Angela: He’s been out for about four days now
Mom: Who is he?
Angela: I think his name is Sam
Mom: (Places hands on hips) You think! ?
Angela: Mom I found him in the street, he was hurt.
Mom: (outraged) In the street! Angela you don’t know this boy.
Angela: I had to bring him here he was badly wounded. Plus I’m a CN.
Mom: Angela you know your father would be upset. He’s been gone to a business trip in Tokyo for two weeks and He’ll want to sit on his new leather couch.
Angela: I returned the favor.
Mom: What favor? Did you have se……..
Angela: No, he saved my life!
Mom: What?
Angela: (begins to cry) Three men chased me down the street into an alley they were going to mug me or worse. He came to my aide, and even gave me dinner.
Mom: (Embraces Angela and starts crying) I’m glad your alright.
Angela: He saved me mom.
Mom: Well I couldn’t have chosen a better boy to stay in my house. (smiles warmly)
Angela: Thanks for understanding.
Mom: He looks so cute when he’s sleeping.
Angela: I know mom, he looks like a little teddy bear. (they both giggle)
(door bell rings)
Mom: That’s your dad, let me do the talking.
(Opens door)
Dad: Hey honey I’m home.
Mom: I’ve missed you so much. (they kiss)
Dad: So how’s my little angel doing?
Angela: Fine dad. (smiles)
Dad: Well I guess I’ll go watch tv on my new leather couch.
Mom: You know it’s been two weeks Roger mabey we should go up stairs and “talk”.
Dad: Not right now Sarah, I’m tired. (advances towards living room)
Mom: Roger let me give you a back message up stairs.
Dad: No, Sarah.
Angela: You look tired dad why don’t you take a nap.
Dad: I will once I watch a little……. Who the heck is that on my $2,000 couch! ! !
Mom: Calm down Roger.
Dad: There’s blood on my new couch! ! ! !
Angela: Let me explain.
Dad: Yes Angela explain to me why there is some random boy in my house lying on my couch which is blood stained at that!
Mom: The boy was hurt Roger she had to bring him her.
Dad: And you knew about it Sarah?
Mom: Yes.
Dad: I thought we discussed this already!
Angela: He’s hurt dad.
Dad: Hurt! You want hurt I’ll give you hurt! (grabs baseball bat)
Mom: Don’t Roger put it d…….
Dad: Stay out of this Sarah! (goes to hit Sam)
Angela: (Throws herself on Sam) If you hit him you have to hit me too!
Dad: Move Angela.
Angela: No.

[...] Read more

poem by Jesse Overton
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In twin

It needs a couple of wings
To fly
A couple to walk
A couple to talk
And for love a couple of hearts
to beat
To rain it needs a couple
To shine it needs a couple
And the life it needs to share
With couple
For one smile it needs
two hearts

In one band
in the bundle of love
The heart is not alone
Not bachelor
That is way
They beat
In twin.

poem by Sallam Yassin
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A Couple More Years

I've got a couple more years on you, baby...that's all.
I've had more chances to fly and more places to fall.
And it ain't that I'm wiser...
It's only that I've spent more time with my back to the wall.
And I've picked up a couple more years on you, baby.. that's all.

I've walked a couple more roads than you, baby...that's all.
And I'm tired of runnin' while you're only learning to crawl.
And you're headin somewhere...
But I've been to somewhere... and found it was nowhere at all.
And I've picked up a couple of years on you baby... that's all.

Now sayin' goodbye, girl don't never come easy at all.
But you've got to fly 'cuz you're hearin' those young eagles call.
And someday when you're older, you'll smile at a man strong and tall.
And you'll say I've got a couple more years on you, baby... that's all.

I've got a couple more years on you baby... that's all.
You'll say I've had more chances to fly and more places to fall.
It ain't that I'm wiser...
It's only that I've spent more time with my back to the wall.
And I've picked up a couple more years on you baby... that's all.

poem by Sheldon Allan Silverstein
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I. The Ring and the Book

Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.

Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.

[...] Read more

poem by Robert Browning from The Ring and the Book
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Harpua

Om-pa-pa oom-pa-pa oom-pa-pa oom-pa-paaaaa
Fat sweaty bulldog
Stood in the sun
Stone village swamp man
Slow motion run
Tender poke police walker
Precious birthday fudge
Swamp night bull nail
Walker done done
Hot sweaty bulldog stood in the sunthen -
stone village swamp man (is doing a)
slow motion runhere comes the policeman:
tender poke police walkerwhom the dog and the man see as:
precious birthday fudgethen -
swamp night (the man)
bull nail (the dog - the bulldog's claw)
kill the policeman:
walker done done
Me and Harpua
We couldn't care few-a
It happens all the time
We beat Okimo
(Repeat Chorus)
Hot liquor stone jack
Bitter toothless flesh
Shabby pimple chin-slime
Evil milky rash
Me and Harpua
Spastic dead-eyed hound
Oozing dreadlock skullcap
We're coming to your town
We'll help you party down
(Chorus 2x)
Spoken by Trey [with asides by Fishman]:
Once upon a time Far far away from here
There, in a small town...
a small town...
small town...
small...
And on the outskirts of this town
there lived a mean, nasty, furry, ugly hound named Harpua.
Harpua roamed the outskirts of the town every day and he'd walk around looking for a little action.
So of course this day was no different from any other day and here we start the story and we see Harpua walking around on the outskirts of town near the forest kind of at the edge of the forest and he's walking in toward town...
Harpua walked toward the town...
innocently...
And meanwhile in the town...
in a whole different part of the town
there lived a young boy all alone in a suburban neighborhood
and every day he'd sit in his room
and sit on his little couch [AND SMOKE POT!]...

[...] Read more

song performed by Phish
Added by Lucian Velea
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One's A Couple

Thanks, but no thanks
I Didn't come here to dance
I'm with somebody, I'm afraid I'll have to pass
Two years ago he left me, now his memory's back around
One's a couple baby,
Two's a crowd
We came in here to be alone
No TV, no telephone
Two old flames out on the town
One still burns, and one's burned out
One's a couple baby,
Two's a crowd
They institutionalize people for actin' like I do
I'm drinkin' with somebody, that ain't in the room
Can't you see we're busy, trying to work our problems out?
One's a couple baby,
Two's a crowd
We came in here to be alone
No TV, no telephone
Two old flames out on the town
One still burns, and one's burned out
One's a couple baby,
Two's a crowd
We came in here to be alone
No TV, no telephone
Two old flames out on the town
One still burns, and one's burned out
One's a couple baby,
Two's a crowd
One's a couple baby,
Two's a crowd

song performed by Lee Ann Womack
Added by Lucian Velea
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9-9

Steady repetition is a compulsion mutually reenforced.
Now what does that mean?
Is there a just contradiction?
Nothing much.
Now I lay me down to sleep, I pray the lord my soul to keep.
If I should die before I wake, I pray the lord, hesitate.
Got to punch
Right on target
Twisting tongues
Gotta stripe down his back
All nine yards down her back
Give me a couple,
Dont give me a couple of pointers,
Turn to lies and conversation fear
Got to punch
Right on target
Twisting tongues
Gotta stripe down his back
All nine yards down her back
Give me a couple,
Dont give me a couple of pointers,
Turn to lies and conversation fear
What is my mind?
What is my mind?
Steady repetition is a compulsion mutually reenforced.
Now what does that mean?
Is there a just contradiction?
Nothing much.
Now I lay me down to sleep, I pray the lord my soul to keep.
If I should die before I wake, oh come on, hesitate, hesitate.
Got to punch
Right on target
Twisting tongues
Gotta stripe down his back
All nine yards down her back
Give me a couple,
Dont give me a couple of pointers,
Turn to lies and conversation fear
Conversation fear. conversation fear. conversation fear.

song performed by REM
Added by Lucian Velea
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Dogs

The first time we met you were a kennel maid,
The first time we met you were a kennel maid,
You gave me a tip I got me forecast paid,
You gave me a tip I got me forecast paid,
You were holding a greyhound in trap number one,
You were holding a greyhound in trap number one,
Your white coat was shining in the afternoon sun.
Your white coat was shining in the afternoon sun.
Now were both together,
Now were both together,
Were never gonna break apart, no no,
Were never gonna break apart, no no,
cause were a happy couple you and me,
cause were a happy couple you and me,
With a greyhound at either knee.
With a greyhound at either knee.
Ill have ten shillings to win on camera flash, young man,
Ill have ten shillings to win on camera flash, young man,
What dogs that, its a deuce, look at it.
What dogs that, its a deuce, look at it.
There was nothing in my life bigger than beer,
There was nothing in my life bigger than beer,
There was nothing in my life bigger than beer,
There was nothing in my life bigger than beer,
ceptin you, little darling,
ceptin you, little darling,
ceptin you, little darling,
ceptin you, little darling,
Were a happy couple you and me,
Were a happy couple you and me,
With a greyhound at either knee.
With a greyhound at either knee.
We go to the dog track on saturday night,
We go to the dog track on saturday night,
We put all our money on a dog that we like,
We put all our money on a dog that we like,
A kiss and a cuddle, a hot meat pie,
A kiss and a cuddle, a hot meat pie,
Two dollar tickets and a starry sky.
Two dollar tickets and a starry sky.
There was nothing in my life bigger than beer,
There was nothing in my life bigger than beer,
There was nothing in my life bigger than beer,
There was nothing in my life bigger than beer,
ceptin you, little darling,
ceptin you, little darling,
ceptin you, little darling,
ceptin you, little darling,
Were a happy couple you and me,
Were a happy couple you and me,

[...] Read more

song performed by Who
Added by Lucian Velea
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Get Over It

Slipping down a slide
I did enjoy the ride
Don't know what to decide
You lied to me
You looked me in the eye
It took me by surprise
Now are you gratified
You cried to me
La, la, la, la, la, la
Don't turn around
I'm sick and I'm tired of your face
Don't make this worse
You've already gone and got me mad
It's too bad I'm not sad
It's casting over
It's just one of those things
You'll have to get over it
When I was feeling down
You'd start to hang around
And then I found your hands all over me
And that was out of bounds
You filthy rotten hound
It's better than it sounds, believe me
la La, la, la, la, la
Don't turn around
I'm sick and I'm tired of your face
Don't make this worse
You've already gone and got me mad
It's too bad I'm not sad
It's casting over
It's just one of those things
You'll have to get over it
Hey, you gotta get over
Hey, you gotta get over it
It's too bad I'm not sad
It's casting over
It's just one of those things
You'll have to get over it
Don't turn around
I'm sick and I'm tired of your face
Don't make this worse
You've already gone and got me mad
Don't turn around
I'm sick and I'm tired of your face
Don't make this worse
You've already gone and got me mad
It's too bad I'm not sad
It's casting over
It's just one of those things
You'll have to get over it

[...] Read more

song performed by Avril Lavigne
Added by Lucian Velea
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Happy Happy birthday ☆ Toadluvinlady☆

Happy Happy birthday ☆ Toadluvinlady☆ '

To the 'LOVELY, TOAD LUV IN LADY'
with the most~
'COMPASSIONATE HEART'
let me say ~
happy happy birthday to you ~
i lift up my glass with a~
'LYRICAL toast'
just as 'BEAUTIFULLY WONDERFUL'
and 'SPONTANEOUSLY SWEET'
as to say to you ~
i hope you have a ~
happy happy birthday~
that only a
'INTELLIGENT ASPIRING POETRY WRITER'
like you can do ~
happy happy birthday ~
to a 'INDEPENDENT WOMEN'
as 'BEAUTIFUL, as WHEN SHE LAUGHING'
and as 'ACCOMPLISH as when SHE'S GIVING LOVE'
as '☆ Toadluvinlady☆ ' YOU

aka: lyricvixen
---------------------
'Happy Happy Birthday to roxy'

To the 'LOVELY MORNING STAR'
with the most
'TERRESTRIAL REFLECTIVE HEAVENLY BODY'
let me say ~
happy happy birthday to you ~
I lift up my glass with a~
'LYRICAL Toast'
just as 'MAGNETICALLY SWEET'
and 'UTTERLY ENCHANTING'
as to say to you ~
I hope you have a ~
happy happy birthday~
that only a 'Venus BABE'
like you can do ~
happy happy birthday ~
to a 'maximum, LITTLE LADY'
as 'BRIGHT'
and 'SURFACE LOVELY'
as 'ROXY, uwishuhadme24 YOU'

aka: lyricvixen
=================================== ===========
'Happy Happy Birthday Brandon'

[...] Read more

poem by Verlecia fields
Added by Poetry Lover
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Gertrude of Wyoming

PART I

On Susquehanna's side, fair Wyoming!
Although the wild-flower on thy ruin'd wall,
And roofless homes, a sad remembrance bring,
Of what thy gentle people did befall;
Yet thou wert once the loveliest land of all
That see the Atlantic wave their morn restore.
Sweet land! may I thy lost delights recall,
And paint thy Gertrude in her bowers of yore,
Whose beauty was the love of Pennsylvania's shore!

Delightful Wyoming! beneath thy skies,
The happy shepherd swains had nought to do
But feed their flocks on green declivities,
Or skim perchance thy lake with light canoe,
From morn till evening's sweeter pastimes grew,
With timbrel, when beneath the forests brown,
Thy lovely maidens would the dance renew;
And aye those sunny mountains half-way down
Would echo flageolet from some romantic town.

Then, where of Indian hills the daylight takes
His leave, how might you the flamingo see
Disporting like a meteor on the lakes--
And playful squirrel on his nut-grown tree:
And every sound of life was full of glee,
From merry mock-bird's song, or hum of men;
While hearkening, fearing naught their revelry,
The wild deer arch'd his neck from glades, and then,
Unhunted, sought his woods and wilderness again.

And scarce had Wyoming of war or crime
Heard, but in transatlantic story rung,
For here the exile met from every clime,
And spoke in friendship every distant tongue:
Men from the blood of warring Europe sprung
Were but divided by the running brook;
And happy where no Rhenish trumpet sung,
On plains no sieging mine's volcano shook,
The blue-eyed German changed his sword to pruning-hook.

Nor far some Andalusian saraband
Would sound to many a native roundelay--
But who is he that yet a dearer land
Remembers, over hills and far away?
Green Albin! what though he no more survey
Thy ships at anchor on the quiet shore,
Thy pelloch's rolling from the mountain bay,
Thy lone sepulchral cairn upon the moor,

[...] Read more

poem by Thomas Campbell
Added by Veronica Serbanoiu
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