Everything in Italy that is particularly elegant and grand borders upon insanity and absurdity or at least is reminiscent of childhood.
quote by Alexander Herzen
Added by Lucian Velea
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Virtual Insanity
Written by jay kay and toby smith
Oh yeah what were living in (let me tell ya)
It a wonder man can eat at all
When things are big
That should be small
Who can tell what magic spells well be doing for us.
And Im giving all my love to this world
Only to be told
I cant see, I cant breathe
No more will we be
And nothings gonna change the way we live
Cos we can always take and never give
And now that things are changing for the worse,
See, its a crazy world were living in
And I just cant see that half of us immersed in sin
Is all we have to give these
Futures made of virtual insanity
Now always seem, to be governed by this love we have
For useless, twisting of our new technology
Oh now theres no sound for we all live underground
And Im thinking in what a mess were in
Hard to know when to begin
If I could slip the sicly ties that earthly man has made
And now every mother can choose the color of her child
Thats not natures way
Well thats what they said yesterday
Theres nothing left to do but pray
I think its time I found a new religion
Waoh its so insane to synthesize another strain
Theres something in these futures that we have to be told.
Futures made of virtual insanity
Now always seem, to be governed by this love we have
For useless, twisting of our new technology
Oh now theres no sound for we all live underground
Now theres no sound if we all live underground
And now its virtual insanity
Forget your virtual reality
Oh, theres nothing so bad, I know yeah
Instrumental break
Oh, this virtual insanity, were living in,
Has got to change, yeah
Things will never be the same
And I cant go on
While were living in oh, oh virtual insanity
Oh, this world has got to change
Cos I just, I just cant keep going on, it was virtual,
Virtual insanity that were living in, that were living in
That virtual insanity is what it is
Futures made of virtual insanity
Now always seem, to be governed by this love we have
[...] Read more
song performed by Jamiroquai
Added by Lucian Velea
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The greatest sin
Having supremely spell binding eyes was simply not a sin at all; but
pretending that you were gruesomely blind; unable to see a step
further even after possessing them right since innocent childhood;
was the greatest sin,
Having robust complexioned feet was simply not a sin at all; but
pretending that you couldn't walk even an inch forward; had not the
slightest of capacity to run even after possessing them right since
innocent childhood; was the greatest sin,
Having tenaciously knotted fingers projecting from the palm was
simply not a sin at all; but pretending that you had grave difficulty
in hoisting objects; didn't posses the most minuscule of power to
defend yourself even after possessing them right since innocent
childhood; was the greatest sin,
Having dangling earlobes delectably cascading from the periphery of
your rubicund cheek was simply not a sin at all; but pretending that
you couldn't bear the tiniest of sound; floundered miserably to
decipher the intricacy of voice even after possessing them right
since innocent childhood; was the greatest sin,
Having a perfectly throbbing heart palpitating in marvellous
synchrony inside your chest was simply not a sin at all; but
pretending that you just didn't have the power to love; the virtue to
embrace other humans of your kind even after possessing it right
since innocent childhood; was the greatest sin,
Having dual pairs of luscious lips was simply not a sin at all; but
pretending that you couldn't speak a single word; abysmally stuttered
to convey the most infinitesimal of message to your compatriots even
after possessing them right since innocent childhood; was the
greatest sin,
Having ravishing clusters of hair on your scalp was simply not a sin
at all; but pretending that God had kept you disdainfully bald; that
your head shivered uncontrollably in cold even after possessing them
right since innocent childhood; was the greatest sin,
Having boundless lines on your glowing palm was simply not a sin at
all; but pretending that your entire life was ruined; your progress
had come to an abrupt standstill even after possessing them right
since innocent childhood; was the greatest sin,
Having pompously bulging muscle in your arms was simply not a sin at
all; but pretending that you were as feeble as a mosquito; couldn't
lift your very own body even after having them right since innocent
childhood; was the greatest sin,
Having thousands of voluptuously tantalizing eyelashes extruding from
[...] Read more
poem by Nikhil Parekh
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Virginia's Story
Elizabeth Gates-Wooten is my Grand mom.
She was born in Canada with her father and brothers.
They owned a Barber Shoppe.
I don't remember exactly where in Canada.
I believe it was right over the border like Windsor or Toronto.
I never knew exactly where it was.
When she was old enough she got married.
First, she married a man by the name of Frank Gates.
He was from Madagascar.
He fathered my mom and her brother and sister.
The boy's name was Frank Gates, Jr.
Two girls name were Anna and Agnes.
Agnes was my mother.
Frank Gates went crazy after the war
He drank a lot and died
Then grandma Elizabeth married a man by the name of Mr. Wooten.
He had a German name, but I don't think he was German.
She took his last name after they got married.
Then they moved to West Virginia in the United States.
Their son, Frank Gates Jr. Became a delegate in the democratic party.
He use to get into a lot of trouble because he liked to fight.
He was a delegate from the 1940's to 1970's.
He died of gout in the 1970's.
Anna was a maid and cook.
She baked cakes and stuff for people as a side line.
She had a hump on her back (scoliosis) .
She had to walk with a cane.
She could cook good though.
She did this kind of work all of her life, just like her mom, Elizabeth
They were both good cooks
They had a lot of money because they had these skills
Especially when people had parties.
Because they would make all of this food and then they would have left-overs.
We got to eat a lot of stuff we normally wouldn't get because of that.
When they cooked, they didn't use no measuring stuff, they would just use there hand.
My moms name was Agnes Barrie Gates.
She married James Wright and moved to Cleveland.
[...] Read more
poem by Talile Ali
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Seventh Book
'THE woman's motive? shall we daub ourselves
With finding roots for nettles? 'tis soft clay
And easily explored. She had the means,
The moneys, by the lady's liberal grace,
In trust for that Australian scheme and me,
Which so, that she might clutch with both her hands,
And chink to her naughty uses undisturbed,
She served me (after all it was not strange,;
'Twas only what my mother would have done)
A motherly, unmerciful, good turn.
'Well, after. There are nettles everywhere,
But smooth green grasses are more common still;
The blue of heaven is larger than the cloud;
A miller's wife at Clichy took me in
And spent her pity on me,–made me calm
And merely very reasonably sad.
She found me a servant's place in Paris where
I tried to take the cast-off life again,
And stood as quiet as a beaten ass
Who, having fallen through overloads, stands up
To let them charge him with another pack.
'A few months, so. My mistress, young and light,
Was easy with me, less for kindness than
Because she led, herself, an easy time
Betwixt her lover and her looking-glass,
Scarce knowing which way she was praised the most.
She felt so pretty and so pleased all day
She could not take the trouble to be cross,
But sometimes, as I stooped to tie her shoe,
Would tap me softly with her slender foot
Still restless with the last night's dancing in't,
And say 'Fie, pale-face! are you English girls
'All grave and silent? mass-book still, and Lent?
'And first-communion colours on your cheeks,
'Worn past the time for't? little fool, be gay!'
At which she vanished, like a fairy, through
A gap of silver laughter.
'Came an hour
When all went otherwise. She did not speak,
But clenched her brows, and clipped me with her eyes
As if a viper with a pair of tongs,
Too far for any touch, yet near enough
To view the writhing creature,–then at last,
'Stand still there, in the holy Virgin's name,
'Thou Marian; thou'rt no reputable girl,
'Although sufficient dull for twenty saints!
'I think thou mock'st me and my house,' she said;
'Confess thou'lt be a mother in a month,
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Blaqpearl
Feeding off dump sites
Government preaching about human rights
The minds hunger now difficult to fight
The authority’s pledge I’ve learnt to recite
Insanity, poverty for eternity
Your unwanted possessions
My essential obsessions
My riches, your rags
Your trash, my designer bags
Your side plate, my family’s table
My love unstable
Insanity, poverty for eternity
Ngiphephephi, where am I safe?
Not in my matchbox house
Where the sun knows not the sky
Where it is eternally nightfall
Where trees never grow tall
Insanity, poverty for eternity
You preach about ubuntu
Hold on to your zips because nginsundu
Caring is sharing
Yet you scrutinize as my skin keeps shedding
Insanity, poverty for eternity
Izingane should be seen and not heard
Yet when tears overflow you fly away with the birds
A starving nation builds my judgment of life
A life of manicures and pedicures for your wife
Insanity, poverty for eternity
My brothers, my sisters sighing, crying, dying, trying
Searching for an escape from this death coated,
Pain flavoured bitter-sweet candy on which I was deserted
Stop hearing the voices of black uneducated children
Start listening to the cries of a needy youth
That life just ain’t simple
For I am black because you are white
For I cook because you will eat
For I die so you can live
For I am because you are
Insanity, poverty for eternity
You are born into a cycle where luxury becomes a necessity
A cycle where education is a source of publicity
You get consequently knowledgeable that your heart matures before your head
When you CHOOSE to wet your pillow in bed
[...] Read more
poem by Yolanda Mbatha
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Blind Curve
(fish / marillion)
A) vocal under a bloodlight
Last night you said I was cold, untouchable
A lonely piece of action from another town
I just want to be free, Im happy to be lonely
Cant you stay away?
Just leave me alone with my thoughts
Just a runaway, just a runaway, Im saving myself
B) passing strangers
Strung out below a necklace of carnival lights
Cold moan, held on the crest of the night
Im too tired to fight
So now were passing strangers, at single tables
Still trying to get over, still trying to write love songs for passing strangers
All those passing strangers
And the twinkling lies, all those twinkling lies
Sparkle with the wet ink on the paper
C) mylo
Oh I remember toronto when mylo went down
And we sat and we cried on the phone
I never felt so alone
He was the first of our own
Some of us go down in a blaze of obscurity
Some of us go down in a haze of publicity
The price of infamy, the edge of insanity
Another holiday inn, another temporary home
And an interviewer threatened me with a microphone
talk to me, wont you tell me your stories.
So I talked about conscience and I talked about pain
And he looked out the window and it started to rain
I thought maybe Ive already gone crazy
So I reached for a bottle and he reached for the door
And I picked up the sleeping pills crushed on the floor
Inviting me to a casual obscenity
D) perimeter walk
It would be incredible if we could retrace all the times that we lived here
All the collisions
Wasted, Ive never been so wasted
Ive never been this far out before
Perimeter walk
Theres a presence here
I feel could have been ancient, I could have been mystical
Theres a presence
A childhood, my childhood
My childhood, childhood
A misplaced childhood
My childhood, a misplaced childhood
Give it back to me, give it back to me
A childhood, that childhood, that childhood, that childhood, that childhood
Oh please give it back to me
[...] Read more
song performed by Marillion
Added by Lucian Velea
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On Dante's Monument, 1818
Though all the nations now
Peace gathers under her white wings,
The minds of Italy will ne'er be free
From the restraints of their old lethargy,
Till our ill-fated land cling fast
Unto the glorious memories of the Past.
Oh, lay it to thy heart, my Italy,
Fit honor to thy dead to pay;
For, ah, their like walk not thy streets to-day!
Nor is there one whom thou canst reverence!
Turn, turn, my country, and behold
That noble band of heroes old,
And weep, and on thyself thy anger vent,
For without anger, grief is impotent:
Oh, turn, and rouse thyself for shame,
Blush at the thought of sires so great,
Of children so degenerate!
Alien in mien, in genius, and in speech,
The eager guest from far
Went searching through the Tuscan soil to find
Where he reposed, whose verse sublime
Might fitly rank with Homer's lofty rhyme;
And oh! to our disgrace he heard
Not only that, e'er since his dying day,
In other soil his bones in exile lay,
But not a stone within thy walls was reared
To him, O Florence, whose renown
Caused thee to be by all the world revered.
Thanks to the brave, the generous band,
Whose timely labor from our land
Will this sad, shameful stain remove!
A noble task is yours,
And every breast with kindred zeal hath fired,
That is by love of Italy inspired.
May love of Italy inspire you still,
Poor mother, sad and lone,
To whom no pity now
In any breast is shown,
Now, that to golden days the evil days succeed.
May pity still, ye children dear,
Your hearts unite, your labors crown,
And grief and anger at her cruel pain,
As on her cheeks and veil the hot tears rain!
But how can I, in speech or song,
Your praises fitly sing,
To whose mature and careful thought,
The work superb, in your proud task achieved,
Will fame immortal bring?
[...] Read more
poem by Count Giacomo Leopardi
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Evangeline: A Tale of Acadie
This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.
This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.
Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.
PART THE FIRST
I
In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors
[...] Read more
poem by Henry Wadsworth Longfellow
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A Man Of A Thousand Faces
(music: marillion lyrics: john helmer)
Im the man of a thousand faces
A little piece of me in every part I take
I hold the tape for a thousand races
A different point of view in every speech I make
Cut me a piece of my divided soul
Cry me a river, call it rock and roll
Speak to a leader with the voice of command
And when I talk to God I know hell understand
I speak to machines with the voice of humanity
Ill speak to the wise with the voice of insanity
Im the man of a thousand faces
A little piece of me in every part I take
I hold the tape for a thousand races
A different point of view in every speech I make
Cut me a piece of my divided soul
Cry me a river, call it rock and roll
Give me an attitude and watch me make it lie
Pass me a microphone
I need to testify
Well I speak to machines with the voice of humanity
Speak to the wise with the voice of insanity
Speak to the present in the past and future tense
Speak to a slave with the voice of obedience
Im the man of a thousand ages
You see my face in the stones of the parthenon
You hear my song in the babble of babylon
Im the man of a thousand riches
Be my guest at the feast of satyricon
You spend the money that my logos printed on
Well Ill speak to machines with the voice of humanity
Speak to the wise with the voice of insanity
Speak to the present in the past and future tense
Speak to a slave with the voice of obedience
I stole a fire but it burned up much too soon
I took a leap and I landed on the moon
Look at my life and it looks like cnn
You see something once yknow its gonna come around again
Well Ill speak to machines with the voice of humanity
Speak to the wise with the voice of insanity
Speak to a woman with the fatal charm of a snake
Forgive like a giver and account for all I take
Yes, I speak to machines with the voice of humanity
Speak to the wise with the voice of insanity
Speak like a leader with the voice of power and command
And when I talk to God I know hell understand
Cause Im the man of a thousand faces
Yes Im the man of a thousand faces
I stole a fire but it burned up too much too soon
I took a leap and I landed on the moon..
[...] Read more
song performed by Marillion
Added by Lucian Velea
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
[...] Read more
poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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It's Grand
It's grand to be a squatter
And sit upon a post,
And watch your little ewes and lambs
A-giving up the ghost.
It's grand to be a "cockie"
With wife and kids to keep,
And find an all-wise Providence
Has mustered all your sheep.
It's grand to be a Western man,
With shovel in your hand,
To dig your little homestead out
From underneath the sand.
It's grand to be a shearer
Along the Darling-side,
And pluck the wool from stinking sheep
That some days since have died.
It's grand to be a rabbit
And breed till all is blue,
And then to die in heaps because
There's nothing left to chew.
It's grand to be a Minister
And travel like a swell,
And tell the Central District folk
To go to -- Inverell.
It's grand to be a socialist
And lead the bold array
That marches to prosperity
At seven bob a day.
It's grand to be unemployed
And lie in the Domain,
And wake up every second day --
And go to sleep again.
It's grand to borrow English tin
To pay for wharves and docks
And then to find it isn't in
The little money-box.
It's grand to be a democrat
And toady to the mob,
For fear that if you told the truth
They'd hunt you from your job.
It's grand to be a lot of things
[...] Read more
poem by Andrew Barton Paterson
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I Plead Insanity
I cant be responsible
For anything I do now or say now
I get too excitable
To control the way I behave now
Im afraid of what Ill do
If I find myself alone with you
Its just a crime of passion baby
Dont hold it against me
Im innocent
Im just out of my mind
I plead insanity
Whoa, Im so mad about you
I cant think straight, I cant see straight
I plead insanity
All I do is obsess about you
I cant work days
I cant sleep nights
I plead insanity
I know that there are rules for this
And I plan to break every one of them
And if I go too far tonight
Baby you can be my alibi
And if I act irrational
Im not responsible
For anything that happens here
Dont hold it against me
Im innocent
Im just out of my mind
I plead insanity
All I do is obsess about you
I cant work days
I cans sleep nights
I plead insanity
I plead insanity
Whoa, Im so mad about you
I cant think straight, I cant see straight
I plead insanity
All I do is obsess about you
I cant work days
I cant sleep nights
I have a fantasy...
song performed by Belinda Carlisle
Added by Lucian Velea
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Orlando Furioso Canto 3
ARGUMENT
Restored to sense, the beauteous Bradamant
Finds sage Melissa in the vaulted tomb,
And hears from her of many a famous plant
And warrior, who shall issue from her womb.
Next, to release Rogero from the haunt
Of old Atlantes, learns how from the groom,
Brunello hight, his virtuous ring to take;
And thus the knight's and others' fetters break.
I
Who will vouchsafe me voice that shall ascend
As high as I would raise my noble theme?
Who will afford befitting words, and lend
Wings to my verse, to soar the pitch I scheme?
Since fiercer fire for such illustrious end,
Than what was wont, may well my song beseem.
For this fair portion to my lord is due
Which sings the sires from whom his lineage grew.
II
Than whose fair line, 'mid those by heavenly grace
Chosen to minister this earth below,
You see not, Phoebus, in your daily race,
One that in peace or war doth fairer show;
Nor lineage that hath longer kept its place;
And still shall keep it, if the lights which glow
Within me, but aright inspire my soul,
While the blue heaven shall turn about the pole.
III
But should I seek at full its worth to blaze,
Not mine were needful, but that noble lyre
Which sounded at your touch the thunderer's praise,
What time the giants sank in penal fire.
Yet should you instruments, more fit to raise
The votive work, bestow, as I desire,
All labour and all thought will I combine,
To shape and shadow forth the great design.
IV
Till when, this chisel may suffice to scale
The stone, and give my lines a right direction;
And haply future study may avail,
To bring the stubborn labour to perfection.
Return we now to him, to whom the mail
Of hawberk, shield, and helm, were small protection:
I speak of Pinabel the Maganzeze,
Who hopes the damsel's death, whose fall he sees.
[...] Read more
poem by Ludovico Ariosto
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Streets Of Little Italy
(robbie seidman)
Producer for bonnie: desmond child
The narrow and the winding ways
The streets of old new york
The families, the street life, the spark
The rooftop where we watched
San gennaros festival
Masquerades in the dark...
On the streets down in little italy
Where the past goes on and on forever
And I feel it ever present
In every step I take alone
On the streets down in little italy
The oceans and the years
That separate our lives
From these streets we once called our home
Those distances of space and time
How strong they are
And how weak they are...
On the streets down in little italy
Where the past goes on and on forever
And I feel it ever present
In every step I take alone
On the streets down in little italy
Does the morning sunlight
Still hit the bed where we used to lie
Do the sidewalk stands and markets still overflow
Where I lingered till I was empty
Where I stayed till I had to go
Though in the night
Sometimes I see you disappear
Down cobblestones...
On the streets down in little italy
Where the past goes on and on forever
And I feel it ever present
In every step I take alone
Like your presence in my bones
On the streets down in little italy
song performed by Bonnie Tyler
Added by Lucian Velea
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Caesar Redivivus
In the olive groves of Italy
Men minds are all aflame;
For the war-lust spreads thro' Italy,
Where war-lords call the game.
And they dream of Roman legions
And the glory that was Rome's;
Yet reck not of the misery
That stalks Italian homes.
By the vine-clad hills of Italy
Men talk and dream of war;
Of the triumphs that were Caesar's,
And the glories known of yore.
But a mockery of triumph,
And an end to dreaming vain
Comes to victor, as to vanquichsed,
With a counting of the slain.
Oh, the women-folk of Italy,
They give their sons to Mars;
For they would be Spartan mothers,
Dams of splendid avitars.
But the fever shall be ending
In numb grief and shuddering fears,
When the spurious pearls of victory
Dissolve in women's tears.
In the pleasant land of Italy
The fever runs apace,
And the man who would be Caesar
From war's lesson turns his face.
With dreams of olden Empire
Would he set men's minds aflame,
Nor count the cost to Italy
In agony and shame.
poem by Clarence Michael James Stanislaus Dennis
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Mother and Poet
I.
Dead ! One of them shot by the sea in the east,
And one of them shot in the west by the sea.
Dead ! both my boys ! When you sit at the feast
And are wanting a great song for Italy free,
Let none look at me !
II.
Yet I was a poetess only last year,
And good at my art, for a woman, men said ;
But this woman, this, who is agonized here,
-- The east sea and west sea rhyme on in her head
For ever instead.
III.
What art can a woman be good at ? Oh, vain !
What art is she good at, but hurting her breast
With the milk-teeth of babes, and a smile at the pain ?
Ah boys, how you hurt ! you were strong as you pressed,
And I proud, by that test.
IV.
What art's for a woman ? To hold on her knees
Both darlings ! to feel all their arms round her throat,
Cling, strangle a little ! to sew by degrees
And 'broider the long-clothes and neat little coat ;
To dream and to doat.
V.
To teach them ... It stings there ! I made them indeed
Speak plain the word country. I taught them, no doubt,
That a country's a thing men should die for at need.
I prated of liberty, rights, and about
The tyrant cast out.
VI.
And when their eyes flashed ... O my beautiful eyes ! ...
I exulted ; nay, let them go forth at the wheels
Of the guns, and denied not. But then the surprise
When one sits quite alone ! Then one weeps, then one kneels !
God, how the house feels !
VII.
At first, happy news came, in gay letters moiled
With my kisses, -- of camp-life and glory, and how
They both loved me ; and, soon coming home to be spoiled
In return would fan off every fly from my brow
With their green laurel-bough.
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poem by Elizabeth Barrett Browning
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Anchorless and Engulfed
Two who each other barely knew -
though both drew down delinquency
some streets apart, are past, and few
shall etch sketch wretched memory.
Two travelled on lines parallel
while wheeled real reel of history,
banned reel ran out span's tocsin bell
tolled once to tell eternity
‘Bonjour, ma mie, je t'aime, adieu! '
The mocking bird of Destiny
nests but a moment. All falls through
before each earth-bound entity
grasp pain's pain glass a second, spell
life's sensitivity to see
things in perspective ere Death's knell
engulfs hopes in Styx misery.
Confined upon Earth's ark our zoo
builds up its bars too readily.
Why all the fuss and bother to
paint rosy hues enticingly
when threescore ten years pass pell-mell,
too few attain vain century,
and those that do weak souls would sell
for one more week's dichotomy.
Upon Life's cruise a motley crew
free choice demands, yet few feel free,
awash with superstitious spew,
how few refuse to bend the knee?
The ‘finger writes' and then farewell!
A door to which there is no key
was ever veiled when curtains fell,
'and then no more of thee and me.'
'Time out! ' Reflection's hard to chew
in context where modernity
accelerates change [st]range most rue,
soon redefines autonomy,
confines empowerment to brew
disinformation debility,
losing second thoughts' review
of truth till last breath's verity
renders verdict curlicue
on humankind's inanity.
Climate out of kilter new
climactic catastrophe
prepares, ice-melt sends shockwaves through
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poem by Jonathan Robin
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The Aeneid of Virgil: Book 7
AND thou, O matron of immortal fame,
Here dying, to the shore hast left thy name;
Cajeta still the place is call’d from thee,
The nurse of great Æneas’ infancy.
Here rest thy bones in rich Hesperia’s plains; 5
Thy name (’t is all a ghost can have) remains.
Now, when the prince her fun’ral rites had paid,
He plow’d the Tyrrhene seas with sails display’d.
From land a gentle breeze arose by night,
Serenely shone the stars, the moon was bright, 10
And the sea trembled with her silver light.
Now near the shelves of Circe’s shores they run,
(Circe the rich, the daughter of the Sun,)
A dang’rous coast: the goddess wastes her days
In joyous songs; the rocks resound her lays: 15
In spinning, or the loom, she spends the night,
And cedar brands supply her father’s light.
From hence were heard, rebellowing to the main,
The roars of lions that refuse the chain,
The grunts of bristled boars, and groans of bears, 20
And herds of howling wolves that stun the sailors’ ears.
These from their caverns, at the close of night,
Fill the sad isle with horror and affright.
Darkling they mourn their fate, whom Circe’s pow’r,
(That watch’d the moon and planetary hour,) 25
With words and wicked herbs from humankind
Had alter’d, and in brutal shapes confin’d.
Which monsters lest the Trojans’ pious host
Should bear, or touch upon th’ inchanted coast,
Propitious Neptune steer’d their course by night 30
With rising gales that sped their happy flight.
Supplied with these, they skim the sounding shore,
And hear the swelling surges vainly roar.
Now, when the rosy morn began to rise,
And wav’d her saffron streamer thro’ the skies; 35
When Thetis blush’d in purple not her own,
And from her face the breathing winds were blown,
A sudden silence sate upon the sea,
And sweeping oars, with struggling, urge their way.
The Trojan, from the main, beheld a wood, 40
Which thick with shades and a brown horror stood:
Betwixt the trees the Tiber took his course,
With whirlpools dimpled; and with downward force,
That drove the sand along, he took his way,
And roll’d his yellow billows to the sea. 45
About him, and above, and round the wood,
The birds that haunt the borders of his flood,
That bath’d within, or basked upon his side,
To tuneful songs their narrow throats applied.
The captain gives command; the joyful train 50
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poem by Publius Vergilius Maro
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Fifth Book
AURORA LEIGH, be humble. Shall I hope
To speak my poems in mysterious tune
With man and nature,–with the lava-lymph
That trickles from successive galaxies
Still drop by drop adown the finger of God,
In still new worlds?–with summer-days in this,
That scarce dare breathe, they are so beautiful?–
With spring's delicious trouble in the ground
Tormented by the quickened blood of roots.
And softly pricked by golden crocus-sheaves
In token of the harvest-time of flowers?–
With winters and with autumns,–and beyond,
With the human heart's large seasons,–when it hopes
And fears, joys, grieves, and loves?–with all that strain
Of sexual passion, which devours the flesh
In a sacrament of souls? with mother's breasts,
Which, round the new made creatures hanging there,
Throb luminous and harmonious like pure spheres?–
With multitudinous life, and finally
With the great out-goings of ecstatic souls,
Who, in a rush of too long prisoned flame,
Their radiant faces upward, burn away
This dark of the body, issuing on a world
Beyond our mortal?–can I speak my verse
So plainly in tune to these things and the rest,
That men shall feel it catch them on the quick,
As having the same warrant over them
To hold and move them, if they will or no,
Alike imperious as the primal rhythm
Of that theurgic nature? I must fail,
Who fail at the beginning to hold and move
One man,–and he my cousin, and he my friend,
And he born tender, made intelligent,
Inclined to ponder the precipitous sides
Of difficult questions; yet, obtuse to me,–
Of me, incurious! likes me very well,
And wishes me a paradise of good,
Good looks, good means, and good digestion!–ay,
But otherwise evades me, puts me off
With kindness, with a tolerant gentleness,–
Too light a book for a grave man's reading! Go,
Aurora Leigh: be humble.
There it is;
We women are too apt to look to one,
Which proves a certain impotence in art.
We strain our natures at doing something great,
Far less because it's something great to do,
Than, haply, that we, so, commend ourselves
As being not small, and more appreciable
To some one friend. We must have mediators
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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Beautiful Edinburgh
Beautiful city of Edinburgh, most wonderful to be seen,
With your ancient palace of Holyrood and Queen's Park Green,
And your big, magnificent, elegant New College,
Where people from all nations can be taught knowledge.
The New College of Edinburgh is certainly very grand
Which I consider to be an honour to fair Scotland,
Because it's the biggest in the world, without any doubt,
And is most beautiful in the inside as well as out.
And the Castle is wonderful to look upon,
Which has withstood many angry tempests in years bygone;
And the rock it's built upon is rugged and lovely to be seen
When the shrubberies surrounding it are blown full green.
Morningside is lovely and charming to be seen;
The gardens there are rich with flowers and shrubberies green
And sweet scented perfumes fill the air,
Emanating from the sweet flowers and beautiful plants there.
And as for Braidhill, it's a very romantic spot,
But a fine place to visit when the weather is hot;
There the air is nice and cool, which will help to drive away sorrow
When ye view from its summit the beautiful city of Edinburgh.
And as for the statues, they are very grand-
They cannot be surpassed in any foreign land;
And the scenery is attractive and fascinating to the eye,
And arrests the attention of tourists as they pass by.
Lord Melville's Monument is most elegant to be seen,
Which is situated in St. Andrew's Square, amongst shrubberies green,
Which seems most gorgeous to the eye,
Because it is towering so very high.
The Prince Albert Consort Statue looks very grand,
Especially the granite blocks whereon it doth stand,
Which is admired by all tourists as they pass by,
Because the big granite blocks seem magnificent to the eye.
Princes Street West End Garden Is fascinating to be seen,
With its beautiful big trees and shrubberies green,
And its magnificent water fountain in the valley below
Helps to drive away from the tourist all care and woe.
The Castle Hotel is elegant and grand,
And students visit it from every foreign land,
And the students of Edinburgh often call there
To rest and have luncheon, at a very cheap fare.
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poem by William Topaz McGonagall
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