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. . . I consider looseness with words no less of a defect than looseness of the bowels.

quote by John Calvin
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Some Considerations

Consider this world and also our place in it
and know that time passes by every minute.
Consider those who’re living and also the dead
and know of the ways people earn their bread.
We consider many things but few are of real importance
and know that all those which are not are in abundance.

In consideration of this what can anyone do?
but live one’s life in a way which is true.

Consider the flowers in the garden and the colours they show
and know that with tender loving care from a seed they grow.
Consider all the children somewhere and watch them play
and know that with laughter and fun most pass the day.
Consider the things which are false and those which are true
and know how each one can and does affect all that we do.

In consideration of this what can we all do?
but try and live in a way which is just true.

Consider the march of the spirit of progress and the direction we’re all going
and know that every so often we must turn around and look back knowing.
Consider that which we all know and also that which we do not
and know it’s but knowledge and ignorance that make up the lot.
Consider the beginning and that of the very end
and know it’s terrible to get there without a friend.

In consideration of this what can one do?
but go through life with a friend who’s true.

Consider about each day and then also about each night
and know that without them there’s no darkness or light.
Consider the sunshine and also the shade
and know that with them each day is made.
Consider the evening and also the time we sleep
and know that because of them the night is deep.

In consideration of this what is there to do?
but live one day at a time and remember too.

Consider that which seems right and also what appears wrong
and know that they are both attributes of the weak and strong.
Consider the past and the future and of course the present
and know that all life relates to them and is not an accident.
Consider the labour with the crops and also the extent of the field
and know that with care and nature’s help a rich harvest will yield.

In consideration of this what is there one must do?
but only the best that one can so as to get through.

[...] Read more

poem by George Krokos
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Reminders

Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As word
s confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.

song performed by Feeder
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I consider looseness with words no less of a defect than looseness of the bowels.

quote by John Calvin
Added by Lucian Velea
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The Victories Of Love. Book II

I
From Jane To Her Mother

Thank Heaven, the burthens on the heart
Are not half known till they depart!
Although I long'd, for many a year,
To love with love that casts out fear,
My Frederick's kindness frighten'd me,
And heaven seem'd less far off than he;
And in my fancy I would trace
A lady with an angel's face,
That made devotion simply debt,
Till sick with envy and regret,
And wicked grief that God should e'er
Make women, and not make them fair.
That he might love me more because
Another in his memory was,
And that my indigence might be
To him what Baby's was to me,
The chief of charms, who could have thought?
But God's wise way is to give nought
Till we with asking it are tired;
And when, indeed, the change desired
Comes, lest we give ourselves the praise,
It comes by Providence, not Grace;
And mostly our thanks for granted pray'rs
Are groans at unexpected cares.
First Baby went to heaven, you know,
And, five weeks after, Grace went, too.
Then he became more talkative,
And, stooping to my heart, would give
Signs of his love, which pleased me more
Than all the proofs he gave before;
And, in that time of our great grief,
We talk'd religion for relief;
For, though we very seldom name
Religion, we now think the same!
Oh, what a bar is thus removed
To loving and to being loved!
For no agreement really is
In anything when none's in this.
Why, Mother, once, if Frederick press'd
His wife against his hearty breast,
The interior difference seem'd to tear
My own, until I could not bear
The trouble. 'Twas a dreadful strife,
And show'd, indeed, that faith is life.
He never felt this. If he did,
I'm sure it could not have been hid;
For wives, I need not say to you,

[...] Read more

poem by Coventry Patmore
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Consider It Done

Consider it done.
Done.
Done.
Done.
Consider it done.
Done.
Done.
Done.
Consider it done.
Done.
Done.
Done.
Consider it done.
Consider it done.

Getting near a fiscal cliff,
And knowing of it.
But...
ignoring all the warnings,
Or it there to exist...
To feed an addiction to greed,
Regardless of the risks.

Well...
Consider it done.
Your feeding.
Done.
And with a greeding.
Done.

Consider it done.
Done.
Done.
Done.
Consider it done.
The feast.
Consider it done.
That feast depleted,
With a wish for more to eat...
Is done!

poem by Lawrence S. Pertillar
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Secret of the Sun

Raised by the bare bones of nature’s grace,
my home held hands with the feral forest,
where nature hid her gold.

I have heard palm trees whisper their stories
I have listened to the silent full moon quietly teach
lessons of those who had lived.
I know of the green secrets of the earth
Soft voices of searching roots that sprout forth, cluster
around my hut to tell.

I am from the bowels of Africa,
I understand the tongue of the wild.
I have swayed to the blue songs of humming birds that fill the
tree branches with their nests.
I have had breakfast plucked ripe off the tree
and lunch caught right from the river.
I have aimed a stick in the forest and secured supper.

I am from the bowels of Africa,
where nature’s breast milk flows from palm trees
and every suckle leaves a smile on wrinkled ebony faces.

I am from the bowels of Africa,
I have seen rains held up at the summons of wooden carved gods.
women foretell events of the next day, and men
hear voices of elders long dead.

I am from the bowels of Africa
I am carolled to dreamland by
crickets, frogs and fireflies
that mime nature’s song at night fall

I am from the bowels of Africa,
I am the dark secret held by the sun

poem by Konye Ori
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Six Words Long

This song is just six words long
This song is just six words long
This song is just six words long
This song is just six words long
Couldn't think of any lyrics
No i never wrote the lyrics
So i'll just sing any old lyrics
That come to mind, child
You really need words
Whole lotta rhyming words
You gotta rhyme so many words, mm-mm
To do it, to do it, to do it, to do it
To do it, to do it right, child
This song is just six words long
This song is just six words long
This song is just six words long
This song is just six words long
I know that you're probably sore
'cause i didn't write any more
I just didn't get to complete it
So that's why i gotta repeat it
This song is just six words long (six words long)
This song is just six words long (six words long)
Oh i make a lotta money
They pay me a ton of money
They're payin' me plenty of money
To sing this song, child
I gotta fill time
Three minutes worth of time
Oh, how will i fill so much time, mm-mm
I'll throw in a solo, a solo, a solo
A solo, a solo here
This song is just six words long
This song is just six words long
This song is just six words long
This song is just six words long
This song's got nothin' to say
But i'm recording it anyway
I know if i put my mind to it
I know i could find a good rhyme here
Oh, you gotta have-a music
You need really catchy music
This song has got plenty of music
But just six words, child
And so i'll sing' em over
And over and over and over
And over and over and over, mm-mm
And over and over and over
And over and over and over again
Six words long, six words long

[...] Read more

song performed by Weird Al Yankovic
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Consider Me Gone - Reba McEntire

Verse: 1
Every time I turn the conversation
To something deeper
Than the weather,
I can feel you always shuttin' down,
And when I need an explanation
For the silence, you just tell me
You don't wanna
Talk about it now.

Bridge: 1
What you're not saying is coming in loud and clear.
We're at a crossroads here...

Chorus:
If I'm not the one thing you can't stand to lose,
If I'm not that arrow to the heart of you,
If you don't get drunk on my kiss,
If you think you can do better than this,
Then I guess we're done.
Let's not drag this on.
Consider me gone.

Verse 2:
With you I've always been wide open,
Like a window or an ocean,
There is nothing
I've ever tried to hide.
So when you leave me not knowin'
Where you're goin',
I start thinkin' that we're lookin',
We're lookin' at goodbye.

Bridge 2:
How about a strong shot of honesty.
Don't you owe that to me...

(chorus)
Consider me a memory.
Consider me the past.
Consider me a smile in an old photograph,
Someone who used to make you laugh.

If I'm not the one thing you can't stand to lose,
If I'm not that arrow to the heart of you,
Then I guess we're done,
Let's not drag this on.
Consider me gone.
Consider me gone.
Consider me gone.

[...] Read more

poem by Rebecca Ryan
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Wreckless

You wanna break my pace stepped,
With a wreckless defect.
You wanna slip and slide...
As if we've never met!

You wanna break my pace stepped,
With a wreckless defect.
You wanna slip and slide...
And glide by high,
As if we've never met!
Don't try.
Don't try.

And I can't cope,
With your groping on my coattails.
Like you're a piece of my pie,
You wish to eat to satisfy...
A feeding kept from eyes.
Don't try.
Don't try.

And I can't cope,
With your groping on my coattails.
Like you're a piece of my pie,
You wish to eat and satisfy...
A feeding kept from eyes.
To greed as you hide!

Oh my,
Don't try!

You wanna break my pace stepped,
With a wreckless defect.
You wanna slip and slide...
As if we've never met!

You wanna break my pace stepped,
With a wreckless defect.
You wanna slip and slide...
And glide by high,
Pretending we've never met!

Oh my,
Don't try...
To fool me with your disguise.
Don't try.
Don't try.

And I can't cope,
With your groping on my coattails.

[...] Read more

poem by Lawrence S. Pertillar
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Structural Defect

STRUCTURAL DEFECT

Once a strong bridge built with concrete and steel
Supporting the ways of those that travel
Standing so strong, no signs of dismay
Only to drop, no longer erect
Looking so firm, looking so tough
It couldn’t stay arise
There’s a structural defect

Being so coy, distracted by success
Caught off guard by actions of nature
Flaunting the muscles of which it was given
Only to fall, no strength is left
Tumble to the ground, destruction at hand
No chance for fulfillment
There’s a structural defect

Created for speed and power, it functions with ease
Yet sensitive and fragile, susceptive to failure
Years will pass, no signs of defeat
A structure of distress
One day, out of the blue
It came crashing down
There’s a structural defect

Mike Farris Jr.

1/27/09

poem by Mike Farris Jr.
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Words

Words on this paper
Words in my head
Words while I'm texting
Computing
Unsaid
Words between people
Words on the phone
Words upon words
Even when I'm alone
Words from the Bible
I question
Don't mesh
Words from pornography
Making them flesh
Words with flat letters
Written in black
Good words and bad words
You cannot take back
Words that are shallow
Words that are deep
When they're too many
They put me to sleep
Words that I'm writing
And rhyming you read
Whatever I'm saying
There's prolly no need
Words from the alphabet
Words that can't be
When you are blind
And it's Braile that you see
Words that are worthless
And said on the fly
My words or your words
Are most likely lies
Words in a sentence
Wise words or fair
The only words earnest
Are those said in prayer

Written by Sara Fielder © 2011

poem by Sara Fielder
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Carol Of Words

EARTH, round, rolling, compact--suns, moons, animals--all these are
words to be said;
Watery, vegetable, sauroid advances--beings, premonitions, lispings
of the future,
Behold! these are vast words to be said.

Were you thinking that those were the words--those upright lines?
those curves, angles, dots?
No, those are not the words--the substantial words are in the ground
and sea,
They are in the air--they are in you.

Were you thinking that those were the words--those delicious sounds
out of your friends' mouths?
No, the real words are more delicious than they.

Human bodies are words, myriads of words;
In the best poems re-appears the body, man's or woman's, well-shaped,
natural, gay, 10
Every part able, active, receptive, without shame or the need of
shame.

Air, soil, water, fire--these are words;
I myself am a word with them--my qualities interpenetrate with
theirs--my name is nothing to them;
Though it were told in the three thousand languages, what would air,
soil, water, fire, know of my name?

A healthy presence, a friendly or commanding gesture, are words,
sayings, meanings;
The charms that go with the mere looks of some men and women, are
sayings and meanings also.

The workmanship of souls is by the inaudible words of the earth;
The great masters know the earth's words, and use them more than the
audible words.

Amelioration is one of the earth's words;
The earth neither lags nor hastens; 20
It has all attributes, growths, effects, latent in itself from the
jump;
It is not half beautiful only--defects and excrescences show just as
much as perfections show.

The earth does not withhold, it is generous enough;
The truths of the earth continually wait, they are not so conceal'd
either;
They are calm, subtle, untransmissible by print;

[...] Read more

poem by Walt Whitman
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The Crystal

At midnight, death's and truth's unlocking time,
When far within the spirit's hearing rolls
The great soft rumble of the course of things --
A bulk of silence in a mask of sound, --
When darkness clears our vision that by day
Is sun-blind, and the soul's a ravening owl
For truth and flitteth here and there about
Low-lying woody tracts of time and oft
Is minded for to sit upon a bough,
Dry-dead and sharp, of some long-stricken tree
And muse in that gaunt place, -- 'twas then my heart,
Deep in the meditative dark, cried out:

"Ye companies of governor-spirits grave,
Bards, and old bringers-down of flaming news
From steep-wall'd heavens, holy malcontents,
Sweet seers, and stellar visionaries, all
That brood about the skies of poesy,
Full bright ye shine, insuperable stars;
Yet, if a man look hard upon you, none
With total lustre blazeth, no, not one
But hath some heinous freckle of the flesh
Upon his shining cheek, not one but winks
His ray, opaqued with intermittent mist
Of defect; yea, you masters all must ask
Some sweet forgiveness, which we leap to give,
We lovers of you, heavenly-glad to meet
Your largesse so with love, and interplight
Your geniuses with our mortalities.

Thus unto thee, O sweetest Shakespeare sole,
A hundred hurts a day I do forgive
('Tis little, but, enchantment! 'tis for thee):
Small curious quibble; Juliet's prurient pun
In the poor, pale face of Romeo's fancied death;
Cold rant of Richard; Henry's fustian roar
Which frights away that sleep he invocates;
Wronged Valentine's unnatural haste to yield;
Too-silly shifts of maids that mask as men
In faint disguises that could ne'er disguise --
Viola, Julia, Portia, Rosalind;
Fatigues most drear, and needless overtax
Of speech obscure that had as lief be plain;
Last I forgive (with more delight, because
'Tis more to do) the labored-lewd discourse
That e'en thy young invention's youngest heir
Besmirched the world with.

Father Homer, thee,
Thee also I forgive thy sandy wastes

[...] Read more

poem by Sidney Lanier
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Jehovah

Consider the lilies of the field,
Solomon dressed in royal robes
Has not the worth of them.
Consider the lilies of the field.
He takes after each and every need.
Leave all your cares behind,
Seek him and you will find
Your father loves you so.
Consider the creatures of the air.
For all of the diamonds in all the earth
Have not the wealth of them.
Consider the creatures of the air.
Jehovah loves them with tender hand.
He knows your every care,
His touch is always there
To see you through the night.
And jehovah I love you so,
And jesus I want you to know,
All youve done for me to set me free,
Ill never let you go.
And jehovah I love you so,
And jesus I want you to know,
All youve done for me to set me free,
Ill never let you go.
Consider the lilies of the field.
For how much more does he love his own,
If yaweh cares for them.
Consider the creatures of the air.
He takes after each and every need.
If we ask him for bread,
Will he give us a stone?
Jehovah loves his own.
And jehovah I love you so,
And jesus I want you to know,
All youve done for me to set me free,
Ill never let you go.
And jehovah I love you so,
And jesus I want you to know,
All youve done for me to set me free,
Ill never let you go.
And jehovah I love you so,
And jesus I want you to know,
All youve done for me to set me free,
Ill never let you go.
And jehovah I love you so,
And jesus I want you to know,
All youve done for me to set me free,
Ill never let you go.
And jehovah I love you so,
And jesus I want you to know,

[...] Read more

song performed by Amy Grant
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Looking for Work

Consider the pigeons of the city,
how in their filthy swoop and dive they fatten
on dusty Dorito crumbs;
consider their evolution
through generations of squawk and squalor,
peck and fight. (And what did it take for that one,
strutting his kingly amethyst ruff,
his neck sheen of subdued emerald,
his fat gray feathers of survival,
to survive here?)

Consider the homeless man outside Albertson's,
approaching every car with his rags and Windex,
whose far-distant ancestor
was able to track and kill
the wildebeest, the antelope, and the cape hare.
Consider how far he has come,
listening to his ipod between customers,
and yet how faithful he stays to the wild
dictates of seek and hunt and gather,
scoping out the best shelters for meals,
the cleanest beds, the one
tight face still able to open.

Consider your bank account,
dipping like a low-flying bird,
then spreading wings and planing
over the fields of dead numbers,
canceled checks, ancient pay stubs,
long afternoons bought and paid for
in boredom and lost purpose. And the live
bodies of your brothers and sisters, crushed
in the trash compactor of Unwanted Ads.

Consider yourself,
marching in and out of these institutions
in your skirt and nylons, leaving ferocious lipstick tracks
on styrofoam coffee cups,
your name and address on application forms,
like one of your ancestors peeing on a thorn bush.

poem by Alison Luterman
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From A German War Primer

AMONGST THE HIGHLY PLACED
It is considered low to talk about food.
The fact is: they have
Already eaten.

The lowly must leave this earth
Without having tasted
Any good meat.

For wondering where they come from and
Where they are going
The fine evenings find them
Too exhausted.

They have not yet seen
The mountains and the great sea
When their time is already up.

If the lowly do not
Think about what's low
They will never rise.

THE BREAD OF THE HUNGRY HAS
ALL BEEN EATEN
Meat has become unknown. Useless
The pouring out of the people's sweat.
The laurel groves have been
Lopped down.
From the chimneys of the arms factories
Rises smoke.

THE HOUSE-PAINTER SPEAKS OF
GREAT TIMES TO COME
The forests still grow.
The fields still bear
The cities still stand.
The people still breathe.

ON THE CALENDAR THE DAY IS NOT
YET SHOWN
Every month, every day
Lies open still. One of those days
Is going to be marked with a cross.

THE WORKERS CRY OUT FOR BREAD
The merchants cry out for markets.
The unemployed were hungry. The employed
Are hungry now.
The hands that lay folded are busy again.
They are making shells.

[...] Read more

poem by Bertolt Brecht
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The Four Ages of Man

1.1 Lo now! four other acts upon the stage,
1.2 Childhood, and Youth, the Manly, and Old-age.
1.3 The first: son unto Phlegm, grand-child to water,
1.4 Unstable, supple, moist, and cold's his Nature.
1.5 The second: frolic claims his pedigree;
1.6 From blood and air, for hot and moist is he.
1.7 The third of fire and choler is compos'd,
1.8 Vindicative, and quarrelsome dispos'd.
1.9 The last, of earth and heavy melancholy,
1.10 Solid, hating all lightness, and all folly.
1.11 Childhood was cloth'd in white, and given to show,
1.12 His spring was intermixed with some snow.
1.13 Upon his head a Garland Nature set:
1.14 Of Daisy, Primrose, and the Violet.
1.15 Such cold mean flowers (as these) blossom betime,
1.16 Before the Sun hath throughly warm'd the clime.
1.17 His hobby striding, did not ride, but run,
1.18 And in his hand an hour-glass new begun,
1.19 In dangers every moment of a fall,
1.20 And when 'tis broke, then ends his life and all.
1.21 But if he held till it have run its last,
1.22 Then may he live till threescore years or past.
1.23 Next, youth came up in gorgeous attire
1.24 (As that fond age, doth most of all desire),
1.25 His Suit of Crimson, and his Scarf of Green.
1.26 In's countenance, his pride quickly was seen.
1.27 Garland of Roses, Pinks, and Gillyflowers
1.28 Seemed to grow on's head (bedew'd with showers).
1.29 His face as fresh, as is Aurora fair,
1.30 When blushing first, she 'gins to red the Air.
1.31 No wooden horse, but one of metal try'd:
1.32 He seems to fly, or swim, and not to ride.
1.33 Then prancing on the Stage, about he wheels;
1.34 But as he went, death waited at his heels.
1.35 The next came up, in a more graver sort,
1.36 As one that cared for a good report.
1.37 His Sword by's side, and choler in his eyes,
1.38 But neither us'd (as yet) for he was wise,
1.39 Of Autumn fruits a basket on his arm,
1.40 His golden rod in's purse, which was his charm.
1.41 And last of all, to act upon this Stage,
1.42 Leaning upon his staff, comes up old age.
1.43 Under his arm a Sheaf of wheat he bore,
1.44 A Harvest of the best: what needs he more?
1.45 In's other hand a glass, ev'n almost run,
1.46 This writ about: This out, then I am done.
1.47 His hoary hairs and grave aspect made way,
1.48 And all gave ear to what he had to say.
1.49 These being met, each in his equipage
1.50 Intend to speak, according to their age,

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poem by Anne Bradstreet
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Jubilate Agno: Fragment B, Part 4

For God has given us a language of monosyllables to prevent our clipping.

For a toad enjoys a finer prospect than another creature to compensate his lack.

Tho' toad I am the object of man's hate.
Yet better am I than a reprobate. who has the worst of prospects.
For there are stones, whose constituent particles are little toads.

For the spiritual musick is as follows.

For there is the thunder-stop, which is the voice of God direct.

For the rest of the stops are by their rhimes.

For the trumpet rhimes are sound bound, soar more and the like.

For the Shawm rhimes are lawn fawn moon boon and the like.

For the harp rhimes are sing ring string and the like.

For the cymbal rhimes are bell well toll soul and the like.

For the flute rhimes are tooth youth suit mute and the like.

For the dulcimer rhimes are grace place beat heat and the like.

For the Clarinet rhimes are clean seen and the like.

For the Bassoon rhimes are pass, class and the like. God be gracious to Baumgarden.

For the dulcimer are rather van fan and the like and grace place &c are of the bassoon.

For beat heat, weep peep &c are of the pipe.

For every word has its marrow in the English tongue for order and for delight.

For the dissyllables such as able table &c are the fiddle rhimes.

For all dissyllables and some trissyllables are fiddle rhimes.

For the relations of words are in pairs first.

For the relations of words are sometimes in oppositions.

For the relations of words are according to their distances from the pair.

For there be twelve cardinal virtues the gifts of the twelve sons of Jacob.

For Reuben is Great. God be gracious to Lord Falmouth.

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poem by Christopher Smart
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A Postscript unto the Reader

And now good Reader, I return again
To talk with thee, who hast been at the pain
To read throughout, and heed what went before;
And unto thee I'le speak a little more.
Give ear, I pray thee, unto what I say,
That God may hear thy voice another day.
Thou hast a Soul, my friend, and so have I,
To save or lose; a Soul that cannot die,
A soul of greater price than God and Gems;
A Soul more worth than Crowns and Diadems;
A Soul at first created like its Maker,
And of Gods Image made to be partaker:
Upon the wings of Noblest faculties,
Taught for to soar above the Starry Skies,
And not to rest, until it understood
It self possessed of the chiefest good.
And since the Fall, thy Soul retaineth still
Those Faculties of Reason and of Will,
But Oh, how much deprav'd, and out of frame,
As if they were some others, not the same.
Thine Understanding dismally benighted,
And Reason'd eye in Sp'ritual things dim-sighted,
Or else stark blind: Thy Will inclin'd to evil,
And nothing else, a Slave unto the Devil;
That loves to live, and liveth to transgress,
But shuns the way of God and Holiness.
All thin Affections are disordered;
And thou by head-strong Passions are misled.
What need I tell thee of thy crooked way,
And many wicked wand'rings every day?
Or that thine own transgressions are more
In number, than the sands upon the Shore:
Thou art a lump of wickedness become,
And may'st with horrour think upon thy Doom,
Until thy Soul be washed in the flood
Of Christ's most dear, soul-cleansing precious blood.
That, that alone can do away thy sin
Which thou wert born, and hast long lived in.
That, only that, can pacifie Gods wrath,
If apprehended by a lively Faith,
Now whilst the day and means of Grace do last,
Before the opportunity be past.
But if O man, thou liv'st a Christless creature,
And Death surprize thee in a state of nature,
(As who can tell but that may be thy case)
How wilt thou stand before the Judge's face?
When he shall be reveal'd in faming fire,
And come to pay ungodly men their hire:
To execute due vengeance upon those
That knew him not, or that have been his foes?

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poem by Michael Wigglesworth
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My Words

the art of expression
is what my words are penned down upon
the will of wisdom
and the essence of freedom
to bounce like a king kong
on the ping pong

glad or sad, is from within each or any
stanza of my words
from the top of my head
to the deep end of the membrane under my melanin skin
to the sensory nerves of my brain
coiled upon an ancient pane

my words,
that which mirrors my sense of thought and feeling,
that with an ancestor
that which the blood of my people
was shed for; just so simple
but my words are royal
because ‘am loyal
like an induna
and vocal
to usher-in a focal
point of the meaning of my words.

my needs
and deeds
have a lord
on board
to code my words
and shield my soul from the imp’s sword.

my words are so very simple
to understand
and overstand
‘t was my words
that kept the birds
away from the heads
of my corn
for i was born
and sworn
to live a life upon

my words are so very easy to grasp
the fewer that discern
the nobler i become
I need not to wonder
and ponder
over yonder

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poem by Onalethuso Petruss Ntema
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