I'm certainly not a prude.
quote by Kim Cattrall
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Pure prejudice
A prude regards all nudes as rude
unchanging in their attitude.
Which they perceive as rectitude.
A sign of their ineptitude
They cannot see as pulchritude
the naturalness of being nude.
The will allow no latitude,
just being bare to them is lewd.
It must be sad to be a prude.
Because they have misunderstood
that being nude need not be rude
It need be neither lewd nor crude
Reluctantly I must conclude
that once a prude always a prude.
poem by Ivor Or Ivor.e Hogg
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The Rape of the Lock
Part 1
WHAT dire Offence from am'rous Causes springs,
What mighty Contests rise from trivial Things,
I sing -- This Verse to C---, Muse! is due;
This, ev'n Belinda may vouchfafe to view:
Slight is the Subject, but not so the Praise,
If She inspire, and He approve my Lays.
Say what strange Motive, Goddess! cou'd compel
A well-bred Lord t'assault a gentle Belle?
Oh say what stranger Cause, yet unexplor'd,
Cou'd make a gentle Belle reject a Lord?
And dwells such Rage in softest Bosoms then?
And lodge such daring Souls in Little Men?
Sol thro' white Curtains shot a tim'rous Ray,
And op'd those Eyes that must eclipse the Day;
Now Lapdogs give themselves the rowzing Shake,
And sleepless Lovers, just at Twelve, awake:
Thrice rung the Bell, the Slipper knock'd the Ground,
And the press'd Watch return'd a silver Sound.
Belinda still her downy Pillow prest,
Her Guardian Sylph prolong'd the balmy Rest.
'Twas he had summon'd to her silent Bed
The Morning-Dream that hover'd o'er her Head.
A Youth more glitt'ring than a Birth-night Beau,
(That ev'n in Slumber caus'd her Cheek to glow)
Seem'd to her Ear his winning Lips to lay,
And thus in Whispers said, or seem'd to say.
Fairest of Mortals, thou distinguish'd Care
Of thousand bright Inhabitants of Air!
If e'er one Vision touch'd thy infant Thought,
Of all the Nurse and all the Priest have taught,
Of airy Elves by Moonlight Shadows seen,
The silver Token, and the circled Green,
Or Virgins visited by Angel-Pow'rs,
With Golden Crowns and Wreaths of heav'nly Flowers,
Hear and believe! thy own Importance know,
Nor bound thy narrow Views to Things below.
Some secret Truths from Learned Pride conceal'd,
To Maids alone and Children are reveal'd:
What tho' no Credit doubting Wits may give?
The Fair and Innocent shall still believe.
Know then, unnumbered Spirits round thee fly,
The light Militia of the lower Sky;
These, tho' unseen, are ever on the Wing,
Hang o'er the Box, and hover round the Ring.
Think what an Equipage thou hast in Air,
And view with scorn Two Pages and a Chair.
[...] Read more
poem by Alexander Pope
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Coquette
Spring is a flirt. Unexpectedly gleaming
Over the shoulder of some far blue hill.
We glimpse the blue eyes of her, smiling and beaming,
We hold out our hands to her, all of a thrill.
A bloom in her lips, for a moment she lingers
Pouf! And she's gone with a flick of her skirt.
And Winter once more, with his icy-cold fingers,
Seizes us, freezes us. Spring is a flirt.
Spring is a minx. On the far forest ranges
Tip-toe one morning, all winsomely coy,
Her lover beholds her, and straightaway he changes
His dolerous drone to a paean of joy:
'Come to me sweetheart! - so long have I waited.'
She blows him a kiss as she shamelessly winks;
Then - Pouf! She is off. And the storm, unaabated,
Rocks him and mocks him. Ah, Spring is a minx.
Spring is a prude. On the city man reckoning
Profits and prices in some chill retreat.
She peeps thro' the window with scandalous beckoning
Luring him out to the sun-spangled street.
He smiles. Then she falls to a frowning and pouting:
'We're not introduced, sir! You dare be so rude?'
Then sudden around him the rough winds are shouting
Reproofs, and she vanishes. Spring is a prude.
Spring is a lade. For we knows every trick of it,
Every artifice, every wile:
Advancing, refusing, until we fall sick of it
Sick with the longing, athirst for her smile.
Coyly she calls us from out or a cover
Aglow with her promise. Delectable maid!
'Not yet!' - She evades us - 'Ah, not yet, my lover!
Love thrives with languishing.' Spring is a lade.
poem by Clarence Michael James Stanislaus Dennis
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I Don't Subject Myself
I don't subject myself to rudeness,
Or condone it where I go.
I see some prude who allow this crudeness...
As if ignoring it doesn't make it so!
I've earned the right to be respected,
I don't expect with demand that it's there.
But I do reject,
An offensiveness I get.
And I let it be known...
With me those actions,
Are not to be shown.
'And 'who' are YOU? '
I'm a grown man...
I don't have to prove that is true!
I don't subject myself to rudeness,
Or condone it where I go.
I see some prude who allow this crudeness...
As if ignoring it doesn't make it so!
And I don't mind,
Removing myself.
With a dignity I command...
And walking out your door!
Never to return anymore!
Leaving me and you too,
With an understanding of who I am...
If and when I should come around again,
And a common sense by then is found.
Hopefully!
poem by Lawrence S. Pertillar
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Prude and Quite Priggish
To an obnoxious degree,
They point out irritations and observances
To what they find offensive.
Those who qualify themselves,
The 'Censors' of what is wrong or right.
As they delight in prude and quite priggish behavior.
Immaculate births did not welcome these jerks.
Morons of societies bleeding from the darkened shadows
Of their sluttish whims.
And they have the nerve to elect...
What is good for them,
And their ill bred disrespecting lawless children!
Prude and quite priggish these snobs of moltened characters.
Sliding they do in cesspools oiled by their soiled deeds!
Making attempts to hold onto standards...
And values they flaunt but themselves disbelieve.
Although they wish to restrict those who do not uphold them!
And such nonsense is pomped with medieval circumstance!
poem by Lawrence S. Pertillar
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Venus
'Venus! It's you! '
'You recognize me? '
'Anywhere! Is that your Meryl Streep look? '
'Very funny.'
'How did you get here? '
'Why, I took the train. It's the fastest way, you know.'
'But you're naked! '
'Oh, so I am. One should always travel comfortably, I believe.'
'You can't just go walking around town naked! -
not in January, anyway. Even you! '
'Don't be such a prude.'
'I'm not a prude! You'll catch pneumonia. You'll get arrested! '
'Nobody complained.'
'Look-you can wear your clothes lightly, but you can't go naked.'
'In my part of the world everybody does.'
'You're too much. That was a long time ago. Things change! '
'What do you mean, change? '
'Well, nowadays we've got-
'Got what? ...'
'Religion!
'Humbuggery! All of it! Forget it! '
'What! How can you say that? '
'Easy. Religion owes its very existence to me. You sound like someone else I know. Let me tell you.....
poem by Morgan Michaels
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Canto the Eighth
I
Oh blood and thunder! and oh blood and wounds!
These are but vulgar oaths, as you may deem,
Too gentle reader! and most shocking sounds:
And so they are; yet thus is Glory's dream
Unriddled, and as my true Muse expounds
At present such things, since they are her theme,
So be they her inspirers! Call them Mars,
Bellona, what you will -- they mean but wars.
II
All was prepared -- the fire, the sword, the men
To wield them in their terrible array.
The army, like a lion from his den,
March'd forth with nerve and sinews bent to slay, --
A human Hydra, issuing from its fen
To breathe destruction on its winding way,
Whose heads were heroes, which cut off in vain
Immediately in others grew again.
III
History can only take things in the gross;
But could we know them in detail, perchance
In balancing the profit and the loss,
War's merit it by no means might enhance,
To waste so much gold for a little dross,
As hath been done, mere conquest to advance.
The drying up a single tear has more
Of honest fame, than shedding seas of gore.
IV
And why? -- because it brings self-approbation;
Whereas the other, after all its glare,
Shouts, bridges, arches, pensions from a nation,
Which (it may be) has not much left to spare,
A higher title, or a loftier station,
Though they may make Corruption gape or stare,
Yet, in the end, except in Freedom's battles,
Are nothing but a child of Murder's rattles.
V
And such they are -- and such they will be found:
Not so Leonidas and Washington,
Whose every battle-field is holy ground,
Which breathes of nations saved, not worlds undone.
How sweetly on the ear such echoes sound!
While the mere victor's may appal or stun
The servile and the vain, such names will be
A watchword till the future shall be free.
[...] Read more
poem by Byron from Don Juan (1824)
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Canto the Twelfth
I
Of all the barbarous middle ages, that
Which is most barbarous is the middle age
Of man; it is -- I really scarce know what;
But when we hover between fool and sage,
And don't know justly what we would be at --
A period something like a printed page,
Black letter upon foolscap, while our hair
Grows grizzled, and we are not what we were; --
II
Too old for youth, -- too young, at thirty-five,
To herd with boys, or hoard with good threescore, --
I wonder people should be left alive;
But since they are, that epoch is a bore:
Love lingers still, although 't were late to wive;
And as for other love, the illusion's o'er;
And money, that most pure imagination,
Gleams only through the dawn of its creation.
III
O Gold! Why call we misers miserable?
Theirs is the pleasure that can never pall;
Theirs is the best bower anchor, the chain cable
Which holds fast other pleasures great and small.
Ye who but see the saving man at table,
And scorn his temperate board, as none at all,
And wonder how the wealthy can be sparing,
Know not what visions spring from each cheese-paring.
IV
Love or lust makes man sick, and wine much sicker;
Ambition rends, and gaming gains a loss;
But making money, slowly first, then quicker,
And adding still a little through each cross
(Which will come over things), beats love or liquor,
The gamester's counter, or the statesman's dross.
O Gold! I still prefer thee unto paper,
Which makes bank credit like a bank of vapour.
V
Who hold the balance of the world? Who reign
O'er congress, whether royalist or liberal?
Who rouse the shirtless patriots of Spain? [*]
(That make old Europe's journals squeak and gibber all.)
Who keep the world, both old and new, in pain
Or pleasure? Who make politics run glibber all?
The shade of Buonaparte's noble daring? --
Jew Rothschild, and his fellow-Christian, Baring.
[...] Read more
poem by Byron from Don Juan (1824)
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I would never describe Charlotte as a prude - maybe at the start, but that was in comparison to the other girls. She wasn't willing to do the stuff they were doing - and I mean, thank goodness!
quote by Kristin Davis
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I'm not a prude. On the set, they called me 'Butt Naked.'
quote by Cuba Gooding, Jr.
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The Rape of the Lock: Canto 4
But anxious cares the pensive nymph oppress'd,
And secret passions labour'd in her breast.
Not youthful kings in battle seiz'd alive,
Not scornful virgins who their charms survive,
Not ardent lovers robb'd of all their bliss,
Not ancient ladies when refus'd a kiss,
Not tyrants fierce that unrepenting die,
Not Cynthia when her manteau's pinn'd awry,
E'er felt such rage, resentment, and despair,
As thou, sad virgin! for thy ravish'd hair.
For, that sad moment, when the Sylphs withdrew,
And Ariel weeping from Belinda flew,
Umbriel, a dusky, melancholy sprite,
As ever sullied the fair face of light,
Down to the central earth, his proper scene,
Repair'd to search the gloomy cave of Spleen.
Swift on his sooty pinions flits the Gnome,
And in a vapour reach'd the dismal dome.
No cheerful breeze this sullen region knows,
The dreaded East is all the wind that blows.
Here, in a grotto, shelter'd close from air,
And screen'd in shades from day's detested glare,
She sighs for ever on her pensive bed,
Pain at her side, and Megrim at her head.
Two handmaids wait the throne: alike in place,
But diff'ring far in figure and in face.
Here stood Ill Nature like an ancient maid,
Her wrinkled form in black and white array'd;
With store of pray'rs, for mornings, nights, and noons,
Her hand is fill'd; her bosom with lampoons.
There Affectation, with a sickly mien,
Shows in her cheek the roses of eighteen,
Practis'd to lisp, and hang the head aside,
Faints into airs, and languishes with pride,
On the rich quilt sinks with becoming woe,
Wrapp'd in a gown, for sickness, and for show.
The fair ones feel such maladies as these,
When each new night-dress gives a new disease.
A constant vapour o'er the palace flies;
Strange phantoms, rising as the mists arise;
Dreadful, as hermit's dreams in haunted shades,
Or bright, as visions of expiring maids.
Now glaring fiends, and snakes on rolling spires,
Pale spectres, gaping tombs, and purple fires:
Now lakes of liquid gold, Elysian scenes,
[...] Read more
poem by Alexander Pope
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The Foot-Hill Resort
Assembled in the parlor
Of the place of last resort,
The smiler and the snarler
And the guests of every sort
The elocution chap
With rhetoric on tap;
The mimic and the funny dog;
The social sponge; the money-hog;
Vulgarian and dude;
And the prude;
The adiposing dame
With pimply face aflame;
The kitten-playful virgin
Vergin' on to fifty years;
The solemn-looking sturgeon
Of a firm of auctioneers;
The widower flirtatious;
The widow all too gracious;
The man with a proboscis and a sepulcher beneath.
One assassin picks the banjo, and another picks his teeth.
poem by Ambrose Bierce
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Marry Me
I cant help that I like to be kissed
And I wouldnt mind if my name changed to mrs.
This is one side, my conventional side
My attraction to tradition
My vintage disposition
My sincere architecture
And I want to cook him dinner
But Im more indecisive than ever
And who believes in forever
Who will be the one to marry me?
A girl in the world barking up the wrong tree
A creature conditioned to employ matrimony
Crumbling continuity, I pick up the pieces
The ceremony makes me zealous
As the past quickly ceases
Fear from being neutered
Im now prude, now defensive
Quickly Im altered and tempted by new love only rented
Do you believe youll marry me?
You might be the one to marry me
Back, looking back, looking back at me
Im not how I used to be
Take me back, take me back into history
Diamond ring, tie me down, just like it used to be
Who will be the one to marry me?
Who will be the one to marry me?
song performed by Gwen Stefani
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To the same (Mr. L-----) I
Dear Sir, when late in town you chose
To correspond no more in prose,
My viscious muse---(but 'tis in vain
Of her abuses to complain)---
Neglects to aid, as I expected,
And so I must be self-directed.
You've broke th' agreement, Sir, I find;
(Excuse me, I must speak my mind)
It seems, in your poetic fit,
You mind not jingling, when there's wit;
And so to write like Donne you chose,
Whose prose was verse, and verse was prose:
From common tracts of rhyming stray,
And versify another way.
Indeed it suits, I must aver,
A genius to be singular.
On F---r kept in durance vile,
Did once more erring fortune smile:
Again he would extend his ray,
And shine his riches all away.
Birch said, (and what he said I sing)
'A shilling is a serious thing;'
But like Icarus, F---r springs,
Where suns dissolv'd his waxen wings:
No more the wings his weight sustain,
He plunges headlong in the main:
The shades of death steal o'er his eyes;
And to black Styx the spirit flies.
Life is a grand vicissitude
Of pain and health, of ill and good:
Your goose now mourns a murder'd mate,
(Attend while I the fact relate)
He chanc'd upon a cloudless morn,
To wander in our neighbour's corn;
Perhaps he thought all lands were free,
And none had private property;
Or sure he ne'er had trod the plain,
And pick'd, like Eve, forbidden grain:
Careless he fed, in graceful ease
And sweet simplicity of geese.
Ill-fated bird! he there was kill'd
By man, the tyrant of the field.
His widow's wing, Oh dire relation!
Next underwent sad amputation:
Weep not, dear Sir, at this abuse;
[...] Read more
poem by Ann Eliza Bleecker from The Posthumous Works of Ann Eliza Bleecker
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The Disciples
"To Lionel Engers-Kennedy: to the memory of Hargrave Jennings: and
to A. C. W. G. and H. E. H."
Beneath the vine tree and the fig
Where mortal cares may not intrude,
On melon and on sucking pig
Although their brains are bright and big
Banquet the Great White Brotherhood.
Among the fountains and the trees
That fringed his garden's glowing border,
At sunset walked, and, in the breeze
With his disciples, took his ease
An Adept of the Holy Order.
"My children," Said the holy man,
"Once more I'm willing to unmask me.
This is my birthday; and my plan
Is to bestow on you (I can)
Whatever favour you may ask me."
Nor curiosity nor greed
Brought these disciples to disaster;
For, being very wise indeed,
The adolescents all agreed
To ask His Secret of the Master.
With the "aplomb" and "savoir faire"
Peculiar to Eastern races,
He took the secret then and there
(What, is not lawful to declare),
And thrust it rudely in their faces.
"A filthy insult!" screamed the first;
The second smiled, "Ingenious blind!"
The youngest neither blessed nor cursed,
Contented to believe the worst -
That He had spoken all his mind!
The second earned the name of prig,
The first the epithet of prude;
The third, as merry as a grig,
On melon and on sucking pig
Feasts with the Great White Brotherhood.
poem by Aleister Crowley
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Richard of Almaigne
A ballad made by one of the adherents to Simon de Montfort, Earl of Leicester, soon after the battle of Lewes, which was fought May 14, 1264.
Sitteth alle stille, ant herkneth to me;
The Kyng of Alemaigne, bi mi leaute,
Thritti thousent pound askede he
For te make the pees in the countre,
Ant so he dude more.
Richard, thah thou he ever trichard,
Trichthen shalt thou never more.
Richard of Alemaigne, whil that he wes kying,
He spende al is tresour opon swyvyng,
Haveth he nout of Walingford oferlyng,
Let him habbe, ase he brew, bale to dryng,
Maugre Windesore,
Richard, thah thou he ever trichard,
Trichthen shalt thou never more.
The Kyng of Alemaigne wende do ful wel,
He saisede the mulne for a castel,
With hare sharpe swerdes he grounde the stel,
He wende that the sayles were mangonel
To helpe Wyndesore.
Richard, thah thou he ever trichard,
Trichthen shalt thou never more.
The Kyng of Alemaigne gederede ys host,
Makede him a castel of a mulne post,
Wende with is prude, ant is muchele bost,
Brohte from Alemayne mony sori gost
To store Wyndesore.
Richard, thah thou he ever trichard,
Trichthen shalt thou never more.
By God, that is aboven ous, he dude muche synne,
That lette passen over see the Erl of Warynne:
He hath robbed Engelond, the mores, ant th fenne,
The gold, ant the selver, and y-boren henne,
For love of Wyndesore.
Richard, thah thou he ever trichard,
Trichthen shalt thou never more.
Sire Simond de Mountfort hath suore bi ys chyn,
Hevede he nou here the Erl of Waryn,
Shuld he never more come to is yn,
Ne with held, ne with spere, ne with other gyn,
To help of Wyndesore.
Richard, thah thou he ever trichard,
Trichthen shalt thou never more.
[...] Read more
poem by Anonymous Olde English
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Coming Home
Five minutes here, and they must steal two more!
shameful! Here have I been five mortal years
and not seen home nor one dear kindred face,
and these abominable slugs, this guard,
this driver, porters--what are they about?--
keep us here motionless, two minutes, three.--
Aha! at last!
Good! We shall check our minutes;
we're flying after them, like a mad wind
chasing the leaves it has tossed on in front.
Oh glorious wild speed, what giants' play!
and there are men who tell us poetry
is dead where railways come! Maybe 'tis true,
I'm a bad judge, I've had scant reading time
and little will to read ...... and certainly
I've not found railways in what verse I know:
but there's a whizz and whirr as trains go by,
a bullet-like indomitable rush
and then all's done, which makes me often think
one of those men who found out poetry,
and had to write the things just that they saw,
would have made some of their fine crashing lines
that stir one like the marches one knows best,
and the enemy knows best, with trains in them
as easily as chariots.
Anyhow
I've poetry and music too to-day
in the very clatter: it goes "Home, home, home."
And they'll think that sharp shriek a kinder sound
than sweetest singing, when it presently
pierces the quiet of the night and sends
its eager shrillness on for miles before
to say I'm no time distant. I can see
my mother's soft pink cheeks (like roses, pale
after a June week's blooming,) flush and wan,
and her lip quiver; I can see the girls,
restless between the hall door and the clock,
hear it and hush and lean expectant heads
to catch the rattle of the coming train;
my father, sitting pshawing by the fire
at all the fuss and waiting, half start up,
dropping his Times, forgetful just so long
that he is not impatient like the rest,
the tender foolish women, and, alert
to hide how he was tempted to fuss too,
reseat himself intent on politics;
and Hugh--I think Hugh must be there with them,
[...] Read more
poem by Augusta Davies Webster
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The Rosciad
Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.
Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,
[...] Read more
poem by Charles Churchill
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The Rape of the Lock: Canto 1
Nolueram, Belinda, tuos violare capillos;
Sedjuvat, hoc precibus me tribuisse tuis.
(Martial, Epigrams 12.84)
What dire offence from am'rous causes springs,
What mighty contests rise from trivial things,
I sing--This verse to Caryl, Muse! is due:
This, ev'n Belinda may vouchsafe to view:
Slight is the subject, but not so the praise,
If she inspire, and he approve my lays.
Say what strange motive, Goddess! could compel
A well-bred lord t' assault a gentle belle?
O say what stranger cause, yet unexplor'd,
Could make a gentle belle reject a lord?
In tasks so bold, can little men engage,
And in soft bosoms dwells such mighty rage?
Sol thro' white curtains shot a tim'rous ray,
And op'd those eyes that must eclipse the day;
Now lap-dogs give themselves the rousing shake,
And sleepless lovers, just at twelve, awake:
Thrice rung the bell, the slipper knock'd the ground,
And the press'd watch return'd a silver sound.
Belinda still her downy pillow press'd,
Her guardian sylph prolong'd the balmy rest:
'Twas he had summon'd to her silent bed
The morning dream that hover'd o'er her head;
A youth more glitt'ring than a birthnight beau,
(That ev'n in slumber caus'd her cheek to glow)
Seem'd to her ear his winning lips to lay,
And thus in whispers said, or seem'd to say.
"Fairest of mortals, thou distinguish'd care
Of thousand bright inhabitants of air!
If e'er one vision touch'd thy infant thought,
Of all the nurse and all the priest have taught,
Of airy elves by moonlight shadows seen,
The silver token, and the circled green,
Or virgins visited by angel pow'rs,
With golden crowns and wreaths of heav'nly flow'rs,
Hear and believe! thy own importance know,
Nor bound thy narrow views to things below.
Some secret truths from learned pride conceal'd,
To maids alone and children are reveal'd:
What tho' no credit doubting wits may give?
The fair and innocent shall still believe.
Know then, unnumber'd spirits round thee fly,
The light militia of the lower sky;
These, though unseen, are ever on theg,
Hang o'er the box, and hover round the Ring.
Think what an equipage thou hast in air,
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poem by Alexander Pope
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Tale XI
ARABELLA.
Of a fair town where Doctor Rack was guide,
His only daughter was the boast and pride -
Wise Arabella, yet not wise alone,
She like a bright and polish'd brilliant shone;
Her father own'd her for his prop and stay,
Able to guide, yet willing to obey;
Pleased with her learning while discourse could
please,
And with her love in languor and disease:
To every mother were her virtues known,
And to their daughters as a pattern shown;
Who in her youth had all that age requires,
And with her prudence all that youth admires:
These odious praises made the damsels try
Not to obtain such merits, but deny;
For, whatsoever wise mammas might say,
To guide a daughter, this was not the way;
From such applause disdain and anger rise,
And envy lives where emulation dies.
In all his strength contends the noble horse
With one who just precedes him on the course,
But when the rival flies too far before,
His spirit fails, and he attempts no more.
This reasoning Maid, above her sex's dread,
Had dared to read, and dared to say she read;
Not the last novel, not the new-born play;
Not the mere trash and scandal of the day;
But (though her young companions felt the shock)
She studied Berkeley, Bacon, Hobbes and Locke:
Her mind within the maze of history dwelt,
And of the moral Muse the beauty felt;
The merits of the Roman page she knew,
And could converse with More and Montague:
Thus she became the wonder of the town,
From that she reap'd, to that she gave renown;
And strangers coming, all were taught t'admire
The learned lady, and the lofty spire.
Thus fame in public fix'd the Maid where all
Might throw their darts, and see the idol fall:
A hundred arrows came with vengeance keen,
From tongues envenom'd, and from arms unseen;
A thousand eyes were fix'd upon the place,
That, if she fell, she might not fly disgrace:
But malice vainly throws the poison'd dart,
Unless our frailty shows the peccant part;
And Arabella still preserved her name
Untouch'd, and shone with undisputed fame;
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poem by George Crabbe
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