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How could I get up there and say, 'People, we've got to do better,' when I was the poster child for everything that was wrong? I've always believed leaders don't ask others to do what they're unwilling to do.

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Song of Wink Star

The Song of Wink Star
a happy story for children of all ages
story and text © Raj Arumugam, June 2008

☼ ☼

☼ Preamble

Come…children all, children of all ages…sit close and listen…
Come and listen to this happy story of the stars and of life…
Come children of the universe, children of all nations and of all races, and of all climates and of all kinds of space and dimensions and universes…
Come, dearest children of all beings of the living universe, come and listen to The Song of Wink Star…

Come and listen to this story, this happy story…listen, as the story itself sings to you…

Sit close then, and listen to the story that was not made by any, or written by a poet, or fashioned by grandfathers and grandmothers warming themselves at the fire of burning stars…

O dearest children all, come and listen to the story that lives
of itself, and that glows bright and happy….

Come…children all, children of all ages, come and listen to this happy story, the story so natural and smooth as life, as it sings itself to you….


The Song of Wink Star
a happy story for children of all ages


☼ 1


Night Child, always so light and gentle, slept on a flower.
And every night, before he went to sleep, he would look up at the sky.
He would look at the eastern corner, five o’clock.

And there he would see all the stars in near and distant galaxies that were only visible to the People of Star Eyes.

Night Child was one of the People of Star Eyes. And so he could see the stars. And of all the stars he could see, he loved to watch Wink Star.

Wink Star twinkled and winked and laughed.
Every night Wink Star did that. Winked and laughed.

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U R Wrong

u were wrong... so wrong.. uh uh uh huh uh.
u were wrong dead wrong.. uh uh uh whoaaaaaaa
Girl U R said your wrong wrong said your wrong wrong
Girl U R said your wrong wrong said your wrong wrong
verse1: can i take you back to happy times..
oh oh oh uh oh
everyday was paradise.. dinner and candle lights
oh oh oh uh oh
i never thought you'd change i didn't expect no games
i wanted you to bare my child i wanted you to have my last name
now we was right we was wrong
i really don't care cuz i gotta move one
i'm gone be a man about it
the headache i can live without it
chorus: Girl (you act so shady) U (spend all of my paper R ( one heck of a lady) said ur wrong wrong said ur wrong wrong
Girl ( i don't codone it ) U ( and you can't erase it) R (one heck of a lady) said ur wrong wrong said your wrong wrong
Girl ( u tired to play) U (had a house and a baby) R ( one heck of a lady) said ur wrong wrong said ur wrong wrong
Girl ( u were wrong ) u( so wrong ) R (dead wrong said your wrong wrong wrong wrong wrong.
verse2: now i admit sometime i make mistakes..
oh oh oh mmmhmmmm
the responsibility of this household was your to take
"well"
i gave you the keys to the range.. broke you off a lil bit of change
ain't no need to explain.. your gonna miss a good thang
and when it's gone away i ain't got time to play
women you had a chance a chance to stay baby baby
chorus: Girl (you act so shady) U (spend all of my paper R ( one heck of a lady) said ur wrong wrong said ur wrong wrong
Girl ( i don't codone it ) U ( and you can't erase it) R (one heck of a lady) said ur wrong wrong said your wrong wrong
Girl ( u tired to play) U (had a house and a baby) R ( one heck of a lady) said ur wrong wrong said ur wrong wrong
Girl ( u were wrong ) u( so wrong ) R (dead wrong said your wrong wrong wrong wrong wrong.
i picked you up when you were down( when your luck ran out.. baby yes i did)
i took you in when theyput you out ( do you remember that cold monday morning?)
i treated you kids like they was mine( i ain't even they real damn daddynononnono )
when you were dim i made you shine( i was the diamond in your life baby)
chorus: Girl ( girl) u (u) R ( are) wrong wrong wrong wrong
Girl ( girl) u (u) R ( are) wrong wrong wrong wrong
Girl ( girl) u (u) R ( are) wrong wrong wrong wrong
Girl ( girl) u (u) R ( are) wrong wrong wrong wrong
can i break it down fora mineut baby
tell you.. why your wrong
you were wrong staying out all night
coming in sloppy drunk baby
and you were wrong for letting your friend direct your mind
and you were wrong for running up my credit card
and you were wrong for everything you've done to me.
(chorus)
ain't no explination this time.

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

[...] Read more

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King Solomon And The Queen Of Sheba

(A Poem Game.)

And when the Queen of Sheba heard of the fame of Solomon, . . .
she came to prove him with hard questions.”


[The men’s leader rises as he sees the Queen unveiling
and approaching a position that gives her half of the stage.]

Men’s Leader: The Queen of Sheba came to see King Solomon.
[He bows three times.]
I was King Solomon,
I was King Solomon,
I was King Solomon.

[She bows three times.]
Women’s Leader: I was the Queen,
I was the Queen,
I was the Queen.

Both Leaders: We will be king and queen,
[They stand together stretching their hands over the land.]
Reigning on mountains green,
Happy and free
For ten thousand years.

[They stagger forward as though carrying a yoke together.]
Both Leaders: King Solomon he had four hundred oxen.

Congregation: We were the oxen.

[Here King and Queen pause at the footlights.]
Both Leaders: You shall feel goads no more.
[They walk backward, throwing off the yoke and rejoicing.]
Walk dreadful roads no more,
Free from your loads
For ten thousand years.

[The men’s leader goes forward, the women’s leader dances round him.]
Both Leaders: King Solomon he had four hundred sweethearts.

[Here he pauses at the footlights.]
Congregation: We were the sweethearts.

[He walks backward. Both clap their hands to the measure.]
Both Leaders: You shall dance round again,
You shall dance round again,
Cymbals shall sound again,
Cymbals shall sound again,
[The Queen appears to gather wildflowers.]

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The Booker Washington Trilogy

I. A NEGRO SERMON:—SIMON LEGREE

(To be read in your own variety of negro dialect.)


Legree's big house was white and green.
His cotton-fields were the best to be seen.
He had strong horses and opulent cattle,
And bloodhounds bold, with chains that would rattle.
His garret was full of curious things:
Books of magic, bags of gold,
And rabbits' feet on long twine strings.
But he went down to the Devil.

Legree he sported a brass-buttoned coat,
A snake-skin necktie, a blood-red shirt.
Legree he had a beard like a goat,
And a thick hairy neck, and eyes like dirt.
His puffed-out cheeks were fish-belly white,
He had great long teeth, and an appetite.
He ate raw meat, 'most every meal,
And rolled his eyes till the cat would squeal.

His fist was an enormous size
To mash poor niggers that told him lies:
He was surely a witch-man in disguise.
But he went down to the Devil.

He wore hip-boots, and would wade all day
To capture his slaves that had fled away.
But he went down to the Devil.

He beat poor Uncle Tom to death
Who prayed for Legree with his last breath.
Then Uncle Tom to Eva flew,
To the high sanctoriums bright and new;
And Simon Legree stared up beneath,
And cracked his heels, and ground his teeth:
And went down to the Devil.

He crossed the yard in the storm and gloom;
He went into his grand front room.
He said, "I killed him, and I don't care."
He kicked a hound, he gave a swear;
He tightened his belt, he took a lamp,
Went down cellar to the webs and damp.
There in the middle of the mouldy floor
He heaved up a slab, he found a door —
And went down to the Devil.

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Harpua

Om-pa-pa oom-pa-pa oom-pa-pa oom-pa-paaaaa
Fat sweaty bulldog
Stood in the sun
Stone village swamp man
Slow motion run
Tender poke police walker
Precious birthday fudge
Swamp night bull nail
Walker done done
Hot sweaty bulldog stood in the sunthen -
stone village swamp man (is doing a)
slow motion runhere comes the policeman:
tender poke police walkerwhom the dog and the man see as:
precious birthday fudgethen -
swamp night (the man)
bull nail (the dog - the bulldog's claw)
kill the policeman:
walker done done
Me and Harpua
We couldn't care few-a
It happens all the time
We beat Okimo
(Repeat Chorus)
Hot liquor stone jack
Bitter toothless flesh
Shabby pimple chin-slime
Evil milky rash
Me and Harpua
Spastic dead-eyed hound
Oozing dreadlock skullcap
We're coming to your town
We'll help you party down
(Chorus 2x)
Spoken by Trey [with asides by Fishman]:
Once upon a time Far far away from here
There, in a small town...
a small town...
small town...
small...
And on the outskirts of this town
there lived a mean, nasty, furry, ugly hound named Harpua.
Harpua roamed the outskirts of the town every day and he'd walk around looking for a little action.
So of course this day was no different from any other day and here we start the story and we see Harpua walking around on the outskirts of town near the forest kind of at the edge of the forest and he's walking in toward town...
Harpua walked toward the town...
innocently...
And meanwhile in the town...
in a whole different part of the town
there lived a young boy all alone in a suburban neighborhood
and every day he'd sit in his room
and sit on his little couch [AND SMOKE POT!]...

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Song Of Being A Child

When the child was a child
It walked with arms hanging
Wanted the stream to be a river and the river a torrent
And this puddle, the sea
When the child was a child, it didnt know
It was a child
Everything for it was filled with life and all life was one
Saw the horizon without trying to reach it
Couldnt rush itself and think on command
Was often terribly bored
And couldnt wait
Passed up greeting the moments
And prayed only with its lips
When the child was a child
It didnt have an opinion about a thing
Had no habits
Often sat crossed-legged, took off running
Had a cow lick in its hair
And didnt put on a face when photographed
When the child was a child
It was the time of the following questions
Why am I me and why not you
Why am I here and why not there
Why did time begin and where does space end
Isnt what I see and hear and smell
Just the appearance of the world in front of the world
Isnt life under the sun just a dream
Does evil actually exist in people
Who really are evil
Why cant it be that I who am
Wasnt before I was
And that sometime i, the i, I am
No longer will be the i, I am
When the child was a child
It gagged on spinach, on peas, on rice pudding
And on steamed cauliflower
And now eats all of it and not just because it has to
When the child was a child
It woke up once in a strange bed
And now time and time again
Many people seem beautiful to it
And now not so many and now only if its lucky
It had a precise picture of paradise
And now can only vaguely conceive of it at best
It couldnt imagine nothingness
And today shudders in the face of it
Go for the ball
Which today rolls between its legs
With its Im here it came
Into the house which now is empty

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Elizabeth Barrett Browning

Sixth Book

THE English have a scornful insular way
Of calling the French light. The levity
Is in the judgment only, which yet stands;
For say a foolish thing but oft enough,
(And here's the secret of a hundred creeds,–
Men get opinions as boys learn to spell,
By re-iteration chiefly) the same thing
Shall pass at least for absolutely wise,
And not with fools exclusively. And so,
We say the French are light, as if we said
The cat mews, or the milch-cow gives us milk:
Say rather, cats are milked, and milch cows mew,
For what is lightness but inconsequence,
Vague fluctuation 'twixt effect and cause,
Compelled by neither? Is a bullet light,
That dashes from the gun-mouth, while the eye
Winks, and the heart beats one, to flatten itself
To a wafer on the white speck on a wall
A hundred paces off? Even so direct,
So sternly undivertible of aim,
Is this French people.
All idealists
Too absolute and earnest, with them all
The idea of a knife cuts real flesh;
And still, devouring the safe interval
Which Nature placed between the thought and act,
They threaten conflagration to the world
And rush with most unscrupulous logic on
Impossible practice. Set your orators
To blow upon them with loud windy mouths
Through watchword phrases, jest or sentiment,
Which drive our burley brutal English mobs
Like so much chaff, whichever way they blow,–
This light French people will not thus be driven.
They turn indeed; but then they turn upon
Some central pivot of their thought and choice,
And veer out by the force of holding fast.
That's hard to understand, for Englishmen
Unused to abstract questions, and untrained
To trace the involutions, valve by valve,
In each orbed bulb-root of a general truth,
And mark what subtly fine integument
Divides opposed compartments. Freedom's self
Comes concrete to us, to be understood,
Fixed in a feudal form incarnately
To suit our ways of thought and reverence,
The special form, with us, being still the thing.
With us, I say, though I'm of Italy
My mother's birth and grave, by father's grave
And memory; let it be,–a poet's heart

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Child Molester

Note- I wanted to write something something darker and deeper then what I currently have been.

This is what came out.

Dark Rewrite of Britney Spear's Womanizer

Storyline-One woman takes the stand that no one else will to save her street from the unthinkable

Perverted neighbor
I know where you're from
I think it's best you get your twisted... going
Got more then just a clue what you're up to
You can play squeaky clean tp all the others gathered here
But I know what you really are, what you really are sickie

Look at you
Tryin' to act so on the up and up
Sickie, you
Got everyone else here fooled
But not me, oh no, not me
Fakin' like deep down you're a good one
Let's just lay our cards out on the table
Get it all out now
Call 'em like we both know 'em

Child molester, child-child molester
You're a child molester
Oh, child molester, oh you're a child molester, sickie
You-you know-you know you are
You-you know-you know you are
Child molester, child molester, child molester

Sicko, don't try stage that front
Oh no, no, not with me
Cos I know just-just what you are, ah, ah, what you are
Sicko, don't try to stage that front
Oh no, no, not with me
Cos I know just-just what you are, ah, ah, what you are
(Spoken) You got some kind of twisted game goin'
You got them all believin' you're so charmin'
But I won't let you keep on doin' it
You child molester

Sicko, don't try stage that front
Oh no, no, not with me
Cos I know just-just what you are, ah, ah, what you are
Sicko, don't try to stage that front
Oh no, no, not with me
Cos I know just-just what you are, ah, ah, what you are
(Spoken) You say I'm crazy

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Poster Girl

Yeah yeah yeah
Jodie was a long way from home
She could make alone look pretty
Her attitude made a part of the landscape
Riding her bike through Alphabet City
She likes to party in the backseat
Under the bridge on the Brooklyn side
Smoking cigarettes in the afterglow
Taking bets that the sun won't rise
She said, "what good is tomorrow without a guarantee?"
She can lick her lips and smile
And make you wanna believe
That the consequences of your actions really are just a game
That your life is just a chain reaction taking you day by day
She says nothing's forever in this crazy world
Still I'm falling in love with the right now poster girl
Right now right now
Oooh
Oh ohh
Jodie liked to shoplift in stores
Ride alongside the rich and famous
Get in elevators, press emergency stop
And make love on the floor 'til the camera made us
And no woman in the world ever made me feel like my heart's on fire
Where she'd walk I followed (followed)
When she left I cried
What good is tomorrow without a guarantee?
I was wrapped around her finger
And I began to believe
That the consequences of your actions really are just a game
That your life is just a chain reaction taking you day by day
She says nothing's forever in this crazy world
Still I'm falling in love with the right now poster girl
That the consequences of your actions really are just a game
That your life is just a chain reaction taking you day by day
She says nothing's forever in this crazy world (crazy world)
Still I'm falling in love with the right now poster girl
La la la la
La la la la
La la la la la (la la la la la)
La la la la
La la la la (la la la la)
La la la la la
Oh
Tell me what you want from me
I've got everything you need
It's getting hard for me to breathe
Let me be your guarantee
That the consequences of your actions really are just a game
That your life is just a chain reaction taking you day by day

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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

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I'll Do My Best To Deliver

Ask me for what you want.
Just ask me,
Ask me.
And make it anything,
You need...
From me.

Ask me for what you want.
Ask me for what you need,
And I'll do my best to deliver.
Ask me.
Just ask me.

Ask me for what you want.
Just ask me.
Ask me.
Ask me for anything,
And I will fullfill...
That need.

Ask me for what you want.
Ask me for what you need,
And I'll do my best to deliver.
Ask me.
Just ask me.
And I'll do my best to deliver.
Ask me.
Just ask me.

Oh ask me for what you want.
Ask me for what you need,
And I'll do my best to deliver.
Ask me.
Just ask me.
And I will do my best to deliver.
Ask me.
Just ask me.
And I'll do my best to deliver.
Ask me.
Just ask me.
And I will do my best to deliver.

Just ask me for what you want.
Just ask me for what you need,
And I will do my best to deliver.

Come thunderstorms, rain or shine...
That pressure you have will be taken right off your mind.
I will do my best to deliver.
Just ask me...

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

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Right The Wrong

An indian woman buried her grampa in the black hills
When she was young he used to tell her
That these hills belonged to her still
And even though injustice took them hills away
One day well get them back, he said
And the suns gonna shine that day
When we say, right the wrong
Before she laid him down to rest
She heard his voice in the wilderness
Sayin I got six feet of it back
And now we can right the wrong
Right the wrong
Hear the song
Before long u wont hear nothin but the crackle of flames
Right the wrong
Hear the song
Would u rather die knowing that u did or keep living in shame
Did you hear the one about the boy just 17
Three years hard time for stealing ice cream
First offence and all his dreams are gone
How long before they right the wrong?
Right the wrong
Hear the song
Before long u wont hear nothin but the crackle of flames
Right the wrong
Hear the song
Would u rather die knowing that u did or keep living in shame
Right the wrong
2, 3, uh
1, 2, 1-2, come on
(right the wrong baby)
Far be it from me to say
It seem like we could stop the flow of snow in the sky today
But I guess the weather man he likes the rain
Aint that insane
Now sing
Right the wrong
Hear the song
Before long u wont hear nothin but the crackle of flames
Right the wrong
Hear the song
Would u rather die knowing that u did or keep living in shame?
(come on, come on, come on)
Did you hear me baby?
Right the wrong
Im 6 feet in the grave
Im 6 feet in the grave
(right right, right right)
(right the wrong right the wrong)
(right the wrong right the wrong)

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I Believed You

I believed you
I believed you
Now its up to me
I believed you
I believed you
Now its up to me
I believed what you said
The lovin days were through
But you were fooling around
I found somebody who,
Will never never take your place
Will never give me your embrace
But now that youve shown your face
Youve broken her heart too.
I believed you
I believed you
Now its up to me
I believed you
I believed you
Now its up to me
Now what am I to do?
Now that you want me so
I just cant leave her blue
Or else Ill be alone
Well I just cant leave her now
It wouldnt be fair somehow
She loved me when my luck was down
Now youve broken her heart too
I believed you
I believed you
Now its up to me
I believed you
I believed you
Now its up to me
Now what am I to do?
Now that you want me so
I just cant leave her blue
Or else Ill be alone
Well I just cant leave her now
It wouldnt be fair somehow
She loved me when my luck was down
Now youve broken her heart too
I believed you
I believed you
Now its up to me
I believed you
I believed you
Now its up to me

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The Story Of Nevermore

now I cast a hypnotic spell
to free a child from her hell
surrender now child fall deep in my spell
just come to me child and all will be well

rise now child in sleep you now come
walk now child thought your scenes stay numb
fall now child in to a peaceful dream
but nothing there is as it seems

even thought child in you dream all is right
really your body walks still throw the night
relax now child let that dream ease your mind
follow now child let my voice be your guild

dont worry child my intentions are pure
you’ll be happy with me of that I am sure
I’m just so tired of being alone
I want a child all of my own

so sleepwalk now child to the pull of my charm
sleepwalk to me child you’ll be safe in my arms
nevermore child shall you cry out in pain
your old life will be lost but a new one will be gained

sleepwalk to me child you’ll be my daughter soon
find your way to me child by the light of the moon
sleepwalk to me child and I’ll show you my ways
all the things I can show you; you’ll be amazed

sleepwalk to me child your almost here
come to me child soon all will be clear
sleepwalk to me child come meet your new mom
soon the whole world will rest in your palm

I see you now child I have you in sight
I run to you child now all is right
your eyes are dazed child unseeing and blank
I can see you now child what a great daughter you’ll make

come to me child collapse in my arms
come to me child you’re safe now from harm
I hold you now child and cradle you close to my heart
I hum to you child as I carry you throw the dark

were home now dear child far from all you ones knew
were home now dear child only one thing left to do
I made this child a special potion just for you
and with it your life begins anew

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Surfs Up

A diamond necklace played the pawn
Hand in hand some drummed along, oh
To a handsome man and baton
A blind class aristocracy
Back through the opera glass you see
The pit and the pendulum drawn
Columnated ruins domino
Canvass the town and brush the backdrop
Are you sleeping?
Hung velvet overtaken me
Dim chandelier awaken me
To a song dissolved in the dawn
The music hall a costly bow
The music all is lost for now
To a muted trumperter swan
Columnated ruins domino
Canvass the town and brush the backdrop
Are you sleeping, brother john?
Dove nested towers the hour was
Strike the street quicksilver moon
Carriage across the fog
Two-step to lamp lights cellar tune
The laughs come hard in auld lang syne
The glass was raised, the fired rose
The fullness of the wine, the dim last toasting
While at port adieu or die
A choke of grief hard hardened i
Beyond belief a broken man too tough to cry
Surfs up
Aboard a tidal wave
Come about hard and join
The young and often spring you gave
I heard the word
Wonderful thing
A childrens song
Child, child, child, child, child
A child is the father of the man
Child, child, child, child, child
A child is the father of the man
A childrens song
Have you listened as they played
Their song is love
And the children know the way
Thats why the child is the father to the man
Child, child, child, child, child
Child, child, child, child, child
Na na na na na na na na
Child, child, child, child, child
Thats why the child is the father to the man
Child, child, child, child, child

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Its Wrong Apartheid

The wretchedness of satans wrath
Will come to seize you at last
cause even he frowns upon the deeds you are doing
And you know deep in your heart
Youve no covenant with god
cause he would never countenance people abusing
You know apartheids wrong (qha), wrong (qha)
Like slavery was wrong (qha), wrong (qha)
Like the holocaust was wrong (qha), wrong (qha)
Apartheid is wrong (qha), wrong (qha), wrong
Its wrong (qha), wrong (qha), wrong (qha), wrong (qha)
Wrong (qha), wrong (qha), wrong (qha), wrong (qha)
The pain you cause in gods name
Points only to yourself to blame
For the negative karma you will be receiving
cause when people are oppressed
With atrocities that test
The future of all mankind we, the world wont stand seeing
You know apartheids wrong (qha), wrong (qha)
Like slavery was wrong (qha), wrong (qha)
Like the holocaust was wrong (qha), wrong (qha)
Apartheid is wrong (qha), its wrong (qha), wrong
Its wrong (qha), its wrong (qha), wrong (qha), wrong (qha)
Wrong (qha), wrong (qha), wrong (qha), wrong (qha)
Ubuqaba babo bucacile
Woqamba kuze kucace
Ngoba nosathane uyabugxeka
Lobuqaba
Oh, freedom is coming
(inkululeko iyeza)
Say it again
(inkululeko iyeza)
Hold on tight, its coming
(qinisani inkululeko iyeza)
(inkululeko iyeza)
Oh, the whole world is with us
(qinisani umhlaba wonke unathi)
Say it again
(umhlaba wonke unathi)
Hold on tight, cause were with you
(qinisani umhlaba wonke unathi)
(umhlaba wonke unathi)
Oh, oh, oh, freedom is coming, yeah, yeah, yeah,
(qinisani inkululeko iyeza)
(inkululeko iyeza)
Hold on tight, yeah
(qinisani inkululeko iyeza)
Freedom is coming
(inkululeko iyeza)
Hold on tight

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Elizabeth Barrett Browning

Second Book

TIMES followed one another. Came a morn
I stood upon the brink of twenty years,
And looked before and after, as I stood
Woman and artist,–either incomplete,
Both credulous of completion. There I held
The whole creation in my little cup,
And smiled with thirsty lips before I drank,
'Good health to you and me, sweet neighbour mine
And all these peoples.'
I was glad, that day;
The June was in me, with its multitudes
Of nightingales all singing in the dark,
And rosebuds reddening where the calyx split.
I felt so young, so strong, so sure of God!
So glad, I could not choose be very wise!
And, old at twenty, was inclined to pull
My childhood backward in a childish jest
To see the face of't once more, and farewell!
In which fantastic mood I bounded forth
At early morning,–would not wait so long
As even to snatch my bonnet by the strings,
But, brushing a green trail across the lawn
With my gown in the dew, took will and way
Among the acacias of the shrubberies,
To fly my fancies in the open air
And keep my birthday, till my aunt awoke
To stop good dreams. Meanwhile I murmured on,
As honeyed bees keep humming to themselves;
'The worthiest poets have remained uncrowned
Till death has bleached their foreheads to the bone,
And so with me it must be, unless I prove
Unworthy of the grand adversity,–
And certainly I would not fail so much.
What, therefore, if I crown myself to-day
In sport, not pride, to learn the feel of it,
Before my brows be numb as Dante's own
To all the tender pricking of such leaves?
Such leaves? what leaves?'
I pulled the branches down,
To choose from.
'Not the bay! I choose no bay;
The fates deny us if we are overbold:
Nor myrtle–which means chiefly love; and love
Is something awful which one dare not touch
So early o' mornings. This verbena strains
The point of passionate fragrance; and hard by,
This guelder rose, at far too slight a beck
Of the wind, will toss about her flower-apples.
Ah–there's my choice,–that ivy on the wall,
That headlong ivy! not a leaf will grow

[...] Read more

poem by from Aurora Leigh (1856)Report problemRelated quotes
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