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Amin managed to invite both the US and Soviet ambassadors to his palace at the very same time and then deliberately kept them together in his waiting room.

quote by Ryszard Kapuscinski
Added by Lucian Velea
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The White Rose of Stalingrad

Her nickname was Lilya.
In the Great Patriotic War
When Hitler’s armies invaded the Soviet Union
She became a Soviet air ace,
Known as the “White Rose of Stalingrad”.

Lydia Litvak was born
Into a Moscow Jewish family.
In 1935, at the age of 14, she joined a flight club
And a year later she had her first solo flight.
When the Germans attacked Russia,
Lilya joined the Soviet Air Force.

In the summer of 1942 she was assigned
To the 437th Combat Regiment
Fighting over the skies of Stalingrad.
At first the men were reluctant
To take her seriously
But soon it became evident
That she was an excellent pilot.

Lilya was a pensive and beautiful young woman
Who got into trouble because of deviating from
The prescribed dress code of the Soviet Air Force.
Once she cut off the fur lined trim of her boots,
Producing from it a fur collar for her flight suit.
She was jailed for the offense.

Nevertheless, her desire for expressing
Her feminine individuality was irrepressible
And she continued to design
Her own military outfit.
Among other things she bleached her hair.
Military regulations permitted this.

And then she took pieces of parachute silk,
Sewed them together,
Painted them in different colors
And wrapping them around her neck
She created her own air combat fashion.

Lilya flew a Yak-1 fighter plane,
Which she embellished in painting white roses
On its sides. She made her first kills
Of enemy planes on September 13,1942,
Shooting down two Luftwaffe aircrafts,
A Ju-88 and a Bf 109 G-2.

The German flyer of the downed Bf 109
Was Erwin Maier, a decorated combat pilot.

[...] Read more

poem by Paul Hartal
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I Am Waiting

I am waiting for my case to come up
and I am waiting
for a rebirth of wonder
and I am waiting
for someone to really discover America
and wail
and I am waiting
for the discovery
of a new symbolic western frontier
and I am waiting
for the American Eagle
to really spread its wings
and straighten up and fly right
and I am waiting
for the Age of Anxiety
to drop dead
and I am waiting
for the war to be fought
which will make the world safe
for anarchy
and I am waiting
for the final withering away
of all governments
and I am perpetually awaiting
a rebirth of wonder

I am waiting for the Second Coming
and I am waiting
for a religious revival
to sweep through the state of Arizona
and I am waiting
for the Grapes of Wrath to be stored
and I am waiting
for them to prove
that God is really American
and I am waiting
to see God on television
piped’ onto church altars
if only they can find
the right channel
to tune in on
and I am waiting
for the Last Supper to be served again
with a strange new appetizer
and I am perpetually awaiting
a rebirth of wonder

I am waiting for my number to be called
and I am waiting
for the Salvation Army to take over

[...] Read more

poem by Lawrence Ferlinghetti
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What You Waiting For?

What an amazing time.
What a family.
How did the years go by?
Now it's only me
Tick-tock
Tick-tock
Tick-tock
Tick-tock
Tick-tock
Tick-tock
Tick-tock
Tick-tock
La, la, la, la, la, la, la
Like a cat in heat stuck in a moving car
A scary conversation, shut my eyes, can't find the brake
What if they say that your a climber?
Naturally I'm worried if I do it alone
Who really cares cause it's your life?
You never know it could be great
Take a chance cause you might grow
Oh, oh ohhh
What you waiting
What you waiting
What you waiting
What you waiting
What you waiting for?
What you waiting
What you waiting
What you waiting
What you waiting
What you waiting for?
Tick-tock
Tick-tock
Tick-tock
Tick-tock
Take a chance you stupid hoe
Like an echo pedal you're repeating yourself.
You know it all by heart, why are you standing in one place?
Born to blossom, bloom to perish.
Your moment will run out 'cause of your sex chromosome.
I know its so messed how our society all thinks (for sure)
Life is short, your capable (uh-huh)
Oh, oh ohhh
Look at your watch now
You're still a super hot female
You got your million dollar contract
and they're all waiting for your hot track
What you waiting
What you waiting
What you waiting

[...] Read more

song performed by Gwen Stefani
Added by Lucian Velea
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Waiting For The Sunrise

Waiting for the sunrise,
Waiting for the sunrise,
Waiting for the sunrise,
Waiting for the sunrise,
So I can take your hand and stroll about.
Waiting for the sunrise,
Waiting for the sunrise,
Waiting for the sunrise,
Waiting for the sunrise,
So we can go on the streets and see the people smile.
Give me your hand,
So I could tell you that things will be alright.
The rooms still dark,
But it wont be so long,
And I can take you outside.
Waiting for the sunrise,
Waiting for the sunrise,
Waiting for the sunrise,
Waiting for the sunrise,
So we can go to the park and roll about.
Waiting for the sunrise,
Waiting for the sunrise,
Waiting for the sunrise,
Waiting for the sunrise,
So we can go to the docks and watch the boats go by.
Come on, love, give me your hand,
And things will be alright.
The rooms still cold,
But it wont be so long,
That we can go outside.
Waiting for the sunrise,
Waiting for the sunrise,
Waiting for the sunrise,
Waiting for the sunrise,
So I could see your hair shining in the air.
Waiting for the sunrise,
Waiting for the sunrise,
Waiting for the sunrise,
Waiting for the sunrise,
So I can see the sky reflected in your eyes.
Come on, love, dont be depressed,
Things will be alright.
The rooms too low,
But it wont be so long,
That we can be outside.
Waiting for the sunrise,
Waiting for the sunrise,
Waiting for the sunrise,
Waiting for the sunrise,
Waiting for the sunrise,

[...] Read more

song performed by Yoko Ono
Added by Lucian Velea
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II. Half-Rome

What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)

Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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A Pastoral Dialogue - I

Amintor. Stay gentle Nymph, nor so solic'tous be,
To fly his sight that still would gaze on thee.
With other Swaines I see thee oft converse,
Content to speak, and hear what they rehearse:
But I unhappy, when I e're draw nigh,
Thou streight do'st leave both Place, and Company.
If this thy Flight, from fear of Harm doth flow,
Ah, sure thou little of my Heart dost know.

Alinda. What wonder, Swain, if the Pursu'd by Flight,
Seeks to avoid the close Pursuers Sight?
And if no Cause I have to fly from thee,
Then thou hast none, why thou dost follow me.

Amin. If to the Cause thou wilt propitious prove,
Take it at once, fair Nymph, and know 'tis Love.

Alin. To my just Pray'r, ye favouring Gods attend,
These Vows to Heaven with equal Zeal I send,
My flocks from Wolves, my Heart from Love, defend.

Amin. The Gods which did on thee such Charms bestow,
Ne're meant thou shouldst to Love have prov'd a Foe,
That so Divine a Power thou shouldst defy.
Could there a Reason be, I'd ask thee, why?

Alin. Why does Licoris, once so bright and gay,
Pale as a Lilly pine her self away?
Why does Elvira, ever sad, frequent
The lonely shades? Why does yon Monument
Which we upon our Left Hand do behold,
Hapless Amintas youthful Limbs enfold?
Say Shepherd, say: But if thou wilt not tell,
Damon, Philisides, and Strephon well
Can speak the Cause, whose Falshood each upbraids,
And justly me from Cruel Love disswades.

Amin. Hear me ye Gods. Me and my Flocks forsake,
If e're like them my promis'd Faith I brake.

Alin. By others sad Experience wise I'le be,

Amin. But such thy Wisdom highly injures me:
And nought but Death can give a Remedy.
Ye Learn'd in Physick, what does it avail,
That you by Art (wherein ye never fail)
Present Relief have for the Mad-dogs Bite?
The Serpents sting? the poisonous Achonite?
While helpless Love upbraids your baffl'd skill,
And far more certain, than the rest, doth kill.

[...] Read more

poem by Anne Killigrew
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This Could Not Be The War We Fought In (Cavatina)

The new government talks down; they deceive
about winning
against us, the war in which we did fight;
the beginning
of this deceit is at primary school
and by sinning
they rewrite history to suit their lies,
to look brave in their supporters eyes.

We did destroy a Soviet controlled
Cuban army,
never lost any battle nor the war,
but liberty
given to their imprisoned leaders,
they are now free
to say whatever nonsense they want to,
in their actions atrocities to do.

Citizens did pay the ultimate price,
and went to war,
some died from cowardly terrorist acts,
as was in store;
some women and children were slaughtered
in blood and gore
by planted bombs, some in church mowed down,
in these things this government finds renown.

[References: 'The battle at Cuito Cuanavale: 'The results of the campaign up to April 1988 were 4,785 killed on the Cuban/Faplan side, with 94 tanks and hundreds of combat vehicles destroyed, against 31 South Africans killed in action,3 tanks destroyed (SADF tanks entered the war after the Lomba River campaign) and 11 SADF armoured cars and troop carriers lost. A total of 9 Migs were destroyed and only 1 SAAF Mirage shot down.' (General) Jannie Geldenhuys. (1994) : At the front. Jonathan Ball Publishers. P240.

'The South African force, under the command of Colonel Deon Ferreira, was tasked with carrying out three operations (1) Operation Modular - The aim of which was to halt and reverse the FAPLA / Cuban advance on the UNITA strongholds of Mavinga and Jamba, (2) Operation Hooper - The aim of which was to inflict maximum casualties on the retreating FAPLA / Cuban forces after they had been halted and (3) Operation Packer - The aim of which was to force the FAPLA / Cuban forces to retreat to the west of the Cuito River.' Nortje, Piet (2003) .32 Battalion. Zebra Press.

'In early October the Soviet-Fapla offensive was smashed at the Lomba River near Mavinga. It turned into a headlong retreat over the 120 miles back to the primary launching point at Cuito Cuanavale. In some of the bloodiest battles of the entire civil war, a combined force of some 8,000 UNITA fighters and 4,000 SADF troops destroyed one Fapla brigade and mauled several others out of a total Fapla force of some 18,000 engaged in the three-pronged offensive. Estimates of Fapla losses ranged upward of 4,000 killed and wounded. This offensive had been a Soviet conception from start to finish. Senior Soviet officers played a central role in its execution.... Huge quantities of Soviet equipment were destroyed or fell into UNITA and SADF hands when Fapla broke into a disorganized retreat... The 1987 military campaign represented a stunning humiliation for the Soviet Union, its arms and its strategy.... As of mid-November, the UNITA/SADF force had destroyed the Cuito Cuanavale airfield and pinned down thousands of FAPLA's best remaining units clinging onto the town's defensive perimeters.' Crocker, Chester A. (1992) High Noon in Southern Africa: Making Peace in a Rough Neighbourhood. (Crocker was U.S. Assistant Secretary of State for African Affairs during the Reagan Administration.)

John Turner claims that: 'following their losses, the Cubans were convinced that further military confrontation with the SADF would not succeed.' Turner, John W. (1998) . Continent Ablaze; The Insurgency Wars in Africa,1960 to the Present. Cassell Plc.

Comments made by a Soviet adviser to the Cubans in Angola: 'The people's armed forces for the liberation of Angola have not been able either, even with the help of the Cubans, to decisively defeat the enemy and drive him out of the territory or the country.' M. Ponomariov, Krasnaya Zvezda Magazine; 20 May 1988.]

poem by Gert Strydom
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

poem by Robert Browning from The Ring and the Book
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Headroom

I need headroom,
Got to have headroom,
Some place to rest my head.
I'm gettin' taller,
Thinkin's gettin' smaller,
Time is winnin' out instead.
Well, I heard it on the news,
They're selling everything they can.
And the American flag
Is manufactured in Japan.
They're fightin' battles in the stars,
They're pourin' billions into Mars.
And layin' right there at my feet,
There're people sleepin' in the street.
Give me room, room, room, room, room, room.
Well, I'm livin' on the farm,
Where chemistry has lost its charm.
And every dusty wind that blows,
Is burnin' big holes in my clothes.
They're burnin' big holes in the sky,
Makin' people wonder why
With all our land and sea and space,
Progress is wreckin' every place.
Give me room, room, room, room, room, room.
Well, if you want an assen-ell,
The government will wish you well,
And if you steal a million bucks,
The government will wish you luck.
And they might even give you more,
If you're makin' things for war.
But if you're poor and stealin' cars,
You'll spend your life behind the bars.
Give me room, room, room, room, room, room.
They're talkin' ethics on the hill,
They're talkin' union at the mill,
They're talkin' justice at the farm,
They're talkin' safety in the car.
They're talkin' murder in the states,
They're talkin' cash to get a fix.
They're talkin' virus in the bed,
I'm talkin' room to rest my head.
Give me room, room, room, room, room, room.
I need headroom,
Got to have headroom,
Some place to rest my head.

song performed by Don McLean
Added by Lucian Velea
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

[...] Read more

poem by Conrad Potter Aiken
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The Battle of Cuito Cuanavale

I. Outnumbered by armour (A reply to William Shakespeare)

Outnumbered by armour
and by men we met the enemy,
FAPLA and Cubans under Russian leadership
and the men accompanying me
was very worried
and wished for the whole
of the seventh armoured division
to have been deployed.

I said to the men
in the armoured car with me
that if we must die here in vain,
the fewer men it be
but if we grasp the victory
the world will know
that we are brave and honourable men
capable of destroying whatever faces us.

Weary I told them that our ancestors
faced a outnumbering enemy
against Dingaan and won effectively
as they were in the hand of God
and so were we.

Colonel Deon Ferreira send us straight in,
from Rundu
(heading north-west after crossing the border)
to intercept the 47th enemy FAPLA / Cuban (armoured) brigade.

At the same time UNITA were repulsing
the16th FAPLA (infantry) brigade
north of the Lomba River
that was trying to take Cunjamba.

We were hitting hard directly from the south,
surprising the 47th enemy (armoured) Brigade,
virtually destroying it
at the junction
of the Lomba and Cuzizi Rivers

fighting with armoured cars
against tanks
hitting fast and then driving away at speed,
like on commando our ancestors did
during the Anglo Boer war
fighting day and night
till the field, the air was filled with gore

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poem by Gert Strydom
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Still Waiting

All my friends tell me
About the loves theyve had
Cant they see what theyre doing to me?
It makes me feel so bad
cause Im so alone
And brokenhearted
It aint like my life is ended
But more like it never started
The love my friends rap about I keep anticipating
I try so hard but dont you know, my patience is fading away
Still waiting
Im waiting for that love
Still waiting
I wish on every star above
Still waiting
Waiting for the love to come around
Oh, love.
Waiting for the love to come around
People say that Im too young
Too young to fall in love
But they dont know, they really dont know
Thats all that Ive been dreaming of
cause I spend my nights just a-crying
And I spend my days just a-trying
To find that love to call my own
cause Im sick and tired of being alone
Still waiting
Waiting for that love
Still waiting
I wish on every star above
Still waiting
Im waiting for the love to come around.
(waiting for the love) dont you know that Im waiting
(waiting for the love) say..
(waiting for the love) to come around now
I need somebody to hold on to baby
Waiting and waiting, dont you know that im
Still waiting
Im waiting for the love, sugar
Still waiting
If youre out there girl, please come to me
Still waiting
Dont make me cry no more
Still waiting
If youre out there, baby, please come to me
Still waiting
Wishing and wishing for days, baby
Still waiting
If youre out there, girl, please come to me
Still waiting

song performed by Prince
Added by Lucian Velea
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Face Of Jackal God Mubarak Gnaws Egyptian Bone

Behold face of jackal god hosni
as orders sly chaos across sands
burn new mall order camel charge
Tahrir Square blow up oil pipeline

hear senile whisper there will be chaos
in Saddamish Hitlerish destruction order
I jackal order... survived assassination
dark secret police secrets let me rule more.

Hell no I won’t go I’m alias Soviet Union trained
in air force I US $40 billion to $70 billion gained.
My solution to opposition nuke it seek and destroy
I resurrected Soviet one party state Egypt is my toy.

Copyright © Terence George Craddock
Mubarak trained in the Soviet Union, attending a Soviet pilot training school in Moscow and another at Kant Air Base, near Bishkek in Kyrgyzstan (then a Soviet republic) from February 1959 to June 1961. Mubarak then trained on the Soviet Ilyushin Il-28 and Tupolev Tu-16 jet bombers. In1964 Mubarak entered the prestigious Frunze Military Academy in Moscow, which offered chairs in operational-tactical disciplines, Marxism-Leninism, history of the CPSU and Party-political work etc. Muhammad Anwar El Sadat, the previous Egyptian President had re-instituting the multi-party system and launched the Infitah reforms, which included economic reforms heavily influenced by the free-market philosophy.

poem by Terence George Craddock
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

poem by Robert Browning from The Ring and the Book
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Salmacis and Hermaphroditus.

MY wanton lines doe treate of amorous loue,
Such as would bow the hearts of gods aboue:
Then Venus, thou great Citherean Queene,
That hourely tript on the Idalian greene,
Thou laughing Erycina, daygne to see
The verses wholly consecrate to thee;
Temper them so within thy Paphian shrine,
That euery Louers eye may melt a line;
Commaund the god of Loue that little King,
To giue each verse a sleight touch with his wing,
That as I write, one line may draw the tother,
And euery word skip nimbly o're another.
There was a louely boy the Nymphs had kept,
That on the Idane mountains oft had slept,
Begot and borne by powers that dwelt aboue,
By learned Mercury of the Queene of loue:
A face he had that shew'd his parents fame,
And from them both conioynd, he drew his name:
So wondrous fayre he was that (as they say)
Diana being hunting on a day,
Shee saw the boy vpon a greene banke lay him,
And there the virgin-huntresse meant to slay him,
Because no Nymphes did now pursue the chase:
For all were strooke blind with the wanton's face.
But when that beauteous face Diana saw,
Her armes were nummed, & shee could not draw;
Yet she did striue to shoot, but all in vaine,
Shee bent her bow, and loos'd it streight againe.
Then she began to chide her wanton eye,
And fayne would shoot, but durst not see him die,
She turnd and shot, and did of purpose misse him,
Shee turnd againe, and did of purpose kisse him.
Then the boy ran: for (some say) had he stayd,
Diana had no longer bene a mayd.
Phoebus so doted on this rosiat face,
That he hath oft stole closely from his place,
When he did lie by fayre Leucothoes side,
To dally with him in the vales of Ide:
And euer since this louely boy did die,
Phoebus each day about the world doth flie,
And on the earth he seekes him all the day,
And euery night he seekes him in the sea:
His cheeke was sanguine, and his lip as red
As are the blushing leaues of the Rose spred:
And I haue heard, that till this boy was borne,
Rose grew white vpon the virgin thorne,
Till one day walking to a pleasant spring,
To heare how cunningly the birds could sing,
Laying him downe vpon a flowry bed,
The Roses blush'd and turn'd themselues to red.

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poem by Francis Beaumont
Added by Poetry Lover
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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The Zenana

WHAT is there that the world hath not
Gathered in yon enchanted spot?
Where, pale, and with a languid eye,
The fair Sultana listlessly
Leans on her silken couch, and dreams
Of mountain airs, and mountain streams.
Sweet though the music float around,
It wants the old familiar sound;

And fragrant though the flowers are breathing,
From far and near together wreathing,
They are not those she used to wear,
Upon the midnight of her hair.—

She's very young, and childhood's days
With all their old remembered ways,
The empire of her heart contest
With love, that is so new a guest;
When blushing with her Murad near,
Half timid bliss, half sweetest fear,
E'en the beloved past is dim,
Past, present, future, merge in him.
But he, the warrior and the chief,
His hours of happiness are brief;
And he must leave Nadira's side
To woo and win a ruder bride;

Sought, sword in hand and spur on heel,
The fame, that weds with blood and steel.
And while from Delhi far away,
His youthful bride pines through the day,
Weary and sad: thus when again
He seeks to bind love's loosen'd chain;
He finds the tears are scarcely dry
Upon a cheek whose bloom is faded,
The very flush of victory
Is, like the brow he watches, shaded.
A thousand thoughts are at her heart,
His image paramount o'er all,
Yet not all his, the tears that start,
As mournful memories recall
Scenes of another home, which yet
That fond young heart can not forget.
She thinks upon that place of pride,
Which frowned upon the mountain's side;

While round it spread the ancient plain,
Her steps will never cross again.
And near those mighty temples stand,
The miracles of mortal hand,

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poem by Letitia Elizabeth Landon
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Gypsies In The Palace

Gypsies in the palace
By: jimmy buffett, glenn frey, will jennings
1985
"i have heard that some of the great parties of all times have
Been at my house - when i wasn't there."
-- spoken:
"in days of old, when knights were bold,
And journeyed from their castles,
Trusty men were left behind,
Knights needed not the hassles.
They helped themselves to pig and peach,
And drank from king's own chalice.
Oh, it was a stirring sight
These gypsies in the palace."
"and some things never change. hit it boys!"
So long boss, knock 'em dead, don't worry 'bout a thing
Wish that we could come along, we'd love to hear you sing
Limo's here, your bags are packed, the list is by the phone
Me and snake will watch your place and treat it like our own
Look at all this liquor
Look at all this food
It's only gonna go to waste
We're not really being rude
But the good stuff's in his closet, i swear he wouldn't mind
Hell we'll just shoot the lock off, i do it all the time
We're gypsies in the palace, he's left us here alone
The order of the sleepless knights will now assume the throne
We ain't got no money, we ain't got no right
But we're gypsies in the palace, we got it all tonight
There's damsels in distress out there and we got all this beer
We'll free them from their condos and bring 'em over here
We'll show them his gold records
We'll play his music loud
We'll party just like bubba does
We'll do the old man proud
We're gypsies in the palace, there ain't no wrong or right
We're gypsies in the palace, and a' goin' wild tonight
He's the greatest guy to work for, man he's really cool
Hey snake this party's gettin' dull, throw someone in the pool
Hey let's all take our clothes off and form a conga line
Watch out for that broken glass, hey snake we need more wine
We're gypsies in the palace, there ain't no wrong or right
We're gypsies in the palace, and we're raisin' hell tonight
Hey
Oh hi there boss, what's goin' on
You say you're coming when?
I'll send snake out to pick you up tomorrow night at ten, okay!
Everybody outta here, this joint is closin' down
We gotta find someone to clean this up, he's comin' back to town
Hi there boss we waxed your cars, we raked and mowed your lawn

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song performed by Jimmy Buffett
Added by Lucian Velea
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A Time To Feel Forlorn and Reconstruct What's Torn

There's a designated time in the universe for everything:

A time to limit, a time to expand.
A time to rise, time to lower and lend a hand.

A time to maintain, a time to abandon.
A time to develop, a time to rest at random.

A time to communicate, a time for silence.
A time to kiss your enemy, a time to concede wins.

A time to spite, a time to please.
A time for respite, a time to tease.

A time to process, a time to confess.
A time to do more. A time to do less.

A time to dominate. A time to captivate.
A time to plunge. A time to resurface straight.

A time to maximise. A time to minimise.
A time to diminish. A time to optimise.

A time to sacrifice. time to insist on rights.
A time to be selfish. A time to be concerned about plights.

A time to be big. A time to be small.
A time to care for a special one. A time to love all.

A time to add dimension. A time to simplify.
A time to advocate egalitarianism.
A time to exult.
A time to default.
A time to be accepting of imperfect humanism.

A time to enhance. A time to simplify.
A time to criticise. A time to dignify.

A time to produce. A time to use.
A time to relent. A time to refuse.

A time to demand. A time to give.
A time to die. a time to live.

A time to survive. A time to admit defeat.
A time to lie. A time to walk on your feet.

A time to compete. A time to not.
A time to remember. A time to concede you forgot.

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poem by Hercolena Oliver
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