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Seeing that picture, for me, was like Chartres Cathedral.

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Picture Picture by Tanya Markova

Picture picture ohh...
Picture picture ohh...

Picture picture ohh...
Picture picture ohh...

Picture picture ohh...
Picture picture
Picture picture ohh...
Picture picture ohh...
Picture picture

Picture picture ohh...

Nang gabing masilayan ka...
Dala-dala ko pa
Ang aking lumang camera

Picture picture ohh...
Picture picture

Picture picture ohh...
Picture picture ohh...
Picture picture

Picture picture ohh...

Campus gig noon at nag-aya ang tropa
Maraming bebot ang nagsasayaw
Nang biglang mapansin kita

What a beautiful face
At kinunan kita
What a beautiful face
Angat ka sa iba

Picture picture ohh...
Picture picture

Picture picture ohh...
Picture picture

What a beautiful
What a beautiful face

I saw her face
Mukha syang taga-a a outerspace
Si Mang Roger ako'y kinalabit
Ang sabi
Halika na balot muna

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Cathedral Spires

They have blown away the daylight hours we had
Left a leagcy, a deadly aftermath
We cannot exist in godforsaken lands
As we spiral down into oblivion
Breathing the fumes of fires that they ignite
Losing ground and we are all just losing sight
We shall never see another setting sun
Time to rise up and ascend, the end has come
No more willpower
Choked by hell fire
Darkness above
Blackening out the sun
Gripped by steel claws
Corrosion eating us
So before were all devoured
Time to rise up and retire
In cathedral spires
Watching as the world expires
From up amongst the clouds
In cathedral spires
No names
No graves
No prayers
Can save us
Ashes to dust
Doomsdays upon us now
It cannot be stopped
Genocide all is lost
Oh! were so tired
Time to rise up and conspire
In cathedral spires
Watching as our world expires
From up above the clouds
In cathedral spires
Jaws of corruption
Swallow us as one
Consuming every nation
Evoke resistance getting none
Complete disintegration
No good to defend
There can be but one outcome
We are no more - ascend
Vaporized fury
Offers no sanctuary
Oh! were so tired
Time to rise up and retire
In cathedral spires
Watching as the world expires
From up amongst the clouds
In cathedral

[...] Read more

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How I Picture Heaven

How I Picture Heaven by Kenny Davis

How do I picture Heaven?
The great kingdom among clouds
His children, His saints
His angels, rejoicing loud

How do I picture Heaven?
This astonishing, glorious place
Where I pray to have the honor
To gaze upon his majestic face

How do I picture Heaven?
The street paved in gold
Worth more than the richest treasure
Even grander than I was told

How do I picture Heaven?
Beyond light-years away from earth
Beyond mere galaxies away from pain
Even much further away all of the hurt

How do I picture Heaven?
Many mansions made of pearl
Luster brighter than the stars
One that shines across the world

How do I picture Heaven?
Free of worry and strife
No more heartbreak and heart ache
Looking forward to this eternal life

How do I picture Heaven?
On every face, there is a smile
The joy amongst his followers
Can be seen for many miles

How do I picture Heaven?
Land of milk and honey
Sweeter than grain of a sugar cane
And every day is sunny

How do I picture Heaven?
Or should I say, “The land of honey and milk”
With everyone in their marvelous robes
Softer than Egyptian silk
How do I picture Heaven?
Land of joy and bliss
If you are to miss the train
Oh! What a party you would miss!

[...] Read more

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Picture Book

Picture yourself when youre getting old,
Sat by the fireside a-pondering on[? ].
Picture book, pictures of your mama, taken by your papa a long time ago.
Picture book, of people with each other, to prove they love each other a long ago.
Na, na, na, na, na na.
Na, na, na, na, na na.
Picture book.
Picture book.
A picture of you in your birthday suit,
You sat in the sun on a hot afternoon.
Picture book, your mama and your papa, and fat old uncle charlie out cruising with their friends.
Picture book, a holiday in august, outside a bed and breakfast in sunny southend.
Picture book, when you were just a baby, those days when you were happy, a long time ago.
Na, na, na, na, na na.
Na, na, na, na, na na.
Picture book.
Picture book.
Picture book.
Picture book.
Picture book,
Na, na, na, na na,
Na, na, na, na na,
A-scooby-dooby-doo.
Picture book,
Na, na, na, na na,
Na, na, na, na na,
A-scooby-dooby-doo.
Picture book, pictures of your mama, taken by your papa a long time ago.
Long time ago,
Long time ago,
Long time ago,
Long time ago,
Yeah, yeah, yeah.

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Picture Show

A young man from a small town
With a very large imagination
Lay alone in his room with his radio on
Looking for another station
When the static from the mouthpiece
Gave way to the sound below
James dean went out to hollywood
And put his picture in a picture show.
James dean went out to hollywood
And put his picture in a picture show.
Chorus:
And its oh daddy get off of your knees
Mamma whyd you have to go
Your darling jim is out a limb
I put my picture in a picture show
Whoa ho! put my picture in a picture show
Hamburgers cheeseburgers
Wilbur and orville wright
John garfield in the afternoon
Montgomery clift at night
When the static hit the mouthpiece
Gave way to the sound below
James dean went out to hollywood
And put his picture in a picture show.
Repeat chorus:
A mocca man in a wigwam sitting on a reservation.
With a big black hole in the belly of his soul
Waiting on an explanation
While the white man sits on his fat can
And takes pictures of the navajo
Every time he clicks his kodak pics
He steals a little bit of soul.
Every time he clicks his kodak pics
He steals a little bit of soul.
Repeat chorus:
Yie hi! put my picture in a picture show
Here we go!
A young man from a small town
With a very large imagination...

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Amy Lowell

The Precinct. Rochester

The tall yellow hollyhocks stand,
Still and straight,
With their round blossoms spread open,
In the quiet sunshine.
And still is the old Roman wall,
Rough with jagged bits of flint,
And jutting stones,
Old and cragged,
Quite still in its antiquity.
The pear-trees press their branches against it,
And feeling it warm and kindly,
The little pears ripen to yellow and red.
They hang heavy, bursting with juice,
Against the wall.
So old, so still!

The sky is still.
The clouds make no sound
As they slide away
Beyond the Cathedral Tower,
To the river,
And the sea.
It is very quiet,
Very sunny.
The myrtle flowers stretch themselves in the sunshine,
But make no sound.
The roses push their little tendrils up,
And climb higher and higher.
In spots they have climbed over the wall.
But they are very still,
They do not seem to move.
And the old wall carries them
Without effort, and quietly
Ripens and shields the vines and blossoms.

A bird in a plane-tree
Sings a few notes,
Cadenced and perfect
They weave into the silence.
The Cathedral bell knocks,
One, two, three, and again,
And then again.
It is a quiet sound,
Calling to prayer,
Hardly scattering the stillness,
Only making it close in more densely.
The gardener picks ripe gooseberries
For the Dean's supper to-night.
It is very quiet,
Very regulated and mellow.

[...] Read more

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The Dance At Darmstadt

In the city of Darmstadt, the Sabbath morn
Shone over the broad Cathedral Square,
And to nobly, richly, and lowly born,
The belfry carilloned call to prayer.

Then banker, and burgher, and learn'd in law,
With clean-cut forehead and firm-set jaw,
Master, and prentice, and tradesman trim,
Pikemen stalwart of port and limb,
Pledged to die for their native town,
Scholars stately in cap and gown,
Splendid and simple, halt and hale,
Rosy tapster and student pale,
Stepped from their thresholds, and gravely trod
The streets that lead to the House of God.
And, hurrying after them, maid and dame,
Wives, and daughters, and sweethearts, came,
All in their Sabbath best arrayed,
Delicate ribbon and dainty braid,
Creaseless corset and kirtle clean,
Of sombre homespun or silken sheen,
Rustling by with looks demure,
As bright as posies, and just as pure.
And tight to their kirtles their children clung,
With ambling footstep and nimble tongue,
Prattled and questioned them all the way,
Forgetting quite 'twas the Sabbath Day,
Till they came to the great Cathedral Square,
Where the organ pealed through the House of Prayer.

``Now why do you waste the summer day?''
Cried a velveted stripling with locks of gold,
And eyes like forget-me-nots in May,
When the milch-cows stream from the wintry fold.
``Week after week you troop in there,
To mutter and mumble the self-same prayer,
Through the self-same psalmody drowse and nod;
And that's what you, sooth, call praising God!
Look! the sun is shining on roof and spire,
And the wings of the swallow never tire,
The stork hovers over her callow nest,
And Spring is folded to Summer's breast.
There's a flutter of love in the lime-tree leaves,
And the starlings flute on the Rathhaus eaves.
Come away, come away where the sycamore swings
Its tassels of gold, and the blackbird sings,
Where the river swirls past a tangled ledge
Of willow-weed, meadow-sweet, thyme, and sedge,
Where the veins of the vine are flushed with juice,
And the trout in the stream past the miller's sluice

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Cathedral Close for Friend Ben Gieske

When night falls on Cathedral Close.
The square is thronged by quiet ghosts
Who line the square on every side
their graves left empty yawning wide.

What is it that they hope to find?
Some salve to give them peace of mind
Why do they stand in silent ranks?
and seek to clear their memory banks.

The sins which will not let them sleep
the guilty secrets which they keep,
weigh on the conscience heavily.
and won’t be rid of easily.

When twilight falls the dead arise.
Each from the grave he occupies
and gather in Cathedral Close.
They seek forgiveness I suppose.

When morning breaks they flee in fright
they fear the coming of the light.
Cathedral close lit by the sun
is quite empty the ghosts have gone.

Back to their graves where they must wait
and in the darkness meditate.
Upon the sins they won’t confess
In agonising sleeplessness.

If only they would realise
within themselves forgiveness lies.
They do not need to stand in rows
When night falls on Cathedral Close.

Triumphantly they could take flight
and wing their way towards the light.
They should have done so long ago
. But guilt refused to let them go.

Why do they stay when they are free
to me it is a mystery
Why do they haunt Cathedral close?
They know no better I suppose.

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Transition In Building Worship Utilization

Aya Sophýa Istanbul
church built to honour our God
became prime model
for all mosques to honour Allah

Hagia Sophia Greek
Holy Wisdom
Sancta Sophia Latin
Sancta Sapientia Turkish

designed by the Greek
scientist Isidore of Miletus
who taught physics
in Alexandria Egypt
then Constantinople Bosporus

and Anthemius of Tralles
a Greek professor of Geometry
in Constantinople Byzantium
string construction of ellipse
conic sections elaborate vaulting

of Hagia Sophia incorporate theories
of famed Heron of Alexandria?
utilized to address challenges
presented by problematic building
an expansive dome over large spaces

designed by a physicist
and a mathematician
completed in 537AD rebuilt
by 563 after an earthquake

Aya Sofya an Orthodox
patriarchal basilica
from date of its dedication
in 360 until 1453

serving as cathedral
of Constantinople except
between 1204 and 1261
when it was converted

to a Roman Catholic cathedral
under powerful Latin Patriarch
of Constantinople as the Western
Crusader established Latin Empire

Aya Sofya a mosque
from 1453 until 1931

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Cathedral in the Thrashing Rain

(O mata fukitsunoru ame kaze.)
O another deluge of wind and rain.
Collar turned up, getting drenched in this splashing rain,
and looking up at you -- it's me, ...
it's that Japanese.
This morning
about daybreak the storm suddenly went violent, terrible,
and now is blowing through Paris from one end to the other.
I have yet to know the directions of this land.
(O mata fukitsunoru ame kaze.)
I don't even know which way this storm is facing. ...
Only because even today I wanted to stand here
and look up at you, Cathedral of Notre-Dame de Paris,
I came, getting drenched,
only because I wanted to touch you,
only because I wanted to kiss your skin, the stone, unknown to anyone.
O another deluge of wind and rain.
Though it's already time for morning coffee,
a little while ago I looked from the Pont-Neuf,
the boats on the Seine were still tied up to the banks, like puppies.
The leaves of the gentle plane trees shining in their autumn colors on the banks
are like flocks of buntings chased by hawks. ...
The chestnut trees behind you,
each time their heads ... get mussed up,
starling-colored leaves dance up into the sky. ...
All the square is like a pattern,
filled with flowing silver water, and isles of golden-brown burnt-brown leaves.
Then there's the noise of the downpour resounding in my pores.
It's the noise of something roaring, grinding. ...
With golden plane tree leaves falling all over my coat,
I'm standing in it.
Storms are like this in my country, Japan, too.
Only, we don't see you soaring.
O Nootorudamu, Nootorudamu ...
O Notre-Dame, Notre-Dame,
rock-like, mountain-like, eagle-like, crouching-lion-like cathedral,
reef sunk in vast air,
square pillar of Paris,
sealed by blinding splatters of rain, ...
O soaring in front, Notre-Dame de Paris,
it's me, ...
it's that Japanese.
My heart trembles now that I see you.
Looking at your form like a tragedy,
a young man from a far distant country is moved.
...
O another deluge of wind and rain. ...
Only the gargoyles ...
raise their paws, crane their necks,
bare their teeth, blow out burning fountains of breath. ...

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James Stephens

Strict Joy

To-day i felt as poor O’Brien did
When, turning from all else that was not his,
He took himself to that which was his own
— He took him to his verse — for other all he had not,
And (tho’ man will crave and seek)
Another all than this he did not need

So, pen in hand he tried to tell the whole tale of his woe
In rhyming; lodge the full weight of his grief in versing: and so did:
Then — when his poem had been conned and cared,
And all put in that should not be left out — did he not find and with astonishment,

That grief had been translated, or was come
Other and better than it first looked to be:
And that this happened, because all things transfer
From what they seem to what they truly are
When they are innocently brooded on
— And, so, The poet makes grief beautiful.

“Behold me now, with my back to the wall,
Playing music to empty pockets!”
So, Raferty, tuning a blind mans plight,
Could sing the cark of misery away:
And know, in blindness and in poverty,
That woe was not of him, nor kind to him.

And Egan Rahilly begins a verse —
“My heart is broken, and my mind is sad …”
‘Twas surely true when he began his song,
And was less true when he had finished it:
— Be sure, his heart was buoyant, and his grief
Drummed and trumpeted as grief was sung!

For, as he meditated misery
And cared it into song — Strict Care, Strict Joy!
Caring for grief he cared his grief away:
And those sad songs, tho’ woe be all the theme,
Do not make us grieve who read them now —
Because the poet makes grief beautiful.

And I, myself, conning a lonely heart
— Full lonely ’twas, and ’tis as lonely now
Turned me, by proper, to my natural,
And, now too long her vagrant, wooed my muse:
Then to her — let us look more close to these,
And, seeing, know; and, knowing, be at ease.

Seeing the sky o’ercast, and that the rain had
Plashed the window, and would plash again:
Seeing the summer lost, and the winter nigh:

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Tannhauser

The Landgrave Hermann held a gathering
Of minstrels, minnesingers, troubadours,
At Wartburg in his palace, and the knight,
Sir Tannhauser of France, the greatest bard,
Inspired with heavenly visions, and endowed
With apprehension and rare utterance
Of noble music, fared in thoughtful wise
Across the Horsel meadows. Full of light,
And large repose, the peaceful valley lay,
In the late splendor of the afternoon,
And level sunbeams lit the serious face
Of the young knight, who journeyed to the west,
Towards the precipitous and rugged cliffs,
Scarred, grim, and torn with savage rifts and chasms,
That in the distance loomed as soft and fair
And purple as their shadows on the grass.
The tinkling chimes ran out athwart the air,
Proclaiming sunset, ushering evening in,
Although the sky yet glowed with yellow light.
The ploughboy, ere he led his cattle home,
In the near meadow, reverently knelt,
And doffed his cap, and duly crossed his breast,
Whispering his 'Ave Mary,' as he heard
The pealing vesper-bell. But still the knight,
Unmindful of the sacred hour announced,
Disdainful or unconscious, held his course.
'Would that I also, like yon stupid wight,
Could kneel and hail the Virgin and believe!'
He murmured bitterly beneath his breath.
'Were I a pagan, riding to contend
For the Olympic wreath, O with what zeal,
What fire of inspiration, would I sing
The praises of the gods! How may my lyre
Glorify these whose very life I doubt?
The world is governed by one cruel God,
Who brings a sword, not peace. A pallid Christ,
Unnatural, perfect, and a virgin cold,
They give us for a heaven of living gods,
Beautiful, loving, whose mere names were song;
A creed of suffering and despair, walled in
On every side by brazen boundaries,
That limit the soul's vision and her hope
To a red hell or and unpeopled heaven.
Yea, I am lost already,-even now
Am doomed to flaming torture for my thoughts.
O gods! O gods! where shall my soul find peace?'
He raised his wan face to the faded skies,
Now shadowing into twilight; no response
Came from their sunless heights; no miracle,
As in the ancient days of answering gods.

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Love Spreads

Love spreads her arms
Waits there for the nails
I forgive you boy I will prevail
Too much to take some cross to bear
I'm hiding in the trees with a picnic
She's over there yeah
Yeah yeah yeah
Yeah yeah yeah
She didn't scream
She didn't make a sound
I forgive you boy
But don't leave town
Cold black skin naked in the rain
Hammer flash in the lightning
They're hurting her again

Let me put you in the picture
Let me show you what I mean
The messiah is my sister
Ain't no king man she's my queen
Let me put you in the picture
Let me show you what I mean
The messiah is my sister
Ain't no king man she's my queen
I have a dream
I've seen the light
Don't put it out
Say she's alright yeah
She's my sister

She didn't scream
She didn't make a sound
I forgive you boy
But don't leave town
Cold black skin naked in the rain
Hammer flash in the lightning
They're hurting her again
Oh oh
Ooh yeah yeah yeah yeah

Let me put you in the picture
Let me show you what I mean
The messiah is my sister
Ain't no king man she's my queen

Let me put you in the picture
Let me show you what I mean
The messiah is my sister
Ain't no king man she's my queen

[...] Read more

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Could You Picture Life?

Could you picture life?
Could you picture life?
Misty morning with birds singing melodies,

Could you picture life in the clouds,
The Morning star,
The comets,
The ufos,
The foolishness in racism,

Could you see CNN,
The crimes and the bursting that we play everyday,
The religious crimes,
Could you picture the negation in man?

That we die everyday is sin,
Could you picture?
Love is worth the New World Understanding,
Picture my eyes and see that we all be crying,
My brothers and sisters are dyeing and suffocating,
Picture the New World,

Where the True Understanding will dwell in our heart,
Could you picture?
You and I are no different,
We same creatures that creep for Bread,
Could you picture?
No man better than other,
Could you picture?
The credibility of Human Trust.

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Sad picture piece

The picture we took together
And put together piece by piece

All of us as a Group
With smiles on our faces we
Were laughing together

Creating what we thought
Was a big happy picture

Now in the future we look
At that big picture piece
And see a sad picture piece

Comparing it to today, most of us…
Dead, war reached us.

What use to be happy picture piece.
Turned to what it really was.
A sad picture piece we put together
As a Group.

Smiling, laughing, naive
Naïve of what the future
Could bring

Friends dying, revealing what they
Really did with there life
In the past, happy as can be
Together wishing for more

Seeing that picture now
Remembering all the thing’s I had
In the past, also with things I lost

Now you see a picture with lies
But also the truth
Both makes the group shot of friends
We put together
A big, but small sad picture piece.

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Seeing Things

I find it hard to shed a tear
You brought it all on yourself my dear
Wrong, yes I may be
Dont leave a light on for me
cause I aint comin home
It hurts me baby to be alone
Yes, it hurts me baby
A hundred years will never ease
Hearing things I wont believe
I saw it with my own two eyes
All the pain that I cant hide
And this pain starts in my heart
And this love tears us apart
You wont find me bent down on my knees
Aint bendin over backwards baby
Not to please
cause Im seeing things for the first time
Im seeing things for the first time, oh yeah
Im seeing things for the first time
In my life, in my life
I used to dream
Of better days that never came
Sorry aint nothin to me
Im gone and thats the way it must be
So please Ive done my time
Lovin you is such a crime
You wont fine me down on, on my knees
Wont fine me over backwards baby
Just to please
cause Im seeing things for the first time
Im seeing things for the first time
Seeing things for the first time
Oh Im seeing things for the first time
Yeah, seeing things for the first time
Im seeing things for the first time
Yeah, Im seeing things for the first time
In my life, in my life

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Insomnia

Curl up tight into a ball
Curl my body against the soil
Staring up here
At the cathedral wall
I will sleep tonight
Be a baby. forget it all
Be a baby watch the quiet stones
Massive friend cathedral wall
I will sleep tonight
A mother to the living
A mother to the dead
Silent as the moonlight
I come to lay my head
And i won't know you. anymore
The peckish evening rolls once more
Into the ravenous night
Of hunger pains
That keep our troubled souls awake
A mother to the living
A mother to the dead
My ghost will drink the moonlight
Magic stones my heart and bones
And i won't know you. anymore
She's cold and she knows peace. cathedral wall
She's cold. she shows. i borrow
Keep away
Keep you away my love, my love
And pray
I might sleep tonight
The violence of my heartbeat
The violence of the blood
I will sleep with the cathedral
And, one day, you'll give up
And i will love you
But i won't know you
Anymore

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Cathedral Wall

Curl up tight into a ball
Curl my body against the soil
Staring up here
At the cathedral wall
I will sleep tonight
Be a baby
Forget it all
Be a baby
Watch the quiet stones
Massive friend
Cathedral wall
I will sleep tonight
A mother to the living
A mother to the dead
Silent as the moonlight
I come to lay my head
And I won't know you
Anymore
The peckish evening rolls once more
Into the ravenous night
Of hunger pains
That keep our troubled souls awake
We are forbidden to explain
A mother to the living
A mother to the dead
My ghost will drink the moonlight
Magic stones
My heart and bones
And I won't know you
Anymore
She's cold
She knows me
Cathedral wall
She's cold
She shows
I borrow
Keep away
Keep you away my love, my love
And pray I might sleep tonight
The violence of my heartbeat
The violence of the blood
I will sleep with the cathedral
And, one day, you'll give up
And I will love you
But I won't know you
Anymore
My frenzied and exhausted mind
Will somehow find a way
To leave you for a time
Condemned to lieing

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A Dream of Venice

NUMB, half asleep, and dazed with whirl of wheels,
And gasp of steam, and measured clank of chains,
I heard a blithe voice break a sudden pause,
Ringing familiarly through the lamp-lit night,
“Wife, here's your Venice!”
I was lifted down,
And gazed about in stupid wonderment,
Holding my little Katie by the hand—
My yellow-haired step-daughter. And again
Two strong arms led me to the water-brink,
And laid me on soft cushions in a boat,—
A queer boat, by a queerer boatman manned—
Swarthy-faced, ragged, with a scarlet cap—
Whose wild, weird note smote shrilly through the dark.
Oh yes, it was my Venice! Beautiful,
With melancholy, ghostly beauty—old,
And sorrowful, and weary—yet so fair,
So like a queen still, with her royal robes,
Full of harmonious colour, rent and worn!
I only saw her shadow in the stream,
By flickering lamplight,—only saw, as yet,
White, misty palace-portals here and there,
Pillars, and marble steps, and balconies,
Along the broad line of the Grand Canal;
And, in the smaller water-ways, a patch
Of wall, or dim bridge arching overhead.
But I could feel the rest. 'Twas Venice!—ay,
The veritable Venice of my dreams.

I saw the grey dawn shimmer down the stream,
And all the city rise, new bathed in light,
With rose-red blooms on her decaying walls,
And gold tints quivering up her domes and spires—
Sharp-drawn, with delicate pencillings, on a sky
Blue as forget-me-nots in June. I saw
The broad day staring in her palace-fronts,
Pointing to yawning gap and crumbling boss,
And colonnades, time-stained and broken, flecked
With soft, sad, dying colours—sculpture-wreathed,
And gloriously proportioned; saw the glow
Light up her bright, harmonious, fountain'd squares,
And spread out on her marble steps, and pass
Down silent courts and secret passages,
Gathering up motley treasures on its way;—

Groups of rich fruit from the Rialto mart,
Scarlet and brown and purple, with green leaves—
Fragments of exquisite carving, lichen-grown,
Found, 'mid pathetic squalor, in some niche
Where wild, half-naked urchins lived and played—

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Henry Wadsworth Longfellow

The Golden Legend: III. A Street In Strasburg

Night.
PRINCE HENRY _wandering alone, wrapped in a cloak._

_Prince Henry._ Still is the night. The sound of feet
Has died away from the empty street,
And like an artisan, bending down
His head on his anvil, the dark town
Sleeps, with a slumber deep and sweet.
Sleepless and restless, I alone,
In the dusk and damp of these wails of stone,
Wander and weep in my remorse!

_Crier of the dead (ringing a bell)._ Wake! wake!
All ye that sleep!
Pray for the Dead!
Pray for the Dead!

_Prince Henry._ Hark! with what accents loud and hoarse
This warder on the walls of death
Sends forth the challenge of his breath!
I see the dead that sleep in the grave!
They rise up and their garments wave,
Dimly and spectral, as they rise,
With the light of another world in their eyes!

_Crier of the dead._ Wake! wake!
All ye that sleep!
Pray for the Dead!
Pray for the Dead!

_Prince Henry._ Why for the dead, who are at rest?
Pray for the living, in whose breast
The struggle between right and wrong
Is raging terrible and strong,
As when good angels war with devils!
This is the Master of the Revels,
Who, at Life's flowing feast, proposes
The health of absent friends, and pledges,
Not in bright goblets crowned with roses,
And tinkling as we touch their edges,
But with his dismal, tinkling bell,
That mocks and mimics their funeral knell!

_Crier of the dead._ Wake! wake!
All ye that sleep!
Pray for the Dead!
Pray for the Dead!

_Prince Henry._ Wake not, beloved! be thy sleep
Silent as night is, and as deep!

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