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The more dubious and uncertain an instrument violence has become in international relations, the more it has gained in reputation and appeal in domestic affairs, specifically in the matter of revolution.

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Patrick White

One Star In The Dirty Window

for the occupiers of Wall Street

One star in the window and that’s enough to see me through the darkness for another night. Trying to weave a flying carpet out of a snakepit. Toxic wavelengths of mind. Poison arrowheads that make it worse to be wounded than killed outright. And all over Perth tonight I imagine there are bruised hearts like mine and yours turning cyanotically blue from having drunk from the same tainted wellsprings of life like fish that have no choice. The apples of October have been laced with the razorblades of Halloween by the psychopathic tree that hands them out like treats to the children in the doorway of an upright coffin. And the leaves are burning up in a fever of arsenic. Spiders work the loom like the strings of the system that hooks us by our gills in its seine nets until the great wild seas of our awareness and the dangerous freedom to look for new ungovernable continents within us so we can flee the corporate corruption of this one is reduced to the neurotic dimensions of a fish farm. If you are poor. If you’re worried about how to pay the rent this month. If it’s winter and there are harpies and sprites and ghouls threatening to turn the gas, the lights, the elements of life off like trolls under the bridge your money built to bilk you until it collapses from lack of repair. If you don’t how you’re going to manage to buy your kid a birthday present this year and you’re even more afraid of Christmas. If you’re poor and your prospects are as bleak as this deserted street tonight now all the ladys-in-waiting, princes, jesters, and warring kings have called it a night and emptied their street court like a bar. If you’re chronically tortured by the rags of dignity with the blood of a lost cause upon them like something that cost your mother and father their lives to fight for. And you’re ashamed of the straitjacket you’ve been forced to wear in order to have some overseer raise a spoon to your lips three exact times of the day like banking hours and GST cheques. If you smoulder with rage like a underground cedar fire burning in your roots like fuses of lightning afraid to explode. If you’re poor. If the weight of the world is on your back heavier than any cross the spiritual spin doctors of the complicit church and their political henchmen encourage you to carry like a virtue all the way to a fabricated heaven on the installment plan, but you can’t bear the load as a volunteer stretcher-bearer anymore, carrying your own corpse to the grave, while they rave in the wealth of what they have deprived you of here and now. If you’re poor. If you feel like a subliminal archetype of guilt in the collective unconscious of a society of quisling theosophists and weight-concscious c.e.o.’s sitting down to salads of money they eat out of the skulls of the children they’ve starved to death. If you don’t make enough money in Oregon to appeal to hypocritic oaths that sit on decisive committees to see if your son is worthy of a kidney transplant. An education. Piano lessons. A future that isn’t always an echo worse than the voices we heard yesterday protesting to the vampires that without a free blood bank they didn’t stand a chance of surviving the contributions they’re expected to make at night. If you’re poor in a chilly apartment in Perth tonight and you’re being eaten alive by the eggs that have been laid on your forehead like the living host to sustain the young of the killer bees that have sewn their nettles in the honey of life like the military-industrial complex of the hive. If you’re poor and you don’t get one year’s free subscription to satellite radio on the bus you have to take to work every morning surrounded by ads for the latest Ford-150 pick up truck ready to do a man’s work at the dropp of a hard hat and then go hunting in the country, and the new black paint is trying to imitate the skin of a naked woman, because your sex life depends on what you drive, and the sumptuary laws of the lies you’re allowed to wear like a Roman triumph are too stringent to get the dirt out of the dowdy greens and browns of your serfdom long enough to get laid by the calendar girls who sit like mermaids on a brand new truck, but have never sung to you. If you’re the poor wretch sitting in the doorway of the Bank of Nova Scotia across Foster Street in the small hours of the morning like a bird that gets to pick the parasites off the back of the hippopotamus that keeps rolling over on you in your sleep. For a fee. To hold up your end of a symbiotic relationship whereby you’re expected to eat shit and call it your daily bread. Eat humiliation, a ration of rat meat, and call it a just portion. Eat your education like bitter food for thought when you see how the fascistic ignorance of antediluvian fat men and their gold-digging wives are dignified by the juke-box of the news as if the point of view of a maggot on how to turn base metal into a gold butterfly it will never become were worthy of the same air time they give to eagles. One hundred news outlets with the same six slug lines like the top hits of the day. Catastrophe du jour. With rescued puppy stories for the trimmings. Eat information like the news. It’s Chinese food of the mind. Not very filling. With a fortune-cookie and a fat tape worm of better things to come wrapped around your bowels like the noose of a downed powerline that spared the cost of the rope to lynch you by your large intestine. If you’re poor and you’re always the falling leaf and never the apple. If you’re poor and it’s always autumn to judge by the banks of junkmail and bills that are swept up on your doorsill at all times of the year. If you’re poor and you’re punished for being out on the streets after curfew for having dropped through the cracks of your caste by a neocon leper colony privatized by the messianic lobbyists of free enterprise with one finger on the scales of equal opportunity because there isn’t a feather’s worth of good in them when they go before the jackal god of death and their grubby hearts are found wanting. If you’re poor and you’re listening to the North Carolina state legislature discussing your extermination in the civic minded tones of the Pied Piper of Hamlin and you’re eating your self-respect like the plague rat of why the rich suffer. Because in their creationist myth your womb is the enemy of the state. And you the infectious carrier of the pestilence. If you’re poor and sitting by the window on a warped floor behind the heritage field stones of an upstairs ghetto apartment in Perth feeling like the second coming of the Irish potato famine with no where to emigrate this time to be third in line below the Scotch and English on the food chain. If you’re poor. Tattoo this on your forehead like an Egyptian destiny you and your eyes will live to see fulfilled. It’s not your fault. Even if you’ve given up. Even if you’re gaping like zero, like absolute nothing, between two hissing sibilants of a serpentine medical symbol unravelling. And the dragon’s lost its wings. And the physician doesn’t care enough to heal himself because he’s lost his faith in oaths. Or dangerous hope has given way to futile despair and they’re both siblings of the absurd. It’s not your fault that you were born into a society where even the mirages in this desert of stars are bundled and sold like real estate. That illusions and diseases apply for patents of ownership. That even the constellations have become the work of surveyors not shepherds on a hillside and the poor are being foreclosed and evicted from the signs of the zodiac because they can’t pay the rent or the mortgage on the house they were born into. Or the hydro on the stars. Even if your spinal cord tinkles like the burnt out filament of a dead lightbulb and the shining’s gone out. It’s not your fault if the universe that was airlifted to you at birth as your portion of life with nothing missing was intercepted and sold at prices that eat their own on the black market of free enterprise for the poor, or they couldn’t afford it, and socialism for the rich because they couldn’t survive without you. You might be like the sea in the lowest place of all but all things flow like rivers down into you. And the depth of the valley of shadows and death you’re walking through alone is a function of the height of the mountain that digs it like a grave it will be buried in. When all the grains of sand like stars come together they make a sea of waves where life thrives in the here and now spontaneously not a pyramid for the sake of a single capstone whose happy afterlife is founded on quicksand.
Saw a huge spiderweb once under a streetlamp at Carleton University thirty-six years ago. Six spiders, their abdomens obese as lightbulbs, six tumours ripening on the panicked cells and neural networks of more frenzied insects drawn to the light out of the dark than their webs were meant to accommodate. The webs were ripping under the weight of the horrified fruits of their gluttony stuck in the powerlines like kites and running shoes and treacherous parachutes. The dew spangled veils of the morning were being torn off like consumerist dream catchers to entice the mob to the artificial radiance of the light that drove them crazy. But the spiders were too satiate to move. And they were being pulled down along with their prey under the massive superflux of their immensely successful catastrophe. Pleonaxia. The disease of more and more and more. And all the insects had to do because the conglomerate spiders were too immobilized by the obscenity of their gigantism to stick an ice-pick in the back of Trotsky’s neck in Cuba was to keep a cool enough head to extricate themselves puppet string by puppet string, spinal cord by spinal cord, straitjacket by straitjacket, wing by wing from the web. But most were paralyzed by their own fear waiting for the fatal moment of the ruinous agenda to come like a budget cutting knife to end their nightmare. And after all these years that terrible insight still provides me with blood-freezing metaphors into the present economic system that preys upon the poor by beading the foodchain with black thoraxes as if they were the ninety-nine names of God and it were a rosary we could all say our novinas on pleading for more lifeboats and happier lifelines than the rigging of this ship of state that’s going down with all of us aboard as the captains of industry jump like rats in Genoa back into the year 1348 when there were corpses galore to feed on.
If you’re poor. Come to the revolution but leave your guillotine at home. Come to the revolution but leave Lenin in Geneva. Come to the revolution like Wat Tyler but don’t believe the promises of the king. Come to the revolution like Spartacus but don’t put your faith in pirates to provide you with the means of escape. Come to the revolution like Toussaint L’Ouverture in Haiti but first drive the fer de lance out of your sugar-cane so that no innocent bystanders get bit as an off-handed matter of population control. Come to the revolution like Aung San Suu Kyi ready to sit down in the teahouses of Burma to pry the fingers of the junta off the throats of the people like the petals of a flower whose time has come to let go. Come to the revolution like Ghandi walking all the way to the sea to turn the pillars of British imperialism to salt without all the fire and brimstone of Sodom and Gomorrah. Come like him to the revolution as a leader who knew how to follow his people. Come to the revolution like Helen Keller who stood up to the Rupert Murdochs of the age who were more in need of signage than she was on behalf of the rights of the working people and declared Oh, ridiculous Brooklyn Eagle! What an ungallant bird it is! Socially blind and deaf, it defends a system that’s intolerable. The Eagle and I are at war. Come to the revolution like Nelson Mandela to an international rugby match in the uniform of a Springbok scrum half to show that over-rated hatred can’t make a comeback over the jubilation of people in play with one another in time enough to win. Come to the revolution like Victor Jara and the Chilean art brigades and bring that guitar and that voice he left us that you’ve been wanting to play for decades with a compassionate feel for the sorrows of others right down to the tips of your social democratic fingerprints as if you weren’t born too late to celebrate a lost cause with a Cinderella story right out the social pages of the mid-sixties into the front page slug lines of msnbc news today. And remember it’s better to sing sincerely than well when you’ve got Bob Dylan for a voice coach. Come to the revolution like Tuwakal Karman of Yemen like the first coffee flower of the Arab Spring to raise her voice against Ali Abdullah Saleh in the name of human rights and freedom of expression. Come to the revolution like Martin Luther to the church door in Wittenburg and post your thirty-three articles of protest but don’t think because you throw inkwells at the devil that’s the same as writing your name in blood on the marble of Wall Street or a war memorial for the dead of Vietnam. Come like George Washington to the American Revolution ready to lay your power down as a sign of complete victory over what satisfies the industrial complexity of the generals’ hearts. Come like Barack Obama to the wellsprings of a cleaner watershed than that which flowed like the corrupt ditches of the tainted bloodstreams of Eden like the four rivers of the running sores of the trickle down economics of the political food chain that ran before him for office by putting a carrot in front of a donkey and all your eggs in one basket in front of a rampaging elephant. Come to the revolution like Emmeline Pankhurst to a hunger strike in a game of cat and mouse with the government who’ll catch you and let you go to fatten you up and keep you from being force fed before they arrest you again for throwing your weight around like Emily Davison at the king’s horse in the name of wanting to run like a candidate at the same race track without the handicap of not being able to vote. Come to the revolution like Dolores Jiminez y Muro with a political plan to give Emiliano Zapata a Mexican classroom of political reform worth dying for. If you’re poor, as Kurt Cobain said, come as you are. And if Jesus doesn’t want you for a sunbeam then come as a cloud. Come as a mountain. Come as a full eclipse of the moon or a loveletter that someone sent back or come as seven come eleven and trust in your luck when the dice are not loaded like skulls with no eyes against you.

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Bug

Mother Earth, can you feed us now?
Feed me now, feed me now
Mother Earth, can you see us now?
Hold me down, hold me down
Revolution
Revolution
Revolution
Revolution
Mother Earth, can you feed us now?
Burst the bug, be forever loved
Hold me down, you can't hold me down
Break the bones, throw your stones
Revolution
Revolution
Revolution
Revolution
Revolution
Revolution
You gotta fight it, you can fight it, no one else will
You gotta fight it, you can fight it, no one else will
You gotta fight it, you can fight it, no one else will
You gotta fight it, you can fight it, no one else will
Feed me now, see me now
Mother Earth, can you see us now?
Throw the stones, throw the stones
Revolution
Revolution
Revolution
Revolution
Revolution
Revolution
Revolution
Revolution

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Love Revolution

This is gettin old baby
Time for a real change
Time to turn our whole world around
cause I been getting restless now
Wondering whats up between you and me
Is gettin me down
Weve been hangin on for far too long
Somehow everything went wrong
Were in a place we dont belong anymore
You know that its true baby
So Ill see you around
Just walk away until you can make
A love revolution (love revolution)
And come back to me
Just do whatever it takes
Whatever you need to make
A love revolution (love revolution)
For you baby, for me baby
I said love, love revolution
I said love, love revolution
Hey Im not afraid to change
Inside and out baby
With or without you by my side
Its time to scream and shout
Let all these feelings out
Find out whats happening inside
Take away the borders inside your head
And youll see other things instead
Realize the life weve led is all over now
You know that its true baby
So Ill see you around
Just walk away until you can make
A love revolution (love revolution)
And come back to me
Just do whatever it takes
Whatever you need to make
A love revolution (love revolution)
For you baby, for me baby
I said love, love revolution
I said love, love revolution
If were gonna turn the world around
Its time that we get down to it
If were gonna turn the world around
Its time that we get down to it
Now I know that theres another way
And Im not waiting one more day
To make love revolution
For you baby, for me baby
And I wanna be around
When your walls come tumbling down

[...] Read more

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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

[...] Read more

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Revolution Calling

For a price Id do about anything
Except pull the trigger
For that Id need a pretty good cause
Then I heard of dr. x
The man with the cure
Just watch the television
Yeah, youll see theres something going on
Got no love for politicians
Or that crazy scene in d.c.
Its just a power mad town
But the time is ripe for changes
Theres a growing feeling
That taking a chance on a new kind of vision is due
I used to trust the media
To tell me the truth, tell us the truth
But now Ive seen the payoffs
Everywhere I look
Who do you trust when everyones a crook?
Revolution calling
Revolution calling
Revolution calling you
[theres a] revolution calling
Revolution calling
Gotta make a change
Gotta push, gotta push it on through
Im tired of all this bullshit
They keep selling me on t.v.
About the communist plan
And all the shady preachers
Begging for my cash
Swiss bank accounts while giving their
Secretaries the slam
Theyre all in penthouse now
Or playboy magazine, million dollar stories to tell
I guess warhol wasnt wrong
Fame fifteen minutes long
Everyones using everybody, making the sale
I used to think
That only americas way, way was right
But now the holy dollar rules everybodys lives
Gotta make a million doesnt matter who dies
Revolution calling
Revolution calling
Revolution calling you
[theres a] revolution calling
Revolution calling
Gotta make a change
Gotta push, gotta push it on through
I used to trust the media
To tell me the truth, tell us the truth

[...] Read more

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Give Into Hate

Violence surrounds me
Violence in society
Violence in our eyes
Violence in their cries
Violence it's our fate?
Violence, it's too late?
Violence, no escape?
Violence, give into hate?
Is it human nature to act like animals?
We're all guilty, we're all criminals
Selfish species headed for a self destruction
Violent product of moral corruption
Violence for love
Violence because of hate
Violence, revolution
Violence of the state
Violence, you will find
Violence, it grips your mind
Violence, it's too late?
Violence, give into hate

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Revolution

More calm than a heartbeat that flat lines
Quiet like a dark street under the moonlight
A phrase of action that's been screamed from the guts of men
Ever since they're first experienced
Injustice, prejudice, discrimination
A word louder than a gunshot
And softer than a baby's laugh, it will pass
Just like it always has. Until it spits off the lips of
The next man who's had it up to here.
Did somebody say a Revolution?
Or is it all in my head?
Is that what it takes to make a solution
solution
not the first or the last to imagine it
Acknowledge the concepts, question and grasp it
Rebel against the I, and bring down the self.
Mutiny me! overthrow you
Rebellion starts within, the time is now
Did somebody say a Revolution?
Or is it all in my head?
Is that what it takes to make a solution, solution
Did somebody say a Revolution?
Or is it all in my head?
Is that what it takes to make a solution
Your Revolution
Purple skies, Devil eyes, Hypnotize
Little lies, Compromise, Fireflies
Samurias, Parasite, Fly by night, After light, Materialize,
Look alive, Stereotype, Do with die, lullaby, black and white
Did somebody say a Revolution?
Or is it all in my head? your revolution
Is that what it takes to make a solution, solution, your revolution
Did somebody say a Revolution?
Or at least it's been said, your revolution
Is that what it takes to make a solution?
Your Revolution
No resolution -Your Revolution
what's your solution? -Your Revolution
And no substitution -Your Revolution
And no resolution -Your Revolution
not your solution

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Sex Appeal

(r palmer)
Of all the girls in all the world
You got my number
Out the blue you created this obsessive desire
You steal my thunder
I cant resist your sex appeal
Youre kisses make me dizzy
The things you do you know they drive me out of my mind
I cant resist your sex appeal
You take it to the limit
Imagination running till
Its out of sight
You haunt my dreams
You make me fantasise
All of your moves, Ive got them memorised
Under your spell youve got me hypnotised
My body aches to make you satisfied
I cant resist your sex appeal
I lose my inhibitions
The way you move you make me feel
Completely wild
I cant resist your sex appeal
I knw you will deliver
You kiss my wildest dreams
Then take me out
When we make make love
Our bodies synchronise
We find the grooves and then we improvise
We lose ourselves within each others eyes
I long for you to share my appetites
I cant resist your sex appeal
Youre kisses make me dizzy
Imagination running till its out of sight
You take me right out of this world
Closer to heaven
How did you know how to capture all my secret desires
Now and forever
I cant believe
The way you tantalise
I love the way you take me by surprise
You turn me on
Its you I idolise
My body years to keep ypu satisfied
I cant resist your sex appeal
I lose my inhibitions
The way you move you make me feel
Completely wild
I cant resist your sex appeal
I know you will deliver
You kiss my wildest dreams then take me out

[...] Read more

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Revolution

Intro(bob marley)
Within 2000 years christ shall return and when I return I goin to be king of
Kings...
Marley brothers
Thats rev...thats rev...thats rev...thats rev...
Krayzie get up...my soldiers, ride...
Bob marley
Revolution in my heart/ oh, they tearin us apart/ we been wastin so much time/
Revolution on
My mind/ everyday problems in the world they maximize/ now tell me how much
Blood must be shed, oh realize things
And times get drastic; a revolution is the only way/ stop this internal warfare,
Yeah...
Marley brothers thats rev...thats for the revolution {repeatedly}
Bob marley roll in a bomb-drop cry...soldiers all positions.
Krayzie
I wanna talk about a revolution/ should we talk about a revolution, a
Revolution? come on, I think its time
Its already 1999/ this is real; we ready for revolution/ we said that we tired,
We ready tonight, and we gon ride, ride, ride
With the warriors; we makin a push on babylon the great, better hurry up/ we
Doin it like that; combat on contact
So the police get bombed back/ that gunpowder from my gun got my palms black/ as
We roll and we hit up the rest we chase
The police; we done flipped the script and set a new record/ we send em to
Fire, to flames, we heat and we hot/ cussin
While they flossin shots/ marchin double barrels buckin/ mark the target,
Aint for talkin/ squashin every enemy walkin
And bomb em/ we need to suit up in boots/ recruit us some troops to start
Mashin/ Im packin my sawed off and Im called off
Im called off...
Bob marley
Revolution on my mind(krayzie yeah) we been wastin so much time/ revolution in
My heart/ they been tearin us apart
Everyday problems in the world they maximize/ and tell me how much blood must be
Shed, oh realize things and times get
Drastic/ a revolution is the only way/ stop this internal warfare, yeah...
Marley brothers thats rev...thats for the revolution {repeatedly}
Bob marley soldiers all positions...green beret cover formation....roll in a
Bomb-drop cry and bomb down that institution
Krayzie get up...my soldiers, ride...
Marley brothers thats rev...thats for the revolution {repeatedly}
Bob marley soldiers all positions...green beret cover formation

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Revolution (feat. The Marley Brothers)

Intro(Bob Marley)
Within 2000 years Christ shall return "and when I return I goin' to be king of
kings...
Marley Brothers
That's rev...that's rev...that's rev...that's rev...
Krayzie Get up...my soldiers, ride...
Bob Marley
Revolution in my heart/ Oh, they tearin' us apart/ We been wastin' so much time/
Revolution on
my mind/ Everyday problems in the world they maximize/ Now tell me how much
blood must be shed, oh realize things
And times get drastic; A revolution is the only way/ Stop this internal warfare,
yeah...
Marley Brothers That's rev...That's for the revolution {repeatedly}
Bob Marley Roll in a bomb-drop cry...Soldiers all positions.
Krayzie
I wanna talk about a revolution/ Should we talk about a revolution, a
revolution? Come on, I think it's time
It's already 1999/ This is real; we ready for revolution/ We said that we tired,
we ready tonight, and we gon' ride, ride, ride
With the warriors; We makin' a push on Babylon The Great, better hurry up/ We
doin' it like that; combat on contact
So the police get bombed back/ That gunpowder from my gun got my palms black/ As
we roll and we hit up the rest we chase
the police; we done flipped the script and set a new record/ We send 'em to
fire, to flames, we heat and we hot/ Cussin'
while they flossin' shots/ Marchin' double barrels buckin'/ Mark the target,
ain't for talkin'/ Squashin' every enemy walkin'
And bomb 'em/ We need to suit up in boots/ Recruit us some troops to start
mashin'/ I'm packin' my sawed off and I'm called off
I'm called off...
Bob Marley
Revolution on my mind(Krayzie Yeah) We been wastin' so much time/ Revolution in
my heart/ They been tearin' us apart
Everyday problems in the world they maximize/ And tell me how much blood must be
shed, oh realize things and times get
drastic/ A revolution is the only way/ Stop this internal warfare, yeah...
Marley Brothers That's rev...That's for the revolution {repeatedly}
Bob Marley Soldiers all positions...Green Beret cover formation....Roll in a
bomb-drop cry and bomb down that institution
Krayzie Get up...my soldiers, ride...
Marley Brothers That's rev...That's for the revolution {repeatedly}
Bob Marley Soldiers all positions...Green Beret cover formation

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Video Violence

The currents rage deep inside us
This is the age of video violence
The currents rage so deep inside us
This is the age of video violence
Up in the morning, drinking his coffee
Turns on the tv to some slasher movie
Cartoon-like women, tied up and sweaty
Painting and screaming, thank you, have a nice day
The currents rage, the dawns upon us
This is the age of video violence
The currents rage so deep inside us
This is the age of video violence
Na-na-na, na-na-na
Na-na-na, na-na-na
His heart is pounding he switches the channel
Looking for something other than rape or murder
Or beatings or torture but except for walt disney
Its a twisted alliance, this age of video violence
The currents rage, the dawns upon us
This is the age of video violence
The current rage so deep inside us
This is the age of video violence
Down at his job, his boss sits there screaming
If he loses his job, then life loses its meaning
His son is in high school, theres nothing hes learning
He sits by the tv, watching corvettes exploding, cause
The currents rage, the dawns upon us
This is the age of video violence
No age of reason landing upon us
This is the age of video violence
Na-na-na, na-na-na
Na-na-na, na-na-na
Down at a bar some woman is topless
Shes acned and scarred, her hair is a mess
While he shoves 5 dollars down her exotic panties
The video jukebox is, ah, playing madonna
While just down the block at some local theater
Theyre grabbing their crotches at the 13th beheading
As the dead rise to live, the live sink to die
The currents are deep and raging inside
The currents rage so deep inside us
This is the age of video violence
No age of reason is landing upon us
This is the age of video violence
Na-na-na, na-na-na
Na-na-na, na-na-na
Na-na-na, na-na-na
Na-na-na, na-na-na
Our good working stiff looks a whore in the eye
Ties her to a bed

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Violence

(tennant/lowe)
----------------
The sons and brothers, fighting for another cause
Anything to give their lives some meaning
Busy with their guns and dreaming
Far away from here
Said they would act (said they would act)
In self-defense
And all the others, running 'round so hot and bothered
Anything to give their lives some meaning
In the evening
Running around with guns and
Said they would act (said they would act)
In self-defense
With violence
Violence breeds
Violence
(ooh yeah, ooh yeah)
Violence breeds
Violence
(ooh yeah, violence breeds violence)
(ooh yeah, breeds yeah, breeds yeah)
(ooh yeah, ooh yeah)
The son and brother, when he gets home
He gives someone some love
And mutters: "woman, (mutters woman)
You'll never understand (never understand)
I did what i said (did what i said)
In self-defense
With violence"
Violence breeds
Violence
(ooh yeah, ooh yeah)
Violence breeds
Violence
(ooh yeah, ooh yeah)
(ooh yeah, violence)
(ooh yeah, violence breeds violence)

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Byron

Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

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Like No Other One

You've got me,
And I feel it's for real.
'Cause you've got,
IT...
That sex appeal.

You've got me,
And I know it's the real deal.
'Cause you've got,
IT...
That sex appeal.

And like no other one,
You've got that sex appeal.
And like no other one,
It is so real it heals.
And like no other one,
I know it's a steal!
And I've got it here,
And that for me is for real.

And like no other one,
You've got that sex appeal.
And like no other one,
It is so real it heals.
And like no other one,
I know it's a steal!
And I've got it here,
And that for me is for real.

You've got me,
And I feel it's for real.
'Cause you've got,
IT...
That sex appeal.

And like no other one,
You've got sex appeal.
And like no other one,
It's so real it heals!

You've got me,
With your sex appeal.
And it's the real deal for me,
'Cause that's the way I feel.

And like no other one,
You've got sex appeal.
And like no other one,
It's so real it heals!

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Tear Off Your Own Head (It's A Doll Revolution)

Who dries your eyes when you cry real tears?
Who knows or cares what imitation is?
Only you do
You can paint his nails
Make him wear high heels
Why waste time altering the hemline?
Or do you?
Tear of your own head
Tear of your own head
It's a doll revolution
You can bat your lashes
You can cut your strings
Pull out his hair with your moveable fingers
It looks so real
But one won't do, so collect the set
Dress him in pink ribbons
Put him in a kitchenette
How does this feel?
Tear of your own head
Tear of your own head
It's a doll revolution
What's that sound?
It'll turn you around
It's a doll revolution
They're taking over
And they're tearing it down
It's a doll revolution
You can pull and pinch him
'Til he cries and squeals
You can twist his body
'Til it faces backwards
Plastic features
Could make somebody a pretty little wife
But don't let anybody tell you
How to live your life
Broken pieces
Tear off your own head
Tear off your own head
It's a doll revolution
Tear off your own head
Tear off your own head
It's a doll revolution
What's that sound?
It'll turn you around
It's a doll revolution
They're taking over
And they're tearing it down
It's a doll revolution
It's a doll revolution
Revolution (revolution)

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II. Half-Rome

What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)

Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,

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Never Never Love

La-la-la-la-la,
La-la-la-la-la la-la-la-la-la, la-la-la-la-la la-la-la-la-la, la-la-la-la-la la-la-la-la-la,
La-la-la-la-la
So now weve got our independence ooh,
What are we gonna do with it
Learning to play different games
Already using different names
cause now our love bears no resemblance ooh,
To what we had before
When our love was good it was all that we saw
When our love was good it blinded us before
This real revolution baby
Where youre not below me anymore
Never never love
Can never be enough
Never be enough,
Just aint good enough,
Yeah never never love
Can never be enough now
Never be enough, oh no
So now weve got our independence ooh,
What are we gonna with it
Building the houses, claiming back the land
Burning the bridges, cleaning up your hands
cause now our love bears no resemblance ooh,
To what we had before
Now our love has something for the future
Now our love will grow the seeds to sow this real revolution
This good revolution baby
Where youre not below me anymore
Never never love will never be enough
Could never be enough,
Just aint good enough,
Yeah never never
Love will never be enough
Never be enough, oh no no no
La-la-la-la-la, la-la-la-la-la
La-la-la-la-la, la-la-la-la-la
When our love is good we have something for the future
Now our love will grow the seeds to sow this real revolution
This good revolution baby where youre not below me anymore
(real revolution, yeah) oh yeah, oh no no no no no,
Its a (real revolution) so good oh no no no no no
(real revolution, yeah) so real, this revolution now
(real revolution) so real, this revolution now, oh no no no so real, so real oh no no no

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As A Matter Of Fact

Written by s. garrett & d. boyette
Blow daddy, aww, yeah
Here we are, standing at the hard line
We made it last this long
The two of us, together since the first time
And I believe our love is still strong
Seems love has a funny way
Well, it can come or go or it can choose to stay
But love says what it has to say
(chorus)
Matter of fact (ooh, as a matter of fact)
I love you (oh, as a matter of fact)
And I love that you love me back
As a matter of fact (ooh, as a matter, a matter)
Some said we wouldnt make it this far
But they dont talk no more (no more)
The love we share is precious as a big star
And what we haves what others hope for
Seems love has a funny way
Well, it can come or go or it can choose to stay
But love says what it has to say
(chorus)
Matter of fact (ooh, as a matter of fact)
I need you (oh, as a matter of fact)
And Im glad that you need me back
As a matter of fact (ooh, as a matter, a matter)
Mm, matter of fact, yeah (ooh as a matter of fact)
I want you (yeah, as a matter of fact)
And I cant tell you more than that
As a matter of fact, (ooh, as a matter) yeah (matter)
Aww, blow, daddy
Musical interlude
Yeah, yeah, yeah
Seems love has a funny way
Well, it can come and go or it can choose to stay
But love says what it has to say
(repeat chorus)
Matter of fact (ooh, as a matter of fact)
I love you (oh, as a matter of fact)
Yeah and I love that you love me back
As a matter of fact (ooh, as a matter of fact)
Ooh, ooh, baby
Matter of fact (ooh, as a matter of fact)
I need you (yeah, as a matter of fact)
And Im glad that you need me right back
As a matter of fact
(ooh, as a matter) yeah (a matter)

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