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I come from a district where the veterans are not the richest in the country.

quote by Corrine Brown
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Whose Country Is This?

Whose country is this?
It is a land full of snakes;
Whose country is this?
It is a land full of many waters;
Whose country is this?
It is a land full of thieves! !
Whose country is this?
It is a land full of people;
Whose country is this?
It is a land full of oil;
Whose country is this?
It is a land full of earthquakes!
Whose country is this?
it is a land full of lovers;
Whose country is this?
It is a land full of volcanoes!
Whose country is this?
It is a land full of beautiful flowers;
Whose country is this?
It is a land full of hansome men;
Whose country is this?
It is a land full of beautiful women;
Whose country is this?
It is a land full of roses;
Whose country is this?
it is a land ruled only by men;
Whose country is this?
It is a land without rainfall;
Whose country is this?
It is a land ruled by a woman;
Whose country is this?
It is a land full of corruption!
Whose country is this?
It is a land full of pirates! !
Whose country is this?
It is a land ruled by law;
Whose country is this?
It is a land controlled by rebels!
Whose country is this?
It is a land full of ice;
Whose country is this?
It is a land full of pregnant women;
Whose country is this?
It is a land full of the sins of Sodom and Gomorrah!
Whose country is this?
It is a land full of singers;
Whose country is this?
It is a land full of troubles;
Whose country is this?
It is a land full of war! !

[...] Read more

poem by Edward Kofi Louis
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I'm The Richest Woman

You should know
I’m the richest woman!
I’ll tell you now
With more than you!
Do you hear me?
I’m the richest lady!
Pay attention

Wanting money
Wanting something
Anything other than poverty
You see I’m terribly poor

I fell in love with being at the bottom
Poorer than a church mouse
I could easily end up in a hovel
Yet I won’t cry over a ripped blouse

You see I have no money to worry about
No finances to keep me up in terrible doubt
You see one day I’ll be richer than God
And my name will rise higher than Heaven
I have a soul that no money could afford
I have the face that no surgeon could create

I want the world to know
I’m the richest woman you’ll know in life
You hear me, world?
I have no money to buy the shiniest knife
I tell the world
I’m the richest woman, because I’m so fly
It’s all due to
I have the soul that no money could buy

I’m a goddess of spirit and the queen here
I’m such a cute and trusting little dear
You can trust that I’ll never lose my mind
And to my poverty I’ll always be so blind

My parents can barely afford the rent
A family of four in a one bedroom apartment
You see I’m the brightest diamond in this
A rough that I have turned into my bliss

I do not have the finest clothes
But I have the finest nose
Leather of the finest, never

My skin is the finest endeavor
A size for which any boy would kill

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poem by German Alcala
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I Walked Last Night In A District I Lived In For Almost Twenty Years

I WALKED LAST NIGHT IN A DISTRICT I LIVED IN FOR ALMOST TWENTY YEARS

I walked last night in a district I lived in for almost twenty years
I came back after being away for a time
To visit an old and ailing friend
The streets were empty and lonely as they often were then-
I thought for the first time I understood how lonely the district itself is-
‘A lonely district’
I wondered how I managed to live there all those years
And how anyone still manages to live there-
I looked up at the sky and wrote in my mind a small poem of a kind I wrote many of in my years there
I remembered teachers and friends who had lived there
No longer of this district or any district on earth
I wondered how life goes and how from so many years so much life has been lived without having any place in my memory
I felt as empty inside as the district without
I did not have to wait long for the bus
And relieved inside it I put my heart to home
So many years had been lived there
I remembered taking my small children to the playground there
Now they thank G-d have children of their own
Oh the years go by and the life we have lived in them largely dies
Forever to be unknown again-
I put my heart and mind in a different direction
And began to do what I always do – not think of the district again
Life is this mystery and question we live through and never wholly possess even as we are experiencing it
How long before all will be gone for me
Including the district I live in now?

poem by Shalom Freedman
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Chabi of the Okavango

Chabi Maenga bought me a chicken. It took two, three hours to cook in the big black pot and was still tough as our leather boots. A goodbye gift to me, upon my leaving the district, leaving the passenger seat by his side.

Chabi had met me in Gaborone with a newly-issued 1978 model Toyota, a boxy thing that bounced crazily on the dirt tracks but was considered state of the art at the time. We drove north until the paved road ran out, then north east across the remote reaches of the Northern Kalahari to my new duty station in Maun. We slept half-way at Serowe, at the 'we are working together' cooperative hotel, under thatch. On the second day we skirted two of the four long walls enclosing the richest diamond mine in the world and tracked the elongated fence that separated buffalo, endemic with foot-and-mouth disease, from cattle. We swung north once more as we reached the side of the 'vanishing lake', Ngami, that in some years confirmed its presence on the standard maps, and in others was simply no-where to be found. All depended on the rains in distant Angola.

Chabi and I shared that front cabin, on and off, for nearly three years. 'Call me Chabi.. like Chubby Checker' was how he introduced himself. He was early 50s, salt and pepper in his tight thin curls, and I was 24... supposedly the boss, the one who signed the requisition slips and the log book for each and every trip. But Chabi was very much in charge.

The first thing he taught me was the Tswana language. After three months by his side I was almost fluent - a status I had not remotely reached in my two years to that point in the capital city. I spoke with his northern dialect: 'f's pronounced as 'h's, 'tl's with a silent 'l'. This marked me as a man of the Okavango, the Ngami, for the rest of my days among the Tswana people. Later my wife of the southern Tswana, and her family, would tease me constantly about this northern country-bumpkin accent. But what did I care? It sounded good to me and I was proud enough simply to be rattling away in SeTwana, however rustic it might sound, and to know more or less what others were rattling. In reciprocation, I helped Chabi with his English, when he was in the mood for it.

The second thing he taught was how to shoot guinea-fowl. He did this mainly by intimidation. Since he was putting in all the hours of driving - not only did I have no licence, but he was the designated official (although I did break the central transport rules more than once when his arthritis was playing up) - and it was me who had better take care of the supper. He would slow the truck to a crawl and I would open the window as we came across a gaggle of birds on the left hand side, gesture for me to pick up his shotgun and cue me... 'ema.... ema.... jaaanu! '. And if I aimed for the centre of the crowd, and kept the gun fairly straight, we would be sure to get a couple of birds for the pot. These we would take to the local primary school and have any available hungry teachers take care of the cooking and share in the meal. This required some concentration to avoid biting down on buckshot.

But the best times we had were on the road to Shakawe. He was delighted, first of all, when I nicknamed the village at the end of the Delta, at the remote northern border, as 'Shake-a-way'. He found this unnecessarily hilarious and I backed it up with a cassette recording of the South African multi-racial band Juluka's song, 'Shake My Way'. In fact we played very little but the first few Juluka albums on my portable cassette player during those trips.

We loaded up the back of the truck with the necessary items: my metal trunk, bought from the Mazezuru (the impoverished itinerant white-clothed Jehova's Witnesses expelled from Rhodesia-Zimbabwe - as it was at the time of my purchase, temporarily - who lived by tinsmithery, also beating out conical tin tops for rondavels) , and filled with a few changes of clothes, a couple of books and plenty of 'tinned stuff', cheap imported meals such as chicken biriyani. On top of the trunk went Chabi's battered suitcase. And then the two most essential items, side by side: a barrel of drinking water, a barrel of fuel. And a prayer that the last of these should not leak or spill over anything else, along those bumpy roads.

If it was winter, it was plain sailing. The dirt roads were dry and firm and we could make it to Shakawe in a day. We would circumnavigate most of the villages along the way:

.... Sehitwa, within sight of the vanishing lake if it had not vanished, Sehitwa where an Irishman started a little fishing industry singlehanded, selling frozen bream fillets all the way down to Johannesburg, supplying my monthly 'Fishko' party... until the Lake dried up...

... Nokaneng, meaning 'by the river', but it was a river that had long disappeared with the gradual drying of the swamps that fed it;

... Tsau, a camp for road building, which had created about 20 kilometres of Norwegian-funded tarmacadam in about five years, supposedly an experiment in desert blacktop that in fact linked nothing to nothing;

.... Gomare, the district's secondary centre, with its massive 'community' school, of which I was a board member, where the board had spent years painstakingly rounding up a few cattle and bags of sorghum to finance the first classroom. These efforts had been completely bypassed by the arrival of the World Bank with nearly a million dollars, more of which appeared to be spent on highly artistic walkways than on the new classrooms;

... Etsha, a new village settled by several thousand long-term refugees from the Angolan civil war who turned out to be impressive growers of grain, unique basket designers and weavers and secret brewers of palm beer (to search for which, Chabi would occasionally take us by alternative backroads) , by a handful of Danish medical students, and by one Welshman with scores of cats who marketed the baskets to tourists and the national museum;

... Sepopa... oh, what to say about Sepopa, a village like any small and remote African village;

... and then finally, Shakawe, a busy trading post hard up by the Angolan border, with a local culture, chiefdom and opposition political party all its own.

The trip was easy between dawn and dusk, in the cold dry season. In the summertime, however, a different question entirely. With the road camp at Tsau concentrating on its lonely piece of blacktop in the middle of nowhere, the rains and the traffic - such as they were, and they were always sufficient for this at least - churned up the rest of the district roads unmercifully. There were patches of known notoriety where we were almost sure to get stuck, and no way, due to thick bush linings along the track, to avoid them. Chabi, fortunately, was a past master at laying wooden planks under the wheels and using the 4-wheel drive to get us out...eventually. The journey took two days. The floors of classrooms in Gomare, Etsha or Sepopa became our beds.

The journey took us along the outer rim of the river channels that flanked the vast inland swamp called Okavango. And it was at Shakawe that the settled population enjoyed a true and vivid view of the river, there at the ingress, the inflow which fed the intricate waterways of the swamp, the high-banked and spectacular panhandle. Shakawe perched above those fast-flowing, pure, clear waters, which over the years had slowly diminished in flow for reasons no-one seemed to fully understand. It was often the place where we started our weeklong series of Kgotla meetings, village assemblies chaired by the Chief, and addressed by the young English district officer on the subject of the latest local government plans for the area, speaking a nervous mixture of Setswana and English (Chabi or a local agricultural officer providing translation) . This was normally followed by several hours of grandstand speeches by the assembled males, rising one by one from their wood-and-leather chairs to comment on what they thought I had proposed. The meeting - perfect for total-immersion SeTswana training for the young DO - were finished off, sometimes, by an invitation from the Chief to the women, sitting on the outer margins of the throng, often with babies, to speak their minds at last.

Through many such assemblies, the oddity of my presence was remarked upon only once, by a slightly intoxicated monnamogolo (respected old man) , who approached the table at which the Chief and I sat, and called out loudly, I never thought I would see the little lady (being Queen Elizabeth, or her representative) at this Kgotla once again!

Once at Shakawe, there were three options for continuing our journey. To work our way back down the side of the Okavango, holding meetings in two villages each day, taking about a week to return to the district office and our homes in Maun. Or to head off west to visit the few remote villages - Shai-Shai, Nau-Nau, Kangwa - founded by Herero cattleowners, their wives clad in massive layers of German-inspired skirts, and their San (Bushman) herders, near the Namibian border, across which lay a land still heavily occupied by the apartheid army. Or, the most magical and exciting option of all, to drive onto the little ferry ('pontoon') and cross to the remote eastern bank of the panhandle, and drive down to the three villages that lay there, on roads that barely deserved the name. Only one trading store with the most basic items could be found in that territory, and no supplies of fuel at all. Once a month, a Baptist dentist arrived in his light plane to preach to the people, distribute Bibles, and then, only then, extract teeth. If you were stranded, and spoke politely, he might stand you a lift back home.

Snakes became caught under our wheels sometimes. Ostriches would run alongside, trying to outpace us, then following the trail in front of us. And once an elephant suddenly stepped onto the trail from its hiding place behind a tree. Chabi brought us to a massive sudden halt, and we waited, waited silently.. until the creature went on its way.

In three years, he had only one accident, and that was on the tarmac on the way back from the trip to the capital. It was dark, approaching Francistown.. and a cow had gone to sleep on one side of the road. It was a minor collision, but the government censured him anyway, after much argumentation.

When we camped in the villages at night his radio took over from my cassette player. First the Botswana news. Then the solemn reading out of those who had passed away. Followed by church music. Just right to lull us both to sleep.

Perhaps the last thing Chabi tried to teach me concerned the wizards of the forest. When, during the long hours of travelling, he would start to talk as in an obsessive trance about the 'baloi', the spirits, he would gradually enter the world of 'deep Setswana', and his meanings became lost to me. The guttural sounds of the language would become a backdropp to the noise of the engine. My lack of ability to follow him into the tales of the wizards always seemed a disappointment to him, but he never gave up completely.

Mainly, while on the road together, he and I talked like father and son, cooked and ate together, and often slept alongside each other. When back in town, however, we did not socialize. We became formal in our work environment, 'district officer' and 'driver'. Chabi never came to hear me entertain the office crowd from the District Council with my guitar on Friday nights at Le Bistro cafe on the banks of the Thamalakane river. He never invited me to meet his family or to see his home. Which is what make it all the more surprising when he turned up at my place, during my last days in Maun, with that hardy three-year-old chicken. The first thing he did was invite me to wring its neck. And not for the first time with him, I ducked this challenge.

Zimbabwe was already free and its freedom would continue for a while. The wars of Angola raged on, fueled from distant lands, while the occupation of Namibia intensified. My place at Chabi's side was taken by a young Motswana graduate, and doubtless later by another. And then, as if by a miracle, generated by the pressure of resistance in the heart of South Africa, the dark clouds began to lift across the region, and the peace that lay at the heart of Botswana began to spread to all its troubled neighbours.

[...] Read more

poem by Frank Bana
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University Of Central Florida Volleyball

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poem by Caasder Fronds
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Veterans

When the last charge sounds
And the battle thunders o'er the plain,
Thunders o'er the trenches where the red streams flow,
Will it not be well with us,
Veterans, veterans,
If, beneath your torn old flag, we burst upon the foe?

When the last post sounds
And the night is on the battle-field,
Night and rest at last from all the tumult of our wars,
Will it not be well with us,
Veterans, veterans,
If, with duty done like yours, we lie beneath the stars?

When the great réveillé sounds
For the terrible last Sabbath,
All the legions of the dead shall hear the trumpet ring!
Will it not be well with us,
Veterans, veterans,
If, beneath your torn old flag, we rise to meet our King?

poem by Alfred Noyes
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Gone Country

Shes been playing in a room on a strip
For ten years in vegas
Every night she looks in the mirror
But she only ages
Shes been reading about nashville and all
The records that everybodys buying
Says Im a simple girl myself
Grew up on long island
So she packs her bags to try her hand
Says this might be my last chance
Shes gone country, look at them boots
Shes gone country, back to her roots
Shes gone country, a new kind of suit
Shes gone country, here she comes
Well the folk scene is dead
But hes holding out in the village
Hes been writing songs speaking out
Against wealth and privilege
He says i dont believe in money
But a man could make him a killin
Cause some of that stuff dont sound
Much different than dylan
I hear down there its changed you see
Theyre not as backwards as they used to be
Hes gone country, look at them boots
Hes gone country, back to his roots
Hes gone country, a new kind of suit
Hes gone country, here he comes
He commutes to la
But hes got a house in the valley
But the bills are piling up
And the pop scene just aint on the rally
He says honey Im a serious composer
Schooled in voice and composition
But with the crime and the smog these days
This aint no place for children
Lord it sounds so easy it shouldnt take long
Be back in the money in no time at all
Hes gone country, look at them boots
Hes gone country, back to his roots
Hes gone country, a new kind of suit
Hes gone country, here he comes
Yeah hes gone country, a new kind of walk
Hes gone country, a new kind of talk
Hes gone country, look at them boots
Hes gone country, oh back to his roots
Hes gone country
Hes gone country
Everybodys gone country
Yeah weve gone country

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song performed by Alan Jackson
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Put Some Drive In Your Country

Well I was raised on country classics
Like Roy Acuff and George Jones
Lord I loved to hear 'em
Sing all them old time country songs
But I really got excited 'bout the time I turned 15
That's the first time I heard Waylon and old Bocephus sing
They put some drive in their country that really turned me on
Yeah, put some drive in your country
Keep country drivin' on
When the music gets you movin'
You know that can't be wrong
Every time I hear that outlaw stuff on my car radio
It makes me wanna drive it just as fast as it will go
Put some drive in your country
Let's keep country drivin' on
We played some shows in Atlanta on Sunday afternoons
The gigs were packed and I was nervous
Cause I wanted folks to like my tunes
The crowds were full of younger people
They were all about my age
So I turned and told the band just before we walked on stage
Put some drive in your country fellas
We turned those people on
Yeah, put some drive in your country
Keep country drivin' on
When the music gets you dancin'
You know that can't be wrong
See I made myself a promise when I was just a kid
I'd mix southern rock and country and that's just what I did
Put some drive in your country
Keep country drivin' on
Put some drive in your country
Hey, let's keep country drivin' on
When the music gets you movin'
You know that can't be wrong
I still love old country
I ain't tryin' to put it down
Damn I miss Duanne Allman
I wish he was still around
Put some drive in the country
Keep country drivin' on
Put some drive in the country
Let's keep country drivin' on

song performed by Travis Tritt
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poem by Caasder Fronds
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Richest Man

If i had a dollar
For every time
You broke my heart,
Messed up my mind
Well i'd be the richest man
I'd be the richest man
...in the world
If bad times paid interest
I'd have you to thank
I'd be driving a new car,
Have money in the bank
I'd be the richest man
I'd be the richest man
...in the world
Baby..money can't buy love
The kind i dream of is so hard to find
For a good womans touch in the morning when i rise
Well baby i'd give up every single dime
Money cant buy love
The kind i dream of is so hard to find
For a good woman's touch in the mrning when i rise
Baby i'd give up every single dime
If teardrops were diamonds from the african mines
If heartaches were silver
My whole life would shine
And i'd be the richest man
I'd be the richest man
...in the world
Baby.

song performed by Counting Crows
Added by Lucian Velea
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Independence and Reconciliation Celebration

It began with heartbreaking remembrance,
the acrid smell of canon fire still in the air
after half a century, the exhausted climb
up Cemetery Hill still felt in their muscles—

They had returned, veterans from both sides,
North and South, to re-enact their movements
on the last of those bloody three days
of the Battle of Gettysburg.

In the final Southern charge of the war~
12,500 Confederate soldiers led by
General George Pickett went straight up
that hill and into the line of fire by Union
troops waiting behind a stone wall.

Pickett lost half his men.
Of the 160,000 Americans
on both sides,51,000 or more
died in those three days
of the Battle of Gettysburg
in our Civil War.

On July 3,1913, the 50th anniversary of Pickett's Charge,
50,000 surviving veterans traveled to the same place
in Pennsylvania,
the youngest among them at 61 and the eldest purported to be 112.

The commemoration ended
with Confederate veterans
walking the path they'd taken
up Cemetery Hill to the stone wall
where Union veterans were waiting
to shake their hands and embrace them.

In 1938, President Franklin Roosevelt
met with nearly 2,000 still living veterans
for the battle's 75th anniversary.
Their average age was 94.

The President dedicated
the Eternal Light Peace Memorial
to commemorate that most truly civil reunion
and reconciliation embrace of 1913.

Today its flame can be seen
from a distance of twenty miles.

On the front of the memorial
are words carved in stone~

[...] Read more

poem by Alla Renee Bozarth
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Country Aint Country

He was raised on a tractor in overalls and boots
Been to college and then law school since leaving his roots
Came home in a lexus,he left in a ford
Country aint country no more
He told his daddy catch up with the times
He said now a days people trade heifers online
Dad aint selling deals with a handshake like before
Country aint country no more
No,country aint country no more
The back forty was sold to make up for hard times
Then sold by the half acre lot overnight
The houses went up and the trees were cut down
And there went the finest deer hunting around
Lord everyones locking their doors
cause country aint country no more
Now his dad sits in traffic looking round at the change
Watching crews turn the county road into four lanes
The old sunday drive has turned into a chore
Country aint country no more
Lord,country aint country no more
The back forty was sold to make up for hard times
Then sold by the half acre lot overnight
The houses went up and the trees were cut down
And there went the finest deer hunting around
Lord everyones locking their doors
cause country aint country no more
Theres no turning back
And you just cant ignore
That country aint country no more
No,country aint country no more

song performed by Travis Tritt
Added by Lucian Velea
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Country Woman

Country women now, what you gonna do with your life
Country women now, why dont you get out of this life
Leave my life alone
The first time I met you I knew you were the devils daughter
You came on like a river , doin all the things you oughta
Youre a self made women ,baby, not a made-to-order
If you had your way , I know youd make me stay
And that would only bring me down
Country women now, what you gonna do with your life
Country women now, why dont you get out of this life
Leave my life alone
(break)
Country women , country women ,country women
Country women, country women , ahh....
Country women now, what you gonna do with your life
Country women now, why dont you get out of this life
Leave my life alone
Leave my life alone
Country women now , country women now, country women now,
Country women now , country women now, country women now, (fade)

song performed by Bee Gees
Added by Lucian Velea
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Thank God Im A Country Boy

This song appears on thirteen albums, and was first released on the back home again album. it has also been released on the greatest hits vol 2, favourites, voice of america, the rocky mountain
Ction, the country roads collection and changes albums. it has been recorded for the love again album. live versions appear on the an evening with john denver, live in london, country classics,
Ery best of john denver (double cd) and live at the syney opera house albums.
Well life on the farm is kinda laid back
Aint much an old country boy like me cant hack
Its early to rise, early in the sack
Thank God Im a country boy
Well a simple kinda life never did me no harm
A raisin me a family and workin on a farm
My days are all filled with an easy country charm
Thank God Im a country boy
Well I got me a fine wife I got me a fiddle
When the suns comin up I got cakes on the griddle
Life aint nothin but a funy funny riddle
Thank God Im a country boy
When the works all done and the suns settlin low
I pull out my fiddle and I rosin up the bow
The kids are asleep so I keep it kinda low
Thank God Im a country boy
Id play sally goodin all day if I could
But the lord and my wife wouldnt take it very good
So I fiddle when I could, work when I should
Thank God Im a country boy
Well I got me a fine wife I got me a fiddle
When the suns comin up I got cakes on the griddle
Life aint nothin but a funy funny riddle
Thank God Im a country boy
Well I wouldnt trade my life for diamonds and jewels
I never was one of them money hungry fools
Iid rather have my fiddle and my farmin tools
Thank God Im a country boy
Yeah, city folk drivin in a black limousine
A lotta sad people thinkin thats mighty keen
Son, let me tell ya now exactly what I mean
Thank God Im a country boy
Well I got me a fine wife I got me a fiddle
When the suns comin up I got cakes on the griddle
Life aint nothin but a funy funny riddle
Thank God Im a country boy
Well, my fiddle was my daddys till the day he died
And he took me by the hand and held me close to his side
Said, live a good life and play my fiddle with pride
And thank God youre a country boy
My daddy taught me young how to hunt and how to whittle
Taught me how to work and play a tune on the fiddle
Taught me how to love and how to give just a little
Thank God Im a country boy
Well I got me a fine wife I got me a fiddle
When the suns comin up I got cakes on the griddle
Life aint nothin but a funy funny riddle

[...] Read more

song performed by John Denver
Added by Lucian Velea
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The White Cliffs

I
I have loved England, dearly and deeply,
Since that first morning, shining and pure,
The white cliffs of Dover I saw rising steeply
Out of the sea that once made her secure.
I had no thought then of husband or lover,
I was a traveller, the guest of a week;
Yet when they pointed 'the white cliffs of Dover',
Startled I found there were tears on my cheek.
I have loved England, and still as a stranger,
Here is my home and I still am alone.
Now in her hour of trial and danger,
Only the English are really her own.

II
It happened the first evening I was there.
Some one was giving a ball in Belgrave Square.
At Belgrave Square, that most Victorian spot.—
Lives there a novel-reader who has not
At some time wept for those delightful girls,
Daughters of dukes, prime ministers and earls,
In bonnets, berthas, bustles, buttoned basques,
Hiding behind their pure Victorian masks
Hearts just as hot - hotter perhaps than those
Whose owners now abandon hats and hose?
Who has not wept for Lady Joan or Jill
Loving against her noble parent's will
A handsome guardsman, who to her alarm
Feels her hand kissed behind a potted palm
At Lady Ivry's ball the dreadful night
Before his regiment goes off to fight;
And see him the next morning, in the park,
Complete in busbee, marching to embark.
I had read freely, even as a child,
Not only Meredith and Oscar Wilde
But many novels of an earlier day—
Ravenshoe, Can You Forgive Her?, Vivien Grey,
Ouida, The Duchess, Broughton's Red As a Rose,
Guy Livingstone, Whyte-Melville— Heaven knows
What others. Now, I thought, I was to see
Their habitat, though like the Miller of Dee,
I cared for none and no one cared for me.

III
A light blue carpet on the stair
And tall young footmen everywhere,
Tall young men with English faces
Standing rigidly in their places,
Rows and rows of them stiff and staid

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poem by Alice Duer Miller
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The Farewell

_P_. Farewell to Europe, and at once farewell
To all the follies which in Europe dwell;
To Eastern India now, a richer clime,
Richer, alas! in everything but rhyme,
The Muses steer their course; and, fond of change,
At large, in other worlds, desire to range;
Resolved, at least, since they the fool must play,
To do it in a different place, and way.
_F_. What whim is this, what error of the brain,
What madness worse than in the dog-star's reign?
Why into foreign countries would you roam,
Are there not knaves and fools enough at home?
If satire be thy object--and thy lays
As yet have shown no talents fit for praise--
If satire be thy object, search all round,
Nor to thy purpose can one spot be found
Like England, where, to rampant vigour grown,
Vice chokes up every virtue; where, self-sown,
The seeds of folly shoot forth rank and bold,
And every seed brings forth a hundredfold.
_P_. No more of this--though Truth, (the more our shame,
The more our guilt) though Truth perhaps may claim,
And justify her part in this, yet here,
For the first time, e'en Truth offends my ear;
Declaim from morn to night, from night to morn,
Take up the theme anew, when day's new-born,
I hear, and hate--be England what she will,
With all her faults, she is my country still.
_F_. Thy country! and what then? Is that mere word
Against the voice of Reason to be heard?
Are prejudices, deep imbibed in youth,
To counteract, and make thee hate the truth?
'Tis sure the symptom of a narrow soul
To draw its grand attachment from the whole,
And take up with a part; men, not confined
Within such paltry limits, men design'd
Their nature to exalt, where'er they go,
Wherever waves can roll, and winds can blow,
Where'er the blessed sun, placed in the sky
To watch this subject world, can dart his eye,
Are still the same, and, prejudice outgrown,
Consider every country as their own;
At one grand view they take in Nature's plan,
Not more at home in England than Japan.
_P_. My good, grave Sir of Theory, whose wit,
Grasping at shadows, ne'er caught substance yet,
'Tis mighty easy o'er a glass of wine
On vain refinements vainly to refine,
To laugh at poverty in plenty's reign,
To boast of apathy when out of pain,

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poem by Charles Churchill
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The true view of my country: Swaziland

The true colors of my country
The true Swaziland
The true view of my country
How long have you been deceived?
How long have you received
How long have you conceived

Deceived of a peaceful country
Received about a democratic country
Conceived a developing country
This then is melody of the true Swaziland
A voice of the real Swaziland
A roar of the future of Swaziland

Around the cities of Manzini
Around the mountains of Mdzimba
Around the rivers of Shiselweni
Around the deserts of Lavumisa
You shall find the poor Swazis
You shall find the poor schools
You shall find the starving Swazis
You shall find the dying Swazis

Around the cities of Africa
Around the cities of Europe
Around the hospitals of South Africa
You shall find children of the leaders of Swaziland
You shall find brothers of the leader of Swaziland

For our education is less valued
For our hospitals are critical
For our salaries are drops
For our lives are miserable
Why my country
Why Swaziland

Houses of the leaders are a paradise
Our homesteads are falling mud and sticks
Their cars are glittering engines
Our cars were God given, ever barefooted
Food beyond measure is theirs
We rely on donations; see our water sources, fields and work places

The true image of my country
They call themselves members of parliament
Warming the chairs with not effective policies
Swazis have turned to misinterpret the duties of members of parliament
They are elected to donate food for them
Why my country
Why Swaziland.

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poem by Alex Lushaba
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The Four Seasons : Winter

See, Winter comes, to rule the varied year,
Sullen and sad, with all his rising train;
Vapours, and clouds, and storms. Be these my theme,
These! that exalt the soul to solemn thought,
And heavenly musing. Welcome, kindred glooms,
Congenial horrors, hail! with frequent foot,
Pleased have I, in my cheerful morn of life,
When nursed by careless Solitude I lived,
And sung of Nature with unceasing joy,
Pleased have I wander'd through your rough domain;
Trod the pure virgin-snows, myself as pure;
Heard the winds roar, and the big torrent burst;
Or seen the deep-fermenting tempest brew'd,
In the grim evening sky. Thus pass'd the time,
Till through the lucid chambers of the south
Look'd out the joyous Spring, look'd out, and smiled.
To thee, the patron of her first essay,
The Muse, O Wilmington! renews her song.
Since has she rounded the revolving year:
Skimm'd the gay Spring; on eagle-pinions borne,
Attempted through the Summer-blaze to rise;
Then swept o'er Autumn with the shadowy gale;
And now among the wintry clouds again,
Roll'd in the doubling storm, she tries to soar;
To swell her note with all the rushing winds;
To suit her sounding cadence to the floods;
As is her theme, her numbers wildly great:
Thrice happy could she fill thy judging ear
With bold description, and with manly thought.
Nor art thou skill'd in awful schemes alone,
And how to make a mighty people thrive;
But equal goodness, sound integrity,
A firm, unshaken, uncorrupted soul,
Amid a sliding age, and burning strong,
Not vainly blazing for thy country's weal,
A steady spirit regularly free;
These, each exalting each, the statesman light
Into the patriot; these, the public hope
And eye to thee converting, bid the Muse
Record what envy dares not flattery call.
Now when the cheerless empire of the sky
To Capricorn the Centaur Archer yields,
And fierce Aquarius stains the inverted year;
Hung o'er the farthest verge of Heaven, the sun
Scarce spreads through ether the dejected day.
Faint are his gleams, and ineffectual shoot
His struggling rays, in horizontal lines,
Through the thick air; as clothed in cloudy storm,
Weak, wan, and broad, he skirts the southern sky;
And, soon-descending, to the long dark night,

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poem by James Thomson
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Take Me Home, Country Roads

This song appears on twenty-one albums, and was first released on the poems, prayers and promises album. this version has also been released on the very best of john denver (double cd), this is
Denver, the country roads collection and the rocky mountain collection albums. it has been rerecorded on the greatest hits vol 1, take me home country roads & other hits, changes, favourites
Ce of america, john denver (italian) and country classics albums. it has been rerecorded again on the a portrait and the john denver collection - take me home, country roads albums, and again on
Love again and a celebration of life albums. live versions also appear on the an evening with john denver, live in london, live at the sydney opera house, the wildlife concert and the best of jo
Nver live albums.
Almost heaven, west virginia
Blue ridge mountains
Shenandoah river -
Life is old there
Older than the trees
Younger than the mountains
Growin like a breeze
Country roads, take me home
To the place I belong
West virginia, mountain momma
Take me home, country roads
All my memories gathered round her
Miners lady, stranger to blue water
Dark and dusty, painted on the sky
Misty taste of moonshine
Teardrops in my eye
Country roads, take me home
To the place I belong
West virginia, mountain momma
Take me home, country roads
I hear her voice
In the mornin hour she calls me
The radio reminds me of my home far away
And drivin down the road I get a feelin
That I should have been home yesterday, yesterday
Country roads, take me home
To the place I belong
West virginia, mountain momma
Take me home, country roads
Country roads, take me home
To the place I belong
West virginia, mountain momma
Take me home, country roads
Take me home, now country roads
Take me home, now country roads
Words and music by bill danoff, taffy nivert and john denver

song performed by John Denver
Added by Lucian Velea
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A Man From The Slum District

ı a m a man from a slum district
my pockets are empty and moneyı ess
in obligation
ı am a member of a fake syndicate
in the factory ı work as a laborer
ı f open my mouth
and talk against my bosses
ı will be booted and fired
find myself in the streets
ı am a man nfrom a slum district
my struggle with others is obligatary
to survive
ı drink wine which kills a dog
ı am screaming all night in the streets
against alll these
with the night watches guarding me
ı am a man from a slum district
my badly cladding is also obligatory
in beyoglu
policemen strolling..watching and batoning me
sometimes to death
ı am a man from a slum district
ı f ı touch others' wind they lick me and bruise me
my love affairs are unjust and obligatory too
fathers are on watch in front of their houses
if ı look at a girl or even gaze at their daughters
it will be the cause of the many murders
Yusuf HAYALOGLU.....Translation Metin Ş AHİ N

poem by Metin Sahin
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