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I am a film buff.

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Girls On Film (Night Version)

See them walking hand in hand
Across the bridge at midnight
Heads turning as the lights flashing out
Are so bright
And walk right out to the four line track
There's a camera rolling on her back
On her back
And I sense a rhythm humming in a frenzy
All the way down her spine
Girls on Film
Girls on Film
Girls on Film
Girls on Film
Lipstick cherry all over the lens as she's falling
And miles of sharp blue water coming in
Where she lies
The diving man's coming up for air
'Cause the crowd all love pulling Dolly by the hair
By the hair
And she wonders how she ever got here
As she goes under again
Girls on Film (Two minutes later)
Girls on Film
Girls on Film (Got your picture)
Girls on Film
Wider, baby, smile and you've just made a million
Fuses pumping live heat twisting out on a wire
Take one last glimpse into the night
I'm touching close
I'm holding bright, holding tight
Give me shudders in a whisper,
Take me up til I'm shooting a star
Girls on Film (she's more than a lady)
Girls on Film
Girls on Film (Two minutes later)
Girls on Film
Girls on Film (see you together)
Girls on Film
Girls on Film (see you later)
Girls on Film

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Girls On Film

See them walking hand in hand across the bridge at midnight
Heads turning as the lights flashing out are so bright
Then walk right out to the fourline track
Theres a camera rolling on her back on her back
And I sense the rhythms humming in a frenzy
All the way down her spine
Girls on film
Girls on film
Girls on film
Girls on film
Lipstick cherry all over the lens as shes falling
In miles of sharp blue water coming in where she lies
The diving mans coming up for air
Cause the crowd all love pulling dolly by the hair, by the hair
And she wonders how she ever got here
As she goes under again
Girls on film (two minutes later)
Girls on film
Girls on film (got your picture)
Girls on film
Wider baby smiling youve just made a million
Fuses pumping live heat twisting out on a wire
Take one last glimpse into the night
Im touching close Im holding bright, holding tight
Give me shudders with a whisper take me high
Till I Im shooting a star
Girls on film (shes more than a lady)
Girls on film
Girls on film (see you together)
Girls on film
Girls on film (see you later)
Girls on film
Girls on film (two minutes later)

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Experimental Film

The color of infinity
Inside an empty glass
I'm squinting my eye
And turning off and on and on
and off the light
It's for this experimental film
Which nobody knows about and which
I'm still figuring out what's going to go
In my experimental film
Yeah, you're all gonna be in this experimental film
And even though I can't explain it
I already know how great it's
I already know the ending
It's the part that makes your face implode
I don't know what makes your face implode
But that's the way the movie ends
And in my experimental film
Which nobody knows about but which
I'm still figuring out your face implodes
At my experimental film
Yeah, you're all gonna be in this experimental film
And even though I can't explain it
I already know how great it--
Even though I can't explain it
I already know how great it's
The color of infinity
Inside an empty glass
It's for this experimental film
Which nobody knows about and which
I'm still figuring out what's going to go
In my experimental film
Yeah, you're all gonna be in this experimental film
And even though I can't explain it
I already know how great it's gonna--
Yeah, you're gonna be in this experimental film
And even though I can't explain it
I already know how great it--
Even though I can't explain it
I already know how great it's

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Colonel Buffalo Bill

Who's got the stuff that made the Wild West wild?
Who pleases ev'ry woman, man and child?
Who does his best to give the customers a thrill?
-Who?
Colonel Buff'lo Bill
Who's got the show that gets the most applause?
Five hundred Indians and fifty squaws
Ten feature acts and there's the special feature still
-Who?
Colonel Buff'lo Bill
Did you ever see a cowboy rope a steer?
-No, we haven't
Or an Indian with feathers throw a spear?
-No, we haven't
Or a marksman shoot an earring from an ear?
-No, we haven't
Did you ever see a hold up?
-No, sir
Then gather closer
And let me give you some of the atmosphere
The hour is midnight and all is still
We see the stagecoach climbing up a hill
Going along a mountain trail carrying passengers and mail
Never suspecting danger as they roll along
The watchful driver is in his seat
His trusty rifle lying at his feet
Some of the passengers inside seem to be dozing as they ride
Never suspecting there is something really wrong
Suddenly there's a shout
-What is it all about?
What is it all about you ask? It's Indians
-Indians!
Indians
-Indians!
Very notable, cut your throat-able Indians
-Indians!
Just when they've taken ev'ryone by force
Who makes an entrance on a big white horse?
Who starts a' shootin' till there's no one left to kill
-Gen'ral Grant?
No! Colonel Buff'lo Bill!
-Certainly this is quite a thrill, better than all the vaudeville
-Let us be on the go and see the show with Buff'lo Bill

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The Film Of My Love

Co-starring you
And co-starring me
Starring us both together
The film of my love
Will travel the world
Forever and ever and ever
A back lot romance
A scripted affair
The screenplay a blessing from heaven
Were gone with the wind
On the orient express
To join the magnificent seven
The film of my love
Will travel the world
And travel the whole world over
The film of my love
Will travel the world
Over and over and over
The film of my love
Will travel the world
Over and over and over
Over and over and over again
Over and over and over
A close-up of yours
A long shot of mine
Superimposed together
Ill zoom in on you
With a love that is true
In cinemascope forever
A clapper board kiss
Theres an oscar in this
A hit or a miss whatever
A box office wedding
A premier for two
Well be on location forever
When pathe recall
The thrill of it all
Theyll edit us both together
A legend a classic
An epic of love
Captured on film forever
A lasting embrace
That time cant erase
Let them censor the wind
Or the weather
The film of my love
Will conquer the world
Forever and ever and ever
The film of my love
Will travel the world

[...] Read more

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Concrete

[intro]
A the gal them international dj comin
Through, so yow!
Respect due all the man
Them inna the street but the gal inna me fleet
[chorus]
Woman you physique concrete
Cant delete you fat
Because you buff up complete
24 hours seven days of the week
Want you listen to me voice when it come true the speaker
Move pon you feet
[x2]
[verse 1]
Well I got to give thanks and praises
Fel the gal them
Fel the gal them lingerie laces
Fel the gal them quietest of faces
We take them out to hype places
And take them back to we bases
Because we wet them oasis
Wet them oasis me go so
A sean paul we biggin up the gal them
Design
We mark them out oten who gave
The biggest design
Me seek and me find which one ago be mine
Sent from above you know them well define
[chorus]
Woman you physique concrete
Cant delete you fat
Because you buff up complete
24 hours seven days of the week
Want you listen to me voice when it come true the speaker
Move pon you feet
[x2]
[verse 2]
So what is the hold up
You want your body control up
Den come and jump on me pole up
Is why you acting so cold up
Hold on make me stone up
And tiger bone up and roll up
And get me sittin well grown up
And den you started to monk up
Catch it woman you know you got the body
Man a watch it
And everytime you pass pon the road
You a flash it
A so we get fi know say that you physically fit

[...] Read more

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Blind Man's Buff

I remember as a child we used to
Play out in the square,
In the sleepy little village
Someone christened Uno Ware,
There was never any traffic so
Until we'd had enough,
With the cruelty of children
We'd keep playing Blind Man's Buff.

It was cruel, I admit it and
Regret the very day,
The first time we invited young
Immanuel to play,
He was Russian, and had come to live
From halfway round the earth,
He was always labelled ‘It' because
He'd been stone blind from birth.

His father, Andropovski was
An evil looking man,
But he'd fled before the Communists
Had come to rule the land,
He'd been in the Palace Guard, had
Given service to the Csar,
While the Bolsheviks had gathered,
He'd deserted, travelled far.

Immanuel was only nine
A stranger to the street,
He was not allowed to play with us
The urchins in bare feet,
But his father was a woodsman and
Away most every day,
So we gathered round his window,
Asked Immanuel to play.

We'd lead him out and spin him round
And say, ‘You're it! ' and stuff,
And he'd shriek and laugh and stagger
As we played our Blind Man's Buff,
But he very rarely caught us
We were far too quick for him,
‘Til his father, Andropovski,
Kicked our butts and took him in.

After that he stayed inside or
Came to sit out on the porch,
And he'd listen to us playing
We'd indulge in different sports,
Then he took a knife and whittled

[...] Read more

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You would be surprised of films that people just don't see. You know what I mean? I'm always working and I'm a film buff but I'm an old school film buff.

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King Is White & In The Crowd

Talking by the pool of light, language from america.
She puts on the film of him, king is white and in the crowd
They are not a melting pot, say no, say no tapestry
She puts on the film of him, king is white and in the crowd
She takes his hand and she says youll stay
Shes lost in the crowd
King
Wire them up, fire them up
The life and times, the art and talk
Wire them up, fire them up
The life and times, the art and talk
Lovers run camp africa, bars in town are civilised
She puts on the film of him, king is white and in the crowd
Panorama, citylife
Youths dance proud from the waist down
She puts on the film of him, king is white and in the crowd
Shot from where the action is, a rhapsody in black and blue
She puts on the film of him, king is white and in the crowd
Love lies under western eyes, powerful yet transient
She puts on the film of him, king is white and in the crowd
Words & music : simple minds (c) emi publishing ltd reproduced without permission

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King Is White And In The Crowd

Talking by the pool of light, language from Americ.
a
She puts on the film of him, King is white and in the crowd
They are not a melting pot, say no, say no tapestry
She puts on the film of him, King is white and in the crowd
She takes his hand and she says you'll stay
She's lost in the crowd
King
Wire them up, fire them up
The life and times, the art and talk
Wire them up, fire them up
The life and times, the art and talk
Lovers run camp Africa, Bars in town are civilised
She puts on the film of him, King is white and in the crowd
Panorama, Citylife
Youth's dance proud from the waist down
She puts on the film of him, King is white and in the crowd
Shot from where the action is, a rhapsody in black and blue
She puts on the film of him, King is white and in the crowd
Love lies under western eyes, powerful yet transient
She puts on the film of him, King is white and in the crowd

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This be the last time we use the phrase 'Slumdog

We, as Indians, have reasons
To be proud of having
Created history by the film
“Slumdog Millionaire”
At the same time, we, as human beings,
Have to have hung our heads for
Having created slums

Slum, as it means
An overcrowded area of a city,
Where the housing is in a very bad condition
And people live in unhygienic conditions
With no basic facilities

And who created slums,
Not the people residing there
But those whose greed has brought
These slum dwellers into these
Unfit-for-living conditions

The technicalities employed in
Filming this movie deserve all praise
While the different ways of living
Of the slum dwellers equally deserve attention
Of the entire human race
For correction and improvement

The film was declared to be
The best-directed
While the slum tribes have no directions
And they have no one to direct

The film was declared to be
The best film
While the slum where the film was shot
Is the worst place
For any human being

Let the recognition of the film
Bring to light the plight of slumdogs
To the fore
And let the human race do everything
Possible to move these people
Out of the slums, wherever they are,
And to help them live a decent, if not better, living

We shall be doing a great service
If this becomes the last ever time
We use this phrase “Slumdog”

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Girl And Gun

“All that you need is a girl and a gun
if you making a film, ” said Jean-Luc Godard.
In the dark with a girl you can have as much fun
as a guy who’s been laid in a film that is noir,
but if, when you switch on the light, you discover
the girl isn’t loaded, walk out of the trailer,
and if she complains that you’ve been a bad lover,
take out a revolver with which you can nail her.

Inspired by Manohla Dargis’s review of Gustav Deutsch’s “Film 1st, a Girl & an Gun” in the December 2,2009 NYT (“The Old Clips, A Paradise Found and Lost”) :
“To make a film, ” Jean-Luc Godard once memorably said, “all you need is a girl and a gun.” (A little money helps.) In “Film Ist. a Girl & a Gun, ” the Austrian director Gustav Deutsch complicates this witty, deceptively simple formula with a wealth of found footage (material shot by others for other purposes) borrowed from film archives from around the world. As the title suggests, there are girls (voluptuous, ecstatic, threatened) and there are guns (hard, phallic, threatening) along with something of a narrative. If the narrative that Mr. Deutsch has created is rather less thrilling than his mostly silent and often glorious images, this is nonetheless a story well worth considering, and watching. Using material gathered from the likes of the Imperial War Museum (in Britain) and the Kinsey Institute for Research in Sex, Gender and Reproduction (at Indiana University) , he has fashioned something of an origin story about cinema itself. It’s a tale that begins with an unidentified image of a woman in buckskin shooting at some targets and ends with a cowboy bandit pointing his gun at the camera, an image appropriated from Edwin S. Porter’s 1903 short, “The Great Train Robbery, ” one of the most famous in cinema history. Tucked between these loaded images, as it were, is a vision of cinematic paradise, found and lost.
Tumult of a kind pursues the shooting woman (nothing new there) in the form of a mesmerizing, mysterious shot of what looks like an archery target in flames and some text (“at the first Chaos came to be”) from “Theogony, ” an epic Greek poem by Hesiod about the origin of the world. The archery target gives way to fiery orange images of billowing smoke and some electronic thrumming. (The intermittent score tends to underscore the obvious.) The thrumming turns to droning, the smoke turns to lava, followed by more Hesiod (“wide-bosomed earth”) , a woman with bountiful breasts, “Paradeisos” (Greek for paradise) and naked beachfront frolickers…
Women turn out to be the fly in the ointment in “a Girl & a Gun.” (“Dead flies cause the ointment of the apothecary to send forth a stinking savor” or so it says in Ecclesiastes.) Among the many images that follow, many beautifully and floridly tinted, are sleeping, dreaming and fornicating clothed and unclothed women. In one early section, a woman drowsing in a steam room seems to dream of both an undulating jellyfish and a swimming man. In another section, a woman watches a man spin four strange dials hidden behind a cabinet, as if he were initiating her into a secret world. (On the soundtrack, you hear “she dies.”) A world, a subsequent shot suggests — of a woman reading a newspaper with the headline “Cine Monde” — that has been made from images…With “a Girl & a Gun, ” Mr. Deutsch brings in Eros and Thanatos to a seductive if familiar end.


12/2/09

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Rubaiyat Of A Robin - After Edward Fitzgerald - Rubaiyat Of Omar Khayyam

Jest plays with rubaiyat and, four by four,
unseals for your amusement more and more
verses together thread in rosary
unreeled to bloom till tomb will curtains draw.

Repealed are value judgement and perspective
revealed through standpoint purely introspective,
darkside concealed of moon’s yin-yang shines clear
when we’re in orbit, - option more effective.

Rolled form performs rôle midwife to perception,
sprung tongue in cheek, tweaks sense of imperfection
or willingness to leach between the lines,
impeach entrenched ideas of self-[s]election.

This prose arose as stream deprived of section,
where ‘dip at will’ will still sustain inspection,
the current’s sense, at odds with current views
ignores round holes, square pegs, top-down direction.

Here there’s no fear of critics’ peer rejection,
contention treated with due circumspection
intention is to mention for retention
an overview or clue to extrospection.

Life’s curtains are a veil through which few see,
as many haste taste-waste eternity,
mixed up, ignore life fixes finite sum
to/through infinite opportunity.

Can “Truth” exist? all ask, who seek its core,
we, modest, etch our words to sketch the score,
diverse the verses which converge to link
reflections mirrored many times before.

Vast content, style, a while, united are,
aim at soul stimulation, nothing bar,
to pleasure, treasure, or discard at will
as minds outreach to other minds on par.

Meditating, we shed light on what
tomorrow’s tot may factor into ‘bot’ -
the poet’s lot, forgot, to help all think
ahead of time, enhance life for a lot

Some seek Nirvana, Faith speaks more than “how”.
Others reject Salvation’s wraith, - w[h]ine “now”.
Verifying facts? Inventing dreams?
Each furrow-burrows with a different plough.

[...] Read more

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First Encounter - Imamura Shohei

Imamura Shohei
that love of the orient
shines through his face

Imamura Shohei
our meet marked by
mutual love for the orient

The late Imamura Shohei won the Grand Prix Award for the Cannes Film Festival for the film Narayama Bushiko many years back. The film depicts the strange custom of a Japanese village where old folks were
sent to mountains to die to solve food problems. The most touching scene was that of an old woman waving to her reluctant son to go after he had brought her to the mountains. Imamura was in Malacca in the 80s to film his other film Zegen when we met up. He greeted me like a friend, an outpouring of his love for the orient. Zegen did not make it to the box office but his recognition as one of Japan best directors surivives.

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Love Or Money

{b-side of kiss}
(love or money) {repeat in song}
Baby, nothing come 4 free now
If u want 2 be with me now
Whats it gonna be now?
Is it love or is it money?
Tell me, tell me whats your name?
Whats your claim 2 fame?
U see, I dont like silly games
Is it love or is it money?
Tell me whats on your mind?
Are we just makin time?
Will our spirits rhyme?
Is it love or is it money? yeah
Showtime, uh
Im gonna shake my hips 2 the east
Shake my hip 2 the west
Till u make up your mind
That my hip is the best
I said uh
I said baby, let me take u by the hand
Make u understand
That i... I aint no silly man
Got 2 let me know, is it love or is it money?
Nothing come 4 free now
If u want 2 be with me now
Whats it gonna be now?
Is it love or is it money? yeah
Listen
Talk a little
Take u by the hand
Make u understand
That I aint no silly man
He was bad, he was fresh
All the women say he was the best
He had money up 2 his neck
But it didnt mean a heck
The boy was in need of some diehard pussy
The kinda drawers that last
Heck-a-buff, good god, I wantcha
Love
Baby, baby, baby...
(love or the money) {x3}
We could play 4 days
If u get tired, uh, give me that mayonnaise
Revolution, put the groove on the bus
Dont worry about me, dont worry about us
Hey, baby
Hey, what it is
Love or money {x2}

[...] Read more

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Feel Alright

(Intro)
Yo yo!
Straight up de gal dem seh dem love mi fah di illy skilly
Dem dun know, Sean-A-Paul (Yeah yeah)
Duttily muckilly yo
Yah mon Dutty Cup back pon di scene
Comin back fi mek di girls dem bawl out and scream
(It's like a dream) Dutty yeah!
We mek yuh feel alright (Woman)
Wine up ya body till a mornin light (Then gal)
Wave up yuh hand because yuh know seh yuh tight (Woman)
Bounce and gallang woman yuh know seh yuh right (Because)
Woman, woman, woman ...
(Chorus)
Woman yuh mek de sin ting rise
Anytime mi press upon yuh tight
Baby and mek me wuk yuh all night
Mek yuh feel alright, givin yuh di lovin a yuh life
Mek yuh sweat till di mornin light
Mek de sin ting rise
Anytime mi press upon yuh tight
Baby and mek me wuk yuh all night
Mek yuh feel alright, givin yuh di lovin a yuh life
Mek yuh sweat till di mornin light
Bounce it gal, from oonu nuh dibby dibby
Big up all di fat titty tell dem weh yuh feel gimme
Pon di front page, anytime dem see mi see mi
Gal dem seh dem love mi fah di illy skilly
When I got some bouncin gal, woman and yuh dun mek it
Every man round di town seh den waan set it
But Sean-A-Paul alone a weh yuh waan set it
Every day we correct it so mi go so then
Gal a fat till it buff from mi caan get enough
Cau yuh plump andyuh fluff mek mi hard and tough
Yuh got di stuffin I got di handcuff
I know y uh like it from de back I know yuh like to rough
Gal gwaan wine bubble to di bassline
Every ting gwaan mi fine if yuh don't waste nuh time
Check mi later fi go get intertwine
Cau baby girl yuh know yuh mek all yuh ...
(Chorus)
Jump up gal jump up pon di kitty wid it
Jam Down party straight back to Philly Philly
Weh yuh tink it's a joke we nuh silly silly
Hygrade but mi smoke dro wid nuh philly philly
Man a test like nuh ol' time gilly gilly
Shout it out gal yuh know seh yuh waan see mi
Pon di sitten weh yuh have dat a fi mi fi mi
Gwaan start up di Dutty trilly yo
Cau yuh hot fat till it buff from mi caan get enough

[...] Read more

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Tackling My Computer

Exchanging my days of quill and ink,
To a computer is a must I think,
The favourite of the current age,
Is just the thing I need, I guage.

A modem, printer and scanner will do,
A camera, mouse and speakers too,
With all these marvellous machines,
Life would be effortless, it seems.

Well.....Switching on is bad enough,
One needs to be a computer buff,
It's questions, questions, all the way,
Call 'help' they say, but 'help' won't play.

It takes months to learn all the technical moves,
Ages to slot things within the right grooves,
Once you've accomplished a single great feat,
Remembering how you got there, in the first place, is no treat.

My memory is not as good as this robot,
In fact it makes me look a very real 'dull clot',
One false move and everything becomes a disaster,
However can one end up feeling the master.

I never had problems with my old quill and ink,
Whatever we wrote, we relied on our 'quink', *
Everything stable, everything calm,
Everything tackled with no kind of alarm.

No stress, no anger, no frustration, no curses,
One simple poised instrument doing the 'verses',
My pen who never argued with me,
Would do the job handsomely for no extra fee.

Is this machine a friend or a foe,
I don't think I will ever know,
But I won't give in though, to it's power,
I won't be bullied and I won't cower.

I will achieve and I'll win the day,
A computer 'buff' is here to stay,
But my quill and my ink stay by my side,
In case on my robot my way is 'denied'.

Ernestine Northover

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Shake Dat Thing

Shake That Thing"
[Intro]
Yeah!
Well dey a hav some bwoy a gwaan like dem a gal short
(Dem a get caught)
Yuh bwoy a dem mind a nuh too sharp
Yuh dun kno say right now,
Blackshot and Sean-A-Paul a lef dem inna di dark
(Dutty Yeah!)
True to our ways jus gimme di light and pass di dro
Dey gyals a likein pon our flow
Hear what I say now rudebwoy
Di girls nuh waan nuh friars nuh connivers
Watch out let me talk to har den
[Chorus]
Girl it is on, at four o' clock in di morn'
An I been watchin' you shake dat ting
Man dem a try, dem a get deny
Caw I'm gonna tek dat ting
Girl it is mine, a long time me a line
An pan we fi waan you to shake dat ting
Gyal dem a round an
Dem a try tek yuh crown
A nuff a dem just, ain't nothing
[Verse]
Dat ting a weh yuh got dey
Weh yuh get it from, a mus yuh mama
Do you fault dey, from me like a champion a bubble pon di
Chart dey, gyal a look yuh hav me
A we waan to slap dey from di front an to di back dey
From di bed an to di matinee,
We haffi blow, pull out di guns an pop pop
It's dey fault dey, energy dey dey a so dey gimme di buff
An look pon me, baby put it on me
Right a now yuh mek di Dutty dap a feel horny
[Chorus]
Girl it is on, at four o' clock in di morn'
An I been watchin' you shake dat ting
Man dem a try, dem a get deny
Caw I'm gonna tek dat ting
Girl it is mine, a long time me a line
An pan we fi waan you to shake dat ting
Gyal dem a round an
Dem a try tek yuh crown
A nuff a dem just, ain't nothing
[Verse]
From yuh step up inna di place, dance just light up
Man dem a run alla dem chase an dem a hype up
Which one, a which one a dem a get it first, fight up
Looks like dem man dey a go up inna di Fight Club

[...] Read more

song performed by Sean PaulReport problemRelated quotes
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Shake That Thing

[Intro]
Yeah!
Well dey a hav some bwoy a gwaan like dem a gal short
(Dem a get caught)
Yuh bwoy a dem mind a nuh too sharp
Yuh dun kno say right now,
Blackshot and Sean-A-Paul a lef dem inna di dark
(Dutty Yeah!)
True to our ways jus gimme di light and pass di dro
Dey gyals a likein pon our flow
Hear what I say now rudebwoy
Di girls nuh waan nuh friars nuh connivers
Watch out let me talk to har den
[Chorus]
Girl it is on, at four o' clock in di morn'
An I been watchin' you shake dat ting
Man dem a try, dem a get deny
Caw I'm gonna tek dat ting
Girl it is mine, a long time me a line
An pan we fi waan you to shake dat ting
Gyal dem a round an
Dem a try tek yuh crown
A nuff a dem just, ain't nothing
[Verse]
Dat ting a weh yuh got dey
Weh yuh get it from, a mus yuh mama
Do you fault dey, from me like a champion a bubble pon di
Chart dey, gyal a look yuh hav me
A we waan to slap dey from di front an to di back dey
From di bed an to di matinee,
We haffi blow, pull out di guns an pop pop
It's dey fault dey, energy dey dey a so dey gimme di buff
An look pon me, baby put it on me
Right a now yuh mek di Dutty dap a feel horny
[Chorus]
Girl it is on, at four o' clock in di morn'
An I been watchin' you shake dat ting
Man dem a try, dem a get deny
Caw I'm gonna tek dat ting
Girl it is mine, a long time me a line
An pan we fi waan you to shake dat ting
Gyal dem a round an
Dem a try tek yuh crown
A nuff a dem just, ain't nothing
[Verse]
From yuh step up inna di place, dance just light up
Man dem a run alla dem chase an dem a hype up
Which one, a which one a dem a get it first, fight up
Looks like dem man dey a go up inna di Fight Club
I can ear dem say, gyal yuh body look ripe up

[...] Read more

song performed by Sean PaulReport problemRelated quotes
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Geo_metrics after XJ Kennedy Geometry

They say who play at blindman's buff,
verse trophies strive to gain,
that lines time challenge long enough
won’t find their waiting vain.
Any two lines laid parallel
which one day seem point miss
may meet with recognition well
above contemporary hiss.

Anticipation staves off curse.
Although today most spurn
my verse they surely shall rehearse
each strophe and return
thereto when Shakespeare's long forgot,
his sonnets Styx shall swallow,
while critics, p[r]etty prickly lot,
read s[l]ick screeds boomerang hollow.


29 December 2008 parody X.J. Kennedy Geometry robi3_1xxx_kenn2_0005


Geometry


They say who play at blindman's buff
And strive to fathom space
That a straight line drawn long enough
Regains its starting place
And that two lines laid parallel
Which neither stop nor swerve
At last will meet, for, strange to tell,
Space throws them both a curve.

Such guesswork lets my hopes abide,
For though today you spurn
My heart and cast me from your side
One day I shall return;
And though at present we may go
Our lonely ways, a tether
Shall bind our paths till time be through
And we two come together.


X J KENNEDY 1929_20xx kenn2_0005_kenn2_0000

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