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The point of an experiment is not to arrive at a predetermined end point, to prove or disprove anything, but to deliver a poem that reveals much about the process taken.

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Consumed Within the Process

Consumed within the process
That process we call life.
Immuned? Not from this process.
It keeps the vision near yet uncompromised.
And far enough to become realized.

Consumed.
Within the process.
That process called life!
Don't assume...
This process,
Is a process you can't like!

Consumed.
Within the process.
That process called life!
Don't assume...
This process,
Is a process you can't like!

Consumed.
Within the process.
That process called life!
Don't assume...
This process,
Is a process you can't like!

Consumed within the process.
That process we call life.
Immuned?
Not from this process!

It keeps the vision near yet uncompromised.
And far enough to become realized.
Closing its eyes only when it wishes,
To call itself out!

Consumed.
Within the process.
That process called life!
Don't assume...
This process,
Is a process you can't like!

Consumed.
Within the process.
That process called life!
Don't assume...
This process,
Is a process you can't like!

[...] Read more

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Catholic Contradictions

This Poem will speak to Peter,
Of the priest and the folly,
This poem doubts not the sincerity of true worshipers,
It will speak to the cult, the club, their Peter, the images of idolatry
This poem will address the indoctrination, the assumptions and contradictions,
This poem will expose and explode,
This poem will speak of the council of Valencia and the “forbidden book”
This poem will speak of the mass “hoc est enim corpus meum'
And the continuous re-enactment of the Death of Jesus
This poem will smite the conscience, rend the hearts, and heal the willing
This poem will speak of purgatory
Of priesthood
Of indulgences
Of penance
Of confessions and the “confessors”
Of papal decrees
And of the mortal and venial sins,
This Poem, this poem will speak of the “Virgin Mary” and the harlot,
This poem will confirm the marriage of Christ’s Peter
Of the Roman Universal contradictions and papal infallibility
This poem will speak of the assurance of salvation
And the curse of the Council of Trent
This poem will speak of the “Arian heresy”
Of “Cyprian and the lapsed”
Of the works of “Athanasius Contra Mundum”
Of Athanasius to the Bishop of Egypt
This poem will speak of the incarnation of the divine word
Orations against the Arians and against Apollinaris
This poem will speak of John Chrysostom, (golden mouth)
This poem will speak of his ethical applications and the trouble with the emperor’s wife
This poem will speak of Augustine and his forgotten works,
“In the spirit and the letter”, “Confession”, the “city of God “
The battle against the “Donatist” “Manichean” The “Arians” the “Pelagians”
This poem will speak of the Theology of “Anselm”
Of “Thomas Aquinas” and the Sum of Theology
This poem will talk of the “council of Nicea”
This poem will speak of Constantine and his cross of battle
The grandeur of “St Peter’s Basilica” the glory of man void of God’s presence
This poem will speak of the “Patriarchal City” and the protagonist
This poem will be persecuted, burnt, torn and ridiculed
This poem will never be read by Catholics,
It will not be verified to see the deception of Rome and the Pope,
This poem can read your mind, how you think Pope can never do wrong
This poem sees your bent determination to resist Truth
This poem will talk of Martin Luther, Ulrich Zwingli and John Calvin
This poem will be rejected by America, Britain, France, Russian, and Africa
This poem must be hated, by worshiper of Dead Mary and his statue
This poem will be scorned and attacked
This poem will bring shame to the writer; he will be sick or insane in the mind of the readers
This poem will not be read in Jerusalem, Rome, Alexandria, and Antioch,

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Sola Christos, Sola Scriptura, Sola Gracious, Sola Fide' and the Priesthood

This Poem will speak to Peter,
Of the priest and the folly,
This poem doubts not the sincerity of true worshipers,
It will speak to the cult, the club, their Peter, the images of idolatry
This poem will address the indoctrination, the assumptions and contradictions,
This poem will expose and explode,
This poem will speak of the council of Valencia and the “forbidden book”
This poem will speak of the mass “hoc est enim corpus meum'
And the continuous re-enactment of the Death of Jesus
This poem will smite the conscience, rend the hearts, and heal the willing
This poem will speak of purgatory
Of priesthood
Of indulgences
Of penance
Of confessions and the “confessors”
Of papal decrees
And of the mortal and venial sins,
This Poem, this poem will speak of the “Virgin Mary” and the harlot,
This poem will confirm the marriage of Christ’s Peter
Of the Roman Universal contradictions and papal infallibility
This poem will speak of the assurance of salvation
And the curse of the Council of Trent
This poem will speak of the “Arian heresy”
Of “Cyprian and the lapsed”
Of the works of “Athanasius Contra Mundum”
Of Athanasius to the Bishop of Egypt
This poem will speak of the incarnation of the divine word
Orations against the Arians and against Apollinaris
This poem will speak of John Chrysostom, (golden mouth)
This poem will speak of his ethical applications and the trouble with the emperor’s wife
This poem will speak of Augustine and his forgotten works,
“In the spirit and the letter”, “Confession”, the “city of God “
The battle against the “Donatist” “Manichean” The “Arians” the “Pelagians”
This poem will speak of the Theology of “Anselm”
Of “Thomas Aquinas” and the Sum of Theology
This poem will talk of the “council of Nicea”
This poem will speak of Constantine and his cross of battle
The grandeur of “St Peter’s Basilica” the glory of man void of God’s presence
This poem will speak of the “Patriarchal City” and the protagonist
This poem will be persecuted, burnt, torn and ridiculed
This poem will never be read by Catholics,
It will not be verified to see the deception of Rome and the Pope,
This poem can read your mind, how you think Pope can never do wrong
This poem sees your bent determination to resist Truth
This poem will talk of Martin Luther, Ulrich Zwingli and John Calvin
This poem will be rejected by America, Britain, France, Russian, and Africa
This poem must be hated, by worshiper of Dead Mary and his statue
This poem will be scorned and attacked
This poem will bring shame to the writer; he will be sick or insane in the mind of the readers
This poem will not be read in Jerusalem, Rome, Alexandria, and Antioch,

[...] Read more

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This Is Not A Confessionam Poem

This is not a confessional poem
I confess that I have written this
Not a romantic poem
Under the watch of the archangel of Blake’s vision
A l=a=n=g=u=a=g=e= p=o=e=m=
A loaf Of poem a gallon Of words a pint Of letters
A so-so go for broke poem
So so son and so said
An acrostic poem
None near Aim to be called
Mindfully toward the Eternity of the thing
An epitaph poem
He lays David E. Patton
Never one to believe in heaven
So when he dies he did spy

A free verse poem
A sonnet poem
A know it all poem for the masses
This is not a minute poem
A didactic poem
A tongue poem
A villanelle poem
A sestina poem
An epic poem
A quinzaine poem
A rondelet poem
This is not a rondel poem
A cascade poem
A trijan refrain poem
A tanka poem
A taridet poem
A quatrain poem
If I lie this is not a list poem
To pin upon the sky
Set before the poet’s eye
I confess that I have written this
But this is not written to deceived anything but what is desired by the greediness of the eyes
This is not the growth of breath focused on the words with their mindful meaning stalled by the stack of sounds held in the syllables
This is not a sijo poem from the land of the morning calm
I confess that I know not what this is but all that it is not of what it would be forgot in the mispronounced want of the bony wants of the skin bag of my self
This is not the not of a poem trying to be born from the keyboard’s click and the memory of my hands
This is not an every man poem to understand it dose not caters to the common man
This is not a poem about Gods caught up in my mentioning of them they have taken their holy toys and gone home till the kingdom will come only the prelists priests are left to protest their secret order for getting into a heaven where nothing changes nothing like the rot of earth that feed upon the rotting of the living
This is not a this is not poem all that I have said can be washed away with the rain of your brain this poem can not save can not heal can not trill you into action
This is not a solitary crowed poem a cut-up poem feeding off itself
I have written it but it will not tell me what kind of poem it seem to be
This is not a poem to make you rough or pure or proud or increate your intellect to beguile the world with its new found wisdom
This is not a poem to set you free from the common drudgery of your day to day life it can not fend or feed you with the not of its substance can not set you to dance naked beneath the full moon can not fill you up with the pleasure of the pen
This is not a poem that seeks to befriend it has no mouth to consume you no hands to caress you no tongue to lick the words from your tears

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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Z. Comments

CRYSTAL GLOW

Madhur Veena Comment: Who is she? ? ? ? ? ? ? ? ? ? ? ....You write good!

Margaret Alice Comment: Beautiful, it stikes as heartfelt words and touches the heart, beautiful sentiments, sorry, I repeat myself, but I am delighted. Your poem is like the trinkets I collect to adorn my personal space, pure joy to read, wonderful! Only a beautiful mind can harbour such sentiments, you have a beautiful mind. I am glad you have found someone that inspires you to such heights and that you share it with us, you make the world a mroe wonderful place.

Margaret Alice Comment: Within the context set by the previous poem, “Cosmic Probe”, the description of a lover’s adoration for his beloved becomes a universal ode sung to the abstract values of love, joy and hope personified by light, colours, fragrance and beauty, qualities the poet assigns to his beloved, thus elevating her to the status of an uplifting force because she brings all these qualities to his attention. The poet recognises that these personified values brings him fulfilment and chose the image of a love relationship to illustrate how this comes about; thus a love poem becomes the vehicle to convey spiritual epiphany.


FRAGRANT JASMINE

Margaret Alice Comment: Your words seem to be directed to a divine entity, you seem to be addressing your adoration to a divinity, and it is wonderful to read of such sublime sentiments kindled in a human soul. Mankind is always lifted up by their vision and awareness of divinity, thank you for such pure, clear diction and sharing your awareness of the sublime with us, you have uplifted me so much by this vision you have created!

Margaret Alice Comment: The poet’s words seem to be directed to a divine entity, express adoration to a divinity who is the personification of wonderful qualities which awakens a sense of the sublime in the human soul. An uplifting vision and awareness of uplifting qualities of innocence represented by a beautiful person.


I WENT THERE TO BID HER ADIEU

Kente Lucy Comment: wow great writing, what a way to bid farewell

Margaret Alice Comment: Sensory experience is elevated by its symbolical meaning, your description of the scene shows two souls becoming one and your awareness of the importance of tempory experience as a symbol of the eternal duration of love and companionship - were temporary experience only valid for one moment in time, it would be a sad world, but once it is seen as a symbol of eternal things, it becomes enchanting.


I’M INCOMPLETE WITHOUT YOU

Margaret Alice Comment: You elevate the humnan experience of longing for love to a striving for sublimity in uniting with a beloved person, and this poem is stirring, your style of writing is effective, everything flows together perfectly.

Margaret Alice Comment:

'To a resplendent glow of celestial flow
And two split halves unite never to part.'

Reading your fluent poems is a delight, I have to tear myself away and return to the life of a drudge, but what a treasure trove of jewels you made for the weary soul who needs to contemplate higher ideals from time to time!


IN CELESTIAL WINGS

Margaret Alice Comment: When you describe how you are strengthened by your loved one, it is clear that your inner flame is so strong that you need not fear growing old, your spirit seems to become stronger, you manage to convey this impression by your striking poetry. It is a privilege to read your work.

Obed Dela Cruz Comment: wow.... i remembered will shakespeare.... nice poem!

Margaret Alice Comment: The poet has transcended the barriers of time and space by becoming an image of his beloved and being able to find peace in the joy he confers to his beloved.

'You transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.'

Margaret Alice Comment: You are my peace and solace, I know, I am, yours too; A mere flash of your thoughts Enlivens my tired soul And fills me with light, peace and solace, A giant in new world, I become, I rise to divine heights in celestial wings. How I desire to reciprocate To fill you with light and inner strength raise you to divine heights; I must cross over nd hold you in arms, light up your soul, Fill you with strength from my inner core, Wipe away your tears burst out in pure joy How I yearn to instill hope and confidence in you we never part And we shall wait, till time comes right. the flame in my soul always seeks you, you transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.


RAGING FIRE

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A Poem Is Just A Poem

a poem is just a poem and if it is just a poem
it must be just a poem just like another poem

a poem is nothing but just a poem otherwise
it cannot be my poem; it may speak about

anything, or something, or about everything,
but my poem is just a poem just like anybody's

poem, which is just but a poem, like any other
poem, for a poem to be a poem it must just be

a poem: it has nothing to do with my love, and death
my life, or bliss, but as i have told you, once, twice

thrice, eat some rice, and be that wise, a poem is
just a poem, just like your poem. Why do you insist

on asking, what is happening to me? I am not a
poem, for i am but just the composer of the poem,

need i tell you again, that a poem is just a poem?
just like any other poem, which is just a poem

it is just a voice in my head that i have heard
someone comes and speaks and i listen so

this poem is not actually my poem but the poem
of someone else's: theirs not mine, from a mind.

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This Poem

THIS POEM

This poem
This first poem
This last poem
This poem that invented Poetry
This one and only one poem
This fictional poem
This ideal poem
This perfect poem
This would – be holy poem
This unreal poem
This poem which is not a poem
This poem which is the essence of all poetry
This poem
And that poem
And my poem
And your poem
And all poems
Poem poem poem poem poem
This poem
Mine and yours
This one small poem of so so many
And not such a good poem at all.

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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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I'll Do My Best To Deliver

Ask me for what you want.
Just ask me,
Ask me.
And make it anything,
You need...
From me.

Ask me for what you want.
Ask me for what you need,
And I'll do my best to deliver.
Ask me.
Just ask me.

Ask me for what you want.
Just ask me.
Ask me.
Ask me for anything,
And I will fullfill...
That need.

Ask me for what you want.
Ask me for what you need,
And I'll do my best to deliver.
Ask me.
Just ask me.
And I'll do my best to deliver.
Ask me.
Just ask me.

Oh ask me for what you want.
Ask me for what you need,
And I'll do my best to deliver.
Ask me.
Just ask me.
And I will do my best to deliver.
Ask me.
Just ask me.
And I'll do my best to deliver.
Ask me.
Just ask me.
And I will do my best to deliver.

Just ask me for what you want.
Just ask me for what you need,
And I will do my best to deliver.

Come thunderstorms, rain or shine...
That pressure you have will be taken right off your mind.
I will do my best to deliver.
Just ask me...

[...] Read more

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The Poem Of All The Places I Have Never Been

THE POEM OF ALL THE PLACES I HAVE NEVER BEEN

The poem of all the places I have never been
The poem of all the dreams I have not seen
The poem of others poems written in lines I have never imagined
The poem of the infinite – what-is- not and ‘what- will- never- be
The poem of seas and suns and sounds and Shakespeare’s sonnets,
The poem of words and only words whose sounds do not mean what we feel
The poem of all I would not and cannot write
The poem that is not and never will be in me
The poem I do not write
The poem I am not
The poem lost
The poem which itself is not a poem
The poem of the last contradiction and the first
The poem beyond the poem hidden within the poem
The poem which will never be a poem
The poem which is not
The poem I cannot dream.

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Verwoerd is Black

This poem is pregnant
with the black bloodshed of 1976.
This poem is constipated
with slavery of the poor.
This poem is the titanic of people’s hopes
sinking in the freezing ocean of democracy.
This poem is the enemy of the state,
‘cause, this poem bears testimony.
Don’t you know?
Verwoerd is black.

This poem is a hook that fishes
odd deeds buried behind black faces.
This poem is a mirror
that reflects odd unknown images
of stinking rich black men.
This poem is the voice of the angry dead.
This poem is a hammer to nail
in the brain of greedy politicians.
This poem is a database
of all black leaders.
This poem bears testimony.
Don’t you know?
Verwoerd is black.

This poem is for you
black man who spits
at the sight of a white man.
This poem is for you
white man who owns a savaged land
full of secret mass graves.
This poem is for you
black and white who hug and kiss
to please Madiba.
This poem is for you
the poor, who sing:
freedom has finally come.
This poem is for you, who know no truth,
‘cause, this poem bears testimony.
Don’t you know?
Verwoerd is black.

This poem is for you
my brother & sister who have lost taste
of your mother-tongue
in the multiracial Model C schools.
This poem is for you
black mama, who has configured her black being
‘cause black is barbaric.
This poem is the anger of hunger.

[...] Read more

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Will you still accept me as your husband? ? ?

Does only going to the corporate office from an exact 9 in the morning to 9 in the bewitching night; prove that a man is indeed an infallibly true husband to his jubilantly vivacious wife?

Does only possessing a perfectly sculptured masculine and virile body; prove that a man is indeed an unconquerably blessed husband to his euphorically tantalizing wife?

Does only earning infinite bundles of quintessential currency note every month; prove that a man is indeed an inimitably worthy husband to his pristinely effulgent wife?

Does only attending the world’s premium cocktail parties and conferences; prove that a man is indeed a pricelessly undefeatable husband to his wondrously enthralling wife?

Does only draping each conceivable pore of the skin with the most opulent fabric; pearls; and ties available in the world; prove that a man is indeed a stupendously enamoring husband to his beautifully effervescent wife?

Does only attracting gargantuan hordes of crowds towards with the mere essence of a celebrity personality; prove that a man is indeed a deservedly smart husband to his insuperably redolent wife?

Does only unceasingly perpetuating the atmosphere with the scent of majestic cigar smoke and kingly wine; prove that a man is indeed a effulgently princely husband to his poignantly intricate wife?

Does only having an inimitably infallible signature proudly embossed on every existing check; prove that a man is indeed a regally eclectic husband to his triumphantly gyrating wife?
Does only conversing at an unbelievably adroit nineteen to the dozen in the most enviably impregnable British accent; prove that a man is indeed an amazingly fulfilling husband to his unimpeachably contemporary wife?

Does only exuding into a billion globules of perseveringly golden sweat every day; prove that a man is indeed an earnestly hard working husband to his piquantly boisterous wife?

Does only possessing supernaturally miraculous qualities of being able to fly bare-chested in freezing air; prove that a man is indeed a truly devoted husband to his eternally replenishing wife?

Does only possessing an unparalleled sense of humor wherein even the most deliriously suicidal metamorphosed into smiling saints; prove that a man is indeed a proficiently versatile husband to his robustly exhilarating wife?

Does only having a magically unwavering baritone that spell bound millions in minute seconds; prove that a man is indeed a bountifully ardent husband to his unfathomably sensuous wife?

Does only writing countless lines of “Nobel Prize Winning” literature on Immortal Love; prove that a man is indeed an uniquely pioneering husband to his unconventionally Samaritan wife?

Does only endlessly winning over every territory of the boundless earth; prove that a man is indeed a fervently unassailable husband to his magnetically enthralling wife?

Does only being inundated with infinite hair and glistening muscle on the chest; prove that a man is indeed an astonishingly audacious husband to his gregariously pretty wife?

Does only being an unequivocally svelte emperor on the world stage of unprecedented power; prove that a man is indeed a wondrously iridescent husband to his gorgeously supple wife?

Does only indefatigably gallivanting in the most scintillating of “Rolls Royce” and “Mercedes”; prove that a man is indeed an unmatched dream husband to his unfathomably vanity wife?

Does only astoundingly sketching the persona of any organism on the unceasing Universe merely by fantasizing about the same; prove that a man is indeed a jubilantly embracing husband to his charmingly benign wife?

And if didn’t posses even a single quality amongst the several spell bindingly enriching ones as listed above; although each beat of my immortally throbbing heart loves you like noone else could on this tirelessly proliferating planet; will you still accept me as your husband; O! darling wife? ? ?

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Thespis: Act II

DRAMATIS PERSONAE

GODS

Jupiter, Aged Diety
Apollo, Aged Diety
Mars, Aged Diety
Diana, Aged Diety
Mercury

THESPIANS

Thespis
Sillimon
TimidonTipseion
Preposteros
Stupidas
Sparkeio n
Nicemis
Pretteia
Daphne
Cymon

ACT II - The same Scene, with the Ruins Restored


SCENE-the same scene as in Act I with the exception that in place
of the ruins that filled the foreground of the stage, the
interior of a magnificent temple is seen showing the background
of the scene of Act I, through the columns of the portico at the
back. High throne. L.U.E. Low seats below it. All the substitute
gods and goddesses [that is to say, Thespians] are discovered
grouped in picturesque attitudes about the stage, eating and
drinking, and smoking and singing the following verses.

CHO. Of all symposia
The best by half
Upon Olympus, here await us.
We eat ambrosia.
And nectar quaff,
It cheers but don't inebriate us.
We know the fallacies,
Of human food
So please to pass Olympian rosy,
We built up palaces,
Where ruins stood,
And find them much more snug and cosy.

SILL. To work and think, my dear,
Up here would be,

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Samuel Butler

Hudibras: Part 2 - Canto I

THE ARGUMENT

The Knight by damnable Magician,
Being cast illegally in prison,
Love brings his Action on the Case.
And lays it upon Hudibras.
How he receives the Lady's Visit,
And cunningly solicits his Suite,
Which she defers; yet on Parole
Redeems him from th' inchanted Hole.

But now, t'observe a romantic method,
Let bloody steel a while be sheathed,
And all those harsh and rugged sounds
Of bastinadoes, cuts, and wounds,
Exchang'd to Love's more gentle stile,
To let our reader breathe a while;
In which, that we may be as brief as
Is possible, by way of preface,
Is't not enough to make one strange,
That some men's fancies should ne'er change,
But make all people do and say
The same things still the self-same way
Some writers make all ladies purloin'd,
And knights pursuing like a whirlwind
Others make all their knights, in fits
Of jealousy, to lose their wits;
Till drawing blood o'th' dames, like witches,
Th' are forthwith cur'd of their capriches.
Some always thrive in their amours
By pulling plaisters off their sores;
As cripples do to get an alms,
Just so do they, and win their dames.
Some force whole regions, in despight
O' geography, to change their site;
Make former times shake hands with latter,
And that which was before, come after.
But those that write in rhime, still make
The one verse for the other's sake;
For, one for sense, and one for rhime,
I think's sufficient at one time.

But we forget in what sad plight
We whilom left the captiv'd Knight
And pensive Squire, both bruis'd in body,
And conjur'd into safe custody.
Tir'd with dispute and speaking Latin,
As well as basting and bear-baiting,
And desperate of any course,
To free himself by wit or force,

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Let This One Poem Be About Me

Let this one poem be just about me
Let this one poem engulf all my beauty
Let this one poem define my soul
Let this one poem consume me whole
My soul was earth bound
And my heart lay in a place that it would never be found
Let this poem be what entangles my mind
Let this poem be where people will find
They will find that missing link
And this poem it will make them think
They will wonder how this girl came
They will wonder how I avoided fame
I didn’t write these words to please
I wrote these words to tease
My heart it’s the type that beckons for ease
And my taste will not accept the flavor of peas
Let this poem describe me in most simplest of ways
Let this poem show how I get through these days
And I know people will read this and say…
This girl she knew where heart lay…
Let this poem eat me whole
Let me entire heart bleed its luscious love into a broken bowl
My soul wanted only to be free
And this poem only pushed it back into me
I never will lose any part of my soul
Because then this world will swallow my inner being whole
Let this poem be what I hate
Let this poem describe with who I would mate
Let this thoughts become my ways
Let this poem be where I stray
Let this poem show how I lie
Let this poem describe how I will die
Yes I am human I cannot avoid death
Yes I am human I chose not to use meth
These words they dance upon this page
These words they have no age
These verses have lost all meaning
Because I revealed my demeaning
Let this poem describe what I deem right
Let this poem that I will always fight
My age floats through these words
And people will never understand why I want to be heard
Let this poem be only about me
Let this poem be what sets me free
And I know some day people will look at this and say…
This girl, this girl she knew exactly where her heart lay…

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This is a poem....

This isn't a poem of one direction,
This is a poem about perfection.
This isn't a poem about who won the election,
This is a poem about correction.
This isn't a poem of getting it right,
This is a poem of standing up to fight.
This isn't a poem of being lost like a kite,
This is a poem about trying to find the light.
This isn't a poem of running tears,
This is a poem about chasing your fears.
This isn't a poem of love and hate,
This is a poem of destiny and fate.
This isn't a poem of the end,
This is a poem of a heart unable to mend.
This isn't a poem of cruilty and pain,
This is a poem of a thng i need to gain.
This isn't a poem of shame,
This is a poem of fame.
Thsi isn't a poem of the life i let loose,
THIS IS A POEM OF THE TRUTH.

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