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The first monster you have to scare the audience with is yourself.

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I Want A Monster To Be My Friend

Some kids just love
To play with dolls
Or put on funny hats
And some make pets
Of birds and fish
And dogs and
Alley cats
That's not the way
I like to play
I'm tired of all these
I need a very
Special friend
Won't you
Help me please?
I want a monster
To be my playmate
I want a monster
To be my friend
I want to get
For my own pet
A real live monster
Who's not pretend
Oh, I want a monster
To be my playmate
We'd soon become
Good friends because
Although they're hairy
And sometimes scary
They have such soft
And furry paws
If I make friends with
A friendly monster
I'd be the best that a
friend could be
I'd let him do
Whatever he wants to
And he'd always
Belong to me
So, if you know a
Nice old monster
If you've a monster
To recommend
Ooh, golly gee
Please send him to me
I just can't wait
Until then!
I want a monster
A real live monster
I want a monster
Send me my monster

[...] Read more

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Monster Mash

I was working in the lab
And light one night
When my eyes beheld
An eerie sight
When my monster from his slab
Began to rise
And suddenly
To my surprise
He did the mash
He did the monster mash
The monster mash
It was a graveyard smash
He did the mash
It caught on in a flash
The monster mash
Its called the monster mash
The laboratory in the castle eaves
And the master bedroom where the vampire sleeps
The girls all came from their humble abodes
To get a jolt from my electrodes
They did the mash
They did the monster mash
The monster mash
It was a graveyard smash
They did the mash
It caught on in a flash
The monster mash
Its called the monster mash
Zombies were having fun
The party had just begun
The guests included wolfman
Dracula and his little baby boy
The scene was rocking
All the digging sounds
Igor unchained ? ? ? ?
The coffin bangers were about to arrive
With a local group the beach boy five
They did the mash
They did the monster mash
The monster mash
It was a graveyard smash
They did the mash
It caught on in a flash
The monster mash
Its called the monster mash
Mmmm, what luck girl in the audience
Would care to dance with igor?
The monster mash is so ghoul
Muah ha ha ha
Muah ha ha ha

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Charles Baudelaire

Beowulf

LO, praise of the prowess of people-kings
of spear-armed Danes, in days long sped,
we have heard, and what honor the athelings won!
Oft Scyld the Scefing from squadroned foes,
from many a tribe, the mead-bench tore,
awing the earls. Since erst he lay
friendless, a foundling, fate repaid him:
for he waxed under welkin, in wealth he throve,
till before him the folk, both far and near,
who house by the whale-path, heard his mandate,
gave him gifts: a good king he!
To him an heir was afterward born,
a son in his halls, whom heaven sent
to favor the folk, feeling their woe
that erst they had lacked an earl for leader
so long a while; the Lord endowed him,
the Wielder of Wonder, with world's renown.
Famed was this Beowulf: far flew the boast of him,
son of Scyld, in the Scandian lands.
So becomes it a youth to quit him well
with his father's friends, by fee and gift,
that to aid him, aged, in after days,
come warriors willing, should war draw nigh,
liegemen loyal: by lauded deeds
shall an earl have honor in every clan.
Forth he fared at the fated moment,
sturdy Scyld to the shelter of God.
Then they bore him over to ocean's billow,
loving clansmen, as late he charged them,
while wielded words the winsome Scyld,
the leader beloved who long had ruled….
In the roadstead rocked a ring-dight vessel,
ice-flecked, outbound, atheling's barge:
there laid they down their darling lord
on the breast of the boat, the breaker-of-rings,
by the mast the mighty one. Many a treasure
fetched from far was freighted with him.
No ship have I known so nobly dight
with weapons of war and weeds of battle,
with breastplate and blade: on his bosom lay
a heaped hoard that hence should go
far o'er the flood with him floating away.
No less these loaded the lordly gifts,
thanes' huge treasure, than those had done
who in former time forth had sent him
sole on the seas, a suckling child.
High o'er his head they hoist the standard,
a gold-wove banner; let billows take him,
gave him to ocean. Grave were their spirits,
mournful their mood. No man is able

[...] Read more

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Pillow Monster Magically Transforms

Pillow Monster magically gets so big
he has magical powers, he never worked out in the gym.
Pillow Monster now has sweet memories,
memories of the Krendoll characters so sweet.
Pillow Monster can't figure out why he feels so happy inside,
he now has a colorful outfit with a bigger tie,
Pillow Monster is so happy he has a new magical life.
Transformed Pillow Monster is what the neighbors think,
they see Pillow Monster so happy to be alive,
Pillow Monster is so happy for he can't deny,
Pillow Monster gets so big, tears came to his eyes.
Pillow Monster gets bigger and bigger; but he makes it outside
Outside to see the sunshine, he is no longer inside.
Then it rains and makes a lot of mud,
Pillow Monster doesn't mind if he gets stuck.
Stuck in the mud goes Pillow Monster Toe,
then his friend Hamburger Helper Hand—
helps him because he understands…
how excited Pillow Monster is to get so Big…
big like the biggest Pillow Monster that had magically grown,
Magical like Pinocchio's very Long nose.

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Pillow Monster Magically Transforms

Pillow Monster magically gets so big
he has magical powers, he never worked out in the gym.
Pillow Monster now has sweet memories,
memories of the Krendoll characters so sweet.
Pillow Monster can't figure out why he feels so happy inside,
he now has a colorful outfit with a bigger tie,
Pillow Monster is so happy he has a new magical life.
Transformed Pillow Monster is what the neighbors think,
they see Pillow Monster so happy to be alive,
Pillow Monster is so happy for he can't deny,
Pillow Monster gets so big, tears came to his eyes.
Pillow Monster gets bigger and bigger; but he makes it outside
Outside to see the sunshine, he is no longer inside.
Then it rains and makes a lot of mud,
Pillow Monster doesn't mind if he gets stuck.
Stuck in the mud goes Pillow Monster Toe,
then his friend Hamburger Helper Hand—
helps him because he understands
how excited Pillow Monster is to get so Big…
big like the biggest Pillow Monster that had magically grown,
Magical like Pinocchio's very Long nose.

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Monster Skank

Chorus:
I want it I need it I'm headed out for something to break
I got it I'm feeling it I'm headed out on a monster skank
My feet are moving faster than my mind can do no thinking
My body's twisting in contortions that weren't meant to be
My head is spinning like a yo-yo that don't know no better
Off to the special place where there is only room for me
Have a little dance with a twist-hear you were hungry-eat a fist
Chorus
My mind paints pictures but I couldn't find no frame to fit it
Only an artist can create what he don't understand
I tried to tell you but you didn't have no time for reason
Off to my special place where only I am in command
What's to skank?-monster skank'n
Aye got something break'n-we've gone monster skank'n
Roses are red-violets are blues-you're uglier than a monkey-you should live
in a zoo
Chorus
Shoot off your mouth don't like what you said-here's my response a boot to
your head
The wise man feels no pressure then he tells you not to worry
Your inspiration hits me like a ton of falling bricks
Lost in a cemetery of forgotten resolutions
Off to my special place where I can break all that you fix
Aye gone monster skank'n-I don't need nobody
I think something's break'n-I've gone monster skank'n
Is it skank? Monster skank
What kind of skank? Monster skank
It's a monster-a scary scary monster!
Aye got something break'n-we gone monster skank'n
It's a monster

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Orlando Furioso Canto 11

ARGUMENT
Assisted by the magic ring she wears,
Angelica evanishes from view.
Next in a damsel, whom a giant bears
Beneath his arm, his bride Rogero true
Beholds. Orlando to the shore repairs,
Where the fell orc so many damsels slew;
Olympia frees, and spoils the beast of life:
Her afterwards Oberto takes to wife.

I
Although a feeble rein, in mid career,
Will oft suffice to stop courageous horse;
'Tis seldom Reason's bit will serve to steer
Desire, or turn him from his furious course,
When pleasure is in reach: like headstrong bear,
Whom from the honeyed meal 'tis ill to force,
If once he scent the tempting mess, or sup
A drop, which hangs upon the luscious cup.

II
What reason then Rogero shall withhold
From taking with Angelica delight, -
That gentle maid, there naked in his hold,
In the lone forest, and secure from sight?
Of Bradamant he thinks not, who controlled
His bosom erst: and foolish were the knight,
If thinking of that damsel as before,
By this he had not set an equal store;

III
Warmed by whose youthful beauties, the severe
Xenocrates would not have been more chaste.
The impatient Child had dropt both shield and spear,
And hurrying now his other arms uncased;
When, casting down her eyes in shame and fear,
The virtuous ring upon her finger placed,
Angelica descried, and which of yore
From her Brunello in Albracca bore.

IV
This is the ring she carried into France,
When thither first the damsel took her way;
With her the brother, bearer of the lance,
After, the paladin, Astolpho's prey.
With this she Malagigi's spells and trance
Made vain by Merlin's stair; and on a day
Orlando freed, with many knights and good,
From Dragontina's cruel servitude:

[...] Read more

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Orlando Furioso Canto 17

ARGUMENT
Charles goes, with his, against King Rodomont.
Gryphon in Norandino's tournament
Does mighty deeds; Martano turns his front,
Showing how recreant is his natural bent;
And next, on Gryphon to bring down affront,
Stole from the knight the arms in which he went;
Hence by the kindly monarch much esteemed,
And Gryphon scorned, whom he Martano deemed.

I
God, outraged by our rank iniquity,
Whenever crimes have past remission's bound,
That mercy may with justice mingled be,
Has monstrous and destructive tyrants crowned;
And gifted them with force and subtlety,
A sinful world to punish and confound.
Marius and Sylla to this end were nursed,
Rome with two Neros and a Caius cursed;

II
Domitian and the latter Antonine;
And, lifted from the lowest rabble's lees,
To imperial place and puissance, Maximine:
Hence Thebes to cruel Creon bent her knees,
Mezentius ruled the subject Agiline,
Fattening his fields with blood. To pests like these
Our Italy was given in later day,
To Lombard, Goth, and Hun a bleeding prey.

III
What shall I of fierce Attila, what say
Of wicked Ezzeline, and hundreds more?
Whom, because men still trod the crooked way,
God sent them for their pain and torment sore.
Of this ourselves have made a clear assay,
As well as those who lived in days of yore;
Consigned to ravening wolves, ordained to keep
Us, his ill-nurturing and unuseful sheep;

IV
Who, as if having more than served to fill
Their hungry maw, invite from foreign wood
Beyond the mountain, wolves of greedier will,
With them to be partakers of their food.
The bones which Thrasymene and Trebbia fill,
And Cannae, seem but few to what are strewed
On fattened field and bank, where on their way
Adda and Mella, Ronco and Tarro stray.

[...] Read more

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Monster Men

Pop
Five little monsters were riding through space
Their spaceship broke and they fell into this place
They gotta get out but they dont know how
So theyre waiting and waiting in a creepy creepy house
The whole human race is already pretty loony
But the ones who move in this house are gonna go boony
Monsters live on tv never in the zoo
Hang around with us and youll be a monster too
Lalala lalalala we like monster men
Lalala lalalala we like monster men
Poor old stereo he aint sure just what he knows
Etno is intelligent hes quite a super-head
Gorgious is a great big guy but hes fat from too much pie
Bud is cool of course its true but hes a tv fool
Lalala lalalala we like monster men
Lalala lalalala we like monster men
Candy is the sweetest one cleans and cooks and acts like mom
All of them are going nutz their spaceships on the futz
The human race gets in their face gotta drive the from this place
Of course theyve got smtv nightmares for the family
Lalala lalalala we like monster men
Lalala lalalala we like monster men
Gotta get and ride home baby gotta get and ride now
Gotta get and ride home baby but they dont know how
Lalala lalalala we like monster men
Lalala lalalala we like monster men

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Orlando Furioso Canto 10

ARGUMENT
Another love assails Bireno's breast,
Who leaves one night Olympia on the shore.
To Logistilla's holy realm addressed,
Rogero goes, nor heeds Alcina more:
Him, of that flying courser repossest,
The hippogryph on airy voyage bore:
Whence he the good Rinaldo's levy sees,
And next Angelica beholds and frees.

I
Of all the loves, of all fidelity
Yet proved, of all the constant hearts and true,
Of all the lovers, in felicity
Or sorrow faithful found, a famous crew,
To Olympia I would give the first degree
Rather than second: if this be not due,
I well may say that hers no tale is told
Of truer love, in present times or old.

II
And this she by so many proofs and clear,
Had made apparent to the Zealand lord,
No woman's faith more certain could appear
To man, though he her open heart explored:
And if fair truth such spirits should endear,
And they in mutual love deserve reward,
Bireno as himself, nay, he above
Himself, I say, should kind Olympia love.

III
Not only should he nevermore deceive
Her for another, were that woman she
Who so made Europe and wide Asia grieve,
Or fairer yet, if one more fair there be;
But rather that quit her the light should leave,
And what is sweet to taste, touch, hear, and see,
And life and fame, and all beside; if aught
More precious can in truth be styled, or thought.

IV
If her Bireno loved, as she had loved
Bireno, if her love he did repay
With faith like hers, and still with truth unmoved,
Veered not his shifting sail another way;
Or ingrate for such service - cruel proved
For such fair love and faith, I now will say;
And you with lips comprest and eye-brows bent,
Shall listen to the tale for wonderment;

[...] Read more

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Orlando Furioso Canto 10

ARGUMENT
Another love assails Bireno's breast,
Who leaves one night Olympia on the shore.
To Logistilla's holy realm addressed,
Rogero goes, nor heeds Alcina more:
Him, of that flying courser repossest,
The hippogryph on airy voyage bore:
Whence he the good Rinaldo's levy sees,
And next Angelica beholds and frees.

I
Of all the loves, of all fidelity
Yet proved, of all the constant hearts and true,
Of all the lovers, in felicity
Or sorrow faithful found, a famous crew,
To Olympia I would give the first degree
Rather than second: if this be not due,
I well may say that hers no tale is told
Of truer love, in present times or old.

II
And this she by so many proofs and clear,
Had made apparent to the Zealand lord,
No woman's faith more certain could appear
To man, though he her open heart explored:
And if fair truth such spirits should endear,
And they in mutual love deserve reward,
Bireno as himself, nay, he above
Himself, I say, should kind Olympia love.

III
Not only should he nevermore deceive
Her for another, were that woman she
Who so made Europe and wide Asia grieve,
Or fairer yet, if one more fair there be;
But rather that quit her the light should leave,
And what is sweet to taste, touch, hear, and see,
And life and fame, and all beside; if aught
More precious can in truth be styled, or thought.

IV
If her Bireno loved, as she had loved
Bireno, if her love he did repay
With faith like hers, and still with truth unmoved,
Veered not his shifting sail another way;
Or ingrate for such service - cruel proved
For such fair love and faith, I now will say;
And you with lips comprest and eye-brows bent,
Shall listen to the tale for wonderment;

[...] Read more

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It Don't Scare Me None

Written by: Larry Crane
Performed by: John Mellencamp
Well, it don't scare me none,
I've been there before,
Sideswiped an old Oak tree
In a rusted-out old Ford.
Shot at guys who were shootin' back
In the Second World War,
And it don't scare me none
I've been there before.
Well I fell in love with a woman
Who did not love me back,
Bare-handled rattle snakes
And threw 'em in a sack,
Honkey tonked with strangers
Who were eating broken glass,
Well, it don't scare me none
'Cause I'll be comin' back.
I take from my loved ones
To gamble on my friends,
I take the long way home
And the fun never ends,
Woke up blurry-eyed
Wonderin' where I've been,
I've wrestled with my conscience,
But my conscience never wins.
No you don't scare me none,
I've been there before
Sideswiped an old Oak tree
In a rusted-out old Ford.
Shot at guys who were shooting back
In the Second World War,
And it don't scare me none
I've been there before.
Well, the preacher man, he told me
I'd better change my ways,
Put a lid on the boilin' pot
Or there'd be Hell to pay,
Hell ain't no place
For a guy to jump the track,
But it don't scare me none
'Cause man, I'm coming back.
Well it don't scare me none,
I've been there before,
Sideswiped an old Oak tree
In a rusted-out old Ford.
Shot at guys who were shooting back
In the Second World War,
And it don't scare me none,
'Cause I've been there before.

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The Big Big Whoredom

Come on baby turn that frown upside down
Tell me why you aint been around
What is it brings you down?
We work the hardest to be the smartest (we work)
We work the hardest to be the smartest (we work)
We work the hardest to be the smartest (we work)
We work the hardest to be the smartest (we work)
And the big big whoredom scared me
No, no, baby I aint convinced it aint so bad as you paint it
Theres plenty more heads of hair for us out there
Well strike it rich, a monster switch (monster)
Well strike it rich, a monster switch (monster)
Well strike it rich, a monster switch (monster)
Well strike it rich, a monster switch (monster)
But the big big whoredom scares me (no no it doesnt do that)
The big big whoredom scares me (no no dont be sad)
The big big whoredom scares me (please please stop it)
The big big whoredom scares me (dont dont)
The big big whoredom scares me (please)
The big big whoredom scares me (no)
The big big whoredom scares me
The big big whoredom scares me
The big big whoredom scares me

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Thespis: Act II

DRAMATIS PERSONAE

GODS

Jupiter, Aged Diety
Apollo, Aged Diety
Mars, Aged Diety
Diana, Aged Diety
Mercury

THESPIANS

Thespis
Sillimon
TimidonTipseion
Preposteros
Stupidas
Sparkeio n
Nicemis
Pretteia
Daphne
Cymon

ACT II - The same Scene, with the Ruins Restored


SCENE-the same scene as in Act I with the exception that in place
of the ruins that filled the foreground of the stage, the
interior of a magnificent temple is seen showing the background
of the scene of Act I, through the columns of the portico at the
back. High throne. L.U.E. Low seats below it. All the substitute
gods and goddesses [that is to say, Thespians] are discovered
grouped in picturesque attitudes about the stage, eating and
drinking, and smoking and singing the following verses.

CHO. Of all symposia
The best by half
Upon Olympus, here await us.
We eat ambrosia.
And nectar quaff,
It cheers but don't inebriate us.
We know the fallacies,
Of human food
So please to pass Olympian rosy,
We built up palaces,
Where ruins stood,
And find them much more snug and cosy.

SILL. To work and think, my dear,
Up here would be,

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The Monster of Mr Cogito

1

Lucky Saint George
from his knight's saddle
could exactly evaluate
the strength and movements of the dragon

the first principle of strategy
is to assess the enemy accurately

Mr Cogito
is in a worse position
he sits in the low
saddle of a valley
covered with thick fog

through fog it is impossible to perceive
fiery eyes
greedy claws
jaws

through fog
one sees only
the shimmering of nothingness

the monster of Mr Cogito
has no measurements
it is difficult to describe
escapes definition

it is like an immense depression
spread out over the country

it can't be pierced
with a pen

with an argument
or spear

were it not for its suffocating weight
and the death it sends down
one would think
it is the hallucination
of a sick imagination
but it exists
for certain it exists

like carbon monoxide it fills
houses temples markets

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I Am The Audience

I am the audience
Theres no doubt, no consequence
I could make the morning papers
If I use my capers
Lets be the audience
I might lose my patience
Polite applause excepted
To the ones selected, as the audience...
Oh I ... am the audience
No doubt, no consequence
Cause Im the audience
Lets be the audience
I might lose my patience
Polite applause excepted
To the ones selected
I am the audience
Breakdown the pretence
No longer be silent
Lets turn to violence
I am the audience

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I Am The Audience

I am the audience
Theres no doubt, no consequence
I could make the morning papers
If I use my capers
Lets be the audience
I might lose my patience
Polite applause excepted
To the ones selected, as the audience...
Oh I ... am the audience
No doubt, no consequence
Cause Im the audience
Lets be the audience
I might lose my patience
Polite applause excepted
To the ones selected
I am the audience
Breakdown the pretence
No longer be silent
Lets turn to violence
I am the audience

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The ten commandments of communication

The ten commandments of communication

Verify your ideas before clarification, as to whether the contents of your
communication will really serve the purpose of your communication. Consult others, where appropriate, the communication plan. This will help you decide the audience-based right content, flow, duration and location.

Make clear to the audience the true purpose of communication. Make it known to the audience as to what you want them to do after receiving the inputs from you. It can be just an act, can be an attitudinal change, can be drawing a strategy or plan of action.

Ensure you are in the right set of environment for the communication.
Communication is not effected just by words and gestures, but also by the quality of place where you communicate.

Take into confidence your audience. Encourage them to come out with their experience in the subject of communication. Accordingly polish your ways.

Be sure where to emphasize and where to dilute. Check yourself the
overtones and emphasis on messages conveyed, as audience may not notice.

Avoid being theoretical all through. Give practical examples. Enthuse
audience to come out with problems, connected with the subject and offer, if possible, practical solutions.

Follow up with what you communicate. Ensure audience is with you through the entire communication. Give no impression that you are evaluating their ability to absorb.

Demonstrate that you practice what you preach. Your past experiences may come handy.

Communicate for tomorrow, based on previous learning, enabling the audience visualize new horizons on the subject of communication.

Last, but not the least, seek not to be understood, but to understand. Be a good listener too.

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Metamorphoses: Book The Twelfth

PRIAM, to whom the story was unknown,
As dead, deplor'd his metamorphos'd son:
A cenotaph his name, and title kept,
And Hector round the tomb, with all his brothers,
wept.
This pious office Paris did not share;
Absent alone; and author of the war,
Which, for the Spartan queen, the Grecians drew
T' avenge the rape; and Asia to subdue.
The A thousand ships were mann'd, to sail the sea:
Trojan War Nor had their just resentments found delay,
Had not the winds, and waves oppos'd their way.
At Aulis, with united pow'rs they meet,
But there, cross-winds or calms detain'd the fleet.
Now, while they raise an altar on the shore,
And Jove with solemn sacrifice adore;
A boding sign the priests and people see:
A snake of size immense ascends a tree,
And, in the leafie summit, spy'd a nest,
Which o'er her callow young, a sparrow press'd.
Eight were the birds unfledg'd; their mother flew,
And hover'd round her care; but still in view:
'Till the fierce reptile first devour'd the brood,
Then seiz'd the flutt'ring dam, and drunk her
blood.
This dire ostent, the fearful people view;
Calchas alone, by Phoebus taught, foreknew
What Heav'n decreed; and with a smiling glance,
Thus gratulates to Greece her happy chance:
O Argives, we shall conquer: Troy is ours,
But long delays shall first afflict our pow'rs:
Nine years of labour, the nine birds portend;
The tenth shall in the town's destruction end.
The serpent, who his maw obscene had fill'd,
The branches in his curl'd embraces held:
But, as in spires he stood, he turn'd to stone:
The stony snake retain'd the figure still his own.
Yet, not for this, the wind-bound navy weigh'd;
Slack were their sails; and Neptune disobey'd.
Some thought him loth the town should be destroy'd,
Whose building had his hands divine employ'd:
Not so the seer; who knew, and known foreshow'd,
The virgin Phoebe, with a virgin's blood
Must first be reconcil'd: the common cause
Prevail'd; and pity yielding to the laws,
Fair Iphigenia the devoted maid
Was, by the weeping priests, in linnen-robes
array'd;
All mourn her fate; but no relief appear'd;
The royal victim bound, the knife already rear'd:

[...] Read more

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Duel Madness

(Virtual systems ready)
Got to find a way just to play just a little game
Got a compulsion, want to be a champion
Got to feel the heart, got to be smart play the card
Got to get inside the mind of my counterpart
Yeah!
That's the key, I'm a split personality
Duel Sensation, that's my destiny
I've got Duel Madness in my brain
Monster influence, in my veins
Got find a way inside this fantasy
Holographic Duelling Monster reality
Got to find a way, got to see my strategies
Yu-Gi-Oh! I'm a dual duality
I've got Duel Madness in my brain
Summon the Dragon. Blue-Eyes White
Send in the Swords of Revealing Light
Will Yugi control the power
Or will the power control Yugi?
Got a card face down, make a face-up crowd
Face up, showdown, say the words out loud
Duel Madness!
I've got Duel Madness in my brain
Monster influence, in my veins
Got to think be wise, realise the situation
Animate your cards, make a power combination
Sick-a-pow, Sick-a-Pow
Sick-a-sick-a-pow, Pow
Wanna do, wanna do
What I wanna wanna do?
Sick-a-pow, Sick-a-Pow
Sick-a-sick-a-pow, Pow
Wanna do, wanna do
What I wanna wanna do?
Sick-a-pow, Sick-a-Pow
Sick-a-sick-a-pow, Pow
Wanna do, wanna do
What I wanna wanna do?
I've got Duel Madness in my brain
Monster influence, in my veins
I've got Duel Madness in my brain
Monster influence, in my veins
I've got Duel Madness in my brain
Monster influence, in my veins

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